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Landscape, 1734

Wang Su

Not on View
fisherman riding on a boat and playing a flute at lower right corner; three people inside a building just below center at left edge; mountains in background

Zhou Dunyi Gazing Out Over Lotus, c. 1500

Liu Jun

Not on View
towering rock formations in clouds at top; river at center; bearded figure at center bottom looking at waterfall in LLC; 2 other figures between trees

Landscape with Scholar Viewing a Waterfall, 1722

Cai Jia

Not on View
images of men and women--primarily couples, several small groups of figures--of various ethnicities, wearing various costumes and with differing hairstyles and headgear; Asian, European, African and North American figures; map of Northern Hemisphere at end of scroll; inscriptions above each group of figures

People of Many Nations, 1649

Unknown Japanese

Not on View
unsigned; pair of cranes left of center; pine tree at left; swimming duck and pair of smaller birds at right; blooming white and red chrysanthemums; unsigned

Cranes under Pine Trees, 16th century

Unknown Japanese

G221

six richly painted scenes: couple sitting close at R with approaching figure; male and female sitting across from one another in small structures; female figure in stylized rickshaw with male figure nearby; two male figures fighting; male figure at end with sword and open fan

Six No and Kyogen Pieces, 17th century

Unknown Japanese

G219

eight panel screen; lotus leaves with pink blossoms and foliage in pond; blue and black birds perched on or hovering around blossoms; each panel has unique image

Lotus Flowers and Birds, late 19th century

Unknown Korean

G206

male figures on a white-curtained balcony; one man is standing, aiming a longbow toward a cloud carrying grotesque figures brandishing weapons

Fragment from Tengu zōshi emaki, around 1500

Unknown Japanese

G221

seated man with long beard, with a woman in a fur-trimmed hat behind him; burner with 2 teapots in foreground; table with foliage bouquet in vase, box and cup in background

Beauty in Winter, 17th-18th century

Gao Qipei

G203

depicting a composition of objects associated with the scholar's study

Books and Scholar’s Objects (Chaekgeori), 19th century

Unknown Korean

Not on View
tall reddish mountain peaks at top; 3 trees next to a stream with a small bridge in foreground; wood rollers

Landscape at Han River Bamboo Hall, 1668

Zhu Chang

G203

pink blossoms on dark pink stems, with clusters attached to grey branch; inscription and 2 seals at right

Crab-apple Blossom from a Flower Album of Ten Leaves, 1656

Xiang Shengmo

G203

small yellow flowers and buds, with pink centers, on a long, delicate branch; inscription and 3 seals at left

Wintersweet Blossom from a Flower Album of Ten Leaves, 1656

Xiang Shengmo

G203

pink blossoms and small flowers on a grey branch; inscription and 3 seals at right

Album of Ten Leaves, 1656

Xiang Shengmo

G203

one of a pair of landscapes; once grouped with white-robed Kannon that was placed in center; left landscape; rocky cliff at LR with trees and boulder below; to men crossing an arched bridge near LL; small building in background; far background a misty rock outcropping with pine trees

Landscape [left of a triptych of White-Robed Kannon with Landscapes], late 15th century

attributed to Kenkō Shōkei

G221

one of a pair of landscapes, right; once grouped with a white-robed Kannon that was placed in the center; tall, vertical rock formation at L; water at R with a boat and more rock formations and a flock of birds in the background; in foreground, smaller rock formation with pine trees, small village, and two men walking away from fishing boat

Landscape [right of a triptych of White-Robed Kannon with Landscapes], late 15th century

attributed to Kenkō Shōkei

G221

Description Young girl showing her invention of spinning to the ladies. 'The Spinners' is a delightful miniature. The colors are very good and the subject matter and the treatment of the landscape-half Persian, half Chinese- is of special interest. R.E. The daughter of Haftwad increases her daily spinning in the mountain side iwth the help of the appleworm. Haftwad's daughter is with the other girls of the city of Kujarn. (Warner and Warner Vol. VI, p. 233).

