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Religion: NT. Purification of the temple. Christ driving the money-changers from the temple with a whip.

Christ Driving the Money Changers from the Temple, c. 1570-75

El Greco (Domenikos Theotokopoulos)

G341

Historical. Death of Germanicus Caesar; he is lying on his death-bed with his wife Agrippina grieving at his bedside.

The Death of Germanicus, 1627

Nicolas Poussin

G313

Allegory. Lucretia, portrait of a young woman, seconds after taking her own life, holding knife in right hand, blood-stained chemise, left hand grasps bell cord.

Lucretia, 1666

Rembrandt van Rijn

G311

Coffin of Lady Tashat, 945-712 BCE

Ancient Egyptian

G250

Landscape of grove of olive trees and their cast shadows in foreground, mountain looms in background, intense sun and dazzling light dominates the sky. No signature.

Olive Trees, 1889

Vincent van Gogh

G355

Portrait. Mythology. History. Oval.

Portrait of Mlle. Lange as Danae, 1799

Anne-Louis Girodet de Roussy-Trioson

G306

Pointillism. Landscape. Fishing port.

Port-en-Bessin, 1888

Georges Seurat

G355

ear studs, pair, of hammered and engraved gold; the concave disks with beaded edges are decorated with an applied motif bearing four figures; above, a demi-god with elaborate aureloe headdress riding on a bar borne by three other figures; in one hand he holds a beaker-cup; in the other a bag adorned with loose bangles; two of the lower figures wear modified aureole headdresses and carry beakers; all are half-human, half-beast; the bar on which the demi-god rides is finished at the ends with demon heads; loose bangles are variously applied in the design; the tubes of the ear studs are decorated with engraved bands of cats and birds, and soldered to the backs of discs

Ear Spool, c. 1150-1450

Chimu

G260

frame Spanish or Italian, c.1600

Erminia and the Shepherds, 1648–49

Guercino (Giovanni Francesco Barbieri)

G330

Group portrait of six Italian writers and poets: Dante Alighieri, Francesco Petrarch, Guido Cavalcanti, Giovanni Boccaccio, Cino da Pistoia, and Guittone d'Arezzo.

Six Tuscan Poets, 1543–44

Giorgio Vasari

G341

Mortuary figures, pair of, representing warriors both wear armor, with curious head-dresses, and one carries a sword-like object. Four of these figures were found at the entrance of a tomb in Honan province. Two bought by M.I.A., and two by the Boston Museum of Fine Arts. They are fashioned of polychromed pottery of the greyish cast associated with Wei. Traces of faded terra cotta color remain. These are unusually large tomb figures.

Tomb Guardian Figures, early 6th century

China

G208

Landscape. Romantic landscape with large trees, and a bridge suspended between two great rocks. In the foreground groups of figures strolling, talking and riding. This scene painted at the Chateau de Méréville. Park Méréville

The Rustic Bridge, Chùteau de Méréville, France, c. 1785

Hubert Robert

G306

Arm Chair, Palagio Pelagi, Italian, XIXc cat. card dims 42-1/4 x 26-1/2 x 22' reupholstered in 1993-1994; see file for details

Armchair from a pair of armchairs, 1835

Filippo Pelagio Palagi; Maker: Gabrielle Capello ("Monclavo"); Maker: Carlo Chiavasse

G324

'The Three Graces', plaster, French XIXc cat. card dims H 32-1/2 x W 18-1/2'; measurements above of base and sculpture; Base (b) is on R5A3.2 MS

Les Trois GrĂąces (The Three Graces), c. 1872

Jean-Baptiste Carpeaux

G321

Landscape. Chestnut trees. Impressionism.

Chestnut Trees at Jas de Bouffan, c. 1885-1886

Paul CĂ©zanne

G355

City view in general; "veduta"; trompe l'oeil. The interior of a room with a painting on an easel sitting in front of a window. Through the window a cityscape can be seen; the scene on the painted canvas seems to exactly replicate that section of the city which it blocks from view. Two triangular shapes dominate the center of the painting. One is the conical roof of a stone tower, while the other is a near-empty avenue shown in rapidly receding perspective. These two triangles are an oblique reference to Euclid, the father of geometry.

%C2%A9 C. Herscovici %2F Artists Rights Society %28ARS%29%2C New York

The Promenades of Euclid, 1955

René Magritte

G376

Frame Dutch, mid-XVII century, bolection profile in ebonized fruitwood with sight wave mouldings, ripple-and-reed panel and border mouldings, accessioned for use on Dou, 88.50.1.

A Hermit Praying, 1670

Gerrit Dou

G309

Cassone or Wedding chest, decorated with sculptural relief depicting the Four Cardinal Virtues flanked by candelabra with armorial bearings; scene of the Rape of Prosperine fighting centaurs and a centaur carrying a woman

Wedding chest (cassone), 1475–85

Unknown Artist, Italian (Lucca)

G343

La Place du Théùtre Français (Pluie)

Place du Théùtre Français, Paris: Rain, 1898

Camille Pissarro

G355

Mary Magdalene, c. 1460

Attributed to Nikolaus Gerhaerts van Leyden

G342

Portrait. George Washington in red drapery, black costume with white frills. No signature visible.

Portrait of George Washington, c. 1820

Thomas Sully

G305

Bust

Portrait of Luca Salvioni, c. 1536

Agostino Zoppo

G340

Landscape with cattle

Fontainebleau Oaks, c. 1840

Jules Dupré

G321

Standing Guanyin with lotus bud(?) in left hand, right hand missing, inscribed base which bears the date 571 A.D., translation of inscription filed with purchase blank, from Xi'an in Shaanxi province.

