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Il est devenu pro-pri-é-taire! (Les Bons Bourgeois), from Le Charivari, 1846

Honoré Daumier

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Olive-Stone, 1975

Zigmunds Priede

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Arctic-Stone, 1975

Zigmunds Priede

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Untitled, 1975

Zigmunds Priede

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Blood-Stone, 1975

Zigmunds Priede

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Lake-Fiber, 1975

Zigmunds Priede

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Untitled, 1975

Zigmunds Priede

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Sand-Stone, 1975

Zigmunds Priede

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Sea-Stone, 1975

Zigmunds Priede

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Cumulus, 1975

Zigmunds Priede

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Wine Fiber, 1974

Zigmunds Priede

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Desert-Fiber, 1975

Zigmunds Priede

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Untitled, c. 1974

Zigmunds Priede

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Forest-Fiber, 1974

Zigmunds Priede

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Untitled, 1973

Zigmunds Priede

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Untitled, 1974

Zigmunds Priede

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Small Brick Opening, 1973

Zigmunds Priede

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male figure in red loincloth is tied to a tree; arrows lodged in PL thigh, chest and in various areas of the tree; darkened landscape with moon in the URQ

%C2%A9 Karl Priebe

Saint Sebastian, 1941

Karl Priebe

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Portrait Sculpture of Priest Gyōki, early 17th century

Unknown Japanese

G220

Priest, c. 1811-1820

Katsushika Hokusai

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figure with fox head dressed in a coat and hood and holding a staff horizontally at its upper back

Fox Priest, early 19th century

Yoshitada

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woman in multi-colored kimono standing on back of demon figure who is on all fours; the woman is reaching up into a tree

Wisteria Maiden and Demon Priest, c. 1872

Kawanabe Kyōsai

G219

Priest Riding a Donkey, 17th century

attributed to Kano Naonobu

G221

Robe of a Taoist Priest with Buddhist and Taoist symbols embroidered in gold and colors.

Daoist Priest's Robe (jiang yi), Late 18th century

China

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Taoist priest robe of black satin embroidered in couched gold threads and couched twist in colors. On the back conventional Taoist motives and large medallions with Buddhist symbols. On shoulders, large, trailing sprays of lotus. On the front the Yang and Yin symbol. Borders of Buddhist emblems and lotus, edged with Greek key meander in couched yellow twist. Lining of leaf green satin with scattered leaf and flower design.

Daoist priest’s robe (jiangyi), 1662-1722

China

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Taoist priest robe of embroidered tea-leaf green satin. On the back conventional Taoist motives, large medallions with Buddhist symbols, bats, and butterflies; lotus blossoms and good luck symbols in couched gold threads, and couched twist in colors. On the front two sacred pagodas. Borders of black satin with dragons, Buddhist and other symbols, and clouds in couched gold threads and couched twist in colors. Lining of heavy gold tribute silk of good luck symbol design.

Daoist priest’s robe (jiangyi), 1662-1722

China

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Plate, 1950s

Antonio Prieto

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Plate, 1950s

Antonio Prieto

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Figural Candlestick, one of a pair, 1767-1776

attributed to Jean-Louis Prieur

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Figural Candlestick, one of a pair, 1767-1776

attributed to Jean-Louis Prieur

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Malicious Priest, c. 1790

Katsushika Hokusai; Publisher: Tsutaya Jūzaburō

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group of priests playing in the falling snow--throwing snowballs and twirling around in their long black cloaks

%C2%A9 Estate of Mario Giacomelli

Pretini (Priests), 1963-1964

Mario Giacomelli

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flat rectangular slab platter with two runner legs on underside; top decorated with cartoonish painted image of squatting figures with very tightly placed facial features eating from small bowls; muted pastel colors on cream ground; underside is brown

%C2%A9 Sat%C5%8D Satoshi

Feast of Priests, late 20th century

Satō Satoshi

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Priest's cowl of imperial yellow satin brocade with all-over design of bats and loose cloud forms in shades of blue, green, pink, red, brown, and mauve. Wide band of black and gold brocade aroung border. Narrow binding of rust-red satin. Lining of faded crimson figured silk.

Lamaist priest hat, Kangxi period, 1662-1722

China

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man with open mouth wearing a hat shaped like 1/2 of a nutshell and a short cloak and holding a scroll in his proper right hand and a tiered staff

Shinto priest, late 18th century

Unknown Japanese

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Priest's vestment; light blue and gold brocaded cape edged with gold braid, gold cross made of braid in center back.

