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Portrait.

Self-Portrait with Dr. Arrieta, 1820

Francisco JosĂŠ de Goya y Lucientes

G306

gallery installation of a fictional "period room"

%C2%A9 Mark Dion Studio

Curator's Office, 2012-13

Mark Dion

G378

suit includes helmet with praying mantis maedate (forecrest), menpo (face mask), torso covering, pair of front shoulder medallions that attach to torso covering, pair of large upper arm guards, pair of small shoulder coverings (each with a pin for attachment), pair of gauntlets with arm and hand guards, apron, pair of tsutsu suneate (leg guards), and pair of kote (boot coverings); see Components for descriptions of each piece

Red-and-blue-laced Suit of Armor from the Kii Tokugawa Family, mid 17th century

Suit by Unknown Japanese; Artist: Helmet by Saotome Iechika

G219

low relief carving of a Winged Genius, from the Northwest palace of Ashur-Nasir-Pal at Nimrud; a wide band of inscribed writing crosses the slab in the central section

Winged Genius, c. 883–859 BCE

Assyrian

G240

Executed by an Athenian sculptor of marble from the quarry at Mount Pentelicus

Crouching Lion, 330-317 BCE

Ancient Greek

G340

Black-figured amphorah, used for carrying wine or oil; the front side depicts a quadriga with Poseidon, Amphitrite, another unidentified goddess, and heroenes; on the reverse and around warrior appears to be leaving for battle, with his wife and son bidding him farewell

Black-Figure Neck Amphora, c. 540 BCE

Attributed to the Painter of Vatican 359

G241

ritual beadwork with face and sixteen birds mounted on the crown; long fringe hangs from crown

Crown, about 1920

Yoruba

G236

Yet Belt, leather, shells, beads, twine, Zaire, Kuba Tribe

Royal belt, mid 20th century

Kuba

Not on View

The Annunciation, 1742

Agostino Masucci

G308

long cylinder, ends conical shaped; alligator stands along top facing drum surface; sets of triangular shapes adorn sides and bottom, used to support drum when rope is strung through; low relief carving over body and alligator painted with black field and white recesses

Hand drum (kundu), 20th century

Iatmul

G256

Portrait Sculpture of Priest Gyōki, early 17th century

Unknown Japanese

G220

Neoclassical marble-top table; corresponds exactly to one of the engravings in Piranesi's volume of designs for furniture, I Cammini (1769)

Pier table, c. 1768

Giovanni Battista Piranesi

G307

The Fugitives, c. 1868–70

HonorĂŠ Daumier

G354

Carved stone yoke with design of a crouching man, his head in the jaws of a monster, gripping a snake. The corners are finished with men's heads in monster's jaws. Serpentine.

Yoke, c. 600-900

Nopiloa (Veracruz)

G260

Religious. New Testament. Jesus Christ seated wearing a crown of thorns, meditating quietly on the Passion. Cross building tools are on the floor surrounding him (hammer, awl, nails and broom).

Man of Sorrows, c. 1560

Luis de Morales (called El Divino)

G341

%C2%A9 Succession H. Matisse %2F Artists Rights Society %28ARS%29%2C New York

Boy with Butterfly Net, 1907

Henri Matisse

G371

Tomb figurine, one of a pair, representing a Civil dignitary. the type is individualized, and the features indicate that this person was of Khotanese origin. The figure made in a mould, is solid. The grey clay body, covered with a white slip, is painted with unfired pigments flesh tints, green, blue, gold. Details of the figure were completed by hand.

Tomb Figurine, one of pair, late 6th century

China

G208

seated male baboon with its front paws on its knees and its tail wrapped along the PR side of its body; turquoise blue

Baboon (Moon God Thoth), 7th - 6th century BCE

Ancient Egyptian

G250

man with thick belly, seated cross-legged on a platform; man wears crown, beaded necklace and holds flower in each hand; flames or flower behind head on architectural element

Deified King, late 10th century

Cham

G213

tapering from wide base; face with protruding eyes, open mouth, protruding forehead; very large fox-like high ears; looping "handle" on back of head; separate snake head may have originally protruded from mouth; pink with black linear designs

Mask, 20th century

Sulka

Not on View
curved; each clapper in the shape of a thin human arm and hand with long, thin fingers; incised bracelets at each wrist with linear patterns; ivory colored with some tan spotting

Pair of clappers, about 1550-1292 BCE

Ancient Egyptian

Not on View
Jar, wide-mouthed, in the form of a double-headed snake. Deep, flaring neck with a band of puma heads below the rim. Painted in polychrome. Rim chipped.

Jar, 11th-14th century

Nasca

G260

standing figure of green jade; short legs and short arms; frowning expression; wide nose; large incised blank eyes; pierced ears

Figure, 900-300 BCE

Olmec

G255

three bodies in a landscape with bare shrubs and small, short clumps of foliage with white and yellow flowers; body in foreground is face down with bare back and PL arm, with hand grasping tuft of flowers; bare legs of body at left; head and torso visible in bushes at center; two white butterflies at top, left of center; received framed and glazed with glass

The Bottom of the Ravine at Inkerman, 1855

Edward Armitage

G357

Dignitary, probably a civil counsellor. Glazed pottery tomb figure, one of a pair, mounted on a stand. The costume is predominantly brown with details in mottled colors. Head, headdress and hands unglazed.

Tomb retinue, early 8th century

China

G208

Ewer, with pheasant's head stopper. Pear-shaped body, with tapering short neck and short spout, on domed, spreading foot. The removable stopper, in the form of a pheasant's head, is modelled in full relief with carved details, the double strand handle is also modelled. Buff white porcelain with even, creamy-white glaze.

Ewer with Pheasant-Head Stopper, 8th century

China

G204

One of two jars Japan’s first ceramic culture, the Jōmon, produced strongly tactile pottery over 3,500 years ago. This lavishly decorated bowl was probably used during religious ceremonies. Its flamboyant rim, a typical feature of the middle period of Jōmon pottery, is known as the “fire-flame” type, because the coils of clay resemble leaping flames. The word jōmon, after which the historical period is named, means “cord markings” and derives from the distinctive patterns produced by rolling a rope-wrapped stick across the surface of the clay. The lower portion of this vessel bears these markings, together with whimsical designs carved into the surface of the clay.

Deep Bowl with Four Projections, 2500-1500 BCE

Unknown Japanese

G205

Landscape.

Tornado over St. Paul, 1893

Julius Holm

Not on View
Tomb figurine, one of a pair, representing a Civil Dignitary. The type is individualized, and the features indicate that this person was of Khotanese origin. The figure is mould-made of grey clay, with a white ground, and painted, pigments flesh tints, red, green, blue, and gold. The figure is solid, the details being completed by hand.

Tomb Figurine, one of pair, late 6th century

China

G208

Guardian of one of the quarters of the Buddhist heaven. Glazed pottery tomb figure, one of a pair, dressed in armor and standing on a kneeling bull. A fine blue predominates in color scheme, with details in white, brown, mottled green and yellow. Elements of Sassanian design appear on the armor. Head, phoenix headdress, and hands unglazed.

Tomb retinue, early 8th century

China

G208

Louis-Philippe, King of the French, Ferdinand Philippe Louis Charles Henri, Duc d'OrlĂŠans, and Louis Charles Philippe RaphaĂŤl d'OrlĂŠans, Duc de NĂŠmours.

Louis Philippe (1773–1850), King of France, and his Sons, the Duke of Chartres and the Duke of Nemours, c. 1830–1832

Baron François-Pascal-Simon GÊrard

G305

Portrait. Former stretcher for the canvas to this piece is on R7A1.3 MS.

Mrs. T. in Cream Silk, No.2, 1920

George Bellows

Not on View
ritual divination object in the form of an elephant

Itwomba, 19th-20th century

Kuba

Not on View
iconography either a snake or a bird

Pambadam Earrings, 19th-20th century

India

G211

Side table, late 17th century

Attributed to Giovanni Paolo Schor (born Johann Paul Schor)

G310

A Colonial Wood Beaker, A.D.1470-1560 of flaring shape painted in ochre, reddish orange and pale green with a procession of weapon-bearing Inca dignitaries, each clothed in a cape and feathered headdress, followed by two European-attired personages.

