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Forest landscape with building at upper right; path through forest leads to bridge over water; small figure on path; wall surrounding building and forest

Hillside with Pine Trees, Water, c. 1630

Cheng Jiasui

G218

wild tangle of tree branches and roots; some mountains in background; painted on flecked paper

%C2%A9 2010 Luo Jianwu

Cypress at jade mountain, 2010

Luo Jianwu

G201

two album leaves mounted on boards and matted; left is calligraphic; right is landscape large mountain in center, two or three leafy trees at mountain base foreground, two buildings (?) behind them, other trees at right middle ground, other mountains upper left and right from accordion-style album, wood covers; eight images, alternating with text, single page of text at end

Two album leaves from a landscape album, 1621

Li Liufang

G218

two album leaves mounted on boards and matted; left is calligraphic; right is landscape with mountains in background, three trees in center middle ground, two smaller trees to right in foreground with rocks, waterfall, and river from accordion-style album, wood covers; eight images, alternating with text, single page of text at end

Two album leaves from a landscape album, 1621

Li Liufang

G218

two album leaves mounted on boards and matted; left is calligraphic; right is landscape with mountains in background; rocky middle ground with two buildings; trees with leaves in foreground from accordion-style album, wood covers; eight images, alternating with text, single page of text at end

Two album leaves from a landscape album, 1621

Li Liufang

G218

two album leaves mounted on boards and matted; left is calligraphic; right is landscape with two trees on a rock at center, large rock with vine or tree at right background, small rock at left foreground; from accordion-style album, wood covers; eight images, alternating with text, single page of text at end

Two album leaves from a landscape album, 1621

Li Liufang

G218

two album leaves mounted on boards and matted; left is calligraphic; right is landscape with a group of four trees in center in slightly sloped landscape from accordion-style album, wood covers; eight images, alternating with text, single page of text at end

Two album leaves from a landscape album, 1621

Li Liufang

G218

two album leaves mounted on boards and matted; left is calligraphic; right is landscape with two trees on large rocks lower center foreground, left of trees in middle ground is a building, three smaller trees far right, mountains in background from accordion-style album, wood covers; eight images, alternating with text, single page of text at end

Two album leaves from a landscape album, 1621

Li Liufang

G218

two album leaves mounted on boards and matted; left is calligraphic; right is landscape, rocky foreground with three central trees with birds (2), two trees (bare) on right, mountains in background, river (?) between; from accordion-style album, wood covers; eight images, alternating with text, single page of text at end

Two album leaves from a landscape album, 1621

Li Liufang

G218

large rock with open area in center, surrounded by tall grasses, flowers and leafy branches; 2 fields of text on L and R on silk

Plum, Narcissus and Rock, 1679

Wang Wu

G218

three larger trees in middle foreground; smaller leafier trees in URQ; rocky cliffs beneath leafy trees; rocky cliffs in LLQ; person sitting on middle of L hand rocks; chop mark in LR area; four columns of calligraphy characters plus characters above one large chop mark to L of columns accordian style album, wood covers; eight images, alternating with text, single page of text at end

Two leaves from a landscape album, 1621

Li Liufang

G218

House with fence and trees at left center; horse and male figure at right center; figure in a boat at lower left; mountains in background

Boat on River, Travelers and House on Shore, c. 1630

Cheng Jiasui

G218

bridge between rocks

Bridge Between Rocks, c. 1630

Cheng Jiasui

G218

Mountain landscape with two mounted figures and one walking on a path through the mountains; group of trees at lower center; at right lower center a small building

Mountain Grove with Path, c. 1630

Cheng Jiasui

G218

Four figures and horse (donkey ?)in a boat at center foreground, lower left foreground trees and walking figure, two small figures right center, hills in right background

Boat Carrying Figures and Horse, c. 1630

Cheng Jiasui

G218

Hanging scroll

Landscape, 18th century

Unknown Japanese

Not on View

%C2%A9 Nicolas Africano

Sheriff I Deliver Ramerrez, the Highway Man to Your Charge. Justice Must Be Done., 1963

Nicolas Africano

Not on View
few dwelling huts in an atmospheric rocky riverside setting; in a wood case

Misty Trees and Mountain Range, c. 1670

Dong Qichang

Not on View
four paintings mounted as two hanging scrolls; crabs crawling amid leaves and stems; inscriptions in ULC