Story of Haftvad, c. 1300

Western Iran or Baghdad

G243

abstract; backwards maroon C at top center; blue lever- or arm-like elements

%C2%A9 Amano Kazumi

Inner Motion (Embrace), 1963

Amano Kazumi

G226

abstract; stepped form in black and white with circle and geometric lines; blues, green, brown, and black lines and circle

%C2%A9 Amano Kazumi

Moral (Intention), 1964

Amano Kazumi

G227

abstract image; yellow form with geometric rays; grey paper

%C2%A9 Amano Kazumi

Assemblage (Yellow), October 1962

Amano Kazumi

G226

colorful abstract; blue and green upside-down "P" shape at ULC with yellow and orange circle at its center; curved green and blue shape and curved blue and black shape, both on diagonal, with orange and yellow outlines near C; gray circle URQ; framed by black border at L and top, and orange border at R and bottom

%C2%A9 Amano Kazumi

Disjoint, 1969

Amano Kazumi

G237

large rectangular abstract form made up by various shapes and colors; colors conist of dark blue, teal, black, and uninked area;

%C2%A9 Amano Kazumi

Layers, 1962

Amano Kazumi

G226

black, green, blue, red, and dark blue abstract image; over all image is comprised of circles and waves to create an overall rectangle shape;

%C2%A9 Amano Kazumi

From Gauge (Trace) A, 1969

Amano Kazumi

G237

large peanut-shaped form with organic black, red, and green curving forms inside; white circle upper C within form; gray bracket on R side with circles and swooping lines

%C2%A9 Amano Kazumi

Mold (Life) A, 1968

Amano Kazumi

G237

multicolored bars with squared off hooks at ends in warm colors at top and bottom and cool colors at left at right, surrounding text

%C2%A9 Amano Kazumi

A Piece of Poetry, Drawing, Assemblage, March 1965

Amano Kazumi; Poet: Yoshimura Masatoshi

G227

tiger to the left of two bamboo; design within a circle, within a square; light blue floral design silk at top and bottom; brown floral design silk, middle; thin strip of dark blue floral design, top and bottom of image; has scroll box

Tiger Emerging from Bamboo, early 18th century

Kano Tsunenobu

Not on View
abstract; circle made of various forms in predominately red

%C2%A9 Amano Kazumi

Inside and Outside (Round) A, 1968

Amano Kazumi

G237

South Wind, Clear Weather, 1830-1833

Katsushika Hokusai; Publisher: Nishimuraya Yohachi

Not on View

Kyōgen Dancers Disguised as Ōharame, c. 1854-1859

Tanaka Shūtei

G219

The Miracle of Famous Paintings by Ukiyo Matahei, 1853, 6th month

Utagawa Kuniyoshi; Publisher: Koshimuraya Heisuke

Not on View

A Northern Goshawk on a Pine Tree in Snow Aiming at a Sparrow, late 1830s - early 1840s

Eisen

Not on View

%C2%A9 Amano Kazumi

Chorus, 1967

Amano Kazumi

G237

image of a red and white prunus in flower, text fields placed within branch openings, nine separate grouping of text within image; separate text field at end contained in four separate inscriptions

White and Red Plum Blossom, 1546

Wang Guxiang

Not on View
2 figures, one very small carrying a basket, in lower left corner standing on a bridge; 2 buildings near top; tall trees in middle ground and mountains in background; inscription and 2 seals in upper left corner

Gathering Herbs, 1612

Xie Daoling

Not on View
Mountains with water below; buildings at right

Autumnal Colors Among Streams and Mountains, 1723

Jin Yongxi

Not on View
old Daoist magician stands on a bluff by a pond, a small boy at his side, bamboo stick he throws into the air is transforming into a dragon; matted

Fan Painting of a Daoist Magician, c. 1650

Wan Shouqi

Not on View
hanging scroll with image mounted sideways; stormy sea at right side; two pine trees and rocky shore frame three deer looking at the sea

Deer By Stormy Sea, c. 1670

Ma Futu

Not on View
leaf from a small album of flower paintings; white daffodil-like flowers with yellow centers at right; fungus left of flowers; single column of calligraphy lower left with 2 red seals below

Flower Painting, late 18th century

Mianyi

Not on View
water bodies and seaways wind through seaside villages and around island oasis; throughout fishermen and birds speckle the water with activity

Misty River and Layered Peaks, Wanli period, 1608

Gu Yide

Not on View
walled garden at L with buildings and trees; bridge-like wall at R; 3 small boats with figures on water at R

Suchou Temple Garden, c. 1549

Yuan Qiu

Not on View
spider at the center of a web with a flowering branch in front, across bottom and left edge

Finger Painting, from an album of ten, 1684

Gao Qipei

Not on View
buildings on a small, mountainous island seen from high vantage point; seven boats in water

Finger Painting, from an album of ten, 1684

Gao Qipei

Not on View
two small buildings on stilts at the base of a waterfall; rocky outcropping above

