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boxing match with two figures in ring with official behind them; figures around elevated boxing ring gesturing and talking

A Stag at Sharkey's, 1917

George Bellows

Not on View

Royal Tiger, 1829-1830

Eugène Delacroix

Not on View

Rue Transnonain, le 15 Avril, 1834, 1834

Honoré Daumier; Publisher: Association Mensuelle; Printer: Delaunois , Paris

Not on View

Lion of the Atlas Mountains, 1829-30

Eugène Delacroix

Not on View

%C2%A9 Succession H. Matisse %2F Artists Rights Society %28ARS%29%2C New York

Persian Woman, 1929

Henri Matisse

Not on View

Lion Devouring a Horse, 1844

Eugène Delacroix

Not on View
stylized, roughly symmetrical image; pair of Western soldiers wearing amor and helmets, one with sword and one with a cat-o-nine-tails whip, threatening a bound, kneeling, wounded nude dark-skinned figure; behind central figures is a standing figure in a brown robe, holding a bleeding heart in his PR hand and a cross in his PL hand, in front of an adobe church; solider at left with bloody sword, attacking a dark-skinned nude woman; soldier with sword at right holding a dark-skinned nude man by a rope tied around his neck; checkerboard border; printed in yellow, brown, and red

Saints and Sinners, 2017

Diego Romero

G259

three standing figures wearing jumpsuits, vests with many pockets, boots, knee pads, and gas masks, holding guns; head, upper body, and PR arm of a figure wearing a dark hooded sweatshirt, seen from behind, in foreground, holding up a cellphone, photographing soldiers; yellow and tan flames in background; checkerboard border; printed in yellow, tan, and brown; received in light-toned wood frame

American Diastrophism, 2020

Diego Romero

G259

standing figure facing PL, wearing a gas mask, a headdress with one vertical feather and Mohawk-like top element, fur (or long hair?) down back, dress, and high heeled boots; figure holds a spear with a hooked and jagged end; red triangle over torso of figure; black and red on white

Taoky, Doyen of the Rez Spine Watchmen, 2020-2021

Virgil Ortiz

G261a

standing figure seen from knees up, with head bent down, wearing feathered headdress and gas mask, holding whips, with a bow and quiver of arrows across back; red circle around upper body; black and red on white

Translator, Commander of the Spirit World Army, 2020-2021

Virgil Ortiz

G261a

abstract image of two identical faces morphed together, with three eyes, two noses, and two mouths; predominately vertical black tattoos on face and neck; black on white

Lee-Tho, Recon of the North Realm Spine Watchman, 2020-2021

Virgil Ortiz

G261a

man standing in boat, pushing off from pier with a boat oar

%C2%A9 Plattsburgh State Art Museum%2C Rockwell Kent Gallery and Collection

Boatman, 1929

Rockwell Kent

Not on View

The Chap-Book: The Blue Lady, December 1894

William H. Bradley; Publisher: Stone and Kimball, Chicago

G379

Judith Beheads Holofernes, 1910

Lovis Corinth

Not on View
orange and pink close up image of a woman's face wearing sunglasses; blue text fit into shape of lenses; blue and pink borders

%C2%A9 Victor Moscoso

The Chambers Brothers, March 28-30, 1967, April 4-6, The Matrix, 1967

Victor Moscoso; Publisher: Neon Rose, San Francisco

G316

man's face in orange stripes on turquoise ground; orange pyramids surmounted with radiating triangles with eyes in bottom corners

%C2%A9 Chet Helms DBA Family Dog Productions. All Rights Reserved

"Zebra Man," 13th Floor Elevators, Quicksilver Messenger Service, September 30-October 1, Avalon Ballroom, 1966

Alton Kelley; Artist: Stanley Mouse; Publisher: Family Dog Productions, San Francisco

G316

Art Deco style; woman with long, twisting, green hair wearing a purple dress and holding a cigarette in her PR hand; printed in orange, purple, black, and green

%C2%A9 Chet Helms DBA Family Dog Productions. All Rights Reserved

"The Woman with Green Hair," Jim Kweskin Jug Band, Big Brother and the Holding Company, Electric Train, Avalon Ballroom, October 7-8, 1966, 1966

Alton Kelley; Artist: Stanley Mouse

G316

black and white; image in an archway of a skeleton with an oversized skull wearing a tiny cowboy hat and a black jacket, with a cigar in its mouth; bubble letters

%C2%A9 Chet Helms DBA Family Dog Productions. All Rights Reserved

The Quick and The Dead: The Grateful Dead, Quicksilver Messenger Service, The New Tweedy Brothers, June 10-11, Avalon Ballroom, 1966

