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Small seated dog with short pointed ears and a short tail, curling over on top; uneven incised eyes

Dog, c.100-300 CE

Colima

G260

Carved stone yoke with design of a crouching man, his head in the jaws of a monster, gripping a snake. The corners are finished with men's heads in monster's jaws. Serpentine.

Yoke, c. 600-900

Nopiloa (Veracruz)

G260

House Group, the evening meal; polychrome; terra cotta group representing a two-story house with canopy roof on piles and 11 figures occupied with various household tasks on two levels an upper terace and a lower, enclosed room with a wide doorway; on each of two sides a stairway of five steps leads from the base to the upper level; the surface is decorated in polychrome (red, yellow, black) with geometric designs lozenges interlocked and wavy stripes; the piece is much weathered and has been extensively restored

House Group, c. 100-400

Nayarit

G260

covered pot with incised design around dome-shaped lid, central knob with hole through center; body has straight sides rising from sharply slanting bottom; 4 decorative rectangles with incised design on sides; pottery-beige clay with burnished brown slip

Serving Vessel, c. 600-900 CE

Maya

G260

Art %C2%A9 Tamayo Heirs %2F Mexico %2F Licensed by VAGA at Artists Rights Society %28ARS%29%2C NY

The Family, 1936

Rufino Tamayo

G322

stone figure with red pigment stands on black wood base with hands touching index figure to thumb; face incised on either side with rectangular markings; headdress crowns figure with large ear ornaments; small drill hole in center of chest

Chalchiuhtlicue, c. 1200-1521

Aztec

G260

human face with long ears; open mouth with teeth; red linear designs

Mask, c. 900-300 BCE

Olmec

G260

figure wears a replica of a heavy stone yoke at waist over skirt with fret motif; necklace; bands of bracelets on left arm; headdress broken at right. On the left knee a nead with round headdress in relief. Hole in right shoulder forms hook from which rattle could be suspended. The mould for front of body is well designed but assembled crudely with the mould for back.; Pinkish white pottery

Figure, c. 600-750 CE

Nopiloa (Veracruz)

Not on View
abstracted black-and-white image of a deceased man seen in profile from the shouilders up; light gray splotch-like sections scattered around outer edges, beginning on the top left, top right edged and down into lower left and right edges; lower left quadrant has white splotches with scattered small white dots that extend into the upper right quadrant; gradated gray and dark spots throughout

%C2%A9 Miguel A. Arag%C3%B3n

Siete cascos percuidos, 2016

Miguel A. Aragón; Publisher: Flatbed Press, Austin, Texas

G369

Whistle in the form of a Dignitary; Island of Jaina style. Figure stands with arms crossed and feet spread well apart. The costume consists of a short, two-tiered skirt with a wide panel descending to feet in center front. Stylized hair with feathered headdress, pectoral, earrings. The face is well modelled, with arched nose and flattened brow. A whistle, modelled in left shoulder blade, makes clear musical note when blown. Painted in blue, red, black,and white. An unusually fine example.

Whistle, 600-900

Maya

Not on View
Bowl with six hammered lobes; alternating lobes have impressed floral design

Fingerbowl, from a set of 12, c. 1929-1930

Mexico

Not on View
Bowl with six hammered lobes; alternating lobes have impressed floral design

Fingerbowl, from a set of 12, c. 1929-1930

Mexico

Not on View
Bowl with six hammered lobes; alternating lobes have impressed floral design

Fingerbowl, from a set of 12, c. 1929-1930

Mexico

Not on View

%C2%A9 2012 Artists Rights Society %28ARS%29%2C New York %2F SOMAAP%2C Mexico City

Casa arruinada, 1929

José Clemente Orozco

Not on View
Bowl with six hammered lobes; alternating lobes have impressed floral design

Fingerbowl, from a set of 12, c. 1929-1930

Mexico

Not on View
Bowl with six hammered lobes; alternating lobes have impressed floral design

Fingerbowl, from a set of 12, c. 1929-1930

Mexico

Not on View
bear effigy pot, polychrome earthenware; Mexico Casas Grandes; red, black, and brown on cream slip, applique arms and legs

Bear Effigy Pot, c. 1160-1260

Paquimé (Casas Grandes)

Not on View
Bowl with six hammered lobes; alternating lobes have impressed floral design

Fingerbowl, from a set of 12, c. 1929-1930

Mexico

Not on View
Bowl with six hammered lobes; alternating lobes have impressed floral design

Fingerbowl, from a set of 12, c. 1929-1930

Mexico

Not on View
Bowl with six hammered lobes; alternating lobes have impressed floral design

Fingerbowl, from a set of 12, c. 1929-1930

Mexico

Not on View
Bowl with six hammered lobes; alternating lobes have impressed floral design

Fingerbowl, from a set of 12, c. 1929-1930

Mexico

Not on View
two panels sewn together; cotton warp, wool weft, tapestry weave; serrated striping in red, blue and black.

