showing 300 of 930 results matching creditline:"Anonymous Gift". (load 200 more)

advanced
info
Large pot with flaring midsection and tapering shoulder; decorated with incised textured half-circles below mouth and band of leaf-like shapes alternating with 4 triangles between 3 textured bands

Beer pot, mid 20th century

Zulu

Not on View
Portrait of Cardinal Pietro Maria Borghese

Portrait of Cardinal Pietro Maria Borghese, late 1620s–early 1630s

Pietro da Cortona (Pietro Berrettini)

G313

group inclues ladle

Wine Cup, 1st century

China

G215

hill censer, low fired earthenware with green lead glaze

Lian (Cosmetic Container), 1st century

China

G215

covered jar, grey earthenware; painted cloud pattern in red, white and purple slip

Hu (Covered Storage Jar), 2nd century BCE

China

G204

grain mill, low fired earthenware with green lead glaze

Milling Shed, 206 BCE - 220 CE

China

G215

group includes wine cup

Ladle, 1st century

China

G215

grain mill, low fired earthenware with green lead glaze

Grain Mill, 206 BCE - 220 CE

China

G215

Satyr and Nymph, 17th century

Ferdinando Tacca

G310

abstracted image in muted multi-colored pigments; angular shapes in orange, brown and green on bottom edge; peach and green angular shapes in top center; muted brown and peach shapes in ULC

%C2%A9 Obiarts%2C Inc.

Compages of Classical Figures, 1913

Manierre Dawson

G367

central negative photographic image of a woman lying down in a fetal position with her arms wrapped around her head; collage of photographic images at bottom creating a worm with the head of a woman, seen from under her chin; black paper with cutouts in background; swirling, abstract imagery on rectangular section, LRC; five white cutout flowers with twisted paper stems below image of woman lying down

%C2%A9 1992 Kiki Smith%2F Universal Limited Art Editions

Worm, 1992

Kiki Smith; Publisher: Universal Limited Art Editions (ULAE)

Not on View
The deity embracing Vajranairatma; two figures at center in embrace; back figure has many faces, arms and legs and is wearing a large headdress; front figure has her back to the viewer with her PL leg wrapped around other figure and her arms around his neck; flat, black metal base

Hevajra and Nairatmaya, 12-13th century

India or Bangladesh

G211

small, thick-walled vessel; decorated with twice-repeating pattern of bird and 2 flowers and geometric designs in red, brown and cream

%C2%A9 Helen Gachupin

Vessel, 20th century

Helen Gachupin

G255

Portrait of a young woman sitting against a green background. She holds a small psalm book. The book is actually a girdle prayer book, whether it is a psalm book or something else remains to be determined. NW 03/10

Portrait of a Noblewoman, c. 1550

Unknown

G342

thick-walled; rounded shape; red with repeating feather design band in grey and white; think white ring around mouth

%C2%A9 Belin Topia

Vessel, January 1979

Belin Topia

G255

round-bodied vessel with very small mouth; red body with peach-colored design of geometric and organic shapes from mouth to below shoulder

%C2%A9 Dorela Tosa

Vessel, 20th century

Dorela Tosa

G255

small, concave base, flaring outward and inward to wide mouth; thick walls; decorated with 4 repeating organic flower motifs at shoulder and 8 repeating organic leaf motifs at rim; red and cream

Copyright of the artist%2C artist%27s estate%2C or assignees

Vessel, 20th century

M. E. Toya

G255

small vessel with pointed shoulder; small mouth; red with black geometric and repeated feather design at shoulder; scalloped line under shoulder

%C2%A9 Geraldine Sandia

Vessel, 20th century

Geraldine Sandia

G255

%C2%A9 Amano Kazumi

Chorus, 1967

Amano Kazumi

G237

woman's skirt length, cotton, indigo dye, African (Mali) XXc stored in box; stored w/ 85.125.1,5,11 narrow band handwoven, indigo dyed; Name: Kaai - beautiful

Woman's Skirt Length, 20th century

Dogon

G236

Landscape

Channel to the Mills, 1913

Edwin M. Dawes

G303

84.44a and b came to the MIA as one object and were separated. Records still reflect a and b.

Album folio of a pink lotus, Mughal dynasty, 18th century

India

G211

%C2%A9 Arnold Newman Properties%2FGetty Images

Georges Rouault, 1957

Arnold Newman

Not on View
a. body; b.right arm; c. left arm; d-g. nails. [Culture formerly "Probably Sevilla, Spain" - FLB, 03/15/2016]

Corpus, c. 1700

Master of Guadalcanal

G341

printed text page--front and back--with two columns on each side of page; three decorative initials (two smaller, one larger) with plants motifs and abstract designs on front--four (three smaller, one larger) with plant motifs on back

Leaf from "Biblia Latina" [Esaias, fo. CLXXVI], 1541-1543 (?)

