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Forest landscape with building at upper right; path through forest leads to bridge over water; small figure on path; wall surrounding building and forest

Hillside with Pine Trees, Water, c. 1630

Cheng Jiasui

G218

few dwelling huts in an atmospheric rocky riverside setting; in a wood case

Misty Trees and Mountain Range, c. 1670

Dong Qichang

Not on View
large rock with open area in center, surrounded by tall grasses, flowers and leafy branches; 2 fields of text on L and R on silk

Plum, Narcissus and Rock, 1679

Wang Wu

G218

House with fence and trees at left center; horse and male figure at right center; figure in a boat at lower left; mountains in background

Boat on River, Travelers and House on Shore, c. 1630

Cheng Jiasui

G218

Four figures and horse (donkey ?)in a boat at center foreground, lower left foreground trees and walking figure, two small figures right center, hills in right background

Boat Carrying Figures and Horse, c. 1630

Cheng Jiasui

G218

bridge between rocks

Bridge Between Rocks, c. 1630

Cheng Jiasui

G218

Mountain landscape with two mounted figures and one walking on a path through the mountains; group of trees at lower center; at right lower center a small building

Mountain Grove with Path, c. 1630

Cheng Jiasui

G218

three larger trees in middle foreground; smaller leafier trees in URQ; rocky cliffs beneath leafy trees; rocky cliffs in LLQ; person sitting on middle of L hand rocks; chop mark in LR area; four columns of calligraphy characters plus characters above one large chop mark to L of columns accordian style album, wood covers; eight images, alternating with text, single page of text at end

Two leaves from a landscape album, 1621

Li Liufang

G218

two album leaves mounted on boards and matted; left is calligraphic; right is landscape with a group of four trees in center in slightly sloped landscape from accordion-style album, wood covers; eight images, alternating with text, single page of text at end

Two album leaves from a landscape album, 1621

Li Liufang

G218

two album leaves mounted on boards and matted; left is calligraphic; right is landscape, rocky foreground with three central trees with birds (2), two trees (bare) on right, mountains in background, river (?) between; from accordion-style album, wood covers; eight images, alternating with text, single page of text at end

Two album leaves from a landscape album, 1621

Li Liufang

G218

two album leaves mounted on boards and matted; left is calligraphic; right is landscape with two trees on a rock at center, large rock with vine or tree at right background, small rock at left foreground; from accordion-style album, wood covers; eight images, alternating with text, single page of text at end

Two album leaves from a landscape album, 1621

Li Liufang

G218

two album leaves mounted on boards and matted; left is calligraphic; right is landscape with mountains in background; rocky middle ground with two buildings; trees with leaves in foreground from accordion-style album, wood covers; eight images, alternating with text, single page of text at end

Two album leaves from a landscape album, 1621

Li Liufang

G218

two album leaves mounted on boards and matted; left is calligraphic; right is landscape large mountain in center, two or three leafy trees at mountain base foreground, two buildings (?) behind them, other trees at right middle ground, other mountains upper left and right from accordion-style album, wood covers; eight images, alternating with text, single page of text at end

Two album leaves from a landscape album, 1621

Li Liufang

G218

two album leaves mounted on boards and matted; left is calligraphic; right is landscape with two trees on large rocks lower center foreground, left of trees in middle ground is a building, three smaller trees far right, mountains in background from accordion-style album, wood covers; eight images, alternating with text, single page of text at end

Two album leaves from a landscape album, 1621

Li Liufang

G218

two album leaves mounted on boards and matted; left is calligraphic; right is landscape with mountains in background, three trees in center middle ground, two smaller trees to right in foreground with rocks, waterfall, and river from accordion-style album, wood covers; eight images, alternating with text, single page of text at end

Two album leaves from a landscape album, 1621

Li Liufang

G218

wild tangle of tree branches and roots; some mountains in background; painted on flecked paper

%C2%A9 2010 Luo Jianwu

Cypress at jade mountain, 2010

Luo Jianwu

G201

bald headed, friendly-appearing figure at left holding a bag open between his hands, which extends toward left; two bold text characters on bag and three thinner characters; two red seals at left center at bottom of bag; blue and brown mount

Budai Opening His Sack, mid 18th century

Hakuin Ekaku

G222

%C2%A9 Nicolas Africano

Sheriff I Deliver Ramerrez, the Highway Man to Your Charge. Justice Must Be Done., 1963

Nicolas Africano

Not on View
The details of the figure are made up of calligraphic allusions to the deity's attributes and qualities.

Tenjin on His Way to China, mid 18th century

Hakuin Ekaku

G222

ink drawing of skinny elderly man in straw hat running toward L, carrying a long pole that he aims at a dangling object in a tree at UL; inscription at R

Bird Catcher, 18th century

Hakuin Ekaku

G222

seven lines of text; two square red seals, LLC; light rectangular red seal, URC

Du Fu's Eight Immortals of the Wine Cup, second half 17th century

Kitajima Setsuzan

G252

first of two albums; tan silk covered cardboard covers; inside of front cover has abstracted foliage imagery with gold leaf; double-sided pages of calligraphy with four characters per page; primarily bold characters; four pages near front of scroll with characters made of very thin lines

Model Book of the "Thousand Character Classic", pt. 1, second half 17th century

Sasaki Shizuma

G252

second of two albums; tan silk covered cardboard covers; inside of front cover has abstracted foliage imagery with gold leaf; double-sided pages of calligraphy with primarily four characters per page; primarily bold characters; some characters are very pointed; two pages of thin, closely-spaced, freeform characters; two pages of very looping, organic characters

Model Book of the "Thousand Character Classic", pt. 2, second half 17th century

Sasaki Shizuma

G252

two lines of fat, bold calligraphy

%C2%A9 Kaneko Tohta

The Carp in the Valley, 1972 (?)

