🔎 country:"United States" | Mia

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Frank Lloyd Wright Hallway, Frank Lloyd Wright; Maker: Temple Art Glass Company — Frank Lloyd Wright Hallway, c. 1912-1914
Frank Lloyd Wright; Maker: Temple Art Glass Company

G300

dark blue wool with yellow, red and white stripes at one end; appliquéd silk ribbon in white, lavender, light blue and medium blue forming U-shaped section with strips of symmetrical stepped flower and leaf designs; 4 red silk hand silhouettes, trimmed in white beads; green silk trim — Friendship Blanket, c. 1900
Wazhazhe (Osage)

G261

gallery installation of a fictional "period room" — Curator's Office, 2012-13
Mark Dion

G378

Mythological figures in a landscape. A tribute to jazz musician Nina Simone. — Homage to Nina Simone, 1965
Bob Thompson

G375

Genre. — A "Bear" Chance, 1907
Philip R. Goodwin

G323

quilt top (stored in box), cotton and muslin — Baltimoresignature album quilt top, 1844-45
United States

G303

Armchair, George Washington Maher — Armchair, c. 1912
George Washington Maher

G300

Geometric abstraction — Tahkt-I-Sulayman Variation II, 1969
Frank Stella

G235

Portrait. George Washington in red drapery, black costume with white frills. No signature visible. — Portrait of George Washington, c. 1820
Thomas Sully

G305

doll, cloth with leather moccasins, two beaded shoulder bags, one containing wood arrows in a quiver, doll has human hair. — Doll, c. 1900
Anishinaabe (Ojibwe)

G260

Side chair, one of four, William Gray Purcell; Designer: George Grant Elmslie; Manufacturer: John S. Bradstreet and Company — Side chair, one of four, c. 1914
William Gray Purcell; Designer: George Grant Elmslie; Manufacturer: John S. Bradstreet and Company

G300

Landscape. Architecture. — The Bronze Horses of San Marco, Venice, 1876
Charles Caryl Coleman

G357

Landscape. Painting is owned jointly by the MIA and the Des Moines Art Center — The Birthplace of Herbert Hoover, West Branch, Iowa, 1931
Grant Wood

G323

Portrait. 1929 frame — Portrait of Our Nurse, Margaret Burgess, 1929
Florine Stettheimer

G303

pieces of wood painted with enamel in light blue, bright yellow and white in a geometric design; painted relief — Relief, New York, 1936, 1936
Charles Biederman

G377

Landscape. — Catskill Mountain House, 1855
Jasper Francis Cropsey

G323

Pair of "chrysanthemum" Candelabra, Charles T. Grosjean; Maker: Tiffany & Co. — Pair of "chrysanthemum" Candelabra, 1891-1902
Charles T. Grosjean; Maker: Tiffany & Co.

G350

Abstraction. 63.14.1 ter is on P49B MS(old frame) — Composition, 1936-39
Arshile Gorky

G376

Landscape — The Merced River in Yosemite, 1868
Albert Bierstadt

G323

Portrait Of Frank James — Frank, 1969
Chuck Close

Not on View

Artist's multiple published in an edition of 8 — Vicki! I--I Thought I Heard Your Voice!, 1964
Roy Lichtenstein

Not on View

copper vase, original patina — Weed holder, c. 1895-1900
Frank Lloyd Wright; Maker: James A. Miller & Brothers

G300

one complete wall of pine paneling consisting of four panels; first containing door; second panels; third chimney piece with fine moulding surrounding it with fluted pilasters over which are three small panels; fourth panels; dating from first half of 18th century; prov. from a house in Foxon just northeast of New Haven Conn. — Connecticut room, c. 1740
United States

G331

buttress vessel form shape #416; for 'Teco' ware line — Monumental vase, c. 1905-1910
William Day Gates; Manufacturer: American Terra Cotta and Ceramic Company

G378

Tall-backed chair with geometric and organic openwork design on chairback; brown leather seat cover — Dining chair, 1910
George Grant Elmslie

G300

carved wood cup with straight handle; rounded cup has beaver and canoe carved on bottom; tapering two-part handle carved with scroll at end and rows of triangles — Belt Cup, c. 1830
Wendat (Huron)

G260

Still life.Trompe l'oeil door, with ephemera tacked to the green door, including image of Abraham Lincoln, money, clippings, and labels. '1809', '1865' and 'ABE' are "carved" into the door. — Reminiscences of 1865, 1904
John Frederick Peto

G322

Abstraction. — Billboard, 1957
Grace Hartigan

G375

model of Frank Lloyd Wright designed house; 3 short flights up a small hill on one long side; semicircular porch on same side; large, sprawling floor plan — Architectural model, 1998-1999
Construct Studios (David Swanson); Architect: Frank Lloyd Wright

G300

Landscape. Tohickon Creek, Pennsylvania. — A Scene on the Tohickon Creek: Autumn, 1868
Thomas Moran

G323

Landscape. Marine. — Quiet Seascape, 1883
William Trost Richards

G323

Landscape. Urban. Architecture. — City Night, 1926
Georgia O'Keeffe

G378

Side chair, Frank Lloyd Wright; Maker: John W. Ayers — Side chair, c. 1903
Frank Lloyd Wright; Maker: John W. Ayers

G300

Genre. Unsigned. — The Birthday Party, 1885
John Singer Sargent

G303

box with knob feet painted red with blue, black and gold decoration; central decoration is three rings, with a crossed axe and staff; three rings and eye on either end — Odd Fellows ceremonial ark, 1856
United States

G331

crown form with backed openwork floral designs, 5 rows of bells and applied flowers; bird and flowerlike stems at top — Torah crown, late 19th-early 20th century
United States

G362

beaded panel with geometric design at bottom of bag; fringe with strung beads and red tassels; simple quillwork design of flowers on body of bag — Man's Pouch, c. 1800
Anishinaabe (Ojibwe) or Dakhóta

G301

4-part plaster and wood model with front columned entry flanked by 2 small porches with columns; colonnades on both sides; curved back with small porch at center — Model of original scheme for the Minneapolis Society of Fine Arts, c. 1912
McKim, Mead, and White

Not on View

Providence parlour, United States — Providence parlour, c. 1760-1770
United States

G335

yellow and orange glass; red and yellow neon tubing — Sunburst, 1999
Dale Chihuly

G100

multi-colored leaded glass with geometric design; multi-colored rectangular design bordered by off-white bands at top and bottom — Skylight panel from a set of six, 1913
William Gray Purcell; Designer: George Grant Elmslie; Manufacturer: Mosaic Art Shops (E.L. Sharretts)

G300

bust of a woman with a cluster of small snakes at the front of her head, wings at the side of her head; intertwined snakes below her breasts — Medusa, c. 1854
Harriet Goodhue Hosmer

G323

small manual typewriter; front panel above keys printed in gold: "CORONA/ PROFESSIONAL" with gold textured panels on sides; "C Smith & Corona Typewriters Inc." on front panel below space bar — Corona Model 4 portable typewriter, 1930
C. Smith & Corona Typewriters, Inc.