Standing Bodhisattva, 571

China

G200

Bowl, Seljuk dynasty, light creamy earthenware, covered with a thick coat of opaque white tin enamel. Funnel-shaped, with straight standing rim, slightly ridged on outside where it is decorated with Cufic characters in black. Low raised foot. Inside of rim decorated with conventionalized band of Cufic characters in gold, blue and red. Medallion in center of bowl shows three figures in blue and gold garments; this medallion is surrounded by ten smaller figures, eahc in a separate 'niche', and above this is a row of sixteen still smaller figures. All figures shown with gold nimbus. Mended; has been broken in many pieces. Saveh excavation.

Bowl with Courtly Scene, c. 1180-1220

Iran

G243

Feather Currency (tevau), 19th century

Solomon Islands

G256

Caffieri, 'Portrait Bust of M. De Neuville', marble, French XVIIIc. cat. card dims H. 21' x W. 22'; base to bust stored as well 11-1/4' x 8' x 8'

Portrait Bust of M. de Neuville, Captain of Artillery and Comptroller General, c. 1780

Attributed to Jean-Jacques Caffieri

G317

Landscape depicting the ruins of the Temple of Vespasian.

Roman Landscape with Cattle and Shepherds, 1676

Johann Heinrich Roos

G309

Nabi. Tahiti. Landscape with two females and a dog.

I Raro Te Oviri (Under the Pandanus), 1891

Paul Gauguin

G355

Chief's chair, 19th century

Asante

G250

Historical. Charles I, King of England. A helmeted Britannia, wearing violet drapery, holds steady the golden crown which England and Scotland, in red and yellow draperies, suspend above the head of the Infant Charles I. Two putti above support an escutcheon with the arms of the United Kingdom lightly indicated, and a putto below holds a torch to a heap of armor, spears, and dull red banners which the union makes no longer necessary.

The Union of England and Scotland (Charles I as the Prince of Wales), 1633–34

Peter Paul Rubens

G313

One of a pair of marriage portraits (see 57.10)

Portrait of Moritz Buchner, c. 1520

Lucas Cranach the Elder

G342

1756 - Benedict XIV Presenting Ex Omnibus to Choiseul.

Pope Benedict XIV Presenting the Encyclical "Ex Omnibus" to the Comte de Stainville, Later Duc de Choiseul, 1757

Pompeo Girolamo Batoni

G307

Holy Family, 1613

Luis TristĂĄn

G341

Three figures as a support for a round top. PL figure is holding drum, center figure is on a horse and PR is female with a child on her back. Figures on irregularly shaped base.

Divination tray, mid 20th century

Yoruba

G254

New Testament; three men (Magi) crossing the mountains on a dusty road on camels; camels behind them.

Journey of the Magi, c. 1894

James Tissot

G357

Portrait of a woman

Portrait of Countess Maria Theresia Bucquoi, née Parr, 1793

Elisabeth Louise Vigée-Le Brun

G306

large door; carved jambs, lintel and central post on door; two complete rows remaining of large iron fasteners on door surface; only two remain in lower row; iron chain, plate and securing pin at top right center of door; four pins along center post on door

Door, mid 19th century

Swahili

G242

modified telephone; lobster receiver

%C2%A9 Salvador Dali%2C Gala-Salvador Dali Foundation %2F Artists Rights Society %28ARS%29%2C New York

Aphrodisiac Telephone, 1938

Salvador Dali

G376

life-size carved statue of a bearded votary; In the archaic Cypriote style. The features show the mixed oriental style transformed by Hellenic influence; His head bears a wreath of leaves and berries permitting rows of small curls to frame his forehead. The beard is rendered in four stiff rows of curls. The skin tight tunic has no pleats, and the cloak which falls from the left shoulder is thrown over the left arm. Beard slightly defective. strong frontality and Greek 'archaic' smile

Votary Figure, c. 470 BCE

Ancient Greek

G241

Dutch landscape. Golden Age of Holland. A wide river with various river craft, which stretches across the width of the canvas and flows to meet the horizon. In the far right distance, a village can be seen through a gentle mist, while on the wooded bank to the left, a cart filled with singing and shouting peasants stands before a row of cottages. As they wave to the boatload of passengers approaching the shore, a ferryboat loaded with cattle pushes off. Further upstream, a boat in full sail carries its passengers toward the distant hamlet with its church steeple.

River Landscape with a Ferry, 1656

Salomon van Ruysdael

G311

Old base (b) R5A2.1 MS

Psyche Abandoned, c. 1800

Augustin Pajou; Caster: Possibly Pierre-Philippe Thomire

G306

Cubist still life.

%C2%A9 Artists Rights Society %28ARS%29%2C New York %2F ADAGP%2C Paris

Table and Fruit, 1909

Fernand LĂ©ger

G367

Still life. Neoclassicism.

The Attributes of the Arts and the Rewards Which Are Accorded Them, 1766

Jean-Baptiste-Siméon Chardin

G306

The Gamblers, 1623

Hendrick ter Brugghen

G312

Portrait of philosopher, scholar - head

Head of a Philosopher, 1750s–60s

Domenico Tiepolo

G307

Dutch Golden Age. Landscape with figures. Genre. In the foreground, a group of men playing ancient Dutch game of 'kolven' (golf). Middle distance, tower surrounded by a wall. In the distance, cottages and mountains. Rocky landscape to immediate left.

