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chased silver dish decorated with scene from the "Former Red Cliff Ode" by Su Shi (1037-1101); engraved in painterly baimiao style showing the poet in court robes with two companions relaxing in a boat drifting on tranquil water, with a winepot and cups on the table in front of them; one figure playing a flute and the other holding an open book; rocky banks with grasses and tall reeds, a willow and a cassia tree; small waterfall spilling down from high cliffs at the far shore; sky with pair of birds flying to the left towards a constellation of seven stars drawn as circles joined by thin lines to form the Big Dipper seen through drifting clouds surrounding a full moon engraved with the legendary yu tu dao yaou scene of the Moon Rabbit under the cassia tree pounding a pestle in a mortar; shallow plain sides of octafoil bracket-lobed outline rising to a barbed everted rim

Silver plate decorated with chased “Red Cliff” scene, 13th century

China

G208

Sarcophagus, with accompanying memorial tablet and cover, made for the Chinese General, Prince Cheng Ching, 524 A.D. The six bas-reliefs comprising this group include the two ends and two sides of the sarcophagus, the tablet, and its cover. The sides are decorated in low relief with five groups of historical personages, illustrating filial piety scenes, in a landscape of trees and mountains in which dragons, phoenix, and other symbolical animals roam. The head end bears a scene including a bridge leading over a lotus pond to a gate decorated with 24 bells representing 12 pairs of musical accords. Two guardians flank the gate. The foot end carries a large dragon in a landscape. The memorial tablet bears a long inscription including Cheng Ching's biography, the Emperor's eulogy, and the date 524 A.D. The sides are decorated with large dragons. The cover of the tablet is surrounded by a bevelled edge of conventionalized dragon heads and contains remnants of bronze handles at the four corners. Along the sides, on the top surface, are eight blank squares indicating places for sacrificial vessels. The major figures and forms on the stones stand in relief and have been polished to form an even surface; the spaces betwen were left rough. All six reliefs are in fairly good condition with the exception of the cover for the memorial tablet which has been gouged at the corners. The sarcophagus was undoubtedly carved at Loyang, the Northern Wei capitol from 484 A.D.

Sarcophagus of Prince Yuan Mi, 524

China

G208

Tomb Figurine of a Court Lady, 618-906

China

G208

Mortuary figures, pair of, representing warriors both wear armor, with curious head-dresses, and one carries a sword-like object. Four of these figures were found at the entrance of a tomb in Honan province. Two bought by M.I.A., and two by the Boston Museum of Fine Arts. They are fashioned of polychromed pottery of the greyish cast associated with Wei. Traces of faded terra cotta color remain. These are unusually large tomb figures.

Tomb Guardian Figures, early 6th century

China

G208

Horse with long mane and clipped tail. ca 725 A.D. Glazed pottery tomb figure, one of a pair, on a flat base. The decoration of the trappings is in the Sassanian style. Glaze predominantly a fine cobalt blue which has oxidized on the hind legs to an irridescent silvery-blue. Saddle and top saddle pad unglazed.

Horse, early 8th century

China

G208

seated lion looking over PL shoulder; curly mane and chin whiskers; open, roaring mouth; grey and reddish brown stone

Guardian Lion, one of a pair, 8th century

China

G208

seated lion looking over PR shoulder; curly mane and chin whiskers; open, roaring mouth; grey and reddish brown stone

Guardian Lion, one of a pair, 8th century

China

G208

five pointed leaf motif with six leaved flower (in plain and twisted wire) within it; a multiple leaved blossom at center; pin extends down from center

Hair Ornament, one of a pair, 11th century

China

G208

pair of shears, the tapering blades joined through a figure-of-eight-shaped spring-handle and decorated on each side with a bird in flight and scrolling foliage, on a ground of ring-matting

Shears (scissors), 8th-9th century

China

G208

painted pottery figure of a lady with an elaborate coif and a full round face; tiny hands extend outward from wide sleeves of a loosely draped robe covering an amply sized figure; the robe falls over the upturned toes of shoes; on a rectangular base

Standing Lady, c. 725-750

China

G208

Dignitary. Military leader. Glazed pottery tomb figure, one of pair, mounted on a stand. The costume includes a blue robe, pleated brown skirt and white underskirt. Head and headdress unglazed.

Tomb retinue, early 8th century

China

G208

Tomb figurine, one of a pair, representing a Civil dignitary. the type is individualized, and the features indicate that this person was of Khotanese origin. The figure made in a mould, is solid. The grey clay body, covered with a white slip, is painted with unfired pigments flesh tints, green, blue, gold. Details of the figure were completed by hand.

Tomb Figurine, one of pair, late 6th century

China

G208

ring, frog, set on small plate in socket of hollow lotus; gold.