G379

light wood curved backrest with shell motif at top center; curved front legs; embroidered seat cushion, dark blue with floral medallion in center — Side chair, c. 1750
United States

G332

spandrel, tympanum and decorative panels from the Scoville Building, Chicago — Lunette and decorative panel, one of twelve, 1884-1885
Louis Henri Sullivan; Maker: Northwestern Terra Cotta Works (a.k.a. Norweta)

G300

spandrel, tympanum and decorative panels from the Scoville Building, Chicago — Lunette and decorative panel, one of twleve, 1884-1885
Louis Henri Sullivan; Maker: Northwestern Terra Cotta Works (a.k.a. Norweta)

G300

Sullivan-style design cut out of top layer of wood with second layer below; "GRAY DAYS/ & GOLD" carved in LRC; dark brown — Fretwork panel, 1913
George Grant Elmslie

G300

silver metallic outboard motor; sides of motor shaped like blimps with red and white "WATERWITCH" stickers — "Waterwitch" outboard motor, 20th century
John R. Morgan; Manufacturer: Sears, Roebuck and Co.

G379

bulbous body with protrusions on sides on a conical foot; black ground with light rust-colored crosshatching; multicolored various designs on body and foot; leaves on foot edge — Hanukkah lamp, 1989
Robert Lipnick

G362

curved bottom and top sections; bumpers at ends of rocking part and back of seat; stick with red ball at top at front; light varnish overall — Hobby horse, 1950s
Gloria Caranica; Manufacturer: Creative Playthings

G379

spandrel, tympanum and decorative panels from the Scoville Building, Chicago — Lunette and decorative panel, one of twelve, 1884-1885
Louis Henri Sullivan; Maker: Northwestern Terra Cotta Works (a.k.a. Norweta)

G300

bright green, highly streamlined and stylized car — Car model, late 1980s-early 1990s
Ford Motor Company

G379

spatulate-shaped blade; handle decorated with long-stemmed lilies with two flowers and two buds and EKG monogram — Dinner knife, from a twelve-piece place setting, 1912
George Washington Maher; Manufacturer: Gorham Manufacturing Company; Retailer: Spaulding & Company, Chicago, Illinois

G300

squared-off head; long tines; handle decorated with long-stemmed lilies with two flowers and two buds and EKG monogram — Dinner fork, from a twelve-piece place setting, 1912
George Washington Maher; Manufacturer: Gorham Manufacturing Company; Retailer: Spaulding & Company, Chicago, Illinois

G300

egg-shaped bowl; handle decorated with long-stemmed lilies with two flowers and two buds and EKG monogram — Teaspoon, from a twelve-piece place setting, 1912
George Washington Maher; Manufacturer: Gorham Manufacturing Company; Retailer: Spaulding & Company, Chicago, Illinois

G300

rounded blade with wide tip; handle decorated with long-stemmed lilies with two flowers and two buds and EKG monogram — Butter knife, from a twelve-piece place setting, 1912
George Washington Maher; Artist: Gorham Manufacturing Company; Retailer: Spaulding & Company, Chicago, Illinois

G300

squared-off head; long tines; handle decorated with long-stemmed lilies with two flowers and two buds and EKG monogram — Salad fork, from a twelve-piece place setting, 1912
George Washington Maher; Manufacturer: Gorham Manufacturing Company; Retailer: Spaulding & Company, Chicago, Illinois

G300

small bowl with three flame-shaped tines; gold-washed tines and bowl, silver handle; handle decorated with long-stemmed lilies with two flowers and two buds and EKG monogram — Ice cream fork, from a twelve-piece place setting, 1912
George Washington Maher; Manufacturer: Gorham Manufacturing Company; Retailer: Spaulding & Company, Chicago, Illinois

G300

round bowl; handle decorated with long-stemmed lilies with two flowers and two buds and EKG monogram — Soup spoon, from a twelve-piece place setting, 1912
George Washington Maher; Manufacturer: Gorham Manufacturing Company; Retailer: Spaulding & Company, Chicago, Illinois

G300

small spoon with egg-shaped gold-washed bowl; handle decorated with long-stemmed lilies with two flowers and two buds and EKG monogram — Coffee spoon, from a twelve-piece place setting, 1912
George Washington Maher; Manufacturer: Gorham Manufacturing Company; Retailer: Spaulding & Company, Chicago, Illinois

G300

spatulate-shaped blade; handle decorated with long-stemmed lilies with two flowers and two buds and EKG monogram — Luncheon knife, from a twelve-piece place setting, 1912
George Washington Maher; Manufacturer: Gorham Manufacturing Company; Retailer: Spaulding & Company, Chicago, Illinois

G300

large tablespoon; handle decorated with long-stemmed lilies with two flowers and two buds and EKG monogram — Tablespoon, from a twelve-piece place setting, 1912
George Washington Maher; Manufacturer: Gorham Manufacturing Company; Retailer: Spaulding & Company, Chicago, Illinois

G300

silver architectural-like element with four pieces of gold twisted wire, in a rough star of David, surrounding the Hebrew letter Shin. — Mezuzah (doorpost), Date Unknown
United States

G362

still life with cream and blue tankard at left, folded "Times" newspaper dated 1877 at center, ivory and wood flute with bottom joint removed, pipe leaning on a blue box at right and several burned matchsticks; several areas of highly-raised impasto: matchsticks in LRC and LLC, highlights on pipe and tankard — Still-life with Flute and Times, 1877
William Michael Harnett

G322

five separate panels; abstract image in bright multicolors with triangles, arcs, zigzags, and whorls, forming abstracted faces playing saxophones of various sorts — Cosmic Connection, 1971
James Phillips

G375

hanging rack; wire structure with fourteen wood balls attached to projecting wires; wood balls painted various colors — Hang-It-All, c. 1955 (designed 1953)
Charles Eames; Designer: Ray Eames; Artist: Tigrett Enterprises

