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bald headed, friendly-appearing figure at left holding a bag open between his hands, which extends toward left; two bold text characters on bag and three thinner characters; two red seals at left center at bottom of bag; blue and brown mount

Budai Opening His Sack, mid 18th century

Hakuin Ekaku

G222

blue jacket with two symbols on front chest and three across back; open front with two beige ties hanging down front; each beige symbol is a pair of interlocking diamond shapes in a circle

Long-sleeved jacket for kyōgen theater [from a set], early 20th century

Unknown Japanese

G219

pleated blue pants with beige symbols on L and R legs and at front waistband; two long ties attached to either side; open slits down both sides; bottom cuffs and top waistband are sewn shut;

Long trousers (nagabakama) for kyōgen theater [from a set], early 20th century

Unknown Japanese

G219

wheat-colored background with bands of vertical blue, off-white, and indigo stripes; indigo applique around lower half and ends of sleeves with organic meandering embroidery, with off-white and orange couching

Attush robe with light-blue stripes, late 19th century

Unknown Ainu

G230

light tan leather case with concave top; metal buckles; hinged lid with handle on top of case; green silk lining with gathered fabric on inner lid

Case for bowler hat, c. 1890

Unknown English

Not on View
white sphere with smooth surface with a seperate flat, disc-shaped base

%C2%A9 Wada Akira

Moon, 2016

Wada Akira

Not on View
brown rattan woven bowler hat; small loop on back; gold oblong patch with gold brocade on inside at the top; colorful leather embossed band on inner rim

Bowler hat, c. 1890

Hayakawa Shōkosai I

Not on View
standing monkey skeleton, waving with his PL arm, in black with some additional pointed articulations on bones; attached base with cutouts on front; black

%C2%A9 Akinaga Kunihiro

Mimicry: Monkey, 2018

Akinaga Kunihiro

Not on View
white sphere that is divided into two halves; concentric layered square pattern across the surface

%C2%A9 Wada Akira

Sun, 2017

Wada Akira

Not on View
small rectangular chest with flared base to be worn as a backpack; black lacquer with gold round crest on front featuring three rounded leaves against black triangle pattern; 8 drawers inside of varying shapes that fit the irregular shape of the box; navy blue, rough silk cord laced through back

Ammunition backpack, mid 19th century

Unknown Japanese

Not on View
longbow with reddish colored lacquered wrapping forming spiral pattern around bow; dark grip; dark reed bands at grip, top, and bottom

Longbow, 19th century

Unknown Japanese

Not on View
black bow with repeating thin bands of wrapped reeds; each band has gold outline; small decorative swirly knot on face below grip

Longbow, 19th century

Unknown Japanese

Not on View
longbow burnished with silver, with red coloring peeking through; marbled pattern of red, black, and gold at top and bottom ends of bow; wide reed upper grip, with leather strip lower grip

Longbow, 19th century

Unknown Japanese

Not on View
left; close-up view of a jagged, rugged landscape sculpted by lava flow; sweeping downward plane at C with dramatically intersecting cliffs at L and R; greens and moss punctuate the cliffs; cluster of red and gold foliage at L; gnarled and broken tree trunks along bottom; inscription ULQ

Volcanic Landscape, 1916

Irie Shikai

Not on View
black lacquer longbow with decorative reed bands; reed bands at top and bottom have decorative knotting on outside face

Longbow, 19th century

Unknown Japanese

Not on View
right; close-up view of a dramatic landscape formed by a lava flow; sweeping lines, jagged cliffs in greens and browns; leafy foliage along lower R; shrubs with small blue and gold leaves LR; gnarled tree at L near more leafy foliage, ferns, and another blue and gold plant

Volcanic Landscape, 1916

Irie Shikai

Not on View
conical hat with wide brim; radiating raised lines/ribs from center of hat, with rows of graduated raised balls between lines/ribs; three central graduated flower petal-like elements at top center; padded white silk ties; dark brown lacquer on underside; dark patina on top

Thirty-two riveted iron warrior hat, 18th century

Unknown Japanese

Not on View
thin, reddish longbow with groupings of narrow reed bands; reed grip

Longbow, 19th century

Unknown Japanese

Not on View
orange lacquered bow with dark woodgrain pattern; leather and wide reed grips

Longbow, 19th century

Unknown Japanese

Not on View
sparse head and upper body of a man with long bristly whiskers and eyebrows; bald head; protruding eyes; large nose; one arcing horizontal wrinkle on forehead; four text characters in top URQ and three red seals; mount three different multicolored fabrics

