showing 100 of 510 results matching creditline:"The Mary Griggs Burke Endowment Fund established by the Mary Livingston Griggs and Mary Griggs Burke Foundation". (load 200 more)

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heavy ceramic sculpture with matte white slip in the shape of a wave or swirl of wind; surface has sporadic small black spots of pigment or glaze; on three feet

Updraft, 2023

Fujikasa Satoko

G223

bearded man in green robe holding a sword in one hand and holding a bag of demons aloft in the other hand; eyes, feet, claws, fur of demons spilling out of bag; writing in black ink and red seal BL; border of dark green fabric with gold floral pattern; green-gold fabric border top and bottom; bone roller at bottom; housed in plain wooden lidded box with 2 paper labels with writing on one end

Shōki, the Demon Queller, late 19th century

Kawanabe Kyо̄sui

G219

pair of six-paneled folding screens; dark blue cloth backing; black frames; a (left): abstract image in mostly black, white and red pigments; fiery red and orange section, with swirling, looping linear pattern on left-most section of screens; several repeating patterns of circular shapes, in many different sizes, and arranged in rows L and R sides; large circular shape in C, with two smaller circles at lower edges of larger circle, in washy black pigments; thick white pigment with linear surface treatments on lower section of three right-most screens; b (right): abstract image with biomorphic forms including human arms primarily in black on tan with pale blue and red highlights; forms are more dense/taller at right side and taper toward left; textured designs of circles and wavy lines at top in grey, blue, and white

Chaos, 1983

Matsubara Ken

G333

three separate sheets; giant demon at center, with wrinkled ghoulish face with bulging eyes and gaping mouth, and bare arms, reaching down twoard group of men in armor armed with swords at left, right, and center, with one man beheath demon's PR arm, near demon's face; women and smaller ghouls at left and right running away; grey-green ground

Picture of Raikō and his Four Companions Conquering the Demon of Mount Ōe, 1864, 10th lunar month

Tsukioka Yoshitoshi; Publisher: Kiya Sōjirō

G238

three separate sheets; battle scene in an interior; man at right wearing blue pants with white floral medallions fading to pale yellow at hems and blue patterned blouse, behind a black lacquer sliding door with flowers against a yellow ground at bottom, pulling on a very long staff penetrating the door, held by a man in blue armor at center; two fallen men in LLC--legs only of one of the men visible, across the body of the other man; running man in blue patterned kimono, with blood on his legs, at right, holding a spear; other figures fighting in background, left

Picture of a Night Battle at Shijō in Kyoto, 1864, 3rd lunar month

Tsukioka Yoshitoshi; Publisher: Fujiokaya Keijirō; Carver: Koizumi Kanegorō; Carver: Kobayashi Kane

G238

three separate sheets; battle scene with four men holding up large rectangular wooden shields; men wear multicolored armor and helmets; man at center walks across fallen soldier wearing blue pants and green leggings and shoes; castle with rounded domes in silhouette in URC, with flying silhouettes of soldier's bodies and flags; red flag with white design at center top; reddish brown smoke/explosions throughout, including a reddish brown burst hitting shield of man at left

Picture of Masakiyo at Shinshū Castle During the Conquest of Korea, 1863, 10th lunar month

Tsukioka Yoshitoshi; Publisher: Kakumotoya Kinjirō

G238

three separate sheets; battle scene at sea, with two men wearing white loincloths swimming in foreground, with their swords tied to their backs; many boats crowded with men in armor, with swords and bows and arrows; boat at left has blue and white sails and streamers, and black tassel-like object at front; boat at center middle ground has red and white flag

Picture of the Great Battle of the Minamoto and the Taira at Dan-no-ura, 1865, 6th lunar month

Tsukioka Yoshitoshi; Publisher: Ōmiya Kyūjirō; Carver: Katada Chōjirō

G238

three separate sheets; man at right with his back to and partially covered by radiating orange flames, with mouth open and hair blowing forward; four men fall on top of each other at center, with flakes around them; other fleeing men in ULQ

Picture of Odai Matarokurō Setting His Own Castle on Fire, Calmly Entering the Fiery Pit and Dying; Enemy Troops Were Amazed at His Bravery, 1866, 12th lunar month