One Hundred Crabs, 1835

Zhao Ziyong; Artist: Zhao Guangqi

G203

mountainous landscape with extremely tall trees in foreground; two figures in a building near bottom center; inscriptions in URC and ULC

Landscape after Wang Meng's "Noble Reclusion Among Pines and Streams", c. 1730

Xie Songzhou

G203

two old bearded men, wearing tunics and pants, greet each other with outstretched hands; tree root in LLC; tree branch at L overhead

Crippled Zhang Meets Hunchback Li, early 17th century

Cao Xi

G203

grapevine that swirls up from LRC to ULC to URC and down again; three grape clusters in upper half; one at each side center; one squirrel URQ, one LLQ; cricket R center

Squirrels and Grapevine, 1905

Bai Haonian

G203

Scroll painting

Plum Blossom, 1454

Wang Qian

G203

bamboo in varying shades, interspersed with lines of text; matted

Bamboo, 1735

Xu Bin; Artist: In the manner of Su Shi

G203

Bamboo and Rocks, c. 1760

Zheng Xie

G203

eleven images of orchids, some growing from rocks

Orchids, second half 19th century

Tanomura Chokunyū

G103

black ink on paper; image of bearded man wearing long robe in middle center; leans on cane with PL hand; basket and fishing rod in unseen PR hand; large flat woven umbrella carried on back; shading and foliage along upper right and middle left edges; blades of grass in lower left quadrant; untranslated characters in black ink along lower right edge; red stamp in LRC

Taigong Wang [center of a triptych of Taigong Wang, Dragon, and Carp], c. 1760-1780

Soga Shōhaku

G219

black ink on paper; image of swimming carp in a minimally rendered body of water; foliage along upper left edge and lower left quadrant; soft waves run horizontally across middle of image; carp's body is curved with head breaking surface of water and facing upwards toward PL; untranslated characters and red stamp in LLC

Carp [left of a triptych of Taigong Wang, Dragon, and Carp], c. 1760-1780

Soga Shōhaku

G219

black pigment on paper; image of flying dragon, head appearing in middle center behind cresting wave; body of dragon snakes behind wave and disappears into a blackened sky; one claw reaches over wave; smaller cresting wave below dragons head; untranslated characters in LRC; red stamp below characters; circular moon shape in ULC

Dragon [right of a triptych of Taigong Wang, Dragon, and Carp], c. 1760-1780

Soga Shōhaku

G219

Egrets in Willow [left of the pair Egrets in Plum and Willow], second half 16th century

Sesson Shūkei

Not on View

Dragon [right of the pair Dragon and Tiger], 16th century

Yamada Dōan

Not on View
large frog in center and small mouse in LRC; text filling background

Toad and Mouse, late 18th - early 19th century

Getsuju

G103

outer carton is cream with tan stripes with dark brown "chops" on it; wooden box with inscriptions; paper under tie; fabric is grey with cream and gold accent; image on a landscape with bridge and figure in LL and building in LR with four lines of inscription in UR corner

Quiet Setting of a Mountain Creek, Spring 1940

Fukuda Kodōjin

G251

landscape with mountains and water: tree lined mountain range near top; shore and peninsula lined with small huts; tall cliffs on either side frame the water; at bottom, a tall pine tree creates depth; at LL, a small figure in white robe with walking stick looks out onto scene

Silhouettes of Sails and Glowing Pine Trees, May 1928

Fukuda Kodōjin

G253

Inside two wooden boxes; not wrapped in tissue; fabric is tan and green foliage pattern; image of the moon behind a pine tree branch; three lines of script LL corner

Moon and Pine Tree, c. 1928

Fukuda Kodōjin

G253

wrapped in tissue inside of a wooden box with inscription both outside and inside of lid; wooden box inside of a paper box with light blue foliage printed on the inside and a ribbed green/grey fabric on the outside; image of three tall skinny trees that are divided by a path; single figure on path under a full moon or sun; inscription in UL corner; support is moss green/tan/cream with gold and roller knobs are ivory

Wanderer Under the Moon, Ca. 1913–1937

Fukuda Kodōjin

G253

black pigment on white background; cascading landscape with layered, irregular shaped rocks overlapping with small houses and trees; shadowed peaks in upper portion of image; untranslated Japanese characters in upper right quadrant