Vessel, c. 1470-1560

Inca

Not on View

Art-glass panel for a bay window, 1909

William Gray Purcell; Maker: E. L. Sharretts (working for Pittsburgh Plate Glass Co.)

G300

Helmet Mask, wood and hair, full head tilted slightly upwards, fully scarified face and geometrically shaven head.

Mask, 1950s

Makonde

G254

Vessel, engraved earthenware, Hodges, Arkansas, North American XIIIc., with black metal stand

Bowl, 1250-1499

Mississippian

Not on View
Seated female figure, legs missing, wearing a short apron-like garment terminating at the knees. Upper body clothed in a laced jerkin suggested by applied rolls of clay. Wide bands of clay form a turban headdress and wristlets. A thick roll of clay with ball pendant makes the necklace and a ball of clay serves as a nose ornament. There are traces of painted bands around the eye sockets, and around the slit mouth. Ear plugs and rings. The hands, resting on knees, are sketchily modeled. Restored at neck.

Figure, 500-799

Nopiloa (Veracruz)

G255

Boy seated in front under a tree with a yoke, buckets, and a jug, pointing to Tobias and the Angel walking on the right.

Shepherd Boy Pointing at Tobias and the Angel, c. 1625–30

Abraham Bloemaert

G312

Initiation mask, 20th century

Suku

G254

Vase in the from of a chieftain with ear plugs and large headdress. Arms bound in back indicate the status of a prisoner.

Vessel, 6th-8th century

Moche

Not on View
beaded overall, including soles; blue beaded ground with triangles and squares in white, red, dark blue, green, yellow and black; fringe at heel, plain tongue; tie at front

Moccasins, c. 1880-1910

A'aninin (Gros Ventre)

Not on View
ladle with slightly concave bowl, handle carved with animal image

Ladle, 19th century

John Young Bear

Not on View
Balls of wrapped thread on a board a)Purple, magenta, orange, and green yarns wrapped in black thread H.3 x Dia.5-1/2 in; b)Green net wrapped in orange and yelow thread; H.2-1/4 x Dia.5-1/4 in. c)Paper, blue fabric tape wrapped in bright orange thread; H.3-1/2 x Dia.6-1/2 in. d)Burgundy fabric, ocher yarn wrapped in maroon and violet thread; H.2 x Dia.5 in. e)Olive and teal yarn wrapped in brown thread; H. 2-1/2 x Dia.6-3/4 in f)Lavendar and maroon fabric wrapped in navy thread; H.2-1/2 x Dia.5-3/4 in g)cerise fabric werpped in red and purple thread; H.2-3/8 x Dia. 3-3/4 in h)blue fabric and orange net wrapped in red and peach thread; H.2 x Dia.4 in i)hunks of white thread wrapped in orange yarn; H.2-1/4 x Dia.5-1/2 in j)plaid fabric wrapped in orange, purple and maroon thread; H.1-3/4 x Dia.4 in. k)white fabric and maroon ribbon wrapped in purple and maroon thread; H.1-1/2 x Dia.3 in. l)orange fibers wrapped in light blue thread; H.1-3/4 x Dia.5 in. m)orange thread and fabric wrapped in purple thread and purple ribbon; H.1 x Dia.2-5/8 in n)pink, green fibers wrapped in purple thread; H.7-8 x Dia.2-1/4 in o)blue fabric wrapped in orange thread; H.1 x Dia.2-1/4 in p)orange and green yarn wrapped in white thread; H.2-1/4 x Dia.5 in q)light green yarn wrapped in yellow thread; H.2-1/4 x Dia.5 in r)magenta and natural yarn wrapped in white thread; H.2-1/2 x Dia.5 in s)green, yellow and brown yarn wrapped in yellow thread; H.2 x Dia.4-1/2 in t)orange and white wrapped thread; H.2-1/8 x Dia.5-1/2 in u)table top for display; H.1/4 x W.30-1/2 x D.15-1/4 in

Copyright %C2%A9 Sheila Hicks. All rights reserved.

Family Treasures, 1991

Sheila Hicks

G303

triptych; three panels of computer printout paper with side roller track intact; running horse with Native American rider, a running Euro-American is in front of horse, carrying a piece of paper with writing and saying the name of a Native American tribe; movement to the left

%C2%A9 Lakol 1995 %28Cultural Copyright%3B Lakol%3B of the Lakota Culture%29

Anthropology: We're Not Your Indians Anymore, 1995

Wanbli Koyake

Not on View
two large central orange amber beads flanked by large group of stringed beads; coins mounted to hanging arms and smaller orange amber beads

Necklace (tasdit), early 20th century

Ida ou Semlal Amazigh (Berber)

G254

dish (attributed to John Simpson), ceramic, English, XVIIIc cat. card dims diam 11-1/4'

Charger, c. 1715

attributed to John Simpson

G331

Longquan celadon lotus bowl, has own storage box

Bowl, 12th-13th century

China

G204

three sheets of bark joined and attached to a wood frame construction on back; seated female figure depicted, body bordered by a banded line; fringe border around exterior of panel; hands up at sides; five hoops hanging from each ear; tongue stuck out

Mortuary Panel, 20th century

Tshuosh (Sawos)

Not on View
pitcher form with pulled handle and spout; wide mouth; plate-shaped lid; glazed grey overall with underglaze iron floral patterns in brown

Ewer with floral design, 12th-13th century

Unknown Korean

G206

standing male figure carved from board; carved on one side; relief carving at interior, appearing to represent bone structure and colored with white pigment; hole at top of head for hanging

Bioma Figure, 20th century

Papua New Guinea

G256

ebony hinge covered box with scroll feet; ivory inlay of geometric floral patterns; side adorned by two panels, floral background with unique pairs mirroring each other banding around each field with inlaid agate cabochons at corners and sides; burlwood interior with seven ivory medallions

Coffer, 1873

Giovanni Battista Gatti

Not on View
Pot in form of Fish with a double spout handle rising from the back. Slight modelling on head, tail, and fin area. Other features painted in grey, black, yellow, red and white. Broken at tail; cracked around head.

Vessel in the Form of a Fish, c. 100 BCE - 600 CE

Nasca

G260

Judith with the Head of Holofernes, 1750

Ignazio Collino

G324

Tripod effigy vessel, large, with the head of a jaguar in high relief. Two legs, finished at the base of the neck with rigid ring handles formed of the jaguar's front legs, represent the hind legs and are pierced and contain pellets. The third support, in the form of a flattened tail, emerges from the back of the vessel. The jaguar head, an oblong, bib-like area below, the legs, and a wide band at the throat, are painted in polychrome with geometric designs on an orange ground. High polish.

Vessel, c. 1100 - 1200 CE

Guanacaste

Not on View
Carved wood and gilded console top is of breche d'Aleppe marble; frame and stretchers covered with a profusion of ornament; legs in front are double - all entwined with laurel. The stretcher supports a large classical vase with a Greek border surmounted with an acorn finial and draped with floral garlands and laurel sprays. On every part of the table are eloborate floral swags. Louix XVI period.

Console table, c. 1775-1800

Italy (?)

G310

black pot representing Corn God, surrounded by ears of corn; cracked

Vessel, 11th-15th century

Chimu

G255

A piece from the tapestry cycle woven for Marie de' Medici, The Stories of Queen Artemisia, based on an epic account by Nicolas Houel; weaving attributed to the workshop of Lucas Wanderdalle in the Faubourg Saint-Marcel manufactory of Marc de Coman and François de la Planche; warp undyed wool, 6½-8 ends per cm., weft dyed wool and silk, 20-48 ends per cm.

