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figure with 11 heads and 6 arms at center, flanked by 2 white dogs; 5 figures on lotus blossoms at each side; figures in clouds above at top corners; musicians and figures offering food and objects at bottom — Thangka of an eleven-headed Avalokiteshvara, late 18th century
Tibet

G212

Daoist Figures, late 15th-early 16th century

Attributed to Liu Jun

G201

two figures on small bridge at LL walking towards open pavilion within a small grove of trees; robed figure on trail at lower center approaches pavilion; towering, bulbous rock formation in background at R; waterway and richly foliated landscape — Meeting Along the River, c. 1492-1518
Zhu Duan

G218

standing Confucius facing to his proper right, wearing a green coat; hands held together in front; long white fingernails; red shoes curl up from under edge of robe — Portrait of Confucius, late 14th century
China

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male figure in gray and white striped kimono grabs the wrist of a young female attendant who was handing him a red dish; other young women and geisha serve tea, play instruments, and dance around the man; small feast in front of man on ground, including large red snapper; scene takes place on a green dock over water — Summer Party on the Bank of the Kamo River, around 1800
Utagawa Toyohiro

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new frame and border; central seated male with two children next to him, surrounded by people in a garden; scattered groups of people within nearby buildings and out of doors engaged in activities — General Guo Ziyi's Banquet, mid 19th century
Unknown Korean

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sketchy, dry-brush-style; two figures on a small bridge in LLC; bare trees; rocky landscape; still, grey water; two figures in a small hut near R edge, below inscription — Mountain Retreat, c. 1730s
Cheng Ming

G203

simplified prancing deer with bowed had in front of red-headed crane; small bat flying above; text in LRC — Deer, Crane and Bat, 19th century
Suzuki Kiitsu

G223

Boy on a Bull, Ueda Kōchū — Boy on a Bull, late 19th century
Ueda Kōchū

G237

man in tattered clothing holding a cane glances up toward a miniaturized figure caught up in what looks like a swirl of smoke — Chinese Immortals [one of a pair], 1804
Hara Zaichū

G237

smiling, round-bellied man holds a white lizard on his shoulders; the lizard's neck cranes upward to catch a whiff of the swirling smoke stream above him — Chinese Immortals [one of a pair], 1804
Hara Zaichū

G237

zigzagging path up a mountain with buildings along route; round area at top of mountain with buildings; some figures walking along path; muted colors; inscription in black with one red seal, LRC; ivory roller ends — Pilgrims Climbing Mount Fuji, 19th century
Kameisai

G237

twelve panels; each panel consists of central painting and three carved panels; one square panel above painting with large medallion; two panels below painting rectangular above square; small medallion in rectangular panel, smiliar design lower square panels throughout — Folding screen, late 17th century
China

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Manzai Performers, Katsushika Hokusai — Manzai Performers, c. 1816
Katsushika Hokusai

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Three Beauties in Snow, Utagawa Hiroshige — Three Beauties in Snow, 19th century
Utagawa Hiroshige

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Two Beauties Walking in the Snow with Umbrella, Kubo Shunman — Two Beauties Walking in the Snow with Umbrella, late 18th - early 19th century
Kubo Shunman

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Mounted on paper — Tea Ceremony Utensils, 19th century
Shibata Zeshin

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Central scroll of a triptych. Elderly man with long bamboo staff with white deer. Identifiable as Jurojin the god of longevity. — God of Longevity (Jurōjin), from a triptych of Jurōjin and Cranes, 18th-19th century
Spurious signature and seal of Kano Tsunenobu

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Prostitute, Kamuro and Wakashu, Hishikawa School — Prostitute, Kamuro and Wakashu, c. 1695
Hishikawa School

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Right scroll of a triptych. Crane with outsretched neck calling out toward left, framed by pine boughs at right. — Crane and Pine, from a triptych of Jurōjin and Cranes, 18th-19th century
Spurious signature and seal of Kano Tsunenobu

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Actor Ichikawa Danjūrō V as Kagekiyo, Katsukawa Shunkō — Actor Ichikawa Danjūrō V as Kagekiyo, c. 1797
Katsukawa Shunkō

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unsigned — Portrait of the Poet Kakimoto no Hitomaro, mid 17th century
Iwasa Matabei

