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boxing match with two figures in ring with official behind them; figures around elevated boxing ring gesturing and talking

A Stag at Sharkey's, 1917

George Bellows

Not on View

Lion Devouring a Horse, 1844

Eugène Delacroix

Not on View

Lion of the Atlas Mountains, 1829-30

Eugène Delacroix

Not on View

Rue Transnonain, le 15 Avril, 1834, 1834

Honoré Daumier; Publisher: Association Mensuelle; Printer: Delaunois , Paris

Not on View
man standing in boat, pushing off from pier with a boat oar

%C2%A9 Plattsburgh State Art Museum%2C Rockwell Kent Gallery and Collection

Boatman, 1929

Rockwell Kent

Not on View

%C2%A9 Succession H. Matisse %2F Artists Rights Society %28ARS%29%2C New York

Persian Woman, 1929

Henri Matisse

Not on View

Royal Tiger, 1829-1830

Eugène Delacroix

Not on View
page from a book (pages 35 and 36); recto, top image: large Victorian houses; house on left is brick, house on right is wood frame; figures on sidewalk, in front of houses and on porch of house at right; carriages on street; "RESIDENCE OF C. H. BIGELOW, COLLEGE AVENUE, ST PAUL, MINN." and "RESIDENCE OF E. M. DEANE, COLLEGE AVENUE, ST PAUL, MINN." printed below image; recto, bottom image: factory complex with three buildings, with figures, horses and carriages around them; lumber at right; trains in LLC and center left; "ST. PAUL HARVESTER WORKS" and other text printed below image; verso, top image: large Victorian house with cupola and fountain in front; figures in front of house; carriages and horses on street; "J. C. BURBANK'S RESIDENCE, SUMMIT AVE. / ST. PAUL, MINN." printed below image; verso, bottom image: Victorian house with figures on street; two horses and carriages; "RESIDENCE OF R. BARDEN, COR. 6TH & MARIA AVE. DAYTONS BLUFF, ST PAUL, MINN." printed below image

St. Paul Harvester Works, 1875

Not on View

Ringleader, 19th-20th century

Henri Gabriel Ibels

Not on View

%C2%A9 Artists Rights Society %28ARS%29%2C New York %2F Pro Litteris%2C Zurich

Golda Meir, Prime Minister, 1973

Oskar Kokoschka; Publisher: Marlborough Graphics, London

Not on View

%C2%A9 The Estate of Philip Guston Courtesy the Estate and Hauser %26 Wirth

Tooth, 1966

Philip Guston

Not on View

The Man Raises His Head Above the Grave on which His Wife Sits, 1914

Oskar Kokoschka

Not on View

Pietà (Weibüber Schemengebeugt), 1913

Oskar Kokoschka

Not on View

%C2%A9 Artists Rights Society %28ARS%29%2C New York %2F Pro Litteris%2C Zurich

His Beatitude Benedictos I, Greek Orthodox Patriarch of Jerusalem, 1973

Oskar Kokoschka; Publisher: Marlborough Graphics, London

Not on View

%C2%A9 Artists Rights Society %28ARS%29%2C New York %2F Pro Litteris%2C Zurich

Teddy Kollek, Mayor of Jerusalem, 1973

Oskar Kokoschka

Not on View

Gethsemane, 1916

Oskar Kokoschka

Not on View

%C2%A9 Succession H. Matisse %2F Artists Rights Society %28ARS%29%2C New York

Self-Portrait, 1923

Henri Matisse

Not on View

Child Drawing (Jean Buhot), 1892-1894

Félix Buhot

Not on View
boxer; prize fight

Introducing John L. Sullivan, 1916

George Bellows

Not on View

The Pleading Woman, 1914

Oskar Kokoschka

Not on View

Self-Portrait, 1914

Oskar Kokoschka

Not on View
[Ferdinand Roten Galleries, Baltimore, until 1957; sold July 9, for $500, to Mia]

Pietà, 1914

Oskar Kokoschka

Not on View

Columbus and St. George, 1913

Oskar Kokoschka

Not on View

%C2%A9 Artists Rights Society %28ARS%29%2C New York %2F Pro Litteris%2C Zurich

Sheik Mustafa Khalil El-Ansari, Chief Warden of the Mosque of Omar, 1973

Oskar Kokoschka; Publisher: Marlborough Graphics, London

Not on View

Dragons Over a Flame, 1914

Oskar Kokoschka

Not on View

%C2%A9 Artists Rights Society %28ARS%29%2C New York %2F ADAGP%2C Paris

Women, 1948

Joan Miró; Publisher: Maeght Éditeur, Paris

Not on View

%C2%A9 Artists Rights Society %28ARS%29%2C New York %2F Pro Litteris%2C Zurich

Dr. Shimon Agranat, President of the Israel Supreme Court, 1973

Oskar Kokoschka; Publisher: Marlborough Graphics, London

Not on View

%C2%A9 Artists Rights Society %28ARS%29%2C New York %2F Pro Litteris%2C Zurich

Moyshe Dayan, Minister of Defence, 1973

Oskar Kokoschka; Publisher: Marlborough Graphics, London

Not on View

%C2%A9 Succession H. Matisse %2F Artists Rights Society %28ARS%29%2C New York

Title page from Florilège des Amours de Ronsard, 1948

Henri Matisse; Author: Pierre de Ronsard; Publisher: Albert Skira , Paris; Lithographer: Mourlot Freres, Paris; Printer: George Girard, Paris, France , (text)

Not on View
Black woman at right wearing a dark hat and a light dress and shawl; black girl at center with her hair in two braids, wearing a lace collar; balding black man at left, wearing a suit and tie

%C2%A9 Jackson Lee Nesbitt

The Matthew W. Johnston Family, 1990

Jackson Lee Nesbitt

Not on View
landscape with trees at edges, mountains and water in background

Landscape in the South of France, 1925

Pierre Bonnard; Publisher: Edmond Frapier, Galerie des Peintres-Graveurs, Paris

Not on View

1830 et 1833 (Louis-Philippe), from La Caricature, 1833

Honoré Daumier

Not on View

Celui-la, on peut le mettre en liberté! il n'est plus dangereux. (from La Caricature), 1834

