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%C2%A9 Jim Dine %2F Artists Rights Society %28ARS%29%2C New York

Drag: Johnson and Mao, 1967

Jim Dine; Publisher: Published by the artist & Editions Alecto, London , London

Not on View

%C2%A9 Tom Arndt

Spectators, Drag Races, New Brighton Drag Strip, Minnesota, 1974

Thomas F. Arndt

Not on View

%C2%A9 Tom Arndt

Man at New Brighton Drag Strip, Minnesota, 1974

Thomas F. Arndt

Not on View

%C2%A9 The Estate of Diane Arbus%2C LLC

A Young Man in Curlers Dressing for an Annual Drag Ball, N.Y.C., 1966 (printed 1971)

Diane Arbus; Publisher: Diane Arbus and her estate

Not on View
nude figure wearing a helmet, riding on a chariot pulled by horses in LLC, dragging a nude dead male figure behind it, with an allegorical winged figure in URQ

Achille trascina il corpo di Ettore (Achilles dragging the body of Hector around the wall of Troy), c. 1648

Pietro Testa

Not on View
man dragging body of another man in foreground; three men in URQ; outdoor scene

The traveller's body dragged into the woods, three robbers dividing the loot, from "Der barmherziger Samariter", mid-late 17th century

Jonas Umbach

Not on View

Hunter Dragging Deer, 19th century

Horace Vernet

Not on View

Winter Landscape with Children Dragging a Cart, 1845

Charles-Émile Jacque

Not on View

Moccasins, before 1940

Mrs. Drags Wolf

Not on View
Man wearing a garment with folds, standing on an elaborate staff on rolling waves; man looks up into sky over his proper left shoulder and holds a small flaming ball in his proper right hand; drag in dark clouds at upper right

Bodhidharma Crossing the Sea, 1368-1643

Unknown Chinese, 14th - 17th century

G103

four-legged dragon with long tail; lightly incised scales below a serrated spine; deeply incised facial features

Dragon, 9th century

China

G103

jar, stoneware with underglaze iron-brown dragon motif

Jar with Dragon and Clouds, 17th century

Unknown Korean

G206

boy at L, holding switch in one hand, tugs on rope attached to ox's nose, at R; ox looking towards boy but does not appear to be moving; standing on embankment

Ox and Herdboy, 16th-18th century

Unknown , Japanese; Inscriber: Inscription attributed to Nankō Sōgen

Not on View

The Dragon, 20th century

Alvin Langdon Coburn

Not on View
detailed drawing of dragon in waves

%C2%A9 Asakura Takafumi

Dragon, August 2010

Asakura Takafumi

Not on View
dramatically arched dragon body emerging from swirling black mist, face at LLC; three sharp claws are visible, the claw at LLC is clutching a golden spiral; dragon is flanked by lightning bolts; swirling cloud pattern with pink, green, and blue shading circles and frames the dragon

Dragon, 1919

Unknown Japanese

Not on View
framed; grayscale; image of a multi-headed dragon snaking across image, doubling back over a pile of human figures at LR

Dragon, 19th century

Katsushika Hokusai

Not on View
profile of dragon facing left; mouth agape; black and white pigment; dragon's head placed between solid black curving shape; loose brush stroke swooshing toward upper right corner; two untranslated stamps in Japanese characters in red ink below solid black shape

Dragon, late 18th century

Itō Jakuchū

Not on View
hippocamp seen from front, with very curly mane, slightly off-center, open mouth and long curving sea serpent tail; corners of sheet clipped

Sea Dragon, 16th-17th century

Benedetto Brandimarti

Not on View
Plate 269

Dragons, 1737

Elizabeth Blackwell

Not on View
Translucent pale green jade with brown markings at the ear of the dragon and the middle of its serpentine body.

Dragon Ornament, 480-221 BCE

China

G215

White jade, traces of red pigment; stylized dragon adorned with mu-lei-wen eye, cowrie shell design on hooked horn, spiral design on the flanges. Beveled surface, two biconical perforations, one between jaws and the other near the tail.

