showing 100 of 497 results matching creditline:"The Mary Griggs Burke Endowment Fund established by the Mary Livingston Griggs and Mary Griggs Burke Foundation". (load 200 more)

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bald headed, friendly-appearing figure at left holding a bag open between his hands, which extends toward left; two bold text characters on bag and three thinner characters; two red seals at left center at bottom of bag; blue and brown mount

Budai Opening His Sack, mid 18th century

Hakuin Ekaku

G222

blue jacket with two symbols on front chest and three across back; open front with two beige ties hanging down front; each beige symbol is a pair of interlocking diamond shapes in a circle

Long-sleeved jacket for kyōgen theater [from a set], early 20th century

Unknown Japanese

G219

pleated blue pants with beige symbols on L and R legs and at front waistband; two long ties attached to either side; open slits down both sides; bottom cuffs and top waistband are sewn shut;

Long trousers (nagabakama) for kyōgen theater [from a set], early 20th century

Unknown Japanese

G219

light tan leather case with concave top; metal buckles; hinged lid with handle on top of case; green silk lining with gathered fabric on inner lid

Case for bowler hat, c. 1890

Unknown English

Not on View
white sphere with smooth surface with a seperate flat, disc-shaped base

%C2%A9 Wada Akira

Moon, 2016

Wada Akira

Not on View
brown rattan woven bowler hat; small loop on back; gold oblong patch with gold brocade on inside at the top; colorful leather embossed band on inner rim

Bowler hat, c. 1890

Hayakawa Shōkosai I

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standing monkey skeleton, waving with his PL arm, in black with some additional pointed articulations on bones; attached base with cutouts on front; black

%C2%A9 Akinaga Kunihiro

Mimicry: Monkey, 2018

Akinaga Kunihiro

Not on View
small rectangular chest with flared base to be worn as a backpack; black lacquer with gold round crest on front featuring three rounded leaves against black triangle pattern; 8 drawers inside of varying shapes that fit the irregular shape of the box; navy blue, rough silk cord laced through back

Ammunition backpack, mid 19th century

Unknown Japanese

Not on View
white sphere that is divided into two halves; concentric layered square pattern across the surface

%C2%A9 Wada Akira

Sun, 2017

Wada Akira

Not on View
longbow with reddish colored lacquered wrapping forming spiral pattern around bow; dark grip; dark reed bands at grip, top, and bottom

Longbow, 19th century

Unknown Japanese

Not on View
black lacquer longbow with decorative reed bands; reed bands at top and bottom have decorative knotting on outside face

Longbow, 19th century

Unknown Japanese

Not on View
top of fan is roughly trapezoid shape with curved edges; top is decorated with central circle surrounded by small silver circles on each side; one side has a crescent in URC and a lower in LLC; opposite side has five text characters on a diagonal inside central circle and flower in ULC; bronze-colored long handle with metal fitting with incised scrolling design and cutout heart at bottom end

Long battle fan (gunbai) with paulownia crests, 18th-19th century

Unknown Japanese

Not on View
right; close-up view of a dramatic landscape formed by a lava flow; sweeping lines, jagged cliffs in greens and browns; leafy foliage along lower R; shrubs with small blue and gold leaves LR; gnarled tree at L near more leafy foliage, ferns, and another blue and gold plant

Volcanic Landscape, 1916

Irie Shikai

Not on View
left; close-up view of a jagged, rugged landscape sculpted by lava flow; sweeping downward plane at C with dramatically intersecting cliffs at L and R; greens and moss punctuate the cliffs; cluster of red and gold foliage at L; gnarled and broken tree trunks along bottom; inscription ULQ

Volcanic Landscape, 1916

Irie Shikai

Not on View
longbow burnished with silver, with red coloring peeking through; marbled pattern of red, black, and gold at top and bottom ends of bow; wide reed upper grip, with leather strip lower grip

Longbow, 19th century

Unknown Japanese

Not on View
staff with slightly curved top; medium patina

Naginata practice weapon, 19th century

Unknown Japanese

Not on View
abstract image; washy light blue pigments mixed with white pigments, speckled with tiny dark spots on R and in C; brown and black speckled area in ULC and URC; band of gray pigment across the bottom of the image; vertical rectangular area in yellow pigment with black specks in LRC of image; wavy overlapping black and gray lines in URC

Beige Wall, 1992

Yoshida Hodaka

Not on View
black bow with repeating thin bands of wrapped reeds; each band has gold outline; small decorative swirly knot on face below grip

Longbow, 19th century

Unknown Japanese

Not on View
orange lacquered bow with dark woodgrain pattern; leather and wide reed grips

Longbow, 19th century

Unknown Japanese

Not on View
many figures wearing rust-colored garments struggling to row a boat in LRC through waves near shorline at right with figures in a cave; two other rowboats at left, with sailboats in distance; vertical clouds in sky; blue, yellow, rust-red

Bonito Fishing Boats in Chōshi Bay in Shimosa Province, c. 1810

Shōtei Hokuju; Publisher: Nishimuraya Yohachi

Not on View
thin, reddish longbow with groupings of narrow reed bands; reed grip

Longbow, 19th century

Unknown Japanese

Not on View
rolling hills at right with trees and rocks or small hillocks, covered in snow; two buildings with rounded snow-covered roofs in LLC; some figures in LRC and near buildings; dark red, green, brown; white sky with blue-grey at horizon

Evening Snow at Mount Hira, 1820s

Utagawa Kunitora; Publisher: Yamadaya Shōbei

Not on View
fan with two vertical lobes on long handle; one large text character in black lacquer on each side; black stripes on handle; gold ground on lobes

Battle fan (gunbai) of the Mogami clan, 16th century

Unknown Japanese

Not on View
conical hat with wide brim; radiating raised lines/ribs from center of hat, with rows of graduated raised balls between lines/ribs; three central graduated flower petal-like elements at top center; padded white silk ties; dark brown lacquer on underside; dark patina on top

Thirty-two riveted iron warrior hat, 18th century

Unknown Japanese

Not on View
sparse head and upper body of a man with long bristly whiskers and eyebrows; bald head; protruding eyes; large nose; one arcing horizontal wrinkle on forehead; four text characters in top URQ and three red seals; mount three different multicolored fabrics

Half-length Portrait of Bodhidharma, mid 18th century

Hakuin Ekaku

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woman looking over her PR shoulder; woman holds an open yellow fan with red text; woman wears white garment with blue pattern (text?) and peacock feather design on sleeves, black trim and pink and red patterning; grey sky with moon and grey clouds in ULC

Appearing Suitable, Behavior of a Brothel Geisha of the Kōka Era, April 1888

Tsukioka Yoshitoshi; Publisher: Tsunajima Kamekichi; Carver: Wada Yūjirō

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woman leaning toward PL, with her head tilted slightly down, holding up her PR hand; woman wears light blue kimono with busy pattern of pink and white blossoms and scalloped cartouches with multicolored geometric patterns and red undergarment with purple collar with blue, green and tan leaves; green and tan obi

Appearing Appalled, Behavior of an Unmarried Woman from Nagoya of the Ansei Era, 1888

Tsukioka Yoshitoshi; Publisher: Tsunajima Kamekichi; Carver: Wada Yūjirō

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woman emerging from behind green netting, with her robes open in front, revealing her breasts; woman wears a white kimono with blue square patterns with red undergarment or lining

Appearing Itchy, Behavior of a Mistress of the Kaei Era, September 1888

Tsukioka Yoshitoshi; Publisher: Tsunajima Kamekichi; Carver: Wada Yūjirō

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one sheet; man seen from back wearing kimonos with floral designs with red and purple backgrounds, carrying a grey pagoda with red characters; man has long hair, thick eyebrows, thick sideburns and beard, with his face in profile from PR; various gruesome demons behind man including large white face with wide mouth at top center, with a face on its chest, screaming hairy torso with snakes and blue and green demon faces

Chao Gai, the Pagoda-shifting Heavenly King, 1872, 11th lunar month

Tsukioka Yoshitoshi; Publisher: Masadaya Heikichi; Carver: Shimada Tomekichi

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one sheet; dark-skinned man with mouth open, riding a black horse with trappings decorated with red tassels; man holds a red, blue and gold staff and wears predominately green and yellow kimono; horse is crossing a red bridge with green and yellow panels; mountain visible in middle ground behind side of bridge at right

Zhang Fei of the Yan People, 1872, 11th lunar month

Tsukioka Yoshitoshi; Publisher: Masadaya Heikichi; Carver: Katada Chōjirō

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one sheet; man wearing a wide white headband and a white shirt with grey elements with khaki ties, partially hidden by a wall of green bamboo; black ground

Sakuma Dennai, 1869, 3rd lunar month

Tsukioka Yoshitoshi; Publisher: Ōhashiya Yashichi

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portrait of a frowning man in rectangle in LRC, with red lips, wearing purple, grey and white striped kimono and undergarment with swirling blue pattern; pink ground; rectangle at left with text, with blue background with white and grey flowers; purple and yellow flower motifs with green leaves and branches in background

Kiku moyō enmei bukuro, no. 2, 1890-1891

Tsukioka Yoshitoshi; Publisher: Yamato Shinbunsha

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two separate sheets/vertical orientation; two men, both upside down, fighting in water; tattooed man on top wearing red loincloth; lower man with bulging eyes and hairy limbs wearing green kimono; two fish, ULC; seaweed and octopus, LLC

Picture of ‘White Stripe in the Waves’ Zhang Shun and ‘Black Whirlwind’ Li Kui Fighting in the Water, After February 1887

Tsukioka Yoshitoshi; Publisher: Matsui Eikichi

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woman slightly turned to PR, with elaborate gold hair ornaments with floral motifs, wearing kimono with bold patterns, with bold red and yellow stripes on PL shoulder, bold hexagon and flower pattern in green, white, yellow, red and blue, and black with yellow and blue bamboo leaves on PR shoulder

Appearing Graceful, Behavior of a High-Ranking Prostitute of the Tenpō Era, April 1888

Tsukioka Yoshitoshi; Publisher: Tsunajima Kamekichi; Carver: Wada Yūjirō

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woman lying on her stomach, reading a page of text, with an orange and white cat sitting on top of a short brown and black chest at left; woman wears a brown kimono with black checks; mounted on moderately stiff backing paper

I want to cancel my subscription, January 1878

Tsukioka Yoshitoshi; Author: Takabatake Ransen; Publisher: Inoue Mohei

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one sheet; seated wolf with its head bending over its back, with a very long, thin snout; wolf is seated at water's edge, with a reflection in LRC; full moon, ULQ

Moon over Musashi Plain, April 1892

Tsukioka Yoshitoshi; Publisher: Akiyama Buemon; Carver: Yamamoto Shinji

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two separate sheets; woman at left wearing grey and blue striped kimono with red garment underneath and holding a folded cloth in her mouth, looking over her PR shoulder; woman at right wearing black hood and garments, looking at a man in blue stripes; another woman holding up a drunk man behind first woman; woman in grey and purple stripes at left edge of right image

Story of Shiraito of the Hashimotoya, February 1886

Tsukioka Yoshitoshi; Publisher: Tsujiokaya Kamekichi; Carver: Watanabe Yatarō

Not on View
light brown robe with navy blue applique trim around sleeve cuffs, bottom hem, center edges and upper back; light blue applique is attached on either side of the navy blue yoke applique; blue swooping embroidery throughout; light blue lining on interior bottom and at chest

Attush robe with light-blue appliqué, late 19th century

Unknown Sakhalin Ainu

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five vertical, navy blue panels sewn together with scattered white circle pattern; small orange triangle patch on BC;

Bedding cover (futonji) or furniture cover (yutan), late 19th-early 20th century

Unknown

Not on View
navy blue base with darker blue collar; off white starburst embroidery covering sleeves and shoulders, with three distinct flowers on back

Boy’s swordsmanship uniform (kendō-gi), early 20th century

Unknown Japanese

Not on View
sketch in black and red on paper, mounted as a hanging scroll; man in LLC with wrinkled, skeletal face, falling onto his backside with his arms and legs outstretched, open-mouthed; four monsters emerging from a box at left, including a head with three eyes, mouth open and tongue out, on an enormously long neck, a woman with long hair and a catlike nose and mouth with small teeth, pinched-faced small figure wearing a fez and figure with five eyes and elongated face; round red seal at top left of center; large area of blank paper at top of sheet; brown paper and blue paper with lavender flowers on mount

Monsters jumping out of a box scaring a man, late 1880s

Tsukioka Yoshitoshi

Not on View
one sheet; man looking over his PR shoulder, with a tree at left; man wears brownish-purple garment with purple sleeves with white and grey patterning; man holds a gun; grey ground

Negoro no Komitsucha, 1868, 9th lunar month

Tsukioka Yoshitoshi; Publisher: Ōhashiya Yashichi

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three sheets; battlefield scene with building at left; two men with guns at left--one man points with his PL hand, with blood on his head and sashes; bleeding men in LLC and middle foreground; three men in LRC--two with guns; water in middle ground at center and right; men and horses in background at center and right; black sky; fires at right

Picture of the Battle of Shimotoba at Fushimi in Yamashiro Province, December 1874

Tsukioka Yoshitoshi; Publisher: Hirookaya Kōsuke

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one sheet; bare breasted woman with long hair wearing a tattered khaki robe, reaching under the arms of a boy with thick hair and red skin; rabbit to left of figures; woman leaning against a blooming cherry tree; green mountain in distance

Yamauba and Kaidomaru, February 1873

Tsukioka Yoshitoshi; Publisher: Masadaya Heikichi

Not on View
one sheet; man on a dark brown horse with red trappings; man wears a white turban and multicolored garments with dark blue, black and red armor, and holds a sword in his PR hand; clouds of brown and grey smoke

Uesugi Kenshin Nyūdō Terutora, the Danjō-shōhitsu, December 1883

Tsukioka Yoshitoshi; Publisher: Kobayashi Tetsujirō; Carver: Muneoka Nobukichi

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one sheet; woman with long, blowing hair, wearing green skirt with round floral patterns in brown and dark green, and red underskirt, with a large blue and yellow hair ornament, creating a breeze with a yellow and red fan on which a grey monkey wearing a green blouse and light green pants and brown boots, upside down, with a yellow staff

Momokawa Enkoku; Sun Wukong and Rasetsunyo, 1868, 1st lunar month

Tsukioka Yoshitoshi; Author: Nozaki Bunzō; Publisher: Ōmiya Kyūjirō

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one sheet; two men holding torches, in the rain; both men are dressed similarly in blue with floral patterns, with black fabric tied with white on their shins; dark ground

Soga Jūrō Sukenari and Soga Gorō Tokimune, 1872-1873

Tsukioka Yoshitoshi; Publisher: Masadaya Heikichi

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man with a long handwritten scroll extending downward held behind his back, standing on a platform before an open window were a woman in pink, red and brown is seated, holding a red and white fan; another man's face wearing gold spectacles visible in LRQ behind a blue stone fountain; garden in background at right

Seventh Act, 1860, 5th lunar month

Tsukioka Yoshitoshi; Publisher: Maruya Jinpachi

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one sheet; grimacing figure with red skin and beard, wearing green patterned kimono, partially reclining on floor on his stomach, with his chin behind held by a heavy-set bald man standing over him; heavy set man has pink and white skin with white circles and wears a crane patterned kimono with purple ground; brown demon with white hair and pink blouse at right; gesturing man in red kimono, URQ; pair of gruesome heads--red face frowning and white face smiling--in ULQ; books and scrolls with text, LRQ

Asahina Saburō Yoshihide, 1872-1873

Tsukioka Yoshitoshi; Publisher: Masadaya Heikichi

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woman lying on a red pallet with a black neckrest and blue and white pillow with yellow tassel beneath her head; woman wears a red and white abstract floral patterned kimono with similar purple pattern around neckline; floral screen behind woman

Appearing Sleepy, Behavior of a Harlot of the Meiji Period, April 1888

Tsukioka Yoshitoshi; Publisher: Tsunajima Kamekichi; Carver: Yamamoto Shinji

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woman peering out from between two slatted doors; woman wears pink kimono with twining pink morning glories with green stems and leaves, with white collar and red cuffs

Appearing Inquisitive, Behavior of a Maid of the Tenpō Era, April 1888

Tsukioka Yoshitoshi; Publisher: Tsunajima Kamekichi

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unattached diptych; two heavily tattooed, seminude male figures; figure at L is scratching PL shoulder with PR hand, looking back; figure has small purse crossing his upper body; kerchief tied in bow over head; figure at R has blue spotted kerchief on hair, looking outward

Fashionable Men with Impressive Bare Bodies, 1859, 12th lunar month

Tsukioka Yoshitoshi; Author: Nozaki Bunzō; Publisher: Kakumotoya Kinjirō

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ink drawing in black and red; two men fighting; man at left falls forward, grabbing the hair of man at left, who is falling backward; attached to off white mount sheet

Preparatory drawing of Sumoto Sakyō, 1874

Tsukioka Yoshitoshi

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standing woman wearing while kimono with red lining; black obi; woman wears a white hood; woman holds a yellow and black umbrella; three cranes--two flying in URQ, one beside woman in LLQ; snow falling

Heron Maiden, April 1889

Tsukioka Yoshitoshi; Publisher: Sasaki Toyokichi; Carver: Yamamoto Shinji

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one sheet; portrait of a woman looking toward PL, wearing a red and pink patterned kimono with purple and blue and black plaid trim and red undergarment with blue patterned collar; pink petals falling around woman

Appearing Eager to Meet, Behavior of a Prostitute of the Kaei Era, October 1888

Tsukioka Yoshitoshi; Publisher: Tsunajima Kamekichi; Carver: Wada Yūjirō

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portrait of a man with a yellow bundle on his back, wearing a maroon garment with a green patterned belt over a blue kimono with black collar; falling snow; two brown birds flying at top

Light Snowfall: Actor Ichikawa Sadanji I as Obō Kichisa, c. 1876

Tsukioka Yoshitoshi; Publisher: Yorozuya Magobei

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standing man wearing black kimono with purple trim, with white flowers on sleeves, and black and white obi; man is offered food on a red tray by a small black baboon; cave setting

Shindō Kojirō Nobuyuki, 1867, 8th lunar month

Tsukioka Yoshitoshi; Publisher: Ōmiya Kyūjirō

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standing woman bending forward, with long loose hair, with a strand in her mouth, holding strands in each hand in front of her; woman wears garments in blue and grey with purple flowers and red and white stripes; waves behind woman at her skirts; dark blue ground, with some falling pink flowers and petals

Kiyo-hime, 1865, 9th lunar month

Tsukioka Yoshitoshi; Author: Sumida Ryōko; Publisher: Daikokuya Kinnosuke

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portrait of a man with bushy hair in hairstyle with rounded areas at sides of head, back of neck and sideburns; man's head turned slightly to PR, with a grimacing expression; man wears brightly colored garments of various patterns, with yellow floral patterns on blue on shoulders and black and grown armor on PL arm, with hand in front of chest; large red tassel on PR shoulder; border around portrait rectangle has abstracted save design in blues and white, with yellow dots

Lake: Actor Ichikawa Sadanji I as Akechi Samanosuke, September 1876

Tsukioka Yoshitoshi; Publisher: Yorozuya Magobei; Carver: Watanabe Eizō I

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two separate sheets; frowning man at right with long wavy hair, seated in profile from PL, holding a scroll, wearing a white blouse and grey skirt with white floral medallions; woman at left wearing white blouse and purple skirt; burning braiser and two scrolls on a low table between figures; cave walls

Picture of Prince Moriyoshi, the Third Son of Emperor Daigo, Reciting the Lotus Sutra in the Dungeons of Kamakura, January 1886

Tsukioka Yoshitoshi; Publisher: Kobayashi Tetsujirō; Carver: Noguchi Enkatsu

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one sheet; legs, face and PR arm of man falling into splashing mud; man holds sword straight up in PR hand and wears black stockings and sandals

Tanaka Kanhachi, 1869, 3rd lunar month

Tsukioka Yoshitoshi; Publisher: Ōhashiya Yashichi

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figure with angry face, red-tinted eyes and green-tinted skin, emerging from a swirling grey vortex with yellow cloud; figure wear white headband, white and grey armor, and a tan kimono with dark orange swirl designs; figure reaches down with outstretched PR hand, with fingers spread

Akugenta Yoshihira’s Ghost Attacking Nanba Jirō at Nunobiki Falls, December 1889

Tsukioka Yoshitoshi; Publisher: Sasaki Toyokichi; Carver: Wada Yūjirō

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three separate sheets; distressed-looking crouching woman at left, wearing grey kimono with orange and yellow flowers along them hem and red flowered obi, holding a green bamboo lantern; standing man at center wearing a kimono with blue, purple and white striped and patterned sleeves and blue body with swirl patterns and orange obi, holding a fan in his PR hand with blue geometric pattern; two women at right--crouching woman wearing dark blue kimono with light blue flowers and standing woman wearing blue kimono fading to pink at hem, and yellow obit with blue and green checks; two other women in background behind man, to his PR; seascape beyond with boats on water and night sky with moon

Distant view of Yokohama from the Daikokurō Restaurant at Kanagawa, 1864, 5th lunar month

Tsukioka Yoshitoshi; Publisher: Yamaguchiya Tōbei

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three separate sheets, unmounted; female figure standing at L behind seated male figure in blue kimono at far L; central seated male figure in striped kimono holding sake glass looking L; seated behind bowl with pink fish and colorful vegetables; two male figures at R are looking L, one is getting up, the other is seated; pink sky with hints of white flower blossoms in background

Picture of Stylish Cherry-blossom Viewing at Kibun Koganei, 1860, 2nd lunar month

Tsukioka Yoshitoshi; Publisher: Gifuya Seishichi

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one sheet; standing woman seen from back with head turned in profile to PR, wearing white blouse and red-orange skirt, with very long hair tied with yellow cord; flying demon with grey wings, grey hat, grey beard and hair and blue lips in URC, wearing grey flowered garment; some flying autumn leaves; ring of moon, ULC

Midnight Moon at Mount Yoshino: Iga no tsubone, January 1886

Tsukioka Yoshitoshi; Publisher: Akiyama Buemon; Carver: Noguchi Enkatsu

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three separate sheets; battle scene at sea, with two men wearing white loincloths swimming in foreground, with their swords tied to their backs; many boats crowded with men in armor, with swords and bows and arrows; boat at left has blue and white sails and streamers, and black tassel-like object at front; boat at center middle ground has red and white flag

Picture of the Great Battle of the Minamoto and the Taira at Dan-no-ura, 1865, 6th lunar month

Tsukioka Yoshitoshi; Publisher: Ōmiya Kyūjirō; Carver: Katada Chōjirō

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standing man at right wearing short black kimono with white underskirt, holding a brown cord attached around the neck of a seated figure in green at left; landscape in background with blue-grey sculpture base at right

Fifth Act, 1860, 4th lunar month

Tsukioka Yoshitoshi; Publisher: Maruya Jinpachi

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flock of cranes taking off over beach; male figure in purple with white flowers seated on chair at F under red umbrella; three male figures kneel in front of the surf, in front of figure in green with two swords

Yuigahama, 1863, 5th lunar month

Tsukioka Yoshitoshi; Publisher: Gifuya Seishichi

Not on View
one sheet; man on a white horse with another man falling in foreground, with feet in the air; man on horse wears multicolored armor and red, black and patterned garments; falling figures wears green, white, black and red armor, and blue and white pants

Sagami Jirō Taira Masakado, December 1883

Tsukioka Yoshitoshi; Publisher: Kobayashi Tetsujirō; Carver: Muneoka Nobukichi

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demon at right with long dark hair, peering around an oval element with red decorative flames around it on a black stand at left; man at center dressed in predominately blue, rust red and green, leaning his head forward toward demon, holding his sword in its sheath at his PL side; two fallen figures, covering their heads, at right; blowing fall leaves throughout

Clearing Weather of the Togakushi Mountains: Taira Koremochi Ason, 1868, 1st lunar month

Tsukioka Yoshitoshi; Publisher: Sanoya Tomigorō; Author: Takeda Kōrai

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triptych with two attached sheets, one separate sheet; three men in black coats with gray patterns against pink sky with white blossoms; each of the men has blue and red tattoos poking out from under robes

Fashionable Courageous Flowers, 1860, 2nd lunar month

Tsukioka Yoshitoshi; Publisher: Kakumotoya Kinjirō

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male figure with head to R in triangular cartouche, framed with wreath; yellow glass wind chime with paper hanging from wreath; bamboo in lower background; white robe with dark blue swirls

Actor Nakamura Shikan IV, 1862, 5th lunar month

Tsukioka Yoshitoshi; Publisher: Daikokuya Kichinosuke

Not on View
three separate sheets; battle scene in an interior; man at right wearing blue pants with white floral medallions fading to pale yellow at hems and blue patterned blouse, behind a black lacquer sliding door with flowers against a yellow ground at bottom, pulling on a very long staff penetrating the door, held by a man in blue armor at center; two fallen men in LLC--legs only of one of the men visible, across the body of the other man; running man in blue patterned kimono, with blood on his legs, at right, holding a spear; other figures fighting in background, left

Picture of a Night Battle at Shijō in Kyoto, 1864, 3rd lunar month

Tsukioka Yoshitoshi; Publisher: Fujiokaya Keijirō; Carver: Koizumi Kanegorō; Carver: Kobayashi Kane

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man with horse in deluge of water, with pointy waves; man wears garments of purple and bold print with multicolored floral medallions against red ground; man holds bamboo staff in PR hand and blue and white striped cloth, which are horse's reigns, in PL hand; brown horse with red bridle

Flood: Actor Nakamura Shikan III as Abe Bungo-no-kami, October 1876

Tsukioka Yoshitoshi; Carver: Asai Ginjirō; Publisher: Yorozuya Magobei

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standing man at left wearing grey kimono with light grey dots, looking up toward a man peering over a blue, white and grey wall in URC; man in URC wears black; grey sky; courtyard with white and blue walls behind figures

Fourth Act, 1860, 4th lunar month

Tsukioka Yoshitoshi; Publisher: Maruya Jinpachi

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woman with body twisted into an S shape, with her head leaning in, holding a white umbrella with black and yellow painterly lines, standing in the falling snow; woman wears grey kimono with light grey spots, with red and white collar and cuffs; striped garment on her lower body in grey, purple and brown with yellow and red vines and leaves

Appearing Cold, Behavior of a Fukagawa Nakamachi Geisha of the Tenpō Era, November 1887

Tsukioka Yoshitoshi; Publisher: Tsunajima Kamekichi; Carver: Wada Yūjirō

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head and upper body of reclining woman, with her PL hand behind her head, face upturned, eyes closed and tongue sticking out slightly, with her PR arm in front of her; woman wearing blue kimono with bird patterns in white, pink and red undergarment and brown, yellow, grey and blue obi with flower band; blue and white bowl in LLC, papers and brown box and small papers (?) in LRC; vertical line of text in brown in left margin

Appearing Relaxed, Behavior of a Kyoto Geisha of the Kansai Era, February 1888

Tsukioka Yoshitoshi; Publisher: Tsunajima Kamekichi; Carver: Wada Yūjirō

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seated woman wearing headdress with yellow bird and white kimono with pattern of figures on back, lined with red print; burning yellow and black lantern at left; grey ground with pale silhouettes of large and small skeletons

Picture of the Hell Courtesan’s Enlightment, February 1890

Tsukioka Yoshitoshi; Publisher: Sasaki Toyokichi

Not on View
three separate sheets; battle scene; pink and grey lines of cannon and rifle fire horizontally across picture plane; man on a bucking brown horse at center, with a long staff; man with rectangular shield on a white horse at left; clouds of grey, pink and blue smoke at top and center; group of men wearing black helmets and purple blouses at top center, shooting rifles; another group of men wearing purple at top right, either fallen or lying on ground; two men in foreground, LRC--one seen from behind and another reaching up; two fallen men in LLC; this triptych is left side of a continuous image with six sheets, along with 2017.106.74a-c

Picture of the Bloody Battle of the Brave Generals of the Takeda Clan, 1867, 6th lunar month

Tsukioka Yoshitoshi; Publisher: Tsujiokaya Bunsuke; Carver: Koizumi Kanegorō

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triptych with right and center images pasted together; all three panels attached to backing paper; four figures in a boat with a thatch-roofed shelter at the center; seated pointing man to left of shelter wears red armor and a green kimono with blue and red patterning; standing man at left wears purple pants and sleeves with red and black checks; man in red and black armor to right of shelter; man wearing white loincloth at right front of boat, rowing with a bamboo pole; four flying crantes at top left; crane to right of rowing man; battle on far shore wtih clouds of pink smoke in URC, man on horseback and figures with banners

Second Shogun, Lord Daitoku-inden Hidetada, 1875

Tsukioka Yoshitoshi; Publisher: Yorozuya Magobei

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reclining woman, lying on her side curled into a ball, with her lower body outside of picture plane, with a white cat with yellow eyes curled up next to her; cat wears a red and pink collar with a yellow bell; woman wears a kimono with brown, white, green and purple triangle and arcing patterns with birds, red cuffs and green, white and yellow obi with abstract scrolls and flowers

Appearing Tiresome, Behavior of a Maiden of the Kansei Era, February 1888

Tsukioka Yoshitoshi; Publisher: Tsunajima Kamekichi; Carver: Wada Yūjirō

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two separate sheets/vertical; man in foreground wearing light blue tunic with purple and gold flowers and black trim, white pants and black boots, holding a bloody sword; slain man behind first man, lying in snow, with a red staff punctured into his body, wearing a brown blouse and white pants; large mountain peak in background; falling snow; fire at center left

‘Panther Head’ Lin Chong Kills Officer Lu Outside the Mountain Temple, April 1886

Tsukioka Yoshitoshi; Publisher: Matsui Eikichi; Carver: Takimoto Chokuzan

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standing figure with hair blowing in wind, holding a sword in mouth and a purple, red and yellow fan-like object above head, wearing gold bracelets and cream-colored kimono with purple and green floral rondels, with brown leg coverings; monkey dressed in green blouse, white pants, and red boots, with a red and yellow staff, in ULC, flipping through air

Sun Wukong Fights Rasetsunyo, 1864, 12th lunar month

Tsukioka Yoshitoshi; Author: Sumida Ryōko; Publisher: Fukushimaya Tashichi

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three separate sheets; orange and white smoke in middle ground; man in green armor at right in background riding white horse, with purple flag with white flower; two dead men in LLC; man with long hair and full face on a brown horse at center, with a long spear and a torn red flag; figure in green armor at right

Fire, Picture of Sassa Narimasa’s Hard Fight in Kyushu, 1867, 9th lunar month

Tsukioka Yoshitoshi; Publisher: Kiya Sōjirō; Carver: Ōta Utakichi

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three separate sheets; underwater fight with two men in armor at center, another man falling backwards under water at left, and swimming figure at top left; four men on rocky shore at top center and URQ; swimming grey horse at right

Water, Saitō Toshimitsu fighting Nonoma in the River Akuta, 1867, 7th lunar month

Tsukioka Yoshitoshi; Publisher: Kiya Sōjirō; Carver: Koizumi Kanegorō

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woman getting a tattoo on her PL arm; woman is leaning toward left, with her PR knee drawn up, looking over her PR shoulder, holding a blue and white cloth with flower pattern between her teeth, with a hand pricking her upper left arm, and another hand holding her forearm down; woman wears a purple-grey kimono with multicolored floral patterns, with a blue and white collar with star shapes and red undergarment

Appearing in Pain, Behavior of a Prostitute of the Kansei Era, February 1888

Tsukioka Yoshitoshi; Publisher: Tsunajima Kamekichi; Carver: Wada Yūjirō

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portrait of a balding man with medium length wavy hair and beard, wearing yellow, black and red armor over brightly-patterned garments, including green garment with bold yellow text characters and sleeve with yellow and red swirls inside hexagons against a purple ground; green-blue background

Earthquake: Actor Ichikawa Danjūrō IX as Katō Kazue-no-kami Kiyomasa, October 1876

Tsukioka Yoshitoshi; Publisher: Yorozuya Magobei; Carver: Asai Ginjirō

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ink drawing with touches of salmon; man wearing loincloth, seen from back, with legs far apart and arms out wide, balancing on a roof, with a large knife in his PR hand

Man with knife on rooftop, second half 1860s

Tsukioka Yoshitoshi

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two baskets of flowers; frontmost basket has open circle motif, with pink and red peonies inside; brown basket at right in back has openwork band at top with star shapes in green, with yellow, pink and white flowers; text at top; purple and lavender border in the fashion of a fabric mount, with fox and flower designs