Landscape with Men Playing 'Mail Ă  la Chicane', 1624

Paul Bril

G312

Wooded landscape with watermill, on the right bank of stream to left of center, a huntsman in a scarlet coat. Beyond the mill in left background, a tile-roofed cottage. To the right a herdsman with cattle in a road. The scene is the same as that in the Louvre (2404) painting in which the mill is seen from side. The figures are attributed to Lingelbach. Frame 84.32, c.1650, Dutch ebonized fruitwood ripple frame, 42 x 49 in. Purchased from Paul Mitchell, London. The William Hood Dunwoody Fund

Wooded Landscape with Watermill, c. 1665

Meindert Hobbema

G310

The Anointing of the Body, copper, enamel frieze

The Entombment of Christ, c. 1250

France

G340

Providence parlour, c. 1760-1770

United States

G335

one of a pair of andirons of a type found chiefly in Holland in the 17th and 18th centuries

Andiron, one of a pair, 17th century

Netherlands

G326

Tea Caddy, ceramic, rectangular gold band, floral swags in orange, German XVIIIc cat. card dims 4-3/4 x 2-1/2 x 1-1/2' ; Holiday Traditions, Northumberland Room

Tea caddy, Date Unknown

Germany

G324

Coffee Pot with lid, ceramic with wood handle German XVIIIc cat. card dims 9-1/2 x 11'

Coffee pot, 18th century

Furstenburg

G324

white and black, red trim; five teeth inside opening between eyes; red protrusion above head, curving downward; front of body (above head) X design below zigzag; back of body checkerboard pattern; U-shape at top

Plank Mask, c. 1960

Bwa

G254

The plate is painted on both sides in grisaille, flesh tints and gilding on a black ground, above is a scorpion representing the month of October, the scene is of two woodcutters in a landscape, the border has grotesque ornament with putti and a coat-of-arms. The reverse is decorated with a profile bust, roll work with fruits and angel heads, the border has three Renaissance anchor marks and is signed P.R. in gold.

Calendar plate (October), c. 1568

Pierre Reymond

Not on View
hide shirt with fringe on arms and neckpiece and short fringe on bottom; beaded strips on sleeves and over shoulders; triangular beaded flaps at neck, front and back; pink beaded ground with geometric multicolored designs

Shirt, c. 1890

A'aninin (Gros Ventre)

Not on View
video with animated black and white images on the turning pages of a book; imagery includes man walking and birds; music with vocals; blue presentation box in the form of a book with text from a dictionary at interior; removable cardboard tray with Blu ray DVD and USB flash drive; gold USB drive tied to tan ribbon attached to left side of cardboard tray; WD TVLive streaming media player, power cord, remote and three brochures (technical and warranty guide, connection instructions and promotional brochure)

%C2%A9 William Kentridge. All rights reserved.

Second-hand Reading, 2013

William Kentridge; Editor: Snezana Marovic; Composer: Music by Neo Muyanga

Not on View
horse on doughnut-shaped base supporting bullet-shaped drum on its back; horse has carved details of bridle, saddle, and neck ornament; drum has organic curvilinear decorations; heightened in red, white and green pigments; large pegs hold drum head onto drum body; each portion of drum head below pegs are wrapped in plant fibers

Drum, early 20th century

Baga

G254

low rolling mountains at top; figures with boats and on peninsulas of land at center; buildings at bottom with figures on porches and in interiors; two men wearing furs on a boat at bottom center; muted colors; bare trees around buildings

Winter at Villa on the River, 12th-14th century

China

G203

seated figure of Mary with long, thick brown hair, wearing rich robes of gold, blue and red, holding nude baby Jesus on her lap, breastfeeding; Jesus' brown hair is styled in ringlets close to his head

Virgin of the Milk (Virgen de la leche), c. 1500

Circle of Gil de Siloe

G340

sketchy 3/4 length portrait of a man wearing a grey jacket and a tan hat with a brown handlebar moustache, looking toward his left; man holds a cigarette in his PL hand on which he wears a pinky ring; man wears a boutonniere on his PR lapel; received in medium toned wood frame

Portrait of the Painter Francesco Santoro, Rome, 1887

Joaquin Sorolla y Bastida

G355

green jade; top carved with large dragon and small dragon holding a ball between their mouths; gold cord with tassels through mouth of larger dragon; carved inscription on bottom

Imperial Seal, Date Unknown

China

G103

white ground; tree at center; foliage and multicolored flowers; cream backing with Velcro heading band

Palampore, late 18th century

China

G281

two figures seated on round body of vessel with plates of food in front of them; spouts protrude from backs of both figures and joins in a "U" shape; beige with maroon highlights

Vessel, c. 100-200

Moche

G255

Portrait of Giuseppe Alberto de Ambiveri

Portrait of Giuseppe Alberto de Ambiveri, Vicar of the Mines of Bergamo, c. 1740

Giuseppe Ghislandi, called Fra Galgario

G307

Cathedral interior. Orphism.

Saint-SĂ©verin No. 2 (recto); Study for 'The City,' with the Eiffel Tower (verso), 1909

Robert Delaunay

G367

Rich light brown patina with lacquer. The figure stands with left arm raised and the weight resting on the right foot. The left foot is placed on a skull, a very rare feature. On stepped, circular, mottled green base. On the base of the bronze, the number 27 (Mayer Collection).

Anatomical Man (Ecorché), c. 1600

Italy

G310

Portrait of John Langston, Esquire, of Sarsden, 1787

Thomas Gainsborough R.A.