Dragon Pendant, 1027-775 BCE

China

G215

Pendant flat silhouette of an animal with a horn and curved back (concave) small perforation incision lines to suggest vaguely the details of the animal, on both sides, however appears to be incomplete. Ivory jade, mottled in blue traces of red pigment.

Dragon Pendant, 1600-1100 BCE

China

G103

Curved fish-like animal pendant, relief curved into almost a circle; curved outward tail forms a pendant hole; curved lip; incised details on both sides identically. Translucent pale grey jade; traces of clay-like substance; small hole drilled near the animal's jaw.

Dragon Pendant, 1027-775 BCE

China

G103

dark image of dragon flying through air towards L; flame or lightening-like forms extend from neck; waves at bottom

Dragon in Clouds, 17th century

Unknown Chinese

G103

Pendant in silhouette form of a dragon; with relief decor. Green translucent jade; the dragon silhouette can also be viewed as a symmetrical half of a t'ao t'ieh mask with long ears; both sides are decorated with double-line relief pigment; a straight cut line on the reverse side.

Dragon Pendant, 1600-1100 BCE

China

G215

The sculpture quality of these dishing beasts is admirably conveyed by their carriage, the proud pose of their heads, and the almost arrogant suppleness of their bodies. The forceful comma-shapes of the tails and their jaunty tufts, as well as the double-rope pattern on the mustachios, give ample proof that, in spite of the scale that, in these creatures must be dated later than Middle Zhou. Patina grey-green

Winged Dragon, 5th-4th century BCE

China

G103

rounded box on a short foot; carved red, green and brown lacquer; dragons in cloud forms around base and cover with dragon at top; geometric bands

Nine Dragon Box, 18th century

China

Not on View
hairpin or ornament, dragon head, double pronged, stones lost from eyes, ribbons from head, dragon's tongue lost; gold filigree.

Dragon Hairpin, 17th-19th century

China

G103

head of dragon with head at top; swirl leading down R edge; gold, floral, brocade border

Dragon [right of a pair of Tiger and Dragon], 1868

Mori Ippo

G222

Dragon [right of the pair Dragon and Tiger], 16th century

Yamada Dōan

Not on View
arc terminating in dragon heads; mounted on black cloth-covered board with L2003.116.3.2

Dragon-head Huang Plaque, 2nd-3rd century

China

G215

black and gold helmet in the form of a dragonfly, with its tail extending upward; two large gold eyes; two removable dull gold pairs of wings; thick braided purple silk cord tie at neck

Helmet in dragonfly shape, 17th century

Unknown Japanese

G219

limbless dragon with large head; bulging eyes; upturned snout; incised 'scales'; short horns

Dragon, from a set of zodiac figures, 14th century

China

G103

dark green jade; traces of claylike substance; Form of double S-shaped dragon in silhouette, ornamented with c-spiral grain pattern on surface and hooked spirals projecting from back of piece. Biconical perforation at lower arch of dragon.

Pendant in the form of a Dragon, 206 BCE - 220 CE

China

G215

pale tan jade, traces of red pigment. Curled dragon and two smaller animals in profile incised on flat circular band with slit opening. Surface covered with rope pattern. Three perforations suggesting that pendant was used as a heng.

Pendant in the form of a Dragon, 480-221 BCE

China

G215

mottled green jade with black-brown markings, partially calcified, breakage at center with visible resoration line.

Pendant in the form of a Dragon, 480-221 BCE

China

G215

white translucent jade; traces of mud and red pigment

Pendant in the form of a Dragon, 480-221 BCE

China

G215

grey-green jade, partially calcified, traces of earthlike substance

Pendant in the form of a Dragon, 480-221 BCE

China

G215

Knot opener with an ornate open work of an animal head; incision and open work. Translucent white jade with brown marks; traces of clay-like substance.

Pendant in the Form of a Xi Dragon, 475-221 BCE

China

G215

Translucent gray jade. Bracelet-shaped pendant terminating in stylized dragon head at one end and bird head at other. Rope pattern for dragon's body.

