Looking for medina, metius, media, medic?

Description Young girl showing her invention of spinning to the ladies. 'The Spinners' is a delightful miniature. The colors are very good and the subject matter and the treatment of the landscape-half Persian, half Chinese- is of special interest. R.E. The daughter of Haftwad increases her daily spinning in the mountain side iwth the help of the appleworm. Haftwad's daughter is with the other girls of the city of Kujarn. (Warner and Warner Vol. VI, p. 233). — Story of Haftvad, c. 1300
Western Iran or Baghdad

G243

fisherman riding on a boat and playing a flute at lower right corner; three people inside a building just below center at left edge; mountains in background — Zhou Dunyi Gazing Out Over Lotus, c. 1500
Liu Jun

Not on View

depicting a composition of objects associated with the scholar's study — Books and Scholar’s Objects (Chaekgeori), 19th century
Unknown Korean

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towering rock formations in clouds at top; river at center; bearded figure at center bottom looking at waterfall in LLC; 2 other figures between trees — Landscape with Scholar Viewing a Waterfall, 1722
Cai Jia

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frogs in an interior dressed in various types of garments; many frogs writing or reading; screens on R with two frogs outside on street wearing hats — Frogs in Writing Contest, c. 1738
Ogawa Haritsu

G103

three elegantly dressed women; standing woman on R facing R wearing grey, green, red; two seated women; woman on L wearing floral kimono and woman in front wearing striped kimono and holding an open book — Young Maidens, first half 19th century
attr. Yamaguchi Soken

G103

large furry-looking pink and light orange cone-shaped flower with rippled edge on a long stalk with many leaves; red bud at right edge; inscription and 2 seals at left — Cock's-comb from a Flower Album of Ten Leaves, 1656
Xiang Shengmo

G203

small yellow flowers and buds, with pink centers, on a long, delicate branch; inscription and 3 seals at left — Wintersweet Blossom from a Flower Album of Ten Leaves, 1656
Xiang Shengmo

G203

white blossoms with yellow spotted centers and red buds on a gnarled grey branch; inscription and 3 seals in ULC, seal in LRC — Blossoming plum from a Flower Album of Ten Leaves, 1656
Xiang Shengmo

G203

figure walking with a staff in LLC; another figure inside a building surrounded by trees with changing leaves, below center; three flying birds with long tail feathers, LLQ; misty rugged mountain peak at top; muted fall colors — Visiting a Recluse in Autumn Mountains, 18th century
Cai Jia

G203

pink blossoms and small flowers on a grey branch; inscription and 3 seals at right — Album of Ten Leaves, 1656
Xiang Shengmo

G203

long, slender green leaves at right edge with delicate red flowers encircled by long bud petals; inscription and seal at left, another seal in LRC — Epidendrum Blossom from a Flower Album of Ten Leaves, 1656
Xiang Shengmo

G203

white blossoms with light green centers, spotted with grey; grey branch with small green leaves with brown veins; inscription and 2 seals at right — Pear Blossom from a Flower Album of Ten Leaves, 1656
Xiang Shengmo

G203

2 yellow mum flowers on top of a long, slender stem; 2 partially open buds below; inscription and 3 seals at left — Hibiscus from a Flower Album of Ten Leaves, 1656
Xiang Shengmo

G203

pink blossoms on dark pink stems, with clusters attached to grey branch; inscription and 2 seals at right — Crab-apple Blossom from a Flower Album of Ten Leaves, 1656
Xiang Shengmo

G203

ball-shaped clusters of tiny yellow flowers on a grey branch with dark green leaves; inscription and 2 seals in LLC — Cassia Blossom from a Flower Album of Ten Leaves, 1656
Xiang Shengmo

G203

large orange and pink flower on top of a blueish stem, with 4 buds; rock behind flower in LRC; inscription and 2 seals at left — Day-Lily from a Flower Album of Ten Leaves, 1656
Xiang Shengmo

G203

tall reddish mountain peaks at top; 3 trees next to a stream with a small bridge in foreground; wood rollers — Landscape at Han River Bamboo Hall, 1668
Zhu Chang

G203

abstract image; black curving line in center; yellow circle in ULQ; pale pink circle in center right — 65 - 6, 1965
Maki Haku

G226

black background; gold abstract shape in center; white linear squiggly abstract shape in ULQ — Remembrance - H, c. 1962
Maki Haku

G237

black and white abstract image; smaller geometric shapes pushed together to form two rectangles, with hook shape also consisting of pushed together geometric shapes overlapping rectangles — Work (Waku), 1958
Maki Haku

G227

abstract linear image rendered in black pigments on a white background; several small shapes arranged next to each other; black shape in top center with small red circle in center — Heap - 14, c.1960
Maki Haku

G227

black ground; white text-like scrolling throughout; brown and grey rectangular forms; yellow teardrop — Remembrance - B, mid 1960s
Maki Haku

G237

black ground; white textlike forms; yellow ovoid — Remembrance - F, c. 1962
Maki Haku

G237

abstract image; red linear curving shape with texture in center; small yellow circle in URQ; small tear drop shape in red pigment in LLQ; white textured background — Poem 71 - 63 (Life), 1971
Maki Haku

G226

grey-blue ground; black scrolling vertical text-like lines; bold black forms with circles and curves in ULQ — Work - Mago, 1960s
Maki Haku

G237

soft organic black form LRC with white egg inside; white oval ULQ; partial black border top edge and UL with woodgrain texture; red and white seal UR and LL — Work Stone, 1959
Maki Haku

G237

gray-blue background with woodgrain texture; large character in black pigment on right; black squiggly lines (inscriptions?) on left — Work - Ho, c. 1962
Maki Haku

G237

black openwork abstract design; black square at top right of center with green circle inside — Heap - 100, 1960
Maki Haku

G227

black ground; ovoid form with brown woodgrain design — Excavated Item from Japan (1), July 1, 1957
Maki Haku

G237

squarish blue shape against black background; two indented black forms that resemble stylized characters inside; yellow circle UR, green leaf form LL — Poem 69 - 12, 1969
Maki Haku

G226

right sheet of a diptych — Women by an Iris Pond, c. 1785
Torii Kiyonaga; Publisher: Kōzuya Isuke

G266-G274

abstract image with bold black rectangle, circle, and lines, and narrower black lines — Poem 71 - 91 (Nothing), 1971
Maki Haku

G226

South Wind, Clear Weather, Katsushika Hokusai; Publisher: Nishimuraya Yohachi — South Wind, Clear Weather, 1830-1833
Katsushika Hokusai; Publisher: Nishimuraya Yohachi

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book with black and white outline prints of birds on trees; flower blossoms; rooster on a rock; waterfowl; a crow; fish; insects, etc.; dark olive green cover — Paintings by Sō Shiseki (Sō Shiseki gafu 宋紫石画譜), vol. 1, 1765, 8th lunar month
Sō Shiseki