G378

nude little smiling boy with two dimples and short curly hair, riding on a seahorse; lily pads and scallops on base; octagonal bottom has alternating seahorses and fluted designs; greenish patina — Putto on Seahorse, 1933
Evelyn Beatrice Longman

G280

rectangular lidded woven box; cover has light tone at center with two rows of purple stripes bordering wide variegated green-brown stripes at each end; box sides have central tan and brown stripe, flanked by variegated green-brown stripes and thin purple stripes; bottom of box has light tone; loose certification tag with artist's signature inside box — Glove Box, 2013
Theresa Secord

G260

modified Greek key pattern at a diagonal in white on a painted black ground; thin white band around rim with wider black band nearest lip; wide shoulder with small foot and mouth; pattern is largest in center and decreases near rim and foot — Black and White Pot #1, 2014
Paula Estevan

G259

painted design in black on white ground; horizontal bands with diagonal intersecting lines; triangular shapes painted in black creating a star-like pattern that is larger at center and smaller near rim and foot; wide shoulder with small foot and mouth; thin white band around rim with wider painted band nearest lip — Black and White Pot #2, 2014
Paula Estevan

G259

Red textile with blue, green, tan, and white woven pattern; pattern consists of four white crosses with blue tips in corners, surrounded by stepped blue/white and green/tan diamond borders with a blue/white diamond outlined at center; red background is various shades of red, with more muted pink-red at top, bolder, orange-reds at center and bottom; navy blue border; small opening in center (incorporated into weaving). — Blanket, c. 1875
Navajo

G260

still life with grapes of various colors and grapevines and leaves, melon, peaches, raspberries, blackberries, plums, oranges, apples, lemon; goblet with water with lemon at L; basket at center bottom, white pedestal plate at top left — Abundant Fruit, 1858
Severin Roesen

G322

end of handle flared outward and turned downward; decorated with monogram at top and stylized flowers below — Tablespoon, Date Unknown
Paul Revere, Jr.

G350

tea service, Federal Style, consisting of teapot and lid, stand for teapot, tea caddy with hinged lid, fitted with lock and key, stand for teacaddy, covered sugar urn, cream pitcher, shell-shaped tea scoop, tea or punch strainer, pair of sugar tongs with shell-shaped ends; fluted design with engraved and pricked swags and medallions containing the monogram of John and Mehitable Templeman and all bearing Revere hall mark; teaspoons — Tea caddy stand, from a tea service, 1792
Paul Revere, Jr.

G350

tea service, Federal Style, consisting of teapot and lid, stand for teapot, tea caddy with hinged lid, fitted with lock and key, stand for teacaddy, covered sugar urn, cream pitcher, shell-shaped tea scoop, tea or punch strainer, pair of sugar tongs with shell-shaped ends; fluted design with engraved and pricked swags and medallions containing the monogram of John and Mehitable Templeman and all bearing Revere hall mark; teaspoons — Teapot stand, from a tea service, 1792
Paul Revere, Jr.

G350

necklace with large central drop pendant and ten smaller decorative elements; double strand of waisted, slightly flattened silver beads, decreasing to single strands near back; hook and loop closure; large pendant has broken circle at bottom with white and black lobes around outer edge and is topped with a stylized head wearing a similarly lobed (feathered?) headdress, with white "face", red triangular "mouth", two triangles representing hair on forehead and pair of turquoise drops on either side of head (drops in front of ears of headdress?); each of the ten decorative elements are similar to the "head" part of the squash blossom main pendant — Squash blossom necklace, from a three-piece set, 20th century
United States

G260

dark greyish-brown; slightly rounded bulbous foot; round body with low shoulder; rounded neck with slightly outward-flaring mouth; incised wave-like, curving patterns on body — Vessel, c. 1300-1600
Mississippian

G260

blue wool with white at sleeve ends and hem; bodice around neckline covered with 11 rows of white tubular shells; star or flower medallions of white tubular shells and sequins around hem, above rows of green, purple, and silver sequins, green, tan and dark pink ribbon, and metallic gold trim with twisted fringe; floral shell and sequin medallions with green ribbon trim on sleeves; red, yellow and purple ribbons at shoulders and top on back — Dress, c. 1880-1900
Lakȟóta

G261

back panel carved in low relief and decorated with four blue birds, four small birds in a nest, tall twining flowering vine; small bear in LRC; brightly-colored pigments; top "handle" carved with twisted design and painted in yellow and red; footboard painted with radiating U shapes — Cradleboard, c.1850-1880
Kahnawake Mohawk

G260

lozenge-shaped vessel with very wide shoulder; very small mouth with one side slightly higher; white patina; shoulder has incised decoration with three areas of repeating wavy diagonal lines alternating with three rectangular forms with stepped details, with their centers filled with silver leaf with curved incised lines — Shifting Sands, 2016
Preston Duwyenie

G259

Beaded panel, Apsaalooke or Dakota — Beaded panel, late 19th century
Apsaalooke or Dakota

G260

upside down buck floating over landscape with river at center; white, wind turbines in green hills visible on either side of the buck in background, while broken barbed wire fences and tree stumps flank the animal in the mid and foreground; in RCQ, a patch of brown ground is littered with skulls and bones; black and purple butterfly silhouettes are scattered throughout (one on L and three on R), as are blue and yellow shapes in URQ, a red tree is in the ULQ, and the outline of a round-top chest in the river at BC; behind the buck is the outline of a curving road in red, coming from a four point star at TC — Interference and a Tiny Spot of Hope, 2019
Norman Akers

G261

abstract, colorful image; squiggly, thick linear design in multicolored pigments of blue, green, yellow, red and purple; heart shape in upper left quadrant in green, yellow and red colors; white bird with wings extended in bottom center; eye shape in middle; two stars on right edge- a green star on middle center, a red star in LRC — Untitled, 1947
Beauford Delaney

G376

red and white jacquard coverlet, wool, American — Jacquard Coverlet, 1855
William Ney

Not on View

plate decorated with enamel and gilding: design of steamboat "Ruth"; 4 figures on boat; 7 figures on shore, one fishing; gold text and leaf sprays at rim — Plate, 1865
Rudolph T. Lux

Not on View

hide shirt with fringe on arms and neckpiece and short fringe on bottom; beaded strips on sleeves and over shoulders; triangular beaded flaps at neck, front and back; pink beaded ground with geometric multicolored designs — Shirt, c. 1890
A'aninin (Gros Ventre)