Kaneko Tohta

G251

three full lines and one partial line of bold text; two short lines of smaller text below partial line of text at left edge; two square red seals, LLQ

Mount Fuji, late 18th century

Shibano Ritsuzan

G252

two larger characters in horizontal format; two small characters with two red seals at left; one red seal, URC

Window Snow, late 17th - early 18th century

Kō Gentai

G253

four large, bold characters arranged vertically; large square intaglio stamp LL edge; large rectangular intaglio stamp LL edge

%C2%A9 Suda Kokuta

God of Heaven, Spirits of the Earth, 1980s

Suda Kokuta

G251

five large, bold characters; two red seals at left edge above bottom character

Peaceful Words, second half 17th century

Kitajima Setsuzan

G252

image of woman rising out of a body of water, wearing a billowing garment and surrounded by waves; 8 men on shore observe woman, with 10 other men further from shore; image followed by panel of text

Nymph of the Luo River, 1591

Wang Shanggong

G203

one vertical line of eight characters; two red seals LC with line of smaller characters above

A Confucian principle, 1771

Itsuzan

G251

short columns of bold calligraphy; four lines of smaller text at end

Du Fu's Eight Immortals of the Wine Cup, late 17th - early 18th century

Terai Yōsetsu

G252

Hanging scroll

Landscape, 18th century

Unknown Japanese

Not on View
tan, textured paper ground with abstract, sparse painting in black comprised of two thick, round globs and wavy, broad strokes

%C2%A9 Morita Shiry%C5%AB

Return, 1961

Morita Shiryū

G253

letter with many lines of thin script in black on white; two sheets-narrow sheet with three characters at L

Letter with Haiku to Mr. Yanagi, 18th-19th century

Sakai Hōitsu

G253

bamboo in varying shades, interspersed with lines of text; matted

Bamboo, 1735

Xu Bin; Artist: In the manner of Su Shi

G203

Scroll painting

Plum Blossom, 1454

Wang Qian

G203

Dragon [right of the pair Dragon and Tiger], 16th century

Yamada Dōan

Not on View

Egrets in Willow [left of the pair Egrets in Plum and Willow], second half 16th century

Sesson Shūkei

Not on View
one long line of calligraphy (14 characters); signature center L edge; light mauve mount

Sound of waves, early - mid 19th century

Kikuchi Gozan

G252

15 lines of calligraphy; thin, precise lines; tan, brown and green mount

On the Calligraphy of Emperor Saga, 1783, 3rd lunar month

Ryū Kōbi

G251

six lines, seal LLC; mounted to sheet with gold flecks, brocade border, and gold background

Two Poems by Yan Xiufu, late 18th - early 19th century

Kameda Bōsai

G251

long line of expressive calligraphy, shorter signature line at L; light grey-green mount

Single Line from Zhuangzi, second half 19th century

Doi Gōga

G253

two and one half lines of soft, looping calligraphy; oval relief seal URC; large square relief seal LL; smaller square intaglio seal LL

Amid the Mountains, second half 19th century

Yamanaka Shinten'ō

G253

five lines of very small calligraphy on a tiny sheet of paper, mounted inside a circle with green and beige outer mount

Ninth Month, first half 18th century

Gion Nankai

G253

two large characters arranged vertically; gray and blue mount

Pines and Vines, second half 18th century

Chō Tōsai

G252

four lines of calligraphy with smaller, shorter fifth line at L; brown mount with blue brocade

Confucian Exhortation, second half 18th century

Chō Tōsai

G252

two full lines of calligraphy plus third shorter line in sharp, cursive text

Threads of Gold, mid 19th century

Kōno Tettō

G253

black and white image; group of three musicians rendered in geometric style

%C2%A9 Amano Kazumi

Untitled [musicians performing Owara-bushi], late 1950s

Amano Kazumi

G226

black and white image; blocky clouds in sky; mountains in center; groups of shrubs and buildings in in LLC

%C2%A9 Amano Kazumi

Untitled [mountain scape with river], late 1950s

Amano Kazumi

G226

mountains; village in middle ground; boater at bottom center

%C2%A9 Amano Kazumi

Untitled [mountains, village, and boater], late 1950s

Amano Kazumi

G226

unsigned and undated; two roosters facing each other against black background

%C2%A9 Amano Kazumi

Untitled [two roosters], 1960

Amano Kazumi

G226

blocky black and white image divided in sections; contorted figure at L with mouth opened, looking up; white tower with black text at R; two figures bottom C holding a pot of metal; stick figures at R stoking a kiln; two figures pulling rope nearby

