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Egrets in Willow [left of the pair Egrets in Plum and Willow], second half 16th century

Sesson Shūkei

Not on View

Bamboo and Rocks, c. 1760

Zheng Xie

Not on View

Egrets in Plum [right of the pair Egrets in Plum and Willow], second half 16th century

Sesson Shūkei

Not on View
profile view of seated woman wearing wide-rimmed black hat and black skirt wtih multi-colored sketchy background

Seated Woman in the Studio, 1909

Ernst Ludwig Kirchner

Not on View
large rock with open area in center, surrounded by tall grasses, flowers and leafy branches; 2 fields of text on L and R on silk

Plum, Narcissus and Rock, 1679

Wang Wu

G218

Hanging scroll

Landscape, 18th century

Unknown Japanese

Not on View

%C2%A9 Nicolas Africano

Sheriff I Deliver Ramerrez, the Highway Man to Your Charge. Justice Must Be Done., 1963

Nicolas Africano

Not on View
Forest landscape with building at upper right; path through forest leads to bridge over water; small figure on path; wall surrounding building and forest

Hillside with Pine Trees, Water, c. 1630

Cheng Jiasui

G218

Dragon [right of the pair Dragon and Tiger], 16th century

Yamada Dōan

Not on View
House with fence and trees at left center; horse and male figure at right center; figure in a boat at lower left; mountains in background

Boat on River, Travelers and House on Shore, c. 1630

Cheng Jiasui

G218

bridge between rocks

Bridge Between Rocks, c. 1630

Cheng Jiasui

G218

Four figures and horse (donkey ?)in a boat at center foreground, lower left foreground trees and walking figure, two small figures right center, hills in right background

Boat Carrying Figures and Horse, c. 1630

Cheng Jiasui

G218

Mountain landscape with two mounted figures and one walking on a path through the mountains; group of trees at lower center; at right lower center a small building

Mountain Grove with Path, c. 1630

Cheng Jiasui

G218

three larger trees in middle foreground; smaller leafier trees in URQ; rocky cliffs beneath leafy trees; rocky cliffs in LLQ; person sitting on middle of L hand rocks; chop mark in LR area; four columns of calligraphy characters plus characters above one large chop mark to L of columns accordian style album, wood covers; eight images, alternating with text, single page of text at end

Two leaves from a landscape album, 1621

Li Liufang

G218

image of woman rising out of a body of water, wearing a billowing garment and surrounded by waves; 8 men on shore observe woman, with 10 other men further from shore; image followed by panel of text

Nymph of the Luo River, 1591

Wang Shanggong

G203

four large characters written vertically; signature at L

Qin and Calligraphy - 100 Delights, mid 18th century

Yanagisawa Kien

G251

bold, expressive, splattered characters written across 6 panels

%C2%A9 Suda Kokuta

Words Concerned with Existence [right of a pair], 1984

Suda Kokuta

G252

six panel screen with large, expressive, splattered characters written across screes

%C2%A9 Suda Kokuta

Words Concerned with Existence [left of a pair], 1984

Suda Kokuta

G252

large frog in center and small mouse in LRC; text filling background

Frog and Mouse, late 18th - early 19th century

Getsuju

Not on View
11 lines of text; red seal in URC, square red seal in LLQ; light blue-grey paper with floral and leaf watermarks; bamboo roller ends

On Becoming Fifty, 1836

Ema Saikō

G253

two lines of large, bold calligraphy--4 characters in each line; two red seals at left edge, below center; one red seal, URC

Dragons Growl, mid 18th century

Ryū Kōbi

G253

two very large, bold characters; two large red seals at left edge, center; one red seal, URC

Bring the Qin, first half 17th century

Nakae Tōjū

G251

14 lines of text, with vertical linear elements; horizontal sheet format

(Letter of congratulations), late 16th - early 17th century

Konoe Nobutada

G253

right scroll of a triptych; five large, curving dry-brush text characters; one red seal, URC; iridescent blue and pink brocade strips with white background above and below calligraphy; turquoise ceramic (?) roller ends

