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Large pot with flaring midsection and tapering shoulder; decorated with incised textured half-circles below mouth and band of leaf-like shapes alternating with 4 triangles between 3 textured bands

Beer pot, mid 20th century

Zulu

Not on View
Small seated dog with short pointed ears and a short tail, curling over on top; uneven incised eyes

Dog, c.100-300 CE

Colima

G260

vessel in the form of a coati-mundi seated on its haunches and holding its forepaws to its mouth to nibble something; the back of the head is incised to represent fur; brownish surface much worn

Vessel, c. 200 BCE-200 CE

Colima

G260

Vessel, mid 20th century

Kurumba

G254

dark greyish-brown; slightly rounded bulbous foot; round body with low shoulder; rounded neck with slightly outward-flaring mouth; incised wave-like, curving patterns on body

Vessel, c. 1300-1600

Mississippian

G260

reddish ceramic jar with incised decoration on four sides; groove design feature, around lip indicates the jar has a screw on cover

Chocolate Pot, c. 750

Maya

Not on View
House Group, the evening meal; polychrome; terra cotta group representing a two-story house with canopy roof on piles and 11 figures occupied with various household tasks on two levels an upper terace and a lower, enclosed room with a wide doorway; on each of two sides a stairway of five steps leads from the base to the upper level; the surface is decorated in polychrome (red, yellow, black) with geometric designs lozenges interlocked and wavy stripes; the piece is much weathered and has been extensively restored

House Group, c. 100-400

Nayarit

G260

burnished terracotta, in the from of a pumpkin held up by three Parrot shaped feet

Vessel, c. 300 BCE-200 CE

Colima

Not on View
Round body with rounded bottom; tapering to a narrow, long neck which flares out at the mouth; red body with six incised lines around mouth and two incised lines around shoulder flanking a zigzagged band in brown and tan

Vessel, about 14th century

Djenne

Not on View
round bodied container; wide mouth, slightly flaring outward; pair of thick, upward-pointing handles; curved lines separating reddish top of pot from texturized darker bottom

Vessel, mid 20th century

Nuna or Gurunsi

Not on View
large vessel with rounded base; flaring outward to pointed shoulder and inward to slightly raised mouth rim; shades of mottled black and grey; three red-orange semicircles above shoulder

Beer pot, mid 20th century

Nyakyusa

Not on View
round vessel with small flat base; 2 spouts on top joined with triangular handle perforated with circular holes; top half of body decorated with small applied 'buttons', linear designs and texturizing

Vessel, mid 20th century

Unknown

Not on View
Earthenware handled jug, black with incised line designs on top half.

Jug, mid 20th century

Lwena

Not on View

Bowl, c. 1100-1500

Mississippian

Not on View
Caddoan Effigy Bottle, earthenware, North America, Mississippian Culture

Bowl, c. 1100-1500

Mississippian

Not on View
Hodges Water Bottle, Earthenware, North America (Arkansas)

Bottle, c. 1100-1299

Caddo Mississippian

Not on View
Vase with white ground with rust and black colored designs; scalloped rim painted rust; rust colored floral designs throughout; 6 rust colored bird are paint below the rim; a ram, moose, and deer with rust colored arrows (heart lines) from mouth to body are painter ad the shoulder of the vase; 3 bears with rust colored arrows (heart lines) are painted near the base of the vase.

Acoma vase, C. 1990

M. Antonio

Not on View
black on black bowl with low shoulder; black slip has shows high amount of wear; the distinct design is a stair step design with parts of the Avanyu body visible; to the right of the stair design legs of Avanyu are visible;

Avanyu bowl, c. 1925

Maximilliana Anna Montoya

Not on View
Duck effigy bowl; bowl shaped body with duck head with a red ground; the top backside of duck head has spout that opens to the back of the bowl; design are painted in black pigment in a flame like pattern; the eyes are painted with white pigment and black outline; the beak is black and outlined by upainted red ground;

Zuni duck, 1996

A. A. Peynetsa

Not on View
Jemez Pueblo vase; tall and red with butterfly and floral designs etched on front; large body and narrow neck

Butterfly vase, c. 1990

Vangie Tafoya

Not on View
High shouldered seed jar with light tan ground and designs painted in dark brown pigment; repeating blade like design (feather design) is painted top side of jar from rim to shoulder; wave like pattern is painted on top side of jar as well as othe geomtric designs; below the shoulder is a series geometric designs paint in dark brown pigment;

Seed jar, 20th C.