Finger Painting, from an album of ten, 1684

Gao Qipei

Not on View
blocky rock island with three small buildings near water; five boats

Finger Painting, from an album of ten, 1684

Gao Qipei

Not on View
small, towerlike pagoda partially covered by dark grasses; rolling, rust colored mountains behind

Finger Painting, from an album of ten, 1684

Gao Qipei

Not on View
rocky outcroppings on a beach with building at left and monkeylike figure walking on sand; sun at horizon on water

Finger Painting, from an album of ten, 1684

Gao Qipei

Not on View
white swooping bird at center; curving flowering branch at top and right

Flower-and-Bird Finger Painting from an Album of Ten Leaves, 1684

Gao Qipei

Not on View
horse with a small pack on its back galloping across waves

Finger Painting, from an album of ten, 1684

Gao Qipei

Not on View
mounted on a new scroll

Riding in the Mountains, 1637

Zhang Hong

Not on View
A rare collaborative hanging scroll in ink on paper for Mr. Hsi-chih; the scholar with fan by Chang Feng-I dates 1630, the crane by Ch'en Chia-yen, the rock by Yun-lo, the wu-t'ung tree by Yuan Shang-t'ung, the banana by Wu Ling, with colophons by the close friends Wen Ts'ung-chien (1574-1648) and Shao Mi (1594-1642); peach-colored silk scroll; roller ends of dark green marble

Scholar, Crane, and Banana Tree, 1630

Zhang Fengyi; Artist: Chen Jiayan; Artist: Yuan Shangtong; Artist: Wu Ling; Artist: Wen Congjian; Artist: Shao Mi

Not on View
Pair of 2-panel screens; slightly abstracted image of gnarled grey tree branches covered in pink dots (blossoms); higher concentration of grey branches in LRC

%C2%A9 Estate Gyokuju Funada

Lying Dragon Plum Tree [right of a pair], 1983

Funada Gyokuju

Not on View
Pair of 2-panel screens; slightly abstracted image of gnarled grey tree branches covered in pink dots (blossoms); some light grey/white ovoid negative spaces in LLC

%C2%A9 Estate Gyokuju Funada

Lying Dragon Plum Tree [left of a pair], 1983

Funada Gyokuju

Not on View
Miniature, 'The Stag' with inscription and page-long overleaf. Painted shortly after the Mongol invasion, the Chinese influence is strong in the treatment of the clouds above the stags, and in certain details of the flowers. The page is from a dispersed Manafi al-Hayavan (on the uses derived from animals). The painting is the counterpoint to Byzantine painting.

Page from the Manafi al-Hayavan, 14th century

Iran

Not on View

Page from the Materia Medica, 1224

Not on View
delicate landscape with brown-leafed trees, stream and mountain in background; small buildings in middle ground with two small figures; fog; tan, orange, grey, brown, blue

Untitled, Date Unknown

China

Not on View
L.J. Wender, NY dealer

Egrets, Lotus and Hibiscus Mutabilis, 18th century

Zhang Yu

Not on View
2 yellow mum flowers on top of a long, slender stem; 2 partially open buds below; inscription and 3 seals at left

Hibiscus from a Flower Album of Ten Leaves, 1656

Xiang Shengmo

Not on View
large orange and pink flower on top of a blueish stem, with 4 buds; rock behind flower in LRC; inscription and 2 seals at left

Day-Lily from a Flower Album of Ten Leaves, 1656

Xiang Shengmo

Not on View
white blossoms with yellow spotted centers and red buds on a gnarled grey branch; inscription and 3 seals in ULC, seal in LRC

Blossoming plum from a Flower Album of Ten Leaves, 1656

Xiang Shengmo

Not on View
ball-shaped clusters of tiny yellow flowers on a grey branch with dark green leaves; inscription and 2 seals in LLC

Cassia Blossom from a Flower Album of Ten Leaves, 1656

Xiang Shengmo

Not on View
large furry-looking pink and light orange cone-shaped flower with rippled edge on a long stalk with many leaves; red bud at right edge; inscription and 2 seals at left

Cock's-comb from a Flower Album of Ten Leaves, 1656

Xiang Shengmo

Not on View
white blossoms with light green centers, spotted with grey; grey branch with small green leaves with brown veins; inscription and 2 seals at right

Pear Blossom from a Flower Album of Ten Leaves, 1656

Xiang Shengmo

Not on View
nine black, grey, brown and flesh-tone drawings of men, attendants and animals; text panels at front and back

The Eighteen Lohans, c. 1690

Leng Mei

Not on View
long, slender green leaves at right edge with delicate red flowers encircled by long bud petals; inscription and seal at left, another seal in LRC