River Winds [right scroll of a triptych], mid 18th century

Chō Tōsai

G251

center scroll of a triptych; five large, curving dry-brush text characters; iridescent blue and pink brocade strips with white background above and below calligraphy; turquoise ceramic (?) roller ends

River Winds [center scroll of a triptych], mid 18th century

Chō Tōsai

G251

left scroll of a triptych; five large, curving dry-brush text characters; three smaller characters and two red seals along left edge; iridescent blue and pink brocade strips with white background above and below calligraphy; turquoise ceramic (?) roller ends

River Winds [left scroll of a triptych], mid 18th century

Chō Tōsai

G251

14 lines of rather small, looping calligraphy; two large red seals at left edge, below center

Su Shi's First Ode to the Red Cliff, 1826

Tōkai Okon

G253

three lines of bold text; three small characters above two red seals at left edge, LLQ

Du Fu's Over the Blue River, late 17th-early 18th century

Sasaki Shōgen

G253

rectangular format; many uneven vertical lines of loopy, connected text

Letter to Tomioka Tessai, late 19th century

Ōtagaki Rengetsu

G253

five bold characters; one short line of connected characters at left; two red seals below short line of text at left; one red seal, URC

Clouds, mid 19th century

Tōkai Okon

G253

25 lines of very neat calligraphy separated by columns of thin, red vertical lines; framed

Zhang Zihou's "Western Inscription", 1836

Ichikawa Beian

G252

two lines of very large characters; light brown mount

Clouds and Dew, second half 18th century

Ryū Kōbi

G251

two album leaves mounted on boards and matted; left is calligraphic; right is landscape large mountain in center, two or three leafy trees at mountain base foreground, two buildings (?) behind them, other trees at right middle ground, other mountains upper left and right from accordion-style album, wood covers; eight images, alternating with text, single page of text at end

Two album leaves from a landscape album, 1621

Li Liufang

G218

two album leaves mounted on boards and matted; left is calligraphic; right is landscape with mountains in background, three trees in center middle ground, two smaller trees to right in foreground with rocks, waterfall, and river from accordion-style album, wood covers; eight images, alternating with text, single page of text at end

Two album leaves from a landscape album, 1621

Li Liufang

G218

two album leaves mounted on boards and matted; left is calligraphic; right is landscape with two trees on large rocks lower center foreground, left of trees in middle ground is a building, three smaller trees far right, mountains in background from accordion-style album, wood covers; eight images, alternating with text, single page of text at end

Two album leaves from a landscape album, 1621

Li Liufang

G218

two album leaves mounted on boards and matted; left is calligraphic; right is landscape with two trees on a rock at center, large rock with vine or tree at right background, small rock at left foreground; from accordion-style album, wood covers; eight images, alternating with text, single page of text at end

Two album leaves from a landscape album, 1621

Li Liufang

G218

two album leaves mounted on boards and matted; left is calligraphic; right is landscape with a group of four trees in center in slightly sloped landscape from accordion-style album, wood covers; eight images, alternating with text, single page of text at end

Two album leaves from a landscape album, 1621

Li Liufang

G218

wild tangle of tree branches and roots; some mountains in background; painted on flecked paper

%C2%A9 2010 Luo Jianwu

Cypress at jade mountain, 2010

Luo Jianwu

G201

bald headed, friendly-appearing figure at left holding a bag open between his hands, which extends toward left; two bold text characters on bag and three thinner characters; two red seals at left center at bottom of bag; blue and brown mount

Budai Opening His Sack, mid 18th century

Hakuin Ekaku

G222

few dwelling huts in an atmospheric rocky riverside setting; in a wood case

Misty Trees and Mountain Range, c. 1670

Dong Qichang

Not on View
two album leaves mounted on boards and matted; left is calligraphic; right is landscape, rocky foreground with three central trees with birds (2), two trees (bare) on right, mountains in background, river (?) between; from accordion-style album, wood covers; eight images, alternating with text, single page of text at end

Two album leaves from a landscape album, 1621

Li Liufang

G218

two album leaves mounted on boards and matted; left is calligraphic; right is landscape with mountains in background; rocky middle ground with two buildings; trees with leaves in foreground from accordion-style album, wood covers; eight images, alternating with text, single page of text at end

Two album leaves from a landscape album, 1621

Li Liufang

G218

six lines of very regular text; three red seals, LLC; nearly square format

Spring in Kitano, first half 19th century

Uno Meika

G252

The details of the figure are made up of calligraphic allusions to the deity's attributes and qualities.