Honoré Daumier

Not on View

Pour un pauvre Américain, s'il vous plaît. (from La Caricature), 1835

Honoré Daumier

Not on View

Le passé. Le présent. L'Avenir (Louis-Philippe), 1834

Honoré Daumier

Not on View

Mr. Chose, Premier Saltimbanque d'Europe (Caricatures Politiques), 1833

Honoré Daumier

Not on View

Moderne Galilée, "Et pourtant elle marche" (from La Caricature), 1834

Honoré Daumier

Not on View

The Lover of Oysters (Galerie Physionomique), from Le Charivari, 1836

Honoré Daumier

Not on View

Grrrrrand Demenagement Du Constitutionnel, from Le Charivari, June 8, 1846

Honoré Daumier

Not on View

Un Cauchemar de Mr. de Bismark. Merci! (Actualités), from Le Charivari, 1870

Honoré Daumier

Not on View

L'Odorat (Les Cinq Sens), from La Caricature, 1839

Honoré Daumier

Not on View

La Vue (Les Cinq Sens), from La Caricature, 1839

Honoré Daumier

Not on View

Épouvantée de l'heritage, 1871

Honoré Daumier

Not on View

Le Gout. Fichtre! je m'etonné pas ..... (Les Cinq Sens), from La Caricature, 1839

Honoré Daumier

Not on View

Souvenirs., from La Caricature Provisoire, 1840

Honoré Daumier

Not on View

Un tournebroche destine. . . (L'Exposition Universelle), from Le Charivari, 1855

Honoré Daumier

Not on View

Le Toucher (Les Cinq Sens), from La Caricature, 1839

Honoré Daumier

Not on View

Page d'Histoire, 19th century

Honoré Daumier

Not on View
Plate 76

La rentee entre onze heures et minuit (Le Bons Bourgeois), 19th century

Honoré Daumier

Not on View

Un Homme Sensible (Caricaturana 43), 19th century

Honoré Daumier

Not on View

Est-il joli! . . .ce cherubin! (Croquis d'expressions), from Le Charivari, 1839

Honoré Daumier

Not on View

L'Ouie. Nini, reveille-toi donc! .... (Les Cinq Sens), from La Caricature, 1839

Honoré Daumier

Not on View
print was removed from mount bearing drystamp

Portrait of a Woman, 1894

Sir William Rothenstein

Not on View

Vous-avez la parole, expliquez-vous, vous êtes libre!, 1835

Honoré Daumier

Not on View

Creek with Trees, 1921

Birger Sandzén

Not on View

One WIll Excuse Her Because She Has Danced Too Much, 1847

Paul Gavarni (Sulpice-Guillaume Chevalier)

Not on View

Pietá, 1914

Oskar Kokoschka

Not on View

%C2%A9 Artists Rights Society %28ARS%29%2C New York %2F Pro Litteris%2C Zurich

Giant Lobster and Fish, 1963

Oskar Kokoschka

Not on View

Clotilde, 19th century

Paul Gavarni (Sulpice-Guillaume Chevalier)

Not on View

Man and Woman with Corpse, 1914

Oskar Kokoschka

Not on View

Wanderer in the Storm, 1914

Oskar Kokoschka

Not on View

Male and Female Nude in a Landscape, 1914

Oskar Kokoschka

Not on View

Self Portrait, 1842

Paul Gavarni (Sulpice-Guillaume Chevalier)

Not on View

Thomas Vireloque, 1854

Paul Gavarni (Sulpice-Guillaume Chevalier); Publisher: Imp. Bertauts

Not on View

Girl's Head, 1922

Oskar Kokoschka

Not on View

Odalisque, 1825

Jean-Auguste-Dominique Ingres

Not on View

Fear and Hope, 1914

Oskar Kokoschka

Not on View

Fear and Hope, 1914

Oskar Kokoschka

Not on View
quote from Lucy Stone at bottom left; face of angry woman at upper right

In education, in marriage, in everything. . ., 1970

Su Negrin; Publisher: Times Change Press, New York

Not on View
Eugene McCarthy standing on bricks and looking up; "He stood up alone and something happened" at top and "McCarthy" at bottom

McCarthy. He stood up alone and something happened, 1968

McCarthy for President

Not on View
one large thumbprint with loop patterning at right center

%C2%A9 Mike Bidlo

Impronte pollice destro, 1960, 2015

Mike Bidlo; Publisher: World House Editions, Middlebury, Conn.

Not on View
one large fingerprint with loop patterning in lower left corner

%C2%A9 Mike Bidlo

Impronte pollice sinistro, 1960, 2015

Mike Bidlo; Publisher: World House Editions, Middlebury, Conn.

Not on View
ten fingerprints in two horizontal rows with five fingerprints in each row

%C2%A9 Mike Bidlo

Impronte, 1960, 2015

Mike Bidlo; Publisher: World House Editions, Middlebury, Conn.

Not on View
heavily-worked abstract image with round starburst-like designs, floral motifs, wavy horizontal forms; repeating bars across top

%C2%A9 1978 Luciano Lattanzi

City of Lakes, 1978

Luciano Lattanzi; Publisher: Vermillion Editions Limited, Minneapolis; Printer: Vermillion Editions Limited, Minneapolis

Not on View
farm scene with pair of chickens in foreground on a path; hayfield in middle ground; barn, silo, house and two other small sheds in background; haystack with ladder at left

Copyright of the artist%2C artist%27s estate%2C or assignees

The Hayrick, c. 1939

Arnold Blanch

Not on View
cover (recto) and first page (verso) of periodical; image on cover of standing man with a moustache and dark hair, wearing dark jacket, striped vest and pants, holding his cap in his PR hand and a newspaper in his PL hand, with a factory in the background; printed text at top; verso: image of a newspaper boy in ULC and text

L'Honnête ouvrier (Honest Worker), cover for "La Feuille", no. 24 (recto), February 15, 1899 published

Théophile-Alexandre Steinlen

Not on View
standing figure wearing a baggy overcoat, large brimmed hat and skirt, resting his PR hand on the end of a broom handle, holding a shovel (?) behind back with PL hand

Man with Broom, 19th century

Paul Gavarni (Sulpice-Guillaume Chevalier)

Not on View
reclining female nude with a billowing drapery beneath her body and around the top of her head, being carried aloft by four winged youths and children; printed text at bottom

Psyche Carried Off by the Zephrys, 1824

Jean-Baptiste Aubry-Lecomte; Artist: after Pierre-Paul Prud'hon

Not on View
river at center foreground; trees at right on bank; farm with cluster of buildings at left center of left bank

Copyright of the artist%2C artist%27s estate%2C or assignees

Farm on Smoky River, 1936

Birger Sandzén

Not on View
various small sections of letterpress printing in various languages and various type fonts; some diagrams (a circular chart in LLQ, a column base at top center, a round diagram in URQ), illustrations (organic designs in LLC, images from stamps and a ticket in LLQ) and bars of music; some sections of handwritten text in various languages including a section at bottom center of possibly Arabic text

%C2%A9 Estate William Dole

The Dictionary, 1971

William Dole

Not on View
various small sections of letterpress printing in various languages and various type fonts; some diagrams (column and cornice sections in URQ, four diagrams of various skulls at top URQ) and illustrations (column capital at bottom center, certificate with eagle in LRQ); some small sections of handwritten text in various languages; vertical section of three lines of Asian text at right; yellowed rectangles in LLC and at left edge (probably inherent, but may be damage to sheet?)