Epidendrum Blossom from a Flower Album of Ten Leaves, 1656

Xiang Shengmo

Not on View
green, brown and black landscape of mountains with dense trees in foreground; buildings near center and at LRC

Landscape After Huang Kung-wang, 1670

Wang Shimin

Not on View
Snow-covered mountains; bare trees; ice-covered water

Snow in Mountain Villa, 1723

Jin Yongxi

Not on View
Three very tall, thin, straight plant stems with grey and black leaves; on top of each stem is a large red flower

Chrysanthemum, 20th century

Qi Baishi

Not on View
River scene in grey, blue, black and pink; three figures in a canopied boat at center; group of buildings behind on bank; mountains in background

Copyright of the artist%2C artist%27s estate%2C or assignees

River Landscape, 20th century

Huang Binhong

Not on View
Stream with trees in ink and wash

Bamboo and Trees Enveloped in Cold Mist, 1723

Jin Yongxi

Not on View
Green mountains; red-leafed trees; buildings center

Autumnal Color Among Mount Quan and Mount Hua, 1723

Jin Yongxi

Not on View
Tree-dotted mountains; buildings with figures in foreground

Pure Gathering in a Spring, 1723

Jin Yongxi

Not on View
Ink and wash mountains; building in lower left corner

Spring Tree Grove Before Rain, 1723

Jin Yongxi

Not on View
large text block followed by image of 5 men and 3 boys with horse in outdoor setting; 2 men exchanging an object; 2 areas of text following image

Farewell to Hua Yun, 1545

Qian Gu

Not on View
Mountains with walkway and water; grey sky

A Mountain and Stream Without End, 1723

Jin Yongxi

Not on View
Mountains with buildings

Magnificence of Overhanging Bluff, 1723

Jin Yongxi

Not on View
Red flower at L with black and wash grey leaf shape at R

Lotus, early 20th century

Qi Baishi

Not on View
Blue mountains in distance; tan rocks; green trees; buildings at center

Mists Rising from Pine Grove in a Ravine, 1723

Jin Yongxi

Not on View
Rolling mountains and trees in green and tan with buildings at front

Mountain Color on Mount Liangchang, 1723

Jin Yongxi

Not on View
Open pavillion in front with trees and rolling mountains in ink and wash

Autumnal Contemplation in Clean Pond, 1723

Jin Yongxi

Not on View
Green mountains; tan rocks; buildings in foreground

Green Mountain Just After a Bath, 1723

Jin Yongxi

Not on View
figure wearing a hooded garment, seen in profile from PL side, holding a pot with a flowering branch; tree at right side

Finger Painting, from an album of ten, 1684

Gao Qipei

Not on View
elaborate landscape with mountains, trees, buildings and lake with waterfall in black, green and tan; 2 figures in building in front; man in boat near center; stored and shipped rolled

Landscape After Huang Gongwang, 1752

Wang Yu

Not on View
2 leaves of text; 4 leaves of inkstone rubbings; 15 landscape paintings

Hsu Hsiao-p'u's "Five Clouds and Double Star" Inkstone Album, 1923-1928

Various artists

Not on View
figure walking with a staff in LLC; another figure inside a building surrounded by trees with changing leaves, below center; three flying birds with long tail feathers, LLQ; misty rugged mountain peak at top; muted fall colors

Visiting a Recluse in Autumn Mountains, 18th century

Cai Jia

Not on View
short, bald man wearing open black, short coat with white square on either side of chest, and red and cream stripes at front seams; open coat exposes his big round belly; black leg cuffs; man is concentrating intently on walking very carefully; holding object on long staff with black pouf at top in PR hand, carefully holding PL hand out at side

Ōtsu-e, 17th - 19th century

Unknown Japanese

Not on View
inside wooden box with inscription on inside and outside of lid; resting on tissue; paper around roller inside tie; fabric is light grey with geometric floral in blue; image is of black wash with red bamboo; inscription in yellow along R edge

Bamboo in Snow, c. 1926

Fukuda Kodōjin

Not on View
inside two wooden boxes; wrapped in tissue; paper under tie; fabric is teal with geometric and floral pattern; image of a mountain landscape on the L and a body of water with boats on the R; very colorful

Blue-green Landscape, April 1928

Fukuda Kodōjin

Not on View
outer paper carton is cream with grey stripes running the long way; inner box is wooden with inscriptions on the outside and inside of lid; wrapped in tissue; roller is bone; supporting fabric is teal; image is of a pond scene with a single pink open flower, a pink flower bud and many leaves and reeds with a dragonfly above it; curling inscription down the R side with two small red chops at the end