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Prostitute Standing Beneath a Cherry Tree, Hosoda Eishi — Prostitute Standing Beneath a Cherry Tree, c. 1796
Hosoda Eishi

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Moonlight [left of the pair Beauties in Spring], Hosoda Eishi — Moonlight [left of the pair Beauties in Spring], c. 1798
Hosoda Eishi

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Rain [right of the pair Beauties in Spring], Hosoda Eishi — Rain [right of the pair Beauties in Spring], c. 1798
Hosoda Eishi

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oval fan mounted to cardstock folder — Finch on a Citrus Branch, c. 1300
China

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Eighteen Arhats (十八羅漢圖卷), Studio of Ding Yunpeng — Eighteen Arhats (十八羅漢圖卷), early 16th century
Studio of Ding Yunpeng

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central seated figure (Ksitigarbha) holding a clear sphere between cupped hands, circles about body and head; figure surrounded by people with two smaller figures below. — Ksitigarbha and the Ten Kings of Hell, 18th century
Unknown Korean

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River View in Snow, Hosoda Eishi — River View in Snow, late 18th - early 19th century
Hosoda Eishi

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two men, one with staff, and attendant on river bank near lower left corner with building near center and at left in flat-topped mountains; flowering tree at center — Landscape at Pingshan Pavilion, 1670
Zhang Sheng

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Shōjō Under a Sake Cup, Tsukioka Settei — Shōjō Under a Sake Cup, mid to late 18th century
Tsukioka Settei

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Ono no Komachi Washing the Poem Paper, Tsukioka Settei — Ono no Komachi Washing the Poem Paper, 1772-1786
Tsukioka Settei

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Monkeys Playing on a Stone Lantern, Mori Sosen — Monkeys Playing on a Stone Lantern, early 19th century
Mori Sosen

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man on horseback with attendant; Mt. Fuji in the background — Narihira Riding Below Fuji, c. 1820
Sakai Hōitsu

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Collaboration by eight artists — Gathering of Artists, c. 1790
Kawamura Bunpō; Artist: Ganku; Artist: Matsumura Goshun; Artist: Matsumura Keibun; Artist: Nagasawa Rosetsu; Artist: Shibata Gitō; Artist: Utagawa Toyohiro; Artist: Yamaguchi Soken

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two figures sit separately along the same winding stream, one in black and the other in white; the figure downstream faces out and holds paper and a brush; the stream is punctuated by rocks, trees, and other flora; a gray and orange striped structure, partially obscured by fog, sits above stream in top left corner of image — March, c. 1910
Suzuki Toshimoto

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Kamo Shrine Festival [one of a pair], Hayashi Morinao — Kamo Shrine Festival [one of a pair], around 1700
Hayashi Morinao

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Old man dressed in white garment with blue trim sitting on a bank behind a large tree; pole resting on a gnarled branch in the water — Fishing Under a Pine Tree, 14th century
attributed to Zhao Mengfu

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oval fan; image of a boy with an ox at bottom center; farm fields with a path along LL edge; river divides the scene through center from oppisite corner; trees at right side grow over the river, misty nountains in the background at top — Boy Leading an Ox Along the Farm Path, late 13th century
China

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person walking over a bridge connecting two structures on top of a cliff; waterfall flows under the bridge, large pines hang over cliff and tower over buildings; two stepped mountains in the background — Landscape with Pines, 19th century
Yamamoto Baiitsu

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large female figure seated on a mountain with crashing waves below; little boy at lower right corner on a small patch of land; mist-covered tree at upper right — Guanyin on Mt. Potalaka with Sudhana, 16th century
China

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Long covered walkway near front with figure near lower right corner; other buildings at left with light mountains in left background ; trees in front — Corridor Through the Pines, c. 1300
Unknown

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two men playing a board game while four others watch; the game is being played outdoors in a rock garden under the pine trees; two distinctive stools and various other decorative objects scattered about scene — Scholars Playing "Go" Under Pine Trees, 14th century
China

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Prostitute as Mitate of Fugen, Okumura Toshinobu — Prostitute as Mitate of Fugen, c. 1720
Okumura Toshinobu

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Liezi in the Wind, Katsushika Hokusai — Liezi in the Wind, c. 1810-1813
Katsushika Hokusai

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Portrait of Sugawara Michizane, Unknown Japanese — Portrait of Sugawara Michizane, early 14th century
Unknown Japanese

