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Description Young girl showing her invention of spinning to the ladies. 'The Spinners' is a delightful miniature. The colors are very good and the subject matter and the treatment of the landscape-half Persian, half Chinese- is of special interest. R.E. The daughter of Haftwad increases her daily spinning in the mountain side iwth the help of the appleworm. Haftwad's daughter is with the other girls of the city of Kujarn. (Warner and Warner Vol. VI, p. 233).

Story of Haftvad, c. 1300

Western Iran or Baghdad

G243

fisherman riding on a boat and playing a flute at lower right corner; three people inside a building just below center at left edge; mountains in background

Zhou Dunyi Gazing Out Over Lotus, c. 1500

Liu Jun

Not on View
depicting a composition of objects associated with the scholar's study

Books and Scholar’s Objects (Chaekgeori), 19th century

Unknown Korean

Not on View
towering rock formations in clouds at top; river at center; bearded figure at center bottom looking at waterfall in LLC; 2 other figures between trees

Landscape with Scholar Viewing a Waterfall, 1722

Cai Jia

Not on View
frogs in an interior dressed in various types of garments; many frogs writing or reading; screens on R with two frogs outside on street wearing hats

Frogs in Writing Contest, c. 1738

Ogawa Haritsu

G103

three elegantly dressed women; standing woman on R facing R wearing grey, green, red; two seated women; woman on L wearing floral kimono and woman in front wearing striped kimono and holding an open book

Young Maidens, first half 19th century

attr. Yamaguchi Soken

G103

large furry-looking pink and light orange cone-shaped flower with rippled edge on a long stalk with many leaves; red bud at right edge; inscription and 2 seals at left

Cock's-comb from a Flower Album of Ten Leaves, 1656

Xiang Shengmo

G203

small yellow flowers and buds, with pink centers, on a long, delicate branch; inscription and 3 seals at left

Wintersweet Blossom from a Flower Album of Ten Leaves, 1656

Xiang Shengmo

G203

white blossoms with yellow spotted centers and red buds on a gnarled grey branch; inscription and 3 seals in ULC, seal in LRC

Blossoming plum from a Flower Album of Ten Leaves, 1656

Xiang Shengmo

G203

figure walking with a staff in LLC; another figure inside a building surrounded by trees with changing leaves, below center; three flying birds with long tail feathers, LLQ; misty rugged mountain peak at top; muted fall colors

Visiting a Recluse in Autumn Mountains, 18th century

Cai Jia

G203

pink blossoms and small flowers on a grey branch; inscription and 3 seals at right

Album of Ten Leaves, 1656

Xiang Shengmo

G203

long, slender green leaves at right edge with delicate red flowers encircled by long bud petals; inscription and seal at left, another seal in LRC

Epidendrum Blossom from a Flower Album of Ten Leaves, 1656

Xiang Shengmo

G203

white blossoms with light green centers, spotted with grey; grey branch with small green leaves with brown veins; inscription and 2 seals at right

Pear Blossom from a Flower Album of Ten Leaves, 1656

Xiang Shengmo

G203

2 yellow mum flowers on top of a long, slender stem; 2 partially open buds below; inscription and 3 seals at left

Hibiscus from a Flower Album of Ten Leaves, 1656

Xiang Shengmo

G203

pink blossoms on dark pink stems, with clusters attached to grey branch; inscription and 2 seals at right

Crab-apple Blossom from a Flower Album of Ten Leaves, 1656

Xiang Shengmo

G203

ball-shaped clusters of tiny yellow flowers on a grey branch with dark green leaves; inscription and 2 seals in LLC

Cassia Blossom from a Flower Album of Ten Leaves, 1656

Xiang Shengmo

G203

large orange and pink flower on top of a blueish stem, with 4 buds; rock behind flower in LRC; inscription and 2 seals at left

Day-Lily from a Flower Album of Ten Leaves, 1656

Xiang Shengmo

G203

tall reddish mountain peaks at top; 3 trees next to a stream with a small bridge in foreground; wood rollers

Landscape at Han River Bamboo Hall, 1668

Zhu Chang

G203

abstract image; black curving line in center; yellow circle in ULQ; pale pink circle in center right

%C2%A9 Maki Haku

65 - 6, 1965

Maki Haku

G226

black background; gold abstract shape in center; white linear squiggly abstract shape in ULQ

%C2%A9 Maki Haku

Remembrance - H, c. 1962

Maki Haku

G237

black and white abstract image; smaller geometric shapes pushed together to form two rectangles, with hook shape also consisting of pushed together geometric shapes overlapping rectangles

%C2%A9 Maki Haku

Work (Waku), 1958

Maki Haku

G227

abstract linear image rendered in black pigments on a white background; several small shapes arranged next to each other; black shape in top center with small red circle in center

%C2%A9 Maki Haku

Heap - 14, c.1960

Maki Haku

G227

black ground; white text-like scrolling throughout; brown and grey rectangular forms; yellow teardrop

%C2%A9 Maki Haku

Remembrance - B, mid 1960s

Maki Haku

G237

black ground; white textlike forms; yellow ovoid

%C2%A9 Maki Haku

Remembrance - F, c. 1962

Maki Haku

G237

abstract image; red linear curving shape with texture in center; small yellow circle in URQ; small tear drop shape in red pigment in LLQ; white textured background

%C2%A9 Maki Haku

Poem 71 - 63 (Life), 1971

Maki Haku

G226

grey-blue ground; black scrolling vertical text-like lines; bold black forms with circles and curves in ULQ

%C2%A9 Maki Haku

Work - Mago, 1960s

Maki Haku

G237

soft organic black form LRC with white egg inside; white oval ULQ; partial black border top edge and UL with woodgrain texture; red and white seal UR and LL

%C2%A9 Maki Haku

Work Stone, 1959

Maki Haku

G237

gray-blue background with woodgrain texture; large character in black pigment on right; black squiggly lines (inscriptions?) on left

%C2%A9 Maki Haku

Work - Ho, c. 1962

Maki Haku

G237

black openwork abstract design; black square at top right of center with green circle inside

%C2%A9 Maki Haku

Heap - 100, 1960

Maki Haku

G227

black ground; ovoid form with brown woodgrain design

%C2%A9 Maki Haku

Excavated Item from Japan (1), July 1, 1957

Maki Haku

G237

squarish blue shape against black background; two indented black forms that resemble stylized characters inside; yellow circle UR, green leaf form LL

%C2%A9 Maki Haku

Poem 69 - 12, 1969

Maki Haku

G226

right sheet of a diptych

Women by an Iris Pond, c. 1785

Torii Kiyonaga; Publisher: Kōzuya Isuke

G266-G274

abstract image with bold black rectangle, circle, and lines, and narrower black lines

%C2%A9 Maki Haku

Poem 71 - 91 (Nothing), 1971

Maki Haku

G226

South Wind, Clear Weather, 1830-1833

Katsushika Hokusai; Publisher: Nishimuraya Yohachi

Not on View
book with black and white outline prints of birds on trees; flower blossoms; rooster on a rock; waterfowl; a crow; fish; insects, etc.; dark olive green cover