G306

Man from Sudan in Algerian Dress, c. 1850-1857

Charles-Henri-Joseph Cordier

G357

Lien (casket), circular, standing on three bears legs, black terra cotta, covered with white slip; painted in red and black design of dragons and clouds. These hill jars usually decorated with bands of relief instead of painting. Examples of Han painting are rare.

Lian (Cosmetic Box), 2nd century

China

G204

Stirrup-handle jar in the form of an owl with a fat body. The face, plastically rendered, is painted buff color; the rest of the body is red and burnished.

Vessel, c. 200 BCE - 600 CE

Moche

G260

Bronze bell (Dotaku); Dotaku- Bronze Bell with so-called 'crossing bands' (in Japanese Kesadasuki) decoration. Fine natural green patina; no repairs, in excellent condition. Excavated at Chiwa-Yama, Yashu-gun, Ohmi Province (now Shiga Prefecture) in the 14th year of Meiji, or 1881 A.D. This was on the 14 bells found, the largest of which is now in the Tokyo national Museum. with a box authentication of Professor Sueji Umehara. Modern wooden storage box has authentication by Professor Umchara.

Ritual Bell (Dƍtaku), 1st century BCE-1st century CE

Unknown Japanese

G205

Bowl, Abbasid dynasty, early Islamic Samarra type, with rounded sides and flattened, out-turned lip. Greyish pottery with opaque greyish white glaze, painted in light-dark blue with conventionalized design consisting of two highly stylized flowers(?)(double Pomgranates?) joined at the base, within a garland resembling laurel. Low foot. Broken and mended. Rey excavation.

Bowl with abstract (Anthropomorphic?) design, 9th-10th century

Iraq

G243

Boshanlu censer, 1st-2nd century

China

G215

Bowl, wide-mouthed wit slightly constricted neck, painted in polychrome. The decoration occupies two bands, set off from each other by a glyph* border about two-thirds of the way up the body. The lower band is divided into six panels, three of which contain seated personages elaborately dressed and carrying ceremonial objects in the left hand. These panels, painted brick red and black on a pale orange ground, alternate with fluted panels, painted brick red. The upper band is decorated with a line of seated personages wearing peaked turbans and separated one form the other by serpent and feathered motifs. The colors repeat those of the lower band. Inside the rim is a wide band of pale orange with a line of stylized heads with towering, paddle-shaped headdresses. Restored. * Glyphs are pseudo-glyphs

Bowl, c. 800-1200 CE

Maya

G260

The Village, 1913

Albert Gleizes

Not on View
Number on object is difficult to read; soft paste porcelain with floral decor in underglaze blue

Dish, late 18th century

Netherlands

G310

ink tablet, form of tortoise with cover, standing on its four feet; cover decorated with incised designs of scales with the Pa Kwa; inscribed with the eight trigrams of the 'Yi-Ching' (The Book of Changes), representing the various forms of change, principles or laws of the universe

Ink tablet in the form of a turtle, 1st century

China

G201

a.k.a. The Roman Matron

Roman Matron, 50-60 C.E.

Roman

G241

Beaker, Tsun, decorated with three bands of geometrical incised designs. The middles band, with feather design, has three protruding bosses regularly spaced; the lower band, with simple design of horizontal lines, also has three protruding bosses. The base, with slightly flared bottom, is decorated with incised lines. Polished surface, no glaze.

Beaker (zun), 12th century BCE

China

G204

tapestry; warp undyed wool, 7œ-8 ends per cm., weft dyed wool and silk, 24-28 ends per cm.; woven at the Royal Beauvais Manufactory; from the series Grotesques; lining is sewn to the tapestry

The Camel, designed 1686–1688 (woven 1688–1695)

Jean-Baptiste Monnoyer and collaborators; Cartoonist: Jean-Baptiste Monnoyer; Weaver: Royal Beauvais Manufactory under Philippe Behagle; Sponsor: Phillipe Behagle

Not on View
One of a pair of paintings, see also 39.9

Castle on the Rhîne River, France, c. 1765–80

William Marlow

G314

1200-1350 A.D.; excavated at Temple Mound (LaFlore, OK) in 1940s

Gorget, c. 1200-1350

Spiro Mississippian

Not on View
old map of Minnesota over painted with images of soldiers, hands holding weapons and other various objects along right edge and a column on Native Americans at LLC; all figures facing left

%C2%A9 Lakol 1995 %28Cultural Copyright%3B Lakol%3B of the Lakota Culture%29

They Say Minnesota Nice (Minnesota Nice Oyakepelo), 1995

Wanbli Koyake

Not on View
Tabwa Mask, colored glass beads, feathers, cloth raffia and skin, Zambia late XIX-early XXc.

Mask, second quarter of 20th century

Tabwa

G236

fine sky blue glaze flushing into areas of purple. glazed stoneware

Plate, 12th-13th century

China

G204

Bowl, Abbasid dynasty, early Islamic Samarra type, shallow, with rounded sides and flattened, outturned rim. Greyish pottery with opaque greyish white glaze painted in dark blue with a formal design consisting of an eight-petaled opaque flower within a diamond, which is within a square, the four corners of which are held out by an opaque three-pronged design with a long leaf. Low foot. Rey excavation. Broken and mended.

Bowl with diamond, floral, and vegetal design, 9th century

Iraq

G243

Incense burner, tripod, geometrical design. Grey earthenware, impressed with markings which indicate that the wet clay has been wrapped in matting. Pieces of this Neolithic mat-marked pottery were found in Honan; made without wheel. The clay clinging to it makes it look tan in color.