%C2%A9 Amano Kazumi

Colophon (part 1), July 1957

Amano Kazumi

G226

blocky black and white image divided in sections; block of text at C shaped like a cauldron with line drawings of buildings in background; at top, a figure is bent over an object with silhouetted figure in doorway at R; three scenes at bottom: people working in front of a kiln, carving a mold, and hammering a vessel

%C2%A9 Amano Kazumi

Description (part 2), July 1957

Amano Kazumi

G226

blocky black and white image divided in sections; human figure at R holding long object, appears to be yelling; two figures in small building at C, text and workers nearby; laborer at LL hammering a vessel, and one at LR turning an object on a lathe; harvesting scene at top

%C2%A9 Amano Kazumi

Second song (part 4), July 1957

Amano Kazumi

G226

blocky black and white image divided in sections; figure holding staff overhead R of C; text and metal vessels to his L; foundry workers opening molds at bottom; large cast bell at LL; figure walking down dark alley at top, with another figure in a darkened building UR

%C2%A9 Amano Kazumi

Fourth song (part 6), July 1957

Amano Kazumi

G226

blocky black and white image divided in three parts; abstracted figure at R holding staff; village in center band with figures in front buildings, two of whom are holding a smelting pot; at bottom, figures fill pots, carve, and open molds; at top, a man pulls a cart at R; figures seated in building with vessels UL

%C2%A9 Amano Kazumi

First song (part 3), July 1957

Amano Kazumi

G226

blocky black and white image divided in sections; figure at R with head tilted; foundry workers at lower portion of image pouring metal and hammering; figures stoking fires at C, and driving poles; text around C; at top, a female figure delivers a box to a seated figure at L

%C2%A9 Amano Kazumi

Third song (part 5), July 1957

Amano Kazumi

G226

primitive "schoolgirl" drawing of seminary and school grounds with brick buildings and white building, gazebos and sheds; black oval border with yellow flowers in corners

Untitled, 19th century

Unknown American, 19th century

Not on View
Page from the 'Shah Nama'; illustration of Alexander the Great (356-323 B.C.) subduing the Africans; depiction of a realistic sixteenth-century Islamic battle

Iskandar (Alexander the Great) Battling the Zangi, c. 1550

Iran

Not on View

Album of Twelve Inkstone Paintings, one leaf of twelve, 1729

Bian Shoumin

G217

two chicks facing center, one above the other at opposite sides, place at lower third of sheet; blank background

Two Chicks, c. 1694

Zhu Da

Not on View
three trees with two large rocks at proper left

Lofty Pines and Great Rock, 1639

Cheng Jiasui

Not on View
long central panel of script flanked on left by newer text, smaller in scale, and on the right by a single line of horizontal larger scale text

Three Ancient Poems in Cursive Script, c. 1535

Chen Chun

Not on View
35 leaf album of ink rubbings with over 20 collector's seals; single loose page included in back cover

Rubbings of the Sheng-chiao hsu Stele, 12th century

Wang Hsi-chih

Not on View

Bamboo in Snow, 1689 (dated)

Zhang Jian

Not on View
13th century rubbing of the Li Sixun Bei, engraved in 720 A.D., incomplete; accordian album of nine rubbing leaves, three pages of hand written text; two pages with writing lines and no text

Rubbings of the Li Ssu-hsun, 13th century

Li Yung

Not on View

Bamboo and Rocks, c. 1760

Zheng Xie

Not on View
rocky island with bare trees. Paintings - Album

Landscape in the Manner of Ni Zan, early 17th century

Cheng Jiasui

Not on View
Note artist also called Seng-mi, Kua-ch'ou and Kuan-yuan-sou.

Bamboo, 1629

Shao Mi

Not on View

%C2%A9 2002 Artists Rights Society %28ARS%29%2C New York %2F ADAGP%2C Paris

Standing Nude, 1964

Marcel Gromaire

Not on View
Boy with left hand on hip

Copyright of the artist%2C artist%27s estate%2C or assignees

Ragamuffin, 20th century

Max Unold

Not on View
grapevine that swirls up from LRC to ULC to URC and down again; three grape clusters in upper half; one at each side center; one squirrel URQ, one LLQ; cricket R center

Squirrels and Grapevine, 1905

Bai Haonian

Not on View

Verse in Cursive Script, c. 1410

Chieh Chin

Not on View
four paintings mounted as two hanging scrolls; crabs crawling amid leaves and stems; inscriptions in ULC

One Hundred Crabs, 1835

Zhao Ziyong; Artist: Zhao Guangqi

Not on View
winding river through rocky landscape with small bridge; figure in boat; nearly invisible buildings, nestled in mountain crevices

Landscape after Dong Yuan, 1775

Wang Chen

Not on View
six-panels showing a landscape with two male figures and an ox; man in UL lies prone atop a rocky cliff with his right hand extended; man in center leads ox out of a wooden structure with a thatched roof; thick cloud cover present in first four panels

Xu You and Chao Fu [left of a pair of the Legends of Xu You, Chao Fu, and Bo Le], early 1760s

Soga Shōhaku

Not on View
rock at LR with thin frond like leaves, sharp brambles, and delicate orchid

Orchids, Bamboo, and Brambles [right of a pair], late 14th-early 15th century

Gyokuen Bonpō

Not on View
delicate orchid fronds with reed-like flowers and stylized rock at LL