Pendant in the form of a Dragon, 475-221 BCE

China

G215

The sculpture quality of these dashing beasts is admirably conveyed by their carriage, the proud pose of their heads, and the almost arrogant suppleness of their bodies. The forceful comma-shapes of the tails and their jaunty tufts, as well as the double-rope pattern on the mustachios, give ample proof that, in spite of the scale that, in these creatures must be dated later than Middle Chou. Patina grey-green

Winged dragon, one of a pair, 5th-4th century BCE

China

G103

calcified yellowish green jade with greybrown and brown clouds accentuating the upper horizontal silhouette

Pendant in the form of a Dragon, 1027-775 BCE

China

G215

pale brown jade with brown clouds, breakage and restoration visible near the second perforation

Pendant in the form of a Dragon, 480-221 BCE

China

G215

Pale green translucent jade, traces of clay

Pendant in the form of a Dragon, 480-221 BCE

China

G103

Relief and incision. Mottled pale green jade with yellow-brown marks; both sides identically decorated with 'comma' pattern design; incision of thin lines accents projecting wings of the dragon.

Pendant in the form of a Dragon, 475-221 BCE

China

G103

translucent pale green jade with marbled black striations. Serpentine dragon in a S-curve with bifurcated, spiral hook tail

Pendant in the form of a Dragon, 475-221 BCE

China

G215

translucent green jade

Pendant in the form of a Dragon, 475-221 BCE

China

G103

wide, flaring shoulder with short, wide neck; blue and white glaze with 2 dragons, cloud forms and scrolls around neck

Jar with Dragon and Clouds, late 18th century

Unknown Korean

Not on View
large bird with long neck and long feathers, tail extended; rampant dragon; white figures on blue ground; incised details

Dragon and Phoenix Vase (Meiping), c. 1430

China

G217

white jade with pale brown mottling, traces of earthlike substance and red pigment

Pendant in the form of a Dragon, 480-221 BCE

China

G215

pale green jade

Pendant in the form of a Dragon, 480-221 BCE

China

G215

pale green jade, calicified, traces of earthlike substance; double S-shaped dragon, typical of the Warring States; restoration of the tail

Pendant in the form of a Dragon, 480-221 BCE

China

G215

dark green jade, traces of earthlike substance

Pendant in the form of a Dragon, 206 BCE - 220 CE

China

G215

Taoist figure in form of man with dragon head. Symbol of Principle of 'The Arousing Thunder' (Ch'ien) see cat. card for better description.

Dragon from Set of Zodiac Figures, 386-535

China

G103

flying dragon with curving body; long, straight tail; black mount; incised scales and details

Flying Dragon, one of a pair, 7th-10th century

China

G103

flying dragon with curving body; long, straight tail; black mount; incised scales and details

Flying Dragon, one of a pair, 8th century

China

G103

curved shape; molded and painted on a mountain-shaped body with green and rust dragons flanking a blue dragon amongst clouds and above rocks and waves

Three Dragon Brushrest, Wanli mark and period (1573-1619)

China

G103

circular disk carved on one side with dragon

Roof tile end with dragon, Date Unknown

China

G103

arc terminating in dragon heads; mounted on black cloth-covered board with L2003.116.2.2

Dragon-head Huang Plaque, 2nd-3rd century

China

G215

arc terminating in dragon heads; mounted on black cloth-covered board with L2003.116.4.2