Tsukioka Yoshitoshi; Publisher: Tsujiokaya Bunsuke; Carver: Watanabe Eizō I

G238

three separate sheets; orange and white smoke in middle ground; man in green armor at right in background riding white horse, with purple flag with white flower; two dead men in LLC; man with long hair and full face on a brown horse at center, with a long spear and a torn red flag; figure in green armor at right

Fire, Picture of Sassa Narimasa’s Hard Fight in Kyushu, 1867, 9th lunar month

Tsukioka Yoshitoshi; Publisher: Kiya Sōjirō; Carver: Ōta Utakichi

G238

three separate sheets; underwater fight with two men in armor at center, another man falling backwards under water at left, and swimming figure at top left; four men on rocky shore at top center and URQ; swimming grey horse at right

Water, Saitō Toshimitsu fighting Nonoma in the River Akuta, 1867, 7th lunar month

Tsukioka Yoshitoshi; Publisher: Kiya Sōjirō; Carver: Koizumi Kanegorō

G238

three sheets; cartoonish animal with long grey fur, large yellow eye, yellow teeth with long fangs and blue hooves at center, throwing off man men who are falling and flipping in every directions; men in URQ wear yellow furs (?); mountains in background covered in snow; snow in foreground, with snowballs flying in front of animal and figures

Yamamoto Kansuke Killing a Wild Boar, 1868, 4th lunar month

Tsukioka Yoshitoshi; Publisher: Ōmiya Kyūjirō

G238

one sheet; man wearing a wide white headband and a white shirt with grey elements with khaki ties, partially hidden by a wall of green bamboo; black ground

Sakuma Dennai, 1869, 3rd lunar month

Tsukioka Yoshitoshi; Publisher: Ōhashiya Yashichi

G238

swimmer with long hair, holding a knife in PR hand, entangled in an octopus' tentacles; thin paper mounted on backing sheet

The Diving Woman of Shido Bay, c. 1882

Tsukioka Yoshitoshi

G238

ink drawing on thin paper with touches of red; drawings on recto and verso--difficult to read each side due to thinness of paper; half of man's face with a rectangular element covering other half of face; portion of foreshortened grimacing face with short hair, with cloud-like elements covering top of head

Preparatory drawing of Sakuma Dennai, 1869

Tsukioka Yoshitoshi

G238

orange-brown robe with brown, vertical stripes; white, interior lining over shoulders and upper back

Brown-ground lined Ryūkyūan robe (ryūso), late 19th-early 20th century

Unknown Ryukyuan

G222

white sphere that is divided into two halves; concentric layered square pattern across the surface

%C2%A9 Wada Akira

Sun, 2017

Wada Akira

Not on View
bald headed, friendly-appearing figure at left holding a bag open between his hands, which extends toward left; two bold text characters on bag and three thinner characters; two red seals at left center at bottom of bag; blue and brown mount

Budai Opening His Sack, mid 18th century

Hakuin Ekaku

Not on View
light tan leather case with concave top; metal buckles; hinged lid with handle on top of case; green silk lining with gathered fabric on inner lid

Case for bowler hat, c. 1890

Unknown English

Not on View
white sphere with smooth surface with a seperate flat, disc-shaped base

%C2%A9 Wada Akira

Moon, 2016

Wada Akira

Not on View
standing monkey skeleton, waving with his PL arm, in black with some additional pointed articulations on bones; attached base with cutouts on front; black

%C2%A9 Akinaga Kunihiro

Mimicry: Monkey, 2018

Akinaga Kunihiro

Not on View
small rectangular chest with flared base to be worn as a backpack; black lacquer with gold round crest on front featuring three rounded leaves against black triangle pattern; 8 drawers inside of varying shapes that fit the irregular shape of the box; navy blue, rough silk cord laced through back

Ammunition backpack, mid 19th century

Unknown Japanese

Not on View
sparse head and upper body of a man with long bristly whiskers and eyebrows; bald head; protruding eyes; large nose; one arcing horizontal wrinkle on forehead; four text characters in top URQ and three red seals; mount three different multicolored fabrics

Half-length Portrait of Bodhidharma, mid 18th century

Hakuin Ekaku

Not on View
bound volume of colorful ink portraits of a variety of characters, men and women, young and old; each illustration is accompanied by an inscription in black ink; many of the characters are against a background of flowers or trees; title page, 33 illustrations; and two pages of inscriptions (index?) at the end; pierced in 4 places and bound with string; housed in a tan colored case with bone clasps and a paper label on the outside