Orchids, Bamboo, and Brambles [left of a pair], late 14th-early 15th century

Gyokuen Bonpō

Not on View
misty landscape with rolling hills; building at center; bridge in LLQ; 2 figures at lower center; inscriptions on silk panels

Landscape in the Style of Mi Fu, 14th century

Attributed to Gao Kegong

Not on View
image of a single, leafless tree rendered in faded transparent black ink; many thin delicate branches extend outward; simple, white background; certificate of authenticiy in a plastic sleeve on bottom center on back of frame

%C2%A9 Roxy Paine

Study No. 1 for “New Amalgam”, 2016

Roxy Paine

Not on View
gnarled branch of a blossoming tree arching across lower portion of scroll, with vertical branches stretching upward; inscription ULQ

Plum Tree, 19th century

Nakabayashi Seishuku

Not on View
black ink on yellowed paper; image of single figure holding a mask over their face; knee-length robe cinched around the figure's waist; striped long-sleeved top worn under robe; PL leg crossed in front of PR; figure holds a pomegranate in PR hand; loosely sketched exterior background

%C2%A9 Sylvia Fein

Self-portrait with pomegranates/costume design, 1943

Sylvia Fein

Not on View

A Man Gathering Plants, 1625-1650

Persia (Iran)

Not on View
Shiva sits with Parvati on top of a flayed tiger skin. Shiva wears a necklace of human heads and holds an antelope in his upper left hand, a blade in his upper right, a trident in his lower left, and rudraksha beads in his lower right.

Uma Maheshvara (Shiva and Parvati), late 19th century

India

Not on View
two ladies (recto), mother and child, probably Krishna and Yashoda (verso) illustration from a Ramayana series; Bikaner

Two Court Ladies, Mother and Child (reverse), c. 1810

India

Not on View
illustration from a Ramayana series; Bikaner

Poppy Blossom, c. 1650

India

Not on View
illustration from a Ramayana series; Chamba

Battle between the Monkeys and Ravana, c. 1735

India

Not on View

Rama and Lakshmana Visit Sita or Suparanakha, 1760

India

Not on View
Four of the Rubbings have been mounted as hanging scrolls. the rest are simply rolled. Dates refer to the date of the tombs; rubbings are XX c.

Rubbing from the Wu Family Shrine Depicting Centuries Meeting Lao-tz'u, 2nd century

China

Not on View
illustration from a Ramayana series; Sirohi

Megha Raga, c. 1780

India

Not on View
illustration from a Ramayana series: Kangra

Gods and Demons Adoring Siva, c. 1780

India

Not on View
Sotheby's, NY Lot 111

Sign for Longevity in Running Script (xing shu), Date Unknown

China

Not on View
illustration from a Ramayana series; Kotah or an Imaginary Courtesan

Girl at Her Toilet, c. 1810

India

Not on View
illustration from a Ramayana series; Kishangarh

Two Caparisoned Horses and a Dead Tiger, c. 1800

India

Not on View
illustration from a Ramayana series;

Potter, c. 1775

India

Not on View
illustration from a Ramayana series; Chamba

Portrait Studies of Two Noblemen, c. 1680

India

Not on View
illustration from a Ramayana series; Kotah

Raja Ram Singh I On an Elephant, c. 1720

India

Not on View
landscape painting-album leaf mounted on scroll

Landscape painting, 18th century

China

Not on View

Cooking in the Open, 16th century

Iran

Not on View
twenty-three lines of black text

Buddhist Text: Fragment from Tun Huang Cave Sanctuary, c. 600

Dunhuang

Not on View
2 leaves of text followed by image of small figure at center contemplating a vase with foliage, in a rocky landscape; from an album of 12 drawings in ink and wash; short inscription and stamps in red

Album Leaf and Two Text Leaves, from "Landscapes from Nature, Poetry, and Art", 1774

Wang Chen

Not on View

Running Script Calligraphy (xing shu), 17th-18th century

Yang Bin

Not on View
Christie's, NY, Lot 98

Bamboo and Plum Blossoms, 18th-19th century

Xi Gang

Not on View

%C2%A9 Gunars Strazdins

Save Valpo, 1969

Gunars Strazdins

Not on View

%C2%A9 Jud Fine

Red Chicken Corner Study, 1971

Jud Fine

Not on View

%C2%A9 John Wesley

The Kiss, 1964

John Wesley

Not on View
Hanging scroll

Cursive Script Calligraphy (Ts'ao-shu), early 16th century

Wu Yingmao

Not on View

Calligraphy in Kai-Shu Script, late 17th century

Wang Yuan-ch'i

Not on View

Copyright of the artist%2C artist%27s estate%2C or assignees

Landscape with Trees, c. 1930-1940

Bob Brown

Not on View
large expanse of sky at top of image with mountains in background; very tall trees in front of a small building in LLC

Landscape in the Manner of Ni Zan, 1717

Huang Ding, 1660-1730

Not on View
trade card; reads "Gurney's Premium Gallery- 189 Broadway, New York. The oldest establishment in the city. Mr. G. attends personally to his sitters and no picture is allowed to leave his gallery unless it is perfectly satisfactory."