Dragon-head Huang Plaque, 2nd-3rd century

China

G215

seated tiger with no ears visible; gold brocade border

Tiger [left of a pair of Tiger and Dragon], 1868

Mori Ippo

G222

New Testament parable (Luke 15:11-32): A lively scene showing the Prodigal Son at supper with courtesans at an inn, accompanied by servants and musicians. The room, whose light source comes from a high leaded window on the left, is filled with many still-life details and rich symbolism. In the far left corner is a four-postered bed completely enclosed by velvet drapery. On the opposite side of the room through the open doorway, a thief is being chased by an angry woman, while another figure in a second-story window empties a chamber pot onto his head. Just inside the doorway, hanging on the wall, is a wooden board used for recording the guest's food and wine bill. Having placed his red velvet cloak, plumed cavalier's hat, fur piece and sword on a nearby chair, the Son sits at the round dining table and holds out his glass for a serving boy to fill. On the right, a serving woman carrying a covered pewter platter exchanges a word with the woman whose back is toward us, while a small dog wags his tail in anticipation of receiving the table scraps. A fiddler and a flutist stand behind the table, merrily playing their instruments. On another cloth-covered table in the left foreground are a pitcher, two glasses, and several loaves of crusty bread. On the floor below is a copper wine cooler containing several bottles of wine. Nearby, a monkey, dressed in a striped coat and wearing a ball and chain, munches on an apple.

The Prodigal Son, c. 1640

David Teniers, the Younger

G312

Imperial robe of blue k'ossu with gold swastika-fret diaper ground. Nine 5-clawed dragons in gold, those in profile clutching the Heavenly Jewel. On the ground are scattered loose clouds and bats in shades of blue, green, red, pink, soft violet, olive green and yellow. Conventional border of slightly wavy stripes in gold and black threads; tight clouds; rolling waves in gold and black threads with symbols of the Eight Precious Things and branches of coral. Below border on sleve, a strip of blister ribbed black silk. Cuffs of greyed-blue K'ossu with bats, clouds, dragons etc. Note stronger violet color in cuffs which are obviously a later addition. Collar band is of black K'ossu with body designs and is edged with blue and gold brocade. Coat slit front and back and lined with thin blue silk. K'ossu badly broken on right shoulder.

Dragon Robe, Jiaqing period, 1796-1820

China

Not on View
Imperial coat of blue k'ossu with nine five-clawed dragons in gold, and the ground scattered with loosely drawn clouds and bats in shades of blue, red, green and yellow. Profile dragons grasp the Heavenly Jewel. Border of slanting, wavy stripes beneath a band of curling, tossing waves above cloud forms. Border repeated in miniature at elbows, where sleeves continue with band of dark blue ridged silk ending in cuffs of dark blue k'ossu with body motifs. Collar and front band of same blue k'ossu. Coast slit front and back and lined with thin blue silk. K'ossu torn at shoulders, elbows, and in face of big front dragon.

Dragon robe, Yongzheng period, 1723-1735

China

Not on View

Reaching for a Dragonfly, 1760s

Suzuki Harunobu

Not on View
brown dragonfly with grey wings at bottom left of center, perched on a lotus leaf; yellow lotus flower and bud and bottom; large leaf above dragonfly; two black characters and red seal near right edge, LRQ

Dragonfly and Lotus, 1920s

Ohara Shōson

Not on View
two lines of large, bold calligraphy--4 characters in each line; two red seals at left edge, below center; one red seal, URC

Dragons Growl, mid 18th century

Ryū Kōbi

Not on View

Study of a Dragoon, c. 1874-1883

Ernest Meissonier

Not on View

St. George and the Dragon, 1501–1504

Albrecht Dürer

Not on View

Bellflower and Dragonfly, c. 1833-1834

Katsushika Hokusai; Publisher: Nishimuraya Yohachi

Not on View
Imperial robe of pale coral-colored k'ossu with nine 5-clawed dragons in gold. In ground loosely-drawn clouds, Taoist emblems, long-life characters, bats clutching a garlanded double peach in their mouths, and peonies in shades of blue, green, red, pink, and grey. Four of the ancient synbols the sun, moon, constellation, and mountains appear on this robe. Border of straight slanting stripes seperated by a line of regularly disposed, tight cloud forms from over-lapping waves among which appear Buddhist emblems, branches of coral, and to each side of sacred mountain a sprouting dragon. Border repeated on sleeve above a strip of dark blue k'ossu edged in gold and bright light blue. Collar band of the same. Robe slit at sides and with thin tobacco-brown figured in silk lining. Note nine dragons embroidered for emphasis. It is suggested that this robe belonged to the empress who had a fondness for coral. (But a man's coat?) cf. 42.8.52