G103

woman lying on her stomach, reading a page of text, with an orange and white cat sitting on top of a short brown and black chest at left; woman wears a brown kimono with black checks; mounted on moderately stiff backing paper — I want to cancel my subscription, January 1878
Tsukioka Yoshitoshi; Author: Takabatake Ransen; Publisher: Inoue Mohei

G103

53 Stations: Hokusai's Album of Travel Pictures, vol. 1, Katsushika Hokusai — 53 Stations: Hokusai's Album of Travel Pictures, vol. 1, 1830
Katsushika Hokusai

G103

examples of cursive writing and copies of rectangular tanzaku cards — Traces of Japanese Calligraphy (Nishiki no mizuguki 錦の水茎), 1651
Endō Genkan

G103

small woodblock printed book; text pages alternating with images of various insects on plants and vegetables; toad eyeing a fly near back; cover has pattern of small brown and blue flowers with tiny brown spots — Selected Insects from Close at Hand (Chūka senzen 肘下選蠕), 1820, 7th month
Mori Shunkei

G103

woodblock printed book; text pages; image of figures outside of a building with activity inside; interior scene featuring women musicians entertaining men who are eating, with other women lining the room behind lanterns; figure standing and interacting, holding instruments; figures wearing giant heads — Encyclopedia of Musical Theater Performances (Seikyoku ruisan 声曲類纂), vol. 6, 1889
Hasegawa Settei

G103

One of three panels mounted as a triptych of kakemono; ink and slight color on paper. — Chinese Figures in a Landscape, from a set of three, late 16th-early 17th century
Traditionally attributed to Kano Eitoku

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Falcon Attacking Goose, Yoshida Rankō — Falcon Attacking Goose, c. 1780
Yoshida Rankō

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Kakemono. — Sanjusangendo Temple, c. 1916
Maeda Seison

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two long slender stalks of bamboo grow from the left corner; left of bamboo is a lichen-covered rock; two lines of Chinese running script extend down left side — Autumn Reflections, 19th century
Cho_ Shu_koku

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Unsigned — Noblemen Viewing the Nunobiki Waterfall, Episode 87 of the Tales of Ise, first half 17th century
Attributed to Tawaraya Sōtatsu

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Seated Man Plucking Beard with Standing Woman, Ogawa Ritsuō — Seated Man Plucking Beard with Standing Woman, 1741
Ogawa Ritsuō

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A rare collaborative hanging scroll in ink on paper for Mr. Hsi-chih; the scholar with fan by Chang Feng-I dates 1630, the crane by Ch'en Chia-yen, the rock by Yun-lo, the wu-t'ung tree by Yuan Shang-t'ung, the banana by Wu Ling, with colophons by the close friends Wen Ts'ung-chien (1574-1648) and Shao Mi (1594-1642); peach-colored silk scroll; roller ends of dark green marble — Scholar, Crane, and Banana Tree, 1630
Zhang Fengyi; Artist: Chen Jiayan; Artist: Yuan Shangtong; Artist: Wu Ling; Artist: Wen Congjian; Artist: Shao Mi

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Three Crossbills on a Leafless Tree, Kawanabe Kyōsai — Three Crossbills on a Leafless Tree, c. 1878
Kawanabe Kyōsai

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One of three panels mounted as a triptych of kakemono; ink and slight color on paper; unsigned — Chinese Figures in a Landscape, from a set of three, late 16th-early 17th century
Traditionally attributed to Kano Eitoku

Not on View

One of three panels mounted as a triptych of kakemono. Unsigned. — Chinese Figures in a Landscape, from a set of three, late 16th-early 17th century
Traditionally attributed to Kano Eitoku

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Shotoku Riding a Lion, Traditionally attributed to Ashikaga Yoshitane — Shotoku Riding a Lion, 16th century
Traditionally attributed to Ashikaga Yoshitane

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Fighting Bulls, Unknown Japanese — Fighting Bulls, c. 1700
Unknown Japanese

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Standing Prostitute with Shamisen at Her Feet, Unknown Japanese — Standing Prostitute with Shamisen at Her Feet, first half 18th century
Unknown Japanese

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Dancing at the Bon Festival, style of Torii Kiyomasu — Dancing at the Bon Festival, 19th century
style of Torii Kiyomasu

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Standing Prostitute, Kitagawa Utamaro — Standing Prostitute, 18th century
Kitagawa Utamaro

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Chinese scholar-official viewing a hanging scroll with a painting of bamboo held by a young servant boy. — Scholar Viewing a Painting [center of a triptych of Scholar with Heron and Myna], mid 17th century
Kusumi Morikage

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Ox herder as Mitate of Kengyu_, Teisai Hokuba — Ox herder as Mitate of Kengyu_, 19th century
Teisai Hokuba

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unsigned — Hanasaka Jiji, second half 19th century
After Katsushika Hokusai

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mounted on a new scroll — Riding in the Mountains, 1637
Zhang Hong

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Mountains with water below; buildings at right — Autumnal Colors Among Streams and Mountains, 1723
Jin Yongxi

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unsigned — No. 26, Mochizuki, c. 1835-1838
Utagawa Hiroshige

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leaf from a small album of flower paintings; white daffodil-like flowers with yellow centers at right; fungus left of flowers; single column of calligraphy lower left with 2 red seals below — Flower Painting, late 18th century
Mianyi

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Exalted Gathering in the Green Woods, Title written by Dong Qichang — Exalted Gathering in the Green Woods, c. 1620
Title written by Dong Qichang

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Erotic 'Spring Picture', Utagawa School — Erotic 'Spring Picture', 19th century
Utagawa School

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Flower Studies [one of a pair], Shibata Zeshin — Flower Studies [one of a pair], second half 19th century
Shibata Zeshin

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Kamuro Serving Tea to a Prostitute, attributed to Suzuki Harunobu — Kamuro Serving Tea to a Prostitute, mid 18th century
attributed to Suzuki Harunobu

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Standing prostitute wearing a kimono with plum-blossom motif, Kaigetsudō Anchi — Standing prostitute wearing a kimono with plum-blossom motif, c. 1715
Kaigetsudō Anchi

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The Tenjin Shrine Scrolls [one of a pair], Tosa School — The Tenjin Shrine Scrolls [one of a pair], early 17th century
Tosa School

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elaborate landscape with mountains, trees, buildings and lake with waterfall in black, green and tan; 2 figures in building in front; man in boat near center; stored and shipped rolled — Landscape After Huang Gongwang, 1752
Wang Yu

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2 leaves of text; 4 leaves of inkstone rubbings; 15 landscape paintings — Hsu Hsiao-p'u's "Five Clouds and Double Star" Inkstone Album, 1923-1928
Various artists

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image of a red and white prunus in flower, text fields placed within branch openings, nine separate grouping of text within image; separate text field at end contained in four separate inscriptions — White and Red Plum Blossom, 1546
Wang Guxiang

