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figure with 11 heads and 6 arms at center, flanked by 2 white dogs; 5 figures on lotus blossoms at each side; figures in clouds above at top corners; musicians and figures offering food and objects at bottom

Thangka of an eleven-headed Avalokiteshvara, late 18th century

Tibet

G212

three robed figures standing at the base of a waterfall at L; branches of a blossoming tree at top; man at R holds a fan, while center man stands in profile with open mouth, and clasped hands; man at L is holding up one hand

Daoist Figures, late 15th-early 16th century

Attributed to Liu Jun

G201

two figures on small bridge at LL walking towards open pavilion within a small grove of trees; robed figure on trail at lower center approaches pavilion; towering, bulbous rock formation in background at R; waterway and richly foliated landscape

Meeting Along the River, c. 1492-1518

Zhu Duan

G218

standing Confucius facing to his proper right, wearing a green coat; hands held together in front; long white fingernails; red shoes curl up from under edge of robe

Portrait of Confucius, late 14th century

China

Not on View
male figure in gray and white striped kimono grabs the wrist of a young female attendant who was handing him a red dish; other young women and geisha serve tea, play instruments, and dance around the man; small feast in front of man on ground, including large red snapper; scene takes place on a green dock over water

Summer Party on the Bank of the Kamo River, around 1800

Utagawa Toyohiro

Not on View
new frame and border; central seated male with two children next to him, surrounded by people in a garden; scattered groups of people within nearby buildings and out of doors engaged in activities

General Guo Ziyi's Banquet, mid 19th century

Unknown Korean

Not on View
sketchy, dry-brush-style; two figures on a small bridge in LLC; bare trees; rocky landscape; still, grey water; two figures in a small hut near R edge, below inscription

Mountain Retreat, c. 1730s

Cheng Ming

G203

simplified prancing deer with bowed had in front of red-headed crane; small bat flying above; text in LRC

Deer, Crane and Bat, 19th century

Suzuki Kiitsu

G223

Boy on a Bull, late 19th century

Ueda Kōchū

G237

man in tattered clothing holding a cane glances up toward a miniaturized figure caught up in what looks like a swirl of smoke

Chinese Immortals [one of a pair], 1804

Hara Zaichū

G237

smiling, round-bellied man holds a white lizard on his shoulders; the lizard's neck cranes upward to catch a whiff of the swirling smoke stream above him

Chinese Immortals [one of a pair], 1804

Hara Zaichū

G237

zigzagging path up a mountain with buildings along route; round area at top of mountain with buildings; some figures walking along path; muted colors; inscription in black with one red seal, LRC; ivory roller ends

Pilgrims Climbing Mount Fuji, 19th century

Kameisai

G237

twelve panels; each panel consists of central painting and three carved panels; one square panel above painting with large medallion; two panels below painting rectangular above square; small medallion in rectangular panel, smiliar design lower square panels throughout

Folding screen, late 17th century

China

Not on View

Manzai Performers, c. 1816

Katsushika Hokusai

Not on View

Three Beauties in Snow, 19th century

Utagawa Hiroshige

Not on View

Two Beauties Walking in the Snow with Umbrella, late 18th - early 19th century

Kubo Shunman

Not on View
Mounted on paper

Tea Ceremony Utensils, 19th century

Shibata Zeshin

Not on View
Central scroll of a triptych. Elderly man with long bamboo staff with white deer. Identifiable as Jurojin the god of longevity.

God of Longevity (Jurōjin), from a triptych of Jurōjin and Cranes, 18th-19th century

Spurious signature and seal of Kano Tsunenobu

Not on View

Prostitute, Kamuro and Wakashu, c. 1695

Hishikawa School

Not on View
Right scroll of a triptych. Crane with outsretched neck calling out toward left, framed by pine boughs at right.

Crane and Pine, from a triptych of Jurōjin and Cranes, 18th-19th century

Spurious signature and seal of Kano Tsunenobu

Not on View

Actor Ichikawa Danjūrō V as Kagekiyo, c. 1797

Katsukawa Shunkō

Not on View
unsigned

Portrait of the Poet Kakimoto no Hitomaro, mid 17th century

Iwasa Matabei

Not on View

Prostitute Standing Beneath a Cherry Tree, c. 1796

Hosoda Eishi

Not on View

Moonlight [left of the pair Beauties in Spring], c. 1798

Hosoda Eishi

Not on View

Rain [right of the pair Beauties in Spring], c. 1798

Hosoda Eishi

Not on View
oval fan mounted to cardstock folder

Finch on a Citrus Branch, c. 1300

China

Not on View

Eighteen Arhats (十八羅漢圖卷), early 16th century

Studio of Ding Yunpeng

Not on View
central seated figure (Ksitigarbha) holding a clear sphere between cupped hands, circles about body and head; figure surrounded by people with two smaller figures below.