Li tripod, 13th-12th century BCE

China

G204

New Testament parable (Luke 15:11-32): A lively scene showing the Prodigal Son at supper with courtesans at an inn, accompanied by servants and musicians. The room, whose light source comes from a high leaded window on the left, is filled with many still-life details and rich symbolism. In the far left corner is a four-postered bed completely enclosed by velvet drapery. On the opposite side of the room through the open doorway, a thief is being chased by an angry woman, while another figure in a second-story window empties a chamber pot onto his head. Just inside the doorway, hanging on the wall, is a wooden board used for recording the guest's food and wine bill. Having placed his red velvet cloak, plumed cavalier's hat, fur piece and sword on a nearby chair, the Son sits at the round dining table and holds out his glass for a serving boy to fill. On the right, a serving woman carrying a covered pewter platter exchanges a word with the woman whose back is toward us, while a small dog wags his tail in anticipation of receiving the table scraps. A fiddler and a flutist stand behind the table, merrily playing their instruments. On another cloth-covered table in the left foreground are a pitcher, two glasses, and several loaves of crusty bread. On the floor below is a copper wine cooler containing several bottles of wine. Nearby, a monkey, dressed in a striped coat and wearing a ball and chain, munches on an apple.

The Prodigal Son, c. 1640

David Teniers, the Younger

G312

may represent the nature goddess or "Great Mother" of early man.; simple, schematic standing figure with crossed arms

Female Figure, c. 2500-2400 BCE

Cycladic

G241

Saint Ambrose Father of the Catholic Church

Saint Ambrose, 1623 or 1625

Claude Vignon

G330

Portrait.

Portrait of an Ecclesiastic, late 1550s

Giovanni Battista Moroni

Not on View
Portrait of a young boy, three quarters view, with a dog

Portrait of James Ward, 1779

Gilbert Stuart

Not on View
Charles II repoussé tazza; fully marked on rim and with lion passant underfoot; shallow circular dish with wide flat rim embossed in bold relief with a wolf, a boar, a turkey, and a falcon amid undulating stems of leafage and large blossoms with punchwork tendrils; on low, hollow flaring foot with flat rim

Footed salver, 1662-1663

RF

G350

Sarcophagus, with accompanying memorial tablet and cover, made for the Chinese General, Prince Cheng Ching, 524 A.D. The six bas-reliefs comprising this group include the two ends and two sides of the sarcophagus, the tablet, and its cover. The sides are decorated in low relief with five groups of historical personages, illustrating filial piety scenes, in a landscape of trees and mountains in which dragons, phoenix, and other symbolical animals roam. The head end bears a scene including a bridge leading over a lotus pond to a gate decorated with 24 bells representing 12 pairs of musical accords. Two guardians flank the gate. The foot end carries a large dragon in a landscape. The memorial tablet bears a long inscription including Cheng Ching's biography, the Emperor's eulogy, and the date 524 A.D. The sides are decorated with large dragons. The cover of the tablet is surrounded by a bevelled edge of conventionalized dragon heads and contains remnants of bronze handles at the four corners. Along the sides, on the top surface, are eight blank squares indicating places for sacrificial vessels. The major figures and forms on the stones stand in relief and have been polished to form an even surface; the spaces betwen were left rough. All six reliefs are in fairly good condition with the exception of the cover for the memorial tablet which has been gouged at the corners. The sarcophagus was undoubtedly carved at Loyang, the Northern Wei capitol from 484 A.D.

Epitaph cover of Prince Yuan Mi, 524

China

G208

Free standing figure, modeled in the round, with a rich brown patination.

Justice, early 16th century

Attributed to NiccolĂČ Tribolo

G310

scepter with 2 snakes with knotted bodies at top, a pair of wings below and a bulbous form on a bent stem

Caduceus, 2nd century

Roman

G241

Religion: OT. Moses at a well meets the seven daughters of Jethro

Moses Defending the Daughters of Jethro, 17th century

SĂ©bastien Bourdon

Not on View
Still Life.

Still Life with Fruit, c. 1860

Severin Roesen

Not on View
Study for the marble statue in the Loggia dei Lanzi, Florence, Italy

Abduction of Polyxena, c. 1855

Pio Fedi

G357

X-ray of Lady Tashat is at column in Paintings racks in MS

Cartonnage of Lady Tashat, 945-712 BCE

Ancient Egyptian

G250

Portrait. Three-quarter figure facing spectator, right hand on back of chair; left on hip. Hair worn in pompadour style of early twentieth century. Greyish-blue taffeta dress trimmed with ruching of cocoa brown silk.

Portrait of Elizabeth L. Burton, 1905-1906

Thomas Eakins

Not on View
Sarcophagus, with accompanying memorial tablet and cover, made for the Chinese General, Prince Cheng Ching, 524 A.D. The six bas-reliefs comprising this group include the two ends and two sides of the sarcophagus, the tablet, and its cover. The sides are decorated in low relief with five groups of historical personages, illustrating filial piety scenes, in a landscape of trees and mountains in which dragons, phoenix, and other symbolical animals roam. The head end bears a scene including a bridge leading over a lotus pond to a gate decorated with 24 bells representing 12 pairs of musical accords. Two guardians flank the gate. The foot end carries a large dragon in a landscape. The memorial tablet bears a long inscription including Cheng Ching's biography, the Emperor's eulogy, and the date 524 A.D. The sides are decorated with large dragons. The cover of the tablet is surrounded by a bevelled edge of conventionalized dragon heads and contains remnants of bronze handles at the four corners. Along the sides, on the top surface, are eight blank squares indicating places for sacrificial vessels. The major figures and forms on the stones stand in relief and have been polished to form an even surface; the spaces betwen were left rough. All six reliefs are in fairly good condition with the exception of the cover for the memorial tablet which has been gouged at the corners. The sarcophagus was undoubtedly carved at Loyang, the Northern Wei capitol from 484 A.D.