Wes Wilson; Publisher: Family Dog Productions, San Francisco

G316

Family Dog poster no. 57; spiral in pink, red, green, and blue with female figure behind; text in blue and pink; yellow border; red typewritten text at bottom

%C2%A9 Chet Helms DBA Family Dog Productions. All Rights Reserved

"Swirly," The Doors, Miller Blues Band, Haji Baba, April 14-15, Avalon Ballroom, 1967

Victor Moscoso; Publisher: Family Dog Productions, San Francisco

G316

head and torso of a topless woman with long hair, printed in green, against a red ground with a black snake with lettering twined around her; green text at top: "SIN DANCE"

%C2%A9 Chet Helms DBA Family Dog Productions. All Rights Reserved

Sin Dance: The Grass Roots, The Sons of Adam, Big Brother and the Holding Company, April 29-30, Avalon Ballroom, 1966

Wes Wilson; Publisher: Family Dog Productions, San Francisco

G316

Bill Graham poster no. 136; blue background; hand holding torch over heart at center; red, yellow, and black text

%C2%A9 Chet Helms DBA Family Dog Productions. All Rights Reserved

"Heart and Torch," Big Brother & the Holding Company, Santana, Chicago Transit Authority, September 12-14, Filmore West, 1968

Rick Griffin; Printer: Tea Lautrec Litho, San Francisco; Publisher: Bill Graham Presents, San Francisco

G316

Bill Graham poster no. 38; yellow text over black on R; figure on L holding yellow peace sign; gray border

%C2%A9 Chet Helms DBA Family Dog Productions. All Rights Reserved

Grateful Dead, James Cotton Blue Band, Lothar & the Hand People, November 18-20, Fillmore Auditorium, 1966

Wes Wilson; Printer: West Coast Lithograph Co., San Francisco; Publisher: Bill Graham Presents, San Francisco

G316

Family Dog poster no. 61; blue background with pink and orange text; pixilated blurry figure wearing a full skirt with four wings (?) in blue, red, and yellow on purple ground; "ANNABELLES BUTTERFLY DANCE" below figure in blue; purple typewritten text at bottom

%C2%A9 Chet Helms DBA Family Dog Productions. All Rights Reserved

"Butterfly Lady," The Doors, The Sparrow, May 12-13, Avalon Ballroom, 1967

Victor Moscoso; Publisher: Family Dog Productions, San Francisco

G316

white and yellow arcing grid on orange with yellow sun orb at top center; silhouette of a figure attached of purple and green wings on top of sun orb; blue and yellow curving elements at bottom with orange text; pink typewritten text at bottom

%C2%A9 Chet Helms DBA Family Dog Productions. All Rights Reserved

"Sky Web," The Charlatans, Buddy Guy, September 22-24, Avalon Ballroom, 1967

Bob Fried; Publisher: Family Dog Productions, San Francisco

G316

red text on either side of a blue and red image of person with afro; blue background

%C2%A9 San Andreas Fault

Moby Grape, The Other Half, It's a Beautiful Day, Tim Hardin, January 24-25, Winterland, 1969

San Andreas Fault (Tad Hunter); Publisher: Family Dog Productions, San Francisco

G316

black ground; large round element at top in red, yellow, and white, with looping designs and faint skull element at center; arcs with bubble letters at bottom; white typewritten text at top

%C2%A9 Chet Helms DBA Family Dog Productions All Rights Reserved

"Rorschach Test," Blues Project, It's A Beautiful Day, Nazz Are Blues Band, April 5-7, Avalon Ballroom, 1968

Wes Wilson; Publisher: Family Dog Productions, San Francisco

G316

pink image of person on blue background; orange and pink flower shapes around image, petals contain text; pink and orange border;

%C2%A9 Victor Moscoso %2F Elaine Mayes

The Wildflower, March 3-5, The Matrix, 1967

Victor Moscoso; Photographer: Elaine Mayes; Publisher: Neon Rose, San Francisco

G316

Family Dog poster no. 68; curling text in blue and green over red with two circles at center; green along one long side and blue along other long side, each with white typewritten text

%C2%A9 Chet Helms DBA Family Dog Productions. All Rights Reserved

Quicksilver Messenger Service, Mount Rushmore, Big Brother and the Holding Company, Horns of Plenty, June 29-30, July 1-2, Avalon Ballroom, 1967

Victor Moscoso; Publisher: Family Dog Productions, San Francisco

G316

eyeball with various appendages--pair of wings, pair of reptilian legs of which one is holding a skull, and a rattlesnake-like tail--climbing through firey hole at center; black text with gold outlines on top and bottom; red background

%C2%A9 Bill Graham Archives%2C LLC. All Rights Reserved.