France

Not on View
printed text page--front and back--with two columns on each side of page; large decorative initial with scroll motif in ULC

Leaf from Biblia Germanica Quatuordecima [Book of Ruth] (Augsburg: Silvan Otmar, 1518), 1518

Germany

Not on View

%C2%A9 Ramon J. Muxter

First Man on the Moon, 1970

Ramon J. Muxter

Not on View
tray is designed to resemble an aircraft carrier with a large landing strip sanded into its surface

%C2%A9 Alessi S. P. A. - Crusinallo - Italy

Coffee pot, from a five-piece coffee and tea set, 1981-1983

Hans Hollein; Manufacturer: Alessi

Not on View

Malvina, 1860

Jean-Victor Schnetz

Not on View

Illustration for 'Ingoldsby Legends', 19th century

John Leech

Not on View

Study of a painting of St. Sebastian, 19th century

Claude Ferdinand Galliard

Not on View

Roman Arch, 1650-1654

Johann Heinrich Roos

Not on View
study of a man wearing a turban

Turk, 17th century

Unknown; Artist: after Stefano della Bella

Not on View

Studies of a painting of St. Sebastian, 19th century

Claude Ferdinand Galliard

Not on View

Chinoiserie Ornament Design (Chinoiserie Scene), 18th-19th century

Jean-Baptiste Pillement

Not on View
11 flat panels on sides decorated with scratched designs; grey and brown glaze

%C2%A9 Warren MacKenzie

Teapot, 1998

Warren MacKenzie

Not on View

Circe Changing Ulysses' Men to Beasts, c. 1650-1651

Giovanni Benedetto Castiglione (Il Grechetto)

Not on View
Color offset lithographs bound in beige linen boards with gold-stamped lettering on cover and spine; issued with ivory paper dust jacket with gold-stamped lettering; artist's book

%C2%A9 Nicolas Africano

Ha Ha Ha Ha, 1989

Nicolas Africano; Publisher: Vermillion Editions Limited, Minneapolis

Not on View

%C2%A9 Richard Hamilton %2F Artists Rights Society %28ARS%29%2C New York %2F DACS%2C UK

Swingeing London 67, 1968

Richard Hamilton; Publisher: Edizioni di Cultura Contemporanea, Milano 68

Not on View

Christ and the Magdalene, 1572

Orazio di Santis; Artist: After Pompeo dall'Aquila

Not on View
Portrait. Abstract. Donor: Mr. James Merrill, Connecticut Larry Rivers Public and Private

%C2%A9 Estate Larry Rivers %2F Licensed by VAGA at Artists Rights Society %28ARS%29%2C NY

Europe I, 1956

Larry Rivers

Not on View

Grotesque Ornament, late 16th century

Johann Hogenberg

Not on View

Title Page, Les Grandes Miseres de la Guerre, 1633

Jacques Callot

Not on View

View of Campo Vacino, Rome, 1767

Charles Joseph Natoire

Not on View
green, roundish, organic shape created by thin, machine-drawn lines; 3-D effect created by lines overlapping; darker and lighter green areas; black, abstract, twisted lines that resemble letter characters drawn vertically along R side; red square stamp at LLQ

%C2%A9 Roman Verostko

Spring Memory, h18-gr, 2010

Roman Verostko

Not on View
technical drawings of three standing men seen in profile from PR, with various body proportions measured; text at top and bottom

%C2%A9 1966 Henry Dreyfuss

Three Basic Human Body Types--Profile, 1966

Henry Dreyfuss; Draftsman: Alvin R. Tilley

Not on View
portrait of the artist James Siena wearing a blue shirt, with a serious facial expression, made up of chevrons, rectangles, and diamonds filled with smaller organic shapes of various colors

%C2%A9 Chuck Close%2C courtesy PaceWildenstein%2C New York

James, 2004

Chuck Close; Publisher: Pace Editions, New York; Printer: Brand X Editions, New York

Not on View

Tête de Jeune Homme de Profil à Droite, 17th century

Stefano della Bella

Not on View

Portrait of Masaniello, 17th century

Stefano della Bella

Not on View

Deux Tête Tournées vers la Droite, 17th century

Stefano della Bella

Not on View

Tête de Vieux Satyre, 17th century

Stefano della Bella

Not on View

Tête de Viellard Chauve, 17th century

Stefano della Bella

Not on View

Tête de Femme Tournée Presque de Profil à Droite, 17th century

Stefano della Bella

Not on View

Tête de Femme de Profile, 17th century

Stefano della Bella

Not on View

Tête de Saint Pierre Repenti, 17th century

Stefano della Bella

Not on View

Title Page, Suite de Marines, 1634

Stefano della Bella; Publisher: Calisto Ferrante

Not on View

God Creating the Animals, c. 1550

Unknown Italian, 16th century; Artist: After Raphael (Raffaello Sanzio or Santi)

Not on View

Mary Magdalene, 1600-1605

Francesco Brizio; Artist: after Ludovico Carracci; Publisher: Nicolas van Aelst

Not on View

Jacob Setting Up a Pillar, 1549

Dirk Volckertsz. Coornhert; Artist: After Maarten van Heemskerck

Not on View

Christ Disrobed by the Soldiers, 16th century

Jan Sadeler I; Artist: After Marcus Gheeraerts

Not on View
embroidery, brown field, geometric square and triangular patterns of fuchsia, yellow, orange and white

Woman's Shawl (pulkari), 20th century

India

Not on View
Plate 14 from "Carceri d'Invenzioni." One of a set of 16 prints of imaginary prisons.