Dragon Robe, Jiaqing period, 1796-1820

China

Not on View
Short concubine coat of ivory satin brocaded in rose, yellow, green, shades of blue and gold. In front, on each side of opening, two rampant five-clawed, gold dragons grasping heavenly jewel. In back, one very large sitting dragon of same general type as in 48.2.1,2,3. Background of loose cloud pattern. Border of rolling waves in shades of green, blue and ivory in overlapping half-moon shapes four on each side of mountain motif. In the waves appear symbols of the eight precious things. Note small embroidered areas(restorations?) in cloud back of right armhole and dragon motif on back. Coat opens up front to round neck with narrow band of modern black and gold brocade. Same brocade borders armholes, which may have been filled in with modern sleeves of brown monotone brocade finished with blue satin cuffs, embroidered in gold. Lining of lime green figured silk. Cf.42.8.5

Dragon Jacket, Kangxi period, 1662-1722

China

Not on View
Court robe of dark blue k'ossu with nine 5-clawed dragons in gold, those in profile grasping Heavenly jewel. In ground loose cloud forms, bats, peonies, Buddhist symbols in shades of red, rose, blue, green, yellow, peach, dull mauve, and olive green. Conventional border of slightly wavy slanting stripes. Tight clouds below rolling waves in which appear Taoist symbols, a 'cash' and jui sceptre, coral. Below sleeve border a strip of midnight blue silk damask, medallion design. Cuffs and collar band of dark blue k'ossu edged with black and gold brocade. Slit back and front. Lining of blue satin damask. Much painted detail; k'ossu loose, especially in dragon area. Some mending.

Dragon Robe, Jiaqing period, 1796-1820

China

Not on View
Imperial robe of k'ossu with gold thread background and nine 5-clawed dragons in blue, those in profile grasping the Heavenly Jewel. In the ground, loosely-drawn clouds, bats, peonies, and Buddhist symbols in tones of blue, red, rose, green, brown, black, mauve. Border of slanting, straight stripes, in body colors plus yellow, toped with spray and curling waves in which appear symbols of the Eight Precious Things. Same border design on sleeve above a strip of blister ribbed dark blue satin ending in blue k'ossu cuffs with bats and universe design. Same collar band, but with coral sprays in waves. Note painted areas in waves and dragon details. Robe slit front and back and lined with thn blue silk. The k'ossu in this robe coarse, and with many breaks on shoulders.

Dragon robe, Jiaqing period, 1796-1820

China

Not on View
Imperial 12-symbol robe of yellow twilled silk embroidered, save for the nine 5-clawed dragons (couched gold thread) and certain of the 12 symbols, entriely in shades of blue with touches of white. The ground of the sky area is covered with a swastika fret diaper on which appear sprawling, white-eyed clouds, the 12-symbols, bats carrying swastikas, jui scepters, etc, and good luck characters. Border of unusually narrow slanting wavy stripes topped by a narrow strip of clouds tightly massed, and a double row of billows in which appear the Buddhist symbols and Precious Things. Note the unusual treatment of the wine cups. Robe slit at sides and lined with yellow damask with double jui medallions. Band and cuffs of blue-black satin embroidered in blue and gold.

Dragon Robe, 1851-1861

China

Not on View
Robe of blue satin embroidered with gold and silver threads couched with colored silks; green,red, blue, black. In the field; tight clouds, bats with the swastika, peonies and Taoist symbols. Conventional border of narrow, straight slanting stripes of alternating gold and sliver threads couched respectively in red and silver. Very narrow band of pinched clouds; shallow area of rolling waves in which appear Buddhist symbols of the Eight Precious Things, all in couched gold and silver threads. In the striped area of the border are large, single peony blossoms. Below border on sleeves a strip of brown satin striped with gold threads couched in red. Cuffs and collar band of black-brown satin embroidered with couched gold and silver threads in body designs. Narrow bound edges of bright blue and gold brocade. This robe has a standing collar above collar band. Robe slit at sides and lined with thin blue silk. Cuffs lined with blue damask in dragon medallion design. Note the sheen of color conveyed by the couching in colored silks.