“The Flying Eyeball,” Jimi Hendrix Experience, John Mayall and the Bluesbreakers, Albert King, February 1, 4, Fillmore Auditorium, February 2, 3, Winterland, 1968

Rick Griffin; Printer: Tea Lautrec Litho, San Francisco; Publisher: Bill Graham Presents, San Francisco

G316

Family Dog poster no. 101; black ground with red text; illustration of bleeding heart with roots and branches at center; blue typewritten text at bottom

%C2%A9 Chet Helms DBA Family Dog Productions. All Rights Reserved

"Eternal Reservoir," Quicksilver Messenger Service, Kaleidoscope, Charley Musselwhite, January 12-14, Avalon Ballroom, 1968

Rick Griffin; Publisher: Family Dog Productions, San Francisco

G316

fuchsia, orange, purple, turquoise; geometric lines and rectangles with radiating letters of various typefaces; central photographic image of a woman's face, upside down, in fuchsia on orange; white typewritten text at bottom

%C2%A9 Chet Helms DBA Family Dog Productions. All Rights Reserved

"One Hundred Six," Youngbloods, Mount Rushmore, Phoenix, February 16-18, Avalon Ballroom, 1968

William S. Henry; Publisher: Family Dog Productions, San Francisco

G316

heads of three women--two in profile flaking central forward facing head; long strawlike hair; women wear purple, orange, red, and mustard yellow headbands; Orientalist pattern around edges; text in purple at bottom

%C2%A9 Chet Helms DBA Family Dog Productions. All Rights Reserved

"Squiggly Trinity," Bo Didley, Lee Michaels, November 17-19, Avalon Ballroom, 1967

William S. Henry; Publisher: Family Dog Productions, San Francisco

G316

Family Dog poster no. 88; red background with green flame-like design and text; purple and green text in center in a T shape; white typewritten text at bottom of main design motif

%C2%A9 Chet Helms DBA Family Dog Productions All Rights Reserved

"Ohm," Van Morrison, Daily Flash, Hair, Avalon Ballroom, October 20-22, 1967, 1967

Wes Wilson; Publisher: Family Dog Productions, San Francisco

G316

blue text dissapating behind green image of singer; neon orange background; green text with blue background along bottom; blue border

%C2%A9 Victor Moscoso

Junior Wells and his Chicago Blues Band, Steve Mann, December 27, 1966-January 8, The Matrix, 1966

Victor Moscoso; Publisher: Neon Rose, San Francisco

G316

Family Dog poster no. 26; skeleton surrounded by red and white roses and wearing a crown of roses against blue background

%C2%A9 Chet Helms DBA Family Dog Productions. All Rights Reserved

"Skull and Roses," Grateful Dead, Oxford Circle, September 16-17, Avalon Ballroom, 1966

Alton Kelley; Artist: Stanley Mouse; Publisher: Family Dog Productions, San Francisco

G316

row of figures on horses in purple--five figures hold red and white umbrellas; green grass in foreground with elements of yellow; mottled yellow-orange sky

%C2%A9 Fritz Scholder

Indians with Umbrellas, 1970-1971

Fritz Scholder

G259

%C2%A9 Succession H. Matisse %2F Artists Rights Society %28ARS%29%2C New York

Title page from Florilège des Amours de Ronsard, 1948

Henri Matisse; Author: Pierre de Ronsard; Publisher: Albert Skira , Paris; Lithographer: Mourlot Freres, Paris; Printer: George Girard, Paris, France , (text)

Not on View

The Pleading Woman, 1914

Oskar Kokoschka

Not on View

Self-Portrait, 1914

Oskar Kokoschka

Not on View
[Ferdinand Roten Galleries, Baltimore, until 1957; sold July 9, for $500, to Mia]

