showing 300 of 17247 results matching `country:"France"`. (load 200 more)

Portrait. Mythology. History. Oval. — Portrait of Mlle. Lange as Danae, 1799
Anne-Louis Girodet de Roussy-Trioson

G306

Historical. Death of Germanicus Caesar; he is lying on his death-bed with his wife Agrippina grieving at his bedside. — The Death of Germanicus, 1627
Nicolas Poussin

G313

Bust of Diana, Jean Alexandre Joseph Falguière — Bust of Diana, 19th century
Jean Alexandre Joseph Falguière

G319

Genre. Cubist. Seated man and woman. — Married Life, 1912
Roger de la Fresnaye

G367

standing male nude; represents man awakening to a fuller comprehension of his physical powers — The Age of Bronze, 1876–77 (plaster model); casting date unknown
Auguste Rodin; Caster: Alex Rudier Fondeur

G355

The Fugitives, Honoré Daumier — The Fugitives, c. 1868–70
Honoré Daumier

G354

bas-relief; the bronze was cast by Siot-Decauville and bears the number 4 — The Fugitives, modeled c. 1850 (casting date unknown)
Honoré Daumier

G354

Landscape with cattle — Fontainebleau Oaks, c. 1840
Jules Dupré

G321

Bagpipes Bagpiper — The Bagpiper, 1910-1911
André Derain

G367

Impressionist. Brook with a bridge. — The Japanese Bridge, c. 1923-1925
Claude Monet

G377

Snow, Boulevard de Clichy, Paris, Paul Signac — Snow, Boulevard de Clichy, Paris, 1886
Paul Signac

G351

The right-hand half of a pair of decorations painted by Vuillard for Dr. Vaquez in 1912-1913; shows the junction of the Boulevard Haussmann and Boulevard Malesherbes at the Place St. Augustin as seen from a café at the Rue de la Pépinière — Place Saint-Augustin, 1912-1913
Edouard Vuillard

G355

Interior — The Sunny Room, c. 1920
Edouard Vuillard

G351

Fauve. London: Church. St. Paul's Cathedral — London: St. Paul's Cathedral seen from the Thames, 1906
André Derain

G371

Worship and devotion non-Christian religions — Young Greeks in the Mosque, 1865
Jean-Léon Gérôme

G357

Harbor in Italy — Imaginary Landscape, Italian Harbor Scene, 1746
Claude-Joseph Vernet

G307

Light golden brown patination. After the monument in Dijon, France, commissioned 1852. — Hebe and the Eagle of Jupiter, model c. 1853-55 (casting history and edition size unknown)
François Rude; Caster: Thièbaut Frères

G354

Part of a series of 12 paintings by Vouet of angels holding symbols of the Passion; other is 69.36.2 — Angels with Attributes of the Passion: Angel Holding the Vessel and Towel for Washing the Hands of Pontius Pilate, 1627
Simon Vouet

G313

sketchy portrait of a man with bushy brown hair, small beard and mustache, wearing a dark suit with a white shirt; abstracted foliage in background with bit of sky at UL corner. Painted entirely en plein air. — Portrait of the Artist Alphonse Legros, 1856
Henri Fantin-Latour

G354

Silenus, Jean-Baptiste-Camille Corot — Silenus, 1838
Jean-Baptiste-Camille Corot

G321

Old base (b) R5A2.1 MS — Psyche Abandoned, c. 1800
Augustin Pajou; Caster: Possibly Pierre-Philippe Thomire

G306

Light yellow interior; short, bulbous body resting on a splaying foot with a flaring wide neck; neck decorated with 3 circular cartouches surrounding horses with crowns on their backs and dark blue pseudo-Islamic text against a light blue ground; white 'text' and foliage on body; floral designs on foot — Vase in the form of a mosque lamp, c. 1870
Joseph-Théodore Deck

G243

Cast c.1841 after plaster model of 1831. Signed P.Grass (on right side of base). Inscribed 'ICARE. D'apres la statue en bronze detruite en 1870 à Strasbourg' on front edge of base. Foundry mark Eck et Durand (on back of base). — Icarus Making Trial of His Wings, modeled 1831
Philippe Grasse

G321

'The Three Graces', plaster, French XIXc cat. card dims H 32-1/2 x W 18-1/2'; measurements above of base and sculpture; Base (b) is on R5A3.2 MS — Les Trois Grâces (The Three Graces), c. 1872
Jean-Baptiste Carpeaux

G321

Saint John the Baptist in the Wilderness in a loin cloth reclining on red drapery under a tree by a stream with his hands clasped with the lamb and the cross by his side. in the clouds above are seven infant Angels' heads — Saint John the Baptist, c. 1755
François Boucher

G308

Bureau de Dame, Jean Gaspard Feilt, kingwood, oak, marquetry, gilded bronze mounts, French XVIII listed on cat. card as Louis XV Lady's Writ- ing Desk; Dims 38-1/4 x 41-1/2 x 23-1/2'; 6/88: a-desk; b-j-drawers; k-l lower drawers; key — Lady’s writing desk, c. 1750
Jean Gaspard Feilt