Ksitigarbha and the Ten Kings of Hell, 18th century

Unknown Korean

Not on View

River View in Snow, late 18th - early 19th century

Hosoda Eishi

Not on View
two men, one with staff, and attendant on river bank near lower left corner with building near center and at left in flat-topped mountains; flowering tree at center

Landscape at Pingshan Pavilion, 1670

Zhang Sheng

Not on View

Shōjō Under a Sake Cup, mid to late 18th century

Tsukioka Settei

Not on View

Ono no Komachi Washing the Poem Paper, 1772-1786

Tsukioka Settei

Not on View

Monkeys Playing on a Stone Lantern, early 19th century

Mori Sosen

Not on View
man on horseback with attendant; Mt. Fuji in the background

Narihira Riding Below Fuji, c. 1820

Sakai Hōitsu

Not on View
Collaboration by eight artists

Gathering of Artists, c. 1790

Kawamura Bunpō; Artist: Ganku; Artist: Matsumura Goshun; Artist: Matsumura Keibun; Artist: Nagasawa Rosetsu; Artist: Shibata Gitō; Artist: Utagawa Toyohiro; Artist: Yamaguchi Soken

Not on View
two figures sit separately along the same winding stream, one in black and the other in white; the figure downstream faces out and holds paper and a brush; the stream is punctuated by rocks, trees, and other flora; a gray and orange striped structure, partially obscured by fog, sits above stream in top left corner of image

March, c. 1910

Suzuki Toshimoto

Not on View

Kamo Shrine Festival [one of a pair], around 1700

Hayashi Morinao

Not on View
Old man dressed in white garment with blue trim sitting on a bank behind a large tree; pole resting on a gnarled branch in the water

Fishing Under a Pine Tree, 14th century

attributed to Zhao Mengfu

Not on View
oval fan; image of a boy with an ox at bottom center; farm fields with a path along LL edge; river divides the scene through center from oppisite corner; trees at right side grow over the river, misty nountains in the background at top

Boy Leading an Ox Along the Farm Path, late 13th century

China

Not on View
person walking over a bridge connecting two structures on top of a cliff; waterfall flows under the bridge, large pines hang over cliff and tower over buildings; two stepped mountains in the background

Landscape with Pines, 19th century

Yamamoto Baiitsu

Not on View
large female figure seated on a mountain with crashing waves below; little boy at lower right corner on a small patch of land; mist-covered tree at upper right

Guanyin on Mt. Potalaka with Sudhana, 16th century

China

Not on View
Long covered walkway near front with figure near lower right corner; other buildings at left with light mountains in left background ; trees in front

Corridor Through the Pines, c. 1300

Unknown

Not on View
two men playing a board game while four others watch; the game is being played outdoors in a rock garden under the pine trees; two distinctive stools and various other decorative objects scattered about scene

Scholars Playing "Go" Under Pine Trees, 14th century

China

Not on View

Prostitute as Mitate of Fugen, c. 1720

Okumura Toshinobu

Not on View

Liezi in the Wind, c. 1810-1813

Katsushika Hokusai

Not on View

Portrait of Sugawara Michizane, early 14th century

Unknown Japanese

Not on View
Painting dated 1103, but probably done later.

Swan and Cygnets, 15th century

After Wu Yuanyu

Not on View
In style of Wu Yuan-yu (Sung Dynasty artist).