PietĂ , 1914

Oskar Kokoschka

Not on View

Columbus and St. George, 1913

Oskar Kokoschka

Not on View

%C2%A9 Artists Rights Society %28ARS%29%2C New York %2F Pro Litteris%2C Zurich

Sheik Mustafa Khalil El-Ansari, Chief Warden of the Mosque of Omar, 1973

Oskar Kokoschka; Publisher: Marlborough Graphics, London

Not on View

Dragons Over a Flame, 1914

Oskar Kokoschka

Not on View

%C2%A9 Artists Rights Society %28ARS%29%2C New York %2F ADAGP%2C Paris

Women, 1948

Joan Miró; Publisher: Maeght Éditeur, Paris

Not on View

%C2%A9 Artists Rights Society %28ARS%29%2C New York %2F Pro Litteris%2C Zurich

Dr. Shimon Agranat, President of the Israel Supreme Court, 1973

Oskar Kokoschka; Publisher: Marlborough Graphics, London

Not on View

%C2%A9 Artists Rights Society %28ARS%29%2C New York %2F Pro Litteris%2C Zurich

Moyshe Dayan, Minister of Defence, 1973

Oskar Kokoschka; Publisher: Marlborough Graphics, London

Not on View

%C2%A9 Artists Rights Society %28ARS%29%2C New York %2F Pro Litteris%2C Zurich

Golda Meir, Prime Minister, 1973

Oskar Kokoschka; Publisher: Marlborough Graphics, London

Not on View

%C2%A9 The Estate of Philip Guston Courtesy the Estate and Hauser %26 Wirth

Tooth, 1966

Philip Guston

Not on View

The Man Raises His Head Above the Grave on which His Wife Sits, 1914

Oskar Kokoschka

Not on View

PietĂ  (WeibĂĽber Schemengebeugt), 1913

Oskar Kokoschka

Not on View

%C2%A9 Artists Rights Society %28ARS%29%2C New York %2F Pro Litteris%2C Zurich

His Beatitude Benedictos I, Greek Orthodox Patriarch of Jerusalem, 1973

Oskar Kokoschka; Publisher: Marlborough Graphics, London

Not on View

%C2%A9 Artists Rights Society %28ARS%29%2C New York %2F Pro Litteris%2C Zurich

Teddy Kollek, Mayor of Jerusalem, 1973

Oskar Kokoschka

Not on View

Gethsemane, 1916

Oskar Kokoschka

Not on View

%C2%A9 Succession H. Matisse %2F Artists Rights Society %28ARS%29%2C New York

Self-Portrait, 1923

Henri Matisse

Not on View

Child Drawing (Jean Buhot), 1892-1894

Félix Buhot

Not on View
boxer; prize fight

Introducing John L. Sullivan, 1916

George Bellows

Not on View

%C2%A9 Estate of Louis Lozowick%2C courtesy Mary Ryan Gallery%2C New York

Gas Synthetics, 1944

Louis Lozowick; Printer: George C. Miller

Not on View

So you want to meddle with the press!, 1833

Honoré Daumier

Not on View

%C2%A9 Succession H. Matisse %2F Artists Rights Society %28ARS%29%2C New York

Seated Nude in a Tulle Blouse, 1925

Henri Matisse

Not on View

%C2%A9 Succession H. Matisse %2F Artists Rights Society %28ARS%29%2C New York

Standing Odalisque with a Plate of Fruit, 1924

Henri Matisse

Not on View

Nude Woman Standing, Drying Herself, 1891-1892

Edgar Degas

Not on View

Robert Rauschenberg%2C Accident%2C 1963 %C2%A9 Robert Rauschenberg Foundation

Accident, 1963

Robert Rauschenberg; Publisher: Universal Limited Art Editions (ULAE)

Not on View

You have lost your case, it is true. . . but you must have enjoyed hearing me plead it, 1848

Honoré Daumier

Not on View

The grand staircase of the Palais de Justice: View of Faces, 1848

Honoré Daumier

Not on View
Plate 23

But yes, my wife, I assure you that monsieur is drawing a landscape. . . it is a landscape, monsieur, isn't it?, 1846

Honoré Daumier

Not on View
Plate 1

Water nymphs of the Seine, 1847

Honoré Daumier

Not on View

Now my flowerpot will have some sunshine. . . I will finally know whether it is a rose or a gillyflower!, 1852

Honoré Daumier

Not on View

One way of using skirts that have just come into style, 1856

Honoré Daumier

Not on View

Charming view available exclusively to residents of basements, 1856

Honoré Daumier

Not on View

-And so Mr. Gendrouillet, how do you find yourself in your new lodgings? -Not too bad, except for the rheumatism and the mushrooms, 1856

Honoré Daumier

Not on View

Travelers showing less and less appreciation for third-class carriages in winter, 1856

Honoré Daumier

Not on View

The danger of wearing petticoat-ballons during the season of strong gales, 1857

Honoré Daumier

Not on View

Concerning the advantage of a crinoline for cheating the toll-house, 1857

Honoré Daumier

Not on View

I should regret this style. . . These great ladies make my work less every day!, 1857