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water bodies and seaways wind through seaside villages and around island oasis; throughout fishermen and birds speckle the water with activity — Misty River and Layered Peaks, Wanli period, 1608
Gu Yide

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hanging scroll with image mounted sideways; stormy sea at right side; two pine trees and rocky shore frame three deer looking at the sea — Deer By Stormy Sea, c. 1670
Ma Futu

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old Daoist magician stands on a bluff by a pond, a small boy at his side, bamboo stick he throws into the air is transforming into a dragon; matted — Fan Painting of a Daoist Magician, c. 1650
Wan Shouqi

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Landscape, Wang Su — Landscape, 1734
Wang Su

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The Insect Scroll, Torii Kiyomasu — The Insect Scroll, c. 1710
Torii Kiyomasu

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unsigned — Cherry Viewing Party, first half 18th century
Attributed to Miyagawa Chōshun

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2 figures, one very small carrying a basket, in lower left corner standing on a bridge; 2 buildings near top; tall trees in middle ground and mountains in background; inscription and 2 seals in upper left corner — Gathering Herbs, 1612
Xie Daoling

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Page from the Materia Medica, undefined — Page from the Materia Medica, 1224
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Miniature, 'The Stag' with inscription and page-long overleaf. Painted shortly after the Mongol invasion, the Chinese influence is strong in the treatment of the clouds above the stags, and in certain details of the flowers. The page is from a dispersed Manafi al-Hayavan (on the uses derived from animals). The painting is the counterpoint to Byzantine painting. — Page from the Manafi al-Hayavan, 14th century
Iran

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two bulls, one black, one reddish brown — Two Bulls, c. 1810
Maruyama Ōju

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Flower Studies [one of a pair], Shibata Zeshin — Flower Studies [one of a pair], second half 19th century
Shibata Zeshin

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Stream with trees in ink and wash — Bamboo and Trees Enveloped in Cold Mist, 1723
Jin Yongxi

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Blue mountains in distance; tan rocks; green trees; buildings at center — Mists Rising from Pine Grove in a Ravine, 1723
Jin Yongxi

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buildings on a small, mountainous island seen from high vantage point; seven boats in water — Finger Painting, from an album of ten, 1684
Gao Qipei

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spider at the center of a web with a flowering branch in front, across bottom and left edge — Finger Painting, from an album of ten, 1684
Gao Qipei

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Rolling mountains and trees in green and tan with buildings at front — Mountain Color on Mount Liangchang, 1723
Jin Yongxi

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white swooping bird at center; curving flowering branch at top and right — Flower-and-Bird Finger Painting from an Album of Ten Leaves, 1684
Gao Qipei

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Red flower at L with black and wash grey leaf shape at R — Lotus, early 20th century
Qi Baishi

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Green mountains; tan rocks; buildings in foreground — Green Mountain Just After a Bath, 1723
Jin Yongxi

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Mountains with buildings — Magnificence of Overhanging Bluff, 1723
Jin Yongxi

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Open pavillion in front with trees and rolling mountains in ink and wash — Autumnal Contemplation in Clean Pond, 1723
Jin Yongxi

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blocky rock island with three small buildings near water; five boats — Finger Painting, from an album of ten, 1684
Gao Qipei

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Green mountains; red-leafed trees; buildings center — Autumnal Color Among Mount Quan and Mount Hua, 1723
Jin Yongxi

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Snow-covered mountains; bare trees; ice-covered water — Snow in Mountain Villa, 1723
Jin Yongxi

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walled garden at L with buildings and trees; bridge-like wall at R; 3 small boats with figures on water at R — Suchou Temple Garden, c. 1549
Yuan Qiu

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two horned animals with fingerprint bodies at top of a bluish-grey hill; large empty space in middle ground, blue and grey mountains beyond — Finger Painting, from an album of ten, 1684
Gao Qipei

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horse with a small pack on its back galloping across waves — Finger Painting, from an album of ten, 1684
Gao Qipei

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thick brown vines and dark green-grey leaves; four yellow, green and brown gourds growing on vines; text, LLC — Gourds, 1932
Zhao Yunhe

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five white mum blossoms on thick stems with green-grey leaves; text, URC — White Chrysanthemums, 1929
Wang Zhen

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yellow and white mums; blue-green rock in front; grasshoppers, moths and other insects; three-character inscription and seal, LRC — Fall [right of a pair of Flowers and Insects of Spring and Fall], mid 19th century
Yamamoto Baiitsu

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pink, light lavender and white peonies and yellow dandelion-like flowers; two blue rocks in foreground; butterflies, bees and other insects; three-character inscription and seal, LLC — Spring [left of a pair of Flowers and Insects of Spring and Fall], mid 19th century
Yamamoto Baiitsu

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2 seated men with moustaches and beards; man at left wears white and blue kimono and black cap; man at right wears black and white kimono; has storage box — Two Immortal Poets, 15th century
Unknown Japanese

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body is twisted; tiger looking to left; green floral brocade border — Sitting Tiger, late 19th century
Kishi Chikudō

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Wisteria Maiden, Unknown Japanese — Wisteria Maiden, late 17th - early 18th century
Unknown Japanese

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simple design of vibrant red trees around small building; green mountain in background; block of text, URC — Landscape, 1812
Wang Xuehao

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peony-like pink bloom with leaves and branches; small opening bud at upper right — Flower Painting, late 18th century
Mianyi

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green mountain tops visible through thick, swirling clouds; some small trees on mountains; pinkish sky near horizon — In Praise of Green Hills and White Clouds, 1905
Tanomura Chokunyū

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woman seated on a folding sling chair, reading a book with a green cover; small black and white cat under woman's chair; woman wears a tan spotted kimono with purple curving patterns; table at left with plant, bowl of grapes and glass; fern at LRC — Woman and Cat, 1933
Yasuma Sodō

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3/4 bust of woman holding blotting paper to lips; black kimono with red cuffs and yellow and green trim; white collar with white flowers; eyes cast down; green tie in hair with yellow ornaments — Beautiful Woman, second half 19th century
Unknown Japanese

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several rocky slopes at top with boulders and trees; large boulder-like outcropping at R with trees at top; man in fishing boat at LL gazing upward — Landscape in the Style of Taiga, late 18th - early 19th century
Nagamachi Chikuseki

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Basho and Deer, late 18th - early 19th century

Ki Baitei

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pink rock surrounded by wisps of graceful grasses and foliage; blossoming grey flowers at L and R sides of rock — Orchid and Rock, late 18th - early 19th century
Totoki Baigai

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very long, narrow image; short, balding man wearing white robe with light blue crisscross pattern; man is balancing on one foot with both arms in the air; he is looking upwards at a deep plate that is balancing on top of an extremely long pole; pole is resting on his forehead — Balancing a Plate, first half 19th century
Seisai