Half-length Portrait of Bodhidharma, mid 18th century

Hakuin Ekaku

Not on View
staff with slightly curved top; medium patina

Naginata practice weapon, 19th century

Unknown Japanese

Not on View
many figures wearing rust-colored garments struggling to row a boat in LRC through waves near shorline at right with figures in a cave; two other rowboats at left, with sailboats in distance; vertical clouds in sky; blue, yellow, rust-red

Bonito Fishing Boats in Chōshi Bay in Shimosa Province, c. 1810

Shōtei Hokuju; Publisher: Nishimuraya Yohachi

Not on View
rolling hills at right with trees and rocks or small hillocks, covered in snow; two buildings with rounded snow-covered roofs in LLC; some figures in LRC and near buildings; dark red, green, brown; white sky with blue-grey at horizon

Evening Snow at Mount Hira, 1820s

Utagawa Kunitora; Publisher: Yamadaya Shōbei

Not on View
top of fan is roughly trapezoid shape with curved edges; top is decorated with central circle surrounded by small silver circles on each side; one side has a crescent in URC and a lower in LLC; opposite side has five text characters on a diagonal inside central circle and flower in ULC; bronze-colored long handle with metal fitting with incised scrolling design and cutout heart at bottom end

Long battle fan (gunbai) with paulownia crests, 18th-19th century

Unknown Japanese

Not on View
abstract image; washy light blue pigments mixed with white pigments, speckled with tiny dark spots on R and in C; brown and black speckled area in ULC and URC; band of gray pigment across the bottom of the image; vertical rectangular area in yellow pigment with black specks in LRC of image; wavy overlapping black and gray lines in URC

Beige Wall, 1992

Yoshida Hodaka

Not on View
fan with two vertical lobes on long handle; one large text character in black lacquer on each side; black stripes on handle; gold ground on lobes

Battle fan (gunbai) of the Mogami clan, 16th century

Unknown Japanese

Not on View
eight horizontal rows of various square and rectangular banners, helmets, bundles, lanterns, streamers, and other military regalia on poles; predominately red, black , and white, with touches of turquoise and gold; rectangular banner with three black circles in URC; red rectangular banner with two white elements at top in LRC

Battle Standards and Banners [left of a pair], 18th century

Unknown Japanese

Not on View
eight horizontal rows of various square and rectangular banners, helmets, bundles, lanterns, streamers, and other military regalia on poles; predominately red, black , and white, with touches of turquoise and gold; white rectangular banner in URC; red rectangular banner with black and white striped small streamer at top in LRC

Battle Standards and Banners [right of a pair], 18th century

Unknown Japanese

Not on View
blue robe with abstract motif in white applique on entire back, shoulders, and sleeve cuffs; contrasting, decorative stitching on the applique; red decorative stitching on back; orange fabric inlay on sleeves

Red, blue, and white kaparamip robe, late 19th century

Unknown Ainu

Not on View
beige colored coat with organic, abstracted applique bird and cow head shaped motifs; blue detailing around collar and cuffs; subtle red details around collar, sleeves, and winding through applique; asymmetrical closure on front

Woman’s fish-skin festival coat (hukht), 19th century

Unknown Nivkh

Not on View
light brown robe with navy blue applique trim around sleeve cuffs, bottom hem, center edges and upper back; light blue applique is attached on either side of the navy blue yoke applique; blue swooping embroidery throughout; light blue lining on interior bottom and at chest

Attush robe with light-blue appliqué, late 19th century

Unknown Sakhalin Ainu

Not on View
five vertical, navy blue panels sewn together with scattered white circle pattern; small orange triangle patch on BC;

Bedding cover (futonji) or furniture cover (yutan), late 19th-early 20th century

Unknown

Not on View
navy blue base with darker blue collar; off white starburst embroidery covering sleeves and shoulders, with three distinct flowers on back

Boy’s swordsmanship uniform (kendō-gi), early 20th century

Unknown Japanese

Not on View
figure with human body and rather bird-like facial features, with elongated beak-like mouth with teeth, long flat nose and bulging eyes, with feathers/fur on top and head and flowing backwards from sides of head; sketch of head, body and arms of figure, wearing a necklace (?) with four large balls and bows, and holding a staff with rings at bottom in PR hand; verso: sketch of small bird and head of a bird in LRQ; unsigned

Study of a mountain goblin (tengu) dressed as a hermit (yamabushi), 1860s

Tsukioka Yoshitoshi

Not on View
three separate sheets; long blue, black and white bridge over water; pink fireworks in sky, center and left; horses, carts, buggies and people on bridge, in predominately red and purple garments; many boats on water; boat in LLQ has red lanterns with black characters

