Looking for medina, metius, media, medic?

figure with 11 heads and 6 arms at center, flanked by 2 white dogs; 5 figures on lotus blossoms at each side; figures in clouds above at top corners; musicians and figures offering food and objects at bottom — Thangka of an eleven-headed Avalokiteshvara, late 18th century
Tibet

G212

two figures on small bridge at LL walking towards open pavilion within a small grove of trees; robed figure on trail at lower center approaches pavilion; towering, bulbous rock formation in background at R; waterway and richly foliated landscape — Meeting Along the River, c. 1492-1518
Zhu Duan

G218

towering rock at L top; figure at R standing on a high plateau; rushing water at bottom; figure with bare legs and feet seated on a rock at bottom center; touches of red on tips of branches of tree above seated figure — A Scholar Washing his Feet in a Mountain Stream, 16th-17th century
Chen Guan

G203

low rolling mountains at top; figures with boats and on peninsulas of land at center; buildings at bottom with figures on porches and in interiors; two men wearing furs on a boat at bottom center; muted colors; bare trees around buildings — Winter at Villa on the River, 12th-14th century
China

G203

seated man wearing pale red garment with bushy beard and black loop earrings; seated on dark blue pillow with green flowers; matching smaller pillow in front with sandals on it — Daruma, 1917
Tsuji Kakō

G239

Boy on a Bull, Ueda Kōchū — Boy on a Bull, late 19th century
Ueda Kōchū

G237

fan-shaped painting; bald man with bushy white eyebrows and bushy white beard, eyes squinted shut; wearing light green robe, hands clasped in front under robe; brown gourd at man's PR — Jurojin, early 20th century
Tsuji Kakō

G239

man in tattered clothing holding a cane glances up toward a miniaturized figure caught up in what looks like a swirl of smoke — Chinese Immortals [one of a pair], 1804
Hara Zaichū

G237

smiling, round-bellied man holds a white lizard on his shoulders; the lizard's neck cranes upward to catch a whiff of the swirling smoke stream above him — Chinese Immortals [one of a pair], 1804
Hara Zaichū

G237

pair of six-paneled folding screens; dark blue cloth backing; black frames; a (left): abstract image in mostly black, white and red pigments; fiery red and orange section, with swirling, looping linear pattern on left-most section of screens; several repeating patterns of circular shapes, in many different sizes, and arranged in rows L and R sides; large circular shape in C, with two smaller circles at lower edges of larger circle, in washy black pigments; thick white pigment with linear surface treatments on lower section of three right-most screens; b (right): abstract image with biomorphic forms including human arms primarily in black on tan with pale blue and red highlights; forms are more dense/taller at right side and taper toward left; textured designs of circles and wavy lines at top in grey, blue, and white — Chaos, 1983
Matsubara Ken

G333

zigzagging path up a mountain with buildings along route; round area at top of mountain with buildings; some figures walking along path; muted colors; inscription in black with one red seal, LRC; ivory roller ends — Pilgrims Climbing Mount Fuji, 19th century
Kameisai

G237

woman in multi-colored kimono standing on back of demon figure who is on all fours; the woman is reaching up into a tree — Wisteria Maiden and Demon Priest, c. 1872
Kawanabe Kyōsai

G219

bearded man in green robe holding a sword in one hand and holding a bag of demons aloft in the other hand; eyes, feet, claws, fur of demons spilling out of bag; writing in black ink and red seal BL; border of dark green fabric with gold floral pattern; green-gold fabric border top and bottom; bone roller at bottom; housed in plain wooden lidded box with 2 paper labels with writing on one end — Shōki, the Demon Queller, late 19th century
Kawanabe Kyо̄sui

G219

Description Young girl showing her invention of spinning to the ladies. 'The Spinners' is a delightful miniature. The colors are very good and the subject matter and the treatment of the landscape-half Persian, half Chinese- is of special interest. R.E. The daughter of Haftwad increases her daily spinning in the mountain side iwth the help of the appleworm. Haftwad's daughter is with the other girls of the city of Kujarn. (Warner and Warner Vol. VI, p. 233). — Story of Haftvad, c. 1300
Western Iran or Baghdad

G243

Landscape in the blue-green style, Unknown — Landscape in the blue-green style, c. 1700
Unknown