Paintings by Sō Shiseki (Sō Shiseki gafu 宋紫石画譜), vol. 1, 1765, 8th lunar month

Sō Shiseki

G103

woman lying on her stomach, reading a page of text, with an orange and white cat sitting on top of a short brown and black chest at left; woman wears a brown kimono with black checks; mounted on moderately stiff backing paper

I want to cancel my subscription, January 1878

Tsukioka Yoshitoshi; Author: Takabatake Ransen; Publisher: Inoue Mohei

G103

53 Stations: Hokusai's Album of Travel Pictures, vol. 1, 1830

Katsushika Hokusai

G103

examples of cursive writing and copies of rectangular tanzaku cards

Traces of Japanese Calligraphy (Nishiki no mizuguki 錦の水茎), 1651

Endō Genkan

G103

small woodblock printed book; text pages alternating with images of various insects on plants and vegetables; toad eyeing a fly near back; cover has pattern of small brown and blue flowers with tiny brown spots

Selected Insects from Close at Hand (Chūka senzen 肘下選蠕), 1820, 7th month

Mori Shunkei

G103

woodblock printed book; text pages; image of figures outside of a building with activity inside; interior scene featuring women musicians entertaining men who are eating, with other women lining the room behind lanterns; figure standing and interacting, holding instruments; figures wearing giant heads

Encyclopedia of Musical Theater Performances (Seikyoku ruisan 声曲類纂), vol. 6, 1889

Hasegawa Settei

G103

One of three panels mounted as a triptych of kakemono; ink and slight color on paper.

Chinese Figures in a Landscape, from a set of three, late 16th-early 17th century

Traditionally attributed to Kano Eitoku

Not on View

Falcon Attacking Goose, c. 1780

Yoshida Rankō

Not on View
Kakemono.

Copyright of the artist%2C artist%27s estate%2C or assignees.

Sanjusangendo Temple, c. 1916

Maeda Seison

Not on View
two long slender stalks of bamboo grow from the left corner; left of bamboo is a lichen-covered rock; two lines of Chinese running script extend down left side

Autumn Reflections, 19th century

Cho_ Shu_koku

Not on View
Unsigned

Noblemen Viewing the Nunobiki Waterfall, Episode 87 of the Tales of Ise, first half 17th century

Attributed to Tawaraya Sōtatsu

Not on View

Seated Man Plucking Beard with Standing Woman, 1741

Ogawa Ritsuō

Not on View
A rare collaborative hanging scroll in ink on paper for Mr. Hsi-chih; the scholar with fan by Chang Feng-I dates 1630, the crane by Ch'en Chia-yen, the rock by Yun-lo, the wu-t'ung tree by Yuan Shang-t'ung, the banana by Wu Ling, with colophons by the close friends Wen Ts'ung-chien (1574-1648) and Shao Mi (1594-1642); peach-colored silk scroll; roller ends of dark green marble

Scholar, Crane, and Banana Tree, 1630

Zhang Fengyi; Artist: Chen Jiayan; Artist: Yuan Shangtong; Artist: Wu Ling; Artist: Wen Congjian; Artist: Shao Mi

Not on View

Three Crossbills on a Leafless Tree, c. 1878

Kawanabe Kyōsai

Not on View
One of three panels mounted as a triptych of kakemono; ink and slight color on paper; unsigned

Chinese Figures in a Landscape, from a set of three, late 16th-early 17th century

Traditionally attributed to Kano Eitoku

Not on View
One of three panels mounted as a triptych of kakemono. Unsigned.

Chinese Figures in a Landscape, from a set of three, late 16th-early 17th century

Traditionally attributed to Kano Eitoku

Not on View

Shotoku Riding a Lion, 16th century

Traditionally attributed to Ashikaga Yoshitane

Not on View

Fighting Bulls, c. 1700

Unknown Japanese

Not on View

Standing Prostitute with Shamisen at Her Feet, first half 18th century

Unknown Japanese

Not on View

Dancing at the Bon Festival, 19th century

style of Torii Kiyomasu

Not on View

Standing Prostitute, 18th century

Kitagawa Utamaro

Not on View
Chinese scholar-official viewing a hanging scroll with a painting of bamboo held by a young servant boy.

Scholar Viewing a Painting [center of a triptych of Scholar with Heron and Myna], mid 17th century

Kusumi Morikage

Not on View

Ox herder as Mitate of Kengyu_, 19th century

Teisai Hokuba

Not on View
unsigned

Hanasaka Jiji, second half 19th century

After Katsushika Hokusai

Not on View
mounted on a new scroll

Riding in the Mountains, 1637

Zhang Hong

Not on View
Mountains with water below; buildings at right

Autumnal Colors Among Streams and Mountains, 1723

Jin Yongxi

Not on View
unsigned

No. 26, Mochizuki, c. 1835-1838

Utagawa Hiroshige

Not on View
leaf from a small album of flower paintings; white daffodil-like flowers with yellow centers at right; fungus left of flowers; single column of calligraphy lower left with 2 red seals below

Flower Painting, late 18th century

Mianyi

Not on View

Exalted Gathering in the Green Woods, c. 1620

Title written by Dong Qichang

Not on View

Erotic 'Spring Picture', 19th century

Utagawa School

Not on View

Flower Studies [one of a pair], second half 19th century

Shibata Zeshin

Not on View

Kamuro Serving Tea to a Prostitute, mid 18th century

attributed to Suzuki Harunobu

Not on View

Standing prostitute wearing a kimono with plum-blossom motif, c. 1715

Kaigetsudō Anchi

Not on View

The Tenjin Shrine Scrolls [one of a pair], early 17th century

Tosa School

Not on View
elaborate landscape with mountains, trees, buildings and lake with waterfall in black, green and tan; 2 figures in building in front; man in boat near center; stored and shipped rolled

Landscape After Huang Gongwang, 1752

Wang Yu

Not on View
2 leaves of text; 4 leaves of inkstone rubbings; 15 landscape paintings

Hsu Hsiao-p'u's "Five Clouds and Double Star" Inkstone Album, 1923-1928

Various artists

Not on View
image of a red and white prunus in flower, text fields placed within branch openings, nine separate grouping of text within image; separate text field at end contained in four separate inscriptions

White and Red Plum Blossom, 1546

Wang Guxiang

Not on View
water bodies and seaways wind through seaside villages and around island oasis; throughout fishermen and birds speckle the water with activity

Misty River and Layered Peaks, Wanli period, 1608

Gu Yide

Not on View
hanging scroll with image mounted sideways; stormy sea at right side; two pine trees and rocky shore frame three deer looking at the sea

Deer By Stormy Sea, c. 1670

Ma Futu

Not on View
old Daoist magician stands on a bluff by a pond, a small boy at his side, bamboo stick he throws into the air is transforming into a dragon; matted

Fan Painting of a Daoist Magician, c. 1650

Wan Shouqi

Not on View

Landscape, 1734

Wang Su

Not on View

The Insect Scroll, c. 1710

Torii Kiyomasu

Not on View
unsigned

Cherry Viewing Party, first half 18th century

Attributed to Miyagawa Chōshun

Not on View
2 figures, one very small carrying a basket, in lower left corner standing on a bridge; 2 buildings near top; tall trees in middle ground and mountains in background; inscription and 2 seals in upper left corner

Gathering Herbs, 1612

Xie Daoling

Not on View

Page from the Materia Medica, 1224

Not on View
Miniature, 'The Stag' with inscription and page-long overleaf. Painted shortly after the Mongol invasion, the Chinese influence is strong in the treatment of the clouds above the stags, and in certain details of the flowers. The page is from a dispersed Manafi al-Hayavan (on the uses derived from animals). The painting is the counterpoint to Byzantine painting.

