Religion. Central panel is a Pieta with an elaborate view of 15th century Bruges in the background. Donors included with saints in the scene. Left wing - St. John; Right wing - St. Catherine Figures of Christ, Mary and Saints all portraits of real people. Artist was primarily a portraitist though fashion of the time demanded religious pictures. Rich costumes of St. Catherine in right wing and donors in central panel reveal artist's interest in color and rich fabrics. People grouped tightly in foreground with little space around them. Space extends backward into picture but not forward. View of Bruges in background characteristic of this painter's work. The non-religious figures save Catherine, surpass the others, and show genuine bent for portraiture. The Spanish cast of Christ's features an unusual detail. STYLE: Flemish paintings in oil on panel derive from earlier schools of manuscript illumination and reveal their influence in: - Colors which are brilliant and harmonious with enamel-like hardness of finish. - Delicacy of technique and proportion. - Minute and sympathetic rendering of landscape. - Long flowing lines in the tradition of the International Style. Grace of pose and gesture also characteristic of this style. — Lamentation with Saint John the Baptist and Saint Catherine of Alexandria, Master of the Legend of Saint Lucy #328

Religion: NT. — Destruction of the Beast and the False Prophet, Benjamin West #044

The Cat's Paw, Sir Edwin Henry Landseer — The Cat's Paw, Sir Edwin Henry Landseer #269

Religious. New Testament. Jesus Christ seated wearing a crown of thorns, meditating quietly on the Passion. Cross building tools are on the floor surrounding him (hammer, awl, nails and broom). — Man of Sorrows, Luis de Morales (called El Divino) #276

Portrait of a woman. Dutch golden age. A lady about thirty-four years of age with her fair hair in curls, stands full length at her toilet table, almost facing the spectator. She has a book in one hand and holds up her skirt with the other. She wears a light blue satin dress embroidered with gold lace. On the table, which is covered with a Turkey carpet, are a mirror, a silver box, and a candlestick. A spaniel frisks at her feet. — Portrait of Lucia Wijbrants, Gabriël Metsu #124

Madonna and Child, Giovanni Battista Cima da Conegliano — Madonna and Child, Giovanni Battista Cima da Conegliano #624

One of a pair of marriage portraits (see 57.10) — Portrait of Moritz Buchner, Lucas Cranach the Elder #279

Worship and devotion non-Christian religions — Young Greeks in the Mosque, Jean-Léon Gérôme #031

Portrait of a woman in black dress and white lace cap with grey wrap around her shoulders; PR elbow resting on Bible on table. — Portrait of Harriet Brown, Sheldon Peck #663

small thatch-roofed structure with tree branch supports at right next to a tree; two horses at left next to another tree; turbaned male figures inside structure and one man seated by horses — An Arab Encampment, Gustave-Achille Guillaumet #669

shiny copper and silver metal pots and pans; candlestick in ULC; bunch of onions and 2 fish, LLQ; 5 small birds, LRQ — Allegory of the Four Elements, Cornelis Jacobsz. Delff #242

Portrait of Anna Blocken, Aelbert Cuyp — Portrait of Anna Blocken, Aelbert Cuyp #678

seventeenth-century Dutch landscape — River Landscape with the Pellecussen Gate near Utrecht, Jan van Goyen #692

A Hermit Praying, Gerrit Dou #677

One of a pair; see 73.11.1; near view, has conversation group; — View of a Town House Garden in The Hague, Paulus Constantijn la Fargue #704

Madonna and Child. No signature or markings. — Virgin and Child in a Landscape, possibly Master of the Madonna Grog #520

Arched top. The Madonna, in a gold and blue mantle over a red and gold brocade robe, seated on a throne in Renaissance style holding the infant Christ who stands on her knee, an apple in his hand; at the foot of the throne, pinks in a vase, apples, and marrows. — Madonna and Child Enthroned, Nicola di Maestro Antonio (di Ancona) #323

Madonna and Christ Child Christ holds apple in one hand and touches a cabbage butterfly with the other — Madonna and Child, Cornelis van Cleve #671

Private festivities, merry company — Garden Party, Adolphe Monticelli #654

Family portrait — Portrait of the Gaspard Moeremans Family, François-Joseph Navez #932

Group portrait of six Italian writers and poets: Dante Alighieri, Francesco Petrarch, Guido Cavalcanti, Giovanni Boccaccio, Cino da Pistoia, and Guittone d'Arezzo. — Six Tuscan Poets, Giorgio Vasari #315

Looking for medina, metius, medic?