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brightly colored fantastic creatures with animal and human attributes, many with pointed claws, tusks, grotesque faces, or apparition-like qualities — A Collection of Monsters [one of a pair], late 18th - early 19th century
Unknown Japanese

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swirling white cloud at center of image, floating over rows of waves below; vertical gold inscription down center, ending at top of cloud — Great Buddhist Avatar Akiba-san, 19th century
Unknown Japanese

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monk wearing black robe, holding rosary in both hands rides backwards on a horse; large, halo-like woven hat behind head; PR leg folded across horse with PL leg hanging off side of horse; monk has mostly bald head with dark beard, large earlobes, and determined look on face; horse is turned away at 3/4 view; inscription ULQ; short inscription LRQ — Monk Riding Backwards, 19th century
Hirano Gogaku; Artist: Hoashi Kyōu

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small figure sitting in hut at bottom of image with foliage on L and R; towering pointed rock formation near center; large inscription upper half — Night Stories from a Window Viewing Bamboo, first half 19th century
Hosokawa Rinkoku

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one-line inscription center; cucumber, persimmon, and two red chilies at bottom — Tastes in a Rural Cottage, first half 20th century
Fukuda Kodōjin

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two white flowers on two-part black stalk with light blue-green shading; gold veins; painted on fan-shaped background; inscription with round stamp LRQ — Hollyhocks, 1910s
Kamisaka Sekka

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monkeys perched on, or climbing upon, the snow-covered branches of a large pine tree; trunk extends diagonally L of center of screens — Monkeys in Pine Trees, 1853
Kishi Renzan

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irregular grouping of rocks at bottom center with red tree trunks and two figures seated facing each other on a flat clearing; small fleet of sailboats and a fishing boat in water at center; island with rocky shore, a few huts, and red tree trunks at R; mountains in distance — Wind and Moon by the Riverside, Ca. 1922–1924
Fukuda Kodōjin

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pot of glowing coals with billow of smoke; fan resting against side of pot; clusters of black dots within and slightly outside of smoke cloud; inscription at R — Smoking Out Insects, c. 1927-1941
Fukuda Kodōjin

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figure seated on small, flat rock formation upper center, wearing orange robes; blue hair, and large bump on head; several other, smaller figures in colorful robes seated on flat rock formations, most wearing colorful robes and holding objects like staffs, inscribed papers, and rosaries in hands; all figures have halos; trees, waterfalls, and swirling clouds separate figures — Zengetsu Daishi and Saints, mid 19th century
Butsujo Jisen

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towering, multi-leveled mountain peak at R; shallow cliff with three-legged, white and red structure at UL; lower, multi-leveled mountain peaks at LL; bent human figure with blue top, white bottom, holding a walking stick at LR; mountains dotted with foliage; inscription at UL — Landscape with Scholar and Empty Pavilion, second half 19th century
Doi Gōga

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rocky shoreline with lightly colored trees; small pavilion near lower center; two fishing boats, one with a single figure, and the other with two figures at lower center; small buildings above to R of stone bridge; castle or temple complex at UL — Autumn Landscape, early 20th century
Hashimoto Dokuzan

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L screen: gnarled, twisting pine tree at L, with branches extending across multiple panels; rocks at L; hawk at lower center attacking a small goose, its talons digging into the goose's face, mouth, and neck; hawk is lifting bird out of water — Hawks by a Stream [left of a pair], mid 17th century
Soga Nichokuan

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landscape and calligraphy mounted together: landscape with large rock formation in background; hut with figure in window near center next to waterfall; other small houses LRQ; lush trees, and bright, mossy rocks; calligraphy: four and a half line inscription on white paper — Pouring Wine at Dusk at the Riverside Dwellings, second half 19th century
Urakami Shūkin; Artist: Urakami Shunkin

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unsigned; man wearing massive robes seated on low podium behind partially closed screen; arrangement of robes and tall black hat give figure triangular appearance — Retired Emperor Gotoba, Date Unknown
Unknown Japanese

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Woman Sweeping [right of a pair of Women], early 19th century

Tatebe Sōchō

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mountainous landscape in green and tan; buildings nestled in trees; seated figure in LLQ; bridge right of center over calm water; inscription in URQ with two red seals — Landscape after Gao Kegong, 1679
Lu Huancheng

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outer paper carton is cream with grey stripes running the long way; inner box is wooden with inscriptions on the outside and inside of lid; wrapped in tissue; roller is bone; supporting fabric is teal; image is of a pond scene with a single pink open flower, a pink flower bud and many leaves and reeds with a dragonfly above it; curling inscription down the R side with two small red chops at the end — Crimson Lotus Flower, April 1931
Fukuda Kodōjin

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inside a wooden box with no inscription on lid; no tissue around outside of scroll; paper under tie and around scroll; dark wooden roller; olive green support fabric with gold accent; image is a cliff with a tree and house at the top with figure at the top of a path leading down; path and tree trunk are red/brown in color; two lines of inscription along LL edge; three red chops, two square chops on the bottom of the inscription and a rectangular one UR corner — Running Water and Plum Blossoms, Ca. 1913–1921
Fukuda Kodōjin

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two men in a boat--one standing, one seated; seated bearded man at left wears a grey cap and holds up a white fan; hunched-over standing man at right has white hair and wears a straw hat; basket with orange fruits in boat; plants at bottom, center and right — Album leaf, c. 1875
Qian Hui'an

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male figure stands at LR scratching head with PL hand, and holding red sword in PR hand; woman at man's PR holds other end of sword in PR hand while shyly turning away; both figures are on a bridge or platform; tall tree along L side — Michiyuki, first half 19th century
Hosokawa Rinkoku

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red-faced monkey at UL peering over a snow-covered embankment; web-like waterfalls between snow-covered cliffs in LR; red fern to L of waterfall — Monkey on a snow hill, mid 19th century
Ōhara Donshū

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inside two wooden boxes, wrapped in tissue; fabric is blue; image of red crabs and a black stem of reed; single line inscription down R side — Crabs Walking Sideways, c. 1928
Fukuda Kodōjin

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older male figure with salt and pepper colored hair at UR carefully poised holding calligraphy brush in PR hand over a pink and black image of a large blossom; across the table, a young female student mimics his gesture over her own black and white image; at lower center, a young male student with beard points at an open book with his PL hand — Painter with Two Students, 2002
Minol Araki

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bearded man wearing a hat and carrying a basket on a blue cord walking with a boy; both figures wear grey tunics and white pants; tree with pink blossoms in LRC; small bridge, LLC; mount attached at top to foam core board backing — Album leaf, c. 1875
Qian Hui'an

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short, bald man wearing open black, short coat with white square on either side of chest, and red and cream stripes at front seams; open coat exposes his big round belly; black leg cuffs; man is concentrating intently on walking very carefully; holding object on long staff with black pouf at top in PR hand, carefully holding PL hand out at side — Ōtsu-e, 17th - 19th century
Unknown Japanese