Rings, 7th-8th century

China

G208

earrings; fish-dragon with floral motif on sides; repousse hollow gold, stamped.

Pair of earrings, 8th century

China

G208

Feng Huang (phoenix), large; sheet gold, granulation, repousse, hollow work.

Phoenix Hair Ornament, 7th-8th century

China

G208

crown, small cap, water motif around sides, four rosettes with holes for hairpins, repousse gold. Weight 2 oz.

Crown, 7th-10th century

China

G208

bowl, outside Ling-Chih and peonies, stipple background (all bronze) Inside two fish with water plants, lotus around stamped rim; bronze with silver wash on sides of bowl.

Bowl, 12th-13th century

China

G208

plate; tripod, with peacocks and other fanciful birds around center of single peacock with open tail; small sing birds and grape motif; no design outside; silver; stipple background. Silver with chased and gilt decor.

Plate, 8th century

China

G208

bowl; outside bottom, maltese cross design; above stand rabbits and lotus; ground line cranes in sea of grape design; interior not decorated; silver or silver alloy with gold wash.

Bowl, 7th-8th century

China

G208

lid, with Feng Huang (phoenix); lid has tendrils and foliage and flying ducks of gold wire with large granulation on silver; silver with gold filigree.

Vessel lid with phoenix motif, 17th-19th century

China

G208

cup of stem, lotus shape, lotus motif stamped with background stipple covering outside; interior plain; silver.

Wine cup, 8th century

China

G208

box, circular, lid with devil dancer and thunder monster or thunder drums (man with boar's head in vigorous motion) surrounded with lotus motif and denticulation; side of lid has seven Feng Huang (phoenixes) and griffins; bottom of box has five figures devil dancer, dog, winged dog, convoluted spotted dog, and winged rabbit; base undecorated and inside undecorated; silver.

Covered box, 9th century

China

G208

three color Amphora, earthenware with three color glaze of brown, cream and pale green over a pink body

Amphora, late 7th-8th century

China

G208

quadrilobed design; edges decorated with applied stamped scroll and floral designs; green and tan glaze

Brushwasher, 10th century

China

G208

Sarcophagus, with accompanying memorial tablet and cover, made for the Chinese General, Prince Cheng Ching, 524 A.D. The six bas-reliefs comprising this group include the two ends and two sides of the sarcophagus, the tablet, and its cover. The sides are decorated in low relief with five groups of historical personages, illustrating filial piety scenes, in a landscape of trees and mountains in which dragons, phoenix, and other symbolical animals roam. The head end bears a scene including a bridge leading over a lotus pond to a gate decorated with 24 bells representing 12 pairs of musical accords. Two guardians flank the gate. The foot end carries a large dragon in a landscape. The memorial tablet bears a long inscription including Cheng Ching's biography, the Emperor's eulogy, and the date 524 A.D. The sides are decorated with large dragons. The cover of the tablet is surrounded by a bevelled edge of conventionalized dragon heads and contains remnants of bronze handles at the four corners. Along the sides, on the top surface, are eight blank squares indicating places for sacrificial vessels. The major figures and forms on the stones stand in relief and have been polished to form an even surface; the spaces betwen were left rough. All six reliefs are in fairly good condition with the exception of the cover for the memorial tablet which has been gouged at the corners. The sarcophagus was undoubtedly carved at Loyang, the Northern Wei capitol from 484 A.D.

Epitaph cover of Prince Yuan Mi, 524

China

G208

Sarcophagus, with accompanying memorial tablet and cover, made for the Chinese General, Prince Cheng Ching, 524 A.D. The six bas-reliefs comprising this group include the two ends and two sides of the sarcophagus, the tablet, and its cover. The sides are decorated in low relief with five groups of historical personages, illustrating filial piety scenes, in a landscape of trees and mountains in which dragons, phoenix, and other symbolical animals roam. The head end bears a scene including a bridge leading over a lotus pond to a gate decorated with 24 bells representing 12 pairs of musical accords. Two guardians flank the gate. The foot end carries a large dragon in a landscape. The memorial tablet bears a long inscription including Cheng Ching's biography, the Emperor's eulogy, and the date 524 A.D. The sides are decorated with large dragons. The cover of the tablet is surrounded by a bevelled edge of conventionalized dragon heads and contains remnants of bronze handles at the four corners. Along the sides, on the top surface, are eight blank squares indicating places for sacrificial vessels. The major figures and forms on the stones stand in relief and have been polished to form an even surface; the spaces betwen were left rough. All six reliefs are in fairly good condition with the exception of the cover for the memorial tablet which has been gouged at the corners. The sarcophagus was undoubtedly carved at Loyang, the Northern Wei capitol from 484 A.D.