Swan and Cygnets, 14th-15th century

After Wu Yuanyu

Not on View
seated woman wearing gold earrings with white beads, red and black hat and elaborate robe with multicolored designs and dragons; reddish-brown chair with gold dragons

Ancestral Portrait of a Princess, late 18th century

China

Not on View
seated man with a mustache wearing an elaborate blue robe and a red and black hat with a peacock feather; reddish-brown chair with gold dragons

Ancestral Portrait of a Prince, late 18th century

China

Not on View
tall, thin vertical mountains; tree on peak at center; buildings at left

High Peaks in Clouds, mid 19th century

Maeda Chōdō

Not on View
gold-flecked silk ground; landscape with mountains at top, building in middle and calm water at bottom; inscription and two seals, URC

Landscape, 1827

Urakami Shunkin

Not on View
white hawk perched on a thick broken pine tree branch

White hawk in pine tree, 19th century

Shōdō

Not on View
landscape with spiky trees, largest at L; reclining figure below large tree with standing figure with staff behind, LLC; fence at LRC

Enjoying the Sun Beneath Pine Trees, 13th-14th century

Attributed to Ma Yuan

Not on View
standing tiger with stream in foreground; rock with birds on UR; branch from pine tree at UL

Tiger [left of a pair of Tiger and Dragon], late 18th century

Ganku

Not on View
seated tiger with head turned to PR; ears back; rocks on L and foliage all around; beige and blue and gold brocade border

Tiger Seated Beneath Rock and Bamboo, late 18th century

Ganku

Not on View
parts of body of dragon visible behind clouds; open mouth at UL; gold and blue brocade borders

Dragon [right of a pair of Tiger and Dragon], 19th century

Kishi Renzan

Not on View
unsigned; 3/4 portrait of woman facing PL; coyly cradling partially folded white fan under chin; bright red detailing in kimono collar; large headdress; blue and white hair ornament at back; two hair sticks at front with red beads; pink upper lip, green lower lip

Geisha [right of a triptych of Three Beauties], 1830s

Mihata Jōryū

Not on View
center panel: curving, lightly moss covered trunk of a pine tree beginning LLQ, up through R; two swaths of green, one at URC and one in ULQ form pine branches; thin branches extending from left edge with white spots form plum branches

Maid of Ōhara, Pine and Plum Blossoms, Manzai Comedy, one of three panels, 1920s-1930s

Kamisaka Sekka

Not on View
at R, four women gather around a board playing go; one woman at L poised with brush over long sheet held by attendant; older woman in gray looks on at L

Seven Otafukus, 1870s-1880s

Kawanabe Kyōsai

Not on View
a man in bight green outer robe crouches and peers through a slatted window; inside (at left), a woman in white kimono with black decoration scoops rice into a bowl from a large vat; above is a rooftop and the moon

Woman of Takayasu, from the Tales of Ise, early 19th century

Sakai Hōitsu

Not on View
teal green vase at R holding round yellow fruits and a grape vine with dark grapes

Studies from Nature: Plants, Fish, and Birds (Vase with Loquats), first half 19th century

Urakami Shunkin

Not on View
stem from peony bush spread across image with large, gray peony blossom at UR; small spray of foliage with blossoms parallel to peony stem LLQ

Studies from Nature: Plants, Fish, and Birds (Peony), first half 19th century

Urakami Shunkin

Not on View
two small birds perched on a sloping bank tinged with green; large, rolling waves crashing into rocks at shore; formation of smaller birds at top curve downward towards water

Plovers, Rocks, and Waves, first half 19th century

Suzuki Kiitsu

Not on View
3/4 view of monk in purple and white robes facing PL; monk is seated on green mat with white, blue, green, and orange striped border; monk holds golden object in PR hand

Portrait of Imperial Prince Son’en, early 19th century

Sakai Hōitsu

Not on View
left scroll: male figure taking small step forward, holding PL arm straight out, grasping closed fan; PR hand below head; wearing pale blue robe with seaweed, turtle, and crane design; bright inner robe; tall black hat

Sanbaso [left of a triptych of the Noh roles Senzai, Okina, and Sanbaso], mid 19th century

Kano Kazunobu

Not on View
grasshopper perched on white lotus root tube at LL; lotus stem and leaf sprouting across image at R; small plant with purple foliage and pink flowers behind lotus leaf at R; large beetle at LR

Studies from Nature: Plants, Fish, and Birds (Lotus Tuber with Insects), first half 19th century

Urakami Shunkin

Not on View
vertically oriented, gnarly blue rocks with gold highlights; pointed foliage along bottom and sides of rock arrangement; purple, brown, and pink lichen-like mushrooms grow from top, sides, and other rock crevasses; inscription ULQ

Fungus of Immortality, Bamboo, and Rocks, 1780

Hayashi Rōen

Not on View
right scroll: figure wearing black face mask in pose with legs slightly apart, PR arm held out and down with bells in PR hand; PL arm bent upward behind figure holding decorated fan; figure wears blue kimono and tall black hat