Dragon Robe, 1909-1911

China

Not on View
Robe of medium green k'ossu with nine 5-clawed dragons in gold, those in profile grasping the Heavenly Jewel. In the ground are loose clouds, longevity characters, bats and Buddhist emblems in shades of blue, pink, red, yellow, olive green and in gold. Conventional border with straight slanting stribpes; tight clouds; rolling waves in which appear Buddhist symbols, and symbols of the Eight Precious Things. Below border on sleeve a wide deep cuff of black k'ossu with body designs. Collar band of same; both edged with brown and gold brocade. Robe slit at sides and lined with thin yellow silk. Probably a woman's robe.

Dragon Robe, 1851-1874

China

Not on View

%C2%A9 Atelier Robert Doisneau

Les Concierges Rue du Dragon, 1946 (printed 1979)

Robert Doisneau; Publisher: Hyperion Press

Not on View
Imperial 12-symbol robe of yellow k'ossu with nine five-clawed dragons in gold, those in profile clutching the Heavenly Jewel. Meander fret-work background in blue, against which appear, in addition to the 12 ancient symbols, long life characters and bats gripping he couble peach in tones of blue, pink, mauve, violet, red, olive, green, blue-green, yellow, pale green, and gold. Border of slightly wavy slanting lines body colors separated by a line of regularly disposed tight clouds from over-lapping waves in which appear swastikas, Taoist emblems and branches of coral. Border design repeated on sleeves a bove a strip of burnt orange twilled silk ending in cuffs of dark blue k'ossu of body design which are edged with band of blue and gold brocade. Collar band of the same. Robe slit at sides and lined with thin orange silk fretwork design.

Dragon robe, Qianlong period, 1736-1795

China

Not on View
red dragonfly sitting on tip of a leaf with pink flowers below it; large green leaf in UL edge

Dragonfly and Flowers, 1840s

Bun'ō

Not on View
Imperial concubine robe of rich green brocade. The sleeves have been altered to fit the wearer. Shades of blue, green, red, rose and yellow on green satin ground. Dragons in gold. Note use of imperial five-clawed dragon.

Dragon Robe, 1662-1722

China

Not on View
Court robe of loose gold k'ossu with diaper ground of blue quatrefoil enclosing narcissus(?) flower and grass green swastikas. Cf. 42.8.40 . Nine 5-clawed dragons in blue. In the ground loose clouds, bats, and Buddhist symbols in shades of blue, green, red, peach, coral, yellow, and soft violet. Conventional border of straight slanting stripes in main body colors alternating with gold threads; tight clouds; rolling waves and spray with Taoist emblems, jui, and branches of violet coral sprays. Below border on sleeve a strip of blue blister-ribbed silk. Cuffs and collar band of grey-black k'ossu with clouds, bats, etc. Edging of gold and brown brocade. Painted details. Robe slit front and back and lined with thin yellow silk. Inscription in front.

Dragon Robe, Jiaqing period, 1796-1820

China

Not on View
Imperial 12-symbol robe of pale yellow satin embroidered in satin stitch and couched gold threads. Traditional universe design with nine 5-clawed dragons in gold, a field of loose, fragmentary clouds in which appear the 12 symbols, Buddhist symbols, crimson bats carrying branches of coral, jui scepters, and other auspicious emblems and good luck characters. Deep 'hurricane wave' border in which stripes break through the waves, filled with Buddhist symbols, flowers and Precious Things. Border and cuffs of reddish purple satin embroidered in satin stitch and couching with motifs of the body. Yellow satin sleeves. Robe slit at front and sides and lined with coarse yellow silk. The violet and some red colors are aniline. This robe presents an interesting variation of the Heavenly Sea border and harks back to the Yung Cheng period in its treatment. Cf. 42.8.183 and 42.8.11

Dragon Robe, Tao Kuang period, 1821-1850

China

Not on View
Imperial 12-symbol robe of orange gauze embroidered in petit point and satin stitch. Nine 5-clawed dragons in couched gold thread. In a field of sprawling white eyed clouds,the traditional 12 symbols, good luck characters, and bats carrying swastikas and the double peach. Border of slanting stripes topped by a solid band of tight clouds and billows in which appear Buddhist symbols and Precious Things. Black gauze band embroidered in petit point with motifs of the body. Wide cuffs of the same and sleeves of paler orange gauze striped horizontally in blue. Robe slit at sides and lined with medium blue damask of peony design.