Epitaph cover of Prince Yuan Mi, 524

China

G208

Dignitary, probably a civil counsellor. Glazed pottery tomb figure, one of a pair, mounted on a stand. The costume is predominantly brown with details in mottled colors. Head, headdress and hands unglazed.

Tomb retinue, early 8th century

China

G208

Earth Spirit with lion's head. ca. 725 A.D. Glazed pottery tomb figure, one of a pair, on a cylindrical base with mottled glaze. The figure is predominantly blue and white with patches of yellow and malachite green.

Tomb retinue earth spirit, 8th century

China

G208

Guardian of one of the quarters of the Buddhist heaven. Glazed pottery tomb figure, one of a pair, dressed in armor and standing on a kneeling bull. A fine blue predominates in color scheme, with details in white, brown, mottled green and yellow. Elements of Sassanian design appear on the armor. Head, phoenix headdress, and hands unglazed.

Tomb retinue, early 8th century

China

G208

Guardian of one of the quarters of the Buddhist heaven. ca 725 A.D. Glazed pottery tomb figure, one of a pair, wearing armor and standing on a kneeling bull. The costume is predominantly blue in tone, but there is much use of mottled yellow, brown and blue in the skirt sections. Elements of Sassanian design in armor. Head and phoenix headdress unglazed.

Tomb retinue guardian, early 8th century

China

G208

Camel, Bactrian type, with blanket and saddle bags. ca. 725 A.D. Glazed pottery tomb figure, one of a pair, on a flat base. Glaze predominately brown and yellow with mottled areas of blue, green, yellow and brown in the saddle-bags and blankets.

Camel, early 8th century

China

G208

Camel, Bactrian type, with saddle blanket with Sassanian decoration. ca. 725 A.D. Glazed pottery tomb figure, one of a pair, on a flat base. Glaze predominately brown and yellow with mottlings of blue, green, and yellow.

Camel, early 8th century

China

G208

Earth Spirit with human head and removable flame halo. ca. 725 A.D. Glazed pottery tomb figure, one of a pair, on a deep cylindrical base with mottled glaze. The figure is predominantly blue, with white areas. Head and halo unglazed.

Tomb retinue earth spirit, 8th century

China

G208

Tomb figurine, one of a pair, representing a Civil Dignitary. The type is individualized, and the features indicate that this person was of Khotanese origin. The figure is mould-made of grey clay, with a white ground, and painted, pigments flesh tints, red, green, blue, and gold. The figure is solid, the details being completed by hand.

Tomb Figurine, one of pair, late 6th century

China

G208

Figure of animal- open mouth red polychrome. White earthenware 3 color lead glaze.

Figure of an Animal, 618-906

China

G208

Dog, standing, deep blue glaze. Earthenware with 3 color lead glaze.

Tomb Figure Representing a Standing Dog, 618-906

China

G208

Kneeling camel with Mongolian driver. Red earthenware with traces of white slip. Painted with black and red pigments.

Tomb Figure of a Kneeling Camel with Driver, 618-906

China

G208

Figure of woman playing lute finely modeled and white glaze.

Tomb Figure Representing a Musician Playing a Lute, 618-906

China

G208

Figure of woman playing pipes. Delicate modeling and fine white glaze.

Tomb Figure Representing a Woman Playing Pipes, 618-906

China

G208

White earthenware with white slip. Daoist symbol of the Principle 'Keeping Still; The Mountain' (Ken==) see cat. card for better description.

Tomb Figure Representing a Seated Dog, 618-906

China

G208

Mirror, round with central boss surrounded by running designs, outer border of running flower and leaf pattern; fixed base; silver and alloy

Mirror, 7th-11th century

China

G208

Four inch gilt bronze mirror decorated with seahorse, grape, bird and foliage design; box

Mirror, 7th-11th century

China

G208

Mirror, hexagonal, bronze with gold repousse. decoration of chimera and phoenix and grape sprays on a granulated ground; fixed base

Mirror, 9th century

China

G208

Seated figure of a woman

Seated Figure of a Woman, 618-906

China

G208

Head rest of green, yellow and brown glaze.

Head Rest, 618-906

China

G208

Jar, green, brown, and blue glaze. White earthenware with 3-color lead glaze.

Jar, 618-906

China

G208

hairpin or ornament, flower (Peony?), petal settings, turquoise, center, shell, repousse, soldered bezels, granulation; gold.

Hairpin or ornament, 7th-10th century

China

G208

frog ring, frog set on small plate in socket or hollow lotus, gold.

Frog Ring, 618-906

China

G208

one of a pair of hairpins of ornaments, open work and stamping, double-pronged with peacock and phoenix motif in landscape (feng huang); sheet gold.

Hairpin or ornament, one of a pair, 14th-17th century

China

G208

one of a pair of hairpins or ornaments, open work and stamping, double-pronged with peacock and phoenix motif in landscape (feng huang); sheet gold.