The Queen Distributing the Booty, designed 1562–1565 (woven 1611–1627)

attributed to Workshop of Lucas Wandandalle at the Faubourg Saint-Marcel manufactory of Marc de Comans and François de la Planche; Delineator: Central design by Antoine Caron; Designer: Border design by Guillaume DumÊe; Designer: Border design by Lauren Goyot; Cartoonist: Central cartoon by a painter active in France; Designer: Border design and cartoon by Guillaume DumÊe and Laurent Guyot

Not on View
Earth Spirit with human head and removable flame halo. ca. 725 A.D. Glazed pottery tomb figure, one of a pair, on a deep cylindrical base with mottled glaze. The figure is predominantly blue, with white areas. Head and halo unglazed.

Tomb retinue earth spirit, 8th century

China

G208

Horse with long mane and clipped tail. ca 725 A.D. Glazed pottery tomb figure, one of a pair, on a flat base. The decoration of the trappings is in the Sassanian style. Glaze predominantly a fine cobalt blue which has oxidized on the hind legs to an irridescent silvery-blue. Saddle and top saddle pad unglazed.

Horse, early 8th century

China

G208

Copyright %C2%A9 Dag Alveng %2F Courtesy Deborah Bell%2C New York

Maureen and Oscar II, 1981

Dag Alveng

Not on View
Guardian of one of the quarters of the Buddhist heaven. ca 725 A.D. Glazed pottery tomb figure, one of a pair, wearing armor and standing on a kneeling bull. The costume is predominantly blue in tone, but there is much use of mottled yellow, brown and blue in the skirt sections. Elements of Sassanian design in armor. Head and phoenix headdress unglazed.

Tomb retinue guardian, early 8th century

China

G208

Earth Spirit with lion's head. ca. 725 A.D. Glazed pottery tomb figure, one of a pair, on a cylindrical base with mottled glaze. The figure is predominantly blue and white with patches of yellow and malachite green.

Tomb retinue earth spirit, 8th century

China

G208

Camel, Bactrian type, with blanket and saddle bags. ca. 725 A.D. Glazed pottery tomb figure, one of a pair, on a flat base. Glaze predominately brown and yellow with mottled areas of blue, green, yellow and brown in the saddle-bags and blankets.

Camel, early 8th century

China

G208

Camel, Bactrian type, with saddle blanket with Sassanian decoration. ca. 725 A.D. Glazed pottery tomb figure, one of a pair, on a flat base. Glaze predominately brown and yellow with mottlings of blue, green, and yellow.

Camel, early 8th century

China

G208

Art-glass panel for a bay window, one of six, 1909

William Gray Purcell; Maker: E. L. Sharretts (working for Pittsburgh Plate Glass Co.)

G300

wood cut into shape of miniature rifle; decorated with carved lines on one side and five thunderbirds on other side; ribbons tied to rawhide ties in holes at barrel end and at hammer area

Miniature Gunstock War Club, c. 1860

Anishinaabe (Ojibwe)

Not on View

Tapa Cloth, 19th century

Society Islands

Not on View
diamond-shaped head; upper part decorated with five fields of zigzags in various patterns; smooth handle with hole for hanging on bottom

Battle Club, c. 1820

Tonga Islands

Not on View
flat rectangular base with horizontal open cylinder above, supporting a wide rectangular top

Neckrest, 19th century

Fiji Islands

G256

cizhou painted pottery dish; flowering plant in green and red, banding of red borders, design inside rim, has own storage box

Dish, 13th century

China

G204

silver claret jug with hinged cover; overall floral motif, highly decorative, large upside down heart at each side, raised cobra forms the handle, hinge and central decorative element on top of the cover

Claret Jug, c. 1890

India

G211

Horse with clipped mane and tail. ca 725 A.D. Glazed pottery tomb figure, one of a pair, on a flat base. The trappings, including double saddle pads and a saddle draped with a knotted cloth, are decorated with Sassanian motifs. Brown glaze with patches of manganese in oxidized areas.

Tomb retinue horse, early 8th century

China

G208

Large oval jar with the neck representing a human head. The face is slightly modelled, with nose and chin in full relief, but with eyes and hair painted. The upper section of the jar is painted to represent a poncho worn over the shoulders. The poncho is striped vertically in dark brown, rust, and cream on the front and in the back in stripes of dark brown only, possibly to represent the hair of the figure. This jar is interesting as illustrating the manner in which ponchos were worn. Late Nazca per Schoeler--MWS.

Jar, 3rd century BCE - 6th century CE

Nasca

G255

Religion: NT. Triptych, center panel gabled; wings together form gable. Madonna and Child with Paul, Peter, Catherine and Helena. Francis. Miracles. Stigmatization of Francis in retreat on Mount Alverna. Annunciation. Mary, usually reading, is visited by the Angel. Crucified Christ with Mary and John the Evangelist. Central panel Madonna and Child enthroned; the child stands in his mother's lap facing her, his arms extended; the Virgin looks at him with a half smile; she wears a red lined blue mantel over a dark red gown; back of throne decorated with slender arabesques on scarlet ground; to left of throne stands St. Helen and St. Peter, to the right St. Catherine and St. Paul; the colors of their robes are ivory, rose, mauve, gold, dull green; gold leaf background; left wing St. Francis Receiving the Stigmata; dull mauve robe; angel's drapery scarlet; gold background; right wing Crucifixion; Mary in black standing at foot of cross; gold leaf background; Pinnacles The Annunciation, Virgin's robe black against scarlet background with decorative motifs of throne, angel, diaphanous rose drapery against gold leaf background; panels bordered with incised motif, haloes bear incised decoration; gold background brilliant, colors fresh. Unsigned.

Madonna and Child Enthroned with Saints, 1339

Bernardo Daddi

G343

circular fluted front legs; scrolled upper back splat; arms fluted and curl under in front; caned seat panel which removes

Armchair, one of a pair, c. 1810-1830

India

G209

Copyright of the artist%2C artist%27s estate%2C or assignees

Opening Night in Lehmiche's Barn, 1945

Audrey Freeman

G353

Dignitary. Military leader. Glazed pottery tomb figure, one of pair, mounted on a stand. The costume includes a blue robe, pleated brown skirt and white underskirt. Head and headdress unglazed.

Tomb retinue, early 8th century

China

G208

Giovanni Volpato, Europa and the Bull,Bisque, ceramic-porcelain, Italian, XVIII c. cat. card dims 10-1/2 x 9-1/4 x 7-1/4'; no photo. on card; neg. no. 14-265.1.4

Europa and the Bull, 1790s

Giovanni Volpato

G310

winter night scene with snow, trees and bridge in foreground; bright lights at base of buildings in background.

%C2%A9 Estate Adolf Fassbender%2C Fassbender Foundation

The White Night, 1932

Adolf Fassbender

Not on View
circular fluted front legs; scrolled upper back splat; arms fluted and curl under in front; caned seat panel which removes

Armchair, one of a pair, c. 1810-1830

India

G209

two otter hide tubes with hide tassels and long beaded and hide-detailed pendants; cross-body shoulder strap of red and blue felt with blue and white beads and bells; geometric beading in mostly triangular shapes

Bow Case and Quiver, c. 1885

ApsĂĄalooke (Crow)

Not on View

%C2%A9 Arthur Luiz Piza %2F Artists Rights Society %28ARS%29%2C New York

Equilibre rouge (gray variant), 1967

Arthur Luiz Piza

G255

%C2%A9 Arthur Luiz Piza %2F Artists Rights Society %28ARS%29%2C New York

The Green Cosmos, 1969

Arthur Luiz Piza; Publisher: La Hune, Paris

G255

Kiss of Judas: accompanied by soldiers with torches and lanterns, he kisses Christ. The scene is described in the Bible: Matthew 26:51, Mark 14:47, Luke 22:47, John 18:3-10 (Then Simon Peter, having a sword, drew it and struck the high priest's slave (Malchus) and cut off his right ear." John 18:10)

The Betrayal of Christ, c. 1618–1620

Anthony van Dyck

G313

Stoup (holy water basin), c. 1715

Giovanni Giardini da Forli

G308

Pendant, c. 800 - 1100

Veraguas

G255

Gourd-shaped with lid; spade-shaped protrusion with opening on top of ewer handle; top of curl on lid handle is gilded; has lidded wooden box

Ewer in the shape of a gourd, 12th century

Unknown Korean

G206

Genre. Unsigned.