Picture of the Ryōgoku Bridge in Tokyo, c. 1875

Tsukioka Yoshitoshi; Publisher: Inoue Mohei; Carver: Ōta Tashichi

Not on View
two separate sheets; man riding through waves on the back of a sea turtle; man wears brown tunic and blue pants, with straw leg coverings, and holds a thin bamboo staff in his PR hand; man looks over his shoulder at a man with a small dragon on his head and a woman, accompanied by two other women with decorative objects on poles, in URQ

Urashima Returns Home from the Dragon Palace, January 1886

Tsukioka Yoshitoshi; Publisher: Kobayashi Tetsujirō; Carver: Noguchi Enkatsu

Not on View
one sheet; man in profile from PL, bleeding from his open mouth; man wears brown and blue headgear and black and brown armor on his arms; PR arm unraised; many different fabrics on clothing in LRQ; man wears a necklace of blue and white beads tied with blue cord; grey ground

Shima Sakon Tomoyuki, 1868, 8th lunar month

Tsukioka Yoshitoshi; Publisher: Ōhashiya Yashichi

Not on View
assembled triptych; male figure at C with wide stance, brandishing a sword, facing L; figure at R wearing armor, ducking, holding white cloak with silver foliage behind him; another male figure at LL falling to the ground, with sword up in air; fight scene in background with heavy rain; purple curtain with white flowers at top

Picture of the Soga Brothers Killing Ten Men, 1864, 3rd lunar month

Tsukioka Yoshitoshi; Publisher: Nōshūya Yasubei

Not on View
two men; standing man with moustache at left with a drawn bow, wearing wide-legged blue pants, red and black armor and brown and white gloves, looking up; man with moustache at right, kneeling on one knee, wearing a blue and white garment with black and grey sleeves, holding a blue dagger (?), looking up at arrow above his head; yellow sky with building roof in background; orange-red and grey cloud (smoke?) from LLQ diagonally behind man in blue and white across picture plane

Genzanmi Yorimasa and I no Hayata, October 1878

Tsukioka Yoshitoshi; Publisher: Funazu Chūjirō

Not on View
drawing in black ink with touches of pinkish-brown on face; frowining man with open mouth, grabbing at sword handle held by unseen figure at left; mounted to backing sheet

Kō Musashi-no-kami Moronao, second half 1860s

Tsukioka Yoshitoshi

Not on View
two standing women at shoreline; woman at left wears kimono with red at top shading into blue and bottom, with yellow and blue flowers, and holds a staff and a black umbrella; woman at right wears a blue kimono with black trim and a purple belt; trees in background

Eighth Act, 1860, 5th lunar month

Tsukioka Yoshitoshi; Publisher: Maruya Jinpachi

Not on View
one sheet; head and upper body of a woman on the diagonal, leaning toward left, wearing a blue and white patterned kimono and holding a white fan with red geometric designs in her PR hand; grey smoke trail from LLC up to URC, diagonally through picture plane

Appearing Smoky, Behavior of a Housewife of the Kyōwa era, May 1888

Tsukioka Yoshitoshi; Publisher: Tsunajima Kamekichi; Carver: Wada Yūjirō

Not on View
one sheet; man riding a white and grey horse, seen from back, with blood on man's arms and horse's hips and PL back leg; arrow in horse's PR flank; fallen figure with two arrows in chest, bleeding, in LLQ; another figure standing in front of horse, with only bloody face and bloody PR leg visible; stream in middle ground; green mountains in background

Hatakeyama Shōji Shigetada, December 1883

Tsukioka Yoshitoshi; Publisher: Kobayashi Tetsujirō; Carver: Muneoka Nobukichi

Not on View
unattached triptych; three female figures in grass in foreground; woman at L wears blue and white checked kimono, holding a bowl and facing R; panel with woman in Western dress playing flute behind her; C woman looks at first woman, holding a fan; woman at far R plays with her hair decoration; rooftops, buildings, harbor with boats in distant background

View of Yokohama in Kanagawa, 1860, intercalary 3rd lunar month

Tsukioka Yoshitoshi; Artist: Fuse Toshimaro; Publisher: Enshūya Hikobei

Not on View
two separate sheets; ink drawing on thin paper; scene on a bridge with foreshortened figure at right, jumping in a tight ball in the air, with PR hand outstretched above head; crouching man with wide stance at left, wearing armor, and holding a staff at the diagonal, head tilted toward PL; detail of railing at URC of left sheet

Preparatory drawing for the left and right sheets of Picture of the Gojō Bridge from the Chronicle of Yoshitsune, c. 1881

Tsukioka Yoshitoshi

Not on View
two men fighting underwater (?); man on bottom has bulging eyes and open mouth, with long hair and beard, wearing a robe with purple flowers; man on top has rounded hairstyle with wears multicolored armor; rock with round openings in background at right