Not on View

hide panel with beadwork at each end; wider end open; long fringe on each end and sides; geometric design beadwork with red felt and blue bead trim — Gun Scabbard, c. 1890-1910
Apsáalooke (Crow)

Not on View

black and blue backing and trim; front of pouch and strap beaded overall with large, bright floral and leaf forms on white ground; beaded floral spray above pouch; blue squared-off linear border at pouch edges; transparent blue bead and blue yarn fringe — Bandolier Bag, 19th century
Anishinaabe (Ojibwe)

Not on View

group of men looking out from behind barbed wire; four men wear striped pants and coats; old man at right leans against a cane — The Living Dead at Buchenwald, 1945
Margaret Bourke-White

Not on View

white backing and white ground with red trim; red and green solid and yellow print appliquéd floral medallions and blooming potted floral trim — Floral appliqué quilt, c. 1860s–70s
United States

Not on View

Vase, Louis Comfort Tiffany — Vase, 20th century
Louis Comfort Tiffany

G320

faux-Egyptian cityscape with geometric motifs; stylized cat and owl — Pedestal, c. 1911
Fernand Cesar Auguste Bernard James Moreau; Manufacturer: Northwestern Terra-Cotta Company (Norweta)

G379

Prindle House, Piano Bench, oak seat with cypress wood, American XXc NO PHOTO ON CAT. CARDS; cat. card dims H 26 x W 48 x D 18' — Piano bench, 1900-1914
John S. Bradstreet

G320

abstract painting that resembles image of human figure composed of geometric shapes in black, orange, yellow and white; figure is holding weapon in PL hand with arm raised; dead white bird in center; PR hand of figure is around neck of bird; bird rests atop stylized column; blue circle in upper left quadrant — Symbol, 1953
Charles Alston

G376

seated man with a grey overcoat drawn around him, with a helmet (?) over his PL knee, at left, in a ruined brick building; two figures seen from back--one seated wearing a blue shirt, one standing wearing a red shirt with PR arm around shoulders of figure in blue shirt, in URQ — Remembering, 1937
George Grosz

G377

bearded man wearing coveralls, holding a model plane in each hand; house at right — Charles, Vasa, Minnesota, 2002
Alec William Soth

Not on View

abstracted image with figure in LRC with well-defined face; figural elements in LLC; predominately yellow with tans, browns and cream in LLC, blue in top center, and orange and pink in ULC; grey strip frame — Tempest in Yellow, 1956
Dorothea Tanning

G376

surreal image; blonde woman wearing yellow waitress uniform dress, pink apron, yellow socks and sandals, at left, being lifted from water by her hair, intertwined in an egg beater, held by a flying bare-chested woman wearing a salmon-colored skirt with a red pinwheel on her back; dog and fish on horizontal dock, with net holding red lobster; razor blade in a pink circle in URQ with radiating turquoise circles; turquoise water; framed in light wood shadowbox-like frame — Resurrection of the Waitress, 1984
Honoré Sharrer

G361

interior scene at a maternity ward; a nurse in white stands at C, holding a swaddled baby stands between two rows of beds; various female figures and babies throughout, including a woman in the LL holding a bald child in white, a doctor sitting with a woman in green with her shirt pulled down and a baby in her lap at LC, children lying on beds in the UL background, a black woman holding a toddler and a baby in the LR, and two more women at RC, wrapping and attending to babies — Well Baby Clinic, 1928-1929
Alice Neel

G376

woman with bare legs and feet at right wearing green skirt with black lace trim and blouse with stripes under a red short sleeved jacket with a black and green lace collar, holding a tiny blue teacup in her PL hand and a toy animal in her PR hand, reclining against a landscape element with swirling fragments of animal heads and sea creatures; low table at left with blue and white striped tablecloth, with three chairs with elaborate white backs and cushions of various colors; various objects on table including a dish with tiny white toy animals, pair of glasses, fruits, shell, note with text ("Twinkle, Twinkle, Little Bat..."), tall white teapot, red and white oil lamp; tailless cat in LLC in front of table with blue eyes and zebra-like stripes — The Tea Party, 1943
Sylvia Fein

G376

portrait of a man with black hair and curling sideburns, wearing a red headscarf, short maroon jacket with elaborate gold trim and buttons with maroon laces across chest, matching maroon pants, white blouse, and green cummerbund, with a colorful Mexican blanket over his PL shoulder and holding a brown hat in his PL hand; green walls; Southwestern landscape through window in URQ, with bouquet of orange, purple, and yellow flowers in a vase on windowsill; portion of a portrait of a mother and child on a shelf in ULC — Portrait of José Mojica, 1928
Macena Barton

G322

three sided pyramid form with tripod base; stylized openwork Hebrew characters on front; sculptural back with three football-shaped openings; removable boat-shaped drip pan — Sabbath candlestick, one of a pair, c. 1960
Ludwig Yehuda Wolpert

G362

three sided pyramid form with tripod base; stylized openwork Hebrew characters on front; sculptural back with three football-shaped openings; removable boat-shaped drip pan — Sabbath candlestick, one of a pair, c. 1960
Ludwig Yehuda Wolpert

G362

elephant on pedestal; one clown sitting on elephant; one clown below elephants trunk holding two rings; one clown at base of pedestal below elephant's tail balancing a ball on his feet — "Elephant and Three Clowns on Tub" mechanical bank, c. 1882
James H. Bowen; Manufacturer: J. & E. Stevens Company, Cromwell, Connecticut, 1843–1950s

G110

lines forming geometric shapes; bold black lines form large hexagon; bold red lines form smaller hexagon; many triangle, rectangles, and diamonds; red, orange, green, black, and gold lines with some geometric forms filled in with stipple and wavy lines; received in white frame — Geometric, 2014
Monir Shahroudy Farmanfarmaian

G243

New York skyline; underside of bridge above, boats on water in foreground — New York Skyline with Bridge, 1932
Reginald Marsh

G353

black and white photo print of a Black woman wearing a suit at lower R seated on a low granite wall with her back against a column; line of dark granite columns to left of woman; light colored modern building with horizontal windows in background; tops of trees at CL — Downtown Civic Center, Public Use Areas #12, 1980
Anthony Hernandez

G230

triangular shaped back section; rectangular leaded glass inset at top of backrest with opaque turquoise arrowhead motif; brown-red upholstery — Chair, from a six-piece dining room suite, 20th century
George Grant Elmslie; Manufacturer: John S. Bradstreet and Company