G314

Clock with vestals, Pierre-Philippe Thomire; Manufacturer: Clockworks by Sauvageot — Clock with vestals, c. 1790
Pierre-Philippe Thomire; Manufacturer: Clockworks by Sauvageot

G314

Venus and Adonis, Nicolas Mignard (Mignard d'Avignon) — Venus and Adonis, c. 1650
Nicolas Mignard (Mignard d'Avignon)

G330

Barbizon landscape, northeastern France, Fontainebleau forest — The Crossroads of the Eagle’s Nest, Fontainebleau Forest, 1843-1844
Charles-François Daubigny

G321

View of Tangier, Eugène Delacroix — View of Tangier, 1852-1853
Eugène Delacroix

G357

crouching female figure with swags of a variety of flowers on an oblong octagonal base — Flora Kneeling, c. 1871
Jean-Baptiste Carpeaux

G324

Hot water kettle, from a five-piece coffee and tea set, Jean Puiforcat; Maker: Emile Puiforcat Silversmiths — Hot water kettle, from a five-piece coffee and tea set, 1925
Jean Puiforcat; Maker: Emile Puiforcat Silversmiths

G379

Landscape. Romantic landscape with large trees, and a bridge suspended between two great rocks. In the foreground groups of figures strolling, talking and riding. This scene painted at the Chateau de Méréville. Park Méréville — The Rustic Bridge, Château de Méréville, France, c. 1785
Hubert Robert

G306

Landscape with deer — Deer in the Forest, 1868
Gustave Courbet

G321

Mary Magdalene, Attributed to Nikolaus Gerhaerts van Leyden — Mary Magdalene, c. 1460
Attributed to Nikolaus Gerhaerts van Leyden

G342

Portrait — Portrait of Charlotte of France, c. 1522
Jean Clouet the Younger

G342

plant-covered boulders in foreground, a large branch or tree has broken off and lays atop the boulders with brown dying leaves toward left background; lush dense forest spotted by birch trees at background. — The Fallen Branch, Fontainebleau, c. 1816
Achille Etna Michallon

G321

white cottage with slanted roof at L; trees behind - tallest with turning leaves; woman on path with a pony; figures at R by haystack — Caretaker's Cottage in the Forest of Compiegne, 1826
Paul Huet

G321

stairway around a fountain in a garden; tall trees at L; 2 sculptures at overlook at top of stairs at center; figures at LLC and at overlook — The Grand Staircase of the Villa d'Este at Tivoli, 1760
Jean-Honoré Fragonard

G310

Cubist still life. — Table and Fruit, 1909
Fernand Léger

G367

covered vase, cat. card does not list 'a-b' for vase and lid; white ground, painted with turquoise and gold circle-and-dot pattern (oeil-de-perdrix); the wide decorative bands are adorned with exotic birds and chinoisirie. The subjects and decorative grounds link them to a pair in the collection of Queen Elizabeth thought to have been bought by Marie Antoinette in 1779. The similar oeil-de-perdix of both pairs may be attributed to Vincent Taillandier, who specialized in this type of patterned ground — Covered vase, one of a pair, 1780
Sèvres Porcelain Factory; Decorator: Fallot (birds); Decorator: Charles-Eloi Asselin (figures); Decorator: Vincent Taillandier (ground pattern); Maker: Jean-Claude-Thomas Duplessis (gilt-bronze mounts)

G310

View of Mont Blanc, Seen from La Faucille, Théodore Rousseau — View of Mont Blanc, Seen from La Faucille, c. 1865
Théodore Rousseau

G321

landscape with farm field in foreground, church in background, and low buildings and sheep in middle ground — The Church at Chailly, 1868-1869
Jean-François Millet

Not on View

Convulsionists of Tangier, Eugène Delacroix — Convulsionists of Tangier, 1837-1838
Eugène Delacroix

G321

Venice. Church. San Marco. — The Piazza San Marco, Venice, 1881
Pierre Auguste Renoir

G351

La Place du Théâtre Français (Pluie) — Place du Théâtre Français, Paris: Rain, 1898
Camille Pissarro

G355

The Smoker, Édouard Manet — The Smoker, 1866
Édouard Manet

G351

two goat herders seated on the left bank of a river amidst their flock; classical ruins at left side and background left center on hillside; across river stand two pair of deer under the shadow of a large tree — Pastoral Landscape, 1638
Claude Gellée (called Le Lorrain)

G313

Nabi. Tahiti. Landscape with two females and a dog. — I Raro Te Oviri (Under the Pandanus), 1891
Paul Gauguin

G355

Mademoiselle Hortense Valpinçon — Portrait of Mlle. Hortense Valpinçon, c. 1871
Edgar Degas

G351

Landscape. Chestnut trees. Impressionism. — Chestnut Trees at Jas de Bouffan, c. 1885-1886
Paul Cézanne

G355

General Brune, 1763-1815, was commander-in-chief of the army of Italy and of the French forces in Switzerland; in this portrait he wears 'petit uniforme' of a general of an artillery division — Bust of General Guillaume Brune, c. 1800
Joseph Chinard