Sarcophagus of Prince Yuan Mi, 524

China

G208

Free standing figure, modeled in the round, with a rich brown patination.

Faith, early 16th century

Attributed to NiccolĂČ Tribolo

G310

Stove, pottery, two holes; reddish-brick earthenware, lead glaze; one fitted with kettle, the other with a bowl; coated with a green mottled glaze, turned to silver iridescence through burial. Repaired. Stoves with accessories are extremely rare.

Model of a stove, 1st-2nd century

China

G215

Portrait.

%C2%A9 Succession H. Matisse %2F Artists Rights Society %28ARS%29%2C New York

White Plumes, 1919

Henri Matisse

G377

one of a set of four tapestries, with woodland scene in grove of trees; the huntsmen have made a fire of logs, and one of them stands before it warming his hands, while a second dressed in crimson holds two panting brown hounds on leash. Beyond, a third hunter shields face from fire with left hand, and holds in his right a trophy of the hunt; warp undyed wool, 7œ-9 ends per cm., weft dyed wool and silk, 28-40 ends per cm.

The End of the Hunt, c. 1650

Unknown designers and cartoonists, Flanders

Not on View
Bowl, small, deep, of cream-colored earthenware, covered with white glaze. Inside three brown birds within medallions; white ground covered with brown dots. Outside white ground with diagonal brown lines and dots, broken by four large brown concentric circles. Broken and mended.

Bowl with bird motifs, 10th century

Iraq

G243

Copyright of the artist%2C artist%27s estate%2C or assignees

Game in a White Room, c. 1954

Robert Collins

Not on View
Double-spout vase painted in polychrome with two couchant winged figures. The heads wear an elaborate coiled headdress tipped with plant forms that spring from other parts of the body and from the serpent staff held in left hand of figure. Painted face with long projecting tongue. Wings of figures are decorated with human heads and terminate in feathers.

Vessel, 1st century BCE - 6th century CE

Nasca

Not on View
Cup with trophy heads; polychrome earthenware; Peru, Nazca, VIc.; No Dims on Cat. Cards Cup with slightly flaring mouth painted in polychrome with four rows of trophy heads.

Vessel, 6th century

Nasca

G255

a pair with Saint Paul (66.37.2); probably they were the lateral wings of a triptych dedicated to the Virgin Mary; arched top. Likely they were panels in a larger polyptych; not necessarily a triptych as there is no indication of them being wings.

Saint Sirus, c. 1460

Vincenzo Foppa

G343

One of a pair of paintings, see also 39.8.

View of the SaĂŽne and the ChĂąteau Pierre-Scize (Lyon, France), late 18th century

William Marlow

G314

Buddha, bronze figure of, Marching. The figure, in marching position, is stiffle erect, the left foot forward; the left arm is bent at the elbow, the hand raised, palm outward; the right arm, braceleted at the elbow, is down. The ears are weighted, without earrings, and the hair, composed of small, spiky curls, is surmounted by a flame. Some of his features, which display the supernatural anatomy of Buddha, include projecting heels, long fingers, smooth skin the color of gold and elongated arms. The figure wears a straight, girdled robe,leaving the right shoulder bare. Traces of gilding remain on back of robe, under left arm, on hair and in ears.

Walking Shakyamuni Buddha, 15th century

Thailand

G213

Spherical Jar decorated with a horizontal band showing two figures against a background of conventionalized lines representing water. Polychrome painting. Rounded bottom, stand.

Bowl with Swimmer Motifs, 100 BCE - 600 CE

Nasca

G255

Model boat containing 18 figures

Model Boat and Figures, 22nd-18th century BCE

Ancient Egyptian

G250

Portrait of Silvestro Aldobrandini, c. 1550

attributed to Ridolfo Ghirlandaio

G341

Buddha seated with legs crossed at the ankles. He wears a monk's diaphanous garment which covers only his right side. He is seated in a adamantine pose with the soles of his feet facing upward (as in early Gupta art). He assumes a gesture of exposition with his very long fingers. His face is excellently modelled with heavy eyelids, eyes looking downward and an enigmatic smile. His ears are large with long perforated lobes and he wears a tiered snail-like hairdo. Original and dark patina. Dvaravati style, Mon, Thailand. Cast in the lost wax process.

Seated preaching Buddha, 7th-9th century

Mon-Dvaravati

G213

hammered silver

Venus, 4th century

Roman

Not on View
cloth pouch with front flap decorated with beads; design of three stylized faces with interlocking geometric designs; braided leather tassels and handles; attached to square black mount

Bag, 20th century

Yoruba

G254

Trouville environs. Beach (as place of recreation).

Vacationers on the Beach at Trouville, 1864

EugĂšne-Louis Boudin

G321

Table, 1904

Josef Hoffmann; Manufacturer: Wiener WerkstÀtte (Vienna Workshops)

G378

Ear studs, pair, of hammered and engraved gold. The concave disks iwth beaded edges are decorated with an applied motif bearing four figures. Above, a demi-god with elaborate aureole headdress riding on a bar borne by other three figures. In one hand he holds a beaker-cup; in the other a bag adorned with loose bangles. Two of the lower figures wear modified aureole headdresses and carry beakers. All are half human, half beast. The bar on which the demi-god rides is finished at the ends with demon heads. Loose bangles are variously applied in the design. The tubes of the ear studs are decorated with engraved bands of cats and birds, and soldered to the backs of discs.