G300

triangular shaped back section; rectangular leaded glass inset at top of backrest with blue arrowhead motif; brown-red upholstery — Chair, from a six-piece dining room suite, 20th century
George Grant Elmslie; Manufacturer: John S. Bradstreet and Company

G300

Two men lying on rocky outcrop, one on his back in a blue shirt, the other on his stomach in a white shirt; blue sky and clouds at UR. Frame: painted black with open carving of birds and flowers. — Santos Dumont - The Father of Aviation II, 2009
Kehinde Wiley

Not on View

men wearing khaki colored uniforms, elephant-like gas masks, and black boots in foreground in two lines--some shooting guns upward toward ULC, and other shooting toward a building in background with four window, with yelling people inside; sign--"DONT SCAB"--between windows; large ducts and tanks in URC; dark blues in background — Strike Breakers (Company Violence), 1937
Morris Topchevsky

G361

stacked vessel with three layers; each layer intricately painted; bottom layer has basket-weave pattern with bright colors; center and top levels have tiny bars with geometric designs separated by bead-like forms of bright colors; squiggle patterns in drip-form at top of lower layers; top layer has two segments of contrasting striping — Overlay, c. 2014
Les Namingha

G259

streamlined, stylistic car model without wheels; windows and central line differentiated; painted a uniform dark turquoise shade — Presentation car model, c. 1933
Attributed to John Tjaarda; Maker: The Briggs Company

G379

black and white photo of children on horses in merry-go-round — Merry-Go-Round, Frogtown, 1993
Wing Young Huie

G301

flattened, circular (or lozenge) shape; small mouth with slightly raised lip; small foot ring; mottled coloration; inherent dark v-shaped incision near bottom on one side — Pilgrim's Bottle, 1989
Michelle T. Holzapfel

G302

still life with plate with yellow apple, two frosted cakes, brown berries and an orange fruit, with leaves behind plate; small stemmed glass with pale yellow beverage at L — Still Life with Fruit, Cakes and Wine, 1821
Raphaelle Peale

G302

cluster of three leaves on curved stem; dark brown on one side, light brown on opposite side — Birch Bark Three-Leaf Cluster, before 1958
Mrs. Paul Cyrette

G302

round-blossomed flower on long stem with four leaves; dark brown on one side, light brown on opposite side — Birch Bark Flower, before 1958
Mrs. Paul Cyrette

G302

tulip form, with teardrop-shaped center cut out; dark brown on one side, light brown on opposite side — Birch Bark Flower, before 1958
Mrs. Paul Cyrette

G302

tulip form on short stem with two rounded leaves; medium brown on one side, dark brown on opposite side — Birch Bark Flower, before 1958
Mrs. Paul Cyrette

G302

daisy shape, with eight petals; medium brown on one side, light brown on opposite side — Birch Bark Flower, before 1958
Mrs. Paul Cyrette

G302

flower blossom with many petals; dark brown on one side, light brown on opposite side — Birch Bark Flower, before 1958
Mrs. Paul Cyrette

G302

star form with eight points; dark brown on one side, light brown on opposite side — Birch Bark Star, before 1958
Mrs. Paul Cyrette

G302

woman bent over running trough of water with child on the other side and toy sailboat between them floating on the water; in hilly landscape; ornate carved frame — At the Spring, c. 1895
Nicholas Richard Brewer

G302

birch bark, rectangular shaped with round sides; wood strip reinforcing top edge; light brown top, tan bottom — Noshkotchinagan (Wild Rice Winnowing Tray), before 1954
Margaret Whiteman

G302

three flowers with stem and leaves in symmetrical design; printed newsprint — Paper Pattern in the Form of a Floral Spray, before 1958
Mrs. Paul Cyrette

G302

tulip-shaped flower with diamond cutout at top; two leaves on stem with second cutout at bottom; ruled paper — Paper Pattern in the Form of a Flower, before 1958
Mrs. Paul Cyrette

G302

spray of four leaves; scrap of printed paper-black on white on one side, black on blue on opposite side — Paper Pattern in the Form of a Leaf Spray, before 1958
Mrs. Paul Cyrette

G302

six-lobed flower with teardrop-shaped center cutout; printed newsprint — Paper Pattern in Floral Motif, before 1958
Mrs. Paul Cyrette

G302

four-petal flower with paper pattern attached to birch bark with black and white threads — Birch Bark Flower, before 1958
Mrs. Paul Cyrette

G302

two leaves on a stem in a symmetrical design; dark brown on one side, light brown on opposite side — Birch Bark Leaves, before 1958
Mrs. Paul Cyrette

G302

extremely thin, delicate paper bowl with wasp paper on exterior affixed to thin white paper substrate; small flat base with widely-flaring sides — Untitled, 1997
Kay Sekimachi

G302

head of a woman with wide nose and mouth; short wavy hair; bronze patina — Cleota Collins, 1932
Henry W. Bannarn

G303

large heart at center with "Daniel Countryman" printed in black and red; roundel with portrait of a young man wearing a black hat at top center; ten small hearts to L and R of large heart; chased flowers, swags and decorative arcs at bottom: "Drawn BY/ WILLIAM MURRAY February 6th 1813"; handwritten text in different hands throughout, front and back — Family register, February 6, 1813
William Murray

G303

waterfall with rock outcropping at center with bush; rocky bank on L and R; gold frame — The Falls of St. Anthony, 1848
Seth Eastman

G301

abstracted landscape; primarily rectangular shapes--some curves--forming horizontal bands, delineated with thin red borders; thickly-applied surface pigments with openwork-like unpainted areas allowing bright multicolored underpainting to be visible; purple "sky"; blue-grey "water"; green, lavender, orange and pink "rocks/land" in foreground — Lake Superior Landscape, 1981
George Morrison

G301

bag with slightly bulbous bottom; short handle with predominantly red quillwork, trimmed with blue beads and backed with blue floral-print fabric; one side of bag has quillwork with multicolored flowers against red stripes; other side has multicolored beadwork with floral motif and maroon and yellow beadwork trim; four stripes of hide with gold thimbles and yellow, blue, and green ribbons; tin cones around edges with red feathers; — Floral Legacy, 2019
Holly Young

G302

folded sheet of paper, with the title "LEARNING TO THINK AND WORK TOGETHER" and text on back side; colorful image on the front with a group of figures with skin color rendered in red pigment; central figure rendered in dark brown pigment; blue background with the suggestion of a crowd of figures behind front group; red upper half with black outline of two hands locked in a hand shake — Learning to Think and Work Together, 1943
Hugo Gellert