Saltillo Serape, 19th century

Mexico

Not on View
Bowl with six hammered lobes; alternating lobes have impressed floral design

Fingerbowl, from a set of 12, c. 1929-1930

Mexico

Not on View
standing female figure, mold made with incised linear designs, cream colored earthenware

Standing Female Figure, 6th-9th century

Nopiloa (Veracruz)

Not on View
Bowl with six hammered lobes; alternating lobes have impressed floral design

Fingerbowl, from a set of 12, c. 1929-1930

Mexico

Not on View
Bowl with six hammered lobes; alternating lobes have impressed floral design

Fingerbowl, from a set of 12, c. 1929-1930

Mexico

Not on View
Plate with decoration in orange, red and brown; central male figure; rim with alternating designs of large circles with flower-like designs inside, concentric pairs of circles and figures. Completely broken and badly re-glued back together.

Plate, 600-900

Maya

Not on View
Carved Mask of Human Face, stone, Mexican (Toltec), VI-XI c cat. card dims H 3-3/4'. Carved mask of a human head with deep-cut eyes and mouth, and flattened nose square at base.

Carved mask of a human head, 5th-6th century

Toltec

Not on View
SEATED MALE FIGURE, clay with burnished slip

Seated figure, 3rd century BCE - 6th century CE

Colima

Not on View
Bowl in form of a duck with side spout; buff clay with burnished red slip. Restoration on spout; H. 8 1/2 in.

Jar in duck form, 3rd-6th century

Colima

Not on View
attributed to school of Jose Rodriguez. Mask, wood, painted. Serpentine design with central human face surrounded by reptiles and serpents. Cuadrilla Santa Anita, a settlement in eastern Guerrero state.

Mask, 20th century

Mexico

Not on View
one of fifteen prints in portfolio

%C2%A9 Archivo Manuel %C3%81lvarez Bravo SC. All rights reserved.

Votive Offering, 1969

Manuel Alvarez Bravo; Publisher: Acorn Editions, Ltd.

Not on View

%C2%A9 2019 Banco de M%C3%A9xico Diego Rivera Frida Kahlo Museums Trust%2C Mexico%2C D.F. %2F Artists Rights Society %28ARS%29%2C New York

Portrait of the Knight Family, 1946

Diego Rivera

Not on View
Pot in the form of a Seated Figure,polychrome earthenware,Mexico, Casas Grandes,XIIc. Red, black, and brown on cream slip. Pierced eyes, open mouth, incomplete head, applique arms.

Vessel in the Form of a Seated Figure, c. 1100-1299

Paquimé (Casas Grandes)

Not on View
wool weft, cotton warp; border enclosing varigated background with central diamond motif; red, blue, yellow and white colors

Saltillo Serape, c. 1750-1800

Mexico

Not on View

%C2%A9 2019 Banco de M%C3%A9xico Diego Rivera Frida Kahlo Museums Trust%2C Mexico%2C D.F. %2F Artists Rights Society %28ARS%29%2C New York

Head of a Young Girl, c. 1940-50

Attributed to Diego Rivera

Not on View
Bowl with eight hammered lobes; alternating lobes have impressed floral design; two applied floral and leaf handles; applied hammered foot

Flower bowl or centerpiece, c. 1929-1930

Mexico

Not on View
3 legged Vessel in the form of a Pumpkin, earthenware with red slip, Mexixo, Colima 100BC-200AD

Three-legged vessel in the form of a pumpkin, 2nd century BCE - 3rd century CE

Colima

Not on View
Droll figure of a man wearing loin cloth breeches, coiled collar, scalloped nose plug, and ear pendants, and carrying a flat percussion instrument on left arm and notched drum stick in right hand. These instruments recall those used in rhumba music. The cheeks of the figure are pierced for a reed, and the figure itself represents one of a group which participated in a game or dance. The workmanship is heavy and primitive, but the bending figure is spirited in expression. Painted decoration badly weathered.

Figure with Spear and Shield, 100

Nayarit and Jalisco

Not on View

Art %C2%A9 Tamayo Heirs %2F Mexico %2F Licensed by VAGA at Artists Rights Society %28ARS%29%2C NY

Perro Aullando, 1960

Rufino Tamayo

Not on View
standing turtle with a spout emanating from the PR side of its shell

Vessel, 100 BCE - 250 CE

Colima

Not on View
Four Note Whistle in the form of a stylized frog; two bottom suspension holes; incised linear designs on back burnished red slip, reduction fired

Ocarina, 2nd century BCE - 2nd century CE

Michoacán

Not on View
double flute, with 4 fingering holes for each hand ceramic, burnished buff clay

Double flute, 4th century BCE - 7th century CE

Colima

Not on View
one of 15 gelatin silver prints

%C2%A9 Archivo Manuel %C3%81lvarez Bravo SC. All rights reserved.

Que Chiquito es el Mundo, 1942

Manuel Alvarez Bravo; Publisher: Acorn Editions, Ltd.

Not on View
Miniature Figurines, Burnished Earthenware, Mexico(Puebla),1500-1150 B.C. Five total; .1 2-1/16 in. .2 1-15/16 in. .3 2 in. .4 2-1/16 in. .5 1-15/16 in.

Miniature figurine, 1500-1150 BCE

Pueblo

Not on View
one of 15 gelatin silver prints

%C2%A9 Archivo Manuel %C3%81lvarez Bravo SC. All rights reserved.

Ventana al Coro, c. 1935

Manuel Alvarez Bravo; Publisher: Acorn Editions, Ltd.