Ear Spool, c. 1150-1450

Chimu

G260

Basket pattern border with insects, fruit and flowers

Plate, c. 1750

Austria

G324

Bowing left with paw resting on ball

Lion, c. 1849-1858

Lyman Fenton & Co.

G331

Religion: New Testament. Jesus Christ. Reverse is cradled.

The Temptation of Christ, c. 1516-25

Titian (Tiziano Vecelli)

G330

Portrait. Peter Auriol Drummond, colonel in the Yorkshire militia is holding the hand of his bride, Mary Bridget Milnes, wearing the flowing robes and high powdered headdress popular in the 18th century. George William Drummond the sixth son of Robert Hay Drummond is seated at the left, and they are all looking at a portrait of their father Robert Hay Drummond, Archbishop of York, painted by Sir Joshua Reynolds in 1764.

Portrait of the Drummond Family, Peter Auriol Drummond (1754-1799), Mary Bridget Milnes Drummond (1755-1835), and George William Drummond (1761-1807), c. 1776

Benjamin West

G306

wearing the Atef crown, in seated posture

God Horus (Harpocrates), 644-30 BCE

Ancient Egyptian

G250

'Bible' bottle, rich brown mottling

Flask, c. 1849-1858

Attributed to Lyman Fenton & Co.

G331

Holiday Traditions, Chas. Drawing Room, 'Wilkes Bowl', decorated in colors and gold a pair of medallions on each side, each forming a satyrical coat of arms, Cat Card Dims H.4-1/4 x Dia. 10 in.

“Arms of Liberty” punch bowl, c. 1770

China

G209

Goddess Isis holding the infant Horus on her knee

Goddess Isis, c. 664 BCE - 30 CE

Ancient Egyptian

G250

Buddha, bronze seated figure in attitude of contemplation, also known as the Mudra, or position of 'calling the earth to witness'. The green bronze pedestal is in two tiers; the upper one shows lotus leaves in relief beneath a beaded rim, and the lower, (broken at right side) with ovoid indentations, some of them perforated. The ears are weighted but unadorned. The hair is short, in spiky curls and the usnisa had indentation to hold flame, which is missing. The eyes are enameled, proving the figure to be a late piece.

Buddha subduing Mara, 15th century

Thailand or Laos

G213

One of a pair of marriage portraits (see 57.11)

Portrait of Anna Buchner, née Lindacker, c. 1520

Lucas Cranach the Elder

G342

Plate fine quality white glaze; conventional floral design with pink, tulip, iris, cypress tree, etc., in blue, green and tomato red that comprise the center of the dish; band of spiral and foliage design in blue on brim; from Aynard Collection; so-called Iznik ware. Ottoman dynasty.

Plate, 16th century

Turkey

G243

Figure of a Maitreya Buddha, porbably Avalokitesvara, seated as if on a stool, his legs crossed at the ankles, his body slightly bent forward, and his hands in the 'do not fear' attitude. The upper part of the body is partially covered with a scarf which falls over the upper arms in pointed cap sleeves and merges with the skirt drapery. The ribbon-like ends of the scarf are knotted in an x-form over the abdomen. The skirt hangs in flaring, rippled pleats over the legs, which are clearly visible under the drapery. The face is typical of the Wei style of Lung Men, with lips and nose firmly modelled, eyebrows falling to meet the lines of the nose, eyes set low beneath the brows, and lids cut in a narrow almond. The hair is parted in the center, and crowned with a square tiara with a figure of Amitabha in front. This figure comes from the Ping Yang cave at Lung Men.

Maitreya (The Buddha of the Future), early 6th century BCE

China

G200

Terracotta, Italian XVIc cat. card dims H 27 x L 8 x W 12'; Figure carries on her head a basket filled with fruit and in her hand a brimming cornucopia. Little boy at her feet turns to her for protection from a barking dog. Blue gown with golden yellow decoration; yellow, green and violet fruit.

Dovizia, c. 1520

Giovanni della Robbia

G332

Religion: NT.

Destruction of the Beast and the False Prophet, 1804

Benjamin West

Not on View
Interior of bowl needs cleaning; bottom & sides sticky

Bowl, c. 1730

Hungary

G319

Three quarter-length portrait of a woman in a blue satin dress with broad flat hat, pulling on her glove.

Portrait of Sarah Allen, née Sargent, c. 1763

John Singleton Copley

Not on View
Jar, round, with decoration of incised geometrical designs in three bands around shoulder and body. Three projecting rings for handles- two on shoulder and one midway between on lower part of body; polished surface, no glaze. Grey earthenware.