Page from the Manafi al-Hayavan, 14th century

Iran

Not on View
two bulls, one black, one reddish brown

Two Bulls, c. 1810

Maruyama Ōju

Not on View

Flower Studies [one of a pair], second half 19th century

Shibata Zeshin

Not on View
Stream with trees in ink and wash

Bamboo and Trees Enveloped in Cold Mist, 1723

Jin Yongxi

Not on View
Blue mountains in distance; tan rocks; green trees; buildings at center

Mists Rising from Pine Grove in a Ravine, 1723

Jin Yongxi

Not on View
buildings on a small, mountainous island seen from high vantage point; seven boats in water

Finger Painting, from an album of ten, 1684

Gao Qipei

Not on View
spider at the center of a web with a flowering branch in front, across bottom and left edge

Finger Painting, from an album of ten, 1684

Gao Qipei

Not on View
Rolling mountains and trees in green and tan with buildings at front

Mountain Color on Mount Liangchang, 1723

Jin Yongxi

Not on View
white swooping bird at center; curving flowering branch at top and right

Flower-and-Bird Finger Painting from an Album of Ten Leaves, 1684

Gao Qipei

Not on View
Red flower at L with black and wash grey leaf shape at R

Lotus, early 20th century

Qi Baishi

Not on View
Green mountains; tan rocks; buildings in foreground

Green Mountain Just After a Bath, 1723

Jin Yongxi

Not on View
Mountains with buildings

Magnificence of Overhanging Bluff, 1723

Jin Yongxi

Not on View
Open pavillion in front with trees and rolling mountains in ink and wash

Autumnal Contemplation in Clean Pond, 1723

Jin Yongxi

Not on View
blocky rock island with three small buildings near water; five boats

Finger Painting, from an album of ten, 1684

Gao Qipei

Not on View
Green mountains; red-leafed trees; buildings center

Autumnal Color Among Mount Quan and Mount Hua, 1723

Jin Yongxi

Not on View
Snow-covered mountains; bare trees; ice-covered water

Snow in Mountain Villa, 1723

Jin Yongxi

Not on View
walled garden at L with buildings and trees; bridge-like wall at R; 3 small boats with figures on water at R

Suchou Temple Garden, c. 1549

Yuan Qiu

Not on View
two horned animals with fingerprint bodies at top of a bluish-grey hill; large empty space in middle ground, blue and grey mountains beyond

Finger Painting, from an album of ten, 1684

Gao Qipei

Not on View
horse with a small pack on its back galloping across waves

Finger Painting, from an album of ten, 1684

Gao Qipei

Not on View
thick brown vines and dark green-grey leaves; four yellow, green and brown gourds growing on vines; text, LLC

Gourds, 1932

Zhao Yunhe

Not on View
five white mum blossoms on thick stems with green-grey leaves; text, URC

White Chrysanthemums, 1929

Wang Zhen

Not on View
yellow and white mums; blue-green rock in front; grasshoppers, moths and other insects; three-character inscription and seal, LRC

Fall [right of a pair of Flowers and Insects of Spring and Fall], mid 19th century

Yamamoto Baiitsu

Not on View
pink, light lavender and white peonies and yellow dandelion-like flowers; two blue rocks in foreground; butterflies, bees and other insects; three-character inscription and seal, LLC

Spring [left of a pair of Flowers and Insects of Spring and Fall], mid 19th century

Yamamoto Baiitsu

Not on View
2 seated men with moustaches and beards; man at left wears white and blue kimono and black cap; man at right wears black and white kimono; has storage box

Two Immortal Poets, 15th century

Unknown Japanese

Not on View
body is twisted; tiger looking to left; green floral brocade border

Sitting Tiger, late 19th century

Kishi Chikudō

Not on View

Wisteria Maiden, late 17th - early 18th century

Unknown Japanese

Not on View
simple design of vibrant red trees around small building; green mountain in background; block of text, URC

Landscape, 1812

Wang Xuehao

Not on View
peony-like pink bloom with leaves and branches; small opening bud at upper right

Flower Painting, late 18th century

Mianyi

Not on View
green mountain tops visible through thick, swirling clouds; some small trees on mountains; pinkish sky near horizon

In Praise of Green Hills and White Clouds, 1905

Tanomura Chokunyū

Not on View
woman seated on a folding sling chair, reading a book with a green cover; small black and white cat under woman's chair; woman wears a tan spotted kimono with purple curving patterns; table at left with plant, bowl of grapes and glass; fern at LRC

Woman and Cat, 1933

Yasuma Sodō

Not on View
3/4 bust of woman holding blotting paper to lips; black kimono with red cuffs and yellow and green trim; white collar with white flowers; eyes cast down; green tie in hair with yellow ornaments

Beautiful Woman, second half 19th century

Unknown Japanese

Not on View
several rocky slopes at top with boulders and trees; large boulder-like outcropping at R with trees at top; man in fishing boat at LL gazing upward

Landscape in the Style of Taiga, late 18th - early 19th century

Nagamachi Chikuseki

Not on View
male figure in grey cloak with white square pack hanging at chest; square hat, white pants; figure carries staff between arms; deer in profile standing facing L in front of male figure

Basho and Deer, late 18th - early 19th century

Ki Baitei

Not on View
pink rock surrounded by wisps of graceful grasses and foliage; blossoming grey flowers at L and R sides of rock

Orchid and Rock, late 18th - early 19th century

Totoki Baigai

Not on View
very long, narrow image; short, balding man wearing white robe with light blue crisscross pattern; man is balancing on one foot with both arms in the air; he is looking upwards at a deep plate that is balancing on top of an extremely long pole; pole is resting on his forehead

Balancing a Plate, first half 19th century

Seisai

Not on View
brightly colored fantastic creatures with animal and human attributes, many with pointed claws, tusks, grotesque faces, or apparition-like qualities

A Collection of Monsters [one of a pair], late 18th - early 19th century

Unknown Japanese

Not on View
swirling white cloud at center of image, floating over rows of waves below; vertical gold inscription down center, ending at top of cloud

Great Buddhist Avatar Akiba-san, 19th century

Unknown Japanese

Not on View
monk wearing black robe, holding rosary in both hands rides backwards on a horse; large, halo-like woven hat behind head; PR leg folded across horse with PL leg hanging off side of horse; monk has mostly bald head with dark beard, large earlobes, and determined look on face; horse is turned away at 3/4 view; inscription ULQ; short inscription LRQ

Monk Riding Backwards, 19th century

Hirano Gogaku; Artist: Hoashi Kyōu

Not on View
small figure sitting in hut at bottom of image with foliage on L and R; towering pointed rock formation near center; large inscription upper half

Night Stories from a Window Viewing Bamboo, first half 19th century

Hosokawa Rinkoku

Not on View
one-line inscription center; cucumber, persimmon, and two red chilies at bottom