Actors among the Garden Oaks, c. 1799

Shōkōsai Hanbei

Not on View
painting on fabric of an injured, bloodied, and bandaged man with proper left arm upstretched to the top of a bamboo wall behind figure; proper right hand holding a long, thin, bloody blade pointed down to ground; paper mount covered with silver/gray silk border with fern pattern; dark brown wood roller; arrived in a natural wooden box with lid, futomaki roller, and brown outer carton with paper label on one end

Hard Fighting Shōgitai Warrior, 1868

Tsukioka Yoshitoshi

Not on View
many figures wearing rust-colored garments struggling to row a boat in LRC through waves near shorline at right with figures in a cave; two other rowboats at left, with sailboats in distance; vertical clouds in sky; blue, yellow, rust-red

Bonito Fishing Boats in Chōshi Bay in Shimosa Province, c. 1810

Shōtei Hokuju; Publisher: Nishimuraya Yohachi

Not on View
rolling hills at right with trees and rocks or small hillocks, covered in snow; two buildings with rounded snow-covered roofs in LLC; some figures in LRC and near buildings; dark red, green, brown; white sky with blue-grey at horizon

Evening Snow at Mount Hira, 1820s

Utagawa Kunitora; Publisher: Yamadaya Shōbei

Not on View
bifold screen with hand painted design representing a map of a military headquarters or camp; large rectangle fenced area with color coded rectangles within; color key at BL, calligraphy at CR and along bottom; large calligraphy at TC; verso is green paper with written label at verso TL; in simple light wood frame

Folding screen depicting map of military camp, one of a pair, 19th century

Unknown Japanese

Not on View
bifold screen hand painted with a diagram of a military formation, symbols, and banners; color key at BL; calligraphy at TL; verso is covered with green paper with handwritten label at verso TL; in simple light wood frame

Folding screen depicting schematic of a military formation, one of a pair, 19th century

Unknown Japanese

Not on View
longbow burnished with silver, with red coloring peeking through; marbled pattern of red, black, and gold at top and bottom ends of bow; wide reed upper grip, with leather strip lower grip

Longbow, 19th century

Unknown Japanese

Not on View
black lacquer longbow with decorative reed bands; reed bands at top and bottom have decorative knotting on outside face

Longbow, 19th century

Unknown Japanese

Not on View
orange lacquered bow with dark woodgrain pattern; leather and wide reed grips

Longbow, 19th century

Unknown Japanese

Not on View
thin, reddish longbow with groupings of narrow reed bands; reed grip

Longbow, 19th century

Unknown Japanese

Not on View
black bow with repeating thin bands of wrapped reeds; each band has gold outline; small decorative swirly knot on face below grip

Longbow, 19th century

Unknown Japanese

Not on View
longbow with reddish colored lacquered wrapping forming spiral pattern around bow; dark grip; dark reed bands at grip, top, and bottom

Longbow, 19th century

Unknown Japanese

Not on View
staff with slightly curved top; medium patina

Naginata practice weapon, 19th century

Unknown Japanese

Not on View
brown rattan woven bowler hat; small loop on back; gold oblong patch with gold brocade on inside at the top; colorful leather embossed band on inner rim

Bowler hat, c. 1890

Hayakawa Shōkosai I

Not on View
bronze-brown color, tall, oblong, ash-glazed vessel with small torn mouth; incised abstract bird design; on one side at about center is 5 rows of 4 incised triangles; two perpendicular lines (one long vertical and one short horizotal) that intersect at upper left; protrusion of clay at intersection point; rounded shoulders; narrow, short mouth at top center with jagged rim; rectangular short wooden base with oval inset, medium brown stain; rectangular wooden standing plaque with inscription on both sides

Ash-glazed Vessel with Bird Design, 1963

Kawamoto Gorō

Not on View
top of fan is roughly trapezoid shape with curved edges; top is decorated with central circle surrounded by small silver circles on each side; one side has a crescent in URC and a lower in LLC; opposite side has five text characters on a diagonal inside central circle and flower in ULC; bronze-colored long handle with metal fitting with incised scrolling design and cutout heart at bottom end