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frog riding toad in center surrounded by frogs wearing white robes; other white robed frogs on L and R as well as unclothed frogs carrying various objects; some tadpoles on L — Procession of Frogs, c. 1738
Ogawa Haritsu

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white-robed figure resting on a rock within a churning body of water; large halo behind figure's head, landscape with waterfall extending up L side; figure wears ornate gold headdress, earrings, and bracelets — White-robed Kannon, late 15th century
attributed to Kenkō Shōkei

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one of a pair of landscapes; once grouped with white-robed Kannon that was placed in center; left landscape; rocky cliff at LR with trees and boulder below; to men crossing an arched bridge near LL; small building in background; far background a misty rock outcropping with pine trees — Landscape [left of a triptych of White-Robed Kannon with Landscapes], late 15th century
attributed to Kenkō Shōkei

Not on View

angled gray rock formation at center and portion of rock formation at UL; bright orange and red blossoms overlap; inscription URQ — Rocks and Flowers, 1817
Okada Beisanjin; Artist: Okada Hankō

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gruesome battle scenes between humans in samurai armor and demons and monsters; crowds of men and women near end — Shutendoji emaki, early 17th century
Unknown Japanese

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various images of brightly colored demons and other imagined creatures; many with fangs and claws; some on fire; others riding on clouds or emerging from waves — A Collection of Monsters [one of a pair], late 18th - early 19th century
Unknown Japanese

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two lines of calligraphy on decorated paper; paper decorated with horizontal wavelike motif; a few delicate plants; waves of blue fibers at top — At the Ōi River, late 16th - early 17th century
Emperor Go-Yōzei

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horizontally oriented painting of two blossoming pink roses; foliage begins LLC, extends upward with a bud near top center, and horizontally towards LR with the two blossoming roses; black and blue butterfly at top rose; three lines of calligraphy at ULC with two part rectangular seal with rounded edges — Flowers and Butterfly, 1838
Yamamoto Baioku

Not on View

abstracted pine tree extending diagonally up the scroll from LL with bristly, pointed, downturned branches and bristles along trunk; red sun in upper center; hints of pale pink clouds in background — Pine Tree and Rising Sun, Ca. 1942
Fukuda Kodōjin

Not on View

pallette is predominanty beige, grey, white and green; two white birds at bottom of panels 2 and 4; grey bird in tree in panel 3; owl in tree in panel 6 and a few other birds; painting on back of screen also — Birds in Landscape [right of a pair], early 16th century
Shūgetsu Tōkan

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cluster of buildings in a mountain valley with waterfall at center R; thatched roofs, lightly tinted brown; pine trees and blossoming trees in front of buildings; light blue mountain in background; towering rock face at R with small walking path below; rolling mountain bluffs with pine trees rise towards UL; narrow walking path leads to another cluster of buildings with white walls and planked, pitched roofs; another waterfall at far L; inscription at center with two small red stamps; red relief stamp LRC; mounted to jet black board — Amid the Mountains, second half 19th century
Ninchōji Baikoku

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fan-shaped painting; bald man with bushy white eyebrows and bushy white beard, eyes squinted shut; wearing light green robe, hands clasped in front under robe; brown gourd at man's PR — Jurojin, early 20th century
Tsuji Kakō

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robed man kneeling with arms folded in lap; man is bald, has slight smile and small, narrow eyes; resting against a white object outlined in black and blue; inscription above — Haiku Poet Shohaku, early 19th century
attributed to Yokoi Kinkoku

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one of a pair of landscapes, right; once grouped with a white-robed Kannon that was placed in the center; tall, vertical rock formation at L; water at R with a boat and more rock formations and a flock of birds in the background; in foreground, smaller rock formation with pine trees, small village, and two men walking away from fishing boat — Landscape [right of a triptych of White-Robed Kannon with Landscapes], late 15th century
attributed to Kenkō Shōkei

Not on View

three elegantly dressed women; standing woman on R facing R and wearing white, red, and black; two seated women wearing grey — Women in the Demimonde, first half 19th century
attr. Yamaguchi Soken

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front 3/4 view of woman in white robes looking over PR shoulder; woman has subtle smile and holds object in outstretched hands; two line inscription URQ — Female Chinese Immortal Ma Ku, 1831 (inscription, painting undated)
Hayashi Rōen; Author: Inscribed by Tanomura Chikuden

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somewhat abstracted landscape: densely foliaged rock formation with bands of irregularly shaped clouds; tiny figure seated on top of rocky outcropping just R of center; treetops under fog just below center; tiny hut on cliff bottom center with other irregular rock formations with dense foliage on bottom; inscription URQ — Boating on a Pure Creek, January 1930 (box)
Fukuda Kodōjin

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two-sided fan: two groups of three conical, minimalist evergreens; evergreens have dark brown trunks with moss; opposite side: minimalist landscape of mountains in silver and gold pigment — Pine Trees, 1900s-1910s
Kamisaka Sekka

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three white birds on tree on R; duck in water with water plants on L — Birds in Landscape [right of a pair], first half 17th century
Kano Naonobu

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three elegantly dressed women facing R; standing woman in back wearing red with two seated women in front of her — Ladies of the Warrior Class, first half 19th century
attr. Yamaguchi Soken

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eleven lines of text; landscape with tall rock formation, figures in a boat, and leafless trees growing from flat rocks in LRQ — Heart Sutra and Landscape, mid 18th century
Ike Taiga

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snow scene with woman with two children close to her body, all in very stong winds that are blowing their clothes; the woman's hat has just flown off of her head; another overturned hat at bottom; all are wearing red kimonos — Lady Tokiwa Fleeing with Children, 1850s
Utagawa Kunitsugu

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snow covered bare tree and plants on L with five birds; snow covered branch coming down from top in panel 3 with large bird seated on branch; small flying bird in panel 6 — Birds in Landscape [left of a pair], first half 17th century
Kano Naonobu

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Sketches (shukuzu), mid - late 17th century

Kano Tan'yū

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rear view of abstracted pear-shaped figure at LR seated behind low table; near center, converging lines resemble abstracted, scattered papers; blocks of inscription weave back and forth down scroll, ending in vertical inscription down LL edge — Figure with Inscription, early 20th century
Higashiyama Bugyoku

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inside white box with yellow vertical and horizontal lines; inside wooden box with inscriptions; fabric is tan; roller is wood; image of orange colored mountains with trees in white, green, pink and grey; many lines of inscription UL corner — One Thousand Mountains and Ten Thousand Streams, Autumn 1918, December 1935 (box)
Fukuda Kodōjin

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seated man wearing pale red garment with bushy beard and black loop earrings; seated on dark blue pillow with green flowers; matching smaller pillow in front with sandals on it — Daruma, 1917
Tsuji Kakō