%C2%A9 Estate William Dole

The Dictionary, 1971

William Dole

Not on View
small paragraphs, lines of text, words, letters, bar of music scattered throughout image, in black and red; abstract cloudy areas of color and spots of color over text in red, khaki, forest green and medium blue

%C2%A9 Estate William Dole

Generalba, 1971

William Dole

Not on View
man and woman embracing in a hammock, with their bare legs, one of man's arms and one of woman's arms, small portion of side of man's body and woman's hair the only visible body parts

%C2%A9 Estate of Joseph Hirsch

Hammock, 1969

Joseph Hirsch

Not on View
sailboat in front of a bridge across narrow waterway; buildings at left, right and middle ground; raft, LLC

Vue de Caen, 1832

Eugène Isabey

Not on View
seated nude male--torso fully finished--head, legs and arms sketched; man sitting on his PR hip, resting his weight on his PR hand; PL knee drawn up; looking down

Male Torso, 1916

George Bellows

Not on View

%C2%A9 John Wilde

Wildeview, 1985

John Wilde; Publisher: John Wilde

Not on View
Plate 21; interior scene of woman standing in front of a window looking out onto a village or town; small horse and wagon in distance; clock hanging on wall in URQ

%C2%A9 Anatoli Luovitch Kaplan

Waiting, 1961

Anatoli Kaplan

Not on View
black and white image of an older male figure and younger female figure seated at a table outdoors; shrubbery and trees in URQ; figure in a top hat resting in a carriage behind male figure in ULQ; text in French on top margin reads, "MAYEUX ET ROBERT MACAIRE"; text on bottom margin

Mayeux et Robert Macaire - Oui, Charmante j'ai le dos vouté..., c. 1839

Charles-Joseph Travies de Villers

Not on View
abstract, chaotic image with black ink on white paper; cloudlike forms at top; black horizontal swirl wrapping around highly abstracted horse-like figures upper C; drip, splatter, and scribble marks; jagged lines forming triangular markings LLQ; vertical swirl at LL; black bubble pattern LRQ

%C2%A9 Carroll Dunham

Accelerator, 1985

Carroll Dunham

Not on View
landscape with a calm body of water and a boat; mountains in the background; black frame

%C2%A9 Estate of Adolf Arthur Dehn

Peaceful Cove, 1938

Adolf Dehn

Not on View
landscape with people working in a field; cows in an enclosure in the foreground; black frame

%C2%A9 Estate of Adolf Arthur Dehn

Threshing, 1938

Adolf Dehn

Not on View
black-and-white image; outer band of design with six roundels dispersed with portraits of faces, one on top center, one on bottom center and two each of right and left side; swirling linear designs between portraits; rectangle in center; Hebrew text in center, with dates 1957-1961 along bottom edge

%C2%A9 Anatoli Luovitch Kaplan

Title page from "Tevia the Milkman", 1957-61

Anatoli Kaplan

Not on View
Plate 8; interior scene; veiled woman on right standing over series of candles on a cloth covered table, hands raised over candles; large cabinet behind woman in URC; window with curtains in ULQ; chair beneath window and one at table; smaller table and chair in LLQ

%C2%A9 Anatoli Luovitch Kaplan

On the Eve of the Sabbath, 1961

Anatoli Kaplan

Not on View
black and white; ghoulish silhouette of woman's head and torso superimposed over a white doily-like mandala; white typewritten text at bottom

%C2%A9 Chet Helms DBA Family Dog Productions. All Rights Reserved

Frumious Bandersnatch, Clearlight, Buddy Guy, Avalon Ballroom, June 14-16, 1968, 1968

Larry Stark

Not on View
Plate 19; two figures, one male and one female, beneath a tree on left; male figure crouches and gazes at object in his hands; female is standing behind male, hands in prayer position with white flat object held in her arms; goat grazing in LRQ; two figures fishing in distance behind the goat; body of water in middle ground; boat with figure in the distance toward the horizon; sun in URQ with gradated sky

%C2%A9 Anatoli Luovitch Kaplan

Awaiting Sentence, 1961

Anatoli Kaplan

Not on View
Plate 22; interior domestic scene; two figures, one male and one female, sit at a table in front of a window; female sits at right side of table, male at left; hanging clock on wall above female in URC; stove and cooking items in LRQ; shelves with jars and containers as well as second window in ULQ

%C2%A9 Anatoli Luovitch Kaplan

In Exile, 1961

Anatoli Kaplan

Not on View
Plate 11; black-and-white image of bearded man standing in a room; chair on left edge; hanging clock top center; window on right with cat seated below it; girl seated at window opening; man wears long, striped robe that covers his head

%C2%A9 Anatoli Luovitch Kaplan

Praying Before Breakfast [Tevia Praying], 1961

Anatoli Kaplan

Not on View
Plate 25; black-and-white scene of building with two window and doorway with overhang; sign above doorway and figure sitting on steps; woman and child stand in background in between two shutters; three children grouped in lower left quadrant; three more children and dog grouped in lower right quadrant

%C2%A9 Anatoli Luovitch Kaplan

The Children of the Town of Anatevka, 1961

Anatoli Kaplan

Not on View
Plate 9; street scene; group of four figures in front, two men and two women; chickens in LRC; horse pulling wagon behind chickens with two figures riding; buildings in background; two figures sitting on steps of building in ULQ; dog or goat in middle left

%C2%A9 Anatoli Luovitch Kaplan

In Boiberik, 1961

Anatoli Kaplan

Not on View
young woman in striped kimono; boy in striped swimming costume and straw hat, rowing boat

No. 51, Young woman and boy in rowboat, 1903

Otake Chikuha

Not on View
woman wearing kimono and little boy in western dress (sailor suit and straw hat) catching an orange dragonfly

No. 78, Woman and little boy catching a dragonfly, 1905

Otake Etsudō

Not on View
kneeling woman hanging up garments on a black rack

No. 22, Woman hanging up garments, 1901

Otake Etsudō

Not on View
woman holding bolt of red and gold patterned fabric; tan and silver pleated fans