Long battle fan (gunbai) with paulownia crests, 18th-19th century

Unknown Japanese

Not on View
abstract image; washy light blue pigments mixed with white pigments, speckled with tiny dark spots on R and in C; brown and black speckled area in ULC and URC; band of gray pigment across the bottom of the image; vertical rectangular area in yellow pigment with black specks in LRC of image; wavy overlapping black and gray lines in URC

Beige Wall, 1992

Yoshida Hodaka

Not on View
fan with two vertical lobes on long handle; one large text character in black lacquer on each side; black stripes on handle; gold ground on lobes

Battle fan (gunbai) of the Mogami clan, 16th century

Unknown Japanese

Not on View
eight horizontal rows of various square and rectangular banners, helmets, bundles, lanterns, streamers, and other military regalia on poles; predominately red, black , and white, with touches of turquoise and gold; rectangular banner with three black circles in URC; red rectangular banner with two white elements at top in LRC

Battle Standards and Banners [left of a pair], 18th century

Unknown Japanese

Not on View
conical hat with wide brim; radiating raised lines/ribs from center of hat, with rows of graduated raised balls between lines/ribs; three central graduated flower petal-like elements at top center; padded white silk ties; dark brown lacquer on underside; dark patina on top

Thirty-two riveted iron warrior hat, 18th century

Unknown Japanese

Not on View
eight horizontal rows of various square and rectangular banners, helmets, bundles, lanterns, streamers, and other military regalia on poles; predominately red, black , and white, with touches of turquoise and gold; white rectangular banner in URC; red rectangular banner with black and white striped small streamer at top in LRC

Battle Standards and Banners [right of a pair], 18th century

Unknown Japanese

Not on View
six-panel folding screen with predominately gold, blue, green image of sailboats, stylized calm water and mountains; green foliage in foreground at bottom edge, large mountain on the right side; blue and gold brocade mount; backing paper dark blue with overlapping circles and stars repeating pattern; unsigned

Sail boats on Yodo River in Fushimi [left of a pair], around 1600 (restored in 1672)

Unknown Japanese

Not on View
six-panel folding screen with predominately gold, blue, green image of sailboats, stylized calm water and mountains; green foliage in foreground at bottom edge, 5 sailboats in ULC; blue and gold brocade mount; backing paper dark blue with overlapping circles and stars repeating pattern; unsigned

Sail boats on Yodo River in Fushimi [right of a pair], around 1600 (restored in 1672)

Unknown Japanese

Not on View
left; close-up view of a jagged, rugged landscape sculpted by lava flow; sweeping downward plane at C with dramatically intersecting cliffs at L and R; greens and moss punctuate the cliffs; cluster of red and gold foliage at L; gnarled and broken tree trunks along bottom; inscription ULQ

Volcanic Landscape [left of a pair], 1916

Irie Shikai

Not on View
right; close-up view of a dramatic landscape formed by a lava flow; sweeping lines, jagged cliffs in greens and browns; leafy foliage along lower R; shrubs with small blue and gold leaves LR; gnarled tree at L near more leafy foliage, ferns, and another blue and gold plant

Volcanic Landscape [right of a pair], 1916

Irie Shikai

Not on View
tan body with dark blue geometric appliques; decorated with shells and cartilage elements on chest, sleeves, and upper back; multicolored braids on front at waist; one brown and two blue silk tassels on front, with metal pendants, beads, and mother-of-pearl ornaments

Attush robe with exceptional decoration of fish bones and tassels, 18th century

Unknown Ainu

Not on View
blue jacket with two symbols on front chest and three across back; open front with two beige ties hanging down front; each beige symbol is a pair of interlocking diamond shapes in a circle

Long-sleeved jacket for kyōgen theater [from a set], early 20th century

Unknown Japanese

Not on View
blue and brown/green striped robe with navy blue applique trim on sleeve cuffs, collar and yoke, center back, and around bottom section; light blue embroidery over navy applique creates curving lines and points

Chikarkarpe robe, late 19th century

Unknown Ainu

Not on View
tan colored straw surface, woven, with fringed edges; blue and cream decorative designs at top 'shoulder' area, as well as in bottom curve and bottom flap that extends from lower center

Festive backpack pad (iwai-bandori) made in Yamagata Prefecture, late 19th-early 20th century

Unknown Japanese

Not on View
brown robe woven with vertical white stripes; navy blue applique trim on sleeve cuffs, bottom hem, yoke, and back center, all with curving embroidery patterns; white collar