G310

Clock, Jean-Antoine Lepine; Painter: Joseph Coteau — Clock, c. 1789
Jean-Antoine Lepine; Painter: Joseph Coteau

G314

Louis XV style ormolu-mounted parquetry commode; marble top, in bois satiné with purpleheart borders; the front has two drawers with shallow cupboards at the sides, the mounts with crowned C marks — Commode, c. 1745
attributed to Charles Cressent

G318

Mother and child seated in field with tree in background and water in foreground. The mother holds an apple in her hand — Temptation, 1880
William-Adolphe Bouguereau

G357

Portrait. Madame Aubry wears an ultramarine blue velvet dress, cloak lined with flowered brocade and a bodice of silver lamé with lace and rose ribbon. Her hand touches a whippet which may have belonged to the artist as it appears in other portraits. Her hair is styled à la Fontanges. She married into a family from Tours and later became the Marquise de Castelnau in the Berry region near Bourges. — Portrait of Catherine Coustard, Marquise of Castelnau, Wife of Charles-Léonor Aubry with Her Son Léonor, c. 1700
Nicolas de Largillière

G308

Still life. Neoclassicism. — The Attributes of the Arts and the Rewards Which Are Accorded Them, 1766
Jean-Baptiste-Siméon Chardin

G306

Wheatstack — Grainstack, Sun in the Mist, 1891
Claude Monet

G355

Portrait of a woman — Portrait of Countess Maria Theresia Bucquoi, née Parr, 1793
Elisabeth Louise Vigée-Le Brun

G306

cast no. 2/10; figure — Large Seated Nude, c. 1923–1925
Henri Matisse

G377

Cubist landscape — The Viaduct at L'Estaque, 1907
Georges Braque

G367

Harbor. Pointillism. — Blessing of the Tuna Fleet at Groix, 1923
Paul Signac

G355

Nude female figure lying on a flowered couch — Nude on a Couch, c. 1880
Gustave Caillebotte

G351

Pointillism. Landscape. Fishing port. — Port-en-Bessin, 1888
Georges Seurat

G355

triptych, enamel on copper; the center panel holds images of the Madonna and Chld, St. John the Divine, St. Louis and Louise de Bourbon, an Abbess of Fontevrault; the left and right panels each contain an image of a prophet; inscriptions accompany each figure; at the bottom center of central panel is a white plaque, also bearing an inscription and coat of arms — Triptych with the Madonna and Child, saints, and prophets, 1538
Pierre Reymond

G342

Recumbent female nude bathing in a shallow circular bathtub — Woman in a Bathtub, 1889 (modeled), 1920-21 (cast)
Edgar Degas; Caster: A.-A. Hébrard et Cie, Paris

G351

Seduction — The Poorly Defended Rose, 1789
Michel Garnier

G317

Bacchante and Satyr, Jean-Baptiste Auguste Clésinger — Bacchante and Satyr, 1869
Jean-Baptiste Auguste Clésinger

G317

Caffieri, 'Portrait Bust of M. De Neuville', marble, French XVIIIc. cat. card dims H. 21' x W. 22'; base to bust stored as well 11-1/4' x 8' x 8' — Portrait Bust of M. de Neuville, Captain of Artillery and Comptroller General, c. 1780
Attributed to Jean-Jacques Caffieri

G317

buildings and bridges with water in foreground; church left of center — Le Pont de Moret, 1888
Alfred Sisley

G351

Château d’Ornans, Gustave Courbet — Château d’Ornans, 1855
Gustave Courbet

G321

Through Birds, Through Fire but Not Through Glass, Yves Tanguy — Through Birds, Through Fire but Not Through Glass, 1943
Yves Tanguy

G376

triangular with clipped corners; stemmed cup with footed base; removable liner; slightly domed cover with three-dimensional finial of male figure wearing lion skin, holding a club aloft, with a three-headed dog held by chains; stem has a satyr in three dimensions seated next to cattails; grape vines twisting behind satyr; Classical themes, hunting and battle scenes and various scrollwork overall in high and low relief — Masterpiece cup and cover, 1746
Johann Friedrich Baer

G350

The Anointing of the Body, copper, enamel frieze — The Entombment of Christ, c. 1250
France

G340

Boy with Butterfly Net, Henri Matisse — Boy with Butterfly Net, 1907
Henri Matisse

G371

Sugar bowl with cover, from a five-piece coffee and tea service, Jean Puiforcat — Sugar bowl with cover, from a five-piece coffee and tea service, 1925
Jean Puiforcat

G379

Coffee pot, from a five-piece coffee and tea service, Jean Puiforcat — Coffee pot, from a five-piece coffee and tea service, 1925
Jean Puiforcat

G379

Covered two-handled faience tureen with pierced basket-weave stand; stand decorated with a landscape containing ruins and with insects painted in carmine; border outlined in purple; tureen has four sea-scroll feet; body decorated with landscape containing ruins and with more insects painted in carmine, and with acanthus motif in purple; border of tureen has painted scallop edge; pierced basket-weave lid, outlined in purple, with bunch of chestnuts painted in green and brown serving as finial — Covered tureen with stand, 18th century
France