No. 42, Woman with patterned fabric and pleated fans, 1902

Otake Chikuha

Not on View
girl holding a flag with red characters, lying in a hammock; little boy in LRC wearing a sailor suit

No. 74, Girl with flag in hammock and little boy, 1905

Otake Etsudō

Not on View
two women wearing coats and hats and two men--one holding his hat behind him--seen from back, looking at a painting of a nude with a "SOLD" sign in the ULC; bald man at right with his hands behind his back

Copyright of the artist%2C artist%27s estate%2C or assignees

The Prize Winner, c. 1929

Russell T. Limbach

Not on View
black and white lithograph with illustrated image of figures on horseback; two central figures are an older male figure on the left and a younger female figure on the right; another male figure in a top hat and on horseback in background on center left; faint standing figure on center right; wooded trees in URQ; text in French across top margin reading, "MAYEUX ET ROBERT MACAIRE", as well as a block of French text on the bottom

Mayeux et Robert Macaire - Sous les auspices de ses deux associes..., c. 1839

Charles-Joseph Travies de Villers

Not on View
cartoonish anthopomorphized toad; standing, with bow legs, with PL arm outstretched and foreshortened, smiling; wearing jacket and vest, knickers and shoes

Toad (Toad of Toad Hall?), 19th-20th century

Artist Unknown , 19th or 20th century

Not on View
dark clocktower with three shadowy sculptural figures standing beneath clock face

Une cloche battait dans la tour [A bell was striking in the tower], illustration to Edmond Picard, Le Juré, 1887

Odilon Redon; Printer: Becquet, Paris

Not on View

L'Offensive, c. 1915

Jean-Louis Forain

Not on View

%C2%A9 Estate of Adolf Arthur Dehn

September Morn (or Sunday Painters), 1945

Adolf Dehn

Not on View

%C2%A9 Estate of Adolf Arthur Dehn

Temptation of St. Anthony, 1965

Adolf Dehn

Not on View

%C2%A9 Steven Rydberg

Three Bells, 1995

Steven Rydberg; Publisher: Akasha Studio

Not on View

%C2%A9 Gendron Jensen

The Elder, 1998

Gendron Jensen

Not on View

%C2%A9 Succession H. Matisse %2F Artists Rights Society %28ARS%29%2C New York

Dancer in a Wooden Armchair, 1925-1926

Henri Matisse; Publisher: Galerie d'Art Contemporain

Not on View

%C2%A9 Estate of Adolf Arthur Dehn

Street Scene, 1937

Adolf Dehn

Not on View

The Temptation of St. Anthony, 1921

Adolf Dehn

Not on View

Monsieur Daumier, votre série... est... charmante... (Robert Macaire), from Le Charivari, 1838

Honoré Daumier

Not on View

Midi. Mme. A. Deveria, from Les Dix-huit Heures d'une Parisienne, c. 1830

Achille Devéria; Lithographer: de Fonrouge

Not on View
Plate 2

Les Faunes Indiscrets, Vol. VI., from Idylles Parlementaires, pub. in Le Charivari, 1850-1851

Honoré Daumier; Printer: d'Aubert & Co.

Not on View

3 Heures Du Soir. Mme. A. Deveria, from Les Dix-huit Heures d'une Parisienne, c. 1830

Achille Devéria; Lithographer: de Fonrouge

Not on View

11 Heures Du Soir, from Les Dix-huit Heures d'une Parisienne, c. 1830

Achille Devéria; Lithographer: de Fonrouge

Not on View

Minuit. Mlle. Annette Boulanger, from Les Dix-huit Heures d'une Parisienne, c. 1830

Achille Devéria; Lithographer: de Fonrouge

Not on View

8 Heures Du Matin. Mme. A. Deveria, from Les Dix-huit Heures d'une Parisienne, c. 1830

Achille Devéria; Lithographer: de Fonrouge

Not on View

11 Heures Du Matin. Mme. Clemence Peyron, from Les Dix-huit Heures d'une Parisienne, c. 1830

Achille Devéria; Lithographer: de Fonrouge

Not on View
Plate 2

Cette Annee encore des Venus..., from Croquis Pris au Salon par Daumier, Vol. IX. pub. in Le Charivari, 1864

Honoré Daumier; Lithographer: Destouches; Publisher: Charles Philipon

Not on View

5 Heures Du Matin. Portrait, from Les Dix-huit Heures d'une Parisienne, c. 1830

Achille Devéria; Lithographer: de Fonrouge

Not on View

9 Heures Du Soir. Mlle Laure Deveria, from Les Dix-huit Heures d'une Parisienne, c. 1830

Achille Devéria; Lithographer: de Fonrouge

Not on View

10 Heures Du Soir. Mme. Menessier-Nodier, from Les Dix-huit Heures d'une Parisienne, c. 1830

Achille Devéria; Lithographer: de Fonrouge

Not on View
Caricature; No. 26

D'Apres Nature/ Une Orgie, c. 1850

Paul Gavarni (Sulpice-Guillaume Chevalier); Printer: Lemercier & Cie., Paris

Not on View

8 Heures Du Soir. Mme. A. Deveria, from Les Dix-huit Heures d'une Parisienne, c. 1830

Achille Devéria; Lithographer: de Fonrouge

Not on View

10 Heures Du Matin. Mme. Neuhaus, from Les Dix-huit Heures d'une Parisienne, c. 1830

Achille Devéria; Lithographer: de Fonrouge

Not on View

4 Heures Du Soir. Mlle. Laure Deveria, from Les Dix-huit Heures d'une Parisienne, c. 1830

Achille Devéria; Lithographer: de Fonrouge

Not on View

4 Heures Du Matin. Mlle. Laure Deveria, from Les Dix-huit Heures d'une Parisienne, c. 1830

Achille Devéria; Lithographer: de Fonrouge

Not on View
Caricature; Plate 2

Un chien d'arret, from Croquis Parisiens, published in Le Charivari, 19th century

Alfred Grevin; Lithographer: Destouches; Publisher: Charles Philipon

Not on View
Plate 9

Dieu! quel nez vous me faites, from Croquis D'Expressions, Vol. II. pub. in Le Charivari, 1838

Honoré Daumier; Publisher: Charles Philipon; Printer: d'Aubert

Not on View

2 Heure Apres Midi. Mlle. Cecile de Radepont, from Les Dix-huit Heures d'une Parisienne, c. 1830

Achille Devéria; Lithographer: de Fonrouge

Not on View

9 Heures Du Matin. Mlle. Annette Boulanger, from Les Dix-huit Heures d'une Parisienne, c. 1830

Achille Devéria; Lithographer: de Fonrouge

Not on View
Plate 21, Plate 364

Une Erreur Excusable, from Actualites, Vol. VIII. pub. in Le Charivari, 1856

Honoré Daumier; Lithographer: Destouches; Publisher: Charles Philipon

Not on View
Plate 9

Artistes en train d'examiner le tableau d'un rival, from Le Public au Salon, Vol. VII, pub. in Le Charivari, 1852