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Painting dated 1103, but probably done later. — Swan and Cygnets, 15th century
After Wu Yuanyu

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In style of Wu Yuan-yu (Sung Dynasty artist). — Swan and Cygnets, 14th-15th century
After Wu Yuanyu

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seated woman wearing gold earrings with white beads, red and black hat and elaborate robe with multicolored designs and dragons; reddish-brown chair with gold dragons — Ancestral Portrait of a Princess, late 18th century
China

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seated man with a mustache wearing an elaborate blue robe and a red and black hat with a peacock feather; reddish-brown chair with gold dragons — Ancestral Portrait of a Prince, late 18th century
China

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tall, thin vertical mountains; tree on peak at center; buildings at left — High Peaks in Clouds, mid 19th century
Maeda Chōdō

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gold-flecked silk ground; landscape with mountains at top, building in middle and calm water at bottom; inscription and two seals, URC — Landscape, 1827
Urakami Shunkin

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white hawk perched on a thick broken pine tree branch — White hawk in pine tree, 19th century
Shōdō

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landscape with spiky trees, largest at L; reclining figure below large tree with standing figure with staff behind, LLC; fence at LRC — Enjoying the Sun Beneath Pine Trees, 13th-14th century
Attributed to Ma Yuan

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standing tiger with stream in foreground; rock with birds on UR; branch from pine tree at UL — Tiger [left of a pair of Tiger and Dragon], late 18th century
Ganku

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seated tiger with head turned to PR; ears back; rocks on L and foliage all around; beige and blue and gold brocade border — Tiger Seated Beneath Rock and Bamboo, late 18th century
Ganku

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parts of body of dragon visible behind clouds; open mouth at UL; gold and blue brocade borders — Dragon [right of a pair of Tiger and Dragon], 19th century
Kishi Renzan

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unsigned; 3/4 portrait of woman facing PL; coyly cradling partially folded white fan under chin; bright red detailing in kimono collar; large headdress; blue and white hair ornament at back; two hair sticks at front with red beads; pink upper lip, green lower lip — Geisha [right of a triptych of Three Beauties], 1830s
Mihata Jōryū

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center panel: curving, lightly moss covered trunk of a pine tree beginning LLQ, up through R; two swaths of green, one at URC and one in ULQ form pine branches; thin branches extending from left edge with white spots form plum branches — Maid of Ōhara, Pine and Plum Blossoms, Manzai Comedy, one of three panels, 1920s-1930s
Kamisaka Sekka

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at R, four women gather around a board playing go; one woman at L poised with brush over long sheet held by attendant; older woman in gray looks on at L — Seven Otafukus, 1870s-1880s
Kawanabe Kyōsai

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a man in bight green outer robe crouches and peers through a slatted window; inside (at left), a woman in white kimono with black decoration scoops rice into a bowl from a large vat; above is a rooftop and the moon — Woman of Takayasu, from the Tales of Ise, early 19th century
Sakai Hōitsu

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teal green vase at R holding round yellow fruits and a grape vine with dark grapes — Studies from Nature: Plants, Fish, and Birds (Vase with Loquats), first half 19th century
Urakami Shunkin

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stem from peony bush spread across image with large, gray peony blossom at UR; small spray of foliage with blossoms parallel to peony stem LLQ — Studies from Nature: Plants, Fish, and Birds (Peony), first half 19th century
Urakami Shunkin

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two small birds perched on a sloping bank tinged with green; large, rolling waves crashing into rocks at shore; formation of smaller birds at top curve downward towards water — Plovers, Rocks, and Waves, first half 19th century
Suzuki Kiitsu

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3/4 view of monk in purple and white robes facing PL; monk is seated on green mat with white, blue, green, and orange striped border; monk holds golden object in PR hand — Portrait of Imperial Prince Son’en, early 19th century
Sakai Hōitsu

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left scroll: male figure taking small step forward, holding PL arm straight out, grasping closed fan; PR hand below head; wearing pale blue robe with seaweed, turtle, and crane design; bright inner robe; tall black hat — Sanbaso [left of a triptych of the Noh roles Senzai, Okina, and Sanbaso], mid 19th century
Kano Kazunobu