G324

Bowl on a triangular pedestal — Centerpiece coupé (bowl), c. 1927-1928
M. Desnet; Designer: René Nauny; Manufacturer: La Maison Desny

G379

Hexagonally lobed faience melon ball plate; brown rim; edge contains three groups of flowers in delicate shades of pink, rose and purple typical of Niderviller; center contains a three-dimensional group of green-glazed fruits; marked with monogram of the Comte de Cuisine, the donor of the factory — Melon ball plate, 1770–93
France

G324

covered faience bowl in shape of a melon; vine and leaves forming handle; bottom half is attached to a lobed platter with flowers (rose and tulip at either end) — Covered bowl, c. 1749–60
France

G324

Creamer, from a five-piece coffee and tea service, Jean Puiforcat — Creamer, from a five-piece coffee and tea service, 1925
Jean Puiforcat

G379

faience figure of a gardener boy supported by a tree stump and leaning on a shovel; wearing a green coat; holding an apple in his right hand; with a watering can at his feet — Figure, one of a Pair, c. 1800
Niderviller Porcelain Manufactory

G324

Spitting cup with handle; brown decorations on scalloped edge; sprays of flowers scattered over surface; few yellows, primarily blues and reds; blue underglaze — Spitoon, 1749–60
Paul Antoine Hannong

G324

Teapot, from a five-piece coffee and tea service, Jean Puiforcat — Teapot, from a five-piece coffee and tea service, 1925
Jean Puiforcat

G379

faience figure of a woman standing bare-foot on grassy mound in chintz-like peasant clothes; she leans on a tree stump, over her right arm a flower basket and in her left hand a large blossom; refined in shape and painting, these figures are much more delicate than those seen at Strasbourg during the same period — Figurine, one of a pair, 18th century
France

G324

Figure of youth seated on stump of a tree, holding a hurdy-gurdy on crossed legs; colored in reddish brown, blue and green — Figurine, 1740–60
Paul Antoine Hannong

G324

Side chair with embossed leather upholstery. Made for the Dining Room at L'Art Nouveau Bing. The front two legs divide into three pieces, one rising to the center front, one to front corner and the third rises to the join of the seat and back leg and then continues visually, curving slightly upward to the top of the back of the chair. The leather upholstery is tooled in a motif of interlacing flowing ribbons. A separate piece of tooled leather covers the join of the seat and the wooden frame. — Side chair, 1900
Eugène Gaillard

G352

One of a set of four arm chairs (fauteuil) with flat sheild shaped backs in carved and gilded wood. Top of back decorated with carved oak leaves, garlands, ribbons, acanthus leaves, interlaces and laurel leaves. Legs with twisted grooves. Traces of old labels and cachets of red wax. Upholstery in yellow silk, blue and cream designs of cupids, animals,leaves and draperies. — Fauteuil, one of a set of four, c. 1785
Jean-Baptiste-Claude Sené

G314

Diamond shaped two-handled faience covered tureen with four scroll feet, decorated with polychrome flowers and insects; stylized artichoke finial — Covered tureen, c. 1748–54
France

G324

with arched, padded back within molded frame crisply carved with twin rose blossoms, summer flowers and guilloche, with padded acanthus-carved scroll arms above incurved supports carved as entwined reeded cornucopiae with crisp floral bouquets; the loose cushion seat within molded ancanthus - carved seat rail, on short cabriole legs haeded by paterae and acanthus, ending in scroll toes; upholstered in floral striped silk. — Duchesse d'enfant brisée (child’s day bed), c. 1780
Georges Jacob

G314

Commode, Antione (Pierre-Antoine) Foullet — Commode, c. 1775-1800
Antione (Pierre-Antoine) Foullet

G314

Janus, Max Ernst — Janus, modeled 1973 (cast 1975)
Max Ernst

G376

Study for the Assumption of the Virgin, Jean-Baptiste Deshays — Study for the Assumption of the Virgin, 1758
Jean-Baptiste Deshays

G314

Figure; This work was cast posthumously from a terracotta sketch, ca. 1900; casting history and edition size unknown — Dancer Putting on Her Stocking, 19th century
Edgar Degas

G351

Corner cabinet (Encoignure), Jean-Chrysotome Stumpff — Corner cabinet (Encoignure), c. 1770–80
Jean-Chrysotome Stumpff

G314

A Torrent at Romagnes, Jean-Baptiste-Camille Corot — A Torrent at Romagnes, after 1862
Jean-Baptiste-Camille Corot

G321

Self-portrait of the artist, three quarter length. — Self-Portrait, 1786
Jean-Laurent Mosnier

G314

Bureau Plat, wood, ormulo mounts, leather top, French XVIIIc Cat. card dims H 32-1/4' x W 76' x 42', Charles Chevalier - furniture maker — Desk, c. 1750
Charles Chevallier

G314

Louis XVI Cabinet (Meuble D'Entre Deux) — Cabinet, c. 1765
Claude Charles Saunier