Honoré Daumier; Publisher: Charles Philipon; Printer: Ch. Trivocq, Cour des Miracles, 9 Paris

Not on View

7 Heures Du Soir. Mme. Gide, from Les Dix-huit Heures d'une Parisienne, c. 1830

Achille Devéria; Lithographer: de Fonrouge

Not on View

1 Heure Apres Midi. Mlle. Louise de Radepont, from Les Dix-huit Heures d'une Parisienne, c. 1830

Achille Devéria; Lithographer: de Fonrouge

Not on View

7 Heures Du Matin. Mlle. de Nisdal, from Les Dix-huit Heures d'une Parisienne, c. 1830

Achille Devéria; Lithographer: de Fonrouge

Not on View
Plate 201

Ce no sont olus des femmes, ce sont des ballons, from Actualites, pub. in Le Charivari, 1855

Honoré Daumier; Lithographer: Destouches; Publisher: Charles Philipon

Not on View
Plate 3

Devant les tableaux de Meissonnier, from Le Public au Salon, Vol. VII, pub. in Le Charivari, 1852

Honoré Daumier; Publisher: Charles Philipon; Printer: Ch. Trivocq, Cour des Miracles, 9 Paris

Not on View
caricature; touched with white

La boutique de Delpech, 1818

Carle Vernet; Lithographer: François Seraphin Delpech ?

Not on View
portrait of a man seated in an armchair; man wears dark coat and has thin, dark hair with long sideburns; man holds pencils and paper

Raymond La Garrigue, 1842

Paul Gavarni (Sulpice-Guillaume Chevalier)

Not on View
two men leaning against a bar, each wearing a cap and an apron; man at L holds a small glass in his PL hand

La goutte, Plate 17 from "Les Toquades", 1858

Paul Gavarni (Sulpice-Guillaume Chevalier)

Not on View
bare-chested young man with long hair, wearing a printed robe with a jester's scepter stuck into the belt; man holds a skull in his PL hand with emerging butterflies

Toqués, toqués, Plate 1 from "Les Toquades", 1858

Paul Gavarni (Sulpice-Guillaume Chevalier)

Not on View
elderly figure wearing a cap, seated at a table, playing solitaire; young woman in a white cape looks over card player's shoulder

La réussite, Plate 12 from "Les Toquades", 1858

Paul Gavarni (Sulpice-Guillaume Chevalier)

Not on View
two men seated at a table, playing a card game on a tray; man at L examines cards under his PL hand; man at R wears apron and cap and has a beard

Les cartes, Plate 20 from "Les Toquades", 1858

Paul Gavarni (Sulpice-Guillaume Chevalier)

Not on View
balding man wearing a long jacket and bow tie, holding a scope up to his PR eye

Les voisine, Plate 9 from "Les Toquades", 1858

Paul Gavarni (Sulpice-Guillaume Chevalier)

Not on View
man in foreground seen from back, crouching, holding lawn bowling balls; three men stand in background at R beside other balls on ground

Les boules, Plate 11 from "Les Toquades", 1858

Paul Gavarni (Sulpice-Guillaume Chevalier)

Not on View
man wearing a top hat, seated with a portfolio on his lap, looking at a sheet held in his PR hand; woman wearing a bonnet, with her PL hand drawn to her mouth, stands behind

Avant la lettre, Plate 10 from "Les Toquades", 1858

Paul Gavarni (Sulpice-Guillaume Chevalier)

Not on View
seated man wearing spectacles, cap, coat and scarf, looking down into a valley; feet resting on rock; knees drawn up to chest

L'affût, Plate 5 from "Les Toquades", 1858

Paul Gavarni (Sulpice-Guillaume Chevalier)

Not on View
man with long sideburns, wearing a coat, vest, tie and top hat, looking up; wood structure at R

Inspecteur privé des travaux publics, Plate 13 from "Les Toquades", 1858

Paul Gavarni (Sulpice-Guillaume Chevalier)

Not on View
two men at a billiard table; man in foreground extends PR leg to reach far across table with his shot; both men wear vests

Le billard, Plate 19 from "Les Toquades", 1858

Paul Gavarni (Sulpice-Guillaume Chevalier)

Not on View
man in profile from PL, with shirt open and untucked, hammering a nail in a wall; picture leaning against wall at bottom

Le portrait de la Prima Donna, Plate 4 from "Les Toquades", 1858

Paul Gavarni (Sulpice-Guillaume Chevalier)

Not on View
man wearing a top hat and overcoat, looking at a small book; other books in bins on table in front of man; second man, wearing a cap, leans against wall at R

L'edition princeps, Plate 8 from "Les Toquades", 1858

Paul Gavarni (Sulpice-Guillaume Chevalier)

Not on View
man wearing an overcoat and bow tie, seated at a desk, with PL elbow on desk and PL hand on forehead; man reads a newspaper

Mon journal, Plate 2 from "Les Toquades", 1858

Paul Gavarni (Sulpice-Guillaume Chevalier)

Not on View
man in profile from PR, wearing a cap and spectacles, observing a barometer on the wall

Le baromètre, Plate 6 from "Les Toquades", 1858

Paul Gavarni (Sulpice-Guillaume Chevalier)

Not on View
man wearing a top hat, knickers and a bow tie riding a horse

Le Locati, Plate 18 from "Les Toquades", 1858

Paul Gavarni (Sulpice-Guillaume Chevalier)

Not on View
man wearing hat, vest, shirt, slacks and spats, seated on a steep bank, fishing

La pêche à la ligne, Plate 7 from "Les Toquades", 1858

Paul Gavarni (Sulpice-Guillaume Chevalier)

Not on View
standing man wearing a long jacket and a cap, holding a small potted plant in his PR hand

Le cineraria candidissima, Plate 3 from "Les Toquades", 1858

Paul Gavarni (Sulpice-Guillaume Chevalier)

Not on View
man wearing spectacles working on a wood-turning machine; maid at L carries a footed glass on a tray

Le tour, Plate 14 from "Les Toquades", 1858

Paul Gavarni (Sulpice-Guillaume Chevalier)

Not on View
two men seated at a table, playing chess; man on R has his glasses pushed up on his forehead