Priest's vestment, 18th century

Iran

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Priest's apron (theatrical?) of gold k'ossu with five-clawed dragons in green. (Note details woven with peacock feathers). From the peplum band of apron hang six rows of loose tabs, three in each row, and each of varying length. Each of the two upper strips is tipped with three brass pellet-bells. The six lower, longest strips are edged with long tassel. Strip, peplum, and apron proper banded with black velvet. The apron attached to a wide waist band of rust-red satin, and lined with pink silk. Seal inscription on lining notes that this apron belonged to the T'a Chih theatre.

Priest's Apron, Kangxiperiod, 1661-1722

China

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figure (head, arms, body and legs to knees) with arms outstretched; pursed lips; long face; very large eyes; bearded

Priest Figure, 15th-18th century

Koma

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head with flat features; large eyes, small mouth; wearing a hood

Hooded Priest, c. 500 BCE - 500 CE

Nok

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Bound album, p.33

Parish Priest, c. 1764

Jean-Baptiste Le Prince

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striding man, seen from PR, with beard, wearing sketchy robe; text above

The Priest Xianzi, early 13th century

Unknown

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woman in red kimono with blue, orange and green; she is holding kimono closed from the wind; treee behind her on R

Kyoto Maiden [left of the pair Kyoto Maiden and Peeking Boy], 1830s

Mihata Jōryū

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boy with bulging eyes within circle with flowering branch below

Peeking Boy [right of the pair Kyoto Maiden and Peeking Boy], 1830s

Mihata Jōryū

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Candlestick from the "Skyscraper" cocktail shaker service, c. 1934

Frederick Priess; Manufacturer: Revere Copper and Brass Co.

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Candlestick from the "skyscraper" cocktail shaker service, c. 1934

Frederick Priess; Manufacturer: Revere Copper and Brass Co.

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Buddhist priest robe, kesi, Kangxi blue. An exceptionally fine example of kesi weaving with five-clawed dragons in gold and individual flower motifs in shades of red and pink. Patched character of robe achieved with narrow bindings of yellow satin.

Buddhist Priest Robe, 1662-1722

China

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Taoist priest robe of embroidered rust-rose satin. Back and shoulders embroidered with all-over tenders embroidered with all-over tendril ground in couched gold threads. On back conventional Taoist motives large butterfly medallions and Buddhist symbols in couched gold threads and couched twist in colors. On the front are dragon medallions and two large dragons in couched twist stitch. Borders of black satin with Buddhist symbols, dragons, and lotus in couched twist stitch in colors and gold. Faded. Lining of rose-red silk of dragon medallion design.

Daoist priest’s robe (jiangyi), Kangxi period, 1662-1722

China

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Priests worshipping the Goddess Kali, 19th century

India

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young priests in an open field with trees in background; group playing soccer at center; figure at right riding a bike; priest in foreground playing with a kitten

%C2%A9 Estate of Mario Giacomelli

Pretini Serios (Priests on Field), 1961

Mario Giacomelli

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rectangular panel of blue silk with metallic gold and silver brocade designs of birds, leaves and scrolling vines; six squares of rose-colored silk with gold brocade designs of deities; purple silk backing

Buddhist priest's robe (kesa), c. 1800

Unknown Japanese

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red and black drawing of torso, legs and arms of a figure wearing robes, with red overlay garment with scroll designs on PL side

Study of a Figure in Priest's Robes, c. 1650

Jacob Jordaens

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monk's stole: white on one side with chrysanthemum motif; gold and gray brocade on opposite side with flowers and rabbit motif; four burgundy and gold brocade panels at inner corners of gray side

Noh Costume of a Buddhist Priest's Robe, late 19th century

Unknown Japanese

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orange and gold brocade monk's stole with purple lining; black lacquered ring holding straps together on PL side; subtle appliqued motif on front; embroidered star on back of strap

Noh Costume of a Buddhist Priest's Robe, late 19th century

Unknown Japanese

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one sheet; standing figure seen from back, pointing with PL hand, with open mouth and face in profile from PL; man is wearing a sleeveless red garment with light red cloud patterns, blue slacks and black boots, and a green and yellow head scarf tied with a white sash; man holds a spear; black column in background at right

High Priest Kōmyō, February 1874

Tsukioka Yoshitoshi; Publisher: Masadaya Heikichi; Carver: Shimada Tomekichi; Author: Takabatake Ransen

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orange pants with pleated, very wide legs

(Female hakama for priestess), first half 20th century

Unknown Japanese

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black figure, in shadow, wearing long garment, cape and cap; stone wall in background, with curving applied architectural element in upper right corner

%C2%A9 Ernst Haas Estate. All rights reserved.