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various suggestive scenes in a petite handscroll: shrimp climbing a clam; two mating insects; phallic mushroom, etc. — Erotic scenes, 19th century
Unknown Japanese

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white and pink peony with foliage at center; smaller, yellow-orange flower with foliage to the R; small inscription URQ — Peony on a fan, first half 19th century
Yamamoto Baiitsu

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bustling crowds of townspeople and travelers; prostitutes pulling on men; people carrying parcels and palanquins; people pulling horses; far L panels depict people sitting and eating, bathing, chatting, looking at pictures, smoking, and receiving massages — Scenes of Ōtsu, c. 1790
Ki Baitei

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three elegantly dressed women; one standing on the R looking back at other two, one leaning forward, and one seated; standing woman wearing blue/grey, leaning woman wearing pink, seated woman wearing black — Wives of Merchants, first half 19th century
attr. Yamaguchi Soken

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two trees growing from grey rocks at LL; small male figure in white, walking down winding path, bent under a yoke with two boxes at R; two sailboats at UR; inscription ULQ — Boating on the Spring River, mid 19th century
Hine Taizan

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group of three figures near bottom hiking near the base of a steep valley and large boulder; first figure wears short grey jacket and carries a white and blue bundle across shoulders; center figure wears white robe with long black headdress; third, shorter figure wears blue robe and carries a gourd on back; long, curving formation (cloud bank? waterfall?) cuts across center from UL; foliage at center; towering, pointed mountain in background UR with pagoda (with light pinkish/brown wash of color) near its base — Paying a Visit among Valleys and Mountains, late 19th century
Doi Gōga

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pallette is predominanty beige, grey, white and green; two white cranes on panel 2 with several other birds and ducks; bamboo on L; painting on back of screen also — Birds in Landscape [left of a pair], early 16th century
Shūgetsu Tōkan

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abstracted pond combining three vantage points: at top, large lotus blossom and foliage highlighted in green wash; two fish jump at upper R; two ducks at L between lotus blossom and leaf; grasshopper at ULQ perched on a blossom; large, abstracted leaf at center; large eel in LRQ; turtle below leaf at L; seaweed — Old Pond, mid 20th century
Nakamura Yoshihiro

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figure dressed as female in green kimono with blue hat holding umbrella at L; seated male figure at LL with tattooed arms holds a red and white banner that extends toward R center; younger boy at center scratches head with PR hand while making a face and looking behind towards another man with tattooed arms attempting to grab female figure's hand; at UR, a man with determined look on face ties white headband — People at a festival, 1790s
Gion Seitoku

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three elegantly dressed women; standing woman on R wearing blue kimono with paper cranes; center woman is seated and wearing white; woman onL is standing and facing L and holding tray — Working Girls, first half 19th century
attr. Yamaguchi Soken

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mountain range at top with trees; shorter mountain with huts center R; rocky outcropping at LL with large trees; rocks at bottom with two figures hiking; arched stone bridge at R; trees and foliage throughout; trees highlighted with light green; tree trunks and rocks highlighted with light brown — Friends Visiting in the Mountains, mid 18th century
Ike Taiga

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blue vase on small red circular platform; two stems with clusters yellow blossoms and some grasses leaning in L side of vase; inscription at R — Yellow Chrysanthemums, first half 19th century
Hosokawa Rinkoku

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accordion album with brown silk cover and Japanese label at L; contains images of landscapes and some calligraphy entries — Landscape Album, c. 1916-1919
Yamaguchi Chikuin; Artist: Seisanjin; Artist: Hiroshi; Artist: Chikutaku; Artist: Bansui

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small mountain landscape: mountain at UL; trees on embankment at LR; small building at LL; inscription URQ — Reading Books in the Waterside Pavilion, first half 19th century
Okada Hankō

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Lin Hejing Searching for Plum Blossoms, late 16th century

Kano Gyokuraku

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Writing Calligraphy, mid 19th century

Kida Kadō

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smiling young courtesan daintily plucks at the hairs of Daruma's upper lip; courtesan wears brown and white plaid robe with detailed red and white undergarment; Daruma wears red robe with white around neck; bald head, exaggerated cheek bones; looks painfully up at courtesan — Prostitute Plucking Daruma's Beard, first half 19th century
Inoue Setsuzan

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nine lines of calligraphy at top two turtles at bottom — Two Turtles, first half 19th century
Hosokawa Rinkoku

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outdoor scene of foreign settlement; Dutch men in long, brocade coats with colorful leggings engaged in various outdoor activities; two men at LR engage with a small black dog on a white leash; a man with a walking stick stands at bottom center; a man on a horse points ahead to his attendant at LR; man on white horse facing away from viewer holds a bow with a quiver of arrows in PL hand; man with white brocade coat and red legs holds a longbow behind his back in PR hand; two men stroll in front of an arched bridge that crosses a stream fed by a mountain waterfall; other men engaged in archery, horseback riding, and other activities in very back; thick forest at L and R sides; mountain range at UR and UL; stone building with dome, topped with red and white flag in LRQ; series of white buildings and towers in ULQ — Scene of Foreigners, 18th-19th century
Unknown Japanese

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two haggard looking women; front woman in light yellow-green kimono with black obi is much older with large, exaggerated, drooping facial features; carries a long switch in PR hand and plant sprigs with small white flowers in PL hand; kerchief on head; younger woman in back wears light blue-green kimono with green shawl; carries a large bundle in both hands; both wear sandals and have rough looking feet — Two Women, early 19th century
Tatebe Sōchō

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horned red demon with fangs dressed in priest's black robe; demon holds gong and inscribed paper in PL hand, striker in PR; bushy hair, clawed feet — Demon Reciting Buddhist Prayers, 18th - early 19th century
Unknown Japanese

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tapered gray basket holding green lotus leaves and one large, pink lotus blossom; light pink and green fronds behind — Lotus Flowers in a Basket, second half 18th century
Fukuhara Gogaku

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Landscapes, 1828

Fujimoto Tesseki

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four human figures; figure at far R sits, cross-legged playing an instrument on his lap; second figure sits with PR side to viewer, facing instrument player, with white robe and black head covering; a small object sits between the first two figures; third figure sits cross-legged, 3/4 view to viewer, wearing grey robe, hands in sleeves; fourth figure at L sits hunched over a bundled object; two characters at URC — Playing the Qin, mid 19th century
Kida Kadō

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crooked tree with two entangled trunks at center; monkey in branches at UR, another monkey on rock at LL; praying mantis carrying wasp in front claws at R; valley landscape with cascades in background — Monkeys Watching a Praying Mantis Catching a Wasp, second half 18th century
Iwai Kōun

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frog at LL strutting on two long legs, holding open fan in PR hand, balancing white mochi in mouth; young frog swaddled to back with red cords carrying bag of mochi balls; rabbit in black robes in round vignette at UR fanning tray of white mochi balls — Frogs and Rabbit, mid 19th century
Unknown Japanese