Tastes in a Rural Cottage, first half 20th century

Fukuda Kodōjin

Not on View
two white flowers on two-part black stalk with light blue-green shading; gold veins; painted on fan-shaped background; inscription with round stamp LRQ

Hollyhocks, 1910s

Kamisaka Sekka

Not on View
monkeys perched on, or climbing upon, the snow-covered branches of a large pine tree; trunk extends diagonally L of center of screens

Monkeys in Pine Trees, 1853

Kishi Renzan

Not on View
irregular grouping of rocks at bottom center with red tree trunks and two figures seated facing each other on a flat clearing; small fleet of sailboats and a fishing boat in water at center; island with rocky shore, a few huts, and red tree trunks at R; mountains in distance

Wind and Moon by the Riverside, Ca. 1922–1924

Fukuda Kodōjin

Not on View
pot of glowing coals with billow of smoke; fan resting against side of pot; clusters of black dots within and slightly outside of smoke cloud; inscription at R

Smoking Out Insects, c. 1927-1941

Fukuda Kodōjin

Not on View
figure seated on small, flat rock formation upper center, wearing orange robes; blue hair, and large bump on head; several other, smaller figures in colorful robes seated on flat rock formations, most wearing colorful robes and holding objects like staffs, inscribed papers, and rosaries in hands; all figures have halos; trees, waterfalls, and swirling clouds separate figures

Zengetsu Daishi and Saints, mid 19th century

Butsujo Jisen

Not on View
towering, multi-leveled mountain peak at R; shallow cliff with three-legged, white and red structure at UL; lower, multi-leveled mountain peaks at LL; bent human figure with blue top, white bottom, holding a walking stick at LR; mountains dotted with foliage; inscription at UL

Landscape with Scholar and Empty Pavilion, second half 19th century

Doi Gōga

Not on View
rocky shoreline with lightly colored trees; small pavilion near lower center; two fishing boats, one with a single figure, and the other with two figures at lower center; small buildings above to R of stone bridge; castle or temple complex at UL

Autumn Landscape, early 20th century

Hashimoto Dokuzan

Not on View
L screen: gnarled, twisting pine tree at L, with branches extending across multiple panels; rocks at L; hawk at lower center attacking a small goose, its talons digging into the goose's face, mouth, and neck; hawk is lifting bird out of water

Hawks by a Stream [left of a pair], mid 17th century

Soga Nichokuan

Not on View
landscape and calligraphy mounted together: landscape with large rock formation in background; hut with figure in window near center next to waterfall; other small houses LRQ; lush trees, and bright, mossy rocks; calligraphy: four and a half line inscription on white paper

Pouring Wine at Dusk at the Riverside Dwellings, second half 19th century

Urakami Shūkin; Artist: Urakami Shunkin

Not on View
unsigned; man wearing massive robes seated on low podium behind partially closed screen; arrangement of robes and tall black hat give figure triangular appearance

Retired Emperor Gotoba, Date Unknown

Unknown Japanese

Not on View
woman in profile sweeping leaves on the ground with bamboo broom; woman has long face, and long hair knotted at end; brown kimono with pine tree pattern; green obi

Woman Sweeping [right of a pair of Women], early 19th century

Tatebe Sōchō

Not on View
mountainous landscape in green and tan; buildings nestled in trees; seated figure in LLQ; bridge right of center over calm water; inscription in URQ with two red seals

Landscape after Gao Kegong, 1679

Lu Huancheng

Not on View
outer paper carton is cream with grey stripes running the long way; inner box is wooden with inscriptions on the outside and inside of lid; wrapped in tissue; roller is bone; supporting fabric is teal; image is of a pond scene with a single pink open flower, a pink flower bud and many leaves and reeds with a dragonfly above it; curling inscription down the R side with two small red chops at the end

Crimson Lotus Flower, April 1931

Fukuda Kodōjin

Not on View
inside a wooden box with no inscription on lid; no tissue around outside of scroll; paper under tie and around scroll; dark wooden roller; olive green support fabric with gold accent; image is a cliff with a tree and house at the top with figure at the top of a path leading down; path and tree trunk are red/brown in color; two lines of inscription along LL edge; three red chops, two square chops on the bottom of the inscription and a rectangular one UR corner

Running Water and Plum Blossoms, Ca. 1913–1921

Fukuda Kodōjin

Not on View
two men in a boat--one standing, one seated; seated bearded man at left wears a grey cap and holds up a white fan; hunched-over standing man at right has white hair and wears a straw hat; basket with orange fruits in boat; plants at bottom, center and right

Album leaf, c. 1875

Qian Hui'an

Not on View
male figure stands at LR scratching head with PL hand, and holding red sword in PR hand; woman at man's PR holds other end of sword in PR hand while shyly turning away; both figures are on a bridge or platform; tall tree along L side

Michiyuki, first half 19th century

Hosokawa Rinkoku

Not on View
red-faced monkey at UL peering over a snow-covered embankment; web-like waterfalls between snow-covered cliffs in LR; red fern to L of waterfall

Monkey on a snow hill, mid 19th century

Ōhara Donshū

Not on View
inside two wooden boxes, wrapped in tissue; fabric is blue; image of red crabs and a black stem of reed; single line inscription down R side

Crabs Walking Sideways, c. 1928

Fukuda Kodōjin

Not on View
older male figure with salt and pepper colored hair at UR carefully poised holding calligraphy brush in PR hand over a pink and black image of a large blossom; across the table, a young female student mimics his gesture over her own black and white image; at lower center, a young male student with beard points at an open book with his PL hand

%C2%A9 Minol Araki%2C licensed by David Frank and Kazukuni Sugiyama

Painter with Two Students, 2002

Minol Araki

Not on View
bearded man wearing a hat and carrying a basket on a blue cord walking with a boy; both figures wear grey tunics and white pants; tree with pink blossoms in LRC; small bridge, LLC; mount attached at top to foam core board backing

Album leaf, c. 1875

Qian Hui'an

Not on View
short, bald man wearing open black, short coat with white square on either side of chest, and red and cream stripes at front seams; open coat exposes his big round belly; black leg cuffs; man is concentrating intently on walking very carefully; holding object on long staff with black pouf at top in PR hand, carefully holding PL hand out at side

Ōtsu-e, 17th - 19th century

Unknown Japanese

Not on View
frog riding toad in center surrounded by frogs wearing white robes; other white robed frogs on L and R as well as unclothed frogs carrying various objects; some tadpoles on L

Procession of Frogs, c. 1738

Ogawa Haritsu

Not on View
white-robed figure resting on a rock within a churning body of water; large halo behind figure's head, landscape with waterfall extending up L side; figure wears ornate gold headdress, earrings, and bracelets

White-robed Kannon, late 15th century

attributed to Kenkō Shōkei

Not on View
one of a pair of landscapes; once grouped with white-robed Kannon that was placed in center; left landscape; rocky cliff at LR with trees and boulder below; to men crossing an arched bridge near LL; small building in background; far background a misty rock outcropping with pine trees

Landscape [left of a triptych of White-Robed Kannon with Landscapes], late 15th century

attributed to Kenkō Shōkei

Not on View
angled gray rock formation at center and portion of rock formation at UL; bright orange and red blossoms overlap; inscription URQ