G203

male figure in gray and white striped kimono grabs the wrist of a young female attendant who was handing him a red dish; other young women and geisha serve tea, play instruments, and dance around the man; small feast in front of man on ground, including large red snapper; scene takes place on a green dock over water — Summer Party on the Bank of the Kamo River, around 1800
Utagawa Toyohiro

Not on View

standing Confucius facing to his proper right, wearing a green coat; hands held together in front; long white fingernails; red shoes curl up from under edge of robe — Portrait of Confucius, late 14th century
China

Not on View

old Daoist magician stands on a bluff by a pond, a small boy at his side, bamboo stick he throws into the air is transforming into a dragon; matted — Fan Painting of a Daoist Magician, c. 1650
Wan Shouqi

G103

water bodies and seaways wind through seaside villages and around island oasis; throughout fishermen and birds speckle the water with activity — Misty River and Layered Peaks, Wanli period, 1608
Gu Deyi

G203

new frame and border; central seated male with two children next to him, surrounded by people in a garden; scattered groups of people within nearby buildings and out of doors engaged in activities — General Guo Ziyi's Banquet, mid 19th century
Unknown Korean

Not on View

depicting a composition of objects associated with the scholar's study — Books and Scholar’s Objects (Chaekgeori), 19th century
Unknown Korean

Not on View

rocky outcroppings on a beach with building at left and monkeylike figure walking on sand; sun at horizon on water — Finger Painting, from an album of ten, 1684
Gao Qipei

G218

blocky rock island with three small buildings near water; five boats — Finger Painting, from an album of ten, 1684
Gao Qipei

G218

Finger Painting, from an album of ten, 1684

Gao Qipei

G218

two horned animals with fingerprint bodies at top of a bluish-grey hill; large empty space in middle ground, blue and grey mountains beyond — Finger Painting, from an album of ten, 1684
Gao Qipei

G218

spider at the center of a web with a flowering branch in front, across bottom and left edge — Finger Painting, from an album of ten, 1684
Gao Qipei

G218

horse with a small pack on its back galloping across waves — Finger Painting, from an album of ten, 1684
Gao Qipei

G218

white swooping bird at center; curving flowering branch at top and right — Flower-and-Bird Finger Painting from an Album of Ten Leaves, 1684
Gao Qipei

G218

two small buildings on stilts at the base of a waterfall; rocky outcropping above — Finger Painting, from an album of ten, 1684
Gao Qipei

G218

small, towerlike pagoda partially covered by dark grasses; rolling, rust colored mountains behind — Finger Painting, from an album of ten, 1684
Gao Qipei

G218

twelve panels; each panel consists of central painting and three carved panels; one square panel above painting with large medallion; two panels below painting rectangular above square; small medallion in rectangular panel, smiliar design lower square panels throughout — Folding screen, late 17th century
China

Not on View

Group of elaborately dressed men with flowing draperies clustered around a man with a large red flag at bottom; procession of simply dressed men carrying fishing poles and scrolls (?) with six small boys at top; copper roller — Generals Who Died for their Country and Officials of Former Times, c. 1500
China

G201

book consisting of 10 drawings (from loan receipt:) sketchbook has 22 pages of calligraphy and various scenes from nature; wash on paper; scenes represent: calligraphy, tortoises, old man, trees in landscape; men in fishing boats, cherry blossoms and bird, mouse with feather wisk; scholar with flowers; peaches on branch, cranes — Sketchbook, 1864
Matsumoto Kōzan

Not on View

three separate sheets; giant demon at center, with wrinkled ghoulish face with bulging eyes and gaping mouth, and bare arms, reaching down twoard group of men in armor armed with swords at left, right, and center, with one man beheath demon's PR arm, near demon's face; women and smaller ghouls at left and right running away; grey-green ground — Picture of Raikō and his Four Companions Conquering the Demon of Mount Ōe, 1864, 10th lunar month
Tsukioka Yoshitoshi; Publisher: Kiya Sōjirō

G238

three separate sheets; battle scene in an interior; man at right wearing blue pants with white floral medallions fading to pale yellow at hems and blue patterned blouse, behind a black lacquer sliding door with flowers against a yellow ground at bottom, pulling on a very long staff penetrating the door, held by a man in blue armor at center; two fallen men in LLC--legs only of one of the men visible, across the body of the other man; running man in blue patterned kimono, with blood on his legs, at right, holding a spear; other figures fighting in background, left — Picture of a Night Battle at Shijō in Kyoto, 1864, 3rd lunar month
Tsukioka Yoshitoshi; Publisher: Fujiokaya Keijirō; Carver: Koizumi Kanegorō; Carver: Kobayashi Kane