Untitled, 1840-1852

Jeremiah Gurney

Not on View
2 large bamboo shoots, one diagonally from UL to LR corners, other behind, on a slight diagonal to opposite corners

Bamboo Shoots, from an album of vegetables, Date Unknown

Bian Shoumin

Not on View
3 eggplants with stems and leaves attached

Eggplants, from an album of vegetables, Date Unknown

Bian Shoumin

Not on View

Daikon Radish, from an album of vegetables, Date Unknown

Bian Shoumin

Not on View
Mountain landscape with central tree; building at base of tree; two figures on mountain path, one mouted ,one walking carrying a pole

Mountain Cottage with Large Tree, Travelers, c. 1630

Cheng Jiasui

Not on View
River with two figures in a boat center foreground; wooded shoreline; large tree and tower in center middle ground

Boat, Reeds, and Structure, c. 1630

Cheng Jiasui

Not on View
Group of buildings center middle ground; figure in a boat at center foreground; hills in background; trees surround building

Water Scene with Boat at Center, c. 1630

Cheng Jiasui

Not on View
Buildings at the base and side of tree-dotted mountains

Living in the Mountains, 1786

Shen Zongqian

Not on View
stem with 4 attached pea pods, each containing 3 peas

Pea Pods, from an album of vegetables, Date Unknown

Bian Shoumin

Not on View
2 small sprout-like protrusions on 2 dark bulbs

Taro Root, from an album of vegetables, Date Unknown

Bian Shoumin

Not on View

Copyright of the artist%2C artist%27s estate%2C or assignees

Café Scene, 20th century

George Earl Resler

Not on View

%C2%A9 Estate Ivan Majdrakoff

Spectators, 1952

Ivan Majdrakoff

Not on View
uprooted plant with large, lettuce-like leaves and long, slender stalks, terminating in thin roots

Bok Choy(?), from an album of vegetables, Date Unknown

Bian Shoumin

Not on View
lotus flowers and bud, with long, thin, spotted stems and large leaves growing in water with floating leaves and grass

Ink Lotus after Bada Shanren, 1727

Gao Fenghan

Not on View
seven bold characters; two red seals; light red guidelines surround characters; brown wax seal on cardboard attached to top of scroll with thread

Copyright of the artist%2C artist%27s estate%2C or assignees

Couplet in Oracle Bone Script, one of a pair, c. 1940s

Deng Sanmu

Not on View
vertical formal; black roughly triangular form at top, with line extending downward along left edge of sheet; some black and grey ink spots in lower section

%C2%A9 Sam Francis Foundation %2F Artists Rights Society %28ARS%29%2C NY. All rights reserved.

Untitled (Sketch), 1966

Sam Francis

Not on View
text in varying styles; a few corrections in red near end; landscape image with rolling hills, pine trees, small houses, and rocks at end

Travel Poems [left of a pair], 1834

Unge

Not on View
cream colored carton with tan stripes; wooden box with inscription on inside and outside of lid; wrapped in tissue; paper around scroll inside of tie; fabric is yellow; rollers are white porcelain with blue detail; image of a waterfall on the left with text on the right, building LL

A Man of Noble Character Views a Waterfall, 1930

Fukuda Kodōjin

Not on View
seven bold characters; two red seals, including one seal in URC with the image of a face with glasses; light red guidelines surround characters; brown wax seal on cardboard attached to top of scroll with thread

Copyright of the artist%2C artist%27s estate%2C or assignees

Couplet in Oracle Bone Script, one of a pair, c. 1940s

Deng Sanmu

Not on View
in a wooden box with inscription on outside of lid; has ivory knobs; image of a monkey on the R side hanging from a branch and leaning to touch the ground/water; inscription along L edge

Monkey Playing with the Moon Reflected on the Water, 20th century

Fukuda Kodōjin

Not on View
wooden box with inscription on inside and outside of lid; wrapped in tissue; long wooden roller with decorative cut ends; pink and green fabric with cream accents; three lines of text on image; image of landscape with buildings in a valley on L and a pagoda on a mountain ledge to the R

Summer landscape, c. 1912-1918

Fukuda Kodōjin

Not on View
two lines of cursive calligraphy; bold characters

%C2%A9 Ishikawa Kak%C5%8D

Hanging scroll, 1971

Ishikawa Kakō

Not on View
carton is tan with printed white branches; wooden box has inscriptions on interior and exterior of lid; wrapped in tissue; fabric is marigold yellow with cream accent; image is mottled black and grey with a tree and part of a house near bottom center

Landscape after Mi Fu, 20th century

Fukuda Kodōjin

Not on View
scroll has two boxes: original box is in a brown paper sleeve and contains another wooden box; box that contained scroll is a grey cardboard box; fabric is gold with a repeating floral pattern; image is a landscape with a house and fence in LR corner and a three line inscription in the UR corner

Small Retreat Among Rivers and Mountains, September 1932

Fukuda Kodōjin

Not on View
two severed heads sitting side by side on top of a flat surface at L; matted hair, dripping blood onto surface; cropped lantern URC

Decapitated heads, early 20th century

Unknown Japanese

Not on View
large, scruffy male figure with wild hair and beard in profile, walking determinedly to L of image; sword end emerging from PL side; large bundle at R; flat object rising over head