Crimson Lotus Flower, April 1931

Fukuda Kodōjin

Not on View
oval-shaped hay bale (?) at center of image; seated man with head down, resting on his folded arms, to right of bale; smaller figure (child?) in blue tunic comforting man; moon or sun, ULC; tree branches at left at horizon line

Album leaf, c. 1875

Qian Hui'an

Not on View
bearded man wearing fur (?) robe, with his hair tied in a bun with a blue cord, and a woman wearing a white dress with a garland of leaves around her neck tending to two infants in a cauldron with red flames; rock overhang in URQ; mount attached at top to foam core board backing

Album leaf, c. 1875

Qian Hui'an

Not on View
crooked tree with two entangled trunks at center; monkey in branches at UR, another monkey on rock at LL; praying mantis carrying wasp in front claws at R; valley landscape with cascades in background

Monkeys Watching a Praying Mantis Catching a Wasp, second half 18th century

Iwai Kōun

Not on View
various suggestive scenes in a petite handscroll: shrimp climbing a clam; two mating insects; phallic mushroom, etc.

Erotic scenes, 19th century

Unknown Japanese

Not on View
two men in a boat--one standing, one seated; seated bearded man at left wears a grey cap and holds up a white fan; hunched-over standing man at right has white hair and wears a straw hat; basket with orange fruits in boat; plants at bottom, center and right

Album leaf, c. 1875

Qian Hui'an

Not on View
inside white box with yellow vertical and horizontal lines; inside wooden box with inscriptions; fabric is tan; roller is wood; image of orange colored mountains with trees in white, green, pink and grey; many lines of inscription UL corner

Countless Peaks and Streams, Autumn 1918

Fukuda Kodōjin

Not on View
frog at LL strutting on two long legs, holding open fan in PR hand, balancing white mochi in mouth; young frog swaddled to back with red cords carrying bag of mochi balls; rabbit in black robes in round vignette at UR fanning tray of white mochi balls

Frogs and Rabbit, mid 19th century

Unknown Japanese

Not on View
bearded man wearing a hat and carrying a basket on a blue cord walking with a boy; both figures wear grey tunics and white pants; tree with pink blossoms in LRC; small bridge, LLC; mount attached at top to foam core board backing

Album leaf, c. 1875

Qian Hui'an

Not on View
outer carton is cream paper with a brown stripe pattern; inner wooden box has an inscription on outside and inside of lid; wrapped in tissue; support fabric is green with peach, blue and gold accents; image of a gourd-like vegetable with an orange stem; inscription around gourd with a round, red chop in LL corner

Countryside Flavor, c. 1927-1941

Fukuda Kodōjin

Not on View
inside a wooden box with no inscription on lid; no tissue around outside of scroll; paper under tie and around scroll; dark wooden roller; olive green support fabric with gold accent; image is a cliff with a tree and house at the top with figure at the top of a path leading down; path and tree trunk are red/brown in color; two lines of inscription along LL edge; three red chops, two square chops on the bottom of the inscription and a rectangular one UR corner

Landscape, c. 1912-1918

Fukuda Kodōjin

Not on View
older male figure with salt and pepper colored hair at UR carefully poised holding calligraphy brush in PR hand over a pink and black image of a large blossom; across the table, a young female student mimics his gesture over her own black and white image; at lower center, a young male student with beard points at an open book with his PL hand

%C2%A9 Minol Araki%2C licensed by David Frank and Kazukuni Sugiyama

Painter with Two Students, 2002

Minol Araki

Not on View
two lines of calligraphy on decorated paper; paper decorated with horizontal wavelike motif; a few delicate plants; waves of blue fibers at top

At the Ōi River, late 16th - early 17th century

Emperor Go-Yōzei

Not on View
reclining woman lying on her PR side, breastfeeding a baby in a red and orange tie-dyed kimono; woman wears a white kimono with blue flowers and holds a fan in her PL hand; view through a sheer curtain with blue band at top of screen

Mother, 1936

Ishida Shigeko

Not on View
gnarled old tree with bare branches, floating over a pinkish-tan, blue and grey mottled ground; some exposed roots interspersed with text

%C2%A9 1995 Zeng Xiaojun

Passing of Time, c. 1995

Zeng Xiaojun

Not on View
green mountain tops visible through thick, swirling clouds; some small trees on mountains; pinkish sky near horizon

