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Venus and Vulcan Seated on a Bed, c. 1550

Giorgio Ghisi; Artist: after Perino del Vaga (?)

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Portrait of Perino del Vaga, Date Unknown

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The Adoration of the Shepherds, 1724

Elisha Kirkall; Artist: after Perino del Vaga

Not on View

Venus and Vulcan at the Forge, c. mid 1550s

Giorgio Ghisi; Artist: After Perino del Vaga; Workshop: Rossi, Rome

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stable yard; two thatched buildings at top; arched entrance to yard; men on horses entering yard, entering lower building, watering horse and in center of image riding a team of horses

Print, 18th century

N. Perignon

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horizontal rows of glass jars and bottles with black lids filled with bright red, green, orange and yellow fluid, on top of a reflective surface; black rimmed white rectangle behind glassware

%C2%A9 Peri Schwartz

Bottles & Jars 18c, 2015

Peri Schwartz

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black and white image of a city scene as viewed from a roof top, rendered with thin, horizontal lines; building with two window in LRQ; sky scrapers in top center

%C2%A9 Peri Schwartz

Cityscape, 1979

Peri Schwartz

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black and white portrait of figure with short, light colored hair, wearing a dark, open sweater over a white shirt and dark pants; dark, shaded background; loosely sketched hand in LRC

%C2%A9 Peri Schwartz

Self-portrait in Black Sweater II, 1988

Peri Schwartz

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portrait of a balding man with dark hair and mustache; wearing a dark cloak with a high collar and white trim; shadowed background

%C2%A9 Peri Schwartz

From Velasquez #9, 2014

Peri Schwartz; Artist: After Diego Rodriguez Velazquez

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A Perilous Leap, 1890

Winslow Homer

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Orrin, Make Haste, I am Perishing, 1868

Winslow Homer

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Let the Day perish wherein I was Born, 1825

William Blake

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three separate sheets; saturated color; underwater scene; figure at L riddled with arrows and blood standing in front of large brown rock, wielding sword; figure at C sinking in water, with arrows in body, sinking toward crabs at bottom; family in robes at R seated on rock, looking on; figure in foreground with swords, bloody, charging to L

Picture of the Heike Clan Sinking and Perishing at Sea, 1853, 6th lunar month

Tsukioka Yoshitoshi; Publisher: Kazusaya Iwazō

Not on View
three separate sheets; underwater scene; figure at L riddled with arrows and blood standing in front of large brown rock, wielding sword; figure at C sinking in water, with arrows in body, sinking toward crabs at bottom; family in robes at R seated on rock, looking on; figure in foreground with swords, bloody, charging to L

Picture of the Heike Clan Sinking and Perishing at Sea, 1853, 6th lunar month

Tsukioka Yoshitoshi; Publisher: Kazusaya Iwazō

Not on View

A Bridge near Perier, Road to Challans, 19th century

Auguste Louis Lepère

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Copyright of the artist%2C artist%27s estate%2C or assignees

Trilon and Perisphere, New York World's Fair, 1939

Drahomir Josef Ruzicka

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Portal and Peristyle of the Temple of Sibyl, Tivoli, 18th century

Francesco Piranesi

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Travelling or Interminable Gabberjabb No. 7, 1996

Walter Hamady; Printer: The Perishable Press, Mount Horeb, Wis.; Publisher: The Perishable Press, Mount Horeb, Wis.

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rounded, cone-shaped hanging basket; open, vertical weave with spiraling horizontal supports; subtle, zigzagging detail around supports; bamboo inner cylinder

Chinese-Style Basket of Emperor Jiaqing Period, first half 20th century

Yamamoto Shōken

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woman lying on a red pallet with a black neckrest and blue and white pillow with yellow tassel beneath her head; woman wears a red and white abstract floral patterned kimono with similar purple pattern around neckline; floral screen behind woman

Appearing Sleepy, Behavior of a Harlot of the Meiji Period, April 1888

Tsukioka Yoshitoshi; Publisher: Tsunajima Kamekichi; Carver: Yamamoto Shinji

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woman holding the PL sleeve of her kimono between her teeth; woman wears yellow, green, red and black plaid kimono with black trim and collars in purple with white spots, orange and red