Shōki, the Demon Queller, early 18th century

Yamaguchi Sekkei

Not on View
inside wooden box with inscriptions on both exterior and interior of lid, no tissue around scroll; gold support fabric; image of a mountain landscape densely packed in black ink with three lines of inscription in UL corner; six red chops, two square chops stacked vertically on L side of inscription and one rectangular chop on the UR side of inscription, one large square chop in LL corner and one rectangular and one irregular shaped chop in LR corner

Mountain Landscape, c. 1922-1932

Fukuda Kodōjin

Not on View
four full lines of looping calligraphy; fifth line has fewer characters, but final character ends in long vertical line running the length of other lines

Clearing after Snow, 1920s

Fukuda Kodōjin

Not on View
Inside two wooden boxes; not wrapped in tissue; fabric is tan and green foliage pattern; image of the moon behind a pine tree branch; three lines of script LL corner

Pine Tree and Moon, c. 1928

Fukuda Kodōjin

Not on View
carton with tan banding on cream with brown "chops"; wooden box with inscriptions on both inside and outside of lid; tissue round scroll, paper around scroll inside tie; support fabric is cold with orange accent; image is two lines of calligraphy with two square chops LR and one rectangular chop UR

Five-syllable verse on Mount Kameyama, April 1940

Fukuda Kodōjin

Not on View
inside two wooden boxes, outer box has a dark patina, inner box has inscription on the outside of lid with cut decorative detail; wrapped in tissue; fabric is green with geometric and floral pattern; image of mountains in the background with a small building on LL side and a figure on a bridge over a waterfall to the R; four line inscription TR corner

Mountain View with Waterfall, Summer 1928

Fukuda Kodōjin

Not on View
Outer box is cream colored paper with a brown vertical and horizontal brushed pattern; inner box is wood with inscription on outside and inside of lid; wrapped in tissue; support is tan with blue and gold patterned fabric; image is of black calligraphy with two red chops on LL side

No Affairs, 20th century

Fukuda Kodōjin

Not on View
eight full lines of text, confidently, clearly written characters on a sheet of thick white paper; once folded in half down the center

Visiting my Elder-Brother-in-Poetry, first half 20th century

Fukuda Kodōjin

Not on View
large, horizontal characters first text panel; longer, vertically arranged verses through remainder of scroll; roll cover is dark grey-blue brocade

Travel Poems [right of a pair], 1834

Unge

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diving tortoise with splayed front claws and beady eyes; black flame-like forms at its rear end extend upwards to top center

Tortoise, second half 18th century

Follower of Itō Jakuchū

Not on View
cream colored carton with tan stripes, wooden box with inscription on inside and outside of lid, wrapped in tissue; paper around scroll under tie; fabric is light green; image of landscape with tall skinny mountains and trees; small houses and a river with two figures in a boat

Releasing the Oar in the Plum Valley, c. 1922-1932

Fukuda Kodōjin

Not on View
wrapped in tissue inside of a wooden box with inscription both outside and inside of lid; wooden box inside of a paper box with light blue foliage printed on the inside and a ribbed green/grey fabric on the outside; image of three tall skinny trees that are divided by a path; single figure on path under a full moon or sun; inscription in UL corner; support is moss green/tan/cream with gold and roller knobs are ivory

Wanderer Under the Moon, 20th century

Fukuda Kodōjin

Not on View
paper carton is wrapped in brown paper; wooden box with inscriptions inside; fabric is light green/grey; image of tree branches in black ink with inscription in LL corner

Old Plum, Spring 1936

Fukuda Kodōjin

Not on View
outer carton is cream with tan stripes with dark brown "chops" on it; wooden box with inscriptions; paper under tie; fabric is grey with cream and gold accent; image on a landscape with bridge and figure in LL and building in LR with four lines of inscription in UR corner

Mountain Valley in Quiet Setting, Spring 1940

Fukuda Kodōjin

Not on View
two vertical cliffs along L and R edges; red sun at upper center; lines of wispy clouds across cliffs; gnarled tree at lower center; small, robed human figure carrying staff stands with back to viewer

Cliffs, Pine Tree, and Rising Sun, c. 1932-1933

Fukuda Kodōjin

Not on View
narrow lane with two trees; stone wall at L; buildings at L and R and in background; shadows from tree leaves on lane

%C2%A9 Tanaka Ry%C5%8Dhei

Roadway in Shade No. 2, 2007

Tanaka Ryōhei

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very tall, thin, straight bamboo stalks growing in a small cluster surrounded by rocks; five blocks of text- three at top of image, 2 in L margin of mount; 12 red seals-5 on mount

Fifteen Bamboos, c. 1724-1731

Hua Yan

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thirty lines of very neatly written calligraphy; many characters have red circles next to them

Draft panel in standard script, second half 18th century

Attributed to Kimura Kenkadō

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fierce figure with horned helmet, bushy eyebrows and moustache holding a broom like object in hands; PR foot raised to squish a demoic looking spider; broom is sweeping away a small, dark creature

Shōki with Demon, late 18th - early 19th century

attributed to Takeda Unshitsu

Not on View
two clusters of flowers with dark centers, surrounded by long, thin leaves; text at center R

Flowers, from a set of four, 1838

Rushan

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hen and rooster walking toward LL, hen in front of rooster; rooster looking down at two small chicks at PL side of hen; another small chick to LR of hen; hen is looking out to L, past scroll edge