Les échecs, Plate 15 from "Les Toquades", 1858

Paul Gavarni (Sulpice-Guillaume Chevalier)

Not on View
kneeling man wearing slippers, pants, a shirt with rolled-up sleeves and a cap, reaching both hands into a hole in the ground; small bag and shovel near tree at R

L'or, Plate 16 from "Les Toquades", 1858

Paul Gavarni (Sulpice-Guillaume Chevalier)

Not on View

Le constitutional contemplant l'horizon politque, from Le Charivari, 1849

Honoré Daumier; Printer: Charivari

Not on View
black and white; Cubist-Modernist building-like shapes; radiating circle at L center; black border with white shapes

%C2%A9 Wolfgang Weingart

The 20th Century Poster: Design of the Avant-Garde, 1984

Wolfgang Weingart; Publisher: Walker Art Center, Minneapolis; Printer: Wassermann AG

Not on View
rooftops in foreground with dormer window with plant in windowbox and birdcage hanging next to window; two cats on rooftop; large building complex in background with scaffolding; arc of birds flying at top of scaffolding

La Construction du Sacré-Cour, c. 1910

Eugène Ogé

Not on View
black and gray image of soldiers on horseback, riding through desert landscape; pair of crossed legs in fishnet stockings, rising out of horizon, appear to be holding up buffalo nickle; black border with gray text on top and bottom

%C2%A9 Bill Graham Archives%2C LLC. All Rights Reserved.

Janis Joplin and Her Band, Savoy Brown, Aum, Winterland, March 20-22, 1969, Fillmore West, March 23, 1969, 1970

David Singer; Printer: Tea Lautrec Litho, San Francisco

Not on View
black-and-white line drawing of bald, naked men and naked women working various jobs alongside a shallow body of water; some appear to be catching fish, cleaning fish, repairing structures, moving baskets, among other tasks

%C2%A9 Peter Key Mack

Emotional Hieroglyphic Studies, part #1, 1966

Peter Key Mack

Not on View
drawing of hot air balloon holding up ship with propeller on back and large winged woman at helm; ship holds musical instruments and several crew members; black lettering across top and bottom

%C2%A9 Anne C. Elliott

Jefferson Airplane, Minneapolis Auditorium, May 15, 1970, 1970

Anne C. Elliott

Not on View
Art Nouveau-esque image of three figures, one playing an instrument in UL; framed by vines and flowers; lettering around figures and down center of sheet; black and gray drawing and text on pale yellow sheet; bright yellow verso

%C2%A9 Anne C. Elliott

The Band, John Sebastian, Belaney and Bonnie, Butterfield Blues Band, Crow Muddy Waters, "Li'l Sun" Tony Glover, Midway Stadium, June 26,1971, 1971

Anne C. Elliott

Not on View
black print on gray sheet; text on left; image of woman on upper right immersed in trees, leaves, and other patterns; the word "tenderness" in a tet box and a heart pierced by thornes in the LR corner

%C2%A9 William Barr

Otis Redding, Bar Kays, Grim Reapers, The Factory, December 10, 1967, 1967

William Barr

Not on View
woman in kimono with blue skirt and flowered top riding a bike

No. 3, Woman riding a bicycle, 1900

Otake Etsudō

Not on View
night scene along a body of water; female figure in LL corner lying on PL side, looking across water; house with lit windows in background, reflected in body of water but obsured by overhanging branches along upper part of image

Lied (Sorrow), c. 1898

Maximilian Lenz

Not on View
woman in tan and purple floral patterned kimono, with a gnarled branch and stylized water behind her; silver sky

No. 38, Woman with water and branch, 1902

Otake Etsudō

Not on View
pussy willow branch with blue swirl stream

No. 57, Willow branch over a stream, 1904

Otake Chikuha

Not on View
young girl wearing kimono with orange skirt and silver and tan checked top arranging flowers in a basket and vase

No. 26, Young girl arranging flowers, 1901

Otake Etsudō

Not on View
seated young woman in foreground wearing tan and purple flowered kimono; young woman in tan and pink kimono at left, resting her PR arm on a short turquoise wall with silver branch design

No. 23, Two young women, 1901

Otake Etsudō

Not on View
two young girls--one wearing pink kimono, one wearing purple kimono--outdoors at night

No. 72, Two young girls, 1905

Otake Chikuha

Not on View

La dernière semaine avant l'ouverture du salon de peinture. . . (Actualités), from Le Charivari, 1856

Honoré Daumier

Not on View

Triste contenance de la Sculpture placée au milieu de la Peinture, 1857

Honoré Daumier

Not on View
caricature face of black man with round eyes, wide ovoid nose and very wide ovoid lips; symbol in grey on man's forehead of hand holding two lightening bolts; symbols and text in black circles at left; personified stove with German or Dutch (?) text, LRC; reproduced tooth whitener ad at top, reading, "Use WYTEN To Cover-Up"

%C2%A9 2010 Brandt Botes %2F Ijusi Magazine 1995-2015. All Rights Reserved.

Untitled, from "i-jusi", June 2010

Brandt Botes

Not on View

Eh! bien en regardant ce tableau de près on finit par y découvrir des qualités, on voit que la couleur est bonne., 1865

Honoré Daumier

Not on View
three rectangles in horizontal rows, each with drawings of stylized faces--three in top and bottom rectangles, four in center rectangle; black and white

%C2%A9 2010 Mark Kannemeyer %2F Ijusi Magazine 1995-2015. All Rights Reserved.

Untitled, from "i-jusi", June 2010

Mark Kannemeyer

Not on View

Amateurs classiques de plus en plus convaincus que l'art est perdu en France, 1852

Honoré Daumier

Not on View

Cette année encore des Vénus. . . toujours des Vénus! . . . comme s'il y avait des femmes faites comme ça!. . ., 1864

Honoré Daumier

Not on View
head and torso of black woman with stars covering her nipples and two Band-Aids across her mouth, wearing a jeweled tiara, two necklaces (one with pendant reading, "NET / BLANKES") and earrings--one with antelope skull and one with wheel; two faux logos for shoe polish and detergent on either side of her head; text and top and bottom

%C2%A9 2010 Garth Walker %2F Ijusi Magazine 1995-2015. All Rights Reserved.

Untitled, from "i-jusi", June 2010

Garth Walker

Not on View
slightly abstracted image of a bullhorn with face of person speaking into it below and behind it; words radiating out of bullhorn: "REMEMBER / DEMOCRACY / RULES / SOUTH / AFRICA / 1994-?"; black and white with greys

%C2%A9 2010 Wilhelm Kruger %2F Ijusi Magazine 1995-2015. All Rights Reserved.