Priest, Positano, Italy, 1953 (printed 1994)

Ernst Haas

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Taoist priest robe of embroidered black satin. All-over tendril background of couched gold threads. Conventional Taoist motives, Buddhist symbols, bats, clouds, etc., in couched gold medallions * are figures of the Eight Immortals, chilin, bear, and various birds in colored satin stitch. On front border are phoenix medallions, white tiger, etc. All borders edged with Greek key meander in couched yellow twist. Lining of yellow satin of dragon medallion design. A magnificent example. *late additions

Daoist priest’s robe (jiangyi), Kangxi Period, 1662-1722

China

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Shinto priest's robe (kariginu), 19th century

Unknown Japanese

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Hat, Priest's, black; belongs with yellow silk brocade Priest's robe. (14.86a)

Shinto priest's hat (ebōshi), 19th century

Unknown Japanese

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Figure of Buddhist priest (?) playing flute.

Figure of Buddhist priest (?), 386-535

China

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Lama priest robe of painted, pearl-grey gauze. All-over wave diaper in gold and blue. Conventional sacred pagoda motif in center back; small landscape medallions, clouds, bats,four clawed daagons, cranes, trigrams and various characters in shades of blue, red, pink, green, yellow and violet. Constellation discs of applied, gold foil. Bottom border of dragons, clouds, Eternal Sea, etc. Collar and front band with Buddhist symbols, clouds, white tiger. Cuffs painted with phoenix and dragon, and lengthened with bands of lime green brocaded silk. Lining of coarse blue cotton.

Daoist priest's robe, 19th century

China

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Priest Robe, mulberry and gold brocade with four small squares of light blue and gold brocade set in.

Buddhist priest's robe (kesa), 18th century

Unknown Japanese

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Taoist Priest's Robe embroidered with the Pa Pao (Eight Precious Things) in eight large medallions. Faded rust satin ground with all-over meander in gold thread, and double peach and bat motifs embroidered in satin stitch in peach, blue, and shades of coral. Three medallions on back; three on front; one on each sleeve.

Taoist Priest's Robe, 1796-1820

China

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Taoist priest's robe of gold satin brocade of dragon medallion design. On back conventional Taoist design embroidered in couched gold thread and couched twist in colors on applied salmon silk panel. Borders of black satin solidly embroidered in same technique and colors. Lower section of side borders of blue satin embroidered in satin stitch with bats, clouds and symbols in colored silks. Lining of burnt orange satin of floral medallion design.

Taoist Priest's Robe, Jiaqing period, 1796-1820

China

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Buddhist priest robe of fine quality kesi woven in squares and strips of different color to represent the rags of Buddha in his mendicant days. Yellow is predominant, with pieces of red, black, gold, green, blue, white, brown, and pale blue. Designs include Buddhist symbols, sacred vessels, cursive profile dragons, loose clouds, chilin, elephant, peonies, phoenix, Foo dog, and imperial five-clawed dragon in shades of blue, red, green, pink, puce, black, olive-green, yellow, and mauve. The border contains a running design of large peonies and leaves. Note some of the weaving done with peacock feathers. Lining of burnt orange damask of large cloud pattern.

Buddhist Priest's Robe (kashaya), 1662-1722

China

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Buddhist Priest's robe with gored end made up of pieces of colored satin blue, pink, white, peach, green, tan, and embroidered in satin stitch and couched gold threads with dragons, clouds, flowers, Fu dogs, Eternal Sea, etc. in colored silks. Border of dark blue satin embroidered with five-clawed gold dragons, bats, clouds, and Eternal Sea. Satin torn in places. Lining of thin pink silk and rose floral satin.

Buddhist Priest's Robe, Qianlong period, 1736-1795

China

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purple/violet dyed cotton with applied cowry shells, bells, shells, wood; leather. a. wrapper; b. vest/shirt; c. hat; d. whisk

Shango Priest's Costume, 20th century

Yoruba

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Buddhist priest robe of K'ang Hsi blue k'ossu with gored end. Mnay five-clawed dragons in gold, those in the border having th symbolic universe design below. The small squares representing Buddha's mendicant days are alternately filled with gold dragons and large peony blossoms in shades of red, pink, and green. The shaped gores are filled with peony blossom and trailing tendrils. Upper border contains loose cloud forms and bats in end sections. Colors include green, red, pink, yellow, olive green , puce, mauve, yellow coral, peach and burnt orange. Compare treatment of clouds, wave border and dragons with the K'ang Hsi robes. K'ossu broken in many spots. The squared and gored areas set off with bindings of yellow satin. Lined with thin rose silk. Canopy flap with standard design, at center of upper top.