Senzai [right of a triptych of the Noh roles Senzai, Okina, and Sanbaso], mid 19th century

Kano Kazunobu

Not on View
shoreline in foreground with houses and pine trees; water in middle ground; some islands in background; Mt. Fuji at L far background

Matsushima, 1826, 5th month

Tani Bunchō

Not on View
two men in robes seated on ground in front of large rock with bushes; man at L leans towards man on R, resting his weight on his PL hand; PR hand holds tasseled fan over PR knee; man at R holds white cloth draped over lap and red object in PR hand; pale trees in background

Two Chinese Scholars, before 1800

Tani Bunchō

Not on View
view looking straight across bridge into village: people crossing wide bridge over low river, heading both towards and away from view; low rooftops of village visible at mouth of bridge; green mountains in background

Scenes from the Tokaido, 19th century

possibly Hokei

Not on View
tall mountain peak in background center (Mt. Fuji), in almost white color; lower mountains and rocks in middle ground with water; some with trees; bay with a couple of boats; tree covered land; middle and foreground separated by water

Mount Fuji and the Pines at Miho, first half 19th century

Suzuki Kiitsu

Not on View
standing woman looking toward PR; hair in an updo with decorative sticks and bells; woman wears a tan kimono with white organic leaf-like designs; obi in front with dragon design in bold colors on black; red underskirt visible above PL foot at opening of kimono; ivory roller ends

Beauty with Dragon Obi, 1830s

Mihata Jōryū

Not on View
turtle amidst a torrent of waves facing upward, blowing a cluster of brightly colored butterflies towards blood-red sun; thin horizontal bank of clouds bisect sun at UR

Turtle Blowing Out Butterflies, first half 19th century

Tani Bunchō

Not on View
carp swimming vertically up a waterfall at top; second carp at bottom attempting to jump out of water amid choppy waves

Leaping Carp, 1868, 8th lunar month

Nakajima Raishō

Not on View
center scroll: male figure wearing gray face mask standing facing viewer with arms outstretched; brocade brown and gold top; billowing blue pants with blue designs; tall black hat; decorated fan in PR hand; face mask has white tassels and goatee

Okina [center of a triptych of the Noh roles Senzai, Okina, and Sanbaso], mid 19th century

Kano Kazunobu

Not on View
V-shaped tree with light patches of green moss highlighted with faint gold wash; delicate white blossoms on winding, weaving L branches; low green foliage with red berries behind tree at bottom

Plum Blossoms, 1920s-1930s

Kamisaka Sekka

Not on View
man dancing with one leg bent, holding a black platform with richly dressed samurai figurine over his head; large banner with gray image of shoki holding sword at R; three young children dance around man below

Boy's Festival, 1830s

Utagawa Kunisada

Not on View
cropped frontal view of tiger looking at viewer with two upward slanted green eyes with pupils like claws; furrowed brow; partially opened lips; front legs depicted side by side, with black and orange tail crossed over front feet; highly detailed with fine painted fur

Tiger, c. 1892

Kunii Ōyō

Not on View
four men seated on either side of a wool rug playing various instruments; a fifth, larger man in black robes with an exposed, hairy belly dances in center of scene; bowl of fruit and tray with two birds in front center of scene; male and female figure visible in adjacent room through drawn blinds; the woman's body ties the two rooms together

Seven Lucky Gods, late 19th - early 20th century

Imao Keinen

Not on View
two bamboo stalks rising along L; cone-shaped bamboo shoot growing between the two stalks at LL; three sparrows sit within the bamboo foliage

Sparrows and Bamboo, early 18th century

Ohara Keizan

Not on View
3/4 view of white flower with red stamen and green pistil; rounded green leaves painted with gold veins; on a curving, short stem; realistic insect marks on lower leaf

Camellia japonica, first half 19th century

Nonoyama Kōzan

Not on View
male figure at lower half of image with a halo, two bald spots, fluffy black hair, and a close-trimmed beard and moustache, wearing a black and red cloak

Sakyamuni, one of a pair, 13th century

Attributed to Yan Hui

Not on View
five men with exaggerated phalluses wrestling over each other in an attempt to rape a woman lying on the ground

Five Men Raping a Girl, 19th century

Unknown Japanese

Not on View
four different insects climbing on an arrangement of two pomegranates (one is split open) and a few dry leaves

