showing 44 results matching `room:"G213"`

Enshrined Buddha, Myanmar (Burma) — Enshrined Buddha, c. 1850
Myanmar (Burma)

G213

palanquin hardware, bronze — Palanquin Hooks, 12th-13th century
Khmer

G213

Head from an image of a diefied king carved in sandstone wearing a very elaborate crown and a diadem tied with a knot at the back of his head. Crisply delineated facial features carved in high and low relief. Original encrusted patina. First Angkor style, style of Koh Ker, Cambodia. — Head from an image of Vishnu or a deified king, early 9th century
Khmer

G213

Buddha; traces of gilt on patina; face is square, mouth is wide, nose is flat and hair curls are large - all indicative of the classic style evolved bt the early Dvaravati sculptors — Buddha Head, 8th century
Cambodia or Thailand

G213

Khmer style of the Bayon; frontal stance; probably had extended hands; narrow shoulders and wider hips; eyes are closed; physiognomy relaxed; sublime expression — Prajnaparamita, late 12th-early 13th century
Cambodia

G213

seated Buddha with hands in lap; wearing necklace, bracelets, earrings and hatlike crown; coiled snake body throne; 7 horselike heads on back of throne, each with a floral medallion under chin — Naga-enthroned Buddha, 12th-13th century
Khmer

G213

Khmer Culture, Angkor Wat Style Ritual Altar Bell with Ganesh Motif Handle — Hindu altar bell with Ganesha, 12th century
Khmer

G213

circular medallion and band of floral design on interior of bowl; unglazed bottom; single band of curvilinear design on sides of exterior — Plate with “black crow” motif, 14th -16th century
Thailand

G213

Buddhist ritual conch shell with a dancing Hevajra, Khmer — Buddhist ritual conch shell with a dancing Hevajra, 12th-13th century
Khmer

G213

Lime Jar in the Form of an Elephant, Khmer — Lime Jar in the Form of an Elephant, 11th-12th century
Khmer

G213

Sawankhalok jar globular shape on ring foot, short neck and small mouth, loop handles; dark brown glaze, lines circling top half of jar — Ring Handled Bottle, 14th century
Thailand

G213

Buddha seated on pedestal; hands rest in lap — Buddha subduing Mara, late 19th century
Thailand

G213

rounded body on short foot; sloping shoulder; wide mouth on short, slightly flaring neck; shoulder decorated with band of half-circles and band of triangles — Jar, c. 1000 BCE
Thailand

G213

tall; rounded body on slightly flaring foot; sloping shoulder; tall, flaring neck; shoulder decorated with incised s-shapes — Ceremonial vessel, c. 1000-300 BCE
Thailand

G213

box with hinged lid and 2 hook and eye closures; 4 pairs of knob feet on lid and bottom; gold lacquer carved with organic and geometric patterns and inlaid with clear and colored glass fragments in floral designs; lined with dark blue velvet — Manuscript Box (Sadaik), late 19th-early 20th century
Myanmar (Burma)

G213

burnished reddish-brown surface; wide, flat foot with flaring body with pointed shoulder; narrow neck with very wide trumpet mouth — Funerary Offering Jar, 1000-500 BCE
Thailand

G213

shallow bowl with lid with scalloped, upturned rim and domed shape; cream glaze with traces of underglaze iron designs — Bowl with Lid, Le or Tran dynasty, 13th-14th century
Vietnam

G213

rectangular box with removable lid; red on interior; 3 panels on each long side decorated with seated figure with hands folded and organic background and border designs — Buddhist Manuscript Box, c. 1850
Thailand

G213

Sarong Panel, dark blue dotted ground with central floral motive and border of orange. — Skirt cloth (kain sarong), late 19th-early 20th century
Indonesia

G213

Square, batik, cotton. Birds and grotesque figures on light tan ground. Wide border of brown fruit and leaves on blue ground. At the request of Mr. Plimpton this printed fabric was washed in Ivory Snow on February 2, 1950 by Mr. Soulen and Jim Cooper. — Batik panel, late 19th century–early 20th century
Indonesia

G213

Incense burner, covered three legs, all-over decoration, simple border design of cloud and thunder. (Greek Key) — Incense burner with magical dog, 13th-14th century
G213

Buddha seated with legs crossed at the ankles. He wears a monk's diaphanous garment which covers only his right side. He is seated in a adamantine pose with the soles of his feet facing upward (as in early Gupta art). He assumes a gesture of exposition with his very long fingers. His face is excellently modelled with heavy eyelids, eyes looking downward and an enigmatic smile. His ears are large with long perforated lobes and he wears a tiered snail-like hairdo. Original and dark patina. Dvaravati style, Mon, Thailand. Cast in the lost wax process. — Seated preaching Buddha, 7th-9th century
Mon-Dvaravati