Saitō Izu Nyūdō Ryūhon and Haku Neishi Settō, 1866, 1st lunar month

Tsukioka Yoshitoshi; Publisher: Moriya Jihei; Carver: Ōta Tashichi

Not on View
ink drawing with pale peach highlights; head and upper body of a man on the diagonal, holding sword to left with both hands; man wears a white headband

Matsubara Tachū, second half 1860s

Tsukioka Yoshitoshi

Not on View
unattached triptych; two male figures charge toward a monster in the sky at L; both are holding swords, and figure at far R holds a lantern which illuminates a monster against the black night sky; monsters in shadow faintly visible in sky

Picture of Kusunoki Tamonmaru Conquering the Old Badger, 1860, 4th lunar month

Tsukioka Yoshitoshi; Publisher: Kakumotoya Kinjirō

Not on View
portrait of slightly frowning man in rectangle in LRC, with red lips, looking toward PR, wearing grey striped kimono; orange ground; rectangular block of text at left with blue and purple background shading; large red and green seals, LLC and URC, with smudged red seals at left and right edges of sheet

Number Four, c. 1885-1890

Tsukioka Yoshitoshi; Publisher: Yamato Shinbunsha; Carver: Noguchi Enkatsu

Not on View
portrait of a figure with a plant fiber mat wrapped around body, wearing a green patterned kimono with a white cloth with blue dots tied around head; moon in LRQ

Evening Dew: Actor Ichikawa Danjūrō IX as Saitō Kuranosuke Toshimitsu, October 1876

Tsukioka Yoshitoshi; Publisher: Yorozuya Magobei; Carver: Asai Ginjirō

Not on View
pair of figures wrestling in foreground--a man wearing predominately green armor and a brown-skinned demon-like figure; demon seated in background at left wearing yellow garment, with a droopy face with open mouth and a second face on stomach, with PL arm stretched upward; grey silhouettes of skeletons against black ground; blue and yellow flowered curtain at right; yellow and white patterned flooring in foreground

Toki Daishirō, 1865, 2nd lunar month

Tsukioka Yoshitoshi; Author: Kikuyōtei Rokō; Publisher: Daikokuya Kinnosuke

Not on View
three separate sheets; battle scene with four men holding up large rectangular wooden shields; men wear multicolored armor and helmets; man at center walks across fallen soldier wearing blue pants and green leggings and shoes; castle with rounded domes in silhouette in URC, with flying silhouettes of soldier's bodies and flags; red flag with white design at center top; reddish brown smoke/explosions throughout, including a reddish brown burst hitting shield of man at left

Picture of Masakiyo at Shinshū Castle During the Conquest of Korea, 1863, 10th lunar month

Tsukioka Yoshitoshi; Publisher: Kakumotoya Kinjirō

Not on View
two separate sheets; two men fighting with swords; man at left wears purple, blue, white and grey striped pants and purple, white and yellow hand and arm guards; man at right wears green, yellow, purple and grey striped pants and purple and white hand and arm guards; purple at top, green at bottom, white at center

Shitada Harumasa and Hayami Masanao, April 1873

Tsukioka Yoshitoshi; Publisher: Masadaya Heikichi

Not on View
drawing in black ink with touches of red; grimacing bald man wearing a short kimono, bending slightly down with feet wide apart, with sword held down; study of second head on PR foot of figure; two bundles at bottom, LLQ; lantern, URQ; some linear sketches (drapery?) on verso; unsigned

Study of a warrior wielding his sword, 1860s

Tsukioka Yoshitoshi

Not on View
unattached triptych: close-up of three characters: man at L wearing green coat, leaning head and hands against handle of sword, facing L; male figure at C with bare chest, holding sword in teeth, wearing brown and blue plaid; female figure at R looking to L; black, smoky background

Actors Iwai Kumesaburō III as Oyone (R), Kawarazaki Gonjūrō I as Taheiji (C), and Nakamura Shikan IV as Magoshichi (L), 1862, 5th lunar month

Tsukioka Yoshitoshi; Publisher: Kakumotoya Kinjirō; Carver: Katada Chōjirō

Not on View
one sheet; man crouching behind a black lantern; man wears purple patterned pants and red, black and brown armor on chest and arms; man holds a spear; blue ground

11, Chikamatsu Kanroku Minamoto Yukishige, 1868, 6th lunar month

Tsukioka Yoshitoshi; Publisher: Masudaya Ginjirō

Not on View
woman with her head bent down, wringing her hands, holding the handle of an orange and white fan with an organic design between her teeth; three fireflies in ULQ; woman wears a lavender kimono