One Thousand Mountains and Ten Thousand Ravines, c. 1922-1932

Fukuda Kodōjin

G253

inside wooden box with inscriptions on both exterior and interior of lid, no tissue around scroll; gold support fabric; image of a mountain landscape densely packed in black ink with three lines of inscription in UL corner; six red chops, two square chops stacked vertically on L side of inscription and one rectangular chop on the UR side of inscription, one large square chop in LL corner and one rectangular and one irregular shaped chop in LR corner

Excursion in Cloudy Mountains, c. 1922-1932

Fukuda Kodōjin

G253

images of landscapes alternating with calligraphy; teal silk covered accordion album; dark blue fabric covered portfolio

Album of Untrammeled Living, March 1933

Fukuda Kodōjin

G252

tall, wide, gnarled pine tree with several branches angled downward; small rock to L of tree with small twisting sapling; inscription 2nd screen from L

Old Pines, Autumn 1932

Fukuda Kodōjin

G251

two vertical cliffs along L and R edges; red sun at upper center; lines of wispy clouds across cliffs; gnarled tree at lower center; small, robed human figure carrying staff stands with back to viewer

Pine Tree and Rising Sun between Cliffs, Ca. 1931–1933

Fukuda Kodōjin

G251

man in grey robes seated, facing outward toward viewer; minimal detail; hands and knees seem to vanish into background; inscription UR edge and LL edge

Self-portrait of the Venerable Seisho, 1941

Fukuda Kodōjin

G251

gnarled pine near center with curving trunk; small stone near R of tree trunk; inscription 2nd from R panel

Old Pines, October 1932

Fukuda Kodōjin

G251

one vertical line of cursive calligraphy on pale purple paper decorated with two bands of gold flakes, as well as a few pink, green, and white spots

Willow and Cherry, first half 20th century

Fukuda Kodōjin

G239

in a wooden box with inscription on outside of lid; has ivory knobs; image of a monkey on the R side hanging from a branch and leaning to touch the ground/water; inscription along L edge

Monkey Playing with the Moon Reflected on the Water, 20th century

Fukuda Kodōjin

G225

Priest Riding a Donkey, 17th century

attributed to Kano Naonobu

G221

%C2%A9 Jaune Quick-to-See Smith%2C Courtesy the artist and Garth Greenan Gallery%2C New York

Sources of Strength, 1990

Jaune Quick-to-See Smith

Not on View
adolescent boy wearing long red polo shirt facing viewer; bare legs; hands clasped in front of waist; black hair parted down center; blue background

%C2%A9 Azechi Umetar%C5%8D

Untitled [portrait of a boy], mid-20th century

Azechi Umetarō

G226

inside wooden box with inscription on inside and outside of lid; resting on tissue; paper around roller inside tie; fabric is light grey with geometric floral in blue; image is of black wash with red bamboo; inscription in yellow along R edge

Bamboo in Snow, Ca. 1927

Fukuda Kodōjin

G253

abstracted image of a large blue boat with many blue sails on top of a smaller boat with one brownish sail; blue field with vertical black lines at top; received in medium toned wood frame with gold

Friedliche Schiffart II, 1933

Lyonel Feininger

G359

Page from the 'Shah Nama'; illustration of Alexander the Great (356-323 B.C.) subduing the Africans; depiction of a realistic sixteenth-century Islamic battle

Iskandar (Alexander the Great) Battling the Zangi, c. 1550

Iran

G243

rainbow border; violent, colorful imagery throughout; hanged figure with green face, rainbow bulging eyeball and a large, purple glove on PR hand; cartoonish figure in black and white pigments being shot with a bullet in C right; burning flames in URQ and ULQ; gray truck in center; pig-like face wearing a witch's hat, with hearts for eyes, sticking out tongue in bottom center

La Mano Blanca, 1979

Luis Cruz Azaceta

G369

depicts women’s customs in early 18th century Japan; from imperial and samurai women to courtesans and women of the merchant and peasant class; each shown in a group scene at their various occupations including reading, sewing, making fans, spinning, and farming

One Hundred Women Classified According to their Rank, 1729

Nishikawa Sukenobu

G103

soft-bound book with blue cover; white label with black text on cover; calligraphic text with images of court scenes including men and women in interiors and primarily in gardens; some pages have added inscriptions (written or stamped in ink) in illustrations; image of man viewing a volcano (?) has hand-applied shading; image of seated man with three hand-applied snakes and plant; last page has ink inscriptions and drawing fir branches (?)