S. Loretto

Not on View
Small water vessel with light brown slip and dark brown and red geometric designs painted on the body;

Water jar, c. 1970

Jeanette Sahu

Not on View
Egg shaped vase with light tan base and geometric pattered horned toad painted on the body; geometric and abstracted designs are painted to both sides of the toad;

Vase, Date Unknown

Sylvia Naha

Not on View
flat bottom; rounded lower portion of vessel; narrow shoulder; tall, wide neck; outward-flaring mouth ring rim; glossy black

Pot, c.1920

possibly Acoma Pueblo

Not on View
Short and wide bowl; repeated stairstep pattern with fine line detail painted with brown pigment around rim; mutiple brown tadpoles and dragonflies, and brown spotted orange frogs paint on top half of bowl; base of bowl is signed with artist name, community, and copyright dates;

Seed Bowl, Oct. 1989

Noreen Simplicio

Not on View
Round canteen body with white ground; spout at the center top of body painted with pigment outline with black pigment; to each side of the spout are two rounded handles; on the body of the canteen are eight red pigmented frogs with white stripes on the faces and black dots throughout the bodies; the backside of the canteen is signed by artist and has 3 felt feet glued;

Frog canteen, 2001

A. A. Peynetsa

Not on View
Red bowl with carved designs; white ring painted around body and highlighting carved designs

Water Jar, C. 1980

Ohkay Owingeh

Not on View
Tall high shouldered seed jar with red ground with black pigmented geometric designs painted throughout; blade like pattern (feather pattern) painted on top of jar from rim to shoulder covering half ways around circumference; the other half is painted with various geometric design including a stairstep design at the center; below the shoulder is a series geometric designs including waves and stairstep patterns; repeating half circles (cloud patterns) are paint near the base acting as a border;

Seed jar, 20th C

Laverne Loretto

Not on View
bowl with white ground painted in repeating black geometric pattern (rain patterns); rim curves inward towards the interior of the bowl; base of bowl is painted with washed orange pigment with dark smoke stains; interior of bowls has visible tool marks from the creation process;

Acoma Bowl, 20th Century

Juana Leno

Not on View
Round-bodied jar with small, short foot; opening for lid has 2 notches; lid has large knob; jar covered overall with rows of protruding nubs; nubs on lid and sides of knob

Jar with lid, mid 20th century

Lobi

Not on View
One in a group of seven spindle whorls, having incised designs, some on top, bottom and sides, others on top and sides ceramic. .2 (199/2) L.3/4, Diam. 1-5/8 in.

Spindle Whorl, one of seven, Date Unknown

Mexico

Not on View
One in a group of seven spindle whorls, having incised designs, some on top, bottom and sides, others on top and sides ceramic. .3 (199/3) L.3/4, Diam. 1-5/8 in.

Spindle Whorl, one of seven, Date Unknown

Mexico

Not on View
One in a group of seven spindle whorls, having incised designs, some on top, bottom and sides, others on top and sides ceramic. .4 (199/4) L.3/4, Diam. 1-7/8 in.

Spindle Whorl, one of seven, Date Unknown

Mexico

Not on View
One in a group of seven spindle whorls, having incised designs, some on top, bottom and sides, others on top and sides ceramic. .5 (199/5) L.3/4, Diam. 1-7/8 in.

Spindle Whorl, one of seven, Date Unknown

Mexico

Not on View
One in a group of seven spindle whorls, having incised designs, some on top, bottom and sides, others on top and sides ceramic. .6 (199/6) L.7/8, Diam. 2-1/4 in.

Spindle Whorl, one of seven, Date Unknown

Mexico

Not on View
One in a group of seven spindle whorls, having incised designs, some on top, bottom and sides, others on top and sides ceramic. .7 (199/7) L.3/4, Diam. 1-7/8 in

Spindle Whorl, one of seven, Date Unknown

Mexico

Not on View
Vessel, supported on two bulbous feet and the end of a long handle in the form of a gourd. Body, ridged at lower belly, carries three pierced Ceremonial incense burner, Monte Alban III. step-motifs above the two front legs. Wide flaring lip. Vessel surface covered with clay, but handle shows a burnished brown slip over a pale body. Traces of a pained design in red show on the gourd foot and the rim. Badly cracked at rim.

