showing 100 of 1567 results matching medium:"Ink on paper". (load 200 more)

advanced

Looking for medina, metius, media, medic?

Bamboo and Rocks, c. 1760

Zheng Xie

G203

Landscape, 18th-19th century

attributed to Okada Hankō

G225

Forest landscape with building at upper right; path through forest leads to bridge over water; small figure on path; wall surrounding building and forest

Hillside with Pine Trees, Water, c. 1630

Cheng Jiasui

G218

bamboo in varying shades, interspersed with lines of text; matted

Bamboo, 1735

Xu Bin; Artist: In the manner of Su Shi

G203

grapevine that swirls up from LRC to ULC to URC and down again; three grape clusters in upper half; one at each side center; one squirrel URQ, one LLQ; cricket R center

Squirrels and Grapevine, 1905

Bai Haonian

G203

Scroll painting

Plum Blossom, 1454

Wang Qian

G203

four paintings mounted as two hanging scrolls; crabs crawling amid leaves and stems; inscriptions in ULC

One Hundred Crabs, 1835

Zhao Ziyong; Artist: Zhao Guangqi

G203

heavy-set man seated inside a large sack; smiling man has light beard and wears dark garment, open at the chest; has storage box

Hotei Within his Sack, 1800

Kōgan Gengei

G222

three characters written horizontally across white sheet; reddish-orange rectangular intaglio stamp URC; four vertical, smaller characters at L; two large square stamps at far L: top stamp contains four squares, three of which are intaglio, the fourth is relief; bottom square with thick outline is relief

Laziness is Truth, late 19th-mid 20th century

Kawamura Keikō

G252

rubbing: eight lines of tightly spaced characters; last three lines are slightly smaller; dark brown paper mount

Poem of 1849, 1849

Fujita Tōko

G253

second of two albums; tan silk covered cardboard covers; inside of front cover has abstracted foliage imagery with gold leaf; double-sided pages of calligraphy with primarily four characters per page; primarily bold characters; some characters are very pointed; two pages of thin, closely-spaced, freeform characters; two pages of very looping, organic characters

Model Book of the "Thousand Character Classic", pt. 2, second half 17th century

Sasaki Shizuma

G252

two lines of calligraphy with signature at L; brown mount

Temporary Palace at Yoshino, second half 19th century

Murase Taiitsu

G252

giant black character with sharp angles and splatters

%C2%A9 Suda Kokuta

Emptiness, 1986

Suda Kokuta

G253

6 panel screen with alternating panels of calligraphy, and panels of bamboo stalks with delicate foliage and small inscriptions

Bamboo and Chinese Poems [right of a pair], 1865

Doi Gōga

G252

two loopy characters; loopy signature at L; mauve mount

Hazy Mooring, mid 19th century

Kameda Ryōrai

G253

four lines of calligraphy; fifth smaller line LL edge; fourth line ends with long line from last character; pale blue and ivory mount

Poem Dated 1821, 1821

Noro Kaiseki

G253

two lines of calligraphy, line at L is shorter; small signature at LL; on pink mount

No Amida in the South, second half 18th century

Kan Tenjū

G251

nine lines of calligraphy, delicately written; a number of characters accompanied by small black circles; light grey and beige mount

Draft in Regular Script, c. 1817-1835

Tanomura Chikuden

G251

ten bold characters in black on white; some dry brush areas; dark blue, gold and yellow mount

Stone Shadows, early 19th century

Matsumoto Koryū

G252

mountainous landscape with extremely tall trees in foreground; two figures in a building near bottom center; inscriptions in URC and ULC

Landscape after Wang Meng's "Noble Reclusion Among Pines and Streams", c. 1730

Xie Songzhou

G203

wild tangle of tree branches and roots; some mountains in background; painted on flecked paper

%C2%A9 2010 Luo Jianwu

Cypress at jade mountain, 2010

Luo Jianwu

G201

two album leaves mounted on boards and matted; left is calligraphic; right is landscape large mountain in center, two or three leafy trees at mountain base foreground, two buildings (?) behind them, other trees at right middle ground, other mountains upper left and right from accordion-style album, wood covers; eight images, alternating with text, single page of text at end

Two album leaves from a landscape album, 1621

Li Liufang

G218

two album leaves mounted on boards and matted; left is calligraphic; right is landscape with mountains in background, three trees in center middle ground, two smaller trees to right in foreground with rocks, waterfall, and river from accordion-style album, wood covers; eight images, alternating with text, single page of text at end

Two album leaves from a landscape album, 1621

Li Liufang

G218

two album leaves mounted on boards and matted; left is calligraphic; right is landscape with mountains in background; rocky middle ground with two buildings; trees with leaves in foreground from accordion-style album, wood covers; eight images, alternating with text, single page of text at end