Attush robe with white stripes, second half 19th century

Unknown Sakhalin Ainu

Not on View
rectangular fragment of pink fabric with section cut out of LL; pattern of black vines and birds, with multicolored flower blossoms (blue, red, yellow, and purple) and green birds scattered throughout

Pink-ground fragment with motif of plovers and plums, 19th century

Unknown Ryukyuan

Not on View
trapezoid-shaped fragment of pink fabric with floral pattern; gray flowers and stems with blue, yellow, red, and green accent colors

Pink-ground fragment decorated with wisteria and cherries, 19th century

Unknown Ryukyuan

Not on View
thick, cotton patchwork coat in dark and light blue shades

Patchwork (boro) workwear (noragi), late 19th-early 20th century

Unknown Japanese

Not on View
three vertical patterned panels sewn together; red and green birds, blue water, and red, orange, green, and brown flowers

Wrapping cloth (uchikui), 19th century

Unknown Ryukyuan

Not on View
coarse, woven coat; woven in gradients of blue to black; off-white embroidery around collar

Workwear (noragi) jacket made in Shōnai, Yamagata Prefecture, second half 19th century

Unknown Japanese

Not on View
round, wooden carved plate, with raised edges, like a shallow bowl; carvings of swirling and looping shapes, with smaller intricate carved designs on face of bowl; carved hexagon shapes on outside of bowl

Round plate (otcike), late 19th-early 20th century

Unknown Ainu

Not on View
rectangular fragment of blue fabric with black and white bamboo designs; pattern consists of vertical white bamboo stalks with white leaves and black and blue leaves outlines in white

Fragment with bamboo pattern, 19th century

Unknown Ryukyuan

Not on View
rectangular, navy blue scarf with fringed ends; woven with white, green, gray, and red geometric patterns (arrows, crosses, diamonds, and horizontal lines)

Dark blue-ground decorative scarf (tisaji) with geometric patterns, second half 19th century

Unknown Ryukyuan

Not on View

Green felt rug (mōsen) decorated with roundels, 19th century

Unknown

Not on View
light brown robe with alternating brown, and black and white checkered stripes

Light brown-ground Ryūkyūan robe (ryūso) with ikat (kasuri) stripes, early 20th century

Unknown Ryukyuan

Not on View
blue and white cotton bedding cover; white checkered patters; small squares with lighter blue colored corners throughout design; white stitching connecting panels of cloth together

Dark blue-ground bedding cover (futonji) with pictorial ikat (e-gasuri) pattern of stylized persimmon flowers, late 19th-early 20th century

Unknown

Not on View

Dark blue-ground cloth decorated with arabesques (karakusa) and paulownia crests (go-shichi no kiri), late 19th-early 20th century

Unknown

Not on View
tall, thin bag divided into two decorative sections; top section with light and darker indigo vertical stripes, with white embroidered repeating pattern of diagonal lines intersecting into small star shapes; bottom section has textured, layered white embroidery, with same indigo striped pattern under embroidery; dark indigo square strips of cloth in bottom corners; lighter indigo woven strap attached to side of bag

Bag (fukuro) made in Aomori Prefecture, late 19th century

Unknown

Not on View
beige robe with black trim around collar, yoke, sleeve cuffs, and bottom hem and center; yoke, cuffs, center and bottom hems also have brown/green applique with stepped cut outs; small string tie on either side of front opening at waistline

Simple retarpe robe without back design, mid 19th century

Unknown Sakhalin Ainu

Not on View
two panels of almost rectangular-shaped fragment of pink fabric with floral and bird imagery; pink, red, and purple birds floating amid red fans, yellow and pink flowers with red, green, gray, and blue leaves

Fragment decorated with florals, ducks, fans, and phoenix, 19th century

Unknown Ryukyuan

Not on View
navy blue, half sleeve jacket with off white pattern throughout; sleeves and shoulders have slightly more subdued pattern; tan and blue interior with black and tan lining at bottom of backside

Woman’s workwear (noragi) jacket made in the Tōhoku Region, late 19th-early 20th century

Unknown

Not on View
square of light blue fabric with floral design; yellow, pink, and purple flowers of several varieties and green and purple grasses rise out of purple and white swirling water

Light-blue fragment decorated with flowing water, irises, and hollyhocks, 19th century