Honoré Daumier

Not on View

Look at that huge Fifine trying to be a Venus!, 1842

Honoré Daumier

Not on View

Wrong place!, 1840

Honoré Daumier

Not on View

Hold on! Waitress, I prefer the vegetables clean-shaven., 1848

Honoré Daumier

Not on View

The Conqueror Menelaus, 1841

Honoré Daumier

Not on View

%C2%A9 Estate Larry Rivers %2F Licensed by VAGA at Artists Rights Society %28ARS%29%2C NY

Lucky Strike in the Mirror (Lucky Strike I), 1961

Larry Rivers; Printer: Universal Limited Art Editions (ULAE); Publisher: Universal Limited Art Editions (ULAE)

Not on View
Plate 35

Ungrateful nation, you will not have my masterpiece!, 1840

Honoré Daumier; Printer: d'Aubert & Co.; Publisher: Charles Philipon

Not on View

%C2%A9 Estate of Louis Lozowick%2C courtesy Mary Ryan Gallery%2C New York

Minneapolis, 1925

Louis Lozowick; Printer: George C. Miller

Not on View

Pygmalion, 1842

Honoré Daumier

Not on View
Plate 2

The Way Home (Der Nachhausweg), plate from "Die Holle" (Hell), 1919

Max Beckmann; Printer: J.B. Neumann, Berlin

Not on View

The mother is in the fire of composition, the baby is in the water of the bath!, 1844

Honoré Daumier

Not on View

Humanist woman of letters, taking up Man, has heady philosphical thoughts!, 1844

Honoré Daumier

Not on View

Muse of the tavern, 1864

Honoré Daumier

Not on View

They say that Parisians are difficult to please, on these four benches there is not one discontent-It is true that all these Frenchmen are Romans, 1864

Honoré Daumier

Not on View

Let's see. . open your mouth!, 1864

Honoré Daumier

Not on View

%C2%A9 2012 Artists Rights Society %28ARS%29%2C New York %2F SOMAAP%2C Mexico City

El requiem, 1928

José Clemente Orozco; Printer: George C. Miller; Publisher: The Weyhe Gallery, New York

Not on View

%C2%A9 2012 Artists Rights Society %28ARS%29%2C New York %2F SOMAAP%2C Mexico City

Casa arruinada, 1929

José Clemente Orozco

Not on View

Innes Harbor, c. 1916

Childe Hassam

Not on View
One of 55 impressions

Nude, 1918

Childe Hassam

Not on View

%C2%A9 Artists Rights Society %28ARS%29%2C New York %2F VG Bild-Kunst%2C Bonn

Self-Portrait, 1911

Max Beckmann

Not on View

The Chap-Book: The Poet and His Lady, January 1895

William H. Bradley; Publisher: Stone and Kimball, Chicago

Not on View

Church of the Abbey at Tounus, 1825

Richard Parkes Bonington

Not on View

Wandernde Tod, 1923

Ernst Barlach

Not on View

%C2%A9 2012 Artists Rights Society %28ARS%29%2C New York %2F SOMAAP%2C Mexico City

La Bandera, 1928

José Clemente Orozco; Printer: George C. Miller

Not on View

%C2%A9 2012 Artists Rights Society %28ARS%29%2C New York %2F SOMAAP%2C Mexico City

La retaguardia, 1929

José Clemente Orozco; Printer: George C. Miller; Publisher: The Weyhe Gallery, New York

Not on View
Album containing 39 lithographs by and after Géricault

Horse Crossing a Barrier, 1822-1823

Louis-Pierre-Marie Courtin; Artist: after Jean Louis André Théodore Géricault

Not on View
Album containing 39 lithographs by and after Géricault

Horse Being Devoured by a Lion, 1822-1823

Jean Louis André Théodore Géricault; Artist: Louis-Pierre-Marie Courtin; Lithographer: François de Villain

Not on View

Vallée de Royat près de Clairmont, 1818

Jean-Baptiste Isabey; Printer: Godefrey Engelmann

Not on View
Plate 1

Saint George the Victorius, 1914

Natalia Sergeevna Goncharova; Publisher: V. N. Kashin, Moscow

Not on View
Pennsylvania Station subway platform at rush hour

%C2%A9 Estate of Reginald Marsh %2F Art Students League%2C New York %2F Artists Rights Society %28ARS%29%2C New York

Penn. Station, 1929

Reginald Marsh

Not on View

%C2%A9 Succession H. Matisse %2F Artists Rights Society %28ARS%29%2C New York

Costumed Woman with a Trifoliate Cross, 1929

Henri Matisse

Not on View

Our Good Earth, 1942

John Steuart Curry; Publisher: Associated American Artists, New York , 1942

Not on View

Copyright of the artist%2C artist%27s estate%2C or assignees

The People Work- Morning, 1937

Benton Spruance

Not on View
abstracted nude female figure, reclining with legs crossed and hands held to PL side of head

%C2%A9 Succession H. Matisse %2F Artists Rights Society %28ARS%29%2C New York

The Large Nude, 1906 ?