Not on View
one of 15 gelatin silver prints

%C2%A9 Archivo Manuel %C3%81lvarez Bravo SC. All rights reserved.

Ventana a los Magueyes, 1976

Manuel Alvarez Bravo; Publisher: Acorn Editions, Ltd.

Not on View
Figure of a seated drummer, earthenware, Mexico, Nayarit, 200-400AD

Figure, 200-500

Nayarit

Not on View
one of 15 gelatin silver prints

%C2%A9 Archivo Manuel %C3%81lvarez Bravo SC. All rights reserved.

Cruce de Chalma, 1942

Manuel Alvarez Bravo; Publisher: Acorn Editions, Ltd.

Not on View

%C2%A9 Manuel Carrillo

Untitled, 1930-1976

Manuel Carrillo

Not on View
one of 15 gelatin silver prints

%C2%A9 Archivo Manuel %C3%81lvarez Bravo SC. All rights reserved.

Margarita de Bonampak, 1917-1981

Manuel Alvarez Bravo; Publisher: Acorn Editions, Ltd.

Not on View

%C2%A9 Manuel Carrillo

Untitled, 1930-1976

Manuel Carrillo

Not on View
seated female figure, mold made, arms held up at sides, red earthenware

Seated Female Figure, 600-900

Maya

Not on View

%C2%A9 Manuel Carrillo

Untitled, 1930-1976

Manuel Carrillo

Not on View

%C2%A9 Manuel Carrillo

Untitled, 1930-1976

Manuel Carrillo

Not on View
from a portfolio of 15 gelatin silver prints

%C2%A9 Archivo Manuel %C3%81lvarez Bravo SC. All rights reserved.

Tentaciones en Casa de Antonio, 1970 (published 1981)

Manuel Alvarez Bravo; Publisher: Acorn Editions, Ltd.

Not on View

%C2%A9 Manuel Carrillo

Untitled, 1930-1976

Manuel Carrillo

Not on View
standing female figure, mold made, arms held up at sides, buff colored earrthenware; stand for this object in E1.9

Standing female figure, 6th-10th century

Maya

Not on View
standing female figure, mold made with drilled ear lobes, cream slip on red earthenware,

Standing female figure, 6th-9th century

Nopiloa (Veracruz)

Not on View

%C2%A9 Manuel Carrillo

Untitled, 1930-1976

Manuel Carrillo

Not on View

%C2%A9 Manuel Carrillo

Untitled, 1930-1976

Manuel Carrillo

Not on View
standing figure, with abbreviated arms; hole in stomach; hair partly smooth, partly textured; protruding ears; enlarged thighs; grey clay with traces of red pigment

Standing figure, 16th-12th century BCE

Tlatilco

Not on View
Small standing dog with teeth bared; stomach protruding on both sides on body; short pointed ears and short tail; incised eyes

Dog, 100-300

Colima

Not on View
White with tan, blue, green, yellow and pink brocading at chest, upper back and shoulders; multicolred seam stiching

Woman’s blouse (Huipil), c. 1930

Maya

Not on View

%C2%A9 Estate Carlos M%C3%A9rida %2F Licensed by VAGA at Artists Rights Society %28ARS%29%2C NY

Dance of the Half Moon, 1937

Carlos Mérida

Not on View

%C2%A9 Estate Carlos M%C3%A9rida %2F Licensed by VAGA at Artists Rights Society %28ARS%29%2C NY

Dance of the Moors, 1937

Carlos Mérida

Not on View
head of man in Cubist style, sticking out his tongue and thumbing his nose; red, pink, greys, black, olive, blue

Art %C2%A9 Tamayo Heirs %2F Mexico %2F Licensed by VAGA at Artists Rights Society %28ARS%29%2C NY

The Scoffer, 1946

Rufino Tamayo

MS

%C2%A9 Ricardo Bloch

Untitled (cow's head), 1979

Ricardo Bloch

Not on View
Vessel in the form of a Vulture, earthenware, Mexico, Colima, 200-600AD outstretched wings and spout tail; buff earthenware burnished; L. 9 1/2 in., H. 5 1/2 in.

Modeled vulture, 3rd-7th century

Colima

Not on View
Zoomorphic Whistle, ceramic, burnished buff with orange pigments; West Mexican, n.d. NO PHOTO ON CAT. CARD cat. card dims H 3-1/2 x L 2-1/2'

Whistle (zoomorphic), Date Unknown

Mexico

Not on View

%C2%A9 Estate Carlos M%C3%A9rida %2F Licensed by VAGA at Artists Rights Society %28ARS%29%2C NY

Dance of the Pascola and the Deer, 1937

Carlos Mérida

Not on View
vessel in form of foot, wide calf with pattern of bump protrusions; burnished red clay, ceramic, West Mexican (Colima) cat. card dims H 7-1/2 x W 4-1/4 x L 4-3/4'

Foot form, Date Unknown

Colima

Not on View

%C2%A9 Ricardo Bloch

Untitled (horses), 1979

Ricardo Bloch

Not on View

%C2%A9 Ricardo Bloch

Untitled (cow's back), 1979

Ricardo Bloch

Not on View
Black stone with one pointed short end; incised area around side near top

Axe head, 200

Jalisco

Not on View
Small, shallow bowl with three animal-like feet with incised toes; feet are tan on PL side and red on PR side; geometric and organic designs on body

Small footed bowl, 2nd century

Michoacán

Not on View
Female Figure wearing a tall feather-like headdress, broken and mended at legs and waist; burnished tan ceramic

Figure, 400-799

Huastec

Not on View
Female Figure wearing necklace with a circular pendant and circular ear ornaments and a U-shaped headdress; burnished tan ceramics; H. 8-3/4 in.