Roosters, Hen, and Chicks [right of a pair], 1795

Itō Jakuchū

Not on View
one long line of writing, with a couple of connecting characters and long lines; two bands of gold flecks, one at top and one near bottom; signature at LRC

Spirit Festival, first half 20th century

Fukuda Kodōjin

Not on View
snowy landscape: snow-covered house on stilts among a few pines and rocks at L; three snow-covered mountains in background; two figures in boat lower center; waterfall UL; distant boats in bay at UR

Wang Ziyou Visiting Dai Andao on a Snowy Evening, 1661

Kano Tan'yū

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bold landscape; bird's eye view of buildings, stream, mountains and trees; block of text and three seals, ULC; ivory roller ends

Landscape, late 19th century

Tomioka Tessai

Not on View
large mountain with many levels and boulders and flat, sloping surfaces at upper center; small, "terraced" waterfall at LL; figure in small house on stilts seated overlooking water; cluster of trees and boulders at R; a few brown highlights

Reading I-Ching in the Autumn Woods, first half 19th century

Nakabayashi Chikutō

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mounted fan; rotund male figure with open robes seated near center, looking to PR and holding PR fist near mouth; two figures crouching behind male figure's PL, with eager looks on faces; large round object to figure's PR

Hotei and Two Chinese Boys, 16th century

Unknown Japanese

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cluster of houses near base of mountain amid rocks, thick tree growth, and waterfalls emptying into a calm, rocky pool; tall mountain with many peaks and rounded cliffs extends upwards at R, with trees, foliage, and waterfalls

%C2%A9 Fusen Tetsu

Landscape, mid 20th century

Fusen Tetsu

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small figure in a boat, LLQ; mountains in background; land at right, with large tree and small building; inscription in URQ; ivory roller ends

Autumn View, December 1922

Fukuda Kodōjin

Not on View
old, balding, white-bearded man wearing grey cloak; arms tucked in at front; eyes cast down; green scroll tucked under PL elbow

Jurojin, late 18th - early 19th century

Ki Baitei

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white robed figure sitting cross-legged at lower center of image; large, dark rock at bottom center; hanging foliage at upper center

Bodhisattva Kannon, early 17th century

Dōei

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sketchy ink drawing of mountain peak; calligraphy at bottom

Mount Fuji with Poem, first half of 20th century

Fukuda Kodōjin

Not on View
frontal view of bald figure with large ears; grimacing expression; open robe reveals pot belly

Hotei, late 18th - early 19th century

Ki Baitei

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groups of ascending mountains beginning at LR; trees spotted with foliage line mountains; a few buildings at R, next to center mountain cluster; human figure with long pole standing on a dock at LL; signature URC

Landscape, second half 19th century

Doi Gōga

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six sheets of paper affixed together; village scene with thatch-roofed buildings and people working; small orchard in middle ground at left; mountains in background; khaki and blue mount; ivory roller ends

Sketch for Screen, late 18th century

Maruyama Ōkyo

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large rooster with tall, arching tail feathers struggling towards L, turning head back to R

Roosters, Hen, and Chicks [left of a pair], 1795

Itō Jakuchū

Not on View
two letters written in cursive mounted together on a hanging scroll

Hanging scroll, early 18th century

Arai Hakuseki; Artist: Gion Nankai

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boy at L, holding switch in one hand, tugs on rope attached to ox's nose, at R; ox looking towards boy but does not appear to be moving; standing on embankment

Ox and Herdboy, 16th-18th century

Unknown , Japanese; Inscriber: Inscription attributed to Nankō Sōgen

Not on View
large carp curving its body towards R; small ripples curl around tail and upper body; subtle bubbles; light pink highlighting at tips of fins and tail

Swimming Carp [left of a pair of Carps], 1777

Tsukioka Settei

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nearly square format; four lines of text in a block; two smaller characters at left; red seal below smaller characters; another red seal, URC

Evening View, late 18th - early 19th century

Urakami Gyokudō

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one vertical line of cursive calligraphy on pale purple paper decorated with two bands of gold flakes, as well as a few pink, green, and white spots

Poem-slip (tanzaku), first half 20th century

Fukuda Kodōjin

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landscape with rugged, tall mountains and trees; cluster of small building in LRC; grey sky

Winter Landscape, 1751

Sakaki Hyakusen

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two calligraphy panels at beginning; landscape with two figures seated in front of the window in a small hut surrounded by small fence; small path and grove of trees at R; mountains at L; inscription at top

Memoires of the Osmund Mountain House, October 1932

Watase Ryōun (painting); Artist: Fukuda Kodōjin (text)

Not on View
fan painting; flower near ULC on curving, winding stem beginning at LR; leaf with holes at R; cropped leaf bottom center; mounted on gold flecked paper in frame

Water plant, second half 18th century

Itō Jakuchū

Not on View
thin, wispy stems explode into dense, voluminous sprays of pointed bamboo leaves; three stalks at bottom extend towards center; two other stalks begin near center and blossom at upper edge; inscription along LL; four total seals

Black Bamboo, c. 1922-1932

Fukuda Kodōjin

Not on View
carp jumping out of the water, curving body dramatically to L; splashing water curling around body and splashing upward at R; pink highlights on tips of fins and tail