Cermonial incense burner, 12th-15th century

Mixtec

Not on View
Bowl, ceramic, Mexican-Guatemalan (Mayan), VII-IXc cat. card dims H. 3 Dia. 6-3/4' NO PHOTO ON CAT. CARD

Bowl with Geometric Design, 7th-9th century

Maya

Not on View
Standing Female Figure with diamond eyes, single strap headband, necklace, flat small earplugs, beige clay

Standing female figure, 200-700

Michoacán

Not on View
Group of seven spindle whorls, having incised designs, some on top, bottom and sides, others on top and sides ceramic. .1 (199/1) L.7/8, Diam. 2-1/4 in.

Spindle Whorl, one of seven, Date Unknown

Mexico

Not on View
pair of figures, earthenware, fired clay

Joined Figures, 200 BCE - 400 CE

Jalisco

Not on View
vessel with wide mouth and slightly wider shoulder with slim foot; rim has dip in one side; rim is black and quickly fades to terracotta color; black flecks in terracotta color; glossy around rim and matte finish on bottom; in cotton bag

%C2%A9 Jody Folwell

Japanese Inspired Ceramic, 2015

Jody Folwell

Not on View
Bowl, wide-mouthed wit slightly constricted neck, painted in polychrome. The decoration occupies two bands, set off from each other by a glyph* border about two-thirds of the way up the body. The lower band is divided into six panels, three of which contain seated personages elaborately dressed and carrying ceremonial objects in the left hand. These panels, painted brick red and black on a pale orange ground, alternate with fluted panels, painted brick red. The upper band is decorated with a line of seated personages wearing peaked turbans and separated one form the other by serpent and feathered motifs. The colors repeat those of the lower band. Inside the rim is a wide band of pale orange with a line of stylized heads with towering, paddle-shaped headdresses. Restored. * Glyphs are pseudo-glyphs

Bowl, c. 800-1200 CE

Maya

G260

Stirrup-handle jar in the form of an owl with a fat body. The face, plastically rendered, is painted buff color; the rest of the body is red and burnished.

Vessel, c. 200 BCE - 600 CE

Moche

G260

two figures lying one of top of the other, face to face, on bundled bedding, with a flat planar blanket on top of them; heads, arms and hands visible; figures wrapped in fragments of cloth with various textures--some with Hebrew text fragments; unglazed clay

%C2%A9 de Georges Jeanclos

Sleepers, 1979

Georges Jeanclos

G362

modified Greek key pattern at a diagonal in white on a painted black ground; thin white band around rim with wider black band nearest lip; wide shoulder with small foot and mouth; pattern is largest in center and decreases near rim and foot

%C2%A9 Paula Estevan

Black and White Pot #1, 2014

Paula Estevan

G259

painted design in black on white ground; horizontal bands with diagonal intersecting lines; triangular shapes painted in black creating a star-like pattern that is larger at center and smaller near rim and foot; wide shoulder with small foot and mouth; thin white band around rim with wider painted band nearest lip

%C2%A9 Paula Estevan

Black and White Pot #2, 2014

Paula Estevan

G259

dog shape, with rounded body; thick, tapered tube-shaped tail; small head with large, protruding teeth; small, upright pointed ears; light orange, dark orange and white pigment designs

Vessel, c. 1500

Ugahxpa (Quapaw)

G260

1-1/8 in. mouth opening at top, 16 ridges extending from mouth to base spiraling downward to the right; micaceous clay body

%C2%A9 Courtesy of Adobe Gallery

Swirl Pot, 1995

Hubert Candelario

G259

Tan vessel with a geometric design painted on with black pigment.

Pot (Olla), c. 1000-1300

Ancestral Pueblo

Not on View
round bodied vessel with rounded bottom; handle with spout; decorated with incised stylized face made of geometric shapes, in black, yellow, red and white

Double spout Vessel, c. 900-200 BCE

Paracas

Not on View
Double-spout vase painted in polychrome with two couchant winged figures. The heads wear an elaborate coiled headdress tipped with plant forms that spring from other parts of the body and from the serpent staff held in left hand of figure. Painted face with long projecting tongue. Wings of figures are decorated with human heads and terminate in feathers.

Vessel, 1st century BCE - 6th century CE

Nasca

Not on View
Vase in the from of a chieftain with ear plugs and large headdress. Arms bound in back indicate the status of a prisoner.

Vessel, 6th-8th century

Moche

Not on View
thin-walled large bowl; interior painted with spirals and other geometric designs in red

Bowl, c. 900-1200

Hohokam

Not on View

Copright of the artist%2C artist%27s estate%2C or assignees.