Figure, 400-799

Huastec

Not on View
death mask; green alabaster; dealer said that it came from the state of Puebla

Mask, 6th-9th century

Mexico

Not on View

%C2%A9 Theodore Suina

Deer Dance, c. 1940-42

Theodore Suina (Ku Pe Ru, Snow Beads)

Not on View
Red figure with spout and two legs. Eyes on front and back

Vessel in the form of an owl, c. 100

Colima

Not on View
Four-legged figure with human face and tail. Has red band around the middle and black on the back by figures tail.

Four-legged figure, 2nd century BCE - 2nd century CE

Colima

Not on View
Figure vessel with heart shaped head; dots on shoulders; arms resting on stomach; legs are rounded off at knee; has what appear to be breasts; Reddish brown and tan in color. Appears to have once had decorative pattern with band around her middle section.

Chinesca figure, c. 1000 BCE

Nayarit

Not on View
Ceramic bird with round object in mouth, painted red with white/gray highlights.

Parrot, 1st-5th century

Nayarit

Not on View
Seated figure with large head, round conical legs without feet, rings in nose and ears

Figure, 1st century

Jalisco

Not on View
Olla, red and black on buff, with a design of scrolls on a horizontally hatched ground, triangles, and stepped motifs. Bottom scorched, paint worn in some areas, Casas Grandes type, rim restored. Ramos polychrome. Tardio phase.

Pot (Olla), c. 1000-1300

Paquimé (Casas Grandes)

Not on View
Seated Figure, legs crossed, supporting a large conch shell on the left knee. The right arm, placed on the right knee, flows into the leg and the legs into each other at the crossing. The head is large, with a fillet headdress and a well modelled spout emerging from the top at the right. Spine-like projections appear on each arm from shoulder to elbow. The face is broad, with mouth open to show teeth, modelled eyes, straight nose, abnd ear plugs. The figure is naked except for a loin cloth. Burnished red ware, with conch shell in natural (buff) clay.

Seated figure with conch shell, 2nd century BCE - 2nd century CE

Colima

Not on View
Figure of a drummer. Standing figure with fantastic beak-nosed face, mop-like headdress, and disk earrings. The arms are bent at the elbow and rest on a high cylindrical drum decorated with zigzag stripes in yellow and white on a dark red ground. Painted detail on upper body.

Figure, 1st century BCE - 3rd century CE

Nayarit

Not on View
Vessel, supported on two bulbous feet and the end of a long handle in the form of a gourd. Body, ridged at lower belly, carries three pierced Ceremonial incense burner, Monte Alban III. step-motifs above the two front legs. Wide flaring lip. Vessel surface covered with clay, but handle shows a burnished brown slip over a pale body. Traces of a pained design in red show on the gourd foot and the rim. Badly cracked at rim.

Cermonial incense burner, 12th-15th century

Mixtec

Not on View
Pitcher of gray clay with deep neck and soaring spout. A graceful handle springs from the shoulders to join the rim at the back. On each side a rigin dring handle. From Nochistlan.

Pitcher, 14th century

Oaxaca

Not on View
Seated, two-legged figure with tail. Two animal heads in relief project from shoulders in back, and a small animal, possibly a dog, stands astride the brimmed hat worn by the figure. A bar is held out in front of the body in hands that have no form. This bar, possibly a musical instrument, and details of the costume, are painted in red and cream stripes and dots on a reddish pottery ground. Wooden stand. Close to 'Ixtlan del Rio' type.

Seated two-legged figure with tail, c. 500

Nayarit

Not on View
Figurine, drum player, wearing a flaring headdress with a large trumpet shaped projection in front. Features, earrings and details of the costume achieved by ribbons of clay applied on surface of figure. Close to 'Ixtlan del Rio' type.

Drum player, c. 500

Nayarit

Not on View
Sculpture determined to be a copy of a work from Chichen Itza, Yucatan Peninsula. Reclining figure resting on elbows, head turned sharply to right, legs drawn up and feet resting flat. The hands are placed on the thighs. Flat, cap-like headdress with elaborate ear ornaments carved only in front. Large pectoral, wristlets resembling three rows of fringe, anklets, thonged sandels. Right knee cap restored, lower neck restored, left hand restored, right hand cracked. The base is chipped near the left foot, and a piece is missing at the left corner below figure's shoulder. Authenticity in doubt: 1975.

Chacmool, 20th century

Maya

Not on View
one of fifteen prints in portfolio

%C2%A9 Archivo Manuel %C3%81lvarez Bravo SC. All rights reserved.

The Man from Papantla, 1934-1935

Manuel Alvarez Bravo; Publisher: Acorn Editions, Ltd.

Not on View
one of fifteen prints in portfolio

%C2%A9 Archivo Manuel %C3%81lvarez Bravo SC. All rights reserved.