Unknown Ryukyuan

Not on View
sky blue background with purple foliage grid pattern; magenta flowers; yellow fan-shaped blossoms; multicolored leaves

Light blue-ground Ryūkyūan robe (ryūso) with pine and snowflake motif, 19th century

Unknown Ryukyuan

Not on View

Wrapping cloth (uchikui) with pine, bamboo, and plum (shōchikubai) motif, 19th century

Unknown Ryukyuan

Not on View
indigo dyed woven net, tapered toward bottom

Net bag [one of a pair], early 20th century

Unknown

Not on View
woven rain cape with crescent bib, with indigo dyed linear pattern; dark fringe cascading down from bib; ties at top and woven straps at PL and PR sides

Festive rain cape (date-gera) made in Aomori Prefecture, late 19th-early 20th century

Unknown Japanese

Not on View
wood tobacco box with carved design inlay in a lighter colored wood in front center; carved edges at top and bottom of box; blue cord with a blue bead attaches the box to a pipe holder, with scalloped edges and looped carved designs at top

Tobacco box and pipe holder (tanpakuop), late 19th century

Unknown Ainu

Not on View
cotton patchwork panel in shades of blue, brown and gray; two patterned patches at top C, one with intricate linear hexagon shapes on the top, the other with delicate fish alternating swirling dotted white lines with a blue background

Patchwork (boro) bedding cover (futonji), late 19th-early 20th century

Unknown

Not on View
rectangular fragment of floral patterned fabric; red and purple flowers with green, blue, black and yellow leaves and vines; bottom section of pair

Fragment decorated with peonies and latticework [from an identical pair], 19th century

Unknown Ryukyuan

Not on View
trapezoid-shaped fragment of yellow fabric with black and floral pattern with tail end; pattern consists of red, purple, blue, green flowers over black vines

Yellow-ground fragment with black pattern of vines, 19th century

Unknown Ryukyuan

Not on View
tan coat with embroidered circular element on back top center; attachment at PR arm with same embroidery with blue silk lining

Fireman’s parade coat (kajibaori), 19th century

Unknown Japanese

Not on View
tan robe with thin, woven dark and light blue stripes; indigo bands of cotton as decorative edging around the edges at opening, along bottom, at top of sleeve area and at neck and upper back

Attush robe with light- and dark-blue stripes, late 19th-early 20th century

Unknown Ainu

Not on View
carved wooden case with cord and bear jaw attachment; rounded, lumpy edges on front of case; carvings R and L sides as well as on back; blue bead at the base of a white cord, with bear jaw attached to end of cord

Single-case inro with bear-jaw toggle, late 19th-early 20th century

Unknown Ainu

Not on View
tan woven shoes with fringe at ends, and decorative blue and white geometric design at top

Pair of shoes for a dead person (raiguru-ker), late 19th-early 20th century

Unknown Ainu

Not on View
indigo-dyed textured paper that has large tie-dyed white circles througout

Blue-ground senchadō tea service mat (chagujoku) decorated with white circles, late 19th-early 20th century

Unknown Japanese

Not on View
blue robe with vertical, squiggly linear design, where lines are made up of tiny white circles; light blue patched interior

Dark blue-ground casual summer kimono (yukata) with wavy white line pattern, late 19th-early 20th century

Unknown Japanese

Not on View
vest with three different fabrics; plaid collar in brown, green and cream colors; side strips of fabric in same plaid pattern; blue front with ornamental floral design, with small flowers and fan shapes in a gradated black with white outlines; a vertical strip of fabric in the same pattern on back center; front shoulder area and back right and left composed of a dark blue fabric with black linear designs, with foliage elements overlapping

Woman’s vest (sodenashi), late 19th-early 20th century

Unknown Japanese

Not on View
cotton bedding cover; blue background with a colorful ornamental pattern; circular shapes in ULC and URC, with white curving lines cascading downwards from ULC; white and gold oval shapes coming out of white lines throughout the pattern; bunched parcels at bottom, with gold branches or horns at LR edge

Bedding cover (futonji) decorated with symbols of treasure (takara zukushi), late 19th-early 20th century

Unknown Japanese

Not on View
light brown robe with navy blue applique trim around sleeve cuffs, bottom hem, center edges and upper back; light blue applique is attached on either side of the navy blue yoke applique; blue swooping embroidery throughout; light blue lining on interior bottom and at chest