Rocks and Flowers, 1817

Okada Beisanjin; Artist: Okada Hankō

Not on View
gruesome battle scenes between humans in samurai armor and demons and monsters; crowds of men and women near end

Shutendoji emaki, early 17th century

Unknown Japanese

Not on View
various images of brightly colored demons and other imagined creatures; many with fangs and claws; some on fire; others riding on clouds or emerging from waves

A Collection of Monsters [one of a pair], late 18th - early 19th century

Unknown Japanese

Not on View
two lines of calligraphy on decorated paper; paper decorated with horizontal wavelike motif; a few delicate plants; waves of blue fibers at top

At the Ōi River, late 16th - early 17th century

Emperor Go-Yōzei

Not on View
horizontally oriented painting of two blossoming pink roses; foliage begins LLC, extends upward with a bud near top center, and horizontally towards LR with the two blossoming roses; black and blue butterfly at top rose; three lines of calligraphy at ULC with two part rectangular seal with rounded edges

Flowers and Butterfly, 1838

Yamamoto Baioku

Not on View
abstracted pine tree extending diagonally up the scroll from LL with bristly, pointed, downturned branches and bristles along trunk; red sun in upper center; hints of pale pink clouds in background

Pine Tree and Rising Sun, Ca. 1942

Fukuda Kodōjin

Not on View
pallette is predominanty beige, grey, white and green; two white birds at bottom of panels 2 and 4; grey bird in tree in panel 3; owl in tree in panel 6 and a few other birds; painting on back of screen also

Birds in Landscape [right of a pair], early 16th century

Shūgetsu Tōkan

Not on View
cluster of buildings in a mountain valley with waterfall at center R; thatched roofs, lightly tinted brown; pine trees and blossoming trees in front of buildings; light blue mountain in background; towering rock face at R with small walking path below; rolling mountain bluffs with pine trees rise towards UL; narrow walking path leads to another cluster of buildings with white walls and planked, pitched roofs; another waterfall at far L; inscription at center with two small red stamps; red relief stamp LRC; mounted to jet black board

Amid the Mountains, second half 19th century

Ninchōji Baikoku

Not on View
fan-shaped painting; bald man with bushy white eyebrows and bushy white beard, eyes squinted shut; wearing light green robe, hands clasped in front under robe; brown gourd at man's PR

Jurojin, early 20th century

Tsuji Kakō

Not on View
robed man kneeling with arms folded in lap; man is bald, has slight smile and small, narrow eyes; resting against a white object outlined in black and blue; inscription above

Haiku Poet Shohaku, early 19th century

attributed to Yokoi Kinkoku

Not on View
one of a pair of landscapes, right; once grouped with a white-robed Kannon that was placed in the center; tall, vertical rock formation at L; water at R with a boat and more rock formations and a flock of birds in the background; in foreground, smaller rock formation with pine trees, small village, and two men walking away from fishing boat

Landscape [right of a triptych of White-Robed Kannon with Landscapes], late 15th century

attributed to Kenkō Shōkei

Not on View
three elegantly dressed women; standing woman on R facing R and wearing white, red, and black; two seated women wearing grey

Women in the Demimonde, first half 19th century

attr. Yamaguchi Soken

Not on View
front 3/4 view of woman in white robes looking over PR shoulder; woman has subtle smile and holds object in outstretched hands; two line inscription URQ

Female Chinese Immortal Ma Ku, 1831 (inscription, painting undated)

Hayashi Rōen; Author: Inscribed by Tanomura Chikuden

Not on View
somewhat abstracted landscape: densely foliaged rock formation with bands of irregularly shaped clouds; tiny figure seated on top of rocky outcropping just R of center; treetops under fog just below center; tiny hut on cliff bottom center with other irregular rock formations with dense foliage on bottom; inscription URQ

Boating on a Pure Creek, January 1930 (box)

Fukuda Kodōjin

Not on View
two-sided fan: two groups of three conical, minimalist evergreens; evergreens have dark brown trunks with moss; opposite side: minimalist landscape of mountains in silver and gold pigment

Pine Trees, 1900s-1910s

Kamisaka Sekka

Not on View
three white birds on tree on R; duck in water with water plants on L

Birds in Landscape [right of a pair], first half 17th century

Kano Naonobu

Not on View
three elegantly dressed women facing R; standing woman in back wearing red with two seated women in front of her

Ladies of the Warrior Class, first half 19th century

attr. Yamaguchi Soken

Not on View
eleven lines of text; landscape with tall rock formation, figures in a boat, and leafless trees growing from flat rocks in LRQ

Heart Sutra and Landscape, mid 18th century

Ike Taiga

Not on View
snow scene with woman with two children close to her body, all in very stong winds that are blowing their clothes; the woman's hat has just flown off of her head; another overturned hat at bottom; all are wearing red kimonos

Lady Tokiwa Fleeing with Children, 1850s

Utagawa Kunitsugu

Not on View
snow covered bare tree and plants on L with five birds; snow covered branch coming down from top in panel 3 with large bird seated on branch; small flying bird in panel 6

Birds in Landscape [left of a pair], first half 17th century

Kano Naonobu

Not on View
multiple scenes: man in Chinese dress with 3 attendants sitting behind red table looks at gold paper before him, while two demon-like creatures look on; ogre runs towards devilish figure at center who stands next to room with man in red praying to Amida; at R, Buddha with Bodhisattvas surrounded by orange tinted clouds with small figure in red at LR; text border

Sketches (shukuzu), mid - late 17th century

Kano Tan'yū

Not on View
rear view of abstracted pear-shaped figure at LR seated behind low table; near center, converging lines resemble abstracted, scattered papers; blocks of inscription weave back and forth down scroll, ending in vertical inscription down LL edge

Figure with Inscription, early 20th century

Higashiyama Bugyoku

Not on View
inside white box with yellow vertical and horizontal lines; inside wooden box with inscriptions; fabric is tan; roller is wood; image of orange colored mountains with trees in white, green, pink and grey; many lines of inscription UL corner

One Thousand Mountains and Ten Thousand Streams, Autumn 1918, December 1935 (box)

Fukuda Kodōjin

Not on View
seated man wearing pale red garment with bushy beard and black loop earrings; seated on dark blue pillow with green flowers; matching smaller pillow in front with sandals on it

Daruma, 1917

Tsuji Kakō

Not on View
various suggestive scenes in a petite handscroll: shrimp climbing a clam; two mating insects; phallic mushroom, etc.