Awatovi Birds, 1990

Dextra Quotskuyva

Not on View
Tripod effigy vessel, large, with the head of a jaguar in high relief. Two legs, finished at the base of the neck with rigid ring handles formed of the jaguar's front legs, represent the hind legs and are pierced and contain pellets. The third support, in the form of a flattened tail, emerges from the back of the vessel. The jaguar head, an oblong, bib-like area below, the legs, and a wide band at the throat, are painted in polychrome with geometric designs on an orange ground. High polish.

Vessel, c. 1100 - 1200 CE

Guanacaste

Not on View
figure wears a replica of a heavy stone yoke at waist over skirt with fret motif; necklace; bands of bracelets on left arm; headdress broken at right. On the left knee a nead with round headdress in relief. Hole in right shoulder forms hook from which rattle could be suspended. The mould for front of body is well designed but assembled crudely with the mould for back.; Pinkish white pottery

Figure, c. 600-750 CE

Nopiloa (Veracruz)

Not on View
covered pot with incised design around dome-shaped lid, central knob with hole through center; body has straight sides rising from sharply slanting bottom; 4 decorative rectangles with incised design on sides; pottery-beige clay with burnished brown slip

Serving Vessel, c. 600-900 CE

Maya

G260

Vessel with figure band painted around the outside and interior is painted as well. Red, brown and orange throughout.

Vase, c. 800 - 900 CE

Maya

G260

Cup with trophy heads; polychrome earthenware; Peru, Nazca, VIc.; No Dims on Cat. Cards Cup with slightly flaring mouth painted in polychrome with four rows of trophy heads.

Vessel, 6th century

Nasca

G255

Olla, red and black on buff, with a design of scrolls on a horizontally hatched ground, triangles, and stepped motifs. Bottom scorched, paint worn in some areas, Casas Grandes type, rim restored. Ramos polychrome. Tardio phase.

Pot (Olla), c. 1000-1300

Paquimé (Casas Grandes)

G255

dancing figure wearing a long garment in black and tan, decorated with maze-like motifs and circles; elaborate hairstyle with large back bun; black lines on face and back of shaved head; contrapposto post with knees bent, striding, with head turned to PL; arms swinging, with hands in fists

Gage, 2020-2021

Virgil Ortiz

G259

standing figure wearing a long garment in black and tan, decorated with maze-like motifs and circles; elaborate hairstyle with two small front buns and one large back bun; black lines on face and back of shaved head; arms out, with PR hand slightly raised and PL hand in a fist; feet apart

Jagg, 2020-2021

Cochiti Pueblo

G259

Large vase with a figure in relief representing the god of corn, standing between two peaks of the Sierras. This symbolical representation of the mountain peaks grew out of the fact that often only patch of snow on them are visible at a distance. Shape Vicus (?).

Jar, 4th century

Moche

Not on View
Double-spout vase with a band carrying two Pumas painted in polychrome on a white ground. Note the spotted body of the Puma and the long projecting tongue, characteristic of this beast in Nazca pottery and textiles.

Vessel, 3rd century BCE - 6th century CE

Nasca

Not on View
Stirrup-handle jar in the form of a llama with saddle bags slung over back. The body and saddle bags are painted terra cotta color with details of head, halter, and binding ropes in buff. Ears in relief, featues slightly modelled.

Effigy vessel, 200-600

Moche

Not on View
Stirrup-handle jar with a crab modelled in full relief on top. The crab is painted in reddish brown with details in cream on a cream slip ground. Lower part of jar painted in the same reddish brown and burnished.

Vessel with Lobster Motif, 400-499

Moche

Not on View
globular vessel, flat base, stirrup with centrally located vertical spout; 2 raised deer figures on cream slip background; base, deer, and spouts polished red clay

Globular vessel, 8th-10th century

late Moche

Not on View
cylindrical vase, turning slightly inward at mouth; body stamped with circles containing 3 dots; 2 adult monkeys, incised and painted, each with a baby on its back; one monkey holds a large orange fruit

Vase, c. 450-700 CE

Maya

Not on View
Jar in the form of a man's head painted in polychrome to represent a mummy mask. Top of head draped in a turban. Rounded bottom, stand.

Effigy vessel, 100 BCE - 600 CE

Nasca

Not on View
Beaker with painted frieze of long-necked white birds and snakes. Rounded bottom, stand.