Appearing Embarrassed, Behavior of a Girl of the Meiji Period, November 1888

Tsukioka Yoshitoshi; Publisher: Tsunajima Kamekichi; Carver: Wada Yūjirō

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woman collapsing a hanging paper lantern with a burning candle inside; two lanterns visible, which are white with red floral and leaf designs; woman wears a blue kimono with blue and grey abstract leaf patterns, red trim and brown obi with yellow leaf fronds

Appearing Observant, Behavior of a Kyoto Waitress of the Meiji Period, May 1888

Tsukioka Yoshitoshi; Publisher: Tsunajima Kamekichi; Carver: Yokichi

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woman leaning forward, with her brown and yellow striped kimono with black collar slipping off her PL shoulder, lighting a small lamp on a black lacquer shelf, with a pillow roll beneath her; tan basket or box with black handle and red and yellow object (pipe?) between woman and shelf

Appearing Dark, Behavior of a Wife of the Meiji Period, March 1888

Tsukioka Yoshitoshi; Publisher: Tsunajima Kamekichi

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upset looking woman, looking down, with her PR hand resting on a post, wearing a grey kimono with pink and red lining and blue collar; woman holds her skirts in her PL hand and a wrapped packet between her PL arm and her body

Appearing Imperiled, Behavior of a Contemporary Geisha of the Meiji Period, May 1888

Tsukioka Yoshitoshi; Publisher: Tsunajima Kamekichi; Carver: Wada Yūjirō

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woman with her head bent down, wringing her hands, holding the handle of an orange and white fan with an organic design between her teeth; three fireflies in ULQ; woman wears a lavender kimono

Appearing Happy, Behavior of a Present-Day Geisha of the Meiji Period, 1888

Tsukioka Yoshitoshi; Publisher: Tsunajima Kamekichi; Artist: Wada Yūjirō

Not on View
book with accordion pages; cover has linear image of a bird with outstretched wings; brown and light blue patches of pigment, with floral shapes rendered in thin lines throughout; scattered silver flower petals overlap cover; red, vertical band with inscription in Japanese characters on left edge; strip of tape with red and green holly berry leaves across top edge of front cover; colorful images on inner pages of book; back cover is mostly blue with silver lines overlapping, forming a wave-like pattern; diagonal strip of brown with silver flower pets in ULQ of back cover; same bird with outstretched wings in bottom center of back cover

Grand Picture Scroll of the Meiji, Taishō, and Shōwa Periods, 1931

Unknown Japanese

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woman with white and purple irises behind her; woman wears Western dress, with a straw hat with black feathers and white flowers, pink and purple dress with purple and white plaid collar and large black buttons and blue tie at neckline; woman holds a Western style pink parasol with black handle and purple tassel with red bead

Appearing as if Having Been on a Stroll, Behavior of a Lady of the Meiji period, June 1888

Tsukioka Yoshitoshi; Publisher: Tsunajima Kamekichi; Carver: Wada Yūjirō

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Plate from L'Albero Poeta, 1966

Achille Perilli; Author: Guido Ballo; Publisher: Galleria Schwarz, Milan; Printer: Giorgio Upiglio , Milan

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The House with the Peristyle, 18th century

Canaletto (Giovanni Antonio Canal)

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black and white image of boy with dark hair wearing a T-shirt with cut-off arms with snake and clenched fist drawn on it, with his hands on his hips, at left; shadow of boy at right on top of a mural of a hand

Untitled (boy and shadow), from "What Hopes Have Perished with you My Son", In Memory of Johnnie Sanches (1960-1983), Our Lady of Sorrows Cemetary, Bernalillo, New Mexico, 1975 (printed 2014)

Danny Lyon

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Stained Glass of Different Periods and Styles, 1856

Francis Bedmore; Author: Owen Jones; Publisher: Day and Son, London

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The Banksia serrata in bloom; Ripe Pericarpium, with the capsules open, 1807

J. Pass; Publisher: J. Wilkes, London

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St. John the Baptist at center, Christ at center right, flanked by angels, who draws a cloth over Christ's head; God the Father and Holy Ghost represented as dove in clouds; crwod at left

Baptism of Christ, 17th-18th century

Tommaso Redi

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