Newly Published Commentary on Japanese Poems by Sōgi (Shinpan waka chūsen shō), vol. 2, 1680

Hishikawa Moronobu; Artist: After Sōgi

G103

string-bound manuscript with light brown cover; contains images of Western material culture with description written in English and translated into Japanese; details regarding objects and/or customs written in Japanese; opens with counters in numerals and Japanese; contains descriptions of food, games, and other ephemera such as lamps, furniture, architectural features, and tools; also contains lengthy descriptions in Japanese of foreign customs and methods of entertainment, farming etc.

Draft of New Guide to the Ways of the West (Tsūzoku nichijō Seiyō shohō shinsho sōkō), c. 1870s

Unknown Japanese

G103

bound book with blue cover; pages inside contain text alternating with images of courtiers visiting, bathing, lounging, and playing instruments

Red and White Tale of Genji (Kō haku Genji monogatari), vol. 3b: Autumn Excursion (Momiji no ga), 1709

Okumura Masanobu

G103

three volumes bound as one with brocade cover; volume one shows famous court ladies relaxing, chatting, playing games, reading, and writing; volume two shows more common women; volume three depicts courtesans talking, smoking, primping, tuning instruments, etc.

Picture Book of the Evergreens (Ehon tokiwagusa), vol. 1–3, 1731

Nishikawa Sukenobu

G103

tiny book with image on each page with text; mostly images of a balding man with stacks of books, traveling with a pack on back, and handing out books; a few images of man working, and of a woman working

Illustrated Book of Vendors, Date Unknown

Unknown Japanese

G103

torso and head of woman lying down, with long brown hair, with her PR hand behind her head and her PL hand on her PR arm; touches of pink with brown lines; received in gilt frame

Jeune Femme Couchee, 1904

Kees van Dongen

G359

single bamboo stalk emerging from bottom center extending 3/4 up the sheet; Chinese inscription of two lines of five characters each at top center

Bamboo Endures the Frost, 1840

Ike Taiga

Not on View

Bodhidharma, c. 1645

Fūgai Ekun

Not on View

Boy Riding Water Buffalo [right of a pair], late 17th - early 18th century

Hanabusa Itchō

Not on View
Scowling man holding a staff with a horseshoe shape at the end, touching a small tan box

Yanone Gorō, late 19th century

Unknown Japanese

Not on View
Woman wearing hat standing in twisted pose, looking over her shoulder; red and grey foliage behind; Matted

Wisteria Maiden, late 19th century

Unknown Japanese

Not on View
tall cliff emerging from left side and fisherman below

Landscape, 19th century

Hosokawa Rinkoku

Not on View
long central panel of script flanked on left by newer text, smaller in scale, and on the right by a single line of horizontal larger scale text

Three Ancient Poems in Cursive Script, c. 1535

Chen Chun

Not on View
two chicks facing center, one above the other at opposite sides, place at lower third of sheet; blank background

Two Chicks, c. 1694

Zhu Da

Not on View
Striding figure holding a bird with his PL hand and looking back over his PR shoulder

Falconer, late 19th century

Unknown Japanese

Not on View
Two geese, one below on a sand back before drying reeds looking up toward another goose flying in the sky, looking down. Paint is very wet, applied quickly without allowing time to dry. Signature and seal lower right

Geese and Reeds, late 17th-early 18th century

Kano Tsunenobu

Not on View
Seated horned demon with wild black hair and toothy grin holding a tan and black ball in his lap; parcel in PL hand and tube-shaped parcel on his back

Demon Reciting Buddhist Prayers, late 19th century

Unknown Japanese

Not on View
Grey-skinned man dressed in grey and white garment with red-orange vest holding a barrel-shaped black and white object above his head

Benkei with Temple Bell, late 19th century

Unknown Japanese

Not on View

Two Monkeys in a Pine Tree, early 19th century

Mori Sosen

Not on View

Flock of Crows, c. 1690-1700

Kusumi Morikage

Not on View
towering plateau dominates the landscape to the left; winding river flows around a small peninsula at LRC; a man in a boat sits to the left of the peninsula along the shoreline

Drifting in a Small Boat, 18th century

Inoue Kinga

Not on View
Grey-skinned man sitting on the shoulders of a standing man with elongated head; standing man's lower legs not delineated; stylized clouds at bottom

Shaving Fukurokuju from a Ladder, late 19th century

Unknown Japanese

Not on View
a long and narrow cliff with an empty hut on an upper plateau and a pine tree dominates the center; a sailboat emerges from behind the cliff on the left

Casually Embracing I Fu-chiu's Ideas, 19th century

Yamanaka Shinten'ō

Not on View
Heron perched on a rocky ledge with briars behind. Heron looks down to left. Signature and seal at lower right.