G314

a. clock; b. wood piece to cover clock bell; c. cupid which surmounts bell; d. wall bracket — Wall clock with bracket, c. 1725
attributed to Charles Cressent; Maker: Abraham Gudin; Maker: Jacques Gudin; Designer: André Charles Boulle

G314

Stouf's representation of the saint shows him standing and looking down at two dead infants at his feet. His facial expression registers his horror at he devastations of the "Fronde"--the civil war of 1648-1653. The resultant life-size statue was the sculptor's first major work. — Saint Vincent de Paul, c. 1787
Jean Baptiste Stouf

G324

Figure standing in flowing robes with dove, round grassy base with tree stump. — Allegorical Figure of Peace, c. 1780
Sèvres Porcelain Factory

G324

covered vase, cat. card does not list 'a-b' for vase and lid; white ground, painted with turquoise and gold circle-and-dot pattern (oeil-de-perdrix); the wide decorative bands are adorned with exotic birds and chinoisirie. The subjects and decorative grounds link them to a pair in the collection of Queen Elizabeth throught to have been bought by Marie Antoinette in 1779. The similar oeil-de-perdix of both pairs may be attributed to Vincent Taillandier, who specialized in this type of patterned ground — Covered vase, one of a pair, 1780
Sèvres Porcelain Factory

G310

building facade with clock face at top; 2 treelike elements in front; details in gold — Tzedakah Box, 19th century
France

G362

Madonna and Child, polychromed limestone, French XIVc. — Virgin and Child, 14th century
France

G340

Figure of a man seated on a tree stump, wearing a yellow-lined blue cape, tied in a knot in front; he holds a black and white spotted dog on his lap — Figurine, c. 1740–60
France

G324

teapot, silver; floral repousee chased pear design body with scroll legs, spread falcon finial — Teapot, c. 1860
Jean-François Veyrat

G350

saucer, cermaic-porcelain, cup and saucer from a dejeuner, painted with portraits of Louis XVI and Marie Antoinette; the crossed L's in the foliage refer to Louis, and much of the iconography (rings, birds, etc.) refer to a marriage or betrothal — Saucer, 1770–74
Sèvres Porcelain Factory

G324

Mythology Telemachus Eucharis Mentor Minerva — Telemachus and Eucharis, 1824
Raymond Auguste Quinsac Monvoisin

G310

Modello or sketch for porte montre (watch stand), c. 1780
France

G314

Mythology, The Odyssey, Calypso mourning over Odysseus on isle of Ogygia — Calypso, 1869
Henri Lehmann

G357

polished cast-iron with fountain motif; two removable feet; originally backed with a fine wire mesh screen — Firescreen, c. 1923
Edgar Brandt

G379

Peasant Girl at the Spring, Jean-Baptiste-Camille Corot — Peasant Girl at the Spring, c. 1860-65
Jean-Baptiste-Camille Corot

G354

Daedalus Attaching the Wings to his Son, Icarus, France — Daedalus Attaching the Wings to his Son, Icarus, early 18th century
France

G310

Saint Ambrose Father of the Catholic Church — Saint Ambrose, 1623 or 1625
Claude Vignon

G330

Part of a series of 12 paintings by Vouet of angels holding symbols of the Passion; another is 69.36.1 (angel holding vessel and towel for washing the hands of Pontius Pilate) — Angels with Attributes of the Passion, the Superscription from the Cross, 1627
Simon Vouet

G313

10-1/2 x 18-1/4' — Evocation of Love, 1850-55
Jean-Baptiste-Camille Corot

G354

oval faience bowl with scalloped edge; rim decorated in brown; twisted branches entwining rocaille scroll-form handles; both interior and exterior are decorated with roses, tulips, cowslips and other small flowers; lip at either end decorated with rococo scrollwork and stripes — Sauce boat, 1749–60
Paul Antoine Hannong

G324

oval-shaped shallow bowl painted with a central tied-flower spray within a border of foliage scrolls and flowers suspending drapery; supported on four dolphin and female mask legs resting on an oval-shaped stepped base with stylized flowers and foliage — Compote, c. 1749–60
France

G324

deep faience plate of fluted hexagonal shape; rim edged with green-brown glaze; center of plate contains chinoserie motif of a standing flower with a walking stick; flowers of Indianische Blumen type encircle plate edge; on reverse, two sets of stilt marks visible; colors are blue, yellow and green — Plate, c. 1760–80
Joseph A. Hannong

G324

Beyerle period covered faience tureen; lid finial of lobster, mushroom and leeks; decoration of flowers in delicate rococo style all over body — Covered tureen, c. 1755
France

G324

View of Tangier from the Seashore, Eugène Delacroix — View of Tangier from the Seashore, 1856–1858
Eugène Delacroix

G321

Genre. — Gathering of Gamblers with Hurdy-Gurdy Player, c. 1660
Master of the Procession

G310

Eurydice, while fleeing from Aristaeus, is killed by a snake. — The Wounded Eurydice, c. 1868-70
Jean-Baptiste-Camille Corot