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grasshopper perched on white lotus root tube at LL; lotus stem and leaf sprouting across image at R; small plant with purple foliage and pink flowers behind lotus leaf at R; large beetle at LR — Studies from Nature: Plants, Fish, and Birds (Lotus Tuber with Insects), first half 19th century
Urakami Shunkin

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vertically oriented, gnarly blue rocks with gold highlights; pointed foliage along bottom and sides of rock arrangement; purple, brown, and pink lichen-like mushrooms grow from top, sides, and other rock crevasses; inscription ULQ — Fungus of Immortality, Bamboo, and Rocks, 1780
Hayashi Rōen

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right scroll: figure wearing black face mask in pose with legs slightly apart, PR arm held out and down with bells in PR hand; PL arm bent upward behind figure holding decorated fan; figure wears blue kimono and tall black hat — Senzai [right of a triptych of the Noh roles Senzai, Okina, and Sanbaso], mid 19th century
Kano Kazunobu

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shoreline in foreground with houses and pine trees; water in middle ground; some islands in background; Mt. Fuji at L far background — Matsushima, 1826, 5th month
Tani Bunchō

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two men in robes seated on ground in front of large rock with bushes; man at L leans towards man on R, resting his weight on his PL hand; PR hand holds tasseled fan over PR knee; man at R holds white cloth draped over lap and red object in PR hand; pale trees in background — Two Chinese Scholars, before 1800
Tani Bunchō

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view looking straight across bridge into village: people crossing wide bridge over low river, heading both towards and away from view; low rooftops of village visible at mouth of bridge; green mountains in background — Scenes from the Tokaido, 19th century
possibly Hokei

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tall mountain peak in background center (Mt. Fuji), in almost white color; lower mountains and rocks in middle ground with water; some with trees; bay with a couple of boats; tree covered land; middle and foreground separated by water — Mount Fuji and the Pines at Miho, first half 19th century
Suzuki Kiitsu

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standing woman looking toward PR; hair in an updo with decorative sticks and bells; woman wears a tan kimono with white organic leaf-like designs; obi in front with dragon design in bold colors on black; red underskirt visible above PL foot at opening of kimono; ivory roller ends — Beauty with Dragon Obi, 1830s
Mihata Jōryū

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turtle amidst a torrent of waves facing upward, blowing a cluster of brightly colored butterflies towards blood-red sun; thin horizontal bank of clouds bisect sun at UR — Turtle Blowing Out Butterflies, first half 19th century
Tani Bunchō

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carp swimming vertically up a waterfall at top; second carp at bottom attempting to jump out of water amid choppy waves — Leaping Carp, 1868, 8th lunar month
Nakajima Raishō

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center scroll: male figure wearing gray face mask standing facing viewer with arms outstretched; brocade brown and gold top; billowing blue pants with blue designs; tall black hat; decorated fan in PR hand; face mask has white tassels and goatee — Okina [center of a triptych of the Noh roles Senzai, Okina, and Sanbaso], mid 19th century
Kano Kazunobu

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V-shaped tree with light patches of green moss highlighted with faint gold wash; delicate white blossoms on winding, weaving L branches; low green foliage with red berries behind tree at bottom — Plum Blossoms, 1920s-1930s
Kamisaka Sekka

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man dancing with one leg bent, holding a black platform with richly dressed samurai figurine over his head; large banner with gray image of shoki holding sword at R; three young children dance around man below — Boy's Festival, 1830s
Utagawa Kunisada

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cropped frontal view of tiger looking at viewer with two upward slanted green eyes with pupils like claws; furrowed brow; partially opened lips; front legs depicted side by side, with black and orange tail crossed over front feet; highly detailed with fine painted fur — Tiger, c. 1892
Kunii Ōyō

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four men seated on either side of a wool rug playing various instruments; a fifth, larger man in black robes with an exposed, hairy belly dances in center of scene; bowl of fruit and tray with two birds in front center of scene; male and female figure visible in adjacent room through drawn blinds; the woman's body ties the two rooms together — Seven Lucky Gods, late 19th - early 20th century
Imao Keinen

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two bamboo stalks rising along L; cone-shaped bamboo shoot growing between the two stalks at LL; three sparrows sit within the bamboo foliage — Sparrows and Bamboo, early 18th century
Ohara Keizan

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3/4 view of white flower with red stamen and green pistil; rounded green leaves painted with gold veins; on a curving, short stem; realistic insect marks on lower leaf — Camellia japonica, first half 19th century
Nonoyama Kōzan