Henri Matisse

Not on View

Wall Street, 1925

Arnold Ronnebeck

Not on View

%C2%A9 T.H. and R.P. Benton Testamentary Trusts %2F Licensed by VAGA at Artists Rights Society %28ARS%29%2C NY

Wreck of the Ol' '97, 1944

Thomas Hart Benton; Publisher: Associated American Artists, New York

Not on View

%C2%A9 Figge Art Museum%2C successors to the Estate of Nan Wood Graham %2F Licensed by VAGA at Artists Rights Society %28ARS%29%2C NY

In the Spring, 1939

Grant Wood; Publisher: Associated American Artists, New York

Not on View

%C2%A9 2016 Estate of Mark Tobey%2FArtists Rights Society %28ARS%29%2C New York

Number 15, 1970

Mark Tobey

Not on View

%C2%A9 Estate Robert Motherwell %2F Licensed by VAGA at Artists Rights Society %28ARS%29%2C NY

Untitled, 1966

Robert Motherwell

Not on View
This proof on medium dark blue paper touched with Chinese white to indicate points of light.

The Harbor, Genoa, 1913

Joseph Pennell

Not on View

The Long Gallery, The Louvre, 1894

James Abbot McNeill Whistler

Not on View

The Duet, 1894

James Abbot McNeill Whistler

Not on View

Mother and Child, No. 1, 1890-1895

James Abbot McNeill Whistler

Not on View
Portrait of Joseph Pennell

Firelight -Joseph Pennell, No. 1, 1896

James Abbot McNeill Whistler

Not on View

Charing Cross Railway Bridge, 1896

James Abbot McNeill Whistler

Not on View

Little London, 1896

James Abbot McNeill Whistler

Not on View

%C2%A9 The Willem de Kooning Foundation %2F Artists Rights Society %28ARS%29%2C New York

Landscape at Stanton Street, 1971

Willem de Kooning; Publisher: Hollander Workshop, New York , and Fourcade, New York

Not on View
Man behind a plow pulled by a burro at center; woman with a bucket, sowing seeds behind man; small house in background at center, with trees at left

%C2%A9 T.H. and R.P. Benton Testamentary Trusts %2F Licensed by VAGA at Artists Rights Society %28ARS%29%2C NY

Planting (Spring Plowing), 1939

Thomas Hart Benton; Publisher: Associated American Artists, New York

Not on View
Blacksmiths working

A French Farrier, 1821

Jean Louis André Théodore Géricault; Printer: Charles Joseph Hullmandel

Not on View

Art %C2%A9 Jasper Johns %2F Licensed by VAGA at Artists Rights Society %28ARS%29%2C NY

0 through 9, 1960

Jasper Johns; Publisher: Universal Limited Art Editions (ULAE)

Not on View

The Lower Falls, Yosemite, 1912

Joseph Pennell

Not on View

Sanctuary, 1944

John Steuart Curry; Publisher: Associated American Artists, New York

Not on View

%C2%A9 T.H. and R.P. Benton Testamentary Trusts %2F Licensed by VAGA at Artists Rights Society %28ARS%29%2C NY

The Music Lesson, 1943

Thomas Hart Benton; Publisher: Associated American Artists, New York

Not on View
line drawing style; seated figure with PR hand on PL thigh; hair in two buns at nape of neck

%C2%A9 Succession H. Matisse %2F Artists Rights Society %28ARS%29%2C New York

Seated Nude, Seen from the Behind, 1913

Henri Matisse

Not on View
seated female nude in profile, with head turned to 3/4 view; another face in ULC

Study of a Seated Nude, 1904

Pierre Auguste Renoir

Not on View
nude woman seated, with her hands on her head, in a chair covered with flowered throw; fireplace at right

%C2%A9 Succession H. Matisse %2F Artists Rights Society %28ARS%29%2C New York

Nude with Blue Cushion beside a Hearth, 1925

Henri Matisse

Not on View

Copyright of the artist%2C artist%27s estate%2C or assignees

Self-Portrait, 1944

Francisco Mora

Not on View

%C2%A9 Ellsworth Kelly Foundation

String Bean Leaves III, 1965-66

Ellsworth Kelly; Printer: Imprimerie Arte, Paris; Publisher: Maeght Éditeur, Paris

