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steep, curved racetrack with bicyclists; crowd of people depicted above track — Velodrome, 1917
Walter Gramatté

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figure of a man whose body runs diagonally across the image; hands and arms are outstretched above his head in the upper right corner with feet in the lower left corner — Sketch for Outcry, 1918
Walter Gramatté

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Sketch of Two Heads, 1918

Walter Gramatté

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recto: head and shoulder of man in a suit and tie turned slightly to the left; group of brown ink splotches above his head on the left side; verso: bottom center is a drawing of a head laying on its side in black crayon that has been crossed out multiple times in both vertical and and horizontal lines — Nicolas de Fridman-Ko, 1922
Walter Gramatté

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recto: man on cross; verso: illegible handwritten text — Crucified, 1918
Walter Gramatté

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landscape with a church on the horizon line on the left side of the image and a large tree in the foreground on the right — Landscape, 1917
Walter Gramatté

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man in center of image with tall buildings with windows behind him — Study for a Self-Portrait, 1917
Walter Gramatté

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bold and lighter branching wavy lines in brown, in a horizontal format — Lightning Bolt in South Africa, February 2007, from "Echo #3", 2015-2019
Rafael Villares

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heavy brown zigzagging lines at center with lighter and thinner branches extending from it — Lightning Bolt in Arlington, USA, May 2005, from "Echo #3", 2015-2019
Rafael Villares

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some thick brushstrokes in brown ink with thinner tendrils — Roots from Helonio Plant, from "Echo #3", 2015-2019
Rafael Villares

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bold and thin wavy lines in brown with some wide areas especially along right side of form — Mackenzie River Basin, from "Echo #3", 2015-2019
Rafael Villares

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brown thick and thin branching lines in the form of a human heart — Arteries and Veins of the Heart, from "Echo #3", 2015-2019
Rafael Villares

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some thick brown lines extending down from central top point; thinner slightly wavy lines extending down — Roots from Rosemary Plant, from "Echo #3", 2015-2019
Rafael Villares

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zigzagging bold and lighter wavy branching lines in a horizontal format — Yangtze River Basin, from "Echo #3", 2015-2019
Rafael Villares

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treelike form with even branching in brown — Meningeal Arteries, from "Echo #3", 2015-2019
Rafael Villares

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wide area of bold and lighter wavy lines extending down from top, in brown — Lightning Bolt in Rio de Janeiro, Brazil, 2001, from "Echo #3", 2015-2019
Rafael Villares

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heavy brown zigzagging line extending diagonally from ULC to LRC with thinner branches extending from it — Lightning Bolt in California, USA, 2009, from "Echo #3", 2015-2019
Rafael Villares

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thick rather straight horizontal line in brown with thinner branching wavy lines extending from it — Veins from the Lower Leg, from "Echo #3", 2015-2019
Rafael Villares

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thick brown wavy lines extending down from vertical line, with some thinner wavy branches extending down — Roots from Acacia Tree, from "Echo #3", 2015-2019
Rafael Villares

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brown zigzagging lines with branches in mainly horizontal format — Cauto River Basin, Cuba, from "Echo #3", 2015-2019
Rafael Villares

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brown branching lines in the form of a human brain — Cerebral Arteries, from "Echo #3", 2015-2019
Rafael Villares

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heavy and light brown wavy lines extending down from a central point at top — Grass Roots, from "Echo #3", 2015-2019
Rafael Villares

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brown branching and zigzagging lines primarily in a diagonal from UR to LL — Amazon River Basin, from "Echo #3", 2015-2019
Rafael Villares

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PL hand with fingers outstretched; dark crosshatched shading — Left Hand, 17th century
Antonio del Castillo

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abstracted angel- or bird-like form with five ovoid openings at bottom; three looping forms on each "wing" with different sized polka dots — A Patriotic Spectacle, 1945
Dudley Huppler

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very sketchy, unfinished figure study of figure leaning slightly backwards with PL arm overhead; brown ink — Male Figure Study, 16th-17th century
Attributed to Palma il Giovane

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four tiny sketches; clockwise from ULC: two men pouring from one large vessel into another, man pouring from a small vessel into a large one while pouring over a utensil, man stirring a large vessel, man seen from back slightly bent over with PL hand in a vessel — Soap or Soup Makers, 17th century
Stefano della Bella

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Head of an Old Man in Profile, 17th century

Circle of Guercino (Giovanni Francesco Barbieri)

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group of figures seen from behind, watching a bullfight; head of a bull visible through bars of railing at center — At the Bullfight, c. 1825-1845
Leonardo Alenza y Nieto

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Self-portrait, Albert Paris von Gütersloh — Self-portrait, 1913
Albert Paris von Gütersloh

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Female Nude, Seen from Behind, John B. Flannagan — Female Nude, Seen from Behind, c. 1930-1939
John B. Flannagan

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Northing to remember, everything to forget, 2015

David Rathman

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showing 32 results matching medium:"Brown ink on paper"

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