G354

Backstage at the Théâtre de l'Oeuvre, Edouard Vuillard — Backstage at the Théâtre de l'Oeuvre, c. 1894
Edouard Vuillard

G351

large four-footed bombe faience tureen; all-over rocaille decoration in carmine, blue-yellow and brown; large rococo scrolls form handles on both ends; lid in shape of large leaf, divided into four quadrants, where small sprays of flowers are found; faience platter with carmine and yellow edge matching tureen; center contains one large carmine rose, and three small sprays of flowers — Soup tureen and stand, c. 1755
Paul Antoine Hannong

G209

faience soup plate of lobed octagonal shape; rim edged with green-brown glaze; chinoiserie scene in center; edge of plate is completed with the application of small sprays of flowers of the indianische blumen type; reverse shows double set of stilt marks, typical of petit feu wares — Plate, c. 1760–80
Joseph A. Hannong

G324

a bronze reduction fabricated by an unknown craftsman after a larger marble begun by Marsys and completed by Flamen — Boreas Abducting Orithyia, c. 1700
after Gaspard Marsy; Sculptor: after Anselme Flamen

G310

Corner cabinet (Encoignure), Jean-Chrysotome Stumpff — Corner cabinet (Encoignure), 18th century
Jean-Chrysotome Stumpff

G314

stem in form of a swagged tripod gueridon surmounted by heads of putti; supported on a base reserved with garland trophies and with nozzles overlaid with swags — Candlestick, one of a pair, c. 1780
France

G317

oil lamp converted into electrified hanging lamp; candelabra with 4 candle cups (converted to lamp sockets) extending from scrolling arms near base; four organic, protruding arms near top above candle cups; applied star-shaped base with separate cup-shaped hanging pendant; electrical works removed per request of E. Maurer for installation 6/16/2000 — Hanging lamp for Sabbath and festivals, 19th century
France

G362

prancing horse, facing left, with feathery webbed feet in place of hooves; horse has a tasseled blanket on its back; feathery cresting decorative scrolling waves — "Chevaux Marin" (seahorse) chenet, one of a pair, c. 1745-1750
France

G318

prancing horse, facing right, with feathery webbed feet in place of hooves; horse has a tasseled blanket on its back; feathery cresting decorative scrolling waves — "Chevaux Marin" (seahorse) chenet, one of a pair, c. 1745-1750
France

G318

with arched, padded back within molded frame crisply carved with twin rose blossoms, summer flowers and guilloche, with padded acanthus-carved scroll arms above incurved supports carved as entwined reeded cornucopiae with crisp floral bouquets; the loose cushion seat within molded ancanthus - carved seat rail, on short cabriole legs haeded by paterae and acanthus, ending in scroll toes; upholstered in floral striped silk. — Duchesse d'enfant brisée (child’s chair), c. 1780
Georges Jacob

G314

three men in a chariot at left, with one man stepping in at back; two groomsmen lead two horses pulling chariot; men dressed in various Classical draperies; framed and glazed with glass — Model for a bronze mount (chariot scene), c. 1808
Pierre-Philippe Thomire

G314

Art Nouveau-style doorway surround with V-shaped top; door itself painted on mirror behind plaster surround; young female nude in ULC, young male nude in URC; woman's head at center above door — Model of the doorway for 29 Avenue Rapp, Paris, 1901
Jules Marie-Aimé Lavirotte

G352

One of a set of four arm chairs (fauteuil) with flat sheild shaped backs in carved and gilded wood. Top of back decorated with carved oak leaves, garlands, ribbons, acanthus leaves, interlaces and laurel leaves. Legs with twisted grooves. Traces of old labels and cachets of red wax. Upholstery in yellow silk, blue and cream designs of cupids, animals,leaves and draperies. — Armchair (fauteuil), one of a set of four, c. 1785
Jean-Baptiste-Claude Sené

G314

Glass with metal inclusions; presented in wrought-iron mounts — Vase with metal mounts, c. 1930
Daum Frères; Designer: Mountmaker: Louis Majorelle

G379

large vase with iridescent glaze, floral decoration — Monumental vase, 1902
Jacques Sicard; Maker: Weller Pottery

G379

Vase in gourd form with narrow neck; red with yellow and blue — Vase, c. 1900
Pierre-Adrien Dalpayrat; Maker: Dalpayrat et Lesbros

G352

Cameo art glass formed as an open lotus-like blossom with a long throat set into a bronze socle of leafage — "Corolla" lamp, c. 1900
Émile Gallé

G379

silver with inlaid enamel work (champlevé) and engraved decoration; removable cap with tube insert — Caviar server, 1905
Jules Auguste Habert-Dys

G379

Vessel with handle incised with whiplash tendrils at top and bottom points of handle — Pitcher, c. 1900
Pierre-Adrien Dalpayrat

G379

Gourd shaped vase with long, thin neck decorated in relief in salmon, white, green with blue overflow Sevres (manufacturer) — Gourd vase, c. 1900
Taxile-Maximin Doat; Manufacturer: Sèvres Porcelain Factory

G352

Sycamore with mounted brass elements, glass; arrived with key — Sellett, c. 1900
Léon Bénouville