Tenjin on His Way to China, mid 18th century

Hakuin Ekaku

G222

ink drawing of skinny elderly man in straw hat running toward L, carrying a long pole that he aims at a dangling object in a tree at UL; inscription at R

Bird Catcher, 18th century

Hakuin Ekaku

G222

circle of a single brushstroke at right; text at left; 2 seals in LLC, 1 in ULC

Ensō, 19th century

Taidō Shūfū

G225

Page from the 'Shah Nama'; illustration of Alexander the Great (356-323 B.C.) subduing the Africans; depiction of a realistic sixteenth-century Islamic battle

Alexander the Great Battling the Zangi, c. 1550

Persia (Iran)

Not on View
image of a black and white bird perched on a branch with orange fruit and two insects; brown frame with gold accent

Oriental Magpie Robin with Katydid and Leaf Hopper on Monkey Jack Branch, 1778

Sheikh Zain al-Din

G211

Album of Twelve Inkstone Paintings, one leaf of twelve, 1729

Bian Shoumin

G217

framed: dog lunging with eyes wide and tail raised, toward a cat climbing a tree at R; tree trunk is gnarled; cat is near top of tree trunk with mouth open, staring at dog

Dog Treeing a Cat, 19th century

Korea

Not on View
black pigment on paper; image of flying dragon, head appearing in middle center behind cresting wave; body of dragon snakes behind wave and disappears into a blackened sky; one claw reaches over wave; smaller cresting wave below dragons head; untranslated characters in LRC; red stamp below characters; circular moon shape in ULC

Dragon [right of a triptych of Taigong Wang, Dragon, and Carp], c. 1760-1780

Soga Shōhaku

Not on View
black ink on paper; image of swimming carp in a minimally rendered body of water; foliage along upper left edge and lower left quadrant; soft waves run horizontally across middle of image; carp's body is curved with head breaking surface of water and facing upwards toward PL; untranslated characters and red stamp in LLC

Carp [left of a triptych of Taigong Wang, Dragon, and Carp], c. 1760-1780

Soga Shōhaku

Not on View
black ink on paper; image of bearded man wearing long robe in middle center; leans on cane with PL hand; basket and fishing rod in unseen PR hand; large flat woven umbrella carried on back; shading and foliage along upper right and middle left edges; blades of grass in lower left quadrant; untranslated characters in black ink along lower right edge; red stamp in LRC

Taigong Wang [center of a triptych of Taigong Wang, Dragon, and Carp], c. 1760-1780

Soga Shōhaku

Not on View
man in grey robes seated, facing outward toward viewer; minimal detail; hands and knees seem to vanish into background; inscription UR edge and LL edge

Self-Portrait at Seventy-Seven, 1941

Fukuda Kodōjin

Not on View
diving tortoise with splayed front claws and beady eyes; black flame-like forms at its rear end extend upwards to top center

Tortoise, second half 18th century

Follower of Itō Jakuchū

Not on View
two rows of neatly written calligraphy

1000-Word Essay, late 17th - early 18th century

Terai Yōsetsu

Not on View
three full lines of cursive calligraphy, shorter line at L; mounted on blue fabric

Poem by Du Fu in Cursive Script, first half 18th century

Gion Nankai

Not on View
bold landscape; bird's eye view of buildings, stream, mountains and trees; block of text and three seals, ULC; ivory roller ends