Religion. Central panel is a Pieta with an elaborate view of 15th century Bruges in the background. Donors included with saints in the scene. Left wing - St. John; Right wing - St. Catherine Figures of Christ, Mary and Saints all portraits of real people. Artist was primarily a portraitist though fashion of the time demanded religious pictures. Rich costumes of St. Catherine in right wing and donors in central panel reveal artist's interest in color and rich fabrics. People grouped tightly in foreground with little space around them. Space extends backward into picture but not forward. View of Bruges in background characteristic of this painter's work. The non-religious figures save Catherine, surpass the others, and show genuine bent for portraiture. The Spanish cast of Christ's features an unusual detail. STYLE: Flemish paintings in oil on panel derive from earlier schools of manuscript illumination and reveal their influence in: - Colors which are brilliant and harmonious with enamel-like hardness of finish. - Delicacy of technique and proportion. - Minute and sympathetic rendering of landscape. - Long flowing lines in the tradition of the International Style. Grace of pose and gesture also characteristic of this style. — Lamentation with Saint John the Baptist and Saint Catherine of Alexandria, 1493–1501
Master of the Legend of Saint Lucy

G342

Religion: NT. — Destruction of the Beast and the False Prophet, 1804
Benjamin West

G321

The Cat's Paw, Sir Edwin Henry Landseer — The Cat's Paw, c. 1824
Sir Edwin Henry Landseer

G305

Religious. New Testament. Jesus Christ seated wearing a crown of thorns, meditating quietly on the Passion. Cross building tools are on the floor surrounding him (hammer, awl, nails and broom). — Man of Sorrows, c. 1560
Luis de Morales (called El Divino)

G341

Portrait of a woman. Dutch golden age. A lady about thirty-four years of age with her fair hair in curls, stands full length at her toilet table, almost facing the spectator. She has a book in one hand and holds up her skirt with the other. She wears a light blue satin dress embroidered with gold lace. On the table, which is covered with a Turkey carpet, are a mirror, a silver box, and a candlestick. A spaniel frisks at her feet. — Portrait of Lucia Wijbrants, 1667
Gabriël Metsu

G309

Dutch Golden Age. 'Vanitas' still life. — Still Life, 1643
Pieter Claesz.

G311

Religion: New Testament. Jesus Christ. Reverse is cradled. — The Temptation of Christ, c. 1516-25
Titian (Tiziano Vecelli)

G330

one of a pair — Portrait of Lucas van Voorst, 1628
Paulus Moreelse

G312

Interior of a barn. Dutch genre. — Interior of a Barn, 1644
Egbert van der Poel

G312

Madonna and Child, Giovanni Battista Cima da Conegliano — Madonna and Child, probably between 1500 and 1504
Giovanni Battista Cima da Conegliano

G343

One of a pair of marriage portraits (see 57.10) — Portrait of Moritz Buchner, c. 1520
Lucas Cranach the Elder

G342

Worship and devotion non-Christian religions — Young Greeks in the Mosque, 1865
Jean-Léon Gérôme

Not on View

Portrait of a woman in black dress and white lace cap with grey wrap around her shoulders; PR elbow resting on Bible on table. — Portrait of Harriet Brown, c. 1845
Sheldon Peck

G304

small thatch-roofed structure with tree branch supports at right next to a tree; two horses at left next to another tree; turbaned male figures inside structure and one man seated by horses — An Arab Encampment, c. 1880
Gustave-Achille Guillaumet

G354

shiny copper and silver metal pots and pans; candlestick in ULC; bunch of onions and 2 fish, LLQ; 5 small birds, LRQ — Allegory of the Four Elements, c. 1600
Cornelis Jacobsz. Delff