G352

Narrow base expanding to a wide, flared lip with blue, purple and green decorations, mounted on a square bronze base — Vase, 1925
Emile-Jacques Ruhlmann; Decorator: Maurice Herbillon; Manufacturer: Sèvres Porcelain Factory

G379

bronze, of warm brown patination — Antoine-Laurent de Lavoisier (1743-1794), 1891
Aimé-Jules Dalou

G354

Art nouveau — "Chicorée" style buffet, c. 1902
Louis Majorelle

G352

relief decoration of bamboo shoots; painted underglaze decoration in blue, black and green with crackle finish — Vase, c. 1900
Edmond Lachenal

G352

two figures lying one of top of the other, face to face, on bundled bedding, with a flat planar blanket on top of them; heads, arms and hands visible; figures wrapped in fragments of cloth with various textures--some with Hebrew text fragments; unglazed clay — Sleepers, 1979
Georges Jeanclos

G362

cake plate with white ground and brushed blue pigment around edge of plate and foot with painted flower, small bird, beetle and ant on plate surface and a yellow flower, lavender butterfly and an ant on foot — Cake plate with poppy, 1866-1867
Félix Bracquemond; Manufacturer: Lebeuf, Milliet & Co., Creil; Retailer: François-Eugène Rousseau

G315

white oval platter with scalloped edge; brushed blue pigment around edge with peonies, a snail and a beetle painted in black — Platter with peonies, 1866-1867
Félix Bracquemond; Manufacturer: Creil & Montereau Pottery; Retailer: François-Eugène Rousseau

G315

standing nude woman with long wavy hair, with a mischievous expression, and her PR hand drawn up to her mouth; small figure with the head, torso and arms of a human and a long serpent's tale twined around a tall stump covered with a vine; small figure leans of woman's PL shoulder and pushes a tiny fruit toward her PL hand — Eve Tempted, 1874
Jean-Baptiste Carpeaux

G324

lengths of natural linen thread, randomly bound and wrapped with silk, cotton, wool and synthetic threads in orange, yellow, red — Evolving Tapestry: The Principal Wife, Yellow Decked, 1989
Sheila Hicks

Not on View

round design for a small dinner plate; dark blue around edge with pinkish-red flower at bottom center with leaves on either side; stems with leaves and white flowers extending up from bottom center flower; smaller randomly placed red and blue buds around edges — Design for a Plate, Mid- to late 1870s
Albert Dammouse

G310

cake plate with white ground and brushed blue pigment around edge of plate and foot with painted carp with blue head, yellow butterfly and a clam on plate surface and a red flower, lavender butterfly and yellow clams on foot — Cake plate with fish, butterfly, and shell, 1866-1867
Félix Bracquemond; Manufacturer: Lebeuf, Milliet & Co., Creil; Retailer: François-Eugène Rousseau

G315

cake plate with white ground and brushed blue pigment around edge of plate and foot with painted fish seen from below, orange butterfly and a beetle on plate surface and a pink flower bud, a bee and snail on foot — Cake plate with fish, butterfly, and bug, 1866-1867
Félix Bracquemond; Manufacturer: Lebeuf, Milliet & Co., Creil; Retailer: François-Eugène Rousseau

G315

round design for a small dinner plate; dark blue around edge with freely-painted flowers predominately in yellow and red — Design for a Plate, Mid- to late 1870s
Albert Dammouse

G310

study for the figure of Pierre de Wiessant; cast in the Alexis Rudier foundry, Paris Figure — Study for a Burgher of Calais (Pierre de Wiessant), modeled c. 1885 in plaster
Auguste Rodin

G355

painted and giltwood, plaster, marble and iron — Grand Salon from the Hôtel de la Bouëxière, c. 1735
France

G318

Crucifixion of Christ. Expressionism. Religious. — The Crucifixion, early 1920s
Georges Rouault

G377

five people picnicking on a grassy shore line with two boats anchored in the water — On the Banks of the Marne, France, 1938
Henri Cartier-Bresson

Not on View

Theseus Slaying the Centaur Bianor, Antoine-Louis Barye; Caster: F. (Ferdinand) Barbedienne — Theseus Slaying the Centaur Bianor, c. 1850 (modeled, cast c. 1891)
Antoine-Louis Barye; Caster: F. (Ferdinand) Barbedienne

Not on View

Shepherd / shepherdess — Seated Shepherdess, c. 1852
Jean-François Millet

Not on View

Carved in the round, the crowned virgin stands with her weight on her left leg,holding the child in left arm, and holding a rose in her right hand. — Madonna and Child, 14th century
France

Not on View

Landscape with figures — Forest Interior with Wood Gatherer, c. 1860
Narcisse-Virgile Diaz de la Peña

Not on View

Wet Pasture, Narcisse-Virgile Diaz de la Peña — Wet Pasture, c. 1870
Narcisse-Virgile Diaz de la Peña

Not on View

Calendar plate (October), c. 1568

Pierre Reymond

Not on View

The Village, Albert Gleizes — The Village, 1913
Albert Gleizes

Not on View

Love Dies in Time, Edouard Bernard Debat-Ponsan — Love Dies in Time, 1878
Edouard Bernard Debat-Ponsan