Buddhist Priest's Robe (kashaya), early 18th century

China

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Buddhist priest robe of embroidered yellow satin with one end gored. Int he many small squares symbolical of Buddha's mendicant days, are embroidered five-clawed dragons in couched gold, and large peony blossoms with leafy tendrils in shades of red, pink, blue, and green. The gored sections contain two peony blossoms with trailing branches. In the borders and larger dragon panels appear the universe motif, with coral, swastikas, and other symbols appearing in the waves. Loosely drawn clouds. In the end sections of the upper border, bats appear. The 'patched' character of the robe is accentuated by bindings of ivory satin which mark off the various squares. Lining of pink silk. Colors are clear, and include shades of blue, green, red, pink, yellow, mauve, and brown. Atached to center of upper border a flap with embroidered canopy to shield wearer from dragon's eyes. This robe close in design to 42.8.134. Cf. dragons, clouds, and wave areas with other K'ang Hsi robes.

Buddhist Priest's Robe (kashaya), Kangxi period (1662–1722)

China

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Priest robe of embroidered and brocaded puce satin. The shape of the robe is Taoist and the satin is brocaded in an all-over design in spaced, vertical lines, with running Sanskrit characters (prayers) in gold thread. Over this ground on back are enbroidered in laid couched work figures of the 18 Lohans. Colors of embroidery (later work ?) include blues, yellow, rose, peach, green, black, ivory and tan. On left shoulder blade a pagoda; on right, a dragon. Around bottom, sides and front a border of soft blue satin brocaded with the body characters in silver threads. This border banded, on outer edge, with a narrow strip of the puce brocade and set off from main body of robe with a narrow binding of pale beige satin with reveals brocaded areas. Two shaded strips of puce brocade attached to front for fastening. Lining of alternating strips of yellow and orange damask. Facing of plain puce satin around collar and down front; of brown silk damask around bottom and sides. A.P. thinks this may be one of 1738 Kuo Ch'in Wang tomb lot( Yun Li, 17th son of K'ang Hsi, died 1738)

Taoist Priest's Robe, late 19th century

China

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Taoist Priest robe (theatrical ?) of red k'ossu weave. Design includes five large medallions containing the white crane with sacred fungus; loose clouds, phoenix, sun and moon symbols on shoulders, five-clawed gold dragons, Taoist symbols and numerous good-luck characters in shades of blue, green, pink, red, yellow, peach and violent purple. In the sleeve bands are medallions with the sacred trigrams, On the back panel a border that is conventional except for the fact the the striped area breaks through the rolling wave area in places. Tight clouds; waves scattered with large blossoms, swastikas, bats, Buddhist, and other symbols. Crane and bat border in front. Long collar band of yellow with swastika fret diaper in blue, bats, cranes, and clouds. Below , on each side, a band of white k'ossu with Foo dog on one side; dragon on other. Lining of coarse pink cotton. Taoist priest robes in k'ossu are rare.

Daoist priest's robe (daopao), 1821-1850

China

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Buddhist priest robe of assembled panels of brocaded red silk, each outlined with gold foil paper, and embroidered in couched gold threads with spotted deer,bats and good luck characters. In the upper center, a seated figure of Buddha embroidered in satin stitch in colored silks. Border embroidered with lotus and greek key motifs in couched gold thread. Soiled and faded. Liningthin flame-red silk.

Buddhist Priest Robe, 19th century

China

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Nishiki brocade, silk with silver threads, assembled in patchwork fashion for a priest's use

Buddhist priest's robe (kesa), 18th century

Unknown Japanese

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Inscribed Taoist Priest't Robe of embroidered red satin. The ground of the back is completely covered with couched gold threads in an all-over running spiral pattern. On this ground, in lozenge-shaped medallions made up of loose cloud forms in couched silk threads, appear Taoist and Buddhist symbols. In the field are bats, white cranes, small pagodas in medallions, phoenix, and various characters. The round central medallion of the back carries a large pagoda and white cranes in couched silk threads. The Sun and Moon symbols appear on the shoulders. The embroidered area of the back extends over the shoulders in front, where the cloud medallions are filled with Precious Things and flanked by white cranes. Wide bottom border of pale green satin embroidered with chilin, turtles, carp, white cranes, clouds, and Taoist emblems in couched silk and gold threads. The narrow side and front borders carry dragons, clouds, and white cranes in couched silk and gold threads. Narrow strips of gold flank all borders. Colors extraordinarily rich ad soft. Canvas lining. Satin worn in places and threads loose.The inscription painted on the back lining reads'This robe was worn and displayed by the monk of the Lung-ho (Dragon Tiger) Hill in the Winter of the 11th year (1746) of the reign of the Ch'ien Lung' The robe was made for the Head of a Taoist monastery, the Chen Jen Fu ('Pope') Chang of Lung Hu Shen.