G341

Portrait of Anna Blocken, Aelbert Cuyp — Portrait of Anna Blocken, 1649
Aelbert Cuyp

G312

seventeenth-century Dutch landscape — River Landscape with the Pellecussen Gate near Utrecht, 1648
Jan van Goyen

G311

A Hermit Praying, 1670

Gerrit Dou

G309

One of a pair; see 73.11.1; near view, has conversation group; — View of a Town House Garden in The Hague, 1775
Paulus Constantijn la Fargue

G314

Madonna and Child. No signature or markings. — Virgin and Child in a Landscape, c. 1492–98
possibly Master of the Madonna Grog; Artist: possibly Aert van den Bossche; Artist: formerly Master of the Embroidered Foliage

G342

Arched top. The Madonna, in a gold and blue mantle over a red and gold brocade robe, seated on a throne in Renaissance style holding the infant Christ who stands on her knee, an apple in his hand; at the foot of the throne, pinks in a vase, apples, and marrows. — Madonna and Child Enthroned, c. 1490
Nicola di Maestro Antonio (di Ancona)

G343

portrait of Diana with light brown curly hair in an updo with some loose curls in front, wearing a gold and silver headdress, earrings with clear drops and an armlet with a large green gem and pearls; figure is bare-breasted and wears a pinkish-red garment and holds a spear on a staff with a pinkish-red tassel — Diana as Goddess of the Hunt, 1607
Cornelis Cornelisz. van Haarlem

G341

Madonna and Child with Grapes, Lucas Cranach the Elder — Madonna and Child with Grapes, c. 1537
Lucas Cranach the Elder

G342

10-1/2 x 18-1/4' — Evocation of Love, 1850-1855
Jean-Baptiste-Camille Corot

G354

Istanbul — Seraglio, Constantinople, 1865-1875
Narcisse-Virgile Diaz de la Peña

G357

Dutch golden age. Three quarter length figure of a young woman in black, seated toward the left, but looking at the viewer. A thin film of lace is around her heard, and she wears a deep white collar and broad white cuffs. In one hand is a black fan, and by the other lie her black gloves. Dark background. — Portrait of a Young Girl, c. 1650
Jacob van Loo

G312

little boy with shoulder-length blonde hair and brown eyes, wearing a green cap with a tall white feather and a pink skirted garment with a white blouse underneath and a red cloth over his shoulders, holding a brown finch on his extended PL index finger; finch has a ribbon attached to its leg, which the boy holds in his PR hand; jumping brown and white spaniel with its mouth open at boy's PR hip; image in an oval with brown border — Portrait of a Boy in Classical Dress with a Bullfinch and Spaniel, c. 1670
Nicolaes Maes

G309

two men at left--one standing man wearing a hat holding a staff, looking down to PR, and seated gesturing man with short beard; small group of pigs of various colors and sizes to right of men at center bottom; figure and dog in middle ground at right; two horse pulling a covered wagon right of center in middle ground; expansive landscape behind figures with clouds in sky — A Landscape with a Herd of Pigs, The Swineherd Conversing with Another Man, 1645
Paulus Potter

G312

one of a pair — Portrait of Catharina van Voorst, 1628
Paulus Moreelse

G312

Portrait of a man. Portrait of Robert Devereux, Second Earl of Essex. (1970 catalogue states 'oil on panel, mounted on aluminum') — Portrait of Robert Devereux, Second Earl of Essex, 1599
Studio of Marcus Gheeraerts the Younger

G325

One of a pair; see 73.11.2; long view, has man with dog — View of a Town House Garden in The Hague, 1775
Paulus Constantijn la Fargue

G314

Portrait of Silvestro Aldobrandini, attributed to Ridolfo Ghirlandaio — Portrait of Silvestro Aldobrandini, c. 1550
attributed to Ridolfo Ghirlandaio

G340

One of a pair of marriage portraits (see 57.11) — Portrait of Anna Buchner, née Lindacker, c. 1520
Lucas Cranach the Elder

G342

Autumn, Forest Interior, Narcisse-Virgile Diaz de la Peña — Autumn, Forest Interior, c. 1860
Narcisse-Virgile Diaz de la Peña