Landscape, late 19th century

Tomioka Tessai

Not on View
sketchy ink drawing of mountain peak; calligraphy at bottom

Mount Fuji with Poem, first half of 20th century

Fukuda Kodōjin

Not on View
5(?) characters on grey wash ground with spots of darker grey; two red seals, LLC

© 1986 Weiming Lu

The Tao Follows Nature, 1986

Weiming Lu

Not on View
two vertical cliffs along L and R edges; red sun at upper center; lines of wispy clouds across cliffs; gnarled tree at lower center; small, robed human figure carrying staff stands with back to viewer

Cliffs, Pine Tree, and Rising Sun, c. 1932-1933

Fukuda Kodōjin

Not on View
seated nude woman with one knee drawn up, holding a cloth to her leg; lines on floor beneath woman extend back to perspective point

Study for "Atami Hot Spring", 1927

Yoshida Hiroshi (self-published)

Not on View
standing tiger; open mouth; looking to proper left; bronze and pale green brocade border

Walking Tiger, 16th century

Unknown Japanese

Not on View
standing tiger; large eyes; two fangs visible; tip of tail drops down from top edge; brown border

Walking Tiger, late 18th century

Matsui Genshu

Not on View
seated tiger licking front PL paw; brown and gold brocade border

Tiger Licking Its Paw, 17th century

Attributed to Tawaraya Sōtatsu

Not on View

Spiny Lobster, late 18th century

Itō Jakuchū

Not on View

Copyright of the artist%2C artist%27s estate%2C or assignees

Landscape with Trees, c. 1930-1940

Bob Brown

Not on View
large expanse of sky at top of image with mountains in background; very tall trees in front of a small building in LLC

Landscape in the Manner of Ni Zan, 1717

Huang Ding, 1660-1730

Not on View
fat Buddha figure seated on round vessel, smiling broadly and looking up thoughtfully; inscription at top

Hotei, 16th-17th century

Shōjō Shōkadō

Not on View
two groups of Chinese scholars in garden landscape; three men at L by bamboo trees looking to L; four men at R conversing; bamboo trees in background; rock bottom center; stream in background

Seven Sages of the Bamboo Grove, first half 16th century

Seikō

Not on View
triptych; right hanging scroll; Hill # R-19

Wagtail on a Lotus [right of a triptych of Zheng Huangniu, Kingfisher, and Wagtail], 19th century

Attributed to Kano Naonobu

Not on View

Kingfisher with Lotus and Reeds [left of a triptych of Zheng Huangniu, Kingfisher, and Wagtail], 19th century

Attributed to Kano Naonobu

Not on View

Shōki, the Demon Queller, 18th-19th century

Attributed to Katsushika Hokusai

Not on View
6 monkeys: adult and baby at L; pair wrestling at center; walking and seated monkeys at R

Monkeys, July 1887

Mori Kansai

Not on View
figure wearing a white robe, seated on an abstract, blossom-like throne; circular light area behind figure; waterfall, LLC

White-robed Kannon, from a set of White-robed Kannon with Landscape and Tiger, 17th century

Kano Tan'yū

Not on View
crouching tiger, looking toward LR; foliage behind tiger

Sleeping Tiger, from a triptych of White-robed Kannon with Landscape and Tiger, 17th century

Kano Tan'yū

Not on View
buildings in mountains; steep valley between cliffs at center; from an album of 12 drawings in ink and wash; short inscription and stamps in red

Album Leaf, from "Landscapes from Nature, Poetry, and Art", 1774

Wang Chen

Not on View
linear portrait of a man with a beard, long eyebrows and large ears, wearing a hood; block of text above

The Buddhist Layman Vimalakirti, 18th century

Hakuin Ekaku

Not on View
field in LLC; buildings nestled in rocky mountainous landscape; stepped path through mountains vertically through center of image; from an album of 12 drawings in ink and wash; short inscription and stamps in red

Album Leaf, from "Landscapes from Nature, Poetry, and Art", 1774

Wang Chen

Not on View
2 buildings at center in a rocky landscape with trees; 2 sailboats partially hidden by rocks at L; from an album of 12 drawings in ink and wash; short inscription and stamps in red