Not on View

%C2%A9 Ellsworth Kelly Foundation

Seaweed, 1965-66

Ellsworth Kelly; Printer: Imprimerie Arte, Paris; Publisher: Maeght Éditeur, Paris

Not on View

%C2%A9 Jonathan Borofsky

People Running, 1982

Jonathan Borofsky; Publisher: Gemini G.E.L., Los Angeles

Not on View
black ink

The Hat Pin, 1897

Pierre Auguste Renoir

Not on View

%C2%A9 Estate of Pablo Picasso %2F Artists Rights Society %28ARS%29%2C New York

The Studio, 1948

Pablo Picasso

Not on View

%C2%A9 Estate of Pablo Picasso %2F Artists Rights Society %28ARS%29%2C New York

Venus and Cupid, 1949

Pablo Picasso

Not on View

%C2%A9 2012 Artists Rights Society %28ARS%29%2C New York %2F SOMAAP%2C Mexico City

Portrait of William Spratling, Taxco, 1931

David Alfaro Siqueiros; Printer: George C. Miller

Not on View

%C2%A9 Succession H. Matisse %2F Artists Rights Society %28ARS%29%2C New York

Catherinette, 1946

Henri Matisse

Not on View

Street of the Old Lantern (Death of Gérard de Nerval), 1855

Gustave Doré

Not on View

%C2%A9 Succession H. Matisse %2F Artists Rights Society %28ARS%29%2C New York

Seated Nude in Armchair with Floral Decoration, 1924

Henri Matisse

Not on View

Woman Standing Before a Mirror, 1924

Otto Mueller

Not on View

%C2%A9 Succession H. Matisse %2F Artists Rights Society %28ARS%29%2C New York

Odalisque with Bowl of Fruit, 1925

Henri Matisse

Not on View

Copyright of the artist%2C artist%27s estate%2C or assignees

Kansas (Railroad Workers), c. 1935-37

Bror Julius Olsson (B.J.O.) Nordfeldt

Not on View

Copyright of the artist%2C artist%27s estate%2C or assignees

Minneapolis (Skaters), c. 1933

Bror Julius Olsson (B.J.O.) Nordfeldt

Not on View

%C2%A9 John Biggers

Untitled (Woman, Structures, and Figural Group), 1994

John Biggers; Publisher: The Limited Editions Club

Not on View

%C2%A9 John Biggers

Untitled (Floating Structure with Birds and Turtle), 1994

John Biggers; Publisher: The Limited Editions Club

Not on View

%C2%A9 John Biggers

Untitled (Female Figure with Two Youths), 1994

John Biggers; Publisher: The Limited Editions Club

Not on View

%C2%A9 John Biggers

Untitled (Female Figure), 1994

John Biggers; Publisher: The Limited Editions Club

Not on View

%C2%A9 John Biggers

Untitled (Altar with Elephant Motif), 1994

John Biggers; Publisher: The Limited Editions Club

Not on View
Final proof

%C2%A9 Sam Gilliam %2F Artists Rights Society %28ARS%29%2C New York

Lattice, 1982

Sam Gilliam

Not on View

%C2%A9 Richard Hunt

Untitled, 1975

Richard Hunt; Printer: The Lakeside Studio, Lakeside, Michigan; Publisher: The Lakeside Studio, Lakeside, Michigan

Not on View

%C2%A9 Richard Hunt

Untitled, 1974

Richard Hunt; Printer: The Lakeside Studio, Lakeside, Michigan; Publisher: The Lakeside Studio, Lakeside, Michigan

Not on View

%C2%A9 Richard Hunt

Untitled, 1974

Richard Hunt; Printer: The Lakeside Studio, Lakeside, Michigan; Publisher: The Lakeside Studio, Lakeside, Michigan

Not on View

%C2%A9 Richard Hunt

Untitled, 1974

Richard Hunt; Printer: The Lakeside Studio, Lakeside, Michigan; Publisher: The Lakeside Studio, Lakeside, Michigan

Not on View

%C2%A9 Richard Hunt

Untitled, 1974

Richard Hunt; Printer: The Lakeside Studio, Lakeside, Michigan; Publisher: The Lakeside Studio, Lakeside, Michigan

Not on View

%C2%A9 Richard Hunt

Untitled, 1975

Richard Hunt; Printer: The Lakeside Studio, Lakeside, Michigan; Publisher: The Lakeside Studio, Lakeside, Michigan