The Gothic Arch, c. 1749

Giovanni Battista Piranesi

Not on View
Double lip pinched in 5 places by cliplike tabs; cream colored glaze with rust

%C2%A9 Warren MacKenzie

Double-lipped bowl, 1998

Warren MacKenzie

Not on View
multicolored top portion with triangular woven design; purple waistband; multicolored band with gold thread and sequins in organic design, flanked with gold lame bands; purple, yellow, green and pink scalloped rows at cuffs, appliqued with gold metal bands

Farshi Pajama, c. 1910

India

Not on View
mirror images of nude woman one arm raised at R and L edges; figure at L is negative image; blurry face, looking forward, at center behind a large bowl of bananas and other fruit

%C2%A9 Jerry N. Uelsmann

Fruit of Gemini, 1968

Jerry N. Uelsmann

Not on View
open coat covered with small envelopes on all outer surfaces; yellow placket with dark red paper lining

%C2%A9 Erica Spitzer Rasmussen

Coat of Invocation, 2011

Erica Spitzer Rasmussen

Not on View
abstract image in cool-toned pigments, with natural paper fibers woven throughout, creating a linear veining pattern; mauve vertical section on right, green washy center and indigo washy pigment, all with a drippy, blue over wash; paper has an organic, uneven fringed effect around the edges

%C2%A9 Sam Gilliam %2F Artists Rights Society %28ARS%29%2C New York

Nile, 1972

Sam Gilliam; Printer: Impressions Workshop, Boston; Publisher: Impressions Workshop, Boston

Not on View
abstract image; vertical band of dappled orange and red color in center, flanked by vertical bands of cooler layered tones of green, blue and pink pigments on right and left sides

%C2%A9 Sam Gilliam %2F Artists Rights Society %28ARS%29%2C New York

Fire, 1972

Sam Gilliam; Printer: Impressions Workshop, Boston; Publisher: Impressions Workshop, Boston

Not on View

%C2%A9 Estate James VanDerZee

Joe Louis, 20th century

James Van Der Zee

Not on View
couple, man with walking stick

%C2%A9 Estate James VanDerZee

Untitled, 1931

James Van Der Zee

Not on View
child seated on stool

%C2%A9 Estate James VanDerZee

Untitled, 1931

James Van Der Zee

Not on View
two nurses in profile, both standing, wearing white uniforms and white caps.

%C2%A9 Estate James VanDerZee

Untitled (two nurses in profile), 1934

James Van Der Zee

Not on View
two nurses dressed in white uniforms with white caps; one seated, one standing

%C2%A9 Estate James VanDerZee

Untitled (two nurses), 1934

James Van Der Zee

Not on View
portrait of a blond-haired women wearing white scalloped-edge collar

%C2%A9 Estate James VanDerZee

Unititled (portrait of a woman), 1932

James Van Der Zee

Not on View
portrait of man standing at center, gazing to R with PL hand on hip; small trees planted on either side of man; brick structure and smoke stack in background, releasing blue smoke into blue sky

%C2%A9 Sandro Chia %2F Artists Rights Society %28ARS%29%2C New York

Factory Worker, 1989

Sandro Chia; Publisher: Edizioni Della Pergola, Pesaro, Italy

Not on View

%C2%A9 Estate James VanDerZee

Untitled (nurse), 1942

James Van Der Zee

Not on View
design of yellow and blue swirl pattern merged with a square grid pattern; four yellow circles of increasing size move from center to LLC

%C2%A91996 Lois Bryant

Escaping Time #1, 1996

Lois Bryant

Not on View
white paper; organic shapes and lines fill sheet; lower half of sheet in blues and teals, upper half in greens, URQ yellow; three large black organic shapes horizontally across sheet above center; pink line on R edge of sheet; behind Plexiglas in white wood frame

%C2%A9 Estate of Helen Frankenthaler %2F Artists Rights Society %28ARS%29%2C NY

West Wind, 1997

Helen Frankenthaler; Printer: Brand X Editions, New York; Publisher: The Paris Review, New York

Not on View

%C2%A9 JoAnn Verburg

Self-Portrait, Lincoln, Massachusetts, 1979

JoAnn Verburg

Not on View

%C2%A9 JoAnn Verburg

Bonnie Verburg, Los Angeles, 1980

JoAnn Verburg

Not on View

%C2%A9 JoAnn Verburg

Barbara Houghton, Idaho Springs, Colorado, 1980

JoAnn Verburg

Not on View

%C2%A9 JoAnn Verburg

Gaudi Park (Park Guell), Barcelona, 1980

JoAnn Verburg

Not on View

%C2%A9 JoAnn Verburg

Joel Janowitz, Painter, Boston, 1979

JoAnn Verburg

Not on View
overhead view of a car with headlights on

%C2%A9 Yvonne Jacquette %2F Courtesy D C Moore Gallery%2C New York

Full Beams, 1985

Yvonne Jacquette; Printer: Anthony Kirk; Publisher: Eldindean Press, New York; Publisher: Yvonne Jacquette

Not on View
gloved fist in ULQ; falling brick-like forms; abstract skyscrapers at left and right; shoes, seen from bottom, in a pile of debris with pipe and board with nails at bottom center

%C2%A9 The Estate of Philip Guston Courtesy the Estate and Hauser %26 Wirth

The Street, 1970 (published 1971)

Philip Guston; Publisher: Skowhegan School of Art, Maine

Not on View
diptych mounted vertically; top section (a) is Cubist-style head of a man with curly brown hair and blue eyes, wearing a dark blue and white striped shirt, with one hand on his chin and another holding a cigarette near the PL side of his head; bottom section (b) is man's lower body, with hands next to hips, legs crossed, with brown shoes; grey and white frame with sculptural elements; collage elements on a

%C2%A9 David Hockney

An Image of Gregory, 1984-1985

David Hockney; Publisher: Tyler Graphics, Ltd., Mount Kisco, New York

Not on View
abstract image; central biomorphic and geometric form in blue, grey, white and yellow; football shaped element at center with basket-weave design; red and blue grid and guidelines throughout; small sketches in red and blue of three-dimensional forms in ULC and LLC

%C2%A9 John Newman

Untitled, 1988

John Newman

Not on View
abstract image in black and brown; round black elements filled with hexagonal shapes in black; some round elements have tail-like protrusions; brown circle with black outline at right center; black bar at left; smudges throughout background