Two album leaves from a landscape album, 1621

Li Liufang

G218

two album leaves mounted on boards and matted; left is calligraphic; right is landscape with two trees on a rock at center, large rock with vine or tree at right background, small rock at left foreground; from accordion-style album, wood covers; eight images, alternating with text, single page of text at end

Two album leaves from a landscape album, 1621

Li Liufang

G218

two album leaves mounted on boards and matted; left is calligraphic; right is landscape with a group of four trees in center in slightly sloped landscape from accordion-style album, wood covers; eight images, alternating with text, single page of text at end

Two album leaves from a landscape album, 1621

Li Liufang

G218

two album leaves mounted on boards and matted; left is calligraphic; right is landscape with two trees on large rocks lower center foreground, left of trees in middle ground is a building, three smaller trees far right, mountains in background from accordion-style album, wood covers; eight images, alternating with text, single page of text at end

Two album leaves from a landscape album, 1621

Li Liufang

G218

two album leaves mounted on boards and matted; left is calligraphic; right is landscape, rocky foreground with three central trees with birds (2), two trees (bare) on right, mountains in background, river (?) between; from accordion-style album, wood covers; eight images, alternating with text, single page of text at end

Two album leaves from a landscape album, 1621

Li Liufang

G218

serpentine row of fifteen figures wearing half circle-shaped hats, in sketchy style; front and back figures carry walking sticks; ink and wash

Begging Monks Leaving {right of a pair}, 20th century

Deiryū Kutsu

G222

fifteen sketchy figures in a serpentine row, with smiling faces; front figure carries a walking stick; ink and wash

Begging Monks Returning {left of a pair}, 20th century

Deiryū Kutsu

G222

two old bearded men, wearing tunics and pants, greet each other with outstretched hands; tree root in LLC; tree branch at L overhead

Crippled Zhang Meets Hunchback Li, early 17th century

Cao Xi

G203

monk in white robe riding a donkey towards L

Yushanzhu Riding a Donkey [right of a pair of Zhenghuangniu and Yushanzhu], 17th century

Kano Dōun

G221

four character inscription, one character in each quadrant; two shorter inscribed lines ULQ

Strange Sights Within the Sea, 1832

Ōkubo Shibutsu

G251

6 panels, alternating between large calligraphy, and images of bamboo with rocks, and smaller inscriptions

Bamboo and Chinese Poems [left of a pair], 1865

Doi Gōga

G252

block of four lines of regularly-spaced characters at left; one long line of text at right with two short lines between block at left and line at right

Facing the Moon, first half 17th century

Hayashi Razan

G251

four full lines delicate calligrahpy, plus two broken lines at L

Taiga-style Calligraphy, 1839

Fūgai Honkō

G253

first of two albums; tan silk covered cardboard covers; inside of front cover has abstracted foliage imagery with gold leaf; double-sided pages of calligraphy with four characters per page; primarily bold characters; four pages near front of scroll with characters made of very thin lines

Model Book of the "Thousand Character Classic", pt. 1, second half 17th century

Sasaki Shizuma

G252

large rock with open area in center, surrounded by tall grasses, flowers and leafy branches; 2 fields of text on L and R on silk

Plum, Narcissus and Rock, 1679

Wang Wu

G218

three larger trees in middle foreground; smaller leafier trees in URQ; rocky cliffs beneath leafy trees; rocky cliffs in LLQ; person sitting on middle of L hand rocks; chop mark in LR area; four columns of calligraphy characters plus characters above one large chop mark to L of columns accordian style album, wood covers; eight images, alternating with text, single page of text at end

Two leaves from a landscape album, 1621

Li Liufang

G218

House with fence and trees at left center; horse and male figure at right center; figure in a boat at lower left; mountains in background

Boat on River, Travelers and House on Shore, c. 1630

Cheng Jiasui

G218

bridge between rocks

Bridge Between Rocks, c. 1630

Cheng Jiasui

G218

Mountain landscape with two mounted figures and one walking on a path through the mountains; group of trees at lower center; at right lower center a small building

Mountain Grove with Path, c. 1630

Cheng Jiasui

G218

Four figures and horse (donkey ?)in a boat at center foreground, lower left foreground trees and walking figure, two small figures right center, hills in right background

Boat Carrying Figures and Horse, c. 1630

Cheng Jiasui

G218

procession of five dancing skeletons; second and third skeletons are each holding a red stamp in their hand; last two skeletons are rendered in lighter grey ink; inscription with stamps at URC