G238

three separate sheets; battle scene with four men holding up large rectangular wooden shields; men wear multicolored armor and helmets; man at center walks across fallen soldier wearing blue pants and green leggings and shoes; castle with rounded domes in silhouette in URC, with flying silhouettes of soldier's bodies and flags; red flag with white design at center top; reddish brown smoke/explosions throughout, including a reddish brown burst hitting shield of man at left — Picture of Masakiyo at Shinshū Castle During the Conquest of Korea, 1863, 10th lunar month
Tsukioka Yoshitoshi; Publisher: Kakumotoya Kinjirō

G238

three separate sheets; battle scene at sea, with two men wearing white loincloths swimming in foreground, with their swords tied to their backs; many boats crowded with men in armor, with swords and bows and arrows; boat at left has blue and white sails and streamers, and black tassel-like object at front; boat at center middle ground has red and white flag — Picture of the Great Battle of the Minamoto and the Taira at Dan-no-ura, 1865, 6th lunar month
Tsukioka Yoshitoshi; Publisher: Ōmiya Kyūjirō; Carver: Katada Chōjirō

G238

three separate sheets; man at right with his back to and partially covered by radiating orange flames, with mouth open and hair blowing forward; four men fall on top of each other at center, with flakes around them; other fleeing men in ULQ — Picture of Odai Matarokurō Setting His Own Castle on Fire, Calmly Entering the Fiery Pit and Dying; Enemy Troops Were Amazed at His Bravery, 1866, 12th lunar month
Tsukioka Yoshitoshi; Publisher: Tsujiokaya Bunsuke; Carver: Watanabe Eizō I

G238

three separate sheets; orange and white smoke in middle ground; man in green armor at right in background riding white horse, with purple flag with white flower; two dead men in LLC; man with long hair and full face on a brown horse at center, with a long spear and a torn red flag; figure in green armor at right — Fire, Picture of Sassa Narimasa’s Hard Fight in Kyushu, 1867, 9th lunar month
Tsukioka Yoshitoshi; Publisher: Kiya Sōjirō; Carver: Ōta Utakichi

G238

three separate sheets; underwater fight with two men in armor at center, another man falling backwards under water at left, and swimming figure at top left; four men on rocky shore at top center and URQ; swimming grey horse at right — Water, Saitō Toshimitsu fighting Nonoma in the River Akuta, 1867, 7th lunar month
Tsukioka Yoshitoshi; Publisher: Kiya Sōjirō; Carver: Koizumi Kanegorō

G238

three sheets; cartoonish animal with long grey fur, large yellow eye, yellow teeth with long fangs and blue hooves at center, throwing off man men who are falling and flipping in every directions; men in URQ wear yellow furs (?); mountains in background covered in snow; snow in foreground, with snowballs flying in front of animal and figures — Yamamoto Kansuke Killing a Wild Boar, 1868, 4th lunar month
Tsukioka Yoshitoshi; Publisher: Ōmiya Kyūjirō

G238

one sheet; man wearing a wide white headband and a white shirt with grey elements with khaki ties, partially hidden by a wall of green bamboo; black ground — Sakuma Dennai, 1869, 3rd lunar month
Tsukioka Yoshitoshi; Publisher: Ōhashiya Yashichi

G238

ink drawing on thin paper with touches of red; drawings on recto and verso--difficult to read each side due to thinness of paper; half of man's face with a rectangular element covering other half of face; portion of foreshortened grimacing face with short hair, with cloud-like elements covering top of head — Preparatory drawing of Sakuma Dennai, 1869
Tsukioka Yoshitoshi

G238

front view of two story house with white siding, frown framing, and green shutters; trees peeking over brick wall in front yard; ochre colored background — Kobe No. 2, 1971
Tanaka Ryōhei

G227

yellow, red, and blue pansies — Pansy, 1969
Tanaka Ryōhei

G227

Evening Shower over Ōhashi Bridge and Atake, Utagawa Hiroshige; Publisher: Sakanaya Eikichi — Evening Shower over Ōhashi Bridge and Atake, 1857, 9th month
Utagawa Hiroshige; Publisher: Sakanaya Eikichi