Not on View

%C2%A9 Richard Hunt

Untitled, 1974

Richard Hunt; Printer: The Lakeside Studio, Lakeside, Michigan; Publisher: The Lakeside Studio, Lakeside, Michigan

Not on View

%C2%A9 Estate of George Morrison %2F Briand Morrison

Untitled, 1977

George Morrison; Publisher: Vermillion Editions Limited, Minneapolis

Not on View
abstract image; many parallel wavy lines forming woven patterns, rather like braids and weaving in hair; primarily vertical with horizontal section below top quarter of image; grey lines

%C2%A9 Estate of George Morrison %2F Briand Morrison

Untitled, 1976

George Morrison; Printer: Steven M. Andersen

Not on View
From a suite of four lithographs

%C2%A9 Estate of Grace Hartigan

The Hero Leaves His Ship II (Hero), 1960

Grace Hartigan; Publisher: Universal Limited Art Editions (ULAE)

Not on View

Selbstbildnis im Profil nach rechts (Self-Portrait in Profile towards Right), 1938

Käthe Kollwitz

Not on View
gloved fist in ULQ; falling brick-like forms; abstract skyscrapers at left and right; shoes, seen from bottom, in a pile of debris with pipe and board with nails at bottom center

%C2%A9 The Estate of Philip Guston Courtesy the Estate and Hauser %26 Wirth

The Street, 1970 (published 1971)

Philip Guston; Publisher: Skowhegan School of Art, Maine

Not on View
abstract image; black ground; biomorphic form with black and white circles, zigzags, squares, figure eights and various other designs and shapes

%C2%A9 A.R. Penck %2F Artists Rights Society %28ARS%29%2C New York

Idea for Sculpture No. 1, from "Expedition to the Holyland", 1983

A. R. Penck (Ralf Winkler); Printer: Burston Graphic Center, Jerusalem

Not on View
abstract image; grey ground with swirling marks; three vertical dark grey biomorphic forms with round holes/openings

%C2%A9 A.R. Penck %2F Artists Rights Society %28ARS%29%2C New York

Idea for Sculpture No. 2, from "Expedition to the Holyland", 1983

A. R. Penck (Ralf Winkler); Printer: Burston Graphic Center, Jerusalem

Not on View
abstract image; horizontal grey marks across background--darker at bottom; two connected forms, with form on right appearing slightly like a stick figure and figure on left like an animal with long ears standing on its hind legs; thin black linear elements at center between two forms

%C2%A9 A.R. Penck %2F Artists Rights Society %28ARS%29%2C New York

Idea for Sculpture No. 3, from "Expedition to the Holyland", 1983

A. R. Penck (Ralf Winkler); Printer: Burston Graphic Center, Jerusalem

Not on View

L'Offensive, c. 1915

Jean-Louis Forain

Not on View

%C2%A9 Estate of Adolf Arthur Dehn

September Morn (or Sunday Painters), 1945

Adolf Dehn

Not on View

%C2%A9 Estate of Adolf Arthur Dehn

Temptation of St. Anthony, 1965

Adolf Dehn

Not on View

%C2%A9 Estate of Adolf Arthur Dehn

Swinging at the Savoy, 1941

Adolf Dehn

Not on View

%C2%A9 Estate of Adolf Arthur Dehn

The End of Romance (or High Class Doodle or Ordered Disorder), 1949

Adolf Dehn

Not on View

%C2%A9 Estate of Adolf Arthur Dehn

Street Scene, 1937

Adolf Dehn

Not on View

The Temptation of St. Anthony, 1921

Adolf Dehn

Not on View

%C2%A9 Estate of Adolf Arthur Dehn

Before the Fall, 1945

Adolf Dehn

Not on View

%C2%A9 Estate of Adolf Arthur Dehn

Boulder Dam, 1946

Adolf Dehn

Not on View

%C2%A9 Estate of Adolf Arthur Dehn

Time and Space Befuddled by the Immediate Now, 1945

Adolf Dehn

Not on View

%C2%A9 Steven Beyer

Untitled, 1978

Steven Beyer

Not on View

%C2%A9 Estate of Pablo Picasso %2F Artists Rights Society %28ARS%29%2C New York

Paysage a Vallauris, 1953

Pablo Picasso

Not on View

%C2%A9 John Willenbecher

Capriccio, 1978

John Willenbecher

Not on View

Gaiety Stage Door, 1879

James Abbot McNeill Whistler

Not on View

%C2%A9 Bruce A. Anderson

Untitled (Fire Vase), 1989

Bruce Anderson; Publisher: Vermillion Editions Limited, Minneapolis

Not on View