Daoist priest’s robe (jiangyi), Qianlong period, 1736-1795

China

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Japanese Buddhist robe made of squares of gold, tan, green and blue brocade, teal blue lining, worn.

Buddhist priest's robe (kesa), 19th century

Unknown Japanese

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1st edition, Latin text.

Joachim Rejected by the High Priest, 1504 (1511)

Albrecht Dürer

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Seated Orthodox Priest, 1768

Jean-Baptiste Le Prince

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The High Priest Tears His Garments, 16th century

Albrecht Dürer

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Bound album, p.34

Parish Priest in Choir Robe, c. 1764

Jean-Baptiste Le Prince

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Bound album, p.17

Seated Orthodox Priest, 1768

Jean-Baptiste Le Prince

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(Old Priest and a Boy), c. 1850

Unknown Japanese

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priest, grey hair and glasses, holding open wallet; plastic bag with books and a cane over proper right arm

%C2%A9 Frederick B. Scheel

Priest with Books and Wallet, Florence, September 10, 1998

Frederick B. Scheel

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drawing in black and red; standing figure seen from back, pointing with PL hand, with open mouth and face in profile from PL; man is wearing a sleeveless red garment, boots, and a head scarf; man holds a spear; column in background at right; attached to off white mount sheet

Preparatory drawing of High Priest Kōmyō, 1874

Tsukioka Yoshitoshi

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frowning, balding man with beard holding a staff (?) under his PR arm and holding up a large shrimp with his PL hand; water and grasses at bottom

Priest Xianzi (Kensu) Catching a Shrimp, first half 17th century

Shōjō Shōkadō

Not on View

The High Priest Refusing the Offering of Joachim, c. 1513

Albrecht Altdorfer

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Plate 1

High Priest Refusing Joachim's Offering, c. 1490-1500

Israhel van Meckenem

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Christ Before the High Priest Caiaphas, c. 1480

Martin Schongauer

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Christ Taken Before the High Priest, 16th century

Albrecht Dürer

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Wakashu disguised as a mendicant priest playing a flute, 18th-19th century

Utagawa Toyokuni

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Bound album, p.32

Plate from "Various Dress of Russian Priests", c. 1764

Jean-Baptiste Le Prince

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three sheets matted and framed together in dark wood frame; green/beige border around outside of all three when placed together; night scene in a forest; a: left sheet: warrior wearing green top and purple bottom with hands up as if to defend self; b: center sheet: old figure wearing dark torn garment holding oil lantern and flame; c: right sheet: large tree in foreground and lanterns receeding in background

Picture of Taira no Tadamori Capturing the Priest of Midō Temple, c. 1884

Kobayashi Kiyochika; Publisher: Hara Taneaki; Carver: Asai Ginjirō

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snowy garden scene: priest sitting in snow-covered hut with open sliding door; looks outside onto snow-covered banks, bridge, and trees

Priest Looking Out into a Snow-covered Landscape, late 18th century

Itaya Keishū

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large white rat in brown cloak, chewing on papers; grey and white smaller rats throughout

Priest Raigo of Miidera Transforming into a Vengeful Rat, 1891

Tsukioka Yoshitoshi

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abstract image; orange background with red shape extending from upper left quadrant, running diagonally through center; red diagonal line in upper center; multicolored dots scattered throughout image

%C2%A9 Robert Weingarten

Palette Series: Monique Prieto #1, (Transparent Apron), 2004

Robert Weingarten

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salmon-colored, brocaded silk with designs of dragons, phoenixes and floral motifs; two blocks of white brocade with blue and tan floral designs on each end

Buddhist priest's stole with phoenix, dragon, and flower, 19th century

Unknown Japanese

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silk blue and gold brocade patchwork, lined, gold backing, orange material

Buddhist priest’s robe with design of chrysanthemums and peonies, 18th-19th century

Unknown Japanese

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3 men in kimonos, wearing hats, descending 2 short flights of stairs in wood-paneled passage

%C2%A9 Werner Bischof Estate All Rights Reserved

Three Shinto Priests in the Meiji Temple, Tokyo, Japan, 1951

Werner Bischof

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The Warrior Satō Tadanobu Defeats Priest Kakuhan in the Mountains of Yoshino, c. 1835-1839

Utagawa Hiroshige; Publisher: Fujiokaya Hikotarō

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Priest's robe, 1822-1851

China

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Fox in Priest's Robes, 20th century

Unknown Japanese

Not on View

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