Erotic scenes, 19th century

Unknown Japanese

Not on View
white and pink peony with foliage at center; smaller, yellow-orange flower with foliage to the R; small inscription URQ

Peony on a fan, first half 19th century

Yamamoto Baiitsu

Not on View
bustling crowds of townspeople and travelers; prostitutes pulling on men; people carrying parcels and palanquins; people pulling horses; far L panels depict people sitting and eating, bathing, chatting, looking at pictures, smoking, and receiving massages

Scenes of Ōtsu, c. 1790

Ki Baitei

Not on View
three elegantly dressed women; one standing on the R looking back at other two, one leaning forward, and one seated; standing woman wearing blue/grey, leaning woman wearing pink, seated woman wearing black

Wives of Merchants, first half 19th century

attr. Yamaguchi Soken

Not on View
two trees growing from grey rocks at LL; small male figure in white, walking down winding path, bent under a yoke with two boxes at R; two sailboats at UR; inscription ULQ

Boating on the Spring River, mid 19th century

Hine Taizan

Not on View
group of three figures near bottom hiking near the base of a steep valley and large boulder; first figure wears short grey jacket and carries a white and blue bundle across shoulders; center figure wears white robe with long black headdress; third, shorter figure wears blue robe and carries a gourd on back; long, curving formation (cloud bank? waterfall?) cuts across center from UL; foliage at center; towering, pointed mountain in background UR with pagoda (with light pinkish/brown wash of color) near its base

Paying a Visit among Valleys and Mountains, late 19th century

Doi Gōga

Not on View
pallette is predominanty beige, grey, white and green; two white cranes on panel 2 with several other birds and ducks; bamboo on L; painting on back of screen also

Birds in Landscape [left of a pair], early 16th century

Shūgetsu Tōkan

Not on View
abstracted pond combining three vantage points: at top, large lotus blossom and foliage highlighted in green wash; two fish jump at upper R; two ducks at L between lotus blossom and leaf; grasshopper at ULQ perched on a blossom; large, abstracted leaf at center; large eel in LRQ; turtle below leaf at L; seaweed

Old Pond, mid 20th century

Nakamura Yoshihiro

Not on View
figure dressed as female in green kimono with blue hat holding umbrella at L; seated male figure at LL with tattooed arms holds a red and white banner that extends toward R center; younger boy at center scratches head with PR hand while making a face and looking behind towards another man with tattooed arms attempting to grab female figure's hand; at UR, a man with determined look on face ties white headband

People at a festival, 1790s

Gion Seitoku

Not on View
three elegantly dressed women; standing woman on R wearing blue kimono with paper cranes; center woman is seated and wearing white; woman onL is standing and facing L and holding tray

Working Girls, first half 19th century

attr. Yamaguchi Soken

Not on View
mountain range at top with trees; shorter mountain with huts center R; rocky outcropping at LL with large trees; rocks at bottom with two figures hiking; arched stone bridge at R; trees and foliage throughout; trees highlighted with light green; tree trunks and rocks highlighted with light brown

Friends Visiting in the Mountains, mid 18th century

Ike Taiga

Not on View
blue vase on small red circular platform; two stems with clusters yellow blossoms and some grasses leaning in L side of vase; inscription at R

Yellow Chrysanthemums, first half 19th century

Hosokawa Rinkoku

Not on View
accordion album with brown silk cover and Japanese label at L; contains images of landscapes and some calligraphy entries

Landscape Album, c. 1916-1919

Yamaguchi Chikuin; Artist: Seisanjin; Artist: Hiroshi; Artist: Chikutaku; Artist: Bansui

Not on View
small mountain landscape: mountain at UL; trees on embankment at LR; small building at LL; inscription URQ

Reading Books in the Waterside Pavilion, first half 19th century

Okada Hankō

Not on View
standing man in profile holding staff, wearing a headdress and long robe, standing towards bottom of composition; ni background, a boy carries a plum branch over PR shoulder; robed man standing on flat rock; trees with gnarly branches at L edge; bushes LR edges; tall light peaks in distance; upper third of composition is blank.

Lin Hejing Searching for Plum Blossoms, late 16th century

Kano Gyokuraku

Not on View
calligrapher and assistant kneeling in profile over long sheet of paper with light grey markings; calligrapher, at R wearing white robe, kneels on round mat over a long sheet of paper; hair pulled back, long beard, holds brown calligraphy brush in PR hand; across the long sheet, which rests on a grey mat with concentric decoration; assistant wearing black coat squats, steadying paper; short, two character inscription R edge

Writing Calligraphy, mid 19th century

Kida Kadō

Not on View
smiling young courtesan daintily plucks at the hairs of Daruma's upper lip; courtesan wears brown and white plaid robe with detailed red and white undergarment; Daruma wears red robe with white around neck; bald head, exaggerated cheek bones; looks painfully up at courtesan

Prostitute Plucking Daruma's Beard, first half 19th century

Inoue Setsuzan

Not on View
nine lines of calligraphy at top two turtles at bottom

Two Turtles, first half 19th century

Hosokawa Rinkoku

Not on View
outdoor scene of foreign settlement; Dutch men in long, brocade coats with colorful leggings engaged in various outdoor activities; two men at LR engage with a small black dog on a white leash; a man with a walking stick stands at bottom center; a man on a horse points ahead to his attendant at LR; man on white horse facing away from viewer holds a bow with a quiver of arrows in PL hand; man with white brocade coat and red legs holds a longbow behind his back in PR hand; two men stroll in front of an arched bridge that crosses a stream fed by a mountain waterfall; other men engaged in archery, horseback riding, and other activities in very back; thick forest at L and R sides; mountain range at UR and UL; stone building with dome, topped with red and white flag in LRQ; series of white buildings and towers in ULQ

Scene of Foreigners, 18th-19th century

Unknown Japanese

Not on View
two haggard looking women; front woman in light yellow-green kimono with black obi is much older with large, exaggerated, drooping facial features; carries a long switch in PR hand and plant sprigs with small white flowers in PL hand; kerchief on head; younger woman in back wears light blue-green kimono with green shawl; carries a large bundle in both hands; both wear sandals and have rough looking feet

Two Women, early 19th century

Tatebe Sōchō

Not on View
horned red demon with fangs dressed in priest's black robe; demon holds gong and inscribed paper in PL hand, striker in PR; bushy hair, clawed feet

Demon Reciting Buddhist Prayers, 18th - early 19th century

Unknown Japanese

Not on View
tapered gray basket holding green lotus leaves and one large, pink lotus blossom; light pink and green fronds behind

Lotus Flowers in a Basket, second half 18th century

Fukuhara Gogaku

Not on View
colorful, continuous landscapes with rounded, multi-leveled rock formations, fishing boats, small huts and temple buildings, trees, and figures

Landscapes, 1828

Fujimoto Tesseki

Not on View
four human figures; figure at far R sits, cross-legged playing an instrument on his lap; second figure sits with PR side to viewer, facing instrument player, with white robe and black head covering; a small object sits between the first two figures; third figure sits cross-legged, 3/4 view to viewer, wearing grey robe, hands in sleeves; fourth figure at L sits hunched over a bundled object; two characters at URC

Playing the Qin, mid 19th century

Kida Kadō

Not on View
crooked tree with two entangled trunks at center; monkey in branches at UR, another monkey on rock at LL; praying mantis carrying wasp in front claws at R; valley landscape with cascades in background

Monkeys Watching a Praying Mantis Catching a Wasp, second half 18th century

Iwai Kōun

Not on View
frog at LL strutting on two long legs, holding open fan in PR hand, balancing white mochi in mouth; young frog swaddled to back with red cords carrying bag of mochi balls; rabbit in black robes in round vignette at UR fanning tray of white mochi balls

Frogs and Rabbit, mid 19th century

Unknown Japanese

Not on View
three figures seated in long boat; fourth figure standing at rear, steering boat with long pole; some brambles in foreground and behind boat