In Praise of Green Hills and White Clouds, 1905

Tanomura Chokunyū

Not on View
fan-shaped painting; bald man with bushy white eyebrows and bushy white beard, eyes squinted shut; wearing light green robe, hands clasped in front under robe; brown gourd at man's PR

Jurojin, early 20th century

Tsuji Kakō

Not on View
abstracted pine tree extending diagonally up the scroll from LL with bristly, pointed, downturned branches and bristles along trunk; red sun in upper center; hints of pale pink clouds in background

Pine and Sun, first half 20th century

Fukuda Kodōjin

Not on View
five white mum blossoms on thick stems with green-grey leaves; text, URC

White Chrysanthemums, 1929

Wang Zhen

Not on View
imagery from left to right: bearded man playing a bowed stringed instrument at left; table with plates and cups, with bamboo and plant behind it; man wearing a grey fur-trimmed jacket and peach-colored pants; woman wearing a pink hat, green pants and sleeveless blouse with purple flowers; man with beard wearing a hooded jacket with animal ears and mittens; plant with red flowers

%C2%A9 2013 Li Jin

Happiness is Bittersweet and vice-versa, 2013

Li Jin

Not on View
portrait of man seated on a rock, with beard and moustache, wearing mint green garment, with legs crossed, holding a tiny pipe; child wearing a pale blue garment and holding a stick to right of man; rocky landscape; long inscription at top, with four red seals; one additional red seal in LLC

Portrait of Zhu Yizun, late 17th-early 18th century

Yu Zhiding

Not on View
standing woman at left wearing a long-sleeved red blouse and blue pants; seated bearded man with full face at center wearing a grey Asian-style jacket and white pants; man rests his PL elbow on a table with chopsticks, fish on a plate, bowl and flask; plant with red flower and left edge; green shaded ceiling light fixture hanging at top of image between man and woman's heads; tan paper

%C2%A9 2013 Li Jin

There is a Flower in my Family, 2013

Li Jin

Not on View
standing woman left of center with dark hair in an updo, wearing a semi-transparent dress with black bird pattern and a bright green bracelet; seated man at right with beard wearing a red hooded jacket; plants in background and at left; bow and arrow, LLC; tan paper

%C2%A9 2010 Li Jin

New Barbarian, 2010

Li Jin

Not on View
somewhat abstracted landscape: densely foliaged rock formation with bands of irregularly shaped clouds; tiny figure seated on top of rocky outcropping just R of center; treetops under fog just below center; tiny hut on cliff bottom center with other irregular rock formations with dense foliage on bottom; inscription URQ

Releasing the Oar in the Pure Valley, January 1930

Fukuda Kodōjin

Not on View
two-sided fan: two groups of three conical, minimalist evergreens; evergreens have dark brown trunks with moss; opposite side: minimalist landscape of mountains in silver and gold pigment

Pine Trees, 1900s-1910s

Kamisaka Sekka

Not on View
horned red demon with fangs dressed in priest's black robe; demon holds gong and inscribed paper in PL hand, striker in PR; bushy hair, clawed feet

Demon Reciting Buddhist Prayers, 18th - early 19th century

Unknown Japanese

Not on View
outdoor scene of foreign settlement; Dutch men in long, brocade coats with colorful leggings engaged in various outdoor activities; two men at LR engage with a small black dog on a white leash; a man with a walking stick stands at bottom center; a man on a horse points ahead to his attendant at LR; man on white horse facing away from viewer holds a bow with a quiver of arrows in PL hand; man with white brocade coat and red legs holds a longbow behind his back in PR hand; two men stroll in front of an arched bridge that crosses a stream fed by a mountain waterfall; other men engaged in archery, horseback riding, and other activities in very back; thick forest at L and R sides; mountain range at UR and UL; stone building with dome, topped with red and white flag in LRQ; series of white buildings and towers in ULQ

Scene of Foreigners, 18th-19th century

Unknown Japanese

Not on View
swirling white cloud at center of image, floating over rows of waves below; vertical gold inscription down center, ending at top of cloud

Great Buddhist Avatar Akiba-san, 19th century

Unknown Japanese

Not on View
male figure seated at desk in front of window looking outside; man's PR eye is shut or missing; snow-covered trees and fence outside; three samurai gathered outside behind fence, outside of view; fourth figure in yellow enters gate at L

Takeda Shingen Visits in the Snow, late 19th century

Haneda Gesshū

Not on View
rear 3/4 view of a woman climbing into bath in a large barrel; clutches a light blue cloth at the rim of the barrel in PR hand