Untitled, from "i-jusi", 2010

Wilhelm Kruger

Not on View
standing horse seen from PR, tied with ropes by ankles and neck; horse looks back toward left; dark cloud-like forms in sky

%C2%A9 Estate Leo Katz %2F Leo Katz Foundation

Horse, No. 1, 1932

Leo Katz

Not on View

C'est tout d'même flatteur d'avoir son portrait à l'exposition, 1857

Honoré Daumier

Not on View
five tall, thin men in black suits in a mock funeral procession, with heads bowed; man at right has a walking stick; man at center carries an urn partially covered by a black cloth

Les garçon en habit noir (The Waiters in Black Suits), from "Croquis Parisiens", 1855

Honoré Daumier

Not on View
boats in cove; two small buildings in LLC; buildings on short at left center; birds flying; two figures in foreground, right of center

Copyright of the artist%2C artist%27s estate%2C or assignees

Pigeon Cove, c. 1947

Gordon Grant; Publisher: Associated American Artists, New York

Not on View
recto: two women standing against wall on city street with carriage at right; woman at right faces forward, with her hands on her hips, looking sideways at her companion; both women wear bonnets; woman at right wears dark cape--woman at left has her cape over her PR arm and leans on a folded parasol; verso: frowning woman kneeling on a cushion-covered stool while a woman behind her places a dark hat on her head; woman at left reading from a book, standing behind a counter with a pair of small floral arrangements; two other women and right hold beribboned poles

Le meme jour, ma chére! me laisser siffler deux hommes, dieu!, 1842

Paul Gavarni (Sulpice-Guillaume Chevalier)

Not on View
man with light colored hair wearing a light suit jacket, striped shirt and dark tie, with his PR hand raised, standing, taking an oath to testify given by a balding man wearing a dark suit, with his PR hand raised, seen from back, standing in front of man

%C2%A9 Estate of Joseph Hirsch

Taking the Oath, 1970

Joseph Hirsch

Not on View
Nude woman stands with chin down, and holds a cloth around her waist; silver metal frame, linen wrapped mat

Standing Female Nude Facing Right, 1935

Aristide Maillol

Not on View
black and white mother cat, seated, with five kittens in various poses (two tiger, one white, two white with black spots) on a small rug

Copyright of the artist%2C artist%27s estate%2C or assignees

Kittens, 1931

Mabel Dwight; Printer: George C. Miller

Not on View
Triptych

%C2%A9 Scott Sandell

Offshore I, 1978

Scott Sandell

Not on View

%C2%A9Red Grooms %2F Artists Rights Society %28ARS%29%2C New York

Truck, 1979

Red Grooms; Project Manager: Brooke Alexander Editions, New York; Publisher: Marlborough Graphics, New York

Not on View
standing man with round face, wearing a buttoned black coat; slightly turned toward PL; man has dark wavy hair

Portrait of Henri Bonaventure Monnier, 1853

Paul Gavarni (Sulpice-Guillaume Chevalier)

Not on View
slightly abstracted image of a zeppelin in the sky in the beams of three searchlights; trees at bottom; dark night sky

Le Zeppelin, from "Paysages de guerre", 1915

Maxime Maufra; Publisher: G. Boutitié & Cie, Paris

Not on View
path extending back at right next to rows of large rounded shrubs at left; dense foliage at right; sketchy style

%C2%A9 Joyce Lyon

Contessa's Garden, Lower Alley V, from "Intimate Immensity", 2007

Joyce Lyon; Publisher: Form and Content Gallery, Minneapolis

Not on View

Copyright of the artist%2C artist%27s estate%2C or assignees

Greetings from the House of Weyhe, 1928

Mabel Dwight; Printer: George C. Miller

Not on View
abstract portrait of a man with his PR hand bent downward under his chin; small moustache; balding; verso: front page of "Der Bildermann," August 5, 1916, with lithographs of a smoking man talking on the telephone and a group of people around a newsstand, along with text in German

Portrait of Carl Sternheim, 1916

Ernst Ludwig Kirchner

Not on View
couple in shadows at left; house behind trees and bushes at right, with rolling hills; tall tree at center middle ground; small horizontal separate scene below larger image with building at left, figures and boats on shore

Return from the Fields, 1908

Auguste Louis Lepère

Not on View
man in dark garments and round glasses with large (false?) nose, separating a short man in a large overcoat with arms crossed and a woman in a gown and slippers with clenched fist

J'vous dis que vot' femme a insulté la mienne, m'sieu!, 1838

Paul Gavarni (Sulpice-Guillaume Chevalier)

Not on View
couple huddled under umbrellas; man wears top hat and tailcoat and carries a bundled child; woman wears shawl, muff and hat; other figures in background

C'était bien composé, pas vrai Laurent?, 1838

Paul Gavarni (Sulpice-Guillaume Chevalier)

Not on View
two figures wearing tailcoats, vests and top hats seated on a bench; figure on L appears to be a woman; back of another figure at L

Mais puisque je vous dis que j'ai un mari. . ., 1838

Paul Gavarni (Sulpice-Guillaume Chevalier)

Not on View
tired-looking man wearing a harlequin costume, seated backwards on a chair, holding a spoon; man watches a pot on stove; woman behind him

Avancez-moi, donc cent sous m'man. . ., 1838

Paul Gavarni (Sulpice-Guillaume Chevalier)

Not on View
abstract geometric image resembling rings, pipes and blocks; black and white

%C2%A9 Seymour Lipton

Study for Clairvoyant, 1970

Seymour Lipton

Not on View

%C2%A9 Succession H. Matisse %2F Artists Rights Society %28ARS%29%2C New York

Odalisque, Brazier, and Bowl of Fruit, 1929

Henri Matisse

Not on View

The Bathers (Large Plate), c. 1896-1897

Paul Cézanne; Printer: Auguste Clot; Publisher: Ambroise Vollard, Éditeur

Not on View

A. de Lamartine, 19th century

Achille Devéria

Not on View

Art %C2%A9 Jasper Johns %2F Licensed by VAGA at Artists Rights Society %28ARS%29%2C NY

Painting with Two Balls II, 1962

Jasper Johns; Publisher: Universal Limited Art Editions (ULAE)

Not on View

%C2%A9 The Estate of Michael Mazur. All Rights Reserved.