G223

Teppōzu and Tsukiji Hongan-ji Temple, Utagawa Hiroshige; Publisher: Sakanaya Eikichi — Teppōzu and Tsukiji Hongan-ji Temple, 1858, 7th month
Utagawa Hiroshige; Publisher: Sakanaya Eikichi

G223

Forest of Suijin Shrine and Masaki on the Sumida River, Utagawa Hiroshige; Publisher: Sakanaya Eikichi — Forest of Suijin Shrine and Masaki on the Sumida River, 1856, 8th month
Utagawa Hiroshige; Publisher: Sakanaya Eikichi

G223

South Wind, Clear Weather, Katsushika Hokusai; Publisher: Nishimuraya Yohachi — South Wind, Clear Weather, 1830-1833
Katsushika Hokusai; Publisher: Nishimuraya Yohachi

Not on View

Kinryūzan Temple, Asakusa, Utagawa Hiroshige; Publisher: Sakanaya Eikichi — Kinryūzan Temple, Asakusa, 1856, 7th month
Utagawa Hiroshige; Publisher: Sakanaya Eikichi

G223

Seidō and Kanda River from Shōhei Bridge, Utagawa Hiroshige; Publisher: Sakanaya Eikichi — Seidō and Kanda River from Shōhei Bridge, 1857, 9th month
Utagawa Hiroshige; Publisher: Sakanaya Eikichi

G223

Nihonbashi, Clearing After Snow, Utagawa Hiroshige; Publisher: Sakanaya Eikichi — Nihonbashi, Clearing After Snow, 1856, 5th month
Utagawa Hiroshige; Publisher: Sakanaya Eikichi

G223

man with long hair and long beard, holding a sword, wearing a grey kimono with a brown dragon on the stomach; green cowering demon at L; curtain and door at R — Picture of Shōki Capturing a Demon in the Dream, 1890
Tsukioka Yoshitoshi; Publisher: Sasaki Toyokichi

G219

2 leaves of text; 4 leaves of inkstone rubbings; 15 landscape paintings — Hsu Hsiao-p'u's "Five Clouds and Double Star" Inkstone Album, 1923-1928
Various artists

Not on View

Kamo Shrine Festival [one of a pair], Hayashi Morinao — Kamo Shrine Festival [one of a pair], around 1700
Hayashi Morinao

Not on View

buildings on a small, mountainous island seen from high vantage point; seven boats in water — Finger Painting, from an album of ten, 1684
Gao Qipei

Not on View

Red flower at L with black and wash grey leaf shape at R — Lotus, early 20th century
Qi Baishi

Not on View

Mountains with buildings — Magnificence of Overhanging Bluff, 1723
Jin Yongxi

Not on View

Green mountains; red-leafed trees; buildings center — Autumnal Color Among Mount Quan and Mount Hua, 1723
Jin Yongxi

Not on View

five white mum blossoms on thick stems with green-grey leaves; text, URC — White Chrysanthemums, 1929
Wang Zhen

Not on View

yellow and white mums; blue-green rock in front; grasshoppers, moths and other insects; three-character inscription and seal, LRC — Fall [right of a pair of Flowers and Insects of Spring and Fall], mid 19th century
Yamamoto Baiitsu

Not on View

standing tiger with stream in foreground; rock with birds on UR; branch from pine tree at UL — Tiger [left of a pair of Tiger and Dragon], late 18th century
Ganku

Not on View

Wisteria Maiden, Unknown Japanese — Wisteria Maiden, late 17th - early 18th century
Unknown Japanese

Not on View

parts of body of dragon visible behind clouds; open mouth at UL; gold and blue brocade borders — Dragon [right of a pair of Tiger and Dragon], 19th century
Kishi Renzan

Not on View

simple design of vibrant red trees around small building; green mountain in background; block of text, URC — Landscape, 1812
Wang Xuehao

Not on View

peony-like pink bloom with leaves and branches; small opening bud at upper right — Flower Painting, late 18th century
Mianyi

Not on View

green mountain tops visible through thick, swirling clouds; some small trees on mountains; pinkish sky near horizon — In Praise of Green Hills and White Clouds, 1905
Tanomura Chokunyū

Not on View

woman seated on a folding sling chair, reading a book with a green cover; small black and white cat under woman's chair; woman wears a tan spotted kimono with purple curving patterns; table at left with plant, bowl of grapes and glass; fern at LRC — Woman and Cat, 1933
Yasuma Sodō