G304

rectangular strips of various sizes with denims, pale purple, and tan square at center right; larger strips of blue, pale green, tan, cream, and black and white gingham at edges; white backing; Velcro heading band — "Housetop" quilt, c. 1970
Nellie Mae Abrams

G303

Screenprint with applied bronze, silver, and pearl foils in 25 colors from stencils produced using drawings made by the artist referencing Lakota dentalium yoked dresses. The dress color is predominately red and is one of four related works from the artist's "Take Care of Them" suite. — Wačháŋtognaka | Nurture, 2019
Dyani White Hawk; Printer: Highpoint Editions, Minneapolis; Publisher: Highpoint Editions, Minneapolis

G303

Screenprint with applied gold foil in 14 colors from stencils produced using drawings made by the artist referencing Lakota dentalium yoked dresses. The dress color is predominantly blue and is one of four related works from the artist's "Takes Care of Them" suite. — Wówahokuŋkiya | Lead, 2019
Dyani White Hawk; Printer: Highpoint Editions, Minneapolis; Publisher: Highpoint Editions, Minneapolis

G303

Screenprint with applied bronze foil in 18 colors from stencils produced using drawings made by the artist referencing Lakota dentalium yoked dresses. The dress color is predominantly green and is one of four related works from the artist's "Takes Care of Them" suite. — Nakíčižiŋ | Protect, 2019
Dyani White Hawk; Printer: Highpoint Editions, Minneapolis; Publisher: Highpoint Editions, Minneapolis

G303

Screenprint with applied copper foil in 20 colors from stencils produced using drawings made by the artist referencing Lakota dentalium yoked dresses. The dress color is predominately gold and is one of four related works from the artist's "Takes Care of Them" suite. — Wókaǧe | Create, 2019
Dyani White Hawk; Printer: Highpoint Editions, Minneapolis; Publisher: Highpoint Editions, Minneapolis

G303

Two separate parts which are to be installed with copper-colored sections facing each other; two separate forms of slightly different shapes, with exteriors covered in short grey fur-like wires, each with an indentation with copper colored wires; interior (flattest side) of each form covered with teardrop shaped metal pallets in copper and silver — Copper Passage, c. 2013
Mary Giles

G301

portrait of a standing young person, wearing an elaborate beaded necklace and a brown top with floral embroidery; black background with beadwork divided into horizontal planes, with diamond patterns on T and B, in pearly white and silver beads, with rhinestones; black metal frame — Robin King, 2020
Tom Jones

G303

group of seated figures- two adults and two children; small child with curly dark hair, gazing outward, in C, wearing a colorful top with elaborate designs in mostly red and yellow pigment; right-most figure smiles, with long hair, red earrings and wearing a turquoise double-stranded necklace; child in top C, head turn toward seated figure in ULQ; green background, with eye shapes drawn n blue pigment along top of image — Sierra and her family, on the Mississippi shore, 2021
Leslie Barlow

G302

central painted panel with geometric shapes including abstracted letters, in various bright multicolors (predominately warm colors at left, cool colors at right), surrounded by a white frame; outer band of beadwork in predominately red, black, and blue with white text: "WHAT WE WANT / IS FREE"; outer white frame — WHAT WE WANT IS FREE, 2020
Jeffrey Gibson

G304

bright, colorful image of a Black man dressed in white, lying in a flower bed, surrounded by groups of flower varieties; bees hovering in the margins on a solid green background; in a blond wood frame — The Late Spring Arrival, 2022
Lamar Peterson

G301

workers in a field, harvesting grapes; man with blonde moustache wearing a hat, white shirt, blue vest, and patched grey trousers, holding a pipe in his PL hand, walking with his arm around a blonde woman wearing a red headscarf, brown blouse, and blue apron, carrying a large basket over her shoulder, at center; four women--kneeling and bending, picking grapes--around couple; two children in LRQ, partially hidden behind grapevines; other figures in background, with wagon visible over central man's PL shoulder; village at right center; received in gilt frame — La Vendange, 1879
Daniel Ridgway Knight

G302

Wall mounted sculpture with two rows of wood strips flowing downward to the floor; in three sections; each section is a square frame with a cross brace, with the ends of long strips of wood stapled to the top edge and to the cross brace — Waterfall, 1993
Truman Lowe

G302

brightly-colored image; three men and two women seated at a table at bottom, with vase of red flowers, espresso pot, and blue cups; man at right plays a banjo; man working in a field at left in middle ground; received in medium toned wood frame — Bagno a Ripoli (Firenze), 1961
Mimi Gross

G303

small screen with rubbed brown patina; six vertical zigzag elements with organic motifs including incised lines, incised spots and curved organic plant-like elements; top rail decorated on one side with zigzag incised line with incised dots — Screen, c. 1930
Samuel Yellin

G319

tromp l'oeil style; portrait of a man in shades of blue with burned edges in LLQ, with broken glass over image; tube of black paint with stream of paint squeezed out at top right; large moth pinned with pin with round red head at top left of center; part of a wasp nest at left center; razor blade behind ULC of portrait of man; snuffed-out cigarette with burning ashes and two matches below wasp nest; purple rectangular paper in LLC--"Ivan Albright by A Bohrod"; background of weathered wood — Ivan Albright, Through a Glass Darkly, 1958
Aaron Bohrod

G360

punching bag that has been covered in pony beads and studded spikes on the top half, and 12 rows of silver conical jingles on the lower half; multi colored nylon ribbon in blue, black, red, white and yellow, hangs along the bottom in four rows, 12” of fringe hangs below bag; text in beaded area reads, “each time you love love as deeply as if it were forever nothing is eternal” in four rows — NOTHING IS ETERNAL, 2017
Jeffrey Gibson

G259

Impressionistic landscape with snow and winding brownish-colored brook; small saplings with green leaves; purple mountain in distance; pink, yellow and orange foliage in middle ground — Brook in Winter, 1914
E. Ambrose Webster

Not on View

third phase late classic chief's blanket with mostly symmetrical pattern of stepped diamonds, partial diamonds, and stripes in reds, indigo, natural, brown, and gray; large central diamond with layers of red, indigo, and indigo/natural stripes with gray cross in center; partial diamonds on edges and corners; gray zigzag lines at corners and two opposite sides; two opposite selvedge edge indigo and other two are red; tightly woven — Chief's blanket (Hanoolchadi), c. 1865
Navajo