Two Pairs of Legs, 1928-1929

Manuel Alvarez Bravo; Publisher: Acorn Editions, Ltd.

Not on View
one of fifteen prints in portfolio

%C2%A9 Archivo Manuel %C3%81lvarez Bravo SC. All rights reserved.

Lengthened Light, 1944

Manuel Alvarez Bravo; Publisher: Acorn Editions, Ltd.

Not on View
mask, wood, attached goat horns, painted orange, green, brown,red, yellow, black Triple-face mask with human face to left, dog to right and Diablo (devil) in center under goat horns. Communal beard. Iguala area.

Triple faced mask, early 20th century

Mexico

Not on View
one of fifteen prints in portfolio

%C2%A9 Archivo Manuel %C3%81lvarez Bravo SC. All rights reserved.

Sleeping Dogs Bark, 1966

Manuel Alvarez Bravo; Publisher: Acorn Editions, Ltd.

Not on View
one of fifteen prints in portfolio

%C2%A9 Archivo Manuel %C3%81lvarez Bravo SC. All rights reserved.

Skylight, 1938-1940

Manuel Alvarez Bravo; Publisher: Acorn Editions, Ltd.

Not on View
attributed to Barbones school of mask makers, Ostotitlan or La Parota. Mask, wood, painted. Centurion wearing helmet, long beard. Winged dragon atop helmet. Barbones (bearded ones) masks performed in the Dance of the Marquez.

Mask, bearded centurion, early 20th century

Mexico

Not on View
Bird Effigy Pot,polychrome earthenware,Mexico Casas Grandes,XIIc. Red, black, and brown on cream slip, coffee bean eyes, upturned tail, parrot beak

Bird Effigy Pot, c. 1000-1300

Paquimé (Casas Grandes)

Not on View
woman's bare feet in doorway, water on floor; one of fifteen prints in portfolio

%C2%A9 Archivo Manuel %C3%81lvarez Bravo SC. All rights reserved.

Threshold, 1947

Manuel Alvarez Bravo; Publisher: Acorn Editions, Ltd.

Not on View
one of fifteen prints in portfolio

%C2%A9 Archivo Manuel %C3%81lvarez Bravo SC. All rights reserved.

Almost, 1968

Manuel Alvarez Bravo; Publisher: Acorn Editions, Ltd.

Not on View
one of fifteen prints in portfolio

%C2%A9 Archivo Manuel %C3%81lvarez Bravo SC. All rights reserved.

First Act, 1975

Manuel Alvarez Bravo; Publisher: Acorn Editions, Ltd.

Not on View
Standing Female Figure, buff clay with black chapopote markings, applique details.

Figure, 3rd-8th century

Nopiloa (Veracruz)

Not on View

%C2%A9 Manuel Carrillo

Untitled, 1930-1976

Manuel Carrillo

Not on View

%C2%A9 Manuel Carrillo

Untitled, 1930-1976

Manuel Carrillo

Not on View
poncho, stepped diamond center motif, multi-colored zig-zag stripes, 1-½ in. border, slit in center bound in green velvet, 8 buttons, 5 in. silk fringe, wool weft, cotton warp

Poncho, c. 1850-1900

Mexico

Not on View
one of 15 gelatin silver prints

%C2%A9 Archivo Manuel %C3%81lvarez Bravo SC. All rights reserved.

Bicicletas en Domingo, 1968

Manuel Alvarez Bravo; Publisher: Acorn Editions, Ltd.

Not on View

%C2%A9 Manuel Carrillo

Untitled, 1930-1976

Manuel Carrillo

Not on View

%C2%A9 Manuel Carrillo

Untitled, 1930-1976

Manuel Carrillo

Not on View

%C2%A9 Manuel Carrillo

Untitled, 1930-1976

Manuel Carrillo

Not on View
one of 15 gelatin silver prints

%C2%A9 Archivo Manuel %C3%81lvarez Bravo SC. All rights reserved.

El Perro Veinte, 1958

Manuel Alvarez Bravo; Publisher: Acorn Editions, Ltd.

Not on View

%C2%A9 Manuel Carrillo

Untitled, 1930-1976

Manuel Carrillo

Not on View
one of 15 gelatin silver prints

%C2%A9 Archivo Manuel %C3%81lvarez Bravo SC. All rights reserved.

Dia de Todos Muertos, 1933

Manuel Alvarez Bravo; Publisher: Acorn Editions, Ltd.

Not on View
one of 15 gelatin silver prints

%C2%A9 Archivo Manuel %C3%81lvarez Bravo SC. All rights reserved.

Angel del Temblor, 1957

Manuel Alvarez Bravo; Publisher: Acorn Editions, Ltd.

Not on View

%C2%A9 Manuel Carrillo

Untitled, 1930-1976

Manuel Carrillo

Not on View
one of 15 gelatin silver prints

%C2%A9 Archivo Manuel %C3%81lvarez Bravo SC. All rights reserved.

Carrizo Y Tele, 20th century

Manuel Alvarez Bravo; Publisher: Acorn Editions, Ltd.