G213

Buddha, bronze seated figure in attitude of contemplation, also known as the Mudra, or position of 'calling the earth to witness'. The green bronze pedestal is in two tiers; the upper one shows lotus leaves in relief beneath a beaded rim, and the lower, (broken at right side) with ovoid indentations, some of them perforated. The ears are weighted but unadorned. The hair is short, in spiky curls and the usnisa had indentation to hold flame, which is missing. The eyes are enameled, proving the figure to be a late piece. — Buddha subduing Mara, 15th century
Thailand or Laos

G213

potbellied, elephant headed figure with four arms; wearing traditional arm bands, bracelets, ankle ornaments and necklace; trousers of patterned material, crown with crescent moon and skull, and snake worn diagonally from L shoulder; hair piled high with hair in rope strands forming circular patterns in crown; sitting with both legs placed symmetrically beneath body with soles of feet facing each other directly with a gap between them; figure holds: broken tusk in LR hand, rosary in UR hand, battle axe in UL hand, and sweet meats in LL hand; figure sits on a double pedestal above a plain square base; disc halo behind head — Ganesha, 10th-11th century
Indonesia

G213

ovoid body, tapering at top with outward-flaring top section; relief design with teardrop shapes, swirls and zigzags; greenish patina — Ceremonial Bell, 3rd-2nd century BCE
Dong Song

G213

small half-hoops with large ovoid pendants, decorated on bottom with overall filigree work, central creamy white gem and four gems in purple and pink tones — Pair of Earrings, 9th century
Vietnam

G213

large ring with central cloudy brown-grey gem with dark brown fleck; gold wire filigree work overall with eight other small gems around central stone; small gems in shades of purple and pink — Ring, 9th century
Vietnam

G213

Head from an image of the Buddha, Myanmar (Burma) — Head from an image of the Buddha, 11th-12th century
Myanmar (Burma)

G213

round-bodied vessel with a wide, outward flaring mouth, thin conical spout and small foot; red pigment at edge of mouth, around neck and below shoulder — Kendi, 6th-7th century
Cambodia

G213

large floral-shaped earrings with green stone set into diamond shape at center; green stone and dark pink glass inlays; 2 prongs on back of each — Pair of Earrings, 8th-10th century
Vietnam

G213

bracelet cut from a section of shell, forming a spiral with an open center; whitish with brownish and greenish areas — Bracelet, c. 1000 BCE
Thailand

G213

rounded body on short, wide foot; short, organic spout; small handle; incised light foliate bands around body and mouth; inward-curling lid edge with looped handle — Ewer with cover, Le or Tran dynasty, 13th-14th century
Vietnam

G213

rectangular building with a removable roof; square opening at center of one long side, which has a small porch — Grain Storage Building, from a model farmstead, c. 1st-2nd century
Vietnam

G213

Backdrop for an Enshrined Buddha, Myanmar (Burma) — Backdrop for an Enshrined Buddha, c. 1850
Myanmar (Burma)

G213

Palanquin Hardware, China — Palanquin Hardware, 12th century
China

G213

2 spiral-shaped sections of shells; holes at center; off-white with light brown areas — Pair of Ear Ornaments, c. early 1st century
Thailand

G213

square building with roof covering entryway into open courtyard; ladder in courtyard leading up to largest upper floor room with hallway connecting large room to a smaller room at L; separate roofs on each section of 2nd floor; unglazed — Model of a Farmstead, c. 1st - 2nd century
Vietnam

G213

small beige colored vase with bulbous body, narrow neck, flared mouth; dark designs of fish and organic vine motif separated by horizontal bands; tendril design and geometric design up to neck — Vase with fish, 14th-16th century
Thailand

G213

man with thick belly, seated cross-legged on a platform; man wears crown, beaded necklace and holds flower in each hand; flames or flower behind head on architectural element — Deified King, late 10th century
Cham

G213

Storage jar, Thailand — Storage jar, 15th century
Thailand

G213

brown dripped glaze over tan vessel; drum-shaped; six small handles and ring of petals at top below lip; incised scrolling chrysanthemum designs and stamped circles, and circle and almond-shaped flower forms — Storage Jar, Ly dynasty, 11th-13th century
Vietnam

G213

Vessel in the Shape of a Buffalo with cylindrical body, small downward-pointing tail and small ears and horns; cylindrical vessel mouth on top of buffalo's back; body of buffalo decorated with incised geometric shapes — Ceremonial vessel in the form of a Water Buffalo, 1000-300 BCE
Unknown

G213

Buddha, bronze figure of, Marching. The figure, in marching position, is stiffle erect, the left foot forward; the left arm is bent at the elbow, the hand raised, palm outward; the right arm, braceleted at the elbow, is down. The ears are weighted, without earrings, and the hair, composed of small, spiky curls, is surmounted by a flame. Some of his features, which display the supernatural anatomy of Buddha, include projecting heels, long fingers, smooth skin the color of gold and elongated arms. The figure wears a straight, girdled robe,leaving the right shoulder bare. Traces of gilding remain on back of robe, under left arm, on hair and in ears. — Walking Shakyamuni Buddha, 15th century
Thailand

G213

Lacquered Book (Kammawa-sa), late 19th century

Myanmar (Burma)

G213

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