Album Leaf, from "Landscapes from Nature, Poetry, and Art", 1774

Wang Chen

Not on View
sailboats on water at center; buildings and trees at bottom in rocky landscape; 2 islands at top; from an album of 12 drawings in ink and wash; short inscription and stamps in red

Album Leaf, from "Landscapes from Nature, Poetry, and Art", 1774

Wang Chen

Not on View
buildings and figures in a small boat at bottom right; 2 boats at top; from an album of 12 drawings in ink and wash; short inscription and stamps in red

Album Leaf, from "Landscapes from Nature, Poetry, and Art", 1774

Wang Chen

Not on View
buildings at LRC; tower at bottom near center; 3 boats at bottom center; water at L; rocky landscape with walkways and bridges; from an album of 12 drawings in ink and wash; short inscription and stamps in red

Album Leaf, from "Landscapes from Nature, Poetry, and Art", 1774

Wang Chen

Not on View

Scholar in Landscape, 1601

Liu Yuanqi

Not on View
black ink and red chop marks on white; bull seen from behind at bottom, in black outline with round white center and gray horns; three lines of vertical characters at top; one red chop mark ULC, two red chop marks below line of characters at left; blue-green silk mount; black scroll bar

Zen Bull, 19th-20th century

Takeda Mokurai

Not on View
four paintings mounted as two hanging scrolls; crabs crawling amid leaves and stems; inscriptions in ULC

One Hundred Crabs, 1835

Zhao Ziyong; Artist: Zhao Guangqi

Not on View
abstracted sketchy landscape of mountains and foliage on rocks

Landscape, from a triptych of White-robed Kannon with Landscape and Tiger, 17th century

Kano Tan'yū

Not on View

Dharma, 18th-19th century

Attributed to Katsushika Hokusai

Not on View
stalks and leaves of bamboo extending from center at R to ULC; two cactus-like shoots at front bottom center; text at L edge

Bamboo, from a set of four, 1838

Rushan

Not on View
branches extending upward from LRC, covered with small blossoms; text at URC

Cherry Blossoms, from a set of four, 1838

Rushan

Not on View
two clusters of flowers with dark centers, surrounded by long, thin leaves; text at center R

Flowers, from a set of four, 1838

Rushan

Not on View
plants with very straight stalks at R; long, pointed leaves fan out at top; text at bottom center

Plants, from a set of four, 1838

Rushan

Not on View
irregular rock, LRC; bamboo with dark leaves at L; text, URC

Bamboo and Rock after Zheng Xie, 1919

Wu Changshuo

Not on View
branch with blossoms extending toward left from right edge at top; irregularly-shaped rock in LRC with flowers in front

Plum Blossoms, Bamboo, and Narcissus, 19th century

Tu Zhuo

Not on View
horizontal landscape with bamboo, grasses, rocks and water, ending in a scene with snow-covered bamboo; two short text blocks at end

Bamboo Landscape, Date Unknown

Zhu Sheng

Not on View
heavy-set man seated inside a large sack; smiling man has light beard and wears dark garment, open at the chest; has storage box

Hotei Within his Sack, 1800

Kōgan Gengei

Not on View
standing robed figure with dark hair, holding a smoking incense burner

Shotoku Taishi, 1800

Kōgan Gengei

Not on View
six areas of text; dark bamboo branches and orchid with two flowers and rock at bottom left; fifteen seals

Orchid and Bamboo, 1680

Ma Shouzhen

Not on View
two sparrows on a bent millet stalk near center; three others fighting over seed on the ground at LL; millet plant at R extending to UC; flowers at R

Sparrows among Millet and Asters, first half 16th century

Geiai

Not on View
mountainous landscape with extremely tall trees in foreground; two figures in a building near bottom center; inscriptions in URC and ULC

Landscape after Wang Meng's "Noble Reclusion Among Pines and Streams", c. 1730

Xie Songzhou

Not on View

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