Not on View
Seated human figure, ceramic, Mexican (Tlatilco) VIII BC; cat. card dims H 12-1/2 x W 7-1/4'; needs numbering change

Seated figure, 8th century BCE

Tlatilco

Not on View
one of 15 gelatin silver prints

%C2%A9 Archivo Manuel %C3%81lvarez Bravo SC. All rights reserved.

Violin Huichol, 1965

Manuel Alvarez Bravo; Publisher: Acorn Editions, Ltd.

Not on View
one of 15 gelatin silver prints

%C2%A9 Archivo Manuel %C3%81lvarez Bravo SC. All rights reserved.

Paisaje Chamula, 1972

Manuel Alvarez Bravo; Publisher: Acorn Editions, Ltd.

Not on View
one of 15 gelatin silver prints

%C2%A9 Archivo Manuel %C3%81lvarez Bravo SC. All rights reserved.

La Visita, 1917-1981

Manuel Alvarez Bravo; Publisher: Acorn Editions, Ltd.

Not on View
one of 15 gelatin silver prints

%C2%A9 Archivo Manuel %C3%81lvarez Bravo SC. All rights reserved.

Manos en el 210 de Fernandez Leal, 1917-1981

Manuel Alvarez Bravo; Publisher: Acorn Editions, Ltd.

Not on View

%C2%A9 Manuel Carrillo

Untitled, 1930-1976

Manuel Carrillo

Not on View
one of fifteen prints in portfolio

%C2%A9 Archivo Manuel %C3%81lvarez Bravo SC. All rights reserved.

". . .A Fish Called Saw", 1942

Manuel Alvarez Bravo; Publisher: Acorn Editions, Ltd.

Not on View
basket-headed male figure with bowed arms; earthenware with black and red pigment red earthenware with traces of black and buff paint

Basket-headed male figure, 3rd century BCE - 3rd century CE

Jalisco

Not on View
one of fifteen prints in portfolio

%C2%A9 Archivo Manuel %C3%81lvarez Bravo SC. All rights reserved.

Box of Visions, 1930s

Manuel Alvarez Bravo; Publisher: Acorn Editions, Ltd.

Not on View
one of fifteen photographs in portfolio

%C2%A9 Archivo Manuel %C3%81lvarez Bravo SC. All rights reserved.

Sand and Small Pines, 1920s

Manuel Alvarez Bravo; Publisher: Acorn Editions, Ltd.

Not on View
one of fifteen prints in portfolio

%C2%A9 Archivo Manuel %C3%81lvarez Bravo SC. All rights reserved.

Two Women, a Large Blind, and Shadows, 1977

Manuel Alvarez Bravo; Publisher: Acorn Editions, Ltd.

Not on View
one of fifteen prints in portfolio

%C2%A9 Archivo Manuel %C3%81lvarez Bravo SC. All rights reserved.

Growing Landscape, 1972-1974

Manuel Alvarez Bravo; Publisher: Acorn Editions, Ltd.

Not on View
funerary Urn, pottery with gray pigments and traces of re-brown pigments, H.7-3/4 in., W.5-1/2 in. Zapotec culture, probably from Monted Alban IIIb period. Form is that of seated rain deity, Cocijo, with body partly formed by cylindrical urn shaped on back. Cocijo has an elaborate headdress which opens to reveal his face.

Funerary urn, 600-900

Zapotec

Not on View
seated ball player; polychrome figure seated with legs crossed, left hand resting on left knee, and ball held in front of breast in right hand; the figure wears a modelled loin cloth, a band at the neck, flat twisted turban, and large ear plugs with pendant ends; the tattooing of face and body represented by geometric designs in polychrome; the face wears the comic expression and tentative smile often found in the figures of Nayarit, and the arms and legs are characteristically stunted

Figure, 200 BCE - 400 CE

Nayarit

Not on View
Round, thin-walled vessel on three short legs ending in bulbous feet. The legs are hollow and pierced and contain rattles. The belly of the vessel is decorated with a band of half-lozenges with a saw-toothed outer edge terminating in scrolls. On the shoulder a band of s-shapes, and around the neck a band of vertical double lines. Decoration in polychrome. Rim cracked and restored. Fine quality and rare. 15th century A.D. Mixtec Nahua.

Tripod vase, 15th century

Pueblo

Not on View
Remojadas Seated Figure, ceramic, Mexican (Totonac) IV-Xc cat. card dimsH. 7-1/2' NO PHOTO ON CAT. CARD

Figure, 9th century

Totonac

Not on View
Standing male figure, with whip handle in proper right arm wrapping around behind back to proper left arm. Whip, outline of head, and garment around figures waist are red. Black diamond shapes over each eye.

Male figure with a whip, 200 BCE - 400 CE

Nayarit

Not on View
Figure of a Masked Man, missing one leg and with piece of Headdress missing; clay

Figure, 300-999

Huastec

Not on View
Child with Helmet, earthenware, Mexico, Olmec culture, 1000-500BC

Figure, 11th-6th century BCE

Olmec

Not on View
pair of figures, earthenware, fired clay

Joined Figures, 200 BCE - 400 CE

Jalisco

Not on View
Vase, orange and black clay

Vase, 7th-9th century

Maya

Not on View
Head, stone, 'Hacha' type, of hard greyish stone. Animal headress; ears pierced for rings. Mexican (Vera Cruz) cat. card dims H 9 x W 4-1/2'

Hacha, c. 600-900 CE

Nopiloa (Veracruz)

Not on View
Jar in the form of a chubby dog in a slightly crouching position with incised decoration of slanting and zigzag lines on head, back and chest. Back and chest bones emphasized by a line of spines in relief. Sturdy short legs and tail. The mouth is open to show fangs, and the ears are pointed. Spout, with shallow, flaring rim, rises from top of head. Burnished red surface. An important and lively example of a characteristic Colima type.