G354

Virgin Mary in Prayer Mater Dolorosa — The Virgin in Prayer, c. 1520-1530
Joos van Cleve

Not on View

waterfall with rock outcropping at center with bush; rocky bank on L and R; gold frame — The Falls of St. Anthony, 1848
Seth Eastman

G303

The Temptation of St. Anthony, David Teniers, the Younger — The Temptation of St. Anthony, 17th century
David Teniers, the Younger

G309

Still life with dead birds — Still Life of Dead Birds, c. 1660
Jan Vonck

G309

Soldiers Arming Themselves, Jacob Duck — Soldiers Arming Themselves, mid 1630s
Jacob Duck

G312

Still Life. Cubist. — Still Life, 1917
Juan Gris

G367

man in white with long grey beard at left center accompanied by man in mint green; both figures wear laurel wreaths; man in white stands behind an altar with burning twigs; three kneeling women at right center with chicken and gold pitcher; silver objects and branches below altar; several other kneeling figures at left; standing figures including two musicians and cow behind; ruined sculpture in LRC; sculpture on tall pedestal behind main figures; buildings close behind background figures — St. Paul and St. Barnabas at Lystra, 1636
Willem de Poorter

G311

still life with plate with yellow apple, two frosted cakes, brown berries and an orange fruit, with leaves behind plate; small stemmed glass with pale yellow beverage at L — Still Life with Fruit, Cakes and Wine, 1821
Raphaelle Peale

G322

Madonna and Christ Child Christ holds apple in one hand and touches a cabbage butterfly with the other — Madonna and Child, c. 1550
Cornelis van Cleve

Not on View

Private festivities, merry company — Garden Party, c. 1868
Adolphe Monticelli

Not on View

Family portrait — Portrait of the Gaspard Moeremans Family, 1831 and 1833
François-Joseph Navez

Not on View

Portrait of a man, half-length, seated, three quarters right in an armchair of yellowish wood, upholstered in red, at a table covered with a red cloth on which are two upright brown leather books - and two lying down - all with red labels. His right hand rests on another similar book; a volume of Seneca, which rests on his lap. A narrow black enameled ring encircles his second finger. His blue eyes are directed to the spectator and his white hair is brushed forward over his forehead and above his ears. He wears a high collared black coat, a white standing collar, and white neckcloth. The background is plain and of grayish-brown tones. — Portrait of Judge Daniel Cony of Maine, c. 1815
Gilbert Stuart

G324

Portrait of a young woman sitting against a green background. She holds a small psalm book. The book is actually a girdle prayer book, whether it is a psalm book or something else remains to be determined. NW 03/10 — Portrait of a Noblewoman, c. 1550
Unknown

G342

Religion: NT. Madonna and Child. Rest on the Flight into Egypt. Virgin and Child seated on rocky mound in foreground. Joseph fills water bottle at a little pool on the left. Herod's soldiers question the farmer who points to a field of wheat. Small Flemish village in the right background, in front of which is enacted the Massacre of the Innocents. Trees, hills, winding river form fanciful landscape background. — Rest on the Flight into Egypt and the Miraculous Field of Wheat, c. 1518–24
Workshop of Joachim Patinir

G342

Group portrait of six Italian writers and poets: Dante Alighieri, Francesco Petrarch, Guido Cavalcanti, Giovanni Boccaccio, Cino da Pistoia, and Guittone d'Arezzo. — Six Tuscan Poets, 1544
Giorgio Vasari

Not on View

Still life with a cucumber, pitcher, platter, glassware. — Still Life with a Cucumber and a Pitcher, 1847
Adolphe Félix Cals

G354

Genre. — The Gossip, c. 1907
Thomas Wilmer Dewing

Not on View

Portrait. — Rachel Spears Johnston (1786-1850), c. 1837
George Caleb Bingham

Not on View

crucified Christ at center; Mary Magdalene in green gown hugs bottom of cross; two crucified men flank Christ; two soldiers in grey armor, man in orange armor, two other men and boy at right; three women and two men at left; frame received separate from painting--blue highlighted bead on three sides — The Crucifixion, c. 1575
Follower of Lucas Cranach the Elder