Not on View

3/4 bust of woman holding blotting paper to lips; black kimono with red cuffs and yellow and green trim; white collar with white flowers; eyes cast down; green tie in hair with yellow ornaments — Beautiful Woman, second half 19th century
Unknown Japanese

Not on View

several rocky slopes at top with boulders and trees; large boulder-like outcropping at R with trees at top; man in fishing boat at LL gazing upward — Landscape in the Style of Taiga, late 18th - early 19th century
Nagamachi Chikuseki

Not on View

Basho and Deer, late 18th - early 19th century

Ki Baitei

Not on View

pink rock surrounded by wisps of graceful grasses and foliage; blossoming grey flowers at L and R sides of rock — Orchid and Rock, late 18th - early 19th century
Totoki Baigai

Not on View

very long, narrow image; short, balding man wearing white robe with light blue crisscross pattern; man is balancing on one foot with both arms in the air; he is looking upwards at a deep plate that is balancing on top of an extremely long pole; pole is resting on his forehead — Balancing a Plate, first half 19th century
Seisai

Not on View

unsigned; 3/4 portrait of woman facing PL; coyly cradling partially folded white fan under chin; bright red detailing in kimono collar; large headdress; blue and white hair ornament at back; two hair sticks at front with red beads; pink upper lip, green lower lip — Geisha [right of a triptych of Three Beauties], 1830s
Mihata Jōryū

Not on View

center panel: curving, lightly moss covered trunk of a pine tree beginning LLQ, up through R; two swaths of green, one at URC and one in ULQ form pine branches; thin branches extending from left edge with white spots form plum branches — Maid of Ōhara, Pine and Plum Blossoms, Manzai Comedy, one of three panels, 1920s-1930s
Kamisaka Sekka

Not on View

brightly colored fantastic creatures with animal and human attributes, many with pointed claws, tusks, grotesque faces, or apparition-like qualities — A Collection of Monsters [one of a pair], late 18th - early 19th century
Unknown Japanese

Not on View

a man in bight green outer robe crouches and peers through a slatted window; inside (at left), a woman in white kimono with black decoration scoops rice into a bowl from a large vat; above is a rooftop and the moon — Woman of Takayasu, from the Tales of Ise, early 19th century
Sakai Hōitsu

Not on View

swirling white cloud at center of image, floating over rows of waves below; vertical gold inscription down center, ending at top of cloud — Great Buddhist Avatar Akiba-san, 19th century
Unknown Japanese

Not on View

teal green vase at R holding round yellow fruits and a grape vine with dark grapes — Studies from Nature: Plants, Fish, and Birds (Vase with Loquats), first half 19th century
Urakami Shunkin

Not on View

stem from peony bush spread across image with large, gray peony blossom at UR; small spray of foliage with blossoms parallel to peony stem LLQ — Studies from Nature: Plants, Fish, and Birds (Peony), first half 19th century
Urakami Shunkin

Not on View

two small birds perched on a sloping bank tinged with green; large, rolling waves crashing into rocks at shore; formation of smaller birds at top curve downward towards water — Plovers, Rocks, and Waves, first half 19th century
Suzuki Kiitsu

Not on View

3/4 view of monk in purple and white robes facing PL; monk is seated on green mat with white, blue, green, and orange striped border; monk holds golden object in PR hand — Portrait of Imperial Prince Son’en, early 19th century
Sakai Hōitsu

Not on View

monk wearing black robe, holding rosary in both hands rides backwards on a horse; large, halo-like woven hat behind head; PR leg folded across horse with PL leg hanging off side of horse; monk has mostly bald head with dark beard, large earlobes, and determined look on face; horse is turned away at 3/4 view; inscription ULQ; short inscription LRQ — Monk Riding Backwards, 19th century
Hirano Gogaku; Artist: Hoashi Kyōu

Not on View

left scroll: male figure taking small step forward, holding PL arm straight out, grasping closed fan; PR hand below head; wearing pale blue robe with seaweed, turtle, and crane design; bright inner robe; tall black hat — Sanbaso [left of a triptych of the Noh roles Senzai, Okina, and Sanbaso], mid 19th century
Kano Kazunobu

Not on View

one-line inscription center; cucumber, persimmon, and two red chilies at bottom — Tastes in a Rural Cottage, first half 20th century
Fukuda Kodōjin