Appearing Happy, Behavior of a Present-Day Geisha of the Meiji Period, 1888

Tsukioka Yoshitoshi; Publisher: Tsunajima Kamekichi; Artist: Wada Yūjirō

Not on View
two men in a room; man at R is seated on floor, leaning back slightly and pointing fan at L man; man at L is leaning towards R man, with hand on sword; shades in room are yellow and red

Third Act, 1860, 4th lunar month

Tsukioka Yoshitoshi; Publisher: Maruya Jinpachi

Not on View
two images arranged vertically on one sheet; top image: seated man with one arm around a reclining woman, while a second woman pours a drink from a teapot into a bowl held in man's PR hand at center, with four foxes around figures; two foxes wear garments; stone shrine gate in ULQ; bottom image: grey and brown horses racing, with jockey on brown horse facing backwards, wearing red blouse, purple vest and white pants; jockey on grey horse being thrown; jockey in background falling from horse wears green and white striped pants, black vest and red blouse

Top: Cheerful Foxes at the Mimeguri Shrine on the Banks of the Sumida River; Bottom: A famous jockey at Shōkonsha, January 1881

Tsukioka Yoshitoshi; Publisher: Tsunajima Kamekichi

Not on View
jumping fish, in a backwards C shape; sea foliage above and behind tail and at top right edge; a few broad brushstrokes at bottom; face of fish reworked on back of sheet; unsigned

Study of a leaping carp, 19th century

Tsukioka Yoshitoshi

Not on View
portrait of frowning man in rectangle in LLC, with red lips, head turned slightly toward, PR; man has PR hand on sword handle; wearing purple kimono with white flowers inside circles; grey ground; rectangular block of text at left with pastel shaded ground; one green and three red seals

Number Two, c. 1885-1890

Tsukioka Yoshitoshi; Publisher: Yamato Shinbunsha; Carver: Noguchi Enkatsu

Not on View
woman seated by a railing outdoors with moon in ULC, looking over her PR shoulder, with her PL hand on her chin, holding a piece of shrimp tempura in a chopstick in her PR hand; blue and white patterned plate with tempura and blue and white cup in LRC; woman wears grey, white and blue striped kimono and pink obi

Appearing Delicious, Behavior of a Prostitute of the Kaei Era, March 1888

Tsukioka Yoshitoshi; Publisher: Tsunajima Kamekichi; Carver: Wada Yūjirō

Not on View
one sheet; man opening a sliding door with a shiny black frame, peering inside a room with a lamp with a drum-shaped frame, pale green floor, back of a folding screen with bird and foliage pattern, and a folding screen with a yellow ground and red flowers; man wears a garment in green, light blue and white with purple and blue flowers and holds a sword in his PR hand, behind his back

Endō Musha Moritō, December 1883

Tsukioka Yoshitoshi; Publisher: Kobayashi Tetsujirō; Carver: Muneoka Nobukichi

Not on View
one sheet; standing figure seen from back, pointing with PL hand, with open mouth and face in profile from PL; man is wearing a sleeveless red garment with light red cloud patterns, blue slacks and black boots, and a green and yellow head scarf tied with a white sash; man holds a spear; black column in background at right

High Priest Kōmyō, February 1874

Tsukioka Yoshitoshi; Publisher: Masadaya Heikichi; Carver: Shimada Tomekichi; Author: Takabatake Ransen

Not on View
ink drawing with red, purple, yellow, green and blue; standing woman with floral decorations and red and white strands of beads in her hair, wearing multicolored draping scarves around her upper body, pointing with her PL hand at two impaled heads on a red, white and yellow staff, and holding a severed head with open mouth in her PL hand; trees behind her

Keyblock drawing for "Lady Huayang", 1865, 2nd lunar month

Tsukioka Yoshitoshi; Author: Kikuyōtei Rokō; Publisher: Daikokuya Kinnosuke

Not on View
frowning, falling man wearing blue geometric patterned kimono, with bare legs, at center, being grabbed from behind by a man wearing a black and white garment with triangle patterns and a white headband, holding a sword in front of first man; another standing man wearing similar triangular patterned garment at left, holding a staff; battle scene in background in ULQ with silhouettes of fighting figures in the snow

Eleventh Act, 1860, 5th lunar month

Tsukioka Yoshitoshi; Publisher: Maruya Jinpachi

Not on View
three separate sheets; three portraits of men against grey ground; left: man with small ponytail, looking down toward PL, wearing a brown, yellow and black plaid kimono, with a blue cloth around his neck; center: man with ponytail, head tilted, wearing light blue and white garment, white blood on his shoulders, cheek, hands and arm, holding a green sword; right: man with small ponytail, wearing a brown kimono with white flowers on shoulders and green trim, his PR hand on a blue sword handle