The Birthday Party, 1885

John Singer Sargent

G303

Plate CLXVIII, Restruck on Vellum, from "Histoire des Insects de l'Europe", 1730

Maria Sibylla Merian

G209

ornamental engraving, black and white

Feste Bacchique, 1729-1731

Antoine Watteau; Engraver: Jean Moyreau

G317

The Element of Water, c. 1576-1577

Francesco da Ponte (Francesco Bassano); Artist: Jacopo da Ponte (Jacopo Bassano)

G340

organic, curving, turned wood-like form with central open spaces; reddish finish

%C2%A9 2003 Tony Cragg

Pulse, 2003

Tony Cragg

G380

portrait of Diana with light brown curly hair in an updo with some loose curls in front, wearing a gold and silver headdress, earrings with clear drops and an armlet with a large green gem and pearls; figure is bare-breasted and wears a pinkish-red garment and holds a spear on a staff with a pinkish-red tassel

Diana as Goddess of the Hunt, 1607

Cornelis Cornelisz. van Haarlem

G311

abstract painting that resembles image of human figure composed of geometric shapes in black, orange, yellow and white; figure is holding weapon in PL hand with arm raised; dead white bird in center; PR hand of figure is around neck of bird; bird rests atop stylized column; blue circle in upper left quadrant

%C2%A9 Estate of Charles Alston

Symbol, 1953

Charles Alston

G376

a. body; b.right arm; c. left arm; d-g. nails. [Culture formerly "Probably Sevilla, Spain" - FLB, 03/15/2016]

Corpus, c. 1700

Master of Guadalcanal

G341

hexagonal Box with lid, red lacquer. Flat top incised with two phoenix in flight among flowering peonies on a cell pattern ground; sides with shaped reserves of confronting dragons on key fret ground. Qianlong six character mark.

Hexafoil Box, 1736-1795

China

G210

Yao-Chou celadon bowl, porcelain, carved lotus design.

Bowl, 960-1279

China

G204

Feast Bowl with Bear Effigy, carved wood, North America, Sioux

Feast Bowl, c. 1850

Chahiksichahiks (Pawnee)

Not on View
Landscape with two children in foreground walking next to a fence; three other figures with butterfly nets in middleground

The Butterfly Catchers, 1900-1908

Theodore Wendel

Not on View
Lozenge-shaped body with short flaring neck and small foot; slightly more rounded on one side; brown glaze with slight tan streaking

Flask, 15th century

Unknown Korean

G206

Flat, circular body; greenish white glaze; has lidded wood box

Flask, 17th century

Unknown Korean

G206

standing Buddha in robe; one knee bent slightly, arms bent but missing; standing on small stone base with figures and a Buddha in high relief

Buddha, 3rd century

Pakistan

G200

circular inlaid table with four footed pedestal base; central square organic motif with banding of meandering pattern and waves; circular design with harp and wind instruments crossed at center of each side of square; outer band of floral pattern on dark ground

Etruscan table, 1872

Alexander Eugène Prignot; Maker: Jackson & Graham

Not on View
green shirt that buttons on one side under sleeve; upper portion of shirt is embroidered on front and back; sleeves are completely covered with embroidery

Shirt, 20th century

Miao

G210

rectangular cloth folded in middle; when folded, the top of each flap is embroidered with fuchsia flowers; back side is made of light pink fabric with floral print; both flaps have blue tassels; tassels are white in the middle

Apron, 20th century

Miao

G210

black rectangular cloth with fuchsia embroidery at each edge on opposite sides of cloth

Hat, 20th century

Miao

G210

five layered rectangle top layer has six bands of embroidery work alternating fuchsia with black and fuchsia; one long blue string runs across a side of rectangle

Front Apron, 20th century

Miao

G210

Skirt, 20th century

Miao

G210

thin ivory fabric with sheer and opaque stripes; light green embroidery in a leafy motif around edges; trim with fringe on both short sides; short green fringe on one side

Woman's ceremonial hand towel, 19th-20th century

Morocco

Not on View
figure in URC holding a rope attached to a basket which is in the water below (in LLC)

God of Thunder and His Drum, 18th-19th century

Attributed to Katsushika Hokusai

Not on View
white with fringe on both short sides and around corners; multicolored embroidered bands at both short sides, corners and center of short sides with colored pompoms. Surface ornamentation (Needlework)

Amendil, 20th century

Ait Ammeln Amazigh (Berber)

Not on View
two women sitting against house lower right; onion domed church in background; large clouds

%C2%A9 Estate Adolf Fassbender%2C Fassbender Foundation

After Service, 1964

Adolf Fassbender

Not on View
large half of sphere on left; white pointed monument in center and half sphere formed by roof line on right.

%C2%A9 Estate Adolf Fassbender%2C Fassbender Foundation

Dynamic Symbol, New York World's Fair, 1939

Adolf Fassbender

Not on View

%C2%A9 Estate of Josef Sudek %2F Divadelni a Literarni Agentura %28DILIA%29

Untitled, c. 1950

Josef Sudek

Not on View
two old men in hats on bench: one with beard and walking stick, one with pipe and umbrella.

%C2%A9 Estate Adolf Fassbender%2C Fassbender Foundation

The Octogenarians, 1964

Adolf Fassbender

Not on View

%C2%A9 Joseph E. B. Elliott

Bethlehem, Pennsylvania, 1986

Joseph E. B. Elliott

Not on View

%C2%A9 Charles Arnoldi. All rights reserved.

Untitled, 1971

Charles Arnoldi

Not on View
#1121 Former Classification: Textiles - Tapestry

Temple hanging, 18th century

China

Not on View

Copyright of the artist%2C artist%27s estate%2C or assignees

Comic Page, before 1945

Leon Sorkin

Not on View
Large portrait head jar with stirrup handle. The face is powerfully modelled with full lips, straight nose, and strongly marked eye sockets. Disk earrings hang from pierced ear lobes. The face of the figure, with the exception of a thin line outlining the eye-socket, is painted brick red. The remainder of the jar is the pale terra cotta color of the body clay. Spout of handle restored.

Portrait head jar, Date Unknown

Moche

Not on View
Tripod bowl ornamented with mask and wings of bats at the top of the legs. Legs hollow, with pellets, and slit vertically in front. Two small rigid ring handles with incised lines. Narrow band of incised lines around outer neck.

Tripod bowl, 10th-14th century

Panama

Not on View
Plate 51

Jupiter et Danäe, Jupiter amoureux . . ., 17th century

Stefano della Bella

Not on View

%C2%A9 Pierre Alechinsky %2F Artists Rights Society %28ARS%29%2C New York %2F ADAGP%2C Paris

Droit de regarde, 1968

Pierre Alechinsky; Publisher: La Hune, Paris; Printer: Jean Clerte , chez P.A. a Bougival

Not on View
Plate 44

Latone et les Paysans, Latone portant . . ., 17th century

Stefano della Bella

Not on View
Plate 46

Deucalion et Pyrrha, Estant demeurez . . ., 17th century

Stefano della Bella

Not on View
Plate 53

Arion, Excellent musicien . . ., 17th century

Stefano della Bella

Not on View

Saint Francis Receiving the Stigmata, 1586

Agostino Carracci

Not on View

%C2%A9 Sandra Kraskin

Amish Intersection, 1976

Sandra Kraskin

Not on View

Jupiter and Io, 18th century

Edouard Gautier-D'Agoty; Artist: after Correggio (Antonio Allegri)

Not on View

Le Charenton MinistĂŠriel, 1832

HonorĂŠ Daumier

Not on View
Plate 22

Dedale et Icare, Dedale estant . . ., 17th century

Stefano della Bella

Not on View

(Nakamura Utaemon II as Ishikawa Goemon, Mimasu Daigorō IV as Mashiba Hisayoshi), 19th century

Utagawa Hirosada

Not on View

%C2%A9 Estate of George Grosz %2F Licensed by VAGA at Artists Rights Society %28ARS%29%2C NY

A Face in the Crowd, 1932 (printed 1977)