Not on View

grasshopper perched on white lotus root tube at LL; lotus stem and leaf sprouting across image at R; small plant with purple foliage and pink flowers behind lotus leaf at R; large beetle at LR — Studies from Nature: Plants, Fish, and Birds (Lotus Tuber with Insects), first half 19th century
Urakami Shunkin

Not on View

vertically oriented, gnarly blue rocks with gold highlights; pointed foliage along bottom and sides of rock arrangement; purple, brown, and pink lichen-like mushrooms grow from top, sides, and other rock crevasses; inscription ULQ — Fungus of Immortality, Bamboo, and Rocks, 1780
Hayashi Rōen

Not on View

two white flowers on two-part black stalk with light blue-green shading; gold veins; painted on fan-shaped background; inscription with round stamp LRQ — Hollyhocks, 1910s
Kamisaka Sekka

Not on View

monkeys perched on, or climbing upon, the snow-covered branches of a large pine tree; trunk extends diagonally L of center of screens — Monkeys in Pine Trees, 1853
Kishi Renzan

Not on View

right scroll: figure wearing black face mask in pose with legs slightly apart, PR arm held out and down with bells in PR hand; PL arm bent upward behind figure holding decorated fan; figure wears blue kimono and tall black hat — Senzai [right of a triptych of the Noh roles Senzai, Okina, and Sanbaso], mid 19th century
Kano Kazunobu

Not on View

two men in robes seated on ground in front of large rock with bushes; man at L leans towards man on R, resting his weight on his PL hand; PR hand holds tasseled fan over PR knee; man at R holds white cloth draped over lap and red object in PR hand; pale trees in background — Two Chinese Scholars, before 1800
Tani Bunchō

Not on View

view looking straight across bridge into village: people crossing wide bridge over low river, heading both towards and away from view; low rooftops of village visible at mouth of bridge; green mountains in background — Scenes from the Tokaido, 19th century
possibly Hokei

Not on View

pot of glowing coals with billow of smoke; fan resting against side of pot; clusters of black dots within and slightly outside of smoke cloud; inscription at R — Smoking Out Insects, c. 1927-1941
Fukuda Kodōjin

Not on View

figure seated on small, flat rock formation upper center, wearing orange robes; blue hair, and large bump on head; several other, smaller figures in colorful robes seated on flat rock formations, most wearing colorful robes and holding objects like staffs, inscribed papers, and rosaries in hands; all figures have halos; trees, waterfalls, and swirling clouds separate figures — Zengetsu Daishi and Saints, mid 19th century
Butsujo Jisen

Not on View

towering, multi-leveled mountain peak at R; shallow cliff with three-legged, white and red structure at UL; lower, multi-leveled mountain peaks at LL; bent human figure with blue top, white bottom, holding a walking stick at LR; mountains dotted with foliage; inscription at UL — Landscape with Scholar and Empty Pavilion, second half 19th century
Doi Gōga

Not on View

standing woman looking toward PR; hair in an updo with decorative sticks and bells; woman wears a tan kimono with white organic leaf-like designs; obi in front with dragon design in bold colors on black; red underskirt visible above PL foot at opening of kimono; ivory roller ends — Beauty with Dragon Obi, 1830s
Mihata Jōryū

Not on View

turtle amidst a torrent of waves facing upward, blowing a cluster of brightly colored butterflies towards blood-red sun; thin horizontal bank of clouds bisect sun at UR — Turtle Blowing Out Butterflies, first half 19th century
Tani Bunchō

Not on View

rocky shoreline with lightly colored trees; small pavilion near lower center; two fishing boats, one with a single figure, and the other with two figures at lower center; small buildings above to R of stone bridge; castle or temple complex at UL — Autumn Landscape, early 20th century
Hashimoto Dokuzan

Not on View

carp swimming vertically up a waterfall at top; second carp at bottom attempting to jump out of water amid choppy waves — Leaping Carp, 1868, 8th lunar month
Nakajima Raishō

Not on View

L screen: gnarled, twisting pine tree at L, with branches extending across multiple panels; rocks at L; hawk at lower center attacking a small goose, its talons digging into the goose's face, mouth, and neck; hawk is lifting bird out of water — Hawks by a Stream [left of a pair], mid 17th century
Soga Nichokuan

Not on View

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