landscape with waterfalls at URQ, rounded mountains in ULQ, two figures on a bridge in LLQ and trees in LRQ

Landscape after the Four Wangs, Winter 1840

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Okada Hankō’s monumental work is a tour de force in the spirit of the Four Wangs, a circle of conservative Chinese painters who created stylized interpretations of classic works. This painting follows orthodox principles of composition—the foreground, middle-ground, and background are distinct yet well-integrated—maintaining order in this otherwise fantastical, complex setting.

The inscription reads:
The water is gone from the stony river that has a disorderly look.
The leaves are gone from the mountain that has a wonderful scene.
The thoroughly wet old man on the bridge, where will he go'
There is a western village where an unsettled game of Go is waiting for him.
Tenth month, 1840
(translated by Masato Nishimura)

Details
Title
Landscape after the Four Wangs
Artist Life
1782 - 1846
Role
Artist
Accession Number
2013.29.821
Curator Approved

This record has been reviewed by our curatorial staff but may be incomplete. These records are frequently revised and enhanced. If you notice a mistake or have additional information about this object, please email collectionsdata@artsmia.org.

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landscape with waterfalls at URQ, rounded mountains in ULQ, two figures on a bridge in LLQ and trees in LRQ