Dragon Robe, 1851-1861

China

Not on View
Imperial orange satin robe embroidered with nine gold five-clawed dragons, and double-peach and bat motifs in rose, blue, henna, green, etc. satin stitch.

Dragon Robe, 1736-1795

China

Not on View
blue ink

La drague de Dieppe, c. 1885

Henri-Charles Guérard

Not on View
maroon ground; pairs of birds in green and blue, and orange and green; woven pattern; organic leaves and scrolls throughout. Woven fabric

Peacock and Dragon, c. 1878

William Morris; Manufacturer: Morris & Co., London

Not on View

Illustration of porcelain production, from a set of twelve, 19th century

China

Not on View
parts of body of dragon visible behind clouds; open mouth at UL; gold and blue brocade borders

Dragon [right of a pair of Tiger and Dragon], 19th century

Kishi Renzan

Not on View
double snuff bottle--two disc-shaped bottles affixed together; blue ground; each bottle has a dragon on each side--yellow, grey, and two green dragons; flames and clouds on sides, top, and top of stoppers; water at bottom; one stopper has in ivory spoon

Double snuff bottle with dragon designs, Date Unknown

China

G103

wide maple bowl with wide splayed silver gilt lip; in center is a raised boss enclosing an engraved silver medallion of St. Margaret standing on a dragon

Mazer with scene of St. Margaret of Antioch and her dragon, c. 1470-1500

England

G350

large blue and white glazed jar with dragon and 4 fantastic heads; wide foot and shoulder; narrow reel mouth

Meiping vase decorated with a dragon in underglaze blue, 1426-1435

China

G103

three workmen at left working on a boat; man in ULQ standing on vertical boards; two men in LLQ standing on supporting board around edge of skeletal frame of boat; sailboats in background; high horizon line; fourth man in LLC standing on ground

%C2%A9 Estate John Edgar Platt

Building the Trawler, 1929

John Edgar Platt

Not on View
black pigment on paper; image of flying dragon, head appearing in middle center behind cresting wave; body of dragon snakes behind wave and disappears into a blackened sky; one claw reaches over wave; smaller cresting wave below dragons head; untranslated characters in LRC; red stamp below characters; circular moon shape in ULC

Dragon [right of a triptych of Taigong Wang, Dragon, and Carp], c. 1760-1780

Soga Shōhaku

Not on View

The Just Upright Man is laughed to scorn, 1825

William Blake

Not on View

The Abduction of Helen, 16th century

Marcantonio Raimondi; Artist: After Raphael (Raffaello Sanzio)

Not on View
Imperial robe, probably woman's, of sand colored satin embroidered with weight 5-clawed dragons, tight cloud forms, bats, Buddhist emblems and flowers in shades of pale blue, ivory, tan and soft brown. Border with shallow area of straight-edged slanting stripes topped with rolling waves dotted with large peony blossoms and swastika. Narrow cuffs, collar and band of brown satin embroidered with floral pattern in shades of blue and white in satin stitch. Embroidery on body chiefly of satin stitch, but dragons in couched gold, emblems, red flowers in border of knot stitch. Slit at sides and lined with sand-colored satin. Robe has a look of great age and is stained noticeably along back border.

Woman's Dragon Robe, Tao Kuang period, 1821-1850

China

Not on View
standing woman looking toward PR; hair in an updo with decorative sticks and bells; woman wears a tan kimono with white organic leaf-like designs; obi in front with dragon design in bold colors on black; red underskirt visible above PL foot at opening of kimono; ivory roller ends

Beauty with Dragon Obi, 1830s

Mihata Jōryū

Not on View
three lines of looping calligraphy; signature LLC; sage colored mount with purple and gold inner border

Poem for a Dragon Painting, late 18th - early 19th century

Minagawa Kien

Not on View

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