Boating Scene with Poem, second half 19th century

Hoashi Kyōu

Not on View
large rock formation with two tall pine trees at lower center with an elderly couple enjoying tea on boulder; in middle ground, three people sit in a long boat with awning; in background, two rock formations, one with a small, open walled structure and three leafless trees, the other with a few buildings at R; two sailboats in distance at UR; inscription at L; small moon at UL; a few details highlighted in pinkish wash

Boating Past Pine Trees, early 19th century

Ikeno Kanryō

Not on View
rear 3/4 view of a seated older man with a few strands of hair pulled back, scraggly beard; man is wearing billowy garments; folded fan (?) at figure's PR side; cursive inscription at R

Fifty Years Old, late 18th - early 19th century

Matsumura Goshun

Not on View
oval-shaped hay bale (?) at center of image; seated man with head down, resting on his folded arms, to right of bale; smaller figure (child?) in blue tunic comforting man; moon or sun, ULC; tree branches at left at horizon line

Album leaf, c. 1875

Qian Hui'an

Not on View
outer carton is cream paper with a brown stripe pattern; inner wooden box has an inscription on outside and inside of lid; wrapped in tissue; support fabric is green with peach, blue and gold accents; image of a gourd-like vegetable with an orange stem; inscription around gourd with a round, red chop in LL corner

Countryside Flavor, c. 1927-1941

Fukuda Kodōjin

Not on View
gnarled old tree with bare branches, floating over a pinkish-tan, blue and grey mottled ground; some exposed roots interspersed with text

%C2%A9 1995 Zeng Xiaojun

Passing of Time, c. 1995

Zeng Xiaojun

Not on View
two-fold screen; R screen from pair; very young crane at L panel; three cranes at R panel

Family of Cranes [right of a pair], c. 1787

Nagasawa Rosetsu

Not on View
two-fold screen; unsigned; L screen from pair; three cranes at L panel; one is a young crane; one crane at R panel tucking head behind legs

Family of Cranes [left of a pair], c. 1787

Nagasawa Rosetsu

Not on View
leaf from a small album of flower paintings; five blooms (four red and one white) with leaves and buds

Flower Painting, late 18th century

Mianyi

Not on View
leaf from a small album of flower paintings; poinsetta-like flower at bottom center; branch with green leaves and white buds (?) along stem at left

Flower Painting, late 18th century

Mianyi

Not on View
reclining woman lying on her PR side, breastfeeding a baby in a red and orange tie-dyed kimono; woman wears a white kimono with blue flowers and holds a fan in her PL hand; view through a sheer curtain with blue band at top of screen

Mother, 1936

Ishida Shigeko

Not on View
rocky formations ascending upward; blue-grey, green and red foliage, flowers and moss; inscription at left edge, ULC

Red Jade and Coral, c. 1685

Cheng Yi

Not on View
dark wood covers with gold and black label on front; twelve miniature paintings, three with text on opposite pages; six landscapes in color-six in black and white; two seals in margin of first page, three seals in margin on page opposite last painting

Double Album of Miniature Landscape Paintings, 1723

Fang Shishu

Not on View
six images mounted together as hanging scroll: man with dark brown skin and bushy black beard wearing white robe; orange bowl with brown dots; brown, black and red insect; blue vessel with brown bottom and black bird on side; blue vessel with black and red flower form; two brown and white bowls--one with black bird--and signature; green and beige mount

%C2%A9 Sugimoto Tatsuo

Untitled, 20th century

Sugimoto Tatsuo

Not on View
seated figure in pink robes, LRC, under an overarcing rock with numerous holes; two long text blocks, ULC and URC; six seals

Sitting in Meditation, 1732

Zhang Shiying

Not on View
hyper-real painting of overlapping scraps of paper with text, drawings of vessels and pictures of a woman at a round window and a man with a horse; text at top corners; three seals

Paper Fragments, 1937

Yang Weiquan

Not on View
delicate landscape with brown-leafed trees, stream and mountain in background; small buildings in middle ground with two small figures; fog; tan, orange, grey, brown, blue

Untitled, Date Unknown

China

Not on View
man wearing a peach-colored garment, with black hair, thick black eyebrows and heavy black beard, clutching a sword in his PL hand; mounted behing plexi, framed

Samurai Warrior, 20th century

Unknown Japanese

Not on View
eleven turtles, swimming and sunning on the shore and on rocks; rocks in the water at R; pine saplings and vines with white flowers at L

Tortoises [right of a pair of Cranes and Tortoises], c. 1780

Komai Genki

Not on View
seven cranes, including one baby, with black and white feathers and red heads; pine saplings behind cluster of birds at R and in LLC

Cranes [left of a pair of Cranes and Tortoises], c. 1780

Komai Genki

Not on View
unsigned; front view of man in General's uniform, standing with legs close together, PR hand on waist, looking toward R; white pants, short blue jacket with red lining in tails; pink sash, two star decorations, and red-plumed black hat

Russian Admiral, early 19th century

Unknown Nagasaki School

Not on View
two panel screen: two puppies on R panel: brown puppy is scratching its face, and white puppy is looking on with mouth partially open; three puppies on L panel, one at far L is seated, while the two others are standing near each other; blue background with gold flecks

Puppies, 1781

Maruyama Ōkyo

Not on View
dancing female figure in light blue outer robe with crane decoration; standing on PL foot with PL leg bent across body, foot raised; PR arm down, holding bells; PR hand held up with open fan behind body; figure is looking over PR shoulder to L; tall black hat

Sanbasō Dancer, 18th-19th century

Kitao Shigemasa

Not on View
album with six colorful paintings with poems; image of blossoming tree with river; blossoming trees with hikers amid hills; blooming flowers; flowers amid thatched rooves; grasses blowing in wind with geese; autumn red maple leaves; images extend borders

Poems from Shūi gusō and Shin kokin wakashū, Six Immortal Poets from the Shinkokinshu, 1718

Unknown Japanese

Not on View
cheerful, bright garden-like scenes featuring children playing, dancing, pulling a boat on wheels full of toys; playing games with balls, battledore, tops, etc.; a few adults selling toys and games, and acting as guardians; wisteria trellis at end

Scenes from the Four Seasons, 18th century

Hishikawa Mitsukuni

Not on View
unsigned; two men in military dress; man at L wears red coat and striped pants, standing with back to viewer; man at R wears short blue coat, white pants, and cravat; both men have swords, triangular black hats, and curly hair; framed

Two Russian Officers, 19th century

Unknown Nagasaki School

Not on View
woman in 3/4 pose wearing white kimono decorated with gold fog and wispy chrysanthemum blossoms; blue and red hems; green obi

Standing Beauty, 18th century

Unknown Japanese

Not on View
six panel screen: group of people at R carrying and displaying hanging scrolls at the bases of mountains; harbor with ships at C with people traveling on road, with some traveling on horses; mountains at L with men gathered around a table with a paper inside a hut with thatched roof

Four Accomplishments, 17th century

Untaku Toetsu

Not on View
10 panel screen with mounted colorful images of children playing in gardens, climbing trees, swimming, playing games

One Hundred Children at Play, late 19th century

Unknown Korean

Not on View
standing female figure clutching the hems of her robes in PL hand, near waist; PR arm is raised to mouth; looking over to LL; outer robe is light blue and white; inner robes are red and orange with designs