Actors Bandō Hikosaburō V as Tōma Saburōemon (R), Sawamura Tosshō II as Hayase Iori (C), and Ōtani Tomoemon V as Adachi Motoemon (L), 1867, 4th lunar month

Tsukioka Yoshitoshi; Publisher: Ōmiya Kyūjirō; Carver: Watanabe Eizō I

Not on View
one sheet; human figure with a fox's head, looking back over PL shoulder; string of blue beads and green bamboo staff held in hands; grey, white with grey flowers and turquoise garments; dry tall grasses at left and right; night sky with crescent moon

The Cry of the Fox, January 1886

Tsukioka Yoshitoshi; Publisher: Akiyama Buemon; Carver: Noguchi Enkatsu

Not on View
ink drawing with blue, green, yellow and red; standing man with feet wide apart, holding sword over his head, scowling in anger; man has long black hair and wears greenish-blue blouse with gold dragons, red pants and skirt with wave patterns; rounded dark doorway at left behind figures; flowers, URC; attached to off-white mount sheet

Nine-Tailed-Turtle Tao Zongwang, 1868, 7th lunar month

Tsukioka Yoshitoshi; Publisher: Ōhashiya Yashichi

Not on View
three separate sheets; underwater scene; figure at L riddled with arrows and blood standing in front of large brown rock, wielding sword; figure at C sinking in water, with arrows in body, sinking toward crabs at bottom; family in robes at R seated on rock, looking on; figure in foreground with swords, bloody, charging to L

Picture of the Heike Clan Sinking and Perishing at Sea, 1853, 6th lunar month

Tsukioka Yoshitoshi; Publisher: Kazusaya Iwazō

Not on View
unattached diptych; male figure at R thrusting fan across image, toward figure at L; figure at L is in blue clothing with swirling tan/yellow cloud pattern on sleeves; figure at R has brown clothing with white floral pattern; each figure has a sword

Actors Bandō Kamezō I as Kō no Moronao (R) and Sawamura Tosshō II as Enya Hangan, 1862, 6th lunar month

Tsukioka Yoshitoshi; Publisher: Gifuya Seichichi

Not on View
drawing in black ink with touches of red and salmon pink on thin paper, mounted onto off white backing sheet; man with bare legs apart, wearing kimono with floral medallion on PL shoulder, with sword held over his head behind his back, with a grimacing expression; gourd-shaped cartouche in URC

Samurai with drawn sword, second half 1860s

Tsukioka Yoshitoshi

Not on View
unattached diptych: group of motely figures and a dog huddle under large tree at L; hairy creature with fangs and yellow eyes under umbrella runs towards tree; male and female figures at R also head towards tree; sky is gray, with rain

Pictures from Ōtsu, 1860, 8th lunar month

Tsukioka Yoshitoshi; Publisher: Kameya Iwakichi; Carver: Koizumi Kanegorō

Not on View
three separate sheets; landscape with purple, red and yellow flowers around a stream; man wearing black cap and kimono with gold birds on tan and green ground, playing a black flute, at center; crouching man at right holding a sword, wearing a purple kimono with yellow and blue flowers

Autumn Moon at Tōin: Hirai Inaba-no-kami Yasumasa and the Thief Hakamadare Yasusuke, 1868, 4th lunar month

Tsukioka Yoshitoshi; Artist: Katsukawa Shuntei III; Publisher: Sanoya Tomigorō

Not on View
soldiers in predominately red and purple tunics and blue pants, with rifles, at left; two fallen men with bugles; man at center in red tunic with blue sleeves aiming rifle at jumping man with spear in red and blue at right; grey and blue smoke clouds

The Great Battle of the Ane River in the Chronicle of the Great Peace, 1867, 7th lunar month

Tsukioka Yoshitoshi; Publisher: Masudaya Ginjirō

Not on View
jumping fish, in a backwards C shape; sea foliage above and behind tail; broad brushstrokes at bottom; unsigned

Study of a leaping carp, 19th century

Tsukioka Yoshitoshi

Not on View
two sheets, unattached: figure seated in foreground looking to L, with horrified expression; figure is holding large bush in PR hand; powerful looking figures in shadow in background above building; female figures in shadow in middle ground, in front of building; murder scene at UL in shadow

Kiku's Shadows, 1860, 7th lunar month

Tsukioka Yoshitoshi; Publisher: Kakumotoya Kinjirō

Not on View
female figure in red robe with white flowers on ground before male figure in black robes with white designs; both figures at the foot of stone stairs and stone wall