Woman Getting into a Bath (after Utamaro), c. 1900

Ōmori Shōhō

Not on View
one-line inscription center; cucumber, persimmon, and two red chilies at bottom

Tastes in a Rural Cottage, first half 20th century

Fukuda Kodōjin

Not on View
bust of Bodhidharma in hooded white robe in lower half; two gold hoop earrings hanging from distended lobes just visible from under hood; characteristic big eyes, bushy eyebrows, and slightly disgruntled expression; hairy chest partially exposed

Daruma, 19th century

Unknown Japanese

Not on View
towering, multi-leveled mountain peak at R; shallow cliff with three-legged, white and red structure at UL; lower, multi-leveled mountain peaks at LL; bent human figure with blue top, white bottom, holding a walking stick at LR; mountains dotted with foliage; inscription at UL

Landscape with Scholar and Empty Pavilion, second half 19th century

Doi Gōga

Not on View
figure seated on small, flat rock formation upper center, wearing orange robes; blue hair, and large bump on head; several other, smaller figures in colorful robes seated on flat rock formations, most wearing colorful robes and holding objects like staffs, inscribed papers, and rosaries in hands; all figures have halos; trees, waterfalls, and swirling clouds separate figures

Zengetsu Daishi and Saints, mid 19th century

Butsujo Jisen

Not on View
R screen: large tree at R with branches and foliage extending over several panels; cluster of squared rocks at R; lotus blossoms and leaves at R; hawk perched on stone near center; another hawk at UL about to dive downward

Hawks by a Stream [right of a pair], mid 17th century

Soga Nichokuan

Not on View
one long line of delicate, looping calligraphy at upper center; stalk with delicate foliage growing from bottom edge LRC; cluster of little red berries growing from branch

Nandina Tree, c. 1918-1936

Fukuda Kodōjin

Not on View
standing woman with hair in an updo with ornaments, wearing a kimono with maroon, blue and black dragon and cloud designs and black lacquered geta; woman wears wide black obi with blue flowers; woman holds folded white cloth in her PL hand; boy attendant peers out from behind woman; boy wears light blue kimono with fan design and Daruma netsuke (?); mount has pattern of blue, green and orange leaves and white branches on orange brocade with tie-dye elements and appliqued and some areas of gold metallic stitching

Kamigata Beauty, 19th century

Unknown Japanese

Not on View
mounted fan painting: mostly white background with snow-covered barren brown bush at R; diagonal gray background at L with parallel, curved gray lines

Fish Trap, Waves, Rocks [one of a pair], first half 19th century

Suzuki Kiitsu

Not on View
mountainous landscape in green and tan; buildings nestled in trees; seated figure in LLQ; bridge right of center over calm water; inscription in URQ with two red seals

Landscape after Gao Kegong, 1679

Lu Huancheng

Not on View
large, rocky cliff-like formation on left side with gnarled pine tree growing off rock face; tranquil body of water near lower center; buildings with tiled roofs near LLC along shoreline; trees LRC; silhouettes of mountains in background

Spring Landscape, late 19th century

After Kano Hōgai

Not on View
L screen: gnarled, twisting pine tree at L, with branches extending across multiple panels; rocks at L; hawk at lower center attacking a small goose, its talons digging into the goose's face, mouth, and neck; hawk is lifting bird out of water

Hawks by a Stream [left of a pair], mid 17th century

Soga Nichokuan

Not on View
unsigned; man wearing massive robes seated on low podium behind partially closed screen; arrangement of robes and tall black hat give figure triangular appearance

Retired Emperor Gotoba, Date Unknown

Unknown Japanese

Not on View
six paneled screen depicting images of a flock of cranes; gilded background with river running diagonally across image behind flock; small, scattered bushes in throughout; untranslated characters in panel sixth from the right in LLQ

Cranes and Pines [left of a pair], first half 19th century

Yamamoto Sodō

Not on View
ink drawing with red, purple, yellow, green and blue; standing woman with floral decorations and red and white strands of beads in her hair, wearing multicolored draping scarves around her upper body, pointing with her PL hand at two impaled heads on a red, white and yellow staff, and holding a severed head with open mouth in her PL hand; trees behind her

Keyblock drawing for "Lady Huayang", 1865, 2nd lunar month

Tsukioka Yoshitoshi; Author: Kikuyōtei Rokō; Publisher: Daikokuya Kinnosuke

Not on View
six paneled folding screen depicting flock of flying cranes in a golden sky with gilded clouds; winding river across lower middle of image; eight pine trees line lower landscape; untranslated characters in black ink in LRC; red stamp in LRC