Heron on a Rock [right of a triptych of Scholar with Heron and Myna], mid 17th century

Kusumi Morikage

Not on View
Grey monkey with tan face and red tail standing on the PL front fin of a vertically placed catfish with a gourd tied around its waist with a red cord

Monkey trying to catch a catfish with a gourd, late 19th century

Unknown Japanese

Not on View
Myna perched on a scraggly branch turning to the left, away from central scroll. vines dangle from the branch

Myna on a Branch [left of a triptych of Scholar with Heron and Myna], mid 17th century

Kusumi Morikage

Not on View

Priest, c. 1811-1820

Katsushika Hokusai

Not on View
Bald man carrying two slender staffs staff in PL hand rests on ground, staff in PR hand held above head; black dog at feet

Blind Musician, late 19th century

Unknown Japanese

Not on View

Boy with Water Buffalo [left of a pair], late 17th - early 18th century

Hanabusa Itchō

Not on View
13th century rubbing of the Li Sixun Bei, engraved in 720 A.D., incomplete; accordian album of nine rubbing leaves, three pages of hand written text; two pages with writing lines and no text

Rubbings of the Li Ssu-hsun, 13th century

Li Yung

Not on View

Jurōjin, the God of Longevity, c. 1690-1700

Kano Tsunenobu

Not on View
Striding man with pot-belly wearing an open-fronted shirt carrying a red staff in his PR hand with a black gourd-shaped object at the top

Spear Bearer, late 19th century

Unknown Japanese

Not on View

Verse in Cursive Script, c. 1410

Chieh Chin

Not on View
Shiva sits with Parvati on top of a flayed tiger skin. Shiva wears a necklace of human heads and holds an antelope in his upper left hand, a blade in his upper right, a trident in his lower left, and rudraksha beads in his lower right.

Uma Maheshvara (Shiva and Parvati), late 19th century

India

Not on View

%C2%A9 2002 Artists Rights Society %28ARS%29%2C New York %2F ADAGP%2C Paris

Standing Nude, 1964

Marcel Gromaire

Not on View

Lu Zhishen Brandishing a Long Staff, c. 1825

Katsushika Hokusai

Not on View
Boy with left hand on hip

Copyright of the artist%2C artist%27s estate%2C or assignees

Ragamuffin, 20th century

Max Unold

Not on View
center piece of a triptych

Jurōjin [center of a triptych], 1884

Kawanabe Kyōsai

Not on View
right piece of a triptych

Chinese-style Landscape with Man Fishing from a Boat by Moonlight [right of a triptych], 1884

Kawanabe Kyōsai

Not on View

Rama and Lakshmana Visit Sita or Suparanakha, 1760

India

Not on View
illustration from a Ramayana series; Chamba

Battle between the Monkeys and Ravana, c. 1735

India

Not on View
two ladies (recto), mother and child, probably Krishna and Yashoda (verso) illustration from a Ramayana series; Bikaner

Two Court Ladies, Mother and Child (reverse), c. 1810

India

Not on View
large rutabaga bursting from the ground with bushy foliage in ink, wash and dry brush; green ceramic rollers

The Giant Rutabaga from Fu-Yang, c. 1715

Li Shan

Not on View
2 small sprout-like protrusions on 2 dark bulbs

Taro Root, from an album of vegetables, Date Unknown

Bian Shoumin

Not on View
3 eggplants with stems and leaves attached

Eggplants, from an album of vegetables, Date Unknown

Bian Shoumin

Not on View
figure in URC holding a rope attached to a basket which is in the water below (in LLC)

God of Thunder and His Drum, 18th-19th century

Attributed to Katsushika Hokusai

Not on View
stem with 4 attached pea pods, each containing 3 peas

Pea Pods, from an album of vegetables, Date Unknown

Bian Shoumin

Not on View

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