G230

pendant: standing figure holding pompon-like elements; silver mask with wide smiling mouth with visible teeth lifts to reveal a fossilized ivory face with mouth in an O shape; PR arm is hinged; element in PL hand is movable; figure wears skirt with alternating brown and white veined and grey stones, bordered with ivory band with black vertical and horizontal lines and red dots; figure wears green, tan and brown mottled boots; pin on back; necklace: alternating oval elements--gold flatter mask-like element with incised designs alternate with raised inset ivory elements with black designs — "Yup'ik Dancer V A" pendant and necklace, 2009
Denise Wallace

G260

bust of a bare-breasted woman with her wavy hair in a bun on the back of her head, with loose ringlet curles on either side of her face — June, 1865
Erastus Dow Palmer

G359

seated woman with dark hair, wearing red sunglasses, denim jacket, and a blue skirt, sitting on a bench; blue sky and tan ground — Think Long, Think Wrong, 2021
Avis Charley

G259

corner of white room with narrow mirror leaning against wall; hardwood floor; unframed — August, 1974
Sylvia Plimack Mangold

G322

large abstract painting in multicolored pigments; thick, blue bands of color across top and left side of canvas; light orange squared off section with darker puce wash of color overlapping and merging outwards toward center left edge; two curving bands of yellow pigment in upper right edge of canvas; vertical green and red bands of pigment in URC; smeary wash of puce pigment with dimension in LRQ; thin pink horizontal line in LRQ — Rio Grande, 1987
Helen Frankenthaler

G378

last supper type arrangement with seven figures seated at a table while a pregnant woman stands at the L edge of the composition; general pink/blue/purple color palette; "Vatican Cafe" is written in mirror above Christ figure's head — Vatican Cafe, 2014
Jim Denomie

G280

group of elves and other fantastic creatures marching down a path in a forest, with clubs, staffs, daggers, swords and spears; personified tree in URQ — Untitled [troop of elves], 20th century
Richard Holzschuh

G353

high, sketchy view of a park with many large trees and figures — In the Park, 1910
Childe Hassam

G353

boats with colorful sails at left; calm water; view of buildings in Venice in background — View of Venice, 1902
Thomas Moran

G353

tops of four houses--three with red chimneys--visible over the crest of a hill; stylized grasses in foreground and trees in background; sky has pale pinkish-red and yellow bands at top — Morning in Late May, 1917
Charles E. Burchfield

G353

colorful Bacchanal scene with blotchy pigment; two Centaurs wrestling UC, one is holding a sword; three male figures at L, one holding a dagger; group of nude male and female figures, standing and seated, down R side and into LRQ; two Centaurs, one holding a flute, at LL — Satyrs and Fauns - Bacchanale, 1924
Philip Evergood

G353

group of male figures, some adorned in ornate headdresses with feathers, carrying spears and riding on horseback; leading horse is brown with white markings on face and neck, with an oval-shaped, colorful shield on PR side; flat landscape with small shrubs in bottom center, right center and in center left; pale blue sky with thin, linear purple clouds on horizon — Native Americans on Horseback, c. 1892-1895
Charles M. Russell

G353

close-up image of a child's face, open-mouthed and crying; short, curly hair; rendered in washy green, mauve, gray and tan pigment; white background — Crying Child, 2018
Darius Steward

G353

recto: orange balloon with eyes, deflating and flying, with cloud of air behind it, against blue sky; verso: boxer seated in an armchair under a hooded hair dryer — Untitled, 20th century
Kenji Nakahashi

G353

abstracted landscape, viewed from above; purple, rose, and blue sky with rolling landscape with an orange river cutting diagonally across picture plane; numerous figures and animals in vignettes; campground with tents, teepees, and vehicles including a bus with a row of Porta-Potties and a line of figures on horseback in upper left; central section with farm equipment, Jeeps, police car, figures with flame throwers and figures wearing Ku Klux Klan outfits behind barbed wire, confronting people on opposite shore of river holding signs--one of whom has their pants dropped; foreground figures in LLQ include a man in a purple shirt printed "I'M TOAST" in a well, a Black man wearing a tie and holding a saxophone seated on a toilet, a man in a white shirt, a man wearing a feathered Native American headdress and a woman in a blue shirt and yellow vest with arms upraised; blindfolded woman with one bare breast, holding a blue bra and a scale balancing a dollar sign and a glass being grabbed from behind by a blonde man in a suit, with a row of men in suits behind them, smoking and drinking, with three hyenas; helicopters, plane, and a man holding two drones in the sky; received unframed — Standing Rock 2016, 2018
Jim Denomie

G262

colorful image; grouped figures in T quadrants; colorful, horizontal planes along B quadrants, representing walls and the ground; bench in BC; window in URC; single figure in LLC; brown wavy lines along bottom edge of image; floating mount, with a brown wood frame — Untitled, 1965
Agatha Wojciechowsky

G353

image of a hammerhead shark lying on piece of land; body of water in washy red pigment on L, with mountains in the background; red sky that gradates to blue at horizon line, with black diagonal scribbles throughout; red building on the R, with two palm trees at entrance; boat in CR; anchor in ULC — Untitled (Hammerhead Shark), 1974
H. C. Westermann

G353

Black woman at left wearing a red skirt suit with white buttons, red and white striped blouse, and red hat with white pompon or flower; Black woman to right of first figure wearing a black blouse, tan skirt, and tan hat with white bow, holding a baby wrapped in a white blanket; Black couple at right, with woman in a brown skirt suit and brown hat with white band, reaching out for baby, and man wearing a dark suite and dark hat; two Black children at center; small framed portrait of a Black man in a black hat against a turquoise ground, on a shelf at top center; received in white frame — The Beginning, 2002
Winfred Rembert

G322

Screenprint bleed torn on four edges depicting figures, horses, trees, text, and abstracted indigenous masks in a landscape. — Anti-Retro, 2018
Andrea Carlson; Printer: Highpoint Editions, Minneapolis; Publisher: Highpoint Editions, Minneapolis

G260

Screenprint torn on four edges to create a bleed image depicting Mound Man (a humanoid effigy earthwork in Wisconsin), trail marker trees, Mississippian mica hand/talon objects, hands signing Exit, and text in a landscape. — Exit, 2019
Andrea Carlson; Printer: Highpoint Editions, Minneapolis; Publisher: Highpoint Editions, Minneapolis