George Grosz

Not on View

%C2%A9 Estate of George Grosz %2F Licensed by VAGA at Artists Rights Society %28ARS%29%2C NY

Young American, 1932 (printed 1977)

George Grosz

Not on View

%C2%A9 Estate of George Grosz %2F Licensed by VAGA at Artists Rights Society %28ARS%29%2C NY

Matrosen, 1932 (printed 1977)

George Grosz

Not on View

%C2%A9 Estate of George Grosz %2F Licensed by VAGA at Artists Rights Society %28ARS%29%2C NY

Double-Decker, 1932 (printed 1977)

George Grosz

Not on View

%C2%A9 Estate of George Grosz %2F Licensed by VAGA at Artists Rights Society %28ARS%29%2C NY

Remembering, 1932 (printed 1977)

George Grosz

Not on View

%C2%A9 Estate of George Grosz %2F Licensed by VAGA at Artists Rights Society %28ARS%29%2C NY

New York, 1932 (printed 1977)

George Grosz

Not on View

%C2%A9 Estate of George Grosz %2F Licensed by VAGA at Artists Rights Society %28ARS%29%2C NY

Shoeshine, 1932 (printed 1977)

George Grosz

Not on View
blue geometric form with central area with pink and black checkerboard; small pink linear geometric form at top center; orange linear form at bottom L; pink lines and smudgy notations and marks in background

%C2%A9 John Newman

Zwischen Punkte (Between Points), 1985

John Newman

Not on View
Plate 39

Hippomene et Atalante, Atalante ne se voulant..., 17th century

Stefano della Bella

Not on View

%C2%A9 Estate Adja Yunkers

Second Dream of the Infanta Isabella, 1973

Adja Yunkers

Not on View
Plate 5

The Woman on the Beast, 1914

Natalia Sergeevna Goncharova; Publisher: V. N. Kashin, Moscow

Not on View
Plate 3

The British Lion, 1914

Natalia Sergeevna Goncharova; Publisher: V. N. Kashin, Moscow

Not on View
absract

%C2%A9 Suzuka Yoshiyasu

Poem 69-013, 1969

Suzuka Yoshiyasu

Not on View

Kataoka Gadō ll and Arashi Rikaku ll as the Rokubu Pilgrims, 19th century

Utagawa Hirosada; Publisher: Kawane

Not on View

Cover from War: Mystical Images of War, 1914

Natalia Sergeevna Goncharova; Publisher: V. N. Kashin, Moscow

Not on View
Plate 4

The French (Gallic) Rooster, 1914

Natalia Sergeevna Goncharova; Publisher: V. N. Kashin, Moscow

Not on View
Plate 8

Holy Vision (Apparition), 1914

Natalia Sergeevna Goncharova; Publisher: V. N. Kashin, Moscow

Not on View
Plate 4

Mars, Fils de Jupiter et de Junon..., 17th century

Stefano della Bella

Not on View

Portrait of J. B. Isabey, 1858

Paul Gavarni (Sulpice-Guillaume Chevalier)

Not on View

%C2%A9 Estate of Adolf Arthur Dehn

Minnesota Farm, 1946

Adolf Dehn

Not on View
Plate 2

Por Temor no Pierdas Honor (Do not lose honour through fear), 1816-1819

Francisco JosĂŠ de Goya y Lucientes

Not on View

Spring, 1920's Marchbanks, c. 1920

Arthur Allen Lewis

Not on View
binding: maroon leather with gold lettering and designs after Grasset; endpapers: colored marbled

Histoire des Quatre Fils Aymon, Très Nobles et très Vaillons Chevaliers, 1883

Charles Gillot; Artist: after Eugène Samuel Grasset; Author: Renaud de Montauban; Publisher: H. Laurette, Editeur, Paris

Not on View
still life

%C2%A9 Hwang Kyo-Baik

Wood, Paper and Stone, 1979

Hwang Kyo-baik

Not on View
spraying fire hydrant at bottom center; boy standing in front of a girl, with their heads up and turned to PR, away from spray

%C2%A9 Leonard Freed %2F Magnum Photos %E2%80%93 All rights reserved

Fire Hydrant, Harlem, 1963

Leonard Freed

Not on View
soldier's body lying face down on top of the edge of a foxhole; barbed wire in background; dark

Dawn, France, 1918

Fred R. Archer

Not on View
recto: dynamic scene with Jesus ascending from closed tomb at top right of center, carrying a cross; angel at center seen from back, pointing to falling soldiers in LRC; soldiers with shields and dog, LLC; three figures near a gateway, ULQ; verso: very light sketch of same composition as front

The Resurrection, late 16th century

Joos van Winghe

Not on View
slightly foreshortened putti with arms spread wide, leaning backwards; sketchy, unfinished wings; two sketchy studies of children, LLC

Study of Putti, c. 1598-1602

Attributed to Annibale Carracci

Not on View
Linocut with letterpress on John Koller Special HMP handmade paper; housed loose in a black buckram and paper portfolio; cover also features a linocut on Japan paper by the artist.

%C2%A9 David Rathman %2F Amos Tutuola %2F Vermillion Editions Ltd.%2C Minneapolis%2C publisher

Page from Adventures in the Burning Bush, 1987

David Rathman; Author: Amos Tutuola; Publisher: Vermillion Editions Limited, Minneapolis

Not on View
Linocut with letterpress on John Koller Special HMP handmade paper; housed loose in a black buckram and paper portfolio; cover also features a linocut on Japan paper by the artist.

%C2%A9 David Rathman %2F Amos Tutuola %2F Vermillion Editions Ltd.%2C Minneapolis%2C publisher

Page from Adventures in the Burning Bush, 1987

David Rathman; Author: Amos Tutuola; Publisher: Vermillion Editions Limited, Minneapolis

Not on View
Linocut with letterpress on John Koller Special HMP handmade paper; housed loose in a black buckram and paper portfolio; cover also features a linocut on Japan paper by the artist.

%C2%A9 David Rathman %2F Amos Tutuola %2F Vermillion Editions Ltd.%2C Minneapolis%2C publisher

Page from Adventures in the Burning Bush, 1987

David Rathman; Author: Amos Tutuola; Publisher: Vermillion Editions Limited, Minneapolis

Not on View
Linocut with letterpress on John Koller Special HMP handmade paper; housed loose in a black buckram and paper portfolio; cover also features a linocut on Japan paper by the artist.

%C2%A9 David Rathman %2F Amos Tutuola %2F Vermillion Editions Ltd.%2C Minneapolis%2C publisher

Page from Adventures in the Burning Bush, 1987

David Rathman; Author: Amos Tutuola; Publisher: Vermillion Editions Limited, Minneapolis

Not on View
Linocut with letterpress on John Koller Special HMP handmade paper; housed loose in a black buckram and paper portfolio; cover also features a linocut on Japan paper by the artist.

%C2%A9 David Rathman %2F Amos Tutuola %2F Vermillion Editions Ltd.%2C Minneapolis%2C publisher

Page from Adventures in the Burning Bush, 1987

David Rathman; Author: Amos Tutuola; Publisher: Vermillion Editions Limited, Minneapolis

Not on View
linocut with letterpress on John Koller Special HMP handmade paper; housed loose in a black buckram and paper portfolio; cover also features a linocut on Japan paper by the artist.

%C2%A9 David Rathman %2F Amos Tutuola %2F Vermillion Editions Ltd.%2C Minneapolis%2C publisher

Colophon page from Adventures in the Burning Bush, 1987

David Rathman; Author: Amos Tutuola; Publisher: Vermillion Editions Limited, Minneapolis

Not on View
black buckram and paper portfolio; cover features a linocut on Japan paper by the artist

%C2%A9 David Rathman %2F Amos Tutuola %2F Vermillion Editions Ltd.%2C Minneapolis%2C publisher

Portfolio cover for Adventures in the Burning Bush, 1987

David Rathman; Author: Amos Tutuola; Publisher: Vermillion Editions Limited, Minneapolis; Book Binder: Portfolio cover by Campbell-Logan Bindery, Minneapolis

Not on View
roughly wedge-shaped, slightly curved, with pointed arched top; carved in relief and decorated with dark orange, white and yellow pigments and traces of black pigment; two relief designs on top of one another, each with four corner spiraling loops and two vertical "legs"; handle on back

Shield, early 20th century

Asmat

Not on View
one from a collection of 117 shadow puppet heads. 58 pairs and two single heads placed in glassine envelopes. Heads measure 2-5 in., each. Note Later measuring revealed 57 pairs and three single heads, #24, the heads are attached by a string to each other.