Pomegranate and Insects, 1834

Urakami Shunkin

Not on View
male figure in lower half of image area, wrapped in red cloak that covers his head; large eyes gazing off to PR side; a hoop earring in each ear; closely trimmed beard

Bodhidharma, one of a pair, 13th century

Attributed to Yan Hui

Not on View
woman wearing beige kimono with white dragon stencil pattern; woman wears red apron-like garment; woman holds a small black and white dog with a blue and gold ruff on a mint green silk cord

Court Lady with Dog, 1830s

Mihata Jōryū

Not on View
image created with tiny squares of color in an overall grid, with white lines between squares; landscape with water at center with flat bridge, mountains and trees; trompe l'oeil painted mount with dark grey at bottom, light grey round image and bars of clouds in gold above and below image and similar vertical bars at top; two painted "seals" along right edge, LRQ; ivory roller ends

Landscape in Mosaic Form, 1960s-1970s

Unknown Japanese

Not on View
three solders in ocher colored uniforms with arm bands featuring Japanese flag design walking towards entrance of burned-out building; two of the soldiers carry a sword in PR hand; center soldier has fierce look on face; background rubble painted in gray

Soldiers Entering a Building, mid 20th century

Yamamoto Shōkoku

Not on View
bone thin, gray complexioned female ghost hovering in sinuous S-curve with PL arm gracefully crossed over chest; white kimono falling from PL shoulder; purple obi; wispy, thin black hair, gaunt face, pained smile

Ghost, late 19th century

Inagaki Ranpo

Not on View
3/4 profile of woman wrapped in rich, red coat with vibrant white wisteria design with gray and beige ornamentation; pastel colored inner folds with green floral decoration; black cloth over hands; ornate hairpiece; white and blue parasol is held over her head at R by unseen attendant

Prostitute at a Parade, early 19th century

Hosoda Eishi

Not on View
procession of crickets, grasshoppers, mantises, and other insects carrying flowers, persimmon "bundles", and vegetables; group of grasshoppers carry palanquin at center; other insects, spiders, and frogs look on below; mountain in background

Insect Daimyo Procession, late 19th century

Unknown Japanese

Not on View
unsigned; 3/4 portrait of woman looking off to PR; red, pink, and white hair ornaments with silver and gold detail, small silver and gold chains hanging from headdress; three richly decorated kimono collars featuring delicate cherry blossoms, peach colored blossoms, and butterflies; bright strip of red at center compliments red detail in hair; green lower lip

City Girl [left of a triptych of Three Beauties], 1830s

Mihata Jōryū

Not on View
seated soldier at center wearing armor and holding a black and gold fan with a red circle; young boy at left wearing white and green patterned kimono and breastplate; three other soldiers--one kneeling at right before central man and two seen 3/4 view from back in LLC; tree at left

Kusunoki Masashige before the Battle at Minato River, c. 1918

Kamisaka Sekka

Not on View
far left panel: profile of a woman carrying basket of flowers on her head; woman wears black top, white bottom, sandals, white kerchief around head with morning glory pattern at bottom

Maid of Ōhara, Pine and Plum Blossoms, Manzai Comedy, one of three panels, 1920s-1930s

Kamisaka Sekka

Not on View
rocky outcroppings line shore of still water; three figures LRQ, one carrying a staff and standing on small bridge; multi-storied building behind trees at L center; larger mountains, fog, and a waterfall in background

Landscape, 1824

Takeda Unshitsu

Not on View
two grey shrimp at R within green tinted seaweed; single grey shrimp within green tinted seaweed at LL; inscription ULQ

Shrimp, 1864

Kinoshita Itsuun

Not on View
dark landscape; stylized layered bluffs in blue and black cutting diagonally through R side; thin, forked waterfall under high bridge at R; figure at R walking over bridge; rolling white hills in UR; snow-covered trees at center; shoreline at L with snow-covered huts and a low bridge; horizontal bands of white clouds/fog throughout

Snowy Landscape, mid 19th century

Katsushika Hokusai II

Not on View
colorful landscape; steep cliff along R with path leading to a shrine just visible between rocks; pine trees at top of cliff at center; tall, jagged mountains in mist in background; a flock of cranes fly in front of sun at UL; churning ocean at bottom

Mount Horai, first half 20th century

Komuro Suiun

Not on View

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