Prologue, 1860, 4th lunar month

Tsukioka Yoshitoshi; Publisher: Maruya Jinpachi

Not on View
ink drawing on thin paper with touches of red; drawings on recto and verso--difficult to read each side due to thinness of paper; half of man's face with a rectangular element covering other half of face; portion of foreshortened grimacing face with short hair, with cloud-like elements covering top of head

Preparatory drawing of Sakuma Dennai, 1869

Tsukioka Yoshitoshi

Not on View
one sheet; standing woman seen from back with head turned in profile to PR, wearing white blouse and purple skirt, with very long hair tied with yellow cord; flying demon with grey wings, grey hat, grey beard and hair and blue lips in URC, wearing grey flowered garment; some flying autumn leaves; ring of moon, ULC

Midnight Moon at Mount Yoshino: Iga no tsubone, January 1886

Tsukioka Yoshitoshi; Publisher: Akiyama Buemon; Carver: Noguchi Enkatsu

Not on View
man wearing black and white cap, short blue kimono with white swirling patterns and red garment on top, wading through water; woman wearing white garment with multicolored floral medallions clinging to man's back; moon in sky at top center

Picture of Ōmori Hikoshichi Encountering a Demon on his Path, May 1889

Tsukioka Yoshitoshi; Publisher: Sasaki Toyokichi; Carver: Wada Yūjirō

Not on View
three sheets joined together; portrait of a scowling man with brown beard, moustache and long hair gathered in a yellow tie; man has hands on sides and leans slightly forward; garment has brown ground and brightly-colored pattern with a yellow dragon and purple, green and blue clouds; black ground; large peach-colored moon, ULC

Moon: Actor Ichikawa Sanshō as Kezori Kuemon, 1890

Tsukioka Yoshitoshi; Publisher: Akiyama Buemon; Carver: Wada Yūjirō

Not on View
standing man with his legs wide apart, wearing high yellow and brown zori sandals and blue garments with predominately blue, green and yellow floral medallions on skirt, holding a brown and yellow umbrella over which a black and grey shadowy demon peers

Fuwa Bansaku, 1865, 8th lunar month

Tsukioka Yoshitoshi; Author: Nozaki Bunzō; Publisher: Daikokuya Kinnosuke

Not on View
male figure seated on orange cushion in an elevated room; male figure squatting at R gesturing towards seated man with fan; pine tree in background

Second Act, 1860, 4th lunar month

Tsukioka Yoshitoshi; Publisher: Maruya Jinpachi

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two separate sheets; man at right holding a large rectangular lantern, emitting pinkish light; man, partially hidden by lantern, wears orange checked kimono with red and purple lining, and holds a bloody sword, with blood on his PR leg and the hem of his kimono; man's face has brown spots; falling woman at left wearing kimono with brown ground and blue birds and white flowers on purple ground, with light blue and red lining, scattering floating sheets of white paper

Story of Sano Jirōzaemon, February 1886

Tsukioka Yoshitoshi; Publisher: Tsujiokaya Kamekichi; Carver: Watanabe Yatarō

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one sheet; figure with long hair and foreshortened face, wearing grey and white garment with blue sleeves, holding a man by the throat who falls on his back, and holding a dagger in PR hand; falling man, with toes splayed on PR foot, wears white and blue pants and dark blue blouse with red, green and yellow square patterns, and has long black hair and bushy beard; vase of flowers at left

Yamato Takeru Mikoto and Kawakami Takeru, December 1883

Tsukioka Yoshitoshi; Publisher: Kobayashi Tetsujirō; Carver: Muneoka Nobukichi

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portrait of a woman looking toward left, with full cheeks; woman wears purple kimono with white floral circles and red circle patterned collar with yellow undergarment visible at bottom edge of image; woman's hair ornaments have blue flowers and gold tassels; very large, slightly abstracted purple flowers with leaves and stems in two shades of green behind woman

Oroku, 1864, 7th lunar month

Tsukioka Yoshitoshi; Artist: Kawanabe Kyōsai; Publisher: Daikokuya Kinnosuke

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three separate sheets; frowning man with legs wide apart, resting his sword on the ground and leaning on it; man has bleeding wound on head; man wears portion of lavender, white, black and red armor with yellow floral kimono beneath it; many arrows flying across picture plane; pale silhouettes of trees and mountain in background

Theater Reformation: Stories Gleaned at Yoshino, Picture of Kusunoki Masatsura Dying at the Battle of Shijōnawate, December 1886

Tsukioka Yoshitoshi; Publisher: Matsui Eikichi; Carver: Noguchi Enkatsu

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portrait of a man with PR arm upraised and fingers spread; man wears pink and yellow armor and green patterned garment; purple ground