Griffith Park II, 1968

Michael Mazur

Not on View
One of 40 impressions

Mrs. Hassam Knitting (Large), 1916

Childe Hassam

Not on View
Double sheet, words and music "Minnie Clyde" on second sheet

Minnie Clyde, Kitty Clyde's Sister, 1857

Winslow Homer; Publisher: Oliver Ditson, Boston; Publisher: Nathan Richardson

Not on View
One of 62 impressions

St. Thomas, New York, 1918

Childe Hassam

Not on View

Minneapolis Flour Mills, 19th century

Philip Little

Not on View

Waterloo Bridge, 1896

James Abbot McNeill Whistler

Not on View
Three pages from a book, includes score and words

The Rat Catcher's Daughter, 1855

Winslow Homer; Publisher: Oliver Ditson, Boston

Not on View
(original signature by Fremont on cover)

Fremont's Great Republican March, 1856

Winslow Homer; Publisher: Nathan Richardson

Not on View

Stone Fences, Land of Nod, 1918

Childe Hassam

Not on View

Advertising leaflet, c. 1929

Paul Schuitema

Not on View
One of 55 impressions

Little School House, Land of Nod, 1918

Childe Hassam

Not on View

The Irish Fair, 1923

George Bellows; Printer: Bolton Brown

Not on View

Copyright of the artist%2C artist%27s estate%2C or assignees

Untitled (Farm Scene), 1940

Stanford Fenelle

Not on View

Copyright of the artist%2C artist%27s estate%2C or assignees

Untitled (Farm Scene), c. 1940-1944

Stanford Fenelle

Not on View

Mule-Drivers from Tetuán, 1833

Eugène Delacroix

Not on View

Nocturne of Two Noses, 1843

Paul Gavarni (Sulpice-Guillaume Chevalier)

Not on View

Copyright of the artist%2C artist%27s estate%2C or assignees

Hilltop Farm, 1937

Stanford Fenelle

Not on View

Copyright of the artist%2C artist%27s estate%2C or assignees

Fog Over Gloucester, 1941

Gordon Grant; Publisher: Associated American Artists, New York

Not on View

The Eagle, 1914

Oskar Kokoschka

Not on View

Coon in the Corn Patch, 20th century

Ella Fillmore Lillie

Not on View
Published in "L'Art d'aimer" (The Art of Love) by Ovid, published by Les Frères Gonin, Lausanne

Standing Female Nude, 1935

Aristide Maillol

Not on View

Potato Gatherers, printed 1921

Jean-François Millet

Not on View

Hennepin Avenue below Sixth Street, 1917

Carl Edward Johnson

Not on View

Near Rotterdam, 1897

Joseph Pennell

Not on View

Zaandam, No. 1, 1897, 1910

Joseph Pennell; Publisher: Die Graphischen Künste, Vienna, Austria Vienna

Not on View

Copyright of the artist%2C artist%27s estate%2C or assignees

A Kansas Stream, 1932

Birger Sandzén

Not on View

Merchant's Exchange, Philadelphia, 1840

John T. Bowen

Not on View

U. S. Post Office at Minneapolis, 1883

R. H. Atkinson

Not on View
Three pages for a book, includes score and words

Annie Laurie, A Scotch Ballad, 1855

Winslow Homer; Publisher: Oliver Ditson, Boston

Not on View

Service Flag, 1915

Childe Hassam

Not on View

Polka Mazurkas, 1856

Winslow Homer; Publisher: Oliver Ditson, Boston

Not on View

The Smith's Yard, 1895

James Abbot McNeill Whistler

Not on View

La Mére Pannecaye, 1893

Robert J. Wickenden

Not on View
One of 56 impressions

Deshabille, 1918

Childe Hassam

Not on View
Three pages from a book, includes score and words, generally soiled, sheet music illustrations

Katy Darling, A Favorite Song, 1854

Winslow Homer; Publisher: Oliver Ditson, Boston

Not on View

Hefa, 1922

Oskar Kokoschka

Not on View

The Little Hunter, 1892

Félix Buhot

Not on View

Fontaine du marché, 1847

Adolphe Rouargue

Not on View

Frontispiece for "La tentation de Saint Antoine", 1889

Odilon Redon; Printer: Becquet, Paris

Not on View

Portrait of Alexander Dumas, 1829

Achille Devéria

Not on View

Portrait of Max Reinhardt, 1919

Oskar Kokoschka

Not on View
Freehand lines within one inch squares

%C2%A9 The LeWitt Estate %2F Artists Rights Society %28ARS%29%2C New York

Plate 7, from "Work from Instructions", 1971

Sol LeWitt; Publisher: Nova Scotia College of Art and Design, Halifax, Canada

Not on View

Portfolio cover for "La tentation de Saint Antoine", 1889

Odilon Redon; Printer: Becquet, Paris

Not on View

Ruth III, 1922

Oskar Kokoschka

Not on View

The Concert III, 1921

Oskar Kokoschka

Not on View

La salutation angélique (The Angelic Salutation), 1893

Carloz Schwabe

Not on View

La Tentation du Nouveau Saint Antoine (Le Dr. Veron), October 24, 1849

Honoré Daumier

Not on View

Copyright of the artist%2C artist%27s estate%2C or assignees

Nude Putting on Slipper, 20th century

Bror Julius Olsson (B.J.O.) Nordfeldt

Not on View

Copyright of the artist%2C artist%27s estate%2C or assignees

Standing Nude, 20th century

Bror Julius Olsson (B.J.O.) Nordfeldt

Not on View

Copyright of the artist%2C artist%27s estate%2C or assignees

Minneapolis (Coal Docks Near the University of Minnesota), c. 1933

Bror Julius Olsson (B.J.O.) Nordfeldt

Not on View

Copyright of the artist%2C artist%27s estate%2C or assignees

Minneapolis (Cafe Scene), c. 1933

Bror Julius Olsson (B.J.O.) Nordfeldt

Not on View

Copyright of the artist%2C artist%27s estate%2C or assignees

Landscape, 20th century

Bror Julius Olsson (B.J.O.) Nordfeldt

Not on View

%C2%A9 Estate of Adolf Arthur Dehn

Gayhead Cliffs, 1935

Adolf Dehn

Not on View

Copyright of the artist%2C artist%27s estate%2C or assignees

Head of a Man, 20th century

Bror Julius Olsson (B.J.O.) Nordfeldt

Not on View

Copyright of the artist%2C artist%27s estate%2C or assignees

Santa Fe (With Church), 20th century

Bror Julius Olsson (B.J.O.) Nordfeldt

Not on View

Copyright of the artist%2C artist%27s estate%2C or assignees

High Brown, 1935

Clement Haupers

Not on View

%C2%A9 Estate of Adolf Arthur Dehn

Minnesota Farm, 1946

Adolf Dehn

Not on View