Shadow Puppet Head, 20th century

China

Not on View
one from a collection of 117 shadow puppet heads. 58 pairs and two single heads placed in glassine envelopes. Heads measure 2-5 in., each. Note Later measuring revealed 57 pairs and three single heads, #24, the heads are attached by a string to each other.

Shadow Puppet Head, 20th century

China

Not on View
one from a collection of 117 shadow puppet heads. 58 pairs and two single heads placed in glassine envelopes. Heads measure 2-5 in., each. Note Later measuring revealed 57 pairs and three single heads, #24, the heads are attached by a string to each other.

Shadow Puppet Head, 20th century

China

Not on View
one from a collection of 117 shadow puppet heads. 58 pairs and two single heads placed in glassine envelopes. Heads measure 2-5 in., each. Note Later measuring revealed 57 pairs and three single heads, #24, the heads are attached by a string to each other.

Shadow Puppet Head, 20th century

China

Not on View
one from a collection of 117 shadow puppet heads. 58 pairs and two single heads placed in glassine envelopes. Heads measure 2-5 in., each. Note Later measuring revealed 57 pairs and three single heads, #24, the heads are attached by a string to each other.

Shadow Puppet Head, 20th century

China

Not on View
one from a collection of 117 shadow puppet heads. 58 pairs and two single heads placed in glassine envelopes. Heads measure 2-5 in., each. Note Later measuring revealed 57 pairs and three single heads, #24, the heads are attached by a string to each other.

Shadow Puppet Head, 20th century

China

Not on View
one from a collection of 117 shadow puppet heads. 58 pairs and two single heads placed in glassine envelopes. Heads measure 2-5 in., each. Note Later measuring revealed 57 pairs and three single heads, #24, the heads are attached by a string to each other.

Shadow Puppet Head, 20th century

China

Not on View
one from a collection of 117 shadow puppet heads. 58 pairs and two single heads placed in glassine envelopes. Heads measure 2-5 in., each. Note Later measuring revealed 57 pairs and three single heads, #24, the heads are attached by a string to each other.

Shadow Puppet Head, 20th century

China

Not on View
one from a collection of 117 shadow puppet heads. 58 pairs and two single heads placed in glassine envelopes. Heads measure 2-5 in., each. Note Later measuring revealed 57 pairs and three single heads, #24, the heads are attached by a string to each other.

Shadow Puppet Head, 20th century

China

Not on View
one from a collection of 117 shadow puppet heads. 58 pairs and two single heads placed in glassine envelopes. Heads measure 2-5 in., each. Note Later measuring revealed 57 pairs and three single heads, #24, the heads are attached by a string to each other.

Shadow Puppet Head, 20th century

China

Not on View
one from a collection of 117 shadow puppet heads. 58 pairs and two single heads placed in glassine envelopes. Heads measure 2-5 in., each. Note Later measuring revealed 57 pairs and three single heads, #24, the heads are attached by a string to each other.

Shadow Puppet Head, 20th century

China

Not on View
one from a collection of 117 shadow puppet heads. 58 pairs and two single heads placed in glassine envelopes. Heads measure 2-5 in., each. Note Later measuring revealed 57 pairs and three single heads, #24, the heads are attached by a string to each other.

Shadow Puppet Head, 20th century

China

Not on View
one from a collection of 117 shadow puppet heads. 58 pairs and two single heads placed in glassine envelopes. Heads measure 2-5 in., each. Note Later measuring revealed 57 pairs and three single heads, #24, the heads are attached by a string to each other.

Shadow Puppet Head, 20th century

China

Not on View
one from a collection of 117 shadow puppet heads. 58 pairs and two single heads placed in glassine envelopes. Heads measure 2-5 in., each. Note Later measuring revealed 57 pairs and three single heads, #24, the heads are attached by a string to each other.

Shadow Puppet Head, 20th century

China

Not on View
one from a collection of 117 shadow puppet heads. 58 pairs and two single heads placed in glassine envelopes. Heads measure 2-5 in., each. Note Later measuring revealed 57 pairs and three single heads, #24, the heads are attached by a string to each other.

Shadow Puppet Head, 20th century

China

Not on View
one from a collection of 117 shadow puppet heads. 58 pairs and two single heads placed in glassine envelopes. Heads measure 2-5 in., each. Note Later measuring revealed 57 pairs and three single heads, #24, the heads are attached by a string to each other.

Shadow Puppet Head, 20th century

China

Not on View
one from a collection of 117 shadow puppet heads. 58 pairs and two single heads placed in glassine envelopes. Heads measure 2-5 in., each. Note Later measuring revealed 57 pairs and three single heads, #24, the heads are attached by a string to each other.

Shadow Puppet Head, 20th century

China

Not on View
jacket form, open at sides and under sleeves; blue-green leaves on exterior, accented with dark metallic threads; interior has gold ground with insects accented with beads

%C2%A9 Jon Eric Riis

Forest Coat, 2005

Jon Eric Riis

Not on View
handmade paper; housed loose in a black buckram and paper portfolio; artist's book. Portfolio cover also features a linocut on Japan paper by the artist.

%C2%A9 David Rathman %2F Amos Tutuola %2F Vermillion Editions Ltd.%2C Minneapolis%2C publisher

Page from Adventures in the Burning Bush, 1987

David Rathman; Author: Amos Tutuola; Publisher: Vermillion Editions Limited, Minneapolis

Not on View
Linocut with letterpress on John Koller Special HMP handmade paper; housed loose in a black buckram and paper portfolio; cover also features a linocut on Japan paper by the artist.

%C2%A9 David Rathman %2F Amos Tutuola %2F Vermillion Editions Ltd.%2C Minneapolis%2C publisher

Page from Adventures in the Burning Bush, 1987

David Rathman; Author: Amos Tutuola; Publisher: Vermillion Editions Limited, Minneapolis

Not on View
one of three sheets (10 blocks each sheet)

%C2%A9 Estate of Henri Rivi%C3%A8re %2F Artists Rights Society %28ARS%29%2C New York %2F ADAGP%2C Paris

Washing Beneath the Trees, Loguivy, 1894

Henri Rivière

Not on View
one of three sheets (10 blocks each sheet)

%C2%A9 Estate of Henri Rivi%C3%A8re %2F Artists Rights Society %28ARS%29%2C New York %2F ADAGP%2C Paris

Washing Beneath the Trees, Loguivy, 1894

Henri Rivière

Not on View
one from a collection of 117 shadow puppet heads. 58 pairs and two single heads placed in glassine envelopes. Heads measure 2-5 in., each. Note Later measuring revealed 57 pairs and three single heads, #24, the heads are attached by a string to each other.

Shadow Puppet Head, 20th century

China

Not on View
one from a collection of 117 shadow puppet heads. 58 pairs and two single heads placed in glassine envelopes. Heads measure 2-5 in., each. Note Later measuring revealed 57 pairs and three single heads, #24, the heads are attached by a string to each other.

Shadow Puppet Head, 20th century

China

Not on View
one from a collection of 117 shadow puppet heads. 58 pairs and two single heads placed in glassine envelopes. Heads measure 2-5 in., each. Note Later measuring revealed 57 pairs and three single heads, #24, the heads are attached by a string to each other.

Shadow Puppet Head, 20th century

China

Not on View
one from a collection of 117 shadow puppet heads. 58 pairs and two single heads placed in glassine envelopes. Heads measure 2-5 in., each. Note Later measuring revealed 57 pairs and three single heads, #24, the heads are attached by a string to each other.