Actor Ichimura Kakitsu IV as Takechi Jūjirō, 1865, 6th lunar month

Tsukioka Yoshitoshi; Publisher: Gifuya Seishichi; Carver: Tanaka Ushinosuke

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three separate sheets; orange bands of flame, radiating in the manner of a starburst from bottom edge left of center, across picture plane, with black ground with curls of grey and starbursts of orange and yellow; men's bodies, swords and helmets flying and flipping behind and between flames; man on brown rearing horse at right

Picture of Masakiyo's Challenging Battle as Retold in the Chronicle of the Great Peace, 1866, 10th lunar month

Tsukioka Yoshitoshi; Publisher: Yamashiroya Jinbei; Carver: Tanaka Ushinosuke

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male figure in black looking down PR shoulder; overlapping letters with calligraphy in background at L; night sky with moon, silhouetted reeds

Actor Sawamura Tosshō II as Hangan Takasada, 1862, 3rd lunar month

Tsukioka Yoshitoshi; Publisher: Gifuya Seichichi

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woman looking over her PR shoulder, with her lower lip protruding and mouth slightly open, holding a tube shaped red and yellow object (pipe?) vertically with both hands; woman wears and brown and black checked kimono with black and purple collars; brown kettle at right; black and grey cloth with red text behind woman in ULQ

Appearing Bewildered, Behavior of a Fireman's Wife of the Kaei Era, February 1888

Tsukioka Yoshitoshi; Publisher: Tsunajima Kamekichi; Carver: Wada Yūjirō

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woman leaning forward, with her brown and yellow striped kimono with black collar slipping off her PL shoulder, lighting a small lamp on a black lacquer shelf, with a pillow roll beneath her; tan basket or box with black handle and red and yellow object (pipe?) between woman and shelf

Appearing Dark, Behavior of a Wife of the Meiji Period, March 1888

Tsukioka Yoshitoshi; Publisher: Tsunajima Kamekichi

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three separate sheets; night scene with dark tree trunks and foliage; man at right with hair in a ponytail, wearing a black and brown striped jacket and patterned skirt with medallions with red centers and green and brown arcs; man looks through trees at scene of demons hovering over a topless reclining young woman on a green and red table; large bamboo with white fur and red face, with open mouth, wearing grey and yellow patterned robe at left, accompanied by other demons

Iwami Jūtarō Kanesuke, 1865, 6th lunar month

Tsukioka Yoshitoshi; Publisher: Fukushimaya Tashichi

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three separate sheets; giant demon at center, with wrinkled ghoulish face with bulging eyes and gaping mouth, and bare arms, reaching down twoard group of men in armor armed with swords at left, right, and center, with one man beheath demon's PR arm, near demon's face; women and smaller ghouls at left and right running away; grey-green ground

Picture of Raikō and his Four Companions Conquering the Demon of Mount Ōe, 1864, 10th lunar month

Tsukioka Yoshitoshi; Publisher: Kiya Sōjirō

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two sheet configured vertically; red-skinned chubby nude figure clinging onto the back of a very large fish, which is diving down beneath water surface; turtle, LRQ; woman with long flowing hair wearing a white blouse with predominately dark blue pattern and light blue skirt with her PL hand up to her brow, on the rocky shoreline at top

Kintarō Snaring a Giant Carp, July 1885

Tsukioka Yoshitoshi; Publisher: Matsui Eikichi; Carver: Takimoto Chokuzan

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one sheet; grimacing man in profile from PR, holding a sword with smears of blood and blood on his PR hand; man wears a garment in black and brown checks; smoke clouds behind man

Geki Magohachi, 1868-1869

Tsukioka Yoshitoshi; Publisher: Ōhashiya Yashichi

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many women, men and children on beach at right, some standing and some digging in sand with their hands and staffs; boat in foreground at left, with a man carrying a woman in blue piggyback out of boat; more boats in middle ground near horizon line; low mountains at right; mounted on foamcore board with grey silk edging

Clam Digging, 1860s

Tsukioka Yoshitoshi

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rectangular accordion-bound booklet with yellow cover; 12 colorful scenes depicting people engaging with each animal of the zodiac; ink sketch of army scene in front of mountain on back inside page

Complete set of the series: The Twelve Zodiac Signs with Heroes, c. 1868

Tsukioka Yoshitoshi; Publisher: Ōhashiya Yashichi

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tan robe with dark blue applique trim embellished with blue and white embroidery; embroidery along sleeve cuffs and bottom hems has intertwined oval pattern; embroidery at yoke and back center has smaller pattern with light blue patchwork; blue and white floral print collar; two dark blue ties at waist (PR hip and edge of PL center); printed blue and white tie at PR center edge

Attush robe with patterned collar, late 19th century

Unknown Ainu

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