G260

group portrait of seven people all holding pieces of paper with line drawn portraits; man in center kneeling wears tan pants, blue shirt and glasses; first on right is man wearing baggy blue shorts, green shirt, sneakers and blue hat; second figure from right is woman wearing red shirt, blue and pink flowered dress with brown purse at hip; third figure from right is woman wearing light blue t shirt and purple pants who stands behind kneeling man; fourth figure from right is woman wearing green, orange, white and red printed dress, short hear and green bracelet on PR wrist; fifth figure from right is woman in light purple shirt, dark blue pants and light blue shoes; sixth figure from right is man standing in back with blue shirt, gray hair and glasses; faded colorful background depiction various figures; red checkered floor with black and purple designs — Wise Elders Portraiture Class at Centro Tyrone Guzman with En Familia hay Fuerza, mural on the history of immigrant farm labor to the United States, 2017
Aliza Nisenbaum

G303

portrait of three seated women surrounded by plants, flowers and signage; single seated woman on left wearing yellow head scarf, blue shirt, pink floral skirt and leans on purple arm rest; sign reading 'HARVESTING BASICS' with text and drawings in ULC; two seated women on right- one with white scarf and black dress with yellow and pink flowers, PL arm around seated woman on right, who wears blue striped head scarf, red top and blue and pink gradated long skirt, both sitting on purple bench; orange hanging lamp in URC; groups of flowers with signs/ labels in foreground; lattice with climbing plant with blue flowers in background on left — Nimo, Sumiya, and Bisharo harvesting flowers and vegetables at Hope Community Garden, 2017
Aliza Nisenbaum

G368

abstracted image with various geometrical forms; green rectilinear form at right; red vertical rectangle near center; grey elements at left with white O and H forms, red and black horizontal elements in ULQ; yellow horizontal sloping line in LLQ; blue ground; received in black and silver shadow box frame without glazing — Harbor, 1936
Joe Solman

G362

abstracted, slightly Cubist style image; green element in LRC with white "R" at top on a black rectangle; line sketch of a face in ULQ; purple rectangular elements at center; vertical black line at center; stack of books in LRQ; white rectangle with black text in LLQ with a colorful abstract image in orange, white, and turquoise on top of it; received in a whitewashed distressed frame — The Green Magazine, 1940
Joe Solman

G362

thin-walled large bowl; interior painted with spirals and other geometric designs in red — Bowl, c. 900-1200
Hohokam

Not on View

two horizontal rows with sketches of four standing birds on each row, with watercolor backgrounds and highlights, with the title written below each row — People came from far and wide to see the giant birds, 1971
June Leaf

G353

black aluminum (?); two central vertical pieces (two square tubes and one round tube); irregular wedges extending outward in two planes; roughly diamond-shaped silhouette — Night Plains, 1976
Louise Nevelson

G375

black ovoid base; green marbleized wedge shape on top; black stapler lever — "Aristocrat" stapling machine, 1937
Lester L. Wheeler; Designer: William H. Gref; Designer: Orto Heller; Manufacturer: E.H. Hotchkiss Company (stapling mechanism); Manufacturer: Plastic Turning Company (casing)

G379

metal multicolored bank in the form of cash register for dimes, nickels and quarters; 2 sliding levers on front and 2 windows recording deposits in dollars and cents; on one side the Statue of Liberty on the other children in a bank; key missing — "Bank of America Cash Drawer (registering)" still bank, 20th century
Girard Model Works, Inc.

G110

abstracted image with nine female figures in a wheel-like shape with their heads overlapping at the center (many not visible), wearing tan bodices and long white skirts; green ground; flowers at bottom edge; received in black frame — Arose, 2020
Shahzia Sikander

G243

cardboard cover with brown and blue printed designs; drawings (and one reproduction plate) received in book in the following order: 1. three figures--two on horseback--one figure skinning a buffalo; 2. two figures on horseback hunting antelope with bows and arrows; 3. row of seated figures at bottom; figure cooking, two figures with fans and figure smoking pipe at top, left of center; three teepees; 4. image of a paddle wheel boat; 5. reproduction plate printed, "PLATE SEVEN: THE HONORING"; 6. original image from reproduction with teepee at right; row of figures at bottom; two figures with horses at top; 7. yellow, brown and green steam locomotive engine with bearded conductor; 8. image with teepee at left; figures in three rows at edges of sheet, facing center, with figure on horse at ends of rows at left; 9. hunters on horseback with spears, bows, gun and tomahawk, hunting antelope and turkeys, accompanied by two dogs; 10. figures standing around a structure affixed with feather headdresses, shields and long spear; woman with papoose at left center; 11. horse at left; hunter near center with rifle, hunting antelope at right; 12. soldiers holding a line with an anchor (?) at left; boat with sails at right; 13. Native American dancers at center; European figures surrounding dancers, observing them; 14. figures on horseback hunting buffalo; 15. European sailors on a sailboat; 16. European men eating around a campfire, ULC, in a wooded area with lighthouse at right; 17. dancers with spears, gun and tomahawk; three teepees in background; pages separated by thin blotter/tracing sheet (irregularly spaced between images) — Sketchbook, 1876
William Cohoe

G261

diptych; left panel: painting in browns, greens, salmon of barren mountainous land forms; right panel: panel in relief with vertical slit at center; mottled brown; row of round blue gems and sparkling copper colored material inside slit — Venere Alpina, 1997
Kay WalkingStick

G259

dancing figure wearing a long garment in black and tan, decorated with maze-like motifs and circles; elaborate hairstyle with large back bun; black lines on face and back of shaved head; contrapposto post with knees bent, striding, with head turned to PL; arms swinging, with hands in fists — Gage, 2020-2021
Virgil Ortiz

G259

standing figure wearing a long garment in black and tan, decorated with maze-like motifs and circles; elaborate hairstyle with two small front buns and one large back bun; black lines on face and back of shaved head; arms out, with PR hand slightly raised and PL hand in a fist; feet apart — Jagg, 2020-2021
Cochiti Pueblo

G259

Old Fashioned Window/2, Ramona Sakiestewa — Old Fashioned Window/2, 1989
Ramona Sakiestewa

G261

parallelogram shape with beveled sides; two squared-off corners; top surface has three triangular shapes and two other shapes in gold with hammered designs of pyramid, egg and organic shapes; sides have procession of figures (cutout black silhouettes) before layered gold skylines and landscape shapes (including Statue of Liberty) with printed tin sky behind; printed tin pieces on underside, with center piece having carpet design