Shadow Puppet Head, 20th century

China

Not on View
one from a collection of 117 shadow puppet heads. 58 pairs and two single heads placed in glassine envelopes. Heads measure 2-5 in., each. Note Later measuring revealed 57 pairs and three single heads, #24, the heads are attached by a string to each other.

Shadow Puppet Head, 20th century

China

Not on View
one from a collection of 117 shadow puppet heads. 58 pairs and two single heads placed in glassine envelopes. Heads measure 2-5 in., each. Note Later measuring revealed 57 pairs and three single heads, #24, the heads are attached by a string to each other.

Shadow Puppet Head, 20th century

China

Not on View
one from a collection of 117 shadow puppet heads. 58 pairs and two single heads placed in glassine envelopes. Heads measure 2-5 in., each. Note Later measuring revealed 57 pairs and three single heads, #24, the heads are attached by a string to each other.

Shadow Puppet Head, 20th century

China

Not on View
one from a collection of 117 shadow puppet heads. 58 pairs and two single heads placed in glassine envelopes. Heads measure 2-5 in., each. Note Later measuring revealed 57 pairs and three single heads, #24, the heads are attached by a string to each other.

Shadow Puppet Head, 20th century

China

Not on View
one from a collection of 117 shadow puppet heads. 58 pairs and two single heads placed in glassine envelopes. Heads measure 2-5 in., each. Note Later measuring revealed 57 pairs and three single heads, #24, the heads are attached by a string to each other.

Shadow Puppet Head, 20th century

China

Not on View
one from a collection of 117 shadow puppet heads. 58 pairs and two single heads placed in glassine envelopes. Heads measure 2-5 in., each. Note Later measuring revealed 57 pairs and three single heads, #24, the heads are attached by a string to each other.

Shadow Puppet Head, 20th century

China

Not on View
one from a collection of 117 shadow puppet heads. 58 pairs and two single heads placed in glassine envelopes. Heads measure 2-5 in., each. Note Later measuring revealed 57 pairs and three single heads, #24, the heads are attached by a string to each other.

Shadow Puppet Head, 20th century

China

Not on View
one from a collection of 117 shadow puppet heads. 58 pairs and two single heads placed in glassine envelopes. Heads measure 2-5 in., each. Note Later measuring revealed 57 pairs and three single heads, #24, the heads are attached by a string to each other.

Shadow Puppet Head, 20th century

China

Not on View
one from a collection of 117 shadow puppet heads. 58 pairs and two single heads placed in glassine envelopes. Heads measure 2-5 in., each. Note Later measuring revealed 57 pairs and three single heads, #24, the heads are attached by a string to each other.

Shadow Puppet Head, 20th century

China

Not on View
one from a collection of 117 shadow puppet heads. 58 pairs and two single heads placed in glassine envelopes. Heads measure 2-5 in., each. Note Later measuring revealed 57 pairs and three single heads, #24, the heads are attached by a string to each other.

Shadow Puppet Head, 20th century

China

Not on View
one from a collection of 117 shadow puppet heads. 58 pairs and two single heads placed in glassine envelopes. Heads measure 2-5 in., each. Note Later measuring revealed 57 pairs and three single heads, #24, the heads are attached by a string to each other.

Shadow Puppet Head, 20th century

China

Not on View
one from a collection of 117 shadow puppet heads. 58 pairs and two single heads placed in glassine envelopes. Heads measure 2-5 in., each. Note Later measuring revealed 57 pairs and three single heads, #24, the heads are attached by a string to each other.

Shadow Puppet Head, 20th century

China

Not on View
one from a collection of 117 shadow puppet heads. 58 pairs and two single heads placed in glassine envelopes. Heads measure 2-5 in., each. Note Later measuring revealed 57 pairs and three single heads, #24, the heads are attached by a string to each other.

Shadow Puppet Head, 20th century

China

Not on View
one from a collection of 117 shadow puppet heads. 58 pairs and two single heads placed in glassine envelopes. Heads measure 2-5 in., each. Note Later measuring revealed 57 pairs and three single heads, #24, the heads are attached by a string to each other.

Shadow Puppet Head, 20th century

China

Not on View
one from a collection of 117 shadow puppet heads. 58 pairs and two single heads placed in glassine envelopes. Heads measure 2-5 in., each. Note Later measuring revealed 57 pairs and three single heads, #24, the heads are attached by a string to each other.

Shadow Puppet Head, 20th century

China

Not on View
one from a collection of 117 shadow puppet heads. 58 pairs and two single heads placed in glassine envelopes. Heads measure 2-5 in., each. Note Later measuring revealed 57 pairs and three single heads, #24, the heads are attached by a string to each other.

Shadow Puppet Head, 20th century

China

Not on View
one from a collection of 117 shadow puppet heads. 58 pairs and two single heads placed in glassine envelopes. Heads measure 2-5 in., each. Note Later measuring revealed 57 pairs and three single heads, #24, the heads are attached by a string to each other.

Shadow Puppet Head, 20th century

China

Not on View
one from a collection of 117 shadow puppet heads. 58 pairs and two single heads placed in glassine envelopes. Heads measure 2-5 in., each. Note Later measuring revealed 57 pairs and three single heads, #24, the heads are attached by a string to each other.

Shadow Puppet Head, 20th century

China

Not on View
one from a collection of 117 shadow puppet heads. 58 pairs and two single heads placed in glassine envelopes. Heads measure 2-5 in., each. Note Later measuring revealed 57 pairs and three single heads, #24, the heads are attached by a string to each other.

Shadow Puppet Head, 20th century

China

Not on View
cup with sides flaring very slightly outward; flat bottom; small rim at top; gilt interior and top rim; relief scenes of Mozambique on sides; one side has battle scene with nude figures fighting with bows, staffs and clubs; at right side of scene, one group of three figures and a pair of figures appear to represent aggressors attempting to cut off their opponents' genitals; other side has nude male figure wearing feathered headdress and necklace at right extending his hand to a female figure with long hair in a ponytail wearing a loincloth, accompanied by other figures; woman appears to wear a necklace of male genitals, while two figures at left pick up and carry male genitals; incised double coat of arms surmounted by a crown and palm tree separates two scenes; long engraved inscription on underside

Beaker, 1647-1650

Melchior Lauch

Not on View
recto: Mary with Christ child reclining on her lap, surrounded by draperies, ascending at center top, accompanied by nude male angels, with standing angels in top corners; angel in ULC plays a pipe; house-like structure at bottom center being lifted aloft by other angels on left and right sides and beneath structure; sketchy style; verso: Mary with Christ child standing on her lap being carried aloft by a group of angels beneath and behind her, with three musical angels in ULC, playing a lute, a drum and a pipe

The Miracle of the Santa Casa of Loreto (recto); The Virgin and Child Carried by Angels (verso), c. 1700

Pietro Antonio de' Pietri

Not on View

%C2%A9 Susan Rothenberg %2F Artists Rights Society %28ARS%29%2C New York

Head and Bones, 1980

Susan Rothenberg; Printer: Gretchen Gelb , at Aeropress, New York; Publisher: Multiples, Inc., New York

Not on View

%C2%A9 Elaine Mayes

Jerome Liebling on TV, Minneapolis, 1969

Elaine Mayes

Not on View

%C2%A9 Joan Lyons

Untitled, 1980

Joan Lyons

Not on View
Plate 6

Peresvet and Oslyabya, 1914

Natalia Sergeevna Goncharova; Publisher: V. N. Kashin, Moscow

Not on View
Plate 10

Angels and Airplanes, 1914

Natalia Sergeevna Goncharova; Publisher: V. N. Kashin, Moscow

Not on View

%C2%A9 The Estate of Miriam Schapiro %2F Artists Rights Society %28ARS%29%2C New York

Female Concerns, 1976

Miriam Schapiro; Workshop: Minneapolis College of Art and Design

Not on View
man seated in a narrow doorway with his legs hanging out, holding a hammer in his PR hand; torn paper window panels; window blind at right over torn panels