Vessel in the form of a dog, 3rd century BCE - 4th century CE

Colima

Not on View
Head with spiky headdress made of rolls and balls of clay. The eyes are long and narrow with painted eyeballs. Wide sweeping brows, long, high-bridged nose, and mouth with full lower lip. Solid disk earrings with depression in center. One earring chipped at lower edge. Wooden base.

Head, 1st-5th century

Nopiloa (Veracruz)

Not on View
standing figure, heroic size; figure is bulky, with beast-like feet slightly arched, and stunted arms, the left bent, hand on stomach, the right bent up to hold a jar on the right shoulder; narrow head with long pointed chin, large hooked nose with plug, bulbous eyes, and huge round ear plugs pierced in the center; the figure wears a flat band headdress, bracelets, an epaulette on the left shoulder, and a sashed skirt with geometric patterns painted in polychrome; details of body also painted

Figure, c. 100-200

Nayarit

Not on View
Crouching figure of warrior with two leg-like supports in back. Around the upper body is a shield from which the arms emerge, holding a notched club up to the righ shoulder ready for a strike. Helmet with incised design topped by two standing dogs in full relief. Shield incised with lozenge design. The face is full, with small mouth and eyes, nose plug and ear plugs. Polychrome designe of lower shield and body badly worn. Cracks at right and left center in back.

Warrior Figure, 100 BCE - 500 CE

Jalisco

Not on View
Female Figure wearing a necklace and ear ornaments, with a headdress with cockscomb-like ornament, part of which is broken away; burnished tan ceramic, earthenware, Mexico, Veracruz, Huaztec, 400-800AD

Female Figure, 400-799

Huastec

Not on View
bowl, with dark red slip criss-cross decoration and 3 bands around rim; burnished buff clay inside, red slip outside; ceramic, W. Mexican (Michoacan), n.d. cat. card dims H.3-3/8 x Dia. 7-3/8 in.

Bowl, Date Unknown

Michoacán

Not on View
seated dog with tail curling down, Chinesca style, standard belly indentation; beige clay with burnished cream slip, heavy incrustations, on backside large area is darker- possibly due to firing.

Seated dog, 250 BCE - 200 CE

Nayarit

Not on View
holding staff to ground with left hand, red slip on brown earthenware

Standing Male Figure, 3rd-6th century

Colima

Not on View
seated male figure, one of a pair, San Juanita Escobedo style, red and black slip on buff earthenware, MALE FIGURE, raised knees, holding bowl and staff.

Seated Male Figure, 3rd-7th century

Jalisco

Not on View
seated figure, ceramic, West Mexican, Jalisco 300-600 AD

Figure, 3rd-7th century

Jalisco

Not on View
standing figure, with abbreviated flipper-like arms, hole in top of head; protruding ears; enlarge thighs; grey clay with traces of red pigment

Standing figure, c. 1150-500 BCE

Morales

Not on View
seated female figure, one of a pair, San Juanita Escobedo style, red and black slip on buff earthenware, FEMALE FIGURE, legs extended and hands raised

Seated Female Figure, 3rd-7th century

Jalisco

Not on View
standing female figure, mold made, elaborate headdress, cream slip on red earthenware

Standing female figure, 6th-9th century

Nopiloa (Veracruz)

Not on View
figure of a man carrying an urn on his back, hands held to tumpline on the back of his neck, red clay, Mexican (Colima) 200-700AD

Figure of a man with an urn on his back, 200-700

Colima

Not on View
round bottomed, bean shaped bowl; decorated with off-white pigment on dark red ground; off-white zig-zag and striping on outside wall, inside is off-white, below 1-1/2 inch band of dark red

Bowl, 4th-2nd century BCE

Michoacán

Not on View
round body with small tripod feet; top 2/3 of body covered with raised pyramid-shaped projections; domed lid has upper section of pyramid projections and leaf motifs; glazed green with clear glaze on interior

Water cooler, 1950s

Michoacán

Not on View

Art %C2%A9 Tamayo Heirs %2F Mexico %2F Licensed by VAGA at Artists Rights Society %28ARS%29%2C NY

Desnudo en gris, 1959

Rufino Tamayo

Not on View

Art %C2%A9 Tamayo Heirs %2F Mexico %2F Licensed by VAGA at Artists Rights Society %28ARS%29%2C NY

Desnudo en naranja, 1959

Rufino Tamayo

Not on View

Art %C2%A9 Tamayo Heirs %2F Mexico %2F Licensed by VAGA at Artists Rights Society %28ARS%29%2C NY

Mujer, 1959

Rufino Tamayo

Not on View

%C2%A9 2012 Artists Rights Society %28ARS%29%2C New York %2F SOMAAP%2C Mexico City

"Music is a Higher Revelation than Philosophy" Beethoven, 1966

José Luis Cuévas; Printer: Ernesto de Soto; Publisher: Tamarind Lithography Workshop, Los Angeles (now Albuquerque, N.M.)