%C2%A9 Terry Winters

Double Standard, 1984

Terry Winters; Publisher: Universal Limited Art Editions (ULAE)

Not on View
abstract figure composed of five black rectangles arranged on sheet with one blue shape at top, center; sketchy grey and black marks throughout sheet, including grey shadowing behind black rectangles

%C2%A9 2013 Joel Shapiro %2F Artists Rights Society %28ARS%29%2C New York

Untitled (Jazz at Lincoln Center), 1996

Joel Shapiro; Publisher: Lincoln Center for the Performing Arts, New York

Not on View
off-white paper with grid/graph printed in green in background; two large yellow curved shapes at center with pink square behind; teal and orange curved shape to R; pink horizontal, slightly curved rectangle at bottom; a few other colored shapes throughout; light green/cream rectangular background border; silver rectangle in background behind many shapes; behind Plexiglas in silver wood frame with stepped edges

%C2%A9 Frank Stella %2F Artists Rights Society %28ARS%29%2C New York

Steller's Albatross, 1977

Frank Stella; Publisher: Tyler Graphics, Ltd., Mount Kisco, New York

Not on View
patchwork quilt made up of predominately roughly triangular-shaped pieces arranged in vertical and horizontal alternating rows; various types of cloth--corduroy, denims, knits, woven fabrics in mostly muted colors (blues, greys, tans); received pinned to mount

%C2%A9 Mary Lee Bendolph

Strings, 2003-2004

Mary Lee Bendolph

Not on View
three separate panels--unglazed; abstract collage made of torn and cut white, pink, blue, yellow, green and grey cloth and white paper and plastic (?) with abstract ink drawings in black and red; each element is roughly rectangular in shape; a: notch at LLC; b: long vertical loose piece of grey fabric hanging down beyond bottom frame member; c: all black and white with small blue elements at bottom and a few red elements at bottom

%C2%A9 Iva Gueorguieva

Installation: Three Panels, 2010

Iva Gueorguieva

Not on View
central image of an empty house, with some walls cut away--two floors on bottom and two separate floors above with roof; variously-colored repeated images of chairs, tables, pots, ballerina, dancing figure with elk headdress, people in oversized clown costumes, a child in a cage, sword swallower; shadowy silhouettes of same images overall on background

%C2%A9 Jane Hammond

Full House, 1992-93

Jane Hammond; Publisher: Universal Limited Art Editions (ULAE)

Not on View
beaker shaped vase decorations in 5 colors on white ground show peacock, phoenix and smaller birds among rocks with begonia tree and peony blossoms; from Davies Collection.

Beaker shaped vase, 17th century

China

Not on View
Tz'u-chou pillow, bean-shaped with leaf design, incised against punch-mark ground on white slip coating; stoneware.

Pillow, 11th century

China

Not on View
Sawankalok ware Bowl, stoneware with carved floral decor under Celadon glaze.

Bowl, 14th-15th century

Thailand

Not on View
cover believed to be missing, carved floral design, handles at underside of rim at sides

Vase, late 18th-early 19th century

China

Not on View
gold brocade square, badge of military rank, with lion in green, gold, blue and red, sejeant on a ground of loose cloud forms. Below, rolly waves dotted with some of the eight precious things. The square was woven in two sections and is now seamed together. This is a square of military official rank, and since it bears the lion it may have been worn by a member of the Second Rank.

Hanging, 1662-1722

China

Not on View
Rug, palmette design, fringed, 800-900 knots per square inch. Rare silk warp.

Rug, c. 1875-1900

Iran

Not on View

Dress fabric panel, 18th century

England

Not on View
pair of round earrings with open centers; white jade

Pair of Slit Disc Earrings, c. late 20th -early 10th century BCE

Phung Nguyen (?)

Not on View
Plate 10

Scene of Pillaging, 18th century

Germany

Not on View
open at top and bottom; rope loop at top; 2 attached tassels on one side; cluster of 3 tassels and 1 separate tassel have detached

Powder Horn, c. 1830

Not on View
open at top and bottom; rope loop at top; 2 attached tassels on one side; cluster of 3 tassels and 1 separate tassel have detached

Holster for a Pair of Pistols, c. 1830

Not on View
wood body with diamond design with studs; top and butt have relief designs; zigzag, scrolls and other designs on mechanism

Flintlock Pistol, one of a pair, c. 1830

Not on View
wood body with diamond design with studs; top and butt have relief designs; stars incised on mechanism

Flintlock Pistol, one of a pair, c. 1830

Not on View

Vase, 19th century

Louis Comfort Tiffany

Not on View
Kneeling man spray painting a mannequin's arm; mannequin legs in foreground

%C2%A9 W. Eugene Smith %2F Magnum Photos - All rights reserved

Reign of Chemistry, c. 1952

W. Eugene Smith

Not on View

Study of a Dragoon, c. 1874-1883

Ernest Meissonier

Not on View

%C2%A9 Gendron Jensen

The Elder, 1998

Gendron Jensen

Not on View

The Boarding House, 19th century

George Cruikshank

Not on View

Fontaine du marché, 1847

Adolphe Rouargue

Not on View

Passover (Exodus 12), 16th century

Jan Sadeler I

Not on View

Three Men Standing, 1634

Stefano della Bella

Not on View
In the manner of Peter Van Laer (Holl. 8)

Herdsman and Water Buffalos, 17th century

Stefano della Bella

Not on View

Title Plate for "Diversi Animali", 17th-18th century

after Stefano della Bella

Not on View

Two Sailors From a Galley, 17th century

Stefano della Bella

Not on View

Un Chien Tourné Vers Le Droit, 17th century

Stefano della Bella

Not on View

Black Slave Holding the Bridle of a Horse, 17th century

Stefano della Bella

Not on View

Tête de Chameau, 17th century

Stefano della Bella

Not on View

L'Allée des Fontaines at Pratolino, 17th century

Stefano della Bella

Not on View

La Statue de Ferdinand I, 17th century

Stefano della Bella

Not on View

The Siege of La Rochelle (fragment), 1607-1609

Jacques Callot

Not on View
Three nude male figures mounted on one walnut base.