Carp Leaping Out of Water [right of a pair of Carps], 1777

Tsukioka Settei

Not on View
small owl perched on bent branch; dramatically pointed eyes, two horn-like tufts on either side of head; branch at L

Horned Owl on an Old Branch, 18th-19th century

Spurious Seal and Signature of Kaihō Yūshō

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snow-covered trees and rocks in foreground; snow-covered mountains in background; figure with straw cape walking across bridge at LL carrying objects hanging from pole over PL shoulder

Landscape in the Snow, first half 19th century

Imaōji Yūzan

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tall, thin black grasses at L with thin, wispy brown tufts at top; smaller plants with lacy leaves and pale yellow flowers at LL; grasshopper perched on horizontal leaf near lower center; full moon in background

Autumn Grasses and Moon, early 19th century

Sakai Ōho

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vertical strip of paper with marble appearance--cream/tan ground with grey, pink and blue; black calligraphy

Charcoal Kilns, late 18th - early 19th century

Takabe Sōchō

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images of landscapes alternating with calligraphy; teal silk covered accordion album; dark blue fabric covered portfolio

The Album of Untrammeled Living, March 1933

Fukuda Kodōjin

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angled broom at LR; one lined inscription at L, starting with one loopy character at UL extending into long, vertical line

Broom, first half 20th century

Fukuda Kodōjin

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gnarled pine near center with curving trunk; small stone near R of tree trunk; inscription 2nd from R panel

Pines and Poetry [left of a pair], October 1932

Fukuda Kodōjin

Not on View
giant black character with sharp angles and splatters

%C2%A9 Suda Kokuta

Emptiness, 1986

Suda Kokuta

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tall, wide, gnarled pine tree with several branches angled downward; small rock to L of tree with small twisting sapling; inscription 2nd screen from L

Pines and Poetry [right of a pair], Autumn 1932

Fukuda Kodōjin

Not on View
knotty bamboo stalks with foliage entering from UR and LR; three line inscription at L

Bamboo and Poem, second half 19th century

Doi Gōga

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four lines of text; black on white; large red seal in LLC

%C2%A9 Shan Xiaotian

Poem in Running Script, 20th century

Shan Xiaotian; Author: Poem by Li Bai

Not on View
delicate gray spider web in upper quadrant with fat gray spider at bottom suspended from thin web

Spider and Web, early 19th century

Maruyama Ōshin

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short vertical lines of connected (like cursive) characters--20 lines total; small red seal, URC; two small red seals, LLC

Flowers of the Four Seasons, 18th-19th century

Tagami Kikusha

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two bamboo trees at far L edge; front tree is darker and larger, extends off edge at UL; rear tree is lighter, narrower, grows straight upward; small branch from rear tree extends towards URC with dark foliage; dark foliage patches at far L edges

Bamboo, 1920s-1930s

Kamisaka Sekka

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school of carp swimming among seaweed; large fish near center with smaller ones swimming in all directions; driftwood and stumps at bottom

Carp, first half 19th century

Kuroda Tōkō

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two full lines of calligraphy, boldly and expressively written; shorter line with stray characters at far L

American Ship, first half 20th century

Fukuda Kodōjin

Not on View
three character inscription

Plum Flower calligraphy, mid 19th century

Miwata Beizan

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figure with human body and rather bird-like facial features, with elongated beak-like mouth with teeth, long flat nose and bulging eyes, with feathers/fur on top and head and flowing backwards from sides of head; sketch of head, body and arms of figure, wearing a necklace (?) with four large balls and bows, and holding a staff with rings at bottom in PR hand; verso: sketch of small bird and head of a bird in LRQ; unsigned

Study of a mountain goblin (tengu) dressed as a hermit (yamabushi), 1860s

Tsukioka Yoshitoshi

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jumping fish, in a backwards C shape; sea foliage above and behind tail and at top right edge; a few broad brushstrokes at bottom; face of fish reworked on back of sheet; unsigned

Study of a leaping carp, 19th century

Tsukioka Yoshitoshi

Not on View
black pigment on white background; cascading landscape with layered, irregular shaped rocks overlapping with small houses and trees; shadowed peaks in upper portion of image; untranslated Japanese characters in upper right quadrant

One Thousand Mountains, Ten Thousand Valleys, c. 1922-1932

Fukuda Kodōjin

Not on View
two old bearded men, wearing tunics and pants, greet each other with outstretched hands; tree root in LLC; tree branch at L overhead

Crippled Zhang Meets Hunchback Li, 17th century

Cao Xi

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line drawing of a nude woman with her arms above her head--out of the picture plane--and her PL leg drawn up; brown and grey flecked paper

%C2%A9 Tsujimura Shiro

Nude, 20th century

Tsujimura Shirō

Not on View
continuous drawing of trees, buildings, water and mountains; followed by 7 lines of text

River Landscape, 1618

Li Liufang

Not on View
three lines of loose calligraphy characters; large red seal, LLC; hanging scroll

Calligraphy painting, from a set of four, c. 1900

Pu Hua

Not on View
three lines of loose calligraphy characters; small red seal, LLC; hanging scroll

Calligraphy painting, from a set of four, c. 1900

Pu Hua

Not on View
black and white drawing of a thick, squat bamboo shoot and three small mushrooms; inscription in URC

Bamboo Shoot and Mushrooms, 1626

Zhen Yi

Not on View