Not on View

Art %C2%A9 Tamayo Heirs %2F Mexico %2F Licensed by VAGA at Artists Rights Society %28ARS%29%2C NY

Hombre en negro, 1960

Rufino Tamayo

Not on View

%C2%A9 2012 Artists Rights Society %28ARS%29%2C New York %2F SOMAAP%2C Mexico City

Portrait of William Spratling, Taxco, 1931

David Alfaro Siqueiros; Printer: George C. Miller

Not on View

Art %C2%A9 Tamayo Heirs %2F Mexico %2F Licensed by VAGA at Artists Rights Society %28ARS%29%2C NY

Cabeza (Lunático), 1959

Rufino Tamayo

Not on View

Art %C2%A9 Tamayo Heirs %2F Mexico %2F Licensed by VAGA at Artists Rights Society %28ARS%29%2C NY

Mujer india, 1959

Rufino Tamayo

Not on View

Art %C2%A9 Tamayo Heirs %2F Mexico %2F Licensed by VAGA at Artists Rights Society %28ARS%29%2C NY

Niña a la Puerta, 1960

Rufino Tamayo

Not on View
seated figure with short legs outstretched, hands on knees; vessel opening on back of figure; figure has protruding lips, uneven eyes and pierced ears

Vessel, c. 800

Colima

Not on View
Rope bag finely knitted with a long leather strap. natural color.

Man's bag, c. 1985

Tzotzil Maya

Not on View
incised with various decorations; each has a hole through center; all strung together

Spindle Whorl, one of sixteen, 15th century

Mexico

Not on View
hole through center of each; strung together with jade earplugs (L96.173.3.1-15)

Bead, one of six, 15th century

Mexico

Not on View
incised with various decorations; each has a hole through center; all strung together

Spindle Whorl, one of sixteen, 15th century

Mexico

Not on View
hole through center of each; strung together with jade beads (L96.173.4.1-6)

Earplug, one of 15, 15th century

Mexico

Not on View
incised with various decorations; each has a hole through center; all strung together

Spindle Whorl, one of sixteen, 15th century

Mexico

Not on View
incised with various decorations; each has a hole through center; all strung together

Spindle Whorl, one of sixteen, 15th century

Mexico

Not on View
hole through center of each; strung together with jade beads (L96.173.4.1-6)

Earplug, one of 15, 15th century

Mexico

Not on View
incised with various decorations; each has a hole through center; all strung together

Spindle Whorl, one of sixteen, 15th century

Mexico

Not on View
hole through center of each; strung together with jade beads (L96.173.4.1-6)

Earplug, one of 15, 15th century

Mexico

Not on View
incised with various decorations; each has a hole through center; all strung together

Spindle Whorl, one of sixteen, 15th century

Mexico

Not on View
incised with various decorations; each has a hole through center; all strung together

Spindle Whorl, one of sixteen, 15th century

Mexico

Not on View
incised with various decorations; each has a hole through center; all strung together

Spindle Whorl, one of sixteen, 15th century

Mexico

Not on View
hole through center of each; strung together with jade earplugs (L96.173.3.1-15)

Bead, one of six, 15th century

Mexico

Not on View
hole through center of each; strung together with jade earplugs (L96.173.3.1-15)

Bead, one of six, 15th century

Mexico

Not on View
incised with various decorations; each has a hole through center; all strung together

Spindle Whorl, one of sixteen, 15th century

Mexico

Not on View
hole through center of each; strung together with jade earplugs (L96.173.3.1-15)

Bead, one of six, 15th century

Mexico

Not on View
hole through center of each; strung together with jade beads (L96.173.4.1-6)

Earplug, one of 15, 15th century

Mexico

Not on View
hole through center of each; strung together with jade beads (L96.173.4.1-6)

Earplug, one of 15, 15th century

Mexico

Not on View
hole through center of each; strung together with jade beads (L96.173.4.1-6)

Earplug, one of 15, 15th century

Mexico

Not on View
incised with various decorations; each has a hole through center; all strung together

Spindle Whorl, one of sixteen, 15th century

Mexico

Not on View
hole through center of each; strung together with jade beads (L96.173.4.1-6)

Earplug, one of 15, 15th century

Mexico

Not on View
hole through center of each; strung together with jade beads (L96.173.4.1-6)

Earplug, one of 15, 15th century

Mexico

Not on View
hole through center of each; strung together with jade beads (L96.173.4.1-6)

Earplug, one of 15, 15th century

Mexico

Not on View
incised with various decorations; each has a hole through center; all strung together

Spindle Whorl, one of sixteen, 15th century

Mexico

Not on View
hole through center of each; strung together with jade beads (L96.173.4.1-6)

Earplug, one of 15, 15th century

Mexico

Not on View
incised with various decorations; each has a hole through center; all strung together

Spindle Whorl, one of sixteen, 15th century

Mexico

Not on View
incised with various decorations; each has a hole through center; all strung together

Spindle Whorl, one of sixteen, 15th century

Mexico

Not on View
incised with various decorations; each has a hole through center; all strung together

Spindle Whorl, one of sixteen,