Flagellation, c. 1650

François du Quesnoy

Not on View
painted yellow rectangle on building exterior

Photograph by Nicholas Felice

Untitled, 1974

Nicholas D. Felice

Not on View

The Virgin Surrounded by Many Angels, 16th century

Ferrando Bertelli; Artist: After Albrecht Dürer

Not on View

Plate II from Marriage A-La-Mode, 1796-1797

after William Hogarth; Workshop: G.G. & J. Robinson; Engraver: Thomas Cook

Not on View

Bellerophon and the Chimera, 1668

Dominique Barriere; Artist: After Claude Gellée (called Le Lorrain)

Not on View

Marine, 1660

Dominique Barriere; Artist: After Claude Gellée (called Le Lorrain)

Not on View

Gathering Manna, 1640

Claude Mellan

Not on View
Plate 1

Vue du Louvre, c. 1629

Jacques Callot

Not on View

Drunken Silenus, 16th century

Unknown Italian; Artist: after Andrea Mantegna

Not on View

The Triumph of Scipio, 16th century

Master of the Die; Artist: after The Antique

Not on View

Three Children with a Tray and Three Goblets, 1635-40

Stefano della Bella; Artist: After Guido Reni

Not on View

Un Cheval de Charette, 17th century

Stefano della Bella

Not on View

Army on the March, 1746

Copy after Stefano della Bella

Not on View

Ornament With a Girl and Tiger Cub, 17th century

Stefano della Bella

Not on View
one of 2 on mat (left).

Shepherdess and Flock, 17th century

Stefano della Bella

Not on View

Slave Holding a Camel by the Bridle, 17th century

Stefano della Bella

Not on View

Horses in a Pasture, 17th century

Stefano della Bella

Not on View

Un Renard Regardant à Gauche, 17th-18th century

after Stefano della Bella

Not on View

The Two Nurses, 17th century

Stefano della Bella

Not on View

Bust of Woman From Behind, 17th century

Stefano della Bella

Not on View

Tête de Vielle Femme, Une de Profil, 17th century

Stefano della Bella

Not on View

View of a Port with Ulysses, 1664

Dominique Barriere; Artist: after Claude Gellée (called Le Lorrain)

Not on View

The Embarcation of St. Ursula, 1665

Dominique Barriere; Artist: after Claude Gellée (called Le Lorrain)

Not on View

View of a Harbor, 1660

Dominique Barriere; Artist: after Claude Gellée (called Le Lorrain)

Not on View

Cartouche, 17th century

Stefano della Bella

Not on View

Un Chameau Vu Par la Croupe, 17th century

Stefano della Bella

Not on View

Hercules and Antaeus, 16th century

Agostino d' Musi; Artist: Copy after Marcantonio Raimondi

Not on View

Title Plate (for "Diverse Figure"), 1649

Stefano della Bella

Not on View

Woman Watching Bathers, 17th century

Stefano della Bella

Not on View
Late impression- glued into paper frame.

Hercules and Antaeus, 1533

Agostino d' Musi

Not on View

Title Plate for "Paysages Maritimes", 17th century

Stefano della Bella

Not on View

Galley Arriving in Port, 1634

Stefano della Bella

Not on View

The Journey of Jacob into Egypt, 17th century

Stefano della Bella

Not on View
Silenus on a mule, supported by two satyrs, while other satyrs and Bacchantes celebrate Bacchus by drinking, dancing, and playing with goats; a herm of Priapus in the distance.

Procession of Silenus, c. 1531

Agostino Veneziano (Agostino dei Musi); Designer: After a design by Giulio Romano; Designer: or a design by Raphael (Raffaello Sanzio or Santi)

Not on View
Row house with chimneys and laundry hanging outside; man with a bag over in shoulder, walking on road, lower right corner

%C2%A9 W. Eugene Smith %2F Magnum Photos - All rights reserved

Wales, 1950

W. Eugene Smith

Not on View
storefront window with poster of woman in swimming suit reading a book

Photograph by Nicholas Felice

Untitled, 1976

Nicholas D. Felice

Not on View

The Boarding House, 19th century

George Cruikshank

Not on View
Plate 5

Pemsey in Sassex, 17th century

Wenceslaus Hollar

Not on View

Illustration One out of Seven Illustrations, 19th century

George Cruikshank

Not on View

Plate III from Marriage A-La-Mode, 1796-1797

after William Hogarth; Engraver: Thomas Cook; Workshop: G.G. & J. Robinson

Not on View

Landscape, 17th century

Unknown

Not on View

Plate IV from Marriage A-La-Mode, 1796-1797

after William Hogarth; Engraver: Thomas Cook; Workshop: G.G. & J. Robinson

Not on View
from a suite of 12

Bellona, 1558-1572

Étienne Delaune

Not on View

Plate V from Marriage A-La-Mode, 1796-1797

after William Hogarth; Engraver: Thomas Cook; Workshop: G.G. & J. Robinson

Not on View

The Tuggs at Ramsgate, 19th century

George Cruikshank

Not on View

Steam Excursion, 19th century

George Cruikshank

Not on View

The Wingtebury Duel, 19th century

George Cruikshank

Not on View

Steam Excursion, 19th century

George Cruikshank

Not on View

Plate VI from Marriage A-La-Mode, 1796-1797

after William Hogarth; Engraver: Thomas Cook; Workshop: G.G. & J. Robinson

Not on View

Plate I from Marriage A-La-Mode, 1796-1797

after William Hogarth; Engraver: Thomas Cook; Workshop: G.G. & J. Robinson

Not on View

%C2%A9 Ramon J. Muxter

Untitled, 1972

Ramon J. Muxter

Not on View

The Crucifixion, 17th century

Jacques Callot

Not on View
Not in Strange Ornament from the Renaissance MInd exhibition; matted with P.84.71.52, which is in exhibition opening November 2008.