Not on View

Landscape near Crémieu, Charles-François Daubigny — Landscape near Crémieu, c. 1849
Charles-François Daubigny

Not on View

armrests supports formed by carved figures of sphinxes; topped by fluted knobs; the back scrolling into rosetted ears and carved with acanthus leaf pattern; the seat rails carved with a rosette motif; on fluted spiral legs terminating in collars of plantain leaves — Armchair, c. 1796
Charles Percier; Designer: Pierre François Léonard Fontaine; Maker: Georges Jacob

Not on View

Bronze cast after a plaster model exhibited in Paris Salon of 1850 entitled 'Jaguar et Lievre' — Panther Devouring a Rabbit, c. 1850
Antoine-Louis Barye; Caster: F. (Ferdinand) Barbedienne

Not on View

tall neck with flared rim; short handles at shoulders; red, blue, green, white and gilt decoration of stylized foliage and geometric patterns; spreading foot with blue, red and gilt 'scales' — Two-handled flask, one of a pair, 1872
Philippe-Joseph Brocard

Not on View

Three quarter length portrait of a man Portrait of Michel de Launey des Isles — Portrait of Michel de Launey des Isles, c. 1725
Domenico Duprà

Not on View

L'Amour et L'Amité, Albert-Ernest Carrier-Belleuse — L'Amour et L'Amité, c. 1857
Albert-Ernest Carrier-Belleuse

Not on View

Sixth casting, inventory No.1022 — The Cathedral, after 1908
Auguste Rodin

Not on View

Leda and the Swan, Albert-Ernest Carrier-Belleuse — Leda and the Swan, c. 1858
Albert-Ernest Carrier-Belleuse

Not on View

Original drawing by Paul Gavarni — Å la recherche d'une position sociale, 1853
Paul Gavarni (Sulpice-Guillaume Chevalier)

Not on View

Private festivities, merry company — Garden Party, c. 1868
Adolphe Monticelli

Not on View

small thatch-roofed structure with tree branch supports at right next to a tree; two horses at left next to another tree; turbaned male figures inside structure and one man seated by horses — An Arab Encampment, c. 1880
Gustave-Achille Guillaumet

Not on View

Persian Woman, Henri Matisse — Persian Woman, 1929
Henri Matisse

Not on View

A piece from the tapestry cycle woven for Marie de' Medici, The Stories of Queen Artemisia, based on an epic account by Nicolas Houel; weaving attributed to the workshop of Lucas Wanderdalle in the Faubourg Saint-Marcel manufactory of Marc de Coman and François de la Planche; warp undyed wool, 6½-8 ends per cm., weft dyed wool and silk, 20-48 ends per cm. — The Queen Distributing the Booty, designed 1562–1565 (woven 1611–1627)
attributed to Workshop of Lucas Wandandalle at the Faubourg Saint-Marcel manufactory of Marc de Comans and François de la Planche; Delineator: Central design by Antoine Caron; Designer: Border design by Guillaume Dumée; Designer: Border design by Lauren Goyot; Cartoonist: Central cartoon by a painter active in France; Designer: Border design and cartoon by Guillaume Dumée and Laurent Guyot

Not on View

cabbage tureen, cover and stand; porcelain in green glaze of verying tones; veining in yellow and green, younger leaves in yellow — Cabbage tureen, cover and stand, before 1754
France

Not on View

Landscape — The Dunes at Camiers, 1871
Charles-François Daubigny

Not on View

Portrait of Ursule-Anne Dubuisson, Antoine Pesne; Artist: Previously attributed to Nicolas de Largilliere — Portrait of Ursule-Anne Dubuisson, c. 1710
Antoine Pesne; Artist: Previously attributed to Nicolas de Largilliere

Not on View

Girl - full-length reading — The Reader, 1868
Jean-Baptiste-Camille Corot

G354

Rue Transnonain, le 15 Avril, 1834, Honoré Daumier; Publisher: Association Mensuelle; Printer: Delaunois , Paris — Rue Transnonain, le 15 Avril, 1834, 1834
Honoré Daumier; Publisher: Association Mensuelle; Printer: Delaunois , Paris

Not on View

tapestry; warp undyed wool, 7½-8 ends per cm., weft dyed wool and silk, 24-28 ends per cm.; woven at the Royal Beauvais Manufactory; from the series Grotesques; lining is sewn to the tapestry — The Camel, designed 1686–1688 (woven 1688–1695)
Jean-Baptiste Monnoyer and collaborators; Cartoonist: Jean-Baptiste Monnoyer; Weaver: Royal Beauvais Manufactory under Philippe Behagle; Sponsor: Phillipe Behagle

Not on View

standing, smiling female nude with PL foot crossed in front of PR leg, holding a staff twined with vines, with a pinecone finial, with her PL arm behind her bowed head; woman holds a large bunch of grapes in her PL hand, hanging next to her long wavy hair; tiny boy climbs up staff and reaches for bunch of grapes — Bacchante à l'Amour