Not on View

monsterous, deformed, doll-like figures, with one figure strapped to a wheelchair at center and a skeleton headed figure in URC; worn buildings at L; greenish grey turbulent sky — Funeral March for the Minimal Man, 2002
Chris Mars

Not on View

portrait; seated three-quarters to the left. eyes dark blue, hair and side-whiskers light sandy color; left hand resting on table holds a book into which his index finger is thrust; black coat, buttoned, white collar, neckcloth and a starched ruffed shirt. — Portrait of Alexander Townsend, 1809
Gilbert Stuart

Not on View

Landscape with cattle. — An Arabian Camp, 1873
Eugène Fromentin

Not on View

Winter landscape. — Winter Landscape, 19th century
Hugh Bolton Jones

Not on View

Portrait of Giovanni della Bande Nere, attributed to Carlo Portelli — Portrait of Giovanni della Bande Nere, 1565–70
attributed to Carlo Portelli

Not on View

Place de la Concorde, seen from the left bank of the Seine. Shows the beginning of the first manned hydrogen balloon flight from the Tuileries Garden, Paris to Nesle, a distance of twenty seven miles. — The Balloon Flight of Jacques Charles over the Place de la Concorde, Paris, c. 1783
attributed to Pierre Antoine de Machy

Not on View

Conversion of Saul — The Conversion of Saul, c. 1540
School of Raphael

Not on View

Mary Magdalene: Penitent — The Penitent Magdalen, c. 1607
Bartolomeo Schedoni

Not on View

Abstracted trees in greens, blues, yellows and pinks on brown ground — Dans le Brouillard, late 19th-early 20th century
Henri Martin

Not on View

Private festivities, merry company — The Empress Eugenie at St. Cloud, c. 1875-1878
Adolphe Monticelli

Not on View

Landscape — Chateau Gaillard, Normandy, ca. 1913
Alexis Jean Fournier

Not on View

Venus and Cupid, Monogrammist HB with the Griffin's Head — Venus and Cupid, c. 1529
Monogrammist HB with the Griffin's Head

Not on View

Still Life. — Still Life, Chinese Vase, 1922
Søren Emil Carlsen

Not on View

Religion: New Testament Annunciation — The Annunciation, c. 1540
Girolamo da Santacroce

Not on View

Backstage at the Théâtre de l'Oeuvre, Edouard Vuillard — Backstage at the Théâtre de l'Oeuvre, c. 1894
Edouard Vuillard

Not on View

The Madonna Adoring the Christ Child, Jacopo da Valenza — The Madonna Adoring the Christ Child, 15th-16th century
Jacopo da Valenza

Not on View

Landscape. View of land-locked harbor in greenish-blue, with boats at anchor and man in oilskins taking up lobster pots. — The Harbor, Monhegan Coast, Maine, 1913
George Bellows

Not on View

Lion lioness reclining — Lioness Reclining, c. 1855
Imitator of Eugène Delacroix

Not on View

Genre. Marine abstraction. — Idle Boats, 1953
LeRoy Neiman

Not on View

Icon, oil on wood with polychrome porcelain frame, Russian, XIXc in wooden case; dimensions are of case cat. card dims (of box) 5 x 4-1/2 x 1-1/4' — Icon; Christ Pantokrator, 19th century
Unknown

Not on View

Coastal landscape with granite cliffs — Coastal Landscape with Granite Cliffs, c. 1610–20
Cornelis Johannesz. Liefrinck

Not on View

Still Life with Flowers and Salmon, 1883

Ernest-Ange Duez

G351

Girls Beside a Stream, 19th century

Narcisse-Virgile Diaz de la Peña

Not on View

Sheep, 19th century

Charles-Émile Jacque

Not on View

Holy Family with Saints John the Baptist and Elizabeth, 16th-17th century

attributed to Bartolomeo Schedoni

Not on View

Portrait of Dr. John W. Jones, 19th century

Thomas Cole

Not on View

The Race for Wealth: The Spider at Home, 1880

William Powell Frith

Not on View

showing 80 results matching medium:"Oil on panel"