New Testament Scene, 16th century

Virgil Solis

Not on View

Adam and Eve, 16th century

Master S. H. F.

Not on View
technical drawings of a seated male figure at left in profile from PR, with PR arm held with elbow bent at 90 degrees and PL arm outstretched with hand in a fist; PL leg outstretched; standing male figure at right with PL arm held out straight; measurments and motion of body marked on figures

%C2%A9 1955 Henry Dreyfuss

This is Joe the Average American Adult Male, 1955

Henry Dreyfuss; Draftsman: Alvin R. Tilley

Not on View
technical drawings of three standing men seen from front, with various body proportions measured; central man has facial features delineated and holds PR arm out at 45 degree angle

%C2%A9 1967 Henry Dreyfuss

Anthropomorphic Data for 95 Percent of U.S.A. Adult Male Population, 1967

Henry Dreyfuss; Draftsman: Alvin R. Tilley

Not on View
technical drawings of three standing men seen from front, with various body proportions measured; text at top and bottom

%C2%A9 1966 Henry Dreyfuss

Three Basic Human Body Types--Frontal, 1966

Henry Dreyfuss; Draftsman: Alvin R. Tilley

Not on View
technical drawings of a standing woman and child at right; child has PR arm held out at 45 degrees; woman holds PR arm straight out above child's head; seated female figure seen from PL in LRC with child above and to right seen from same angle; both seated figures have PL arm held with elbow bent at 90 degrees and PL hand in a fist; PR arms stretched out straight; measurements marked on figures

%C2%A9 1955 Henry Dreyfuss

This is Josephine, the Average American Female and Joe Jr. a Typical 6 Year Old, 1955

Henry Dreyfuss; Draftsman: Alvin R. Tilley

Not on View
four prints mounted together a ("Sculptors #64"): man at right with hammer and chisel, working on a large bust on a tall stool; man at center with a large sheet of material, one end resting on ground; two figures at left--one standing at an easel; some Classical sculptures at center and right b ("Engravers #65"): man at right, seen from back, seated at a large table; seated man at left, with a standing man looking over his shoulder, working at a slanted drawing board; dog in LLQ c ("Printers #66"): man at left turning a very large four-part wheel on a printing press; man at other end of press at center; man wearing top hat at center right; two other men working at a table at right d ("Print Dealer #67"): two men looking at rack of prints at right in front of shop, with man in doorway at center; gesturing man at right with dog

Four plates from "Suite d'ouvriers des différents classes", c. 1814

Jean Duplessis-Bertaux

Not on View
Gothic style castle with pointed arches; tall windows; staircase against wall near center; square turret with stepped architectural elements at front; trees at left

%C2%A9 Estate of John Taylor Arms

Stokesay Castle, 1942

John Taylor Arms

Not on View
cartoonish figures standing with Niagara Falls behind them; from left: man in a suit and hat, looking at a camera; heavyset woman wearing a hat with flowers pointing at waterfall with her PL hand and holding the shoulder of a boy with an ice cream cone with her PR hand; couple holding hands--man wearing suit and hat and woman with large nose wearing short-sleeved dress and hat

Copyright of the artist%2C artist%27s estate%2C or assignees

Tourists at Niagara Falls, c. 1932

Russell T. Limbach

Not on View
large bouquet of flowers in a cylindrical vase; hatched background

%C2%A9 Estate Bernard Sanders

Floral Still Life, c. 1960s

Bernard Sanders

Not on View
portrait of old man in profile from PL; man is balding at his forehead and has curly hair on the back of his head; frowning expression; pointed nose; PL hand at chest, reaching out from behind robes

Old Man Facing Left with Left Hand Emerging from Robe, 1642-1654

Wenceslaus Hollar; Artist: After Leonardo da Vinci

Not on View
very tiny view down a street of buildings with tile roofs

%C2%A9 Estate of John Taylor Arms

Pázcuaro, Michoacan, Mexico, 1941

John Taylor Arms

Not on View
two facing manuscript pages with blue borders with scrolling gilt floral designs and gilt cartouches with red flowers; left image of a woman seated on a throne beneath a canopy, accompanied by women and girls, with a pair of staircases at bottom flanking a fountain and additional women; right image of similar interior with man seated on throne accompanied by men and boys, with two men next to stairs at left and three women next to stairs at right; text on back

Two court scenes, one with a woman presiding the other with a man [Nur Jahan and Jahagir?], 19th century (?)