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three figures seated in long boat; fourth figure standing at rear, steering boat with long pole; some brambles in foreground and behind boat — Boating Scene with Poem, second half 19th century
Hoashi Kyōu

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large rock formation with two tall pine trees at lower center with an elderly couple enjoying tea on boulder; in middle ground, three people sit in a long boat with awning; in background, two rock formations, one with a small, open walled structure and three leafless trees, the other with a few buildings at R; two sailboats in distance at UR; inscription at L; small moon at UL; a few details highlighted in pinkish wash — Boating Past Pine Trees, early 19th century
Ikeno Kanryō

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rear 3/4 view of a seated older man with a few strands of hair pulled back, scraggly beard; man is wearing billowy garments; folded fan (?) at figure's PR side; cursive inscription at R — Fifty Years Old, late 18th - early 19th century
Matsumura Goshun

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oval-shaped hay bale (?) at center of image; seated man with head down, resting on his folded arms, to right of bale; smaller figure (child?) in blue tunic comforting man; moon or sun, ULC; tree branches at left at horizon line — Album leaf, c. 1875
Qian Hui'an

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outer carton is cream paper with a brown stripe pattern; inner wooden box has an inscription on outside and inside of lid; wrapped in tissue; support fabric is green with peach, blue and gold accents; image of a gourd-like vegetable with an orange stem; inscription around gourd with a round, red chop in LL corner — Countryside Flavor, c. 1927-1941
Fukuda Kodōjin

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gnarled old tree with bare branches, floating over a pinkish-tan, blue and grey mottled ground; some exposed roots interspersed with text — Passing of Time, c. 1995
Zeng Xiaojun

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two-fold screen; R screen from pair; very young crane at L panel; three cranes at R panel — Family of Cranes [right of a pair], c. 1787
Nagasawa Rosetsu

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two-fold screen; unsigned; L screen from pair; three cranes at L panel; one is a young crane; one crane at R panel tucking head behind legs — Family of Cranes [left of a pair], c. 1787
Nagasawa Rosetsu

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leaf from a small album of flower paintings; five blooms (four red and one white) with leaves and buds — Flower Painting, late 18th century
Mianyi

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leaf from a small album of flower paintings; poinsetta-like flower at bottom center; branch with green leaves and white buds (?) along stem at left — Flower Painting, late 18th century
Mianyi

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reclining woman lying on her PR side, breastfeeding a baby in a red and orange tie-dyed kimono; woman wears a white kimono with blue flowers and holds a fan in her PL hand; view through a sheer curtain with blue band at top of screen — Mother, 1936
Ishida Shigeko

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rocky formations ascending upward; blue-grey, green and red foliage, flowers and moss; inscription at left edge, ULC — Red Jade and Coral, c. 1685
Cheng Yi

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dark wood covers with gold and black label on front; twelve miniature paintings, three with text on opposite pages; six landscapes in color-six in black and white; two seals in margin of first page, three seals in margin on page opposite last painting — Double Album of Miniature Landscape Paintings, 1723
Fang Shishu

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six images mounted together as hanging scroll: man with dark brown skin and bushy black beard wearing white robe; orange bowl with brown dots; brown, black and red insect; blue vessel with brown bottom and black bird on side; blue vessel with black and red flower form; two brown and white bowls--one with black bird--and signature; green and beige mount — Untitled, 20th century
Sugimoto Tatsuo

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seated figure in pink robes, LRC, under an overarcing rock with numerous holes; two long text blocks, ULC and URC; six seals — Sitting in Meditation, 1732
Zhang Shiying

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hyper-real painting of overlapping scraps of paper with text, drawings of vessels and pictures of a woman at a round window and a man with a horse; text at top corners; three seals — Paper Fragments, 1937
Yang Weiquan

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delicate landscape with brown-leafed trees, stream and mountain in background; small buildings in middle ground with two small figures; fog; tan, orange, grey, brown, blue — Untitled, Date Unknown
China

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man wearing a peach-colored garment, with black hair, thick black eyebrows and heavy black beard, clutching a sword in his PL hand; mounted behing plexi, framed — Samurai Warrior, 20th century
Unknown Japanese

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eleven turtles, swimming and sunning on the shore and on rocks; rocks in the water at R; pine saplings and vines with white flowers at L — Tortoises [right of a pair of Cranes and Tortoises], c. 1780
Komai Genki

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seven cranes, including one baby, with black and white feathers and red heads; pine saplings behind cluster of birds at R and in LLC — Cranes [left of a pair of Cranes and Tortoises], c. 1780
Komai Genki

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unsigned; front view of man in General's uniform, standing with legs close together, PR hand on waist, looking toward R; white pants, short blue jacket with red lining in tails; pink sash, two star decorations, and red-plumed black hat — Russian Admiral, early 19th century
Unknown Nagasaki School

Not on View

two panel screen: two puppies on R panel: brown puppy is scratching its face, and white puppy is looking on with mouth partially open; three puppies on L panel, one at far L is seated, while the two others are standing near each other; blue background with gold flecks — Puppies, 1781
Maruyama Ōkyo

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dancing female figure in light blue outer robe with crane decoration; standing on PL foot with PL leg bent across body, foot raised; PR arm down, holding bells; PR hand held up with open fan behind body; figure is looking over PR shoulder to L; tall black hat — Sanbasō Dancer, 18th-19th century
Kitao Shigemasa

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album with six colorful paintings with poems; image of blossoming tree with river; blossoming trees with hikers amid hills; blooming flowers; flowers amid thatched rooves; grasses blowing in wind with geese; autumn red maple leaves; images extend borders — Poems from Shūi gusō and Shin kokin wakashū, Six Immortal Poets from the Shinkokinshu, 1718
Unknown Japanese

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cheerful, bright garden-like scenes featuring children playing, dancing, pulling a boat on wheels full of toys; playing games with balls, battledore, tops, etc.; a few adults selling toys and games, and acting as guardians; wisteria trellis at end — Scenes from the Four Seasons, 18th century
Hishikawa Mitsukuni

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unsigned; two men in military dress; man at L wears red coat and striped pants, standing with back to viewer; man at R wears short blue coat, white pants, and cravat; both men have swords, triangular black hats, and curly hair; framed — Two Russian Officers, 19th century
Unknown Nagasaki School

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woman in 3/4 pose wearing white kimono decorated with gold fog and wispy chrysanthemum blossoms; blue and red hems; green obi — Standing Beauty, 18th century
Unknown Japanese

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six panel screen: group of people at R carrying and displaying hanging scrolls at the bases of mountains; harbor with ships at C with people traveling on road, with some traveling on horses; mountains at L with men gathered around a table with a paper inside a hut with thatched roof — Four Accomplishments, 17th century
Untaku Toetsu