Hairpin or ornament, one of a pair, 14th-17th century

China

G208

Mortuary figures, pair of, representing warriors both wear armor, with curious head-dresses, and one carries a sword-like object. Four of these figures were found at the entrance of a tomb in Honan province. Two bought by M.I.A., and two by the Boston Museum of Fine Arts. They are fashioned of polychromed pottery of the greyish cast associated with Wei. Traces of faded terra cotta color remain. These are unusually large tomb figures.

Mortuary Figure, 386-535

China

G208

flying dragon with curving body; long, straight tail; black mount; incised scales and details

Flying Dragon, one of a pair, 8th century

China

G208

flying dragon with curving body; long, straight tail; black mount; incised scales and details

Flying Dragon, one of a pair, 7th-10th century

China

G208

hairpin or ornament, filigree pin, finial Dragon-fish, set with turquoise (one left), gold cire perdue with bezels and granulation. Note: Dragon-fish: if the cargo gets up the rapids on the Yellow River between Shensi and Shansi, it becomes a dragon (like graduating)

Hairpin, 1644-1912

China

G208

comb, ornament, with projecting spines; repousse, sheet gold and ivory.

Comb, 7th-10th century

China

G208

ornament, rosette pattern, open work; stamped, silver

Ornament, 7th-10th century

China

G208

one of four ornaments, diamond-shaped, open work; silver.

Ornament, one of four, 7th-10th century

China

G208

one of four ornaments, diamond-shaped, open work; silver.

Ornament, one of four, 7th-10th century

China

G208

one of a pair of ornaments, Feng Huang (phoenix), stamped on back, open work.

Ornament, one of a pair, 7th-10th century

China

G208

comb ornament, ducks (symbol of domestic felicity), comb missing; sheet gold, granulation, thin bezels.

Comb, 7th-10th century

China

G208

comb ornament, lions and birds; three lions playing in tendril-like vine; reverse, one lion and doves with vine, all one piece; repousse and stamping, gold, wooden comb.

Comb, 7th-10th century

China

G208

one of a pair of ornaments, Feng Huang (phoenix), stamped on back, open work.

Ornament, one of a pair, 7th-10th century

China

G208

one of a set of four ornaments, cocks (virility) in fighting postures; sheet gold, stamped; delicate

Ornament, one of four, 7th-10th century

China

G208

one of a set of four ornaments, cocks (virility) in fighting postures; sheet gold, stamped; delicate

Ornament, one of four, 7th-10th century

China

G208

necklace, horse-shoe shaped collar, dragon-headed clasp; gold.

Necklace, 1644-1912

China

G208

hair ornament, FĂŞng Huang (Phoenix), double prong hairpin, lost pearls on breast, turquoise inlay in wings, repousse, bezels with lost stones, hallowed, soldered granulation, wire connecting gold tailfeathers; gold

Phoenix Hair Ornament, 7th-10th century

China

G208

one of a pair of hairpins or ornaments, dragon head; cire perdue

Hairpin, one of a pair, 17th-19th century

China

G208

one of a pair of hairpins or ornaments, dragon head; cire perdue;

Hairpin, one of a pair, 17th-19th century

China

G208

crown, eight thin ribbons of repousse rise and fall toward back to make crown; set in a secure base of heavier gold with incised floral design; plaque on front holds gold butterfly on spring, two butterflies on sides.

Crown, 618-906

China

G208

one of a pair of hairpins, Feng Huang (Phoenix), filigree, openwork, gold, green patina;

Hairpin, one of a pair, 12th-17th century

China

G208

hair ornament, five feathers in a fan shape, repousse and engraving; gold.

Hair Ornament, 17th-19th century

China

G208

Round, silverized, animal and grape design

Mirror, 8th century

China

G208

Round, Tree of Life design, rabbit preparing elixir of long life.

Mirror, 8th century

China

G208

Round, lacquer, gold and silver.

Mirror, 8th century

China

G208

five pointed leaf motif with six leaved flower (in plain and twisted wire) within it; a multiple leaved blossom at center; pin extends down from center

Hair Ornament, one of a pair, 11th century

China

G208

Horse with clipped mane and tail. ca 725 A.D. Glazed pottery tomb figure, one of a pair, on a flat base. The trappings, including double saddle pads and a saddle draped with a knotted cloth, are decorated with Sassanian motifs. Brown glaze with patches of manganese in oxidized areas.

Tomb retinue horse, early 8th century

China

G208

Hairpin, one of a pair, 7th-8th century

China

G208

Mirror, 7th-11th century

China

G208

Tripod Jar, 618-906

China

G208

Hairpin, one of a pair, 17th-19th century

China

G208

Hairpin, one of a pair, 17th-19th century

China

G208

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