Artist Unknown , Provincial Moghul [possibly Murshidabad]

Not on View
black ground with white line drawing style image of heads and torsos of a woman at left holding a child in her arms, kissing the child on the mouth

Madonna and Child for Statuette, 1923

Eric Gill

Not on View
nude striding figure holding a sheaf of wheat in front of body beneath PL arm, with a scythe in PR hand; sheaves of wheat at left, uncut wheat at right

%C2%A9 Plattsburgh State Art Museum%2C Rockwell Kent Gallery and Collection

Harvester, 1921

Rockwell Kent

Not on View
two standing women at left; leftmost woman has her hands over her face; rightmost woman looks up at legs of crucified Christ on cross; women wear dark and light blue and salmon robes; seated writing figure in LRC

Mourners at the Foot of the Cross, 20th century

Artist Unknown , 20th century

Not on View
tiny man falling off of a large two-step platform, with his hat falling off his head

%C2%A9 Gerald Purdy

Falling Man I, c. 1985

Gerald Purdy

Not on View
two women wearing coats and hats and two men--one holding his hat behind him--seen from back, looking at a painting of a nude with a "SOLD" sign in the ULC; bald man at right with his hands behind his back

Copyright of the artist%2C artist%27s estate%2C or assignees

The Prize Winner, c. 1929

Russell T. Limbach

Not on View
view across calm water with figures in boats at right; trees at right on opposite bank, with buildings on left including flat-roofed building with a sign below roofline: "THE FEATHERS TAVERN."

Feathers Tavern, 1865

Francis Seymour Haden

Not on View
very tiny round image with figure at left with large halo; radiating circle with text in circle around image

%C2%A9 Estate of John Taylor Arms

Nativity, 1936

John Taylor Arms

Not on View
figure wearing short trousers and a wide-brimmed hat, walking, with a bundle on a stick over shoulder, in LRC; buildings on top of hill in URC; landscape with rolling hills and trees; text on back

Traveler in landscape, 18th century

Monogrammist N.T.

Not on View
cartoonish anthopomorphized toad; standing, with bow legs, with PL arm outstretched and foreshortened, smiling; wearing jacket and vest, knickers and shoes

Toad (Toad of Toad Hall?), 19th-20th century

Artist Unknown , 19th or 20th century

Not on View
bare breasted crouching woman at left, holding her PR breast to the mouth of a bearded man seated in front of her, with shackled ankles; woman has her PL arm around shoulder of man; man leans against column; text on column and at bottom: "CZINMON" at bottom, "ICH LEB VON DER BRVST MEINER DOCHTER" at right

Cimon and Pero, 1544

Sebald Beham; Artist: After Barthel Beham

Not on View
four standing figures and one seated figure in LRC; two figures with pair of animals pulling a wagon at left; landscape in background

Peasants resting in a landscape, 1771

Ferdinand Kobell

Not on View
walking figure with herd of pigs; barren landscape

Swineherd, c. 1870

Charles-Émile Jacque

Not on View
dark clocktower with three shadowy sculptural figures standing beneath clock face

Une cloche battait dans la tour [A bell was striking in the tower], illustration to Edmond Picard, Le Juré, 1887

Odilon Redon; Printer: Becquet, Paris

Not on View
round image of five figures very close together; nude seated figure at left wearing an acanthus leaf crown and holding a staff; figure at right in foreground reaching out toward seated figure; man wearing a helmet in background to right of seated man

Judgement of Paris, 1520-1525

Allaert Claesz; Artist: After Sebald Beham

Not on View
ovoid image; seated woman reading at left; woman at center with doe, bending slightly down toward seated woman; rabbit running toward right in LRC; figure with sword held aloft behind kneeling woman in background in URC; trees in landscape; text on back

The daughter of Jephthtah, 1640

Peeter [Petrus] Rucholles

Not on View
round image of a portrait of a little boy with light brown hair, wearing a black cap and a tan jacket with red stripes, brown spots and black cuffs, holding a piece of paper, against a blue ground; square border with brick-like patterning around portrait; text below portrait: "CHARLES 2nd SON of CHARLES BRANDON / DUKE OF SUFFOLK. ob.1551."; text in lower margin: "IN HIS MAJESTY'S COLLECTION. / Published as the Act directs March 26, 1798, by I. Chamerlaine. Brompton. Middlesex."

Charles 2nd Son of Charles Brandon, Duke of Suffolk, 1798

Francesco Bartolozzi; Artist: After Hans Holbein the Younger

Not on View
foreshortened lying down infant with a hourglass, URC; three skulls in various positions in a row, with a fourth skull above the leftmost two; other bones between skulls

Four Skulls and a Child ("Mors Omnia Aequat"), 1614

Lucas Kilian; Artist: After Barthel Beham

Not on View
painter seated on a small platform suspended by a cable, high above city with skyscrapers in distance

%C2%A9 Estate Samuel L. Margolies

Babylon, 1949

Samuel L. Margolies; Publisher: Miniature Print Society

Not on View
farm scene with pair of chickens in foreground on a path; hayfield in middle ground; barn, silo, house and two other small sheds in background; haystack with ladder at left

Copyright of the artist%2C artist%27s estate%2C or assignees

The Hayrick, c. 1939

Arnold Blanch

Not on View
Image of three pink tulips on a back ground; image is printed on the top half of the sheet

%C2%A9 Miklos Pogany

Three Doveman Tulips from Tropides Islands, 1981

Miklos Pogany

Not on View
print on paper that looks like a black-figure style greek pot; image of five figures with spears hungting a boar with two white dogs; a small bird appears above boar and a large bird appears to the L of the hunting scene; decorative boarders surround scene

Vase Design, 1766-1785

Possibly Pierre-François Hugues

Not on View
black and white image of a crow facing to the viewer's right; sight is round

%C2%A9 Estate of Leonard Baskin

Crow, 20th century

Leonard Baskin

Not on View
two figures in scarecorw-like costume standing in front of a small huddled crowd; a boy in the front of the crowd turns his backend to the scarecrow figures and laughs with his hand by his mouth