Copyright %C2%A9 Hosoe Eikoh

Kamaitachi #26, 1965

Hosoe Eikoh

Not on View
elderly woman wearing a dark patterned kimono, with her dark hair pulled up, crouching in an empty space, holding her PL hand in an "OK" symbol; cloth in URQ

Copyright %C2%A9 Hosoe Eikoh

Kamaitachi #30, 1965

Hosoe Eikoh

Not on View
standing woman at right wearing patterned kimono, zori sandals, white tobi socks and hat with looped ribbons; standing crouching figure at left with hair hanging in face, holding a wide, flat basket or mat in front of body

Copyright %C2%A9 Hosoe Eikoh

Kamaitachi #29, 1968

Hosoe Eikoh

Not on View
hunched-over figure in profile from PL wearing a dark coat and flowered skirt, walking on the edge of a rice paddy

Copyright %C2%A9 Hosoe Eikoh

Kamaitachi #35, 1968

Hosoe Eikoh

Not on View
figure in a plowed field with thin dried plants, with only top of head with hair and bare legs and buttocks visible--midbody covered with swirling flowered garment; mountains with trees in background

Copyright %C2%A9 Hosoe Eikoh

Kamaitachi #27, 1968

Hosoe Eikoh

Not on View
man with short hair and goatee, wearing a light-colored kimono, holding his hands up to the sides of his head like horns, right of center in middle ground; little boy on tricycle in foreground, LRC; three seated figures and one standing figure in foreground at left

Copyright %C2%A9 Hosoe Eikoh

Kamaitachi #5, 1965

Hosoe Eikoh

Not on View
man with short black hair and goatee wearing a kimono with flowers in wave-like patterns, bending slightly downward; figure wearing glasses and a dark robe at left, seen from back, looking at man's PL ear with a magnifying glass

Copyright %C2%A9 Hosoe Eikoh

Kamaitachi #6, 1965

Hosoe Eikoh

Not on View
man and young girl wearing light colored kimonos, standing with their arms upraised over their heads, at the edge of a dense forest; heavy foliage in foreground

Copyright %C2%A9 Hosoe Eikoh

Kamaitachi #20, 1965

Hosoe Eikoh

Not on View
shadowy close-up of three faces with plump woman at left, elderly wrinkled woman at center and man with creased brow at right

Copyright %C2%A9 Hosoe Eikoh

Kamaitachi #32, 1965

Hosoe Eikoh

Not on View
nude figure with long dark hair lying face down in a plowed field; black sky with bright, out of focus moon

Copyright %C2%A9 Hosoe Eikoh

Kamaitachi #36, 1968

Hosoe Eikoh

Not on View
jumping man at right with garment flowing up over head, wearing a loin cloth and sandals; group of six children at center watching jumping man; foliage in foreground; building in background

Copyright %C2%A9 Hosoe Eikoh

Kamaitachi #17, 1968

Hosoe Eikoh

Not on View
two figures in URQ--smiling girl with her head back, man has his face on her PL shoulder; plants with small white flowers throughout

Copyright %C2%A9 Hosoe Eikoh

Kamaitachi #23, 1965

Hosoe Eikoh

Not on View
running man wearing open thin kimono flowing behind him; low horizon line; some silhouettes of grasses in foreground

Copyright %C2%A9 Hosoe Eikoh

Kamaitachi #31, 1968

Hosoe Eikoh

Not on View
seated man with a goatee wearing a light-colored kimono and a straw hat and holding a bundle of sticks and a metal teapot being carried on a litter by group of young men; woman at right holding an umbrella tied to a long stick over man's head; three woman and a child walk behind litter in a procession through countryside, with wooden trellis-like structures behind figures on path; trees in background

Copyright %C2%A9 Hosoe Eikoh

Kamaitachi #14, 1965

Hosoe Eikoh

Not on View
man with bare legs running on a path between garden beds holding a flag in front of his body; apartment building in background

Copyright %C2%A9 Hosoe Eikoh

Kamaitachi #7, 1967

Hosoe Eikoh

Not on View
standing figure wearing a flowered kimono, facing camera, with face partially in shadow, with an ominous expression; figure has PR arm stretched upward with hand in "thumb's-up" gesture, and PL hand on top of head; silhouettes of blooming grasses against white sky

Copyright %C2%A9 Hosoe Eikoh

Kamaitachi #34, 1968

Hosoe Eikoh

Not on View
standing woman wearing bold-patterned kimono, zori sandals, white tobi socks and a hat with looped ribbons, holding a tiny cup in her PL hand, in front of an undulating woven bamboo mat on the exterior of a building; man seated with knees drawn up on roof of building, URQ

Copyright %C2%A9 Hosoe Eikoh

Kamaitachi #28, 1968

Hosoe Eikoh

Not on View
man with PR arm stretched outward behind him, wearing a kimono, running through a plowed field holding a crying baby in his PL arm; mountains in background

Copyright %C2%A9 Hosoe Eikoh

Kamaitachi #37, 1965

Hosoe Eikoh

Not on View
group of people seated on a path between fields; three men and four women seated in an arc, with two standing woman, laughing at a man in a short white kimono at left, making an exaggerated frowning face

Copyright %C2%A9 Hosoe Eikoh

Kamaitachi #13, 1965

Hosoe Eikoh

Not on View
barefoot figure with head not visible face down in a plowed field; figure wears flowered long robe; trees on high rounded horizon line

Copyright %C2%A9 Hosoe Eikoh

Kamaitachi #16, 1968

Hosoe Eikoh

Not on View
dark scene with rows on wooden boxes on shelves and vase with foliage pattern and bottom, LLQ; squatting man wearing a light-colored kimono, with his fingers splayed, touching either side of his head, in URQ

Copyright %C2%A9 Hosoe Eikoh

Kamaitachi #11, 1965

Hosoe Eikoh

Not on View
woodcut in black, hand colored with brush, stencil and watercolor on laid paper, mounted on the inside cover of a coffer, constructed of wood and iron; cover with nine iron fittings, hinges, a lock and hidden compartment on the top of the cover; dark brown/black patina on exterior; unfinished wood at interior; woodcut is image of the Annunciation, with Mary at left wearing maroon dress and red cloak, looking at a book on a stand; angel at right wearing a blue gown and red cloak with yellow trim, carrying a staff; dove between figures; interior with arches and green columns; text at bottom; latches have vertical leaf designs; fittings on front are openwork with leaf-like and heart motifs; received without a key

Coffer with print of "The Annunciation", c. 1490–1500

After the Master of the Very Small Hours of Anne of Brittany (Jean d'Ypres?)

Not on View
rounded, concave face; rounded ears on sides of head; wide, open, ovoid mouth with eight peg teeth; small eyes; rather flat nose with triangular nostrils; top of head is green; face is white; mouth, chin and ears are rust red

Mask, c. 1850-1900

Inupiaq

Not on View
wedge shape; flat back, curved front panel; flap closure; open sides with ties; red and blue border; central leaf and berry motif in blue and red

Parfleche, c. 1910

Hunkpapa Lakȟóta

Not on View
Wooden female figure; with black spotted garment; black shoes, hair, and facial features;

Female Figure, 20th century

Ewe

Not on View

Lion Devouring a Horse, 1844

Eugène Delacroix

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Winter, 1798

J. Culbert

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Summer, c. 1800

J. Culbert

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Louis Phillipe of France, 19th century

Jean-Francois Theodore Gechter (1796-1844)

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long narrow smokey glass statue of the Virgin Mary with mirror base.

%C2%A9 Estate Adolf Fassbender%2C Fassbender Foundation

Peace Be With Us, 20th century

Adolf Fassbender

Not on View

Copyright %C2%A9 Lee Friedlander. All rights reserved.

Canyon de Chelly, Arizona, 1983

Lee Friedlander; Printer: Thomas Palmer

Not on View
New York World's Fair

%C2%A9 Estate Adolf Fassbender%2C Fassbender Foundation

On High, 1939-1940

Adolf Fassbender

Not on View

Church of the Abbey at Tounus, 1825

Richard Parkes Bonington

Not on View

Two Peasants with a Herd of Cows, 17th century

Stefano della Bella

Not on View