Skeletons Holding Seals, second half 19th century

Doi Gōga

G251

monk riding an ox side-saddle, facing R, reading; ox is turning to LL

Zhenghuangniu Riding an Ox [left of a pair of Zhenghuangniu and Yushanzhu], 17th century

Kano Dōun

G221

large, bold angular calligraphy with curved, wispy brush strokes

Sound of Cold Air, 18th century

Yosa Buson

G251

one large, bold and brushy calligraphy character at R; smaller two line inscription at L with signature at far L

Nothingness (mu), early 19th century

Kaimon Zenkaku

G253

figure with large halo seated on a reclining bull; figure is holding a scepter in PR hand that has a bust on it; PL hand is held to side of body, open; painted on the reverse side of a Buddhist sutra, with text visible through image

Enmaten, 13th century

Unknown Japanese

G220

seven eye-like figures arranged vertically down scroll; collaborative painting

Buddhist Jewels, 20th century

Shūtō

G222

four long lines of text with one smaller short line at left in LLQ; two red seals below shorter line of text

Rain Over the Stream, first half 19th century

Yanagawa Seigan

G253

abstract image; gray background; black abstract shape with circles on top and bottom; squiggly lines in LLQ and URQ

%C2%A9 Maki Haku

Symbol No. 5, October 1959

Maki Haku

G237

abstract image with bold black rectangle, circle, and lines, and narrower black lines

%C2%A9 Maki Haku

Ikeyama Stone, June 1959

Maki Haku

G237

four vertical lines of what looks like bold, abstracted calligraphy; artist seals

%C2%A9 Maki Haku

Ren - 2, 1960s

Maki Haku

G237

Page from the 'Shah Nama'; illustration of Alexander the Great (356-323 B.C.) subduing the Africans; depiction of a realistic sixteenth-century Islamic battle

Iskandar (Alexander the Great) Battling the Zangi, c. 1550

Iran

G243

single bamboo stalk emerging from bottom center extending 3/4 up the sheet; Chinese inscription of two lines of five characters each at top center

Bamboo Endures the Frost, 1840

Ike Taiga

Not on View

Bodhidharma, c. 1645

Fūgai Ekun

Not on View

Boy Riding Water Buffalo [right of a pair], late 17th - early 18th century

Hanabusa Itchō

Not on View
Scowling man holding a staff with a horseshoe shape at the end, touching a small tan box

Yanone Gorō, late 19th century

Unknown Japanese

Not on View
Woman wearing hat standing in twisted pose, looking over her shoulder; red and grey foliage behind; Matted

Wisteria Maiden, late 19th century

Unknown Japanese

Not on View
tall cliff emerging from left side and fisherman below

Landscape, 19th century

Hosokawa Rinkoku

Not on View
ten boats on a stormy sea; two scholars on an arch bridge walk toward rooftops and masts of a seaside port hidden below sheet's border

Evening on Lake Tai, 19th century

Chin Isshū

Not on View
long central panel of script flanked on left by newer text, smaller in scale, and on the right by a single line of horizontal larger scale text

Three Ancient Poems in Cursive Script, c. 1535

Chen Chun

Not on View
two chicks facing center, one above the other at opposite sides, place at lower third of sheet; blank background

Two Chicks, c. 1694

Zhu Da

Not on View
Striding figure holding a bird with his PL hand and looking back over his PR shoulder

Falconer, late 19th century

Unknown Japanese

Not on View

Priest Riding a Donkey, 17th century

attributed to Kano Naonobu

Not on View
Two geese, one below on a sand back before drying reeds looking up toward another goose flying in the sky, looking down. Paint is very wet, applied quickly without allowing time to dry. Signature and seal lower right

Geese and Reeds, late 17th-early 18th century

Kano Tsunenobu

Not on View
Seated horned demon with wild black hair and toothy grin holding a tan and black ball in his lap; parcel in PL hand and tube-shaped parcel on his back

Demon Reciting Buddhist Prayers, late 19th century

Unknown Japanese

Not on View
Grey-skinned man dressed in grey and white garment with red-orange vest holding a barrel-shaped black and white object above his head

Benkei with Temple Bell, late 19th century

Unknown Japanese

Not on View
a small mountain landscape containing spindly trees, a fisherman in a boat and an empty hut

Facing the Autumn Wind, 18th century

Kan Tenjū; Artist: After I Fukyū

Not on View

Two Monkeys in a Pine Tree, early 19th century

Mori Sosen

Not on View

Flock of Crows, c. 1690-1700

Kusumi Morikage

Not on View
towering plateau dominates the landscape to the left; winding river flows around a small peninsula at LRC; a man in a boat sits to the left of the peninsula along the shoreline

Drifting in a Small Boat, 18th century

Inoue Kinga

Not on View
Grey-skinned man sitting on the shoulders of a standing man with elongated head; standing man's lower legs not delineated; stylized clouds at bottom

Shaving Fukurokuju from a Ladder, late 19th century

Unknown Japanese

Not on View
a long and narrow cliff with an empty hut on an upper plateau and a pine tree dominates the center; a sailboat emerges from behind the cliff on the left

Casually Embracing I Fu-chiu's Ideas, 19th century

Yamanaka Shinten'ō

Not on View
Heron perched on a rocky ledge with briars behind. Heron looks down to left. Signature and seal at lower right.