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10 panel screen with mounted colorful images of children playing in gardens, climbing trees, swimming, playing games — One Hundred Children at Play, late 19th century
Unknown Korean

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standing female figure clutching the hems of her robes in PL hand, near waist; PR arm is raised to mouth; looking over to LL; outer robe is light blue and white; inner robes are red and orange with designs — Standing Beauty, 18th century
Hishikawa Moronobu

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cat on ground looking up to cat on rock above at L, amid bamboo; purple and white chrysanthemums — Cats by Bamboo and Chrysanthemums, 18th century
Shin Sen

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male figure seated on ground at L with arms crossed wearing billowing, angular black robes, looking toward R; inscription at R — Fujiwara Teika, from One Poet One Poem (Ikkasen isshu), early 14th century
Unknown Japanese

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two sets of couples in voluminous noble robes seated on risers with food trays in front of two layers of painted screens; observing two girls with two attendants playing with an object on a low table; small boy at L dancing with doll in hand, and palanquin nearby blossoming tree with basket of peonies at R — Doll Festival, 18th century
Unknown Japanese

Not on View

lively scenes of demons, some dancing, some playing instruments, others running and fighting; some of the demons are broken instruments, tools, or cookware; sun on horizon at far L — Night Parade of One Hundred Demons, c. 1830s
Attributed to Eigyō

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landscape featuring a male figure sitting on a cliff edge near a blossoming tree at R overlooking a valley enveloped in fog and clouds; rooftops visible amid white blossoming trees; poem at R on separate paper — Fragment from the Illustrated Scrolls of the Tales of Saigyō (Saigyō monogatari emaki), 17th century
Unknown Japanese

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three women relaxing together; woman in light blue lying on stomach, supporting head in hands while another woman leans on her back; younger woman in pink at LL holds a bouquet and looks up toward the other two women — Three Beauties, 17th century
Unknown Japanese

Not on View

framed: male figure with demon face; wide, sly grin barring teeth; bright red hair; figure is sneaking past a curtain with sword drawn in PR hand; bird pattern on his clothing — Sketch of a Noh theater scene, second half 19th century
Attributed to Kawanabe Kyōsai

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bust of Bodhidharma in hooded white robe in lower half; two gold hoop earrings hanging from distended lobes just visible from under hood; characteristic big eyes, bushy eyebrows, and slightly disgruntled expression; hairy chest partially exposed — Daruma, 19th century
Unknown Japanese

Not on View

pouncing tiger at center with body curved dramatically to R; mouth partially open; back legs kicking up; a few trees and mountains in background — White Tigers [left of a pair], 1851
Gantai

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landscape with cherry blossoms, waterfalls, buildings, figure and fishermen — Four Seasons, 1844
Okada Hankō

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mountain landscape with waterfall at bottom center; small structure with figure standing in front of red flame; in background, two figures, one in red and one in white, climb tall, narrow mountains; two small huts at lower mountains; inscription at ULQ — Togakushi Mountain Range, first half 19th century
Hosokawa Rinkoku

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mounted fan painting: mostly white background with snow-covered barren brown bush at R; diagonal gray background at L with parallel, curved gray lines — Fish Trap, Waves, Rocks [one of a pair], first half 19th century
Suzuki Kiitsu

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Roosters in Face Off [right of a pair], late 16th century

attributed to Kano Yukinobu

Not on View

male figure seated at desk in front of window looking outside; man's PR eye is shut or missing; snow-covered trees and fence outside; three samurai gathered outside behind fence, outside of view; fourth figure in yellow enters gate at L — Takeda Shingen Visits in the Snow, late 19th century
Haneda Gesshū

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woman standing in curved posture with PR hand held up to forehead; cradles tea basket slung over shoulder under PL arm; basket is full of green leaves; blue and white striped kerchief over head — Tea Picker [left of a pair of Women], early 19th century
Tatebe Sōchō

Not on View

rear 3/4 view of a woman climbing into bath in a large barrel; clutches a light blue cloth at the rim of the barrel in PR hand — Woman Getting into a Bath (after Utamaro), c. 1900
Ōmori Shōhō

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prowling tiger at center peering toward UL from around a diagonal, gnarled pine trunk; rocks in background — White Tigers [right of a pair], 1851
Gantai

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R screen: large tree at R with branches and foliage extending over several panels; cluster of squared rocks at R; lotus blossoms and leaves at R; hawk perched on stone near center; another hawk at UL about to dive downward — Hawks by a Stream [right of a pair], mid 17th century
Soga Nichokuan

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large, rocky cliff-like formation on left side with gnarled pine tree growing off rock face; tranquil body of water near lower center; buildings with tiled roofs near LLC along shoreline; trees LRC; silhouettes of mountains in background — Spring Landscape, late 19th century
After Kano Hōgai

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gnarled, heavily textured pine tree growing up out of LRC; dense needles made from brisk brushstrokes at center and top, extending upwards to top edges; trunk and branches lightly washed with light brown pigment; gnarled, twisted branches bend downward at top of tree; light grey slope (?) with hints of foliage and circular blue-green flowers (or trees?) near trunk of pine tree at base; inscription at LL — Pine Tree after Wu Chen, 1803
Nagamachi Chikuseki

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Scholar Greets a Magician, around 1800

Shōdō; Calligrapher: Murase Taiitsu; Artist: Tanke Gessen

Not on View

one long line of delicate, looping calligraphy at upper center; stalk with delicate foliage growing from bottom edge LRC; cluster of little red berries growing from branch — Nandina Tree, Ca. 1929–1932
Fukuda Kodōjin

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nine black, grey, brown and flesh-tone drawings of men, attendants and animals; text panels at front and back — The Eighteen Lohans, c. 1690
Leng Mei

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worried-looking man wrestling with a stylized tiger with black and brown stripes — Untitled [tiger], late 20th century
Clifton Karhu

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Three very tall, thin, straight plant stems with grey and black leaves; on top of each stem is a large red flower — Chrysanthemum, 20th century
Qi Baishi

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Demon Reciting Buddhist Prayers, Unknown Japanese — Demon Reciting Buddhist Prayers, second half 18th century
Unknown Japanese

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Peregrine Falcon, Unknown Japanese — Peregrine Falcon, 18th century
Unknown Japanese

Not on View

Winged, hairy male figure with long nose, wearing a white robe and headband, holding a sword in his PR hand and a loose coil of rope in his PL hand and standing on a white doglike animal with snakes around its ankles; flames behind — Akiba Gongen, Manifestation of Mt. Akiba, second half 17th century
Unknown Japanese

Not on View

standing, barefoot man looking up and pointing a bow straight up; arrow falling down toward man's head — Untitled [arrows], late 20th century
Clifton Karhu

Not on View

River scene in grey, blue, black and pink; three figures in a canopied boat at center; group of buildings behind on bank; mountains in background — River Landscape, 20th century
Huang Binhong

Not on View