Beaker, 100 BCE - 600 CE

Nasca

Not on View
Large ovoid jar representing a crouching human figure whose head forms neck of vase. All details except nose and turban headdress painted in polychrome on polished red ground. Rounded bottom, stand.

Vessel, 3rd century BCE - 6th century CE

Nasca

Not on View
Jar with rounded base in the form of a human figure wearing a puma mask. Details of the face in relief, and arms, holding a club and a trophy head in front of the body, in low relief. Two toed- rectangles indicate feet at bottom of body. Details of face, arms, trophy head, feet, and a garment hanging over the shoulders in back, painted in red, brown, grey, and white on buff slip ground. Single spout handle. Burnished.

Figure, 100 BCE - 600 CE

Nasca

Not on View
Portrait vase representing the head of warrior with three scars on his face. The head is closely wrapped in a scarf that ties under the chin and is bound by a band around the forehead. The expression of the face reflects clearly the suffering of the wounded man.

Portrait vessel, 6th century

Moche

Not on View
Large water jar with stirrup handle and a linear conch shell painted in brown on a deep cream ground on the shoulders below the handle. Two brown lines extend over the top of the jar on the handle axis. An unusually elegant design. The jar is cracked on one side.

Vessel, 5th-6th century

Moche

Not on View
Portrait vase with stirrup handle. The vase represents a seated man, knees drawn up to chin and gripped with the hands. The modelling of the head, covered with a close-fitting cap, is bold an vigorous, with the melancholy expression conveyed with great skill. The rudimentary modelling of the limbs emphasizes the powerful realism of the head.

Effigy vessel, 6th century

Moche

Not on View
fragment of bowl showing part of a deeply incised design in an incised circle. Plae clay body with a very thin pale blue glaze which has been almost obliterated by chemical action of the soil. Wheel mark on base. One of 22 fragments of Kuan (Imperial) ware found at Black Turtle Hill. see note 36.10.1

Fragment, 1127-1279

China

Not on View
Large cup or bowl with slightly flared mouth and all-over design of checked and plain squares about 1/2 in. in area alternating in rows around sides. Such purely geometrical designs are rare in Nazca pottery.

Large cup, 100 BCE - 600 CE

Nasca

Not on View
Large head with wide flattened brow and painted face. The enormous, thin nose, ears, and pointed chin are in full relief. The mouth is a narrow slit with black lips; the almond shaped eyes and thin eyebrows are painted. A triangular area, extending from beneath the eyes to the chin on each side of the nose, is painted red. Cheeks edged with black paint, possibly representing a beard. Wavy vertical lines of black on back of skull represent hair, as does the line of black across the forehead. The figure wears a brick red skullcap. Surface highly burnished. The size of this example makes it an important one. Schoeler says: early Nazca--MWS.

Effigy vessel, 650-799

Nasca

Not on View
Jug, stirrup handle, painted.with a design of two running messengers, in full regalia, carrying weapons and wearing elaborate puma-head helmets. The area between the warriors is filled with the spreading wints fanning out behind each body. The design is in rust red on a cream slip, and the red is used on a series of double lines decorating the spout and the stirrup handle. Handle repaired. Something inside of jug, perhaps loose debris.

Vessel, c. 400 BCE - 599 CE

Moche

Not on View
Bird-shaped whistle-vase with a single upright spout emerging from the back and connected by a handle with the head. The eyes of the bird are painted, but the beak is modelled. Across the breast a double row of worms painted in polychrome. Highly conventionalized wings painted on each side. Tiahuanico influence.

Vessel in the Form of a Bird, c. 100 BCE - 600 CE

Nasca

Not on View
Stirrup-handle jar with painted design of a mythical creature, half fish, half jaguar, in rust red on the panel of cream slip covering one half of the jar.

Vessel, 5th-6th century

Moche

Not on View
Pot in the form of a warrior in full regalia. Painted details on costume and face.

Vessel, 5th-6th century

Moche

Not on View
plate, standing man, ceramic, Mexican-Guatemalan

Plate, c. 500-800 CE

Maya

Not on View
Bottle in form of a Woman's figure holding a human head . Upper body of polished cream slip. Lower area of dark red with a band of stylized human heads painted in polychrome. Nose, teeth arms, and accessory head modelled, other details painted. The spout, emerging from back of shoulders, is a bridged to top of head by a narrow band which forms the handle of jug. Rounded bottom, stand.