Beaker-shaped Vessel, 13th-11th century BCE

China

G204

Sarcophagus, with accompanying memorial tablet and cover, made for the Chinese General, Prince Cheng Ching, 524 A.D. The six bas-reliefs comprising this group include the two ends and two sides of the sarcophagus, the tablet, and its cover. The sides are decorated in low relief with five groups of historical personages, illustrating filial piety scenes, in a landscape of trees and mountains in which dragons, phoenix, and other symbolical animals roam. The head end bears a scene including a bridge leading over a lotus pond to a gate decorated with 24 bells representing 12 pairs of musical accords. Two guardians flank the gate. The foot end carries a large dragon in a landscape. The memorial tablet bears a long inscription including Cheng Ching's biography, the Emperor's eulogy, and the date 524 A.D. The sides are decorated with large dragons. The cover of the tablet is surrounded by a bevelled edge of conventionalized dragon heads and contains remnants of bronze handles at the four corners. Along the sides, on the top surface, are eight blank squares indicating places for sacrificial vessels. The major figures and forms on the stones stand in relief and have been polished to form an even surface; the spaces betwen were left rough. All six reliefs are in fairly good condition with the exception of the cover for the memorial tablet which has been gouged at the corners. The sarcophagus was undoubtedly carved at Loyang, the Northern Wei capitol from 484 A.D.

Epitaph cover of Prince Yuan Mi, 524

China

G208

a pair with Saint Sirus (66.37.1); probably they were the lateral wings of a triptych dedicated to the Virgin Mary; arched top

Saint Paul, c. 1460

Vincenzo Foppa

G343

Pitcher; with straight handle; white glaze with floral design in dark blue turquoise blue and tomato red with watery black outlines; tulip, open rose and wild hyacinth; so called Rhodian ware.

Pitcher, 16th century

Turkey

G243

Pai-Ting-yao Plate shallow circular form; light porcellaneous ware, covered with creamy white glaze; inner surface decorated beneath the glaze with floral design in slight relief; rim mounted with copper band.

Plate, mid 10th-late 13th century

China

G204

Goli Dance Mask, wood with pigment and horns

Kpele Kpele Mask, 19th century

Baule

Not on View

The Carpet Merchant, c. 1887

Jean-LĂ©on GĂ©rĂŽme

G243

edition 10 of 11, series II; recreation of the original (lost) object of 1921; old style iron with single row of 14 tacks afixed to bottom center, painted in black Iron

%C2%A9 Man Ray Trust %2F Artists Rights Society %28ARS%29%2C NY %2F ADAGP%2C Paris

Gift, 1921 (replicated in a 1970 edition of 11)

Man Ray (Emmanuel Rudnitsky); Publisher: Emmanuel Galleria II Fauno, Turin

G376

From the series The Medallion Months. The Month of September, symbolized by a vintage scene depicted in an oval medallion of which the frame carries the twelve signs of the zodiac alternated with pairs of classic female figures each holding an hour glass. In the upper spandrels Semele and Jupiter; in the lower spandrels a pair of lovers and a peasant cutting gapes. Elaborate border of fruits and figures outlined by guilloche band. Well preserved, colors fresh. This tapestry one of a set of twelve months of which seven pieces are known to exist. Materials warp undyed wool, 7-8œ ends per cm., weft dyed wool and silk, 22-120 ends per cm.

Month of September, 1525-1528

Circle of Bernard van Orley; Designer: Circle of Bernard van Orley

G340

Pair of armchairs in the Etruscan style

Etruscan-style armchair, one of a pair, c. 1805

Jean-Joseph Chapuis

Not on View
long rectangular body; lower 1/5 buried; chip carved diamond patterns throughout; carved facial and hair details; diamond shaped waist; rosettes depicting heart and umbilicus

Vigango, late 19th-early 20th century

Mijikenda (Kauma)

Not on View
1200-1350 A.D.; excavated at Temple Mound (LaFlore, OK) in 1940s

Gorget, c. 1200-1350

Spiro Mississippian

Not on View

Beaded Apron (Jocolo), 20th century

South Africa

G236

Coffee Pot with cover, ceramic, ribbed with floral decoration in carmine and gold. Cover from smaller vessel of same design, German XVIIIc cat. dims 7-1/2 x 5-1/2'

Coffee pot, 18th century

Germany

G324

Teacup, ceramic, flaring side, gold bands, with floral swags in orange, German XVIIIc cat. card dims 2-3/8 x 3-1/4' Saucer, No Dims on card catalogue

Cup and saucer, 18th century

Germany

G324

Cup and Saucer, ceramic, flaring side, gold bands, with floral swags in orange, German XVIIIc NO DIMS. ON CAT. CARDS

Cup and saucer, 18th century

Germany

G324

Linear abstraction with triangles.

Copyright of the artist%2C artist%27s estate%2C or assignees

Cloud Chamber Dream, 20th century

John E. Anderson

G378

Madonna and Child, polychromed limestone, French XIVc.

Virgin and Child, 14th century

France

G340

Murano clear white glass; flattened spherical body, conical neck decorated with band of quilled clear white glass

Vase, probably 17th century

Italy

G332

Mortuary figures, pair of, representing warriors both wear armor, with curious head-dresses, and one carries a sword-like object. Four of these figures were found at the entrance of a tomb in Honan province. Two bought by M.I.A., and two by the Boston Museum of Fine Arts. They are fashioned of polychromed pottery of the greyish cast associated with Wei. Traces of faded terra cotta color remain. These are unusually large tomb figures.

Mortuary Figure, 386-535

China

G208

Arm Chair, Palagio Pelagi, Italain, XIXc cat. card dims 42-1/4 x 26-1/2 x 22' reupholstered in 1993-1994; see file for details

Armchair from a pair of armchairs, 1835

Filippo Pelagio Palagi; Maker: Gabrielle Capello ("Monclavo"); Maker: Carlo Chiavasse

G324

Bowl, shallow; of red earhtenware, glazed and decorated on upper side only; cream-colored ground. Center decoration large burnt umber bird, crudely outlined in brown; green beak ad tail feathers. Border consists of brown dots of uneven size, