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doll, cloth with leather moccasins, two beaded shoulder bags, one containing wood arrows in a quiver, doll has human hair.

Doll, c. 1900

Anishinaabe (Ojibwe)

G260

Side chair, c. 1903

Frank Lloyd Wright; Maker: John W. Ayers

G300

Tapestry coat, made up of small strips and squares of cloth sewed together.

(Tapestry Coat), 19th century

Unknown Japanese

Not on View
Standing female figure. Linear markings on body, scarification on face. Elongated neck. Cloth loin cloth.

Figure, late 19th-early 20th century

Bamana

G250

Basket woven with plant fiber and heavily beaded with black, white, orange, blue and red beads. Flared stem base with cone-shaped lid. Two straps cross over the top and are secured at sides.

Basket, early 20th century

Unknown

G254

cloth pouch with front flap decorated with beads; design of three stylized faces with interlocking geometric designs; braided leather tassels and handles; attached to square black mount

Bag, 20th century

Yoruba

G254

gold and silver patina; gold bands with text in relief at top and bottom of cylindrical portion; diamond floral designs; orange beads at top of cylinder; top finial and removable finials have pendant bells on chains

Torah scroll case (Tik), early 20th century

Iraq

G362

Steel with etched bands of stylized trophies alternating with polished bands and cartouches framing classical and biblical figures. The figure of Judith with the head of Holofernes is at center of the breast plate. Leather straps hold tassets of one plate, embossed and etched to simulate separate articulated horizontal lames. Includes a cabasset helmet with brass rivets in stylized flower shape around brim.

Half armor, c. 1570–1580

Italy

G340

long somewhat flat snake-like blade that includes three curves, a center ridge, and a handle on one end; a short-pointed prong extends from inside the center curve; the handle is wrapped in a fiber-like material; there is a loose ring attached to the end of the handle and one attached at the middle curve

Emblem, 1900-1950

Mafa

G236

functioning handled screw device with a blade at bottom, pointed toward a cloth-covered, padded area on horizontal board; portions painted red and white

%C2%A9 Mark Brusse

Soft Machine II, 1963

Mark Brusse

G376

folded-over pages of hand-written text with some geometric drawings inside a leather case with two open sides and a flap closure; three additional leather slipcases, each with one open side; all cases are brown with lightly pigmented geometric patterns; approx. 127 pages

Islamic manuscript in case, c. 1900

G242

%C2%A9 Richard Hunt%2C C.M.%2C O.B.C.

Transformation Mask, 1993

Richard Hunt

Not on View
quadruped animal form with four short, stubby legs; rounded body with sloping back; small, stubby tail; rounded head with opening roughly at mouth area; extremely heavy encrustations overall, with deep and heavy crackle throughout; brown, earth-colored, with a darker brown round area on PR side of head and in several areas on front legs and feet

Kono altar, second quarter of 20th century

Bamana

G250

slipper chair or child's chair, walnut and upholstery; offered as a gift in 1962, accessioned 1987

Slipper chair, c. 1760-1790

United States

Not on View

Side chair, 1810-1820

attributed to Slover and Taylor

Not on View
Jacket (woman's) of red and gold brocade. Serpentine bands of formalized flowers in gold are woven diagonally across of rich red ground covered with gold leaf-shaped designs. A broad gold braid edges front and bottom of jacket, which has narrow facing of Persian shawl cloth projecting slightly beyond the braid. Lined throughout with a flower print of cotton cloth. The pointed ends of the sleeves are faced with shawl cloth and edged with metal braid of gold, green, red and blue. Jacket fits tightly at the waist and projects sharply over the hips. Underarm seams are left open and slightly cut away. Metal cloth.

Jacket, 18th century

Iran

Not on View
abstract scene with billowing, somewhat angular white forms punctuated with black and gray geometric shapes; pale mountain-like cone shapes ULQ; faint pinkish highlights; dark background

%C2%A9 Ujiie Minoru

Village Shrine, second half 20th century

Ujiie Minoru

Not on View
five indigo-dyed vertical panels stitched together

Bedding cover (futonji), late 19th-early 20th century

Unknown

Not on View
indigo, light blue, off-white; short rectangular sleeves; indigo woven texture on sleeves, shoulders, upper body and collar; indigo fabric with quilted diamond stitching along lower jacket openings, waist band and along bottom; off-white band of fabric with blue diamond quilted stitching slightly below waist; large red circle outlined in white on upper back, with white-outlined indigo character inside circle; off-white woven characters on both sides of lower collar hem; off-white ribbon sewn into opening hem between characters on each side for tying jacket closed; light blue lining throughout interior

Fireman's interior coat (hikeshi shitagi) for a volunteer, late 19th-early 20th century

Unknown Japanese

Not on View
indigo woven panel

Cloth indigo dyed, late 19th-early 20th century

Unknown

Not on View
thin, long panel with tiny geometric cube shapes in shades of teal, rust and tan

Sarasa-type cloth with cube pattern, early 20th century

Unknown

Not on View
long, thin cloth panel with alternating blue and brown gradated stripes

Cloth with blue gradated stripes, late 19th-early 20th century

Unknown Japanese

Not on View
Sewn using a ‘back stitch, kyakushi

Buddhist clergy garment (kesa), 17th-19th century

Unknown Japanese

Not on View
kimono with pale blue body and white cloth at sleeves and at bottom

Undergarment [from a set of robe and undergarment], 19th century

Unknown Japanese

Not on View
kimono with printed design in grey, brown, tan, and black; skull on back with fan, foliage, fly whisk, and building

Undergarment (juban) decorated with a skull and a fly whisk, 1930s

Unknown Japanese

Not on View
small ball with multicolored beads in a spiraling design

Beaded Ball, late 19th-early 20th century

LakÈŸĂłta

Not on View

Bandolier Bag, early 20th century

Anishinaabe (Ojibwe)

Not on View
De Luxe model with automatic cord control; aluminum cased vacuum with cloth bag

"Deluxe" model vacuum cleaner, 1938

Malcolm S. Park; Manufacturer: Singer Manufacturing Company

Not on View
Tabwa Mask, colored glass beads, feathers, cloth raffia and skin, Zambia late XIX-early XXc.

Mask, second quarter of 20th century

Tabwa

G236

navy coat with wide white applique in organic, swirling pattern; sleeves are contrasting fabric with charcoal background and light stripes; vertical yellow bars near front collar

Blue and white kaparamip robe with grey and white striped sleeves, first half 20th century

Unknown Ainu

G222

Mask, 20th century

Dan

Not on View
one piece of wood carved into T-shape; top of 'T' is carved into convex rectangle; an old zipper runs through a hole in the center pole

Headrest, 20th century

Pokot

Not on View
two-pointed blade, straight point at center, curved point at back, two protrusions at back of blade, handle wrapped with cloth and rope

Throwing knife, early 20th century

Ngbaka

Not on View
Panel of kincob cloth with pattern of chrysanthemums in gold on deep blue silk ground. Border stripe on one side.

Panel of Kincob cloth, 19th century

India

Not on View
small figure lying on an oval slab, painted red on side and decorated with 8 beads at top edges; figure has red hair, incised holes for mouth, eyes and nostrils and wears a blue and white cloth skirt

Jesus in a Manger, from a nativity scene, 20th century

Samburu or Turkana

Not on View
standing female figure wearing tan and black patterned loincloth, coiled neck rings and earrings and holding breasts in hands; waxy brown patina

Female Figure, early 20th century

Vili

Not on View
wood stake topped with flaring form with 2 vertical protrusions; upper portion beaded with zigzags and bands in black and white

Bottle Stopper, 20th century

Cameroon

Not on View
horn decorated with enamel-like material in red, yellow and silver; dragon and crabs at top; bird and fish at center; scattered geometric and floral designs; fabric loop through hole at tip

Drinking Horn, Date Unknown

Miao

Not on View
white-skinned male figure and red-skinned female figure embracing in central circle with 20 figures surrounding them inside a circle and a square; 9 seated figures at top and bottom edge; multicolored pigments; leather hanging cord

Chakrasamvara and Vajravarahi Mandala, 1400-1500

Tibet

Not on View
khaki colored shirt with black hand painted circles simulating leopard spots; large bag-shaped pouch on front of shirt; chest high band across front with signature (by owner): "Kelarikulubali Kabara"; "yeniye" written under last part of signature; medium length sleeves with painted black bands at bottom; open fabric band on PL shoulder on back

Hunter's shirt, 20th century

Mali

Not on View
Small turtle, snake and grasshopper climbing up shaft; female figure with scarifications on her body stands with arms above head, holding a curved segment supporting three lobed top; piece of cloth tied around figure's waist cord

Staff, Date Unknown

Zela

Not on View
Gothic Revival Chair

Gothic Revival chair, c. 1860

Possibly J.W. Meeks

Not on View
long horsehair tail with beaded finial in the shape of an elephant with a long tail and cowrie shell eyes

Flywhisk, First Quarter of 20th century

Bamileke

Not on View
hide soles; canvas uppers; black and red cloth collars around ankles; geometric designs of red, white and dark blue on light blue ground

Pair of Moccasins, c. 1890

Pikuni (Blackfeet) or Nēhiyawak (Cree)

Not on View
hide soles; canvas uppers; blue and brown cloth collar around ankles; vamps beaded with dark blue, red and yellow geometric deisngs on light blue ground

Pair of Moccasins, c. 1890

Nēhiyawak (Cree)

Not on View
half-length shirt with whimsical patterns; blue striped body, with repeating pattern of boxes of crayons, globes, and sheet music with Mickey Mouse on it; sleeves are patterned with wide black stripes, and repeating pattern of horses, flags and tanks

Half-length undergarment (hanjuban) with Mickey Mouse and military motif, first half 20th century

Unknown Japanese

Not on View
blue silk panel with blue brocade flowers in a repeating pattern in background; branches with pink flowers throughout; tree with thick bark and curving fan-like leaves in bottom R and extends upwards toward top R; green bamboo branches behind larger tree

Rinzu bedding cover (futonji) with pine, bamboo, and plum (shƍchikubai) motif, late 19th-early 20th century

Unknown

Not on View
tan coat with embroidered circular element on back top center; attachment at PR arm with same embroidery with blue silk lining

Fireman’s parade coat (kajibaori), 19th century

Unknown Japanese

Not on View
child's kimono with orange and white checkered pattern, with colorful, circular repeating patterns of toys such as airplanes, trucks and ships

Child’s kimono with military motif, first half 20th century

Unknown Japanese

Not on View
exterior covered in handmade paper in mottled blues; paper and cloth tab on cover at LRC; interior lined with hand-dyed fabric in mottled purples

%C2%A9 Sandra Brick

Box for Mezuzah, 2000-2004

Sandra Brick

Not on View
blue silk kimono, with band of white with linear repeating pattern in center; two embroidered emblems on PR and PL chest area, as well as on back PR, C and PL sleeves

Samurai class man's formal kimono (buke noshime kosode) [from a set of robe and undergarment], 19th century

Unknown Japanese

Not on View
rust-colored leather; circular emblem on back in T center in cream color; geometric linear design across bottom as well as along collar

Fireman's parade leather coat (kawabaori) with ƌhisa family crest, 19th century

Unknown Japanese

Not on View
deep navy blue robe with ornate, copper colored embroidery around sleeve cuffs, yoke, chest, and lower half

Chijiri robe with yellow embroidery, early 20th century

Unknown Ainu

Not on View
brown coat; circular emblem on back at T center in cream color; cream colored designs at bottom

Fireman's parade leather coat (kawabaori) with family crest, 19th century

Unknown Japanese

Not on View
navy blue robe with organic taupe colored embroidery over sleeve cuffs, chest, yoke, and lower half; embroidery pattern is organically flowing with swirls and points

Chijiri robe with taupe embroidery, early 20th century

Unknown Ainu

Not on View
rust-brown leather coat with triangular crest on back at T; black interior and edging; braided strap

Fireman's parade leather coat (kawabaori) with Hon family crest, 19th century

Unknown Japanese

Not on View
Cloth-bound portfolio box containing twelve soft-ground etchings drawn by the artist and printed in black on natural gampi chine collé and white Somerset Satin paper, a soft-ground etching text written by the artist and printed in black on white Somerset Satin paper, and a screenprinted title page.

Copyright %C2%A9 Mary E. Esch%2C published by Highpoint Editions

Three Questions Portfolio, 2003

Mary Esch; Printer: Highpoint Editions, Minneapolis; Publisher: Highpoint Editions, Minneapolis

Not on View
tanned soles and uppers; geometric beading on tops overall in red, green and yellow on blue ground; red and white polka-dotted cloth around ankles

Pair of Moccasins, 19th century

Nēhiyawak (Cree)

Not on View
rawhide soles; tanned uppers; beaded geometric designs in pink, black and white on blue ground; fringed tongues; pink plaid cloth around ankles

Pair of Moccasins, c. 1890

A'aninin (Gros Ventre)

Not on View
tanned hide soles and uppers; geometricized floral beaded design on vamps; beaded stripes around heels; blue and red cloth around ankles

Pair of Moccasins, c. 1890

ApsĂĄalooke (Crow)

Not on View
bandolier bag, face of bag covered with beaded design of floral pattern on white ground; tassels attached to bottom edge; section of beaded design on black velvet; long beaded shoulder strap

Bandolier Bag, c. 1900

Anishinaabe (Ojibwe)

Not on View
rawhide soles; tanned uppers; geometric beaded designs over top in blues, red, pink and yellow; blue plaid cloth around ankles

Pair of Moccasins, 1890

Nakoda (Assiniboine)

Not on View
blue beaded ground; white and red cross-like design with blue and orange cross at center in beadwork; pink and white floral cloth; red trim; mount inside each legging

Pair of Girl's Leggings, c. 1870

Nakoda (Assiniboine)

Not on View
red lacquer; abstract, irregular form resembling the shape of a cat's head; small slit near upper center surrounded by rugged, raised surface; hole in bottom echoing shape of figure, exposing black interior with beige paint; rests on dark blue pillow

%C2%A9 Sasai Fumie

Acceptable, 1999

Sasai Fumie

Not on View
large, rippled black form resembling a wrinkled, windblown tarp

%C2%A9 Kofushiwaki Tsukasa %2F licensed by Minneapolis Institute of Art

Flag-01, 2013

Kofushiwaki Tsukasa

Not on View
tall, wavy wall; dark on one side, reddish-brown wood-grain pattern on other side

%C2%A9 Nobuyuki Tanaka

Inner Side—Outer Side, 2014

Tanaka Nobuyuki

Not on View
abstract image; brown vertical form at right with a mottled grey square and red-orange spot in LRC; orange form with curving lines at lower enter and vertical line and square on top of form; grey form with a triangle and half-circle on top in ULQ; bar of various colors (red-orange, brown, dark blue, green) beneath grey form in ULQ; brown Orval at top left of center; long orange diagonal from LRC to URC; inscription in URC; ground is cream, heavy coated cloth--may be mounted?; received in gilt frame

Untitled (12 Januar 60), January 12, 1960

Julius Heinrich Bissier

Not on View
blue canon and raised structure with bull's-eye opening on opposite sides on top of rectangular box; holes on all sides with projections of fort on top; American flag on top

"Hold the Fort, 7 Holes" mechanical bank, c. 1877

Samuel Clark

Not on View
long red petal shaped form with top edges curving inward; horizontally oriented

%C2%A9 Nobuyuki Tanaka

The Tactile Memory: Floral Impression (2011-II), 2011

Tanaka Nobuyuki

Not on View
pair of leggings in dark blue cotton; thick, woven applique in light blue and tan thread; mounted on frame

Pair of leggings (hoshi), late 19th-early 20th century

Unknown Ainu

Not on View
large, "folded-over" organic form, asymmetrical design; dark brown, wood grain texture

%C2%A9 Nobuyuki Tanaka

Form Remaining in Memory 2012, 2012

Tanaka Nobuyuki

Not on View

Beaded Apron (Jocolo), 20th century

South Africa

G236

Easy chair, c. 1903

Frank Lloyd Wright; Maker: Attributed to John W. Ayers

G300

Coat of Gold Cloth, 19th century

Tunisia

Not on View

Album of Twelve Inkstone Paintings, slipcase, 1729

Bian Shoumin

Not on View
Standing figure carved from wood, has cotton cloth wrapped around legs; has double strand blue glass bead necklace on; hands are on sides of stomach that his extended;

Standing figure, 19th-20th century

Nsapo

Not on View
mudcloth shirt; designs: Tieblinke kun and Dongangolo

Young Man's Shirt (dloki), 20th century

Nakunte Diarra

Not on View
curtain, jacquard woven double cloth designed for his home at Kelmscott House; tones of blue with touches of fawn and red; pairs of birds face each other

Birds, 1878

William Morris

Not on View
Wood mask with protruding eyes and ridge down center of forehead; painted white upper, red nose and cheeks with blue lower; cloth wrapped about lower half imitating a beard with single row of seventeen bells attached along bottom edge

Mask, 20th century

Dan or Wobe

Not on View
standing figure wearing red head and neck covering with 4 protrusions on top of head and 3 beads at forehead; white, black, green and yellow skirt; white earspools; with short, thick arms and incised holes for eyes, mouth and nostrils

Shepherd, from a nativity scene, 20th century

Samburu or Turkana

Not on View
standing female figure with short, thick arms; short black hair and small beard; yellow, green, black and red skirt; incised holes for mouth, eyes and nostrils and holes in ears; carrying a small jug by a strap in PR hand and a short staff in PL hand

Joseph, from a nativity scene, 20th century

Samburu or Turkana

Not on View
standing female figure with short, thick arms; red necklace; black and red hat (or hair); coiled wire earrings; red, black and yellow skirt; white protruding lower lip piercing and incised holes for mouth, eyes and nostrils

Mary, from a nativity scene, 20th century

Samburu or Turkana

Not on View
female face with closed eyes, long nose and small ears; red with black details; cloth over head

Mask, 20th century

Pende

Not on View
bottle stopper in the shape of a lizard-like animal, its legs inserting into bottle mouth; black cloth body decorated with diamond shapes in white, yellow and blue; shells on tail

Bottle Stopper, 20th century

Cameroon

Not on View
Seated Female Goddess

Drawing, 20th century

Bhutan

Not on View
maroon borders with cream-colored stripes and plaids in intersecting striped areas; central black ground section with cream checks, and red and cream ikat-pattern designs; sized/starched

Cloth for woman's veil (Telia dupatta) or man's waist wrap (Telia lungi), late 19th-early 20th century

India

Not on View
Ceremonial rounded blade with pierced design along rim and in center. Square handle with large open circular finial.

Scepter of Authority, mid 20th century

Edo

Not on View
standing male figure wearing long red necklace with ovoid pendant; white skirt with red and black star pattern; 3 green beads at neck; beaded wire earrings; with short black hair and black beard and incised holes for eyes, mouth and nostrils

Shepherd, from a nativity scene, 20th century

Samburu or Turkana

Not on View
stopper in the shape of an animal with a long tail; fused legs coming together to form bottle insert; beaded overall in blue and white with shell facial features

Bottle Stopper, 20th century

Cameroon

Not on View
very large image of Shoki in black robes and black boots holding very tall straight sword in PR hand; very full, windblown beard and hair, fierce face, bushy eyebrows

Festival banner of Shƍki, the Demon Queller, 19th century

Shƍka

Not on View
central image of large dark-skinned figure wearing elaborate costume of white beads and gold, in a squared-off architectural framed work with floral bouquets on vases made of tiny white dots on dark ground, and flanked by four smaller figures in similar costumes; three small figures beneath large figure; eight standing figures wearing orange at left and right, and one pair of figures wearing white at top, flanking the architectural element; five kneeling figures in bright-colored robes with their faces covered at each side below figures wearing orange; L-shaped element at each side of image broken into small rectangles, each with a figure--the majority of which are clothed similarly to central figures; landscape at bottom with three women carrying vessels on their heads and three mean with a pair of white cattle; kneeling figures at bottom with two monkeys; fish and blooming lilies in water at bottom; multicolored floral border around all edges; predominately orange; mounted on brown canvas

Picchavai of Srinathji, late 19th century

India

Not on View
figure wears a small rounded cloth and fiber headdress perched on the top of the head; head is round and smooth with carved hair extending to the back of the head; face has small, carved eyes, a small raised nose and a small carved mouth; figure has a long thick neck; chest has prominent breasts; arms are thin, long and fall straight from the shoulder; abdomen is tall and long and ends in a fiber base; dark wood

Power figure, early 20th century

Kusu or Zimba

Not on View
blue jacket with two symbols on front chest and three across back; open front with two beige ties hanging down front; each beige symbol is a pair of interlocking diamond shapes in a circle

Long-sleeved jacket for kyƍgen theater [from a set], early 20th century

Unknown Japanese

Not on View

Dark blue-ground cloth decorated with arabesques (karakusa) and paulownia crests (go-shichi no kiri), late 19th-early 20th century

Unknown

Not on View

Wrapping cloth (uchikui) with pine, bamboo, and plum (shƍchikubai) motif, 19th century

Unknown Ryukyuan

Not on View
cotton bedding cover; blue background with a colorful ornamental pattern; circular shapes in ULC and URC, with white curving lines cascading downwards from ULC; white and gold oval shapes coming out of white lines throughout the pattern; bunched parcels at bottom, with gold branches or horns at LR edge

Bedding cover (futonji) decorated with symbols of treasure (takara zukushi), late 19th-early 20th century

Unknown Japanese

Not on View
green silk panel with circular linear pattern made up of small, round white circles; star shapes with rounded edges in blue, gold and maroon, forming a repeating pattern

Fragment with shippo tsunagi motif, late 19th-early 20th century

Unknown

Not on View
indigo-dyed cloth with textured looking background made up of lighter and darker indigo circular shapes; circle designs in dark indigo, with intersecting dotted lines and a smaller circular shape extending from edges in bottom R edge and in center L edge; similar circular shape in top R edge

Fragment [from an identical pair], late 19th-early 20th century

Unknown

Not on View
five vertical panels sewn together with crest at TC and floral imagery along bottom; at top, light blue circle around three stacked diamonds; red, gray, and tan flowers with blue leaves curl across bottom; several patches attached on verso

Bedding cover (futonji) or furniture cover (yutan) with crest (sangaibishi), 19th century

Unknown

Not on View
painted cotton panel; two long strips of fabric stitched together in center; group of four figures wearing armor; seater figure in bottom center holding fan in PR hand; middle figure holding long spear; rear figure has back turned; white background

Festival banner of four seated warriors, late 19th-early 20th century

Unknown Japanese

Not on View
dark teal blue body with blue along sleeve edges and bottom edge; images of white origami cranes throughout front and back, with light blue and white plants along bottom

Padded comforter with sleeves (kaimaki) decorated with origami cranes made in Shimane Prefecture, 19th century

Unknown Japanese

Not on View
indigo-dyed bedcover; vertical lines of white circles, alternating with thin, squiggly lines made up of small, white circles

Bedding cover (futonji) with pot pot (tsubo-tsubo) and rising steam (tatewaku) motifs made in the Tƍhoku Region, late 19th-early 20th century

Unknown

Not on View
five vertical panels sewn together with image at center; visible white stitching along edges and seams; diagonal image (LL to UR) of a bundle of green, white, orange, and blue ribbons gathered together and tied with blue ribbon

Bedding cover (futonji) or furniture cover (yutan) with bundled abalone (tabane-noshi) motif, late 19th-early 20th century

Unknown

Not on View
overall pattern of alternating white diagonal stripes and 3x3 grids, with navy blue boundary lines and vertical dashes throughout

White-ground casual summer kimono (yukata) with blue geometric pattern made in Aichi Prefecture, early 20th century

Unknown Japanese

Not on View
indigo-dyed cotton banner with inscription in Japanese characters in white; brown table or dais with two vases with fanned, pluming elements coming out of them; white cotton loop attachments

Festival banner invoking the deity Atago Gongen, 19th century

Unknown Japanese

Not on View

Yellow-ground wrapping cloth (uchikui) with pattern of irises in a flowing stream, late 19th century

Unknown Ryukyuan

Not on View
faded blue cloth with circular design in stylized floral elements in faded oranges, browns, peach and blues; crest in blue and white swirling designs in center

Wrapping cloth (uchikui), 19th century

Unknown Ryukyuan

Not on View
pleated blue pants with beige symbols on L and R legs and at front waistband; two long ties attached to either side; open slits down both sides; bottom cuffs and top waistband are sewn shut;

Long trousers (nagabakama) for kyƍgen theater [from a set], early 20th century

Unknown Japanese

Not on View
blue T-shaped cover with white, light blue, and brown designs (two panels of different widths); curling, white tendrils, light blue square, and brown square at center, framing a light blue circle and white Japanese characters; light blue and white curling floral designs on either side; four small fabric loops, two at TC and two at BC; a blue knotted thread loop attached at both LLC and LRC

Horse trappings (shiri-gake) with crest, late 19th-early 20th century

Unknown Japanese

Not on View
indigo and white tie dyed bedcover; thin rows of puckered, round white shapes that form linear rows that alternate with pale blue rounded puckered shapes, with white circular shapes imbedded in pattern; small blue square at PR bottom

Bedding cover (futonji) or furniture cover (yutan), late 19th-early 20th century

Unknown

Not on View
long, thin cloth in light blue and cream-colored stripes

Cloth with diamond pattern, late 19th-early 20th century

Unknown Japanese

Not on View
long panel with horizontal stripes in various shades of blue and white

Cloth with horizontal stripes, first half 20th century

Unknown Japanese

Not on View
pink hemp kimono, with split horizontal midsection, and darker edges on sleeves at bottom

Safflower-colored child’s kimono, late 19th-early 20th century

Unknown Japanese

Not on View
three vertical panels of dark blue fabric with multicolored floral design; spotted/patterned grasses, berries, and white accents in lower quadrants, with various types of flowers on curing white stems in upper sections

Wrapping cloth (uchikui) with directional floral design, 19th century

Unknown Ryukyuan

Not on View
three vertical panels sewn together with circular floral design; black background with pink, orange, red, green, blue, and yellow flowers, leaves, and gray branches over a blue ring with a brown and black bird and pink flower making a smaller ring at the center

Wrapping cloth (uchikui) with circular floral design, 19th century

Unknown Ryukyuan

Not on View
cloth jacket with white background and light blue stenciled triangles, with white, horizontal lines dividing triangles into three sections

Short jacket for the Gion Festival (Gion matsuri happi), early 20th century

Unknown Japanese

Not on View
large bamboo leaves and paulowina foliage pattern; indigo round seal top back C; scattered hibiscus flowers; red, black, blue palette against off-white background

White-ground men’s festival kimono decorated with pine, bamboo, and cherry blossoms, late 19th-early 20th century

Unknown Japanese

Not on View
cloth panel with white/ cream background; scattered blue and black squares, with white inner squares; bulbous shapes in groups of three, with blue stylized stems over squares; white floral shapes throughout

Cloth with scattered family crests, late 19th-early 20th century

Unknown

Not on View
five vertical panels sewn together; dark green background with white abstract drip design

Unfinished bedding cover (futonji), early 20th century

Unknown

Not on View
brown robe with tan pattern; repeating pattern consists of two small triangles and two small line and dot symbols; strip of white fabric lining along interior center seam

Dark brown-ground kimono with beige decoration, late 19th-early 20th century

Unknown Japanese

Not on View
dark blue background with large sea creatures including fish, lams, crustaceans, and an octopus

Dark blue-ground festival kimono decorated with sea creatures, first half 20th century

Unknown Japanese

Not on View
indigo-dyed cloth with textured looking background made up of lighter and darker indigo circular shapes; circle designs in dark indigo, with intersecting dotted lines and a smaller circular shape extending from edges in bottom R edge and in center L edge; similar circular shape in top R edge

Fragment [from an identical pair], late 19th-early 20th century

Unknown

Not on View
navy blue center, printed with floral ring inside rectangular frame, four characters in corners, and light blue leaves at bottom; one long and one short panel printed with blue and white checkerboard pattern attached on either side, not connected to each other; one blue strap attached at BC, one blue loop attached to center panel in UR

Horse trappings (shiri-gake), late 19th-early 20th century

Unknown Japanese

Not on View
five vertical, navy blue panels sewn together with scattered white circle pattern; small orange triangle patch on BC;

Bedding cover (futonji) or furniture cover (yutan), late 19th-early 20th century

Unknown

Not on View
four vertical panels of dark navy blue with light blue patterns; vertical solid lines and lines of alternating diamond and rectangle shapes

Bedding cover (futonji), late 19th-early 20th century

Unknown

Not on View
four vertical, navy blue panels with light blue and white imagery including white branches with petals, light blue bushes and bamboo leaves, a turtle, and a light blue crane; light blue circle at TC with five petal flower inside

Bedding cover (futonji) or furniture cover (yutan), 19th century

Unknown

Not on View
kimono with blue patterned fabric with white dotted lines forming diamonds and puckered various sized dots of pale blue, medium blue, red, yellow, and white

Blue kosode with geometric designs, circa 1960

Unknown Japanese

Not on View
slip-on style, without ties; uppers beaded in blues, yellow, pink, green and white bars and linear patterns; cloth around collars

Pair of Child's Moccasins, c. 1880

ApsĂĄalooke (Crow)

Not on View
beaded sleeve with red cloth trim at muzzle end; beaded panel accented with eye-shaped and half-eye-shaped red fabric at butt; pink beads in small lines above long twisted fringe along barrel; thick fringe at butt end; multicolored geometric beading

Gun Case, c. 1885

A'aninin (Gros Ventre)

Not on View
Hide upper and side with hide ties at front; green printed cloth trim around opening; long, pointed tongue; beaded on top of foot overall with geometric designs in blue, green, red, pink and yellow beads

Moccasins, 1890-1910

A'aninin (Gros Ventre)

Not on View
rawhide soles; tanned uppers; black cloth on collars around ankles; tops decorated with porcupine quills in square motifs; band of beading with triangles around edges

Pair of Moccasins, c. 1900

Nuxbaaga (Hidatsa)

Not on View
cloth trousers with straps that go over shoulders; sage-green at top of trousers that fades into an indigo color; white emblem at top flap of trousers, with stacked white liner hexagons throughout top green area; stylized origami birds and same scalloped design that is at the top flap are throughout the middle blue area; thin maroon straps attached at PR and PL outer leg area

Long trousers (nagabakama) for kyƍgen theater [from a set], early 20th century

Unknown Japanese

Not on View
cloth jacket with indigo-dyed fabric that fades into a sage green color; stylized origami birds at top, with two circular emblems on PR and PL sides of opening, each with a maroon vertical band of fabric; two flaps of fabric in same maroon color at PL and PL opening; stacked white hexagon shapes throughout green area

Long-sleeved jacket for kyƍgen theater [from a set], early 20th century

Unknown Japanese

Not on View
light pink kimono

Safflower-colored kimono made in Yamagata Prefecture, late 19th-early 20th century

Unknown Japanese

Not on View
four panels stitched together, forming a dark yellow silk panel with white zig zag diamond pattern

Yellow bedding cover (futonji) or furniture cover (yutan) with pine-bark diamond (matsukawabishi) motif, 19th century

Unknown Japanese

Not on View
pale blue kimono with blue floral element at top center on back as well as on front PL side at bottom; pale gray floral element at bottom PL

Light blue-ground festival kimono decorated with three oak leaves (mitsu-gashiwa) crests, late 19th-early 20th century

Unknown Japanese

Not on View
fully beaded tall boots with American flag, morning star, geometric designs on blue ground; design of boot is mirrored on the other; colors are blue, red, green and design is created all in small glass beads, vertical row of brass buttons on outside of leg, not functional; vertical opening in boot on outside of leg tied with three leather ties; red wool covered boot forms tacked into boots; raw leather sole; .1 is a matching dress

Pair of boot moccasins, 20th century

Imogene Big Medicine

Not on View
folded brown paper, decorated with four floral medallions, in pink and blue marker and blue ballpoint pen; blue fabric backing; thread scraps inside

Sewing Kit, Date Unknown

Dong

Not on View
fully beaded child-size dress or shirt with long buckskin fringe at arm openings and bottom; American flag designs at shoulders and waist with morning stars, red, gold, green geometric designs in a blue field; bead design is the same on both front and back; all small glass beads; lined with a red cotton fabric with small floral pattern; .2a,b is a matching pair of boots

Dress, c. 1965

Imogene Big Medicine

Not on View
mask with seven radiating triangular pieces of metal; large eyes, rimmed in green; flat bridge of nose extends downward into mouth; orange, black and white marks on face

Sun Mask, c. 1860

Kwakwaka'wakw

Not on View
two pieces that bolt together to form long open vessel with jagged upper edges; brown/grey/taupe; component b is on left when viewed from front and is higher on the end

%C2%A9 Kofushiwaki Tsukasa %2F licensed by Minneapolis Institute of Art

Fallen Moon 1, 1994

Kofushiwaki Tsukasa

Not on View
4-part sculpture composed of long, black leaf like forms highlighted with red pigment, eminating from base like a fountain when assembled

%C2%A9 Kofushiwaki Tsukasa %2F licensed by Minneapolis Institute of Art

A Leaf, so It Has a Back and Front, 2000

Kofushiwaki Tsukasa

Not on View
blue and white cloth bedcover; blue background with white umbrellas scattered; linear elements protruding from umbrellas

Bedding cover (futonji) with umbrella motif, first half 20th century

Unknown

Not on View
paintings of birds, foliage and water; predominant greens, blues and oranges

Paired Birds and Flowers, early 20th century

Unknown Korean

Not on View
large flat wooden box (a) with lid (b); two colorful cloth inlay pieces, one large and one small, attached to top of lid; cavities for two small books below, a larger album above; two marigold colored cloths for wrapping smaller books; one large marigold color cloth for large book

Shredded Message portfolio box, 2011

Fukumoto Shigeki

Not on View
half-conical open base made of bands of graduated sizes (breast of bird); head with large eyes and scrolling beak with headcrest and pair of "ears"; fan of peacock-like tailfeathers; scrolling motifs and wheel-like roundels; brown, red, black, and white; received attached to small wheeled base with metal armature/stand

Processional image of a Large Swan (Velya Annam), 19th century

India

G211

male figure with movable jaw wearing with helmet, jacket with open bulging pockets, knee-length pants and boots; proper right hand in round loose fist (may have held a pole?)

Figure, c. 1920

Ibibio

Not on View
Flat face; narrow eyes with proper right eye in white and proper left eye and cheek in terra cotta color; metal rods for teeth; beard and moustache braided and twisted brown and tan threads; metal bell and 2 ivory 'teeth' at center of beard

Mask, 20th century

Dan

Not on View
standing male figure wearing red sash; brown, tan and red plaid skirt; 4 green beads at neck; beaded wire earrings; plastic strap around legs; with short black hair and black beard; thick, short arms; incised holes for eyes, mouth and nostrils

Shepherd, from a nativity scene, 20th century

Samburu or Turkana

Not on View
small, flat face with flat nose, slit eyes and small open mouth; large cloth head covering decorated with shells and beads; loose raffia strands on sides and back

Bakuba Mask, 20th century

Kuba

Not on View
large copper eyes and copper lips; wide nose with large nostrils; 6 white triangles on forehead; white and black lines on cheeks; long curved horns; cloth on back

Horned Forest Spirit Mask, 20th century

Kuba

Not on View
round red face with white and brown marks on cheeks and forehead; 2 protrusions on temples; head covered with tufted cloth

Mask, 20th century

Leele

Not on View
tallest figure in center, with 3 other smaller figures surrounding it; possible 4th figure in front; 2 metal bells and small terra cotta vessels tucked between figures and cloth wraps

Power Object (bocio), Date Unknown

Fon

Not on View
light finish; upright; carved on sides and front with floral, bee and geometric motifs; cloth on back

Piano, c. 1878

Henry William Batley; Manufacturer: James Shoolbred & Co. (case); Manufacturer: Collard & Collard (movement)

Not on View
red bullet-shaped body with chrome detail; black handle and stand; "Royal" on side

Royal canister vacuum, model 290-A, c. 1952

P.A. Geier Company (now Royal Appliance Manufacturing Company)

Not on View

Angel (hook in back for manger), from Nativity Scene, 18th century

Germany

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Maji with white beard and pendant gift, from Nativity Scene, 18th century

Germany

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Man in blue robe with red sash and boots, from Nativity Scene, 18th century

Germany

Not on View

Three-leg stool, long handled cooking pan, fish on a plate, from Nativity Scene, 18th century

Germany

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Shepherd in green robe with red undergarments, from Nativity Scene, 18th century

Germany

Not on View

The Inn, from Nativity Scene, 18th century

Germany

Not on View

Dog, from Nativity Scene, 18th century

Germany

Not on View

Woman in plaid skirt with yellow cape, from Nativity Scene, 18th century

Germany

Not on View

Moorish Maji attendant, pink with blue cape, one of a pair, from Nativity Scene, 18th century

Germany

Not on View

Small man in blue and white striped robe, from Nativity Scene, 18th century

Germany

Not on View

Fence with three ducks, from Nativity Scene, 18th century

Germany

Not on View

Small woodpile with a fire on top, from Nativity Scene, 18th century

Germany

Not on View

Maji with staff, from Nativity Scene, 18th century

Germany

Not on View

Pile of hats, staffs and instruments, from Nativity Scene, 18th century

Germany

Not on View

Palm tree with base, one of a pair, from Nativity Scene, 18th century

Germany

Not on View

Joseph, from Nativity Scene, 18th century

Germany

Not on View

Water Trough, from Nativity Scene, 18th century

Germany

Not on View

Mule, from Nativity Scene, 18th century

Germany

Not on View

Shepherd with striped sash, from Nativity Scene, 18th century

Germany

Not on View

Angel in gilt tondo, from Nativity Scene, 18th century

Germany

Not on View

Yellow ochre building with gabled roof, from Nativity Scene, 18th century

Germany

Not on View

Two chests and four spears, from Nativity Scene, 18th century

Germany

Not on View

Moorish Maji attendant, green with pink cape, one of a pair, from Nativity Scene, 18th century

Germany

Not on View

Hexagonal fountain, from Nativity Scene, 18th century

Germany

Not on View

Woman in red dress with green cape, from Nativity Scene, 18th century

Germany

Not on View

Mary, from Nativity Scene, 18th century

Germany

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Palm tree with base, one of a pair, from Nativity Scene, 18th century

Germany

Not on View

Elephant with riding Maji attendant, from Nativity Scene, 18th century

Germany

Not on View

Blue brick building with ochre second story, from Nativity Scene, 18th century

Germany

Not on View

Angel with yellow cape, one of a pair, from Nativity Scene, 18th century

Germany

Not on View

Woman in olive dress, red cape and lace veil, from Nativity Scene, 18th century

Germany

Not on View

Two axes and a two-handled saw leaning on a bench, from Nativity Scene, 18th century

Germany

Not on View

Flock of 22 sheep, from Nativity Scene, 18th century

Germany

Not on View

Long-handled net, from Nativity Scene, 18th century

Germany

Not on View

Woman in purple robe and brown dress, from Nativity Scene, 18th century

Germany

Not on View

Two religious staffs resting on a chest, from Nativity Scene, 18th century

Germany

Not on View

Seated Cardinal with closed book, from Nativity Scene, 18th century

Germany

Not on View

Column with sphere finial, from Nativity Scene, 18th century

Germany

Not on View

Maji attendant in red, from Nativity Scene, 18th century

Germany

Not on View

Green corner of a building, from Nativity Scene, 18th century

Germany

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Small man in blue robe with red hat, from Nativity Scene, 18th century

Germany

Not on View

Camel with riding Maji attendant, from Nativity Scene, 18th century

Germany

Not on View

Table with candlestick, from Nativity Scene, 18th century

Germany

Not on View

Flowering plant in pot, from Nativity Scene, 18th century

Germany

Not on View

Camel with saddlebags, from Nativity Scene, 18th century

Germany

Not on View

Shepherd with plain sash, from Nativity Scene, 18th century

Germany

Not on View

Holy Spirit (dove), from Nativity Scene, 18th century

Germany

Not on View

Standing Cardinal with staff, from Nativity Scene, 18th century

Germany

Not on View

Backdrop with 19 wedge-shaped support pieces, from Nativity Scene, 18th century

Germany

Not on View

Large woodpile with a fire on top, from Nativity Scene, 18th century

Germany

Not on View

Ox, from Nativity Scene, 18th century

Germany

Not on View

Shepherd in green robe with blue sash, from Nativity Scene, 18th century

Germany

Not on View

Man in red shirt, blue hat and green cape with gold trim, from Nativity Scene, 18th century

Germany

Not on View

Moorish Maji attendant, green with pink cape, one of a pair, from Nativity Scene, 18th century

Germany

Not on View

Kneeling shepherd, from Nativity Scene, 18th century

Germany

Not on View

Seated Cardinal with open book, from Nativity Scene, 18th century

Germany

Not on View

Well with hanging bucket, from Nativity Scene, 18th century

Germany

Not on View

Maji attendant in light green with plate of offerings, from Nativity Scene, 18th century

Germany

Not on View

Woman in green robe with water jug, from Nativity Scene, 18th century

Germany

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Angel with blue cape, one of a pair, from Nativity Scene, 18th century

Germany

Not on View

Seven bales of hay, from Nativity Scene, 18th century

Germany

Not on View

Maji attendant in light green with staff, from Nativity Scene, 18th century

Germany

Not on View

Arabian Stallion, from Nativity Scene, 18th century

Germany

Not on View

Maji attendant in light green, from Nativity Scene, 18th century

Germany

Not on View

Man in red shirt and blue cape with staff, from Nativity Scene, 18th century

Germany

Not on View

Maji attendant in red with staff, from Nativity Scene, 18th century

Germany

Not on View

Pink brick building with arched roof, from Nativity Scene, 18th century

Germany

Not on View

Two stools with book on seats, from Nativity Scene, 18th century

Germany

Not on View

Man in blue robe with black and white trim, from Nativity Scene, 18th century

Germany

Not on View

Section of a building with three arched windows, from Nativity Scene, 18th century

Germany

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Kneeling shepherd boy, from Nativity Scene, 18th century

Germany

Not on View

Angel holding sign, from Nativity Scene, 18th century

Germany

Not on View

Moorish Maji, from Nativity Scene, 18th century

Germany

Not on View

Shepherd in brown robe, from Nativity Scene, 18th century

Germany

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Moorish Maji attendant, pink with blue cape, one of a pair, from Nativity Scene, 18th century

Germany

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Maji with ball of myrrh, from Nativity Scene, 18th century

Germany

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Falcon, from Nativity Scene, 18th century

Germany

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Angel with blue cape, one of a pair, from Nativity Scene, 18th century

Germany

Not on View

Angel with yellow cape, one of a pair, from Nativity Scene, 18th century

Germany

Not on View

Roman ruin of a manger, from Nativity Scene, 18th century

Germany

Not on View
rounded body on tall, thick base; long, thin neck; beaded overall with primarily black and white designs, with red, yellow, blue and green accents; zigzag patterns on base and neck; circles with zigzags on body

Wine bottle with stopper, mid 20th century

Grasslands

Not on View
rounded body on tall, thick base; long, thin neck; beaded overall, with black, red, white and blue grid on base and black, white, green, blue, red and pink radiating diamonds on body and neck

Beaded Bottle, 20th century

Cameroon

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long "tail" made up of short red and brown feathers and 3 long white feathers, attached to a wooden comb mount in drawer with tag next to object

Hair Ornament, Date Unknown

Papua New Guinea

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floor console radio with wood front with "wings", turned slightly inward, on sides; round speaker with scalloped edge; plastic tuner on top

Murphy A146CM wireless console radio, 1948

Murphy Radio Ltd.; Designer: Richard Drew Russell; Distributor: Gordon Russell, Ltd.

Not on View
large coarse cotton navy blue three-panel rectangle with overlapping horizontal rows of silk embroidered figures incorporating circular metal mirrors; some figures appear to be animals; embroidery is gold and red; blue and white woven geometric pattern braid on right and left sides; gold and red border pattern embroidered on top and bottom

Woman's head covering, last quarter of the 19th century

Jat

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four cartouches on crown embroidered in gold metallic threads with petals filled with scrolls; band embroidered with gold metallic threads in radiating square and quatrefoil design; blue and orange lining with green button at interior top

Hat, 20th century

Afghanistan

Not on View
helmet mask with yellow-skinned face, with wide nose and large eyes with red around bottom eyelids; three black vertical lines on each cheek; V and L-shaped repeated shapes for eyebrows; white circle surrounded by tiny blue vertical lines at center of forehead; green vertical plank on top of head with a seated puppet on top; puppet has red skin; puppet wears a long-sleeves shirt and pants of similarly patterned cloth--white with brown flowers and lines--and a blue neck kerchief; puppet has black short hair, blue dots for eyebrows and has a white spot surrounded by tiny yellow dots on forehead

Gelede mask with puppet, c. 2000

Yoruba

Not on View

Courtesy Marshall Girard

Sofa from a suite designed for Braniff Airlines, one of a pair, c. 1965

Alexander Girard; Manufacturer: Herman Miller, Inc., Zeeland, Michigan, Est. 1923

Not on View

Courtesy Marshall Girard

Footstool with cushion from a suite designed for Braniff Airlines, c. 1965

Alexander Girard; Manufacturer: Herman Miller, Inc., Zeeland, Michigan, Est. 1923

Not on View
List of Individual Pieces 1.Baby Jesus, 2.Mary, 3.Joseph, 4.Kneeling shepherd boy, 5. Kneeling shepherd, 6. Shepherd with striped sash, 7.Shepherd with plain sash, 8. Shepherd in green robe with blue sash, 9.Shepherd in brown robe, 10. Shepherd in green robe with red undergarments, 11.Ox, 12. Mule, 13,14. Pair of angels with blue capes, 15,16. Pair of angels with yellow capes, 17.Angel holding sign, 18. Angel (hook in back for manger), 19. Angel in gilt tondo, 20. Woman in green robe with water jug, 21. Small man in blue and white striped robe, 22. Small man in blue robe with red hat, 23. Woman in purple robe and brown dress, 24. Man in blue robe with red sash and boots, 25. Woman in plaid skirt with yellow cape, 26. Man in blue robe with black and white trim, 27. Man in red shirt, blue hat and green cape with gold trim, 28. Man in red shirt and blue cape with staff, 29. Woman in red dress with green cape, 30. Woman in olive dress, red cape and lace veil, 31. Maji attendant in red with staff, 32. Maji attendant in red, 33. Maji attendant in light green, 34. Maji attendant in light green with staff, 35. Maji attendant in light green with plate of offerings, 36,37. Pair of Moorish Maji attendants in green with pink capes, 38,39. Pair of Moorish Maji attendants in pink with blue capes, 40. Arabian Stallion, 41. Maji with white beard and pendant gift, 42. Maji with staff, 43. Maji with ball of myrrh, 44. Moorish Maji, 45. Standing Cardinal with staff, 46.Seated Cardinal with open book, 47. Seated Cardinal with closed book, 48. Fence with three ducks, 49. Pile of hats, staffs and instruments, 50. Flowering plant in pot, 51.Two stools with book on seats, 52. Two chests and four spears, 53. Table with candlestick, 54. Three legged stool, long handled cooking pan and a fish on a plate, 55. Two axes and a two-handled saw leaning on a bench, 56. Two religious staffs resting on a chest, 57. Large woodpile with a fire on top, 58. Small woodpile with a fire on top, 59. long-handled net, 60a-v. Flock of 22 sheep, 61 Dog, 62. F

Baby Jesus, from Nativity Scene ( 81 pieces), mid 1700s

Germany

Not on View
Kimono, about 1900, Meiji period, figured silk satin with tie dyed spots (shibori kanoko) and handpainted roundels.

Kimono, early 20th century

Unknown Japanese

Not on View
standing figure with short, thick arms; short black hair and beard; red crown-like headwear and flipper-like wings; red and grey skirt; 3 beads at neck; wire earrings with beads; incised holes for mouth, eyes and nostrils; plastic strap around waist

Angel, from a nativity scene, 20th century

Samburu or Turkana

Not on View
roughly rectangular shaped with rounded edges, with long sides tapering slightly toward top; inward curve at bottom edge; two looping curved at top; rounded surface with concave and convex areas; body is light-colored hardened animal hide, with curled-over, darkened edges; three decorative elements with green hide trim, red cloth and metal ornaments (large domed metal studs in two sizes and four pyramidal metal elements)--two roughly hourglass-shaped elements and one triangular element; some incised lines forming a starburst at center; arrow and lines in dark pigment at bottom center; metal handle on back; handle covered in dark brown leather

Shield, late 19th century

Tuareg

Not on View
saddle with high front and back; front has three-pronged antler-like motif; bullet-shaped backrest with pointed prong on top; back of backrest and front of front element decorated with cut and appliqued leather and cloth strips forming bands and bars with triangle designs and X's in red, green and brown; applied tan animal hide with short fur on front, back and around bottom of seat; seat and bottom are brown leather with black pigment linear designs

Camel saddle, mid 20th century

Tuareg

Not on View
blue and brown/green striped robe with navy blue applique trim on sleeve cuffs, collar and yoke, center back, and around bottom section; light blue embroidery over navy applique creates curving lines and points

Chikarkarpe robe, late 19th century

Unknown Ainu

Not on View
black cotton, with vertical light and dark blue stripes throughout, with smaller wavy patterns in between

Kimono, late 19th-early 20th century

Unknown Japanese

Not on View
pair of navy blue pants; tight sashiko quilting on legs; open, window pane quilting pattern across hips; light blue fabric across front waist, with a tie on either side; white, vertical and horizontal line design on interior lining

Fireman's pants (momohiki) [from a fireman's kit], second half 19th century

Unknown Japanese

Not on View

Green felt rug (mƍsen) decorated with roundels, 19th century

Unknown

Not on View
blue and white cotton bedding cover; white checkered patters; small squares with lighter blue colored corners throughout design; white stitching connecting panels of cloth together

Dark blue-ground bedding cover (futonji) with pictorial ikat (e-gasuri) pattern of stylized persimmon flowers, late 19th-early 20th century

Unknown

Not on View
navy blue, half sleeve jacket with off white pattern throughout; sleeves and shoulders have slightly more subdued pattern; tan and blue interior with black and tan lining at bottom of backside

Woman’s workwear (noragi) jacket made in the Tƍhoku Region, late 19th-early 20th century

Unknown

Not on View
indigo-dyed textured paper that has large tie-dyed white circles througout

Blue-ground senchadƍ tea service mat (chagujoku) decorated with white circles, late 19th-early 20th century

Unknown Japanese

Not on View
red orange circles (five large, 11 small) scattered on a green blue background

Blue felt rug (mƍsen) decorated with red circles, late 18th-early 19th century

Unknown Japanese

Not on View