Vessel in the form of a man, 3rd century BCE - 6th century CE

Nasca

Not on View
Double spout water jar decorated in polychrome with two large fishes in their mouths. Frieze of peppers below.

Vessel, 100 BCE- 600 CE

Nasca

Not on View
Jar, aryballos type, with two handles near base. A diminutive animal head in relief appears at the base of the neck. The front of the body is decorated with vertical panels separated by narrow bands, painted with lozenge and sawtooth motifs in red, black, mauve and white. The flaring neck is painted with horizontal bands of elongated lozenges in red and black, and under the rim is a border of reciprocal sawtooth pattern in the same colors. The back of the jar is painted brick red with a band of interlocking 'X' forms extending half-way around the shoulders. Aryballos (MWS)

Vessel, 15th century

Inca

Not on View
Jar modeled in three sections, representing fruits, with three loop handles attached to base of spout. Burnished surface decorated with vertical panels of stylized birds alternating with panels of horizontal zigzag lines in black on a brown ground.

Vessel in the form of vegetables, 6th-15th century

Lambayeque

Not on View
glossy black; concave bottom; outward-flaring sides; rounded shoulder; wide neck with wide outward-flaring mouth ring with slightly indentations/scalloping

Pot, c. 1920-1940

Maria Martinez

Not on View
glossy black; small concave base with outward-flaring sides; rather steep shoulder; short neck with wide mouth opening; shoulder and neck decorated with grey geometric designs--triangle, bars, squared-off spirals

Pot, c. 1920-1950

Maria Martinez

Not on View
tan with two brown bands around center; hole top center surrounded by brown box-shape; symmetrical brown and blue designs on each side of box-shape

Seed Jar, c. 1900

Nampeyo

Not on View
round plate, two holes with two leather hangers at top; cream ground with brown and black design; 3/4 portrait of masked figure holding two feathers in each hand and gesturing to the PL; figure wears mask with elaborate headdress; double ring around outside of painting

Polacca Plate, c. 1890

Nampeyo

Not on View

%C2%A9 Iris Youvella Nampeyo

Seed Jar, c. 1980-2000

Iris Youvella Nampeyo

Not on View
flat, wide, disc shaped pot with small round mouth; painted square detail around mouth with one geometric bird design below each side, for a total of four birds; orange ground with black and terra cotta detail

%C2%A9 Deborah Clashin

Hopi Tewa Pot, 2015

Deborah Clashin

Not on View
7-piece sculpture; 7 tall, totemic towers a: tiered, brown with protruding nipples; b: wedge-shaped, orange and brown, with rectangular and circular cutouts; c: tan with geometric cutouts and rounded shape; d: speckled green with geometric incised designs; e: tan and brown, irregular tiered rectangular with painted areas; f: orange slabs with protruding nipples, tan geometric painting on top; g: dark brown, tiered, rectangular, with geometric cutouts

%C2%A9 1999 Nora Naranjo-Morse

Our Homes Ourselves, 1999

Nora Naranjo Morse

Not on View
concave underside; outward-flaring sides with rounded small shoulder; short wide neck with wide mouth; scalloped mouth opening; rust red stripe at bottom of body; cream-colored area at top decorated with floral and geometric designs in dark brown, rust red and maroon--large floral designs with rectangular element at center with zigzags

Pot, c. 1850-1860

Acoma Pueblo

Not on View
concave foot with sides flaring outward to rounded shoulder; short, inward flaring neck; white body with brown geometric designs; band of designs with stepped triangle motifs on neck; body decorated with two identical designs of pairs of spirals and zigzags separated by vertical strips with squared-off spirals and triangles

Pot, c. 1930

probably Acoma Pueblo

Not on View
squat jar with wide shoulder and inward turning rim on short, wide neck; concave underside; white body with brown geometric and some foliate forms with four red-orange crescent shapes--repeating motifs include checkerboard and teardrop-shaped floriform motif

Pottery, c. 1880-1920

probably Acoma Pueblo

Not on View
FJS #114; bulbous body with narrow neck; dark-brown, elongated triangular patterning (feather motif) on yellowed white slip

Pot (Olla), c. 1850-1890

probably Haak'u (Acoma Pueblo)

Not on View
FJS #105; six concentric lines around upper inside of rim; large flounder-like fish at bottom inside of bowl

Bowl, c. 1050-1150

Mimbres

Not on View

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