Disparate: Que Guerrero, c. 1820

Francisco José de Goya y Lucientes

Not on View
black-and-white crosshatch drawing of a figure in profile

%C2%A9 Estate of Charles Biederman

Head, 1932

Charles Biederman

Not on View
a man seen from the waist up, presumably seated at a table, with his PL hand on a black cat and a few stems of daylilies; interior scene; a mantle behind the man with a large image or mirror above it; sense of space within image or mirror is confused, with imagery of ballerinas, a boy seated on a couch and a group of figures in an exterior scene

%C2%A9 Peter Milton %2F Artists Rights Society %28ARS%29%2C New York

Daylilies, 1975

Peter Milton

Not on View
abstracted female nude figures standing and seated; largest figure has her arms on her head with elbows akimbo; figures are drawn with thick, black lines and colored with deep, warm tones; abstract background in blue and green

%C2%A9 Artists Rights Society %28ARS%29%2C New York %2F ADAGP%2C Paris

Autumn (Bathers), c. 1938

Georges Rouault

Not on View
a seated mother in profile holding a kneeling child in her lap; child is raising their hands to the mother's neck and the mother's head is bowed toward the child; small, abstracted tower in the background along R edge, behind child

%C2%A9 Artists Rights Society %28ARS%29%2C New York %2F ADAGP%2C Paris

War, Hated by Mothers (Woman and Child), 1927 (published 1948)

Georges Rouault

Not on View
seated nude man at left holding a shield in one hand and a sphere in the other; a nude woman has her hand on the top of the sphere and is joined by two additional nude women; Mercury in full armor stands behind seated man and points at himself; cupid has his back to the viewer in the UR corner

Judgement of Paris, 1546

Sebald Beham

Not on View
an elephant on the viewer's right looks toward a small group of four figures on the left; the four figures are in long robes and hold up papers to the elephant; a white semi-circle behind the elephant gives the impression of a body of water and a back mass in the back L gives the impression of a cliff or wall

Disparate: Otra Leyes per el Pueblo, c. 1820

Francisco José de Goya y Lucientes

Not on View
illuminated page; words in a tan script along L side of page; floral arabesque drawn in a thin strip along R side in blue and gold with red details

Ave Maria, 15th century

Artist Unknown , French, 15th century

Not on View
sketch of two men's busts in profile facing the viewer's right; one man has on a flat cap hat and the other has slicked back hair and holds something between his teeth

%C2%A9 Artists Rights Society %28ARS%29%2C New York %2F ADAGP%2C Paris

Spectators at a Boxing Match, 20th century

André Albert Marie Dunoyer de Segonzac

Not on View
3/4 portrait of an actor looking to R; red and blue makeup lines, around eyes, curved, heart-shaped makeup on cheek, with blue highlights; brightly colored clothing with burgundy, green, orange

%C2%A9 Torii Tadamasa

Crab Makeup, 1941

Torii Tadamasa; Publisher: Watanabe Shōzaburō

Not on View
interior scene with man in blue squatting, holding shadow lantern in PL hand, and red fan with crane in PR hand; child in orange at his PR; bureau and green insect screen in background

%C2%A9 Torii Tadamasa

Theater signboard depicting a scene from the play "Oyako tōrō", 1961

Torii Tadamasa

Not on View
3/4 view of man with fierce red and blue kabuki makeup, wearing black and gold clothing; bushy, fan-like wig; holding sword over PL shoulder by its sheath, looking R

%C2%A9 Torii Tadamasa

Stealth Makeup for Kagekiyo in the play "Gedatsu," thought out by Torii Kiyotada, 1940

Torii Tadamasa; Publisher: Watanabe Shōzaburō

Not on View
colorful close-up portrait of male figure looking down; red makeup around eyes, nose; face in fierce grimace; black hair tufts; purple and white coat, and pine bough on chest; holding sword over shoulder in PL hand

%C2%A9 Torii Tadamasa

Two-Line Makeup for Matsuō, 1941

Torii Tadamasa; Publisher: Watanabe Shōzaburō

Not on View
red and black outline of Kabuki-makeup, creating an abstract face with frowning eyebrows, high cheekbones, wide nose; upper lip only outlined; unmounted; white background; inscription at top

%C2%A9 Hanayagi Jusuke II

Face Imprint of Makeup for the Lion Spirit from the play "Kagamijishi", c. 1963-1970

Hanayagi Jusuke II

Not on View
four bulls depicted in different positions, and overlapping; from L to R, from the back, seated, from the side and from the top; solid black background

Disparate: Lluvia de Toros, c. 1820

Francisco José de Goya y Lucientes

Not on View
a woman standing on the back of a white horse, which is standing on a tight rope; woman has one foot on the horse's saddle and the other on the horse's neck; dark background with the impression of a crowd across the center

Disparate: Una Reina del Circo, c. 1820

Francisco José de Goya y Lucientes

Not on View
round image of a portrait of a little boy with light brown hair, wearing a black cap with a white feather and a black short-sleeved jacket over a shirt with green sleeves and a white collar; boy has his PL arm resting on table; blue ground; square border with brick-like patterning around portrait; text below portrait: "HENRY ELDEST SON of CHARLES BRANDON / DUKE OF SUFFOLK. ob.1551."; text in lower margin: "IN HIS MAJESTY'S COLLECTION. / Published as the Act directs March 26, 1798, by I. Chamerlaine. Brompton. Middlesex."

Henry Eldest Son of Charles Brandon, Duke of Suffolk, 1798

Francesco Bartolozzi; Artist: After Hans Holbein the Younger

Not on View