group of male figures, some adorned in ornate headdresses with feathers, carrying spears and riding on horseback; leading horse is brown with white markings on face and neck, with an oval-shaped, colorful shield on PR side; flat landscape with small shrubs in bottom center, right center and in center left; pale blue sky with thin, linear purple clouds on horizon

Native Americans on Horseback, c. 1892-1895

What was Charles Russell’s relationship to Native Americans' He is known as a painter of “cowboys and Indians,” but the nuances of his life and work are predictably more complicated. Born and raised in St. Louis, Missouri, he left school for Montana at age 16, where he worked on a sheep ranch as a cowboy. During the summer of 1888, Russell lived near the Piegan and the Kainai Nation, members of the Blackfeet Confederacy. His interaction with these communities was always at a distance but his observations fueled his art. Russell may have stood out in his time by expressing support for some Native American issues but from today’s vantage point his work romanticizes and others Native people in a perpetual past.

Details
Title
Native Americans on Horseback
Artist Life
1864 - 1926
Role
Artist
Accession Number
2018.88
Provenance
Probably from the artist to Charles Myron Webster; Charles Myron Webster (1859–1909, Minnesota and Great Falls, Montana); by descent to Charles Mcl. Webster, Edina, Minnesota (1995); his gift to Mia, 2018
Curator Approved

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group of male figures, some adorned in ornate headdresses with feathers, carrying spears and riding on horseback; leading horse is brown with white markings on face and neck, with an oval-shaped, colorful shield on PR side; flat landscape with small shrubs in bottom center, right center and in center left; pale blue sky with thin, linear purple clouds on horizon