Table of Contents, October 1888

Tsukioka Yoshitoshi; Publisher: Tsunajima Kamekichi

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head and upper body of reclining woman, with her PL hand behind her head, face upturned, eyes closed and tongue sticking out slightly, with her PR arm in front of her; woman wearing blue kimono with bird patterns in white, pink and red undergarment and brown, yellow, grey and blue obi with flower band; blue and white bowl in LLC, papers and brown box and small papers (?) in LRC

Appearing Relaxed, Behavior of a Kyoto Geisha of the Kansai Era, December 1887

Tsukioka Yoshitoshi; Publisher: Tsunajima Kamekichi; Carver: Wada Yūjirō

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standing woman with elaborate ornaments in her hair, wearing a lavender kimono with brown and white flowers and light blue belt, with red underneath; shaded grey ground with falling cherry blossom petals

Spirit of the Komachi Cherry Tree, October 1889

Tsukioka Yoshitoshi; Publisher: Sasaki Toyokichi; Carver: Wada Yūjirō

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portrait of a man with an elaborate "winged" hairstyle with a rounded ponytail; grimacing expression; man looks toward PL, wearing a green vest with white dots in floral design at shoulders, trimmed with blue cord around neck, and purple garment with yellow and red leaves beneath vest; red ground behind man; border around portrait is grey at top with maroon starburst and purple ground with white floral pattern at bottom

Flare of the Signal Fire: Actor Ichikawa Sadanji I as Sakuma Morimasa, September 1876

Tsukioka Yoshitoshi; Publisher: Yorozuya Magobei; Carver: Watanabe Eizō I

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woman looking over her PR shoulder, playing a shamisen; woman wears a blue checked kimono with black trim and red undergarment with purple and white collar

Appearing Entertained, Behavior of a Teacher of the Kaei Era, November 1888

Tsukioka Yoshitoshi; Publisher: Tsunajima Kamekichi; Carver: Wada Yūjirō

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man at left wearing blue kimono with pants with medium and light blue floral medallions on white, pointing a spear at a partially kneeling man who holds the end of the staff in his PR hand; kneeling man wears a blue and grey geometric patterned kimono; snowy landscape at left

Ninth Act, 1860, 5th lunar month

Tsukioka Yoshitoshi; Publisher: Maruya Jinpachi

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woman leaning out of a window on a boat, with her hands in the water, holding a white cloth with red trim between her teeth; woman wears a kimono with white, green and brown checks; mounted on moderately stiff backing paper

I want to wash my hands, January 1878

Tsukioka Yoshitoshi; Author: Takabatake Ransen; Publisher: Inoue Mohei

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woman holding the PL sleeve of her kimono between her teeth; woman wears yellow, green, red and black plaid kimono with black trim and collars in purple with white spots, orange and red

Appearing Embarrassed, Behavior of a Girl of the Meiji Period, November 1888

Tsukioka Yoshitoshi; Publisher: Tsunajima Kamekichi; Carver: Wada Yūjirō

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unassembled triptych: female figure in voluminous pants and sashes standing on platforms at L, looking down over subjects, emitting white beams from head; female figures in white and red with animal-like faces stand within beams in room below; male figure on stairs at C looks alert, PL hand on sword

Miyamoto Musashi and the Exorcism of the Evil Fox of Princess Osakabe, 1863, 6th lunar month

Tsukioka Yoshitoshi; Publisher: Yamazakiya Seishichi; Carver: Tatekawa Hatsue

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two men running on a wooden bridge; frontmost man is barefoot, wearing grey, black and red armor on his body and legs, with bare arms, wearing a green garment with brown scrolling vines, holding a blade-tipped spear with a pink cloth attached to the end; man in background wears zori with platforms and a red garment with green flowers; orange moon low in sky in LLQ

Ushiwakamaru, Son of Distinguished Family and Later Iyo-no-kami Minamoto Yoshitsune and Saitō Musashibō Benkei, October 1878

Tsukioka Yoshitoshi; Publisher: Funazu Chūjirō

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man and woman fleeing brown fish-faced demon jumping up from turbulent water with tall waves; demon in ULC wears blue and black patterned blouse and brown pants; man at bottom center wears purple pants with swirling floral medallions in white, red, blue and black, with a red garment with blue and yellow medallions over his shoulders, and a black hat, and holds a bow and arrow; woman behind man at right wearing a purple and white patterned garment

Tawara Tōda Hidesato and the Dragon Woman of Seta, 1865, 2nd lunar month

Tsukioka Yoshitoshi; Publisher: Daikokuya Kinnosuke

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two sheets configured vertically; topless wrinkled old woman seated at bottom, sharpening a knife, looking up at a heavily pregnant topless woman with long hair wearing a red skirt, tied by her ankles, hanging upside down from a ceiling rafter

Picture of the Lonely House at Adachigahara in Ōshū, September 1885

Tsukioka Yoshitoshi; Publisher: Matsui Eikichi; Carver: Takimoto Chokuzan

Not on View

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