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male figure at lower half of image with a halo, two bald spots, fluffy black hair, and a close-trimmed beard and moustache, wearing a black and red cloak — Sakyamuni, one of a pair, 13th century
Attributed to Yan Hui

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five men with exaggerated phalluses wrestling over each other in an attempt to rape a woman lying on the ground — Five Men Raping a Girl, 19th century
Unknown Japanese

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four different insects climbing on an arrangement of two pomegranates (one is split open) and a few dry leaves — Pomegranate and Insects, 1834
Urakami Shunkin

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male figure in lower half of image area, wrapped in red cloak that covers his head; large eyes gazing off to PR side; a hoop earring in each ear; closely trimmed beard — Bodhidharma, one of a pair, 13th century
Attributed to Yan Hui

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woman wearing beige kimono with white dragon stencil pattern; woman wears red apron-like garment; woman holds a small black and white dog with a blue and gold ruff on a mint green silk cord — Court Lady with Dog, 1830s
Mihata Jōryū

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image created with tiny squares of color in an overall grid, with white lines between squares; landscape with water at center with flat bridge, mountains and trees; trompe l'oeil painted mount with dark grey at bottom, light grey round image and bars of clouds in gold above and below image and similar vertical bars at top; two painted "seals" along right edge, LRQ; ivory roller ends — Landscape in Mosaic Form, 1960s-1970s
Unknown Japanese

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three solders in ocher colored uniforms with arm bands featuring Japanese flag design walking towards entrance of burned-out building; two of the soldiers carry a sword in PR hand; center soldier has fierce look on face; background rubble painted in gray — Soldiers Entering a Building, mid 20th century
Yamamoto Shōkoku

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bone thin, gray complexioned female ghost hovering in sinuous S-curve with PL arm gracefully crossed over chest; white kimono falling from PL shoulder; purple obi; wispy, thin black hair, gaunt face, pained smile — Ghost, late 19th century
Inagaki Ranpo

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Prostitute at a Parade, early 19th century

Hosoda Eishi

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procession of crickets, grasshoppers, mantises, and other insects carrying flowers, persimmon "bundles", and vegetables; group of grasshoppers carry palanquin at center; other insects, spiders, and frogs look on below; mountain in background — Insect Daimyo Procession, late 19th century
Unknown Japanese

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unsigned; 3/4 portrait of woman looking off to PR; red, pink, and white hair ornaments with silver and gold detail, small silver and gold chains hanging from headdress; three richly decorated kimono collars featuring delicate cherry blossoms, peach colored blossoms, and butterflies; bright strip of red at center compliments red detail in hair; green lower lip — City Girl [left of a triptych of Three Beauties], 1830s
Mihata Jōryū

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seated soldier at center wearing armor and holding a black and gold fan with a red circle; young boy at left wearing white and green patterned kimono and breastplate; three other soldiers--one kneeling at right before central man and two seen 3/4 view from back in LLC; tree at left — Kusunoki Masashige before the Battle at Minato River, c. 1918
Kamisaka Sekka

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Maid of Ōhara, Pine and Plum Blossoms, Manzai Comedy, one of three panels, 1920s-1930s

Kamisaka Sekka

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rocky outcroppings line shore of still water; three figures LRQ, one carrying a staff and standing on small bridge; multi-storied building behind trees at L center; larger mountains, fog, and a waterfall in background — Landscape, 1824
Takeda Unshitsu

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two grey shrimp at R within green tinted seaweed; single grey shrimp within green tinted seaweed at LL; inscription ULQ — Shrimp, 1864
Kinoshita Itsuun

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dark landscape; stylized layered bluffs in blue and black cutting diagonally through R side; thin, forked waterfall under high bridge at R; figure at R walking over bridge; rolling white hills in UR; snow-covered trees at center; shoreline at L with snow-covered huts and a low bridge; horizontal bands of white clouds/fog throughout — Snowy Landscape, mid 19th century
Katsushika Hokusai II

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colorful landscape; steep cliff along R with path leading to a shrine just visible between rocks; pine trees at top of cliff at center; tall, jagged mountains in mist in background; a flock of cranes fly in front of sun at UL; churning ocean at bottom — Mount Horai, first half 20th century
Komuro Suiun

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