Standing Beauty, 18th century

Hishikawa Moronobu

Not on View
cat on ground looking up to cat on rock above at L, amid bamboo; purple and white chrysanthemums

Cats by Bamboo and Chrysanthemums, 18th century

Shin Sen

Not on View
male figure seated on ground at L with arms crossed wearing billowing, angular black robes, looking toward R; inscription at R

Fujiwara Teika, from One Poet One Poem (Ikkasen isshu), early 14th century

Unknown Japanese

Not on View
two sets of couples in voluminous noble robes seated on risers with food trays in front of two layers of painted screens; observing two girls with two attendants playing with an object on a low table; small boy at L dancing with doll in hand, and palanquin nearby blossoming tree with basket of peonies at R

Doll Festival, 18th century

Unknown Japanese

Not on View
lively scenes of demons, some dancing, some playing instruments, others running and fighting; some of the demons are broken instruments, tools, or cookware; sun on horizon at far L

Night Parade of One Hundred Demons, c. 1830s

Attributed to Eigyō

Not on View
landscape featuring a male figure sitting on a cliff edge near a blossoming tree at R overlooking a valley enveloped in fog and clouds; rooftops visible amid white blossoming trees; poem at R on separate paper

Fragment from the Illustrated Scrolls of the Tales of Saigyō (Saigyō monogatari emaki), 17th century

Unknown Japanese

Not on View
three women relaxing together; woman in light blue lying on stomach, supporting head in hands while another woman leans on her back; younger woman in pink at LL holds a bouquet and looks up toward the other two women

Three Beauties, 17th century

Unknown Japanese

Not on View
framed: male figure with demon face; wide, sly grin barring teeth; bright red hair; figure is sneaking past a curtain with sword drawn in PR hand; bird pattern on his clothing

Sketch of a Noh theater scene, second half 19th century

Attributed to Kawanabe Kyōsai

Not on View
bust of Bodhidharma in hooded white robe in lower half; two gold hoop earrings hanging from distended lobes just visible from under hood; characteristic big eyes, bushy eyebrows, and slightly disgruntled expression; hairy chest partially exposed

Daruma, 19th century

Unknown Japanese

Not on View
pouncing tiger at center with body curved dramatically to R; mouth partially open; back legs kicking up; a few trees and mountains in background

White Tigers [left of a pair], 1851

Gantai

Not on View
landscape with cherry blossoms, waterfalls, buildings, figure and fishermen

Four Seasons, 1844

Okada Hankō

Not on View
mountain landscape with waterfall at bottom center; small structure with figure standing in front of red flame; in background, two figures, one in red and one in white, climb tall, narrow mountains; two small huts at lower mountains; inscription at ULQ

Togakushi Mountain Range, first half 19th century

Hosokawa Rinkoku

Not on View
mounted fan painting: mostly white background with snow-covered barren brown bush at R; diagonal gray background at L with parallel, curved gray lines

Fish Trap, Waves, Rocks [one of a pair], first half 19th century

Suzuki Kiitsu

Not on View
fierce looking rooster in profile walking with determination towards L side of scroll; portion of crooked branch with small white blossoms at center R edge

Roosters in Face Off [right of a pair], late 16th century

attributed to Kano Yukinobu

Not on View
male figure seated at desk in front of window looking outside; man's PR eye is shut or missing; snow-covered trees and fence outside; three samurai gathered outside behind fence, outside of view; fourth figure in yellow enters gate at L

Takeda Shingen Visits in the Snow, late 19th century

Haneda Gesshū

Not on View
woman standing in curved posture with PR hand held up to forehead; cradles tea basket slung over shoulder under PL arm; basket is full of green leaves; blue and white striped kerchief over head

Tea Picker [left of a pair of Women], early 19th century

Tatebe Sōchō

Not on View
rear 3/4 view of a woman climbing into bath in a large barrel; clutches a light blue cloth at the rim of the barrel in PR hand

Woman Getting into a Bath (after Utamaro), c. 1900

Ōmori Shōhō

Not on View
prowling tiger at center peering toward UL from around a diagonal, gnarled pine trunk; rocks in background

White Tigers [right of a pair], 1851

Gantai

Not on View
R screen: large tree at R with branches and foliage extending over several panels; cluster of squared rocks at R; lotus blossoms and leaves at R; hawk perched on stone near center; another hawk at UL about to dive downward

Hawks by a Stream [right of a pair], mid 17th century

Soga Nichokuan

Not on View
large, rocky cliff-like formation on left side with gnarled pine tree growing off rock face; tranquil body of water near lower center; buildings with tiled roofs near LLC along shoreline; trees LRC; silhouettes of mountains in background

Spring Landscape, late 19th century

After Kano Hōgai

Not on View
gnarled, heavily textured pine tree growing up out of LRC; dense needles made from brisk brushstrokes at center and top, extending upwards to top edges; trunk and branches lightly washed with light brown pigment; gnarled, twisted branches bend downward at top of tree; light grey slope (?) with hints of foliage and circular blue-green flowers (or trees?) near trunk of pine tree at base; inscription at LL

Pine Tree after Wu Chen, 1803

Nagamachi Chikuseki

Not on View
standing man in profile at right, with his hands held beneath his sleeves in front of his face; man wears white kimono and black cap and has short dark hair and beard; tiny figure of old bearded man emerging from a gourd-shaped sack or jug at left; old man wears a blue kimono trimmed in grey; three inscriptions at top, with seven red seals

Scholar Greets a Magician, around 1800

Shōdō; Calligrapher: Murase Taiitsu; Artist: Tanke Gessen

Not on View
one long line of delicate, looping calligraphy at upper center; stalk with delicate foliage growing from bottom edge LRC; cluster of little red berries growing from branch

Nandina Tree, Ca. 1929–1932

Fukuda Kodōjin

Not on View
nine black, grey, brown and flesh-tone drawings of men, attendants and animals; text panels at front and back

The Eighteen Lohans, c. 1690

Leng Mei

Not on View
worried-looking man wrestling with a stylized tiger with black and brown stripes

%C2%A9 Estate Clifton Karhu

Untitled [tiger], late 20th century

Clifton Karhu

Not on View
Three very tall, thin, straight plant stems with grey and black leaves; on top of each stem is a large red flower

Chrysanthemum, 20th century

Qi Baishi

Not on View

Demon Reciting Buddhist Prayers, second half 18th century

Unknown Japanese

Not on View

Peregrine Falcon, 18th century

Unknown Japanese

Not on View
Winged, hairy male figure with long nose, wearing a white robe and headband, holding a sword in his PR hand and a loose coil of rope in his PL hand and standing on a white doglike animal with snakes around its ankles; flames behind

Akiba Gongen, Manifestation of Mt. Akiba, second half 17th century

Unknown Japanese

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standing, barefoot man looking up and pointing a bow straight up; arrow falling down toward man's head

%C2%A9 Estate Clifton Karhu

Untitled [arrows], late 20th century

Clifton Karhu

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River scene in grey, blue, black and pink; three figures in a canopied boat at center; group of buildings behind on bank; mountains in background

Copyright of the artist%2C artist%27s estate%2C or assignees

River Landscape, 20th century

Huang Binhong

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