Heron on a Rock [right of a triptych of Scholar with Heron and Myna], mid 17th century

Kusumi Morikage

Not on View
Grey monkey with tan face and red tail standing on the PL front fin of a vertically placed catfish with a gourd tied around its waist with a red cord

Monkey trying to catch a catfish with a gourd, late 19th century

Unknown Japanese

Not on View
Myna perched on a scraggly branch turning to the left, away from central scroll. vines dangle from the branch

Myna on a Branch [left of a triptych of Scholar with Heron and Myna], mid 17th century

Kusumi Morikage

Not on View

Priest, c. 1811-1820

Katsushika Hokusai

Not on View
Bald man carrying two slender staffs staff in PL hand rests on ground, staff in PR hand held above head; black dog at feet

Blind Musician, late 19th century

Unknown Japanese

Not on View

Boy with Water Buffalo [left of a pair], late 17th - early 18th century

Hanabusa Itchō

Not on View
13th century rubbing of the Li Sixun Bei, engraved in 720 A.D., incomplete; accordian album of nine rubbing leaves, three pages of hand written text; two pages with writing lines and no text

Rubbings of the Li Ssu-hsun, 13th century

Li Yung

Not on View

Jurōjin, the God of Longevity, c. 1690-1700

Kano Tsunenobu

Not on View
Striding man with pot-belly wearing an open-fronted shirt carrying a red staff in his PR hand with a black gourd-shaped object at the top

Spear Bearer, late 19th century

Unknown Japanese

Not on View

Dragon [right of the pair Dragon and Tiger], 16th century

Yamada Dōan

Not on View

Verse in Cursive Script, c. 1410

Chieh Chin

Not on View
Shiva sits with Parvati on top of a flayed tiger skin. Shiva wears a necklace of human heads and holds an antelope in his upper left hand, a blade in his upper right, a trident in his lower left, and rudraksha beads in his lower right.

Uma Maheshvara (Shiva and Parvati), late 19th century

India

Not on View

%C2%A9 2002 Artists Rights Society %28ARS%29%2C New York %2F ADAGP%2C Paris

Standing Nude, 1964

Marcel Gromaire

Not on View

Lu Zhishen Brandishing a Long Staff, c. 1825

Katsushika Hokusai

Not on View
Boy with left hand on hip

Copyright of the artist%2C artist%27s estate%2C or assignees

Ragamuffin, 20th century

Max Unold

Not on View

Tiger [left of the pair Dragon and Tiger], 16th century

Yamada Dōan

Not on View
center piece of a triptych

Jurōjin [center of a triptych], 1884

Kawanabe Kyōsai

Not on View
right piece of a triptych

Chinese-style Landscape with Man Fishing from a Boat by Moonlight [right of a triptych], 1884

Kawanabe Kyōsai

Not on View

Rama and Lakshmana Visit Sita or Suparanakha, 1760

India

Not on View
Hanging scroll

Landscape, 18th century

Unknown Japanese

Not on View
illustration from a Ramayana series; Chamba

Battle between the Monkeys and Ravana, c. 1735

India

Not on View
two ladies (recto), mother and child, probably Krishna and Yashoda (verso) illustration from a Ramayana series; Bikaner

Two Court Ladies, Mother and Child (reverse), c. 1810

India

Not on View
large rutabaga bursting from the ground with bushy foliage in ink, wash and dry brush; green ceramic rollers

The Giant Rutabaga from Fu-Yang, c. 1715

Li Shan

Not on View
2 small sprout-like protrusions on 2 dark bulbs

Taro Root, from an album of vegetables, Date Unknown

Bian Shoumin

Not on View
3 eggplants with stems and leaves attached

Eggplants, from an album of vegetables, Date Unknown

Bian Shoumin

Not on View
figure in URC holding a rope attached to a basket which is in the water below (in LLC)

God of Thunder and His Drum, 18th-19th century

Attributed to Katsushika Hokusai

Not on View

showing 100 of 1567 results matching medium:"Ink on paper". (load 200 more)

Download results as CSV