Attush robe with light-blue appliqué, late 19th century

Unknown Sakhalin Ainu

Not on View
wooden oval plate with carvings around outer edges; looping design in center, resembling a figure 8, with intricate carvings on sides and center

Oval plate (otcike), late 19th-early 20th century

Unknown Ainu

Not on View
red orange circles (five large, 11 small) scattered on a green blue background

Blue felt rug (mōsen) decorated with red circles, late 18th-early 19th century

Unknown Japanese

Not on View
rectangular fragment of green fabric with dark vine pattern and pink, yellow, and red blossoms scattered throughout

Green-ground fragment decorated with floral arabesques and hollyhocks, 19th century

Unknown Ryukyuan

Not on View
tan robe with dark blue applique trim embellished with blue and white embroidery; embroidery along sleeve cuffs and bottom hems has intertwined oval pattern; embroidery at yoke and back center has smaller pattern with light blue patchwork; blue and white floral print collar; two dark blue ties at waist (PR hip and edge of PL center); printed blue and white tie at PR center edge

Attush robe with patterned collar, late 19th century

Unknown Ainu

Not on View
navy blue cape with light blue and beige vertical stripes and organic beige pattern on outer side; blue and tan plaid lining with diagonal white marks overtop; 2 brown C-shaped hooks attached by navy rope on collar at PL front and PL side, with corresponding loops on collar at PR front and PR side; two rope loops at PR hip and PL front center; beige border with line of openings

Travel cape (bōzugappa), late 19th-early 20th century

Unknown Japanese

Not on View
rectangular fragment of multicolor fabric with landscape and floral designs; background consists of blue, red, maroon, purple, and orange clouds; pattern consists of discrete trees, bamboo leaves, flowers, and boats on water

Fragment with pine, bamboo, and plum (shōchikubai) motif, 19th century

Unknown Ryukyuan

Not on View
indigo-dyed cloth with textured looking background made up of lighter and darker indigo circular shapes; circle designs in dark indigo, with intersecting dotted lines and a smaller circular shape extending from edges in bottom R edge and in center L edge; similar circular shape in top R edge

Fragment [from an identical pair], late 19th-early 20th century

Unknown

Not on View
navy blue sleeves and collar; upper half of main body is off white with navy diamond and circle pattern; lower half of body is navy with horizontal line patter of small, off white stitches; blue square patch on either hip

Woman’s workwear (noragi) jacket with kogin embroidery made in the Tōhoku Region, early 20th century

Unknown Japanese

Not on View
rectangular fragment of purple fabric with geometric patterns; patterning consists of horizontal pairs of shapes: white waves, pink and white checkerboard segment, and pink and purple intersecting lines

Purple-ground fragment with double ikat (kasuri) pattern, late 19th-early 20th century

Unknown Ryukyuan

Not on View
blue and black coat with various patterned fabrics; black collar with gray lower lapels; black sleeves with white pattern, navy shoulders with stepped blue stitching, patterned blue chest with stepped embroidery along lower 2/3 and light blue diamond embroidery that continues to verso, solid blue lower section with stepped stritching; light blue lining on back interior; white lining on front interior sections with Japanese characters printed in black on PR and a large blue flower printed on PL; white PL sleeve interior lining with black print; verso has dark navy side panels, solid blue center panel with white pattern, stepped embroidery over all sections with light blue diamond embroidery only over TC

Farmer’s short coat (hanten) for winter, late 19th-early 20th century

Unknown Japanese

Not on View
five vertical panels sewn together with crest at TC and floral imagery along bottom; at top, light blue circle around three stacked diamonds; red, gray, and tan flowers with blue leaves curl across bottom; several patches attached on verso

Bedding cover (futonji) or furniture cover (yutan) with crest (sangaibishi), 19th century

Unknown

Not on View
painted cotton panel; two long strips of fabric stitched together in center; group of four figures wearing armor; seater figure in bottom center holding fan in PR hand; middle figure holding long spear; rear figure has back turned; white background

Festival banner of four seated warriors, late 19th-early 20th century

Unknown Japanese

Not on View
tan at top with indigo and tan geometric design at bottom half, with cream-colored applique overlapping fabric; tan straps with blue cotton ends

Apron (mantari), late 19th century

Unknown Ainu

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blue and cream-colored woven silk cord with fringed ends

Festival braided cord (kumihimo), early 20th century

Unknown

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