Cranes and Pines [right of a pair], first half 19th century

Yamamoto Sodō

Not on View
six images mounted together as hanging scroll: man with dark brown skin and bushy black beard wearing white robe; orange bowl with brown dots; brown, black and red insect; blue vessel with brown bottom and black bird on side; blue vessel with black and red flower form; two brown and white bowls--one with black bird--and signature; green and beige mount

%C2%A9 Sugimoto Tatsuo

Untitled, 20th century

Sugimoto Tatsuo

Not on View
rocky formations ascending upward; blue-grey, green and red foliage, flowers and moss; inscription at left edge, ULC

Red Jade and Coral, c. 1685

Cheng Yi

Not on View
leaf from a small album of flower paintings; poinsetta-like flower at bottom center; branch with green leaves and white buds (?) along stem at left

Flower Painting, late 18th century

Mianyi

Not on View
peony-like pink bloom with leaves and branches; small opening bud at upper right

Flower Painting, late 18th century

Mianyi

Not on View
leaf from a small album of flower paintings; five blooms (four red and one white) with leaves and buds

Flower Painting, late 18th century

Mianyi

Not on View
woman seated on a folding sling chair, reading a book with a green cover; small black and white cat under woman's chair; woman wears a tan spotted kimono with purple curving patterns; table at left with plant, bowl of grapes and glass; fern at LRC

Woman and Cat, 1933

Yasuma Sodō

Not on View
hyper-real painting of overlapping scraps of paper with text, drawings of vessels and pictures of a woman at a round window and a man with a horse; text at top corners; three seals

Paper Fragments, 1937

Yang Weiquan

Not on View
seated figure in pink robes, LRC, under an overarcing rock with numerous holes; two long text blocks, ULC and URC; six seals

Sitting in Meditation, 1732

Zhang Shiying

Not on View
walking tiger with mouth open, baring teeth, emerging from tall, leafy black grasses; wooden roller ends

%C2%A9 Estate Hu Shuang%27an

Tiger, 20th century

Hu Shuang'an

Not on View
bayside landscape rendered in green and yellow hues; lush green hill at L with small building at peak; several rooftops in hillside; two boats in bay; figure in white walking down path at far L

%C2%A9 Hiratsuka Un%27ichi

Heijo Botandai from the Series of One Hundred Views of New Japan, April 1940

Hiratsuka Un'ichi

Not on View
two delicate abstracted floral forms, one in brown, one in orange; roughly heart-shaped brown form on L with a section of tiny circles near its UC, and flower stamens in its C; orange form at R resembles an abstracted lily

%C2%A9 Ushiku Kenji

[abstract floral forms], 20th century

Ushiku Kenji

Not on View

Cavalry officer sketching at the front, c. 1894-1905

Unknown Japanese

Not on View
stylized bold and blocky landscape; two buildings on a shore; black and white mountains in background against gray sky; yellow and black trees below green band at horizon; fields and a road in foreground; yellow, orange, green, black, and white

%C2%A9 Kawanishi Hide

[stylized landscape], 20th century

Kawanishi Hide

Not on View
striding figure holding a bird

Ōtsu-e of a Falconer, first half 20th century

Unknown Japanese

Not on View
swimming fish of several varieties; green plants; two rays in URQ; green silk mount; wood roller ends; received in tan plaid paper box

Fish, left scroll from a diptych, late 19th-early 20th century

Unknown Korean

Not on View
swimming fish of several varieties; green and grey underwater plants; green silk mount; wood roller ends; received in tan plaid paper box

Fish, right scroll from a diptych, late 19th-early 20th century

Unknown Korean

Not on View
interior scene with man in blue squatting, holding shadow lantern in PL hand, and red fan with crane in PR hand; child in orange at his PR; bureau and green insect screen in background

%C2%A9 Torii Tadamasa

Theater signboard depicting a scene from the play "Oyako tōrō", 1961

Torii Tadamasa

Not on View
album with six colorful paintings with poems; image of blossoming tree with river; blossoming trees with hikers amid hills; blooming flowers; flowers amid thatched rooves; grasses blowing in wind with geese; autumn red maple leaves; images extend borders

Poems from Shūi gusō and Shin kokin wakashū, Six Immortal Poets from the Shinkokinshu, 1718

Unknown Japanese

Not on View
landscape scene of jagged, rocky mountains, hills within fog, bays with boats, and small buildings tucked away within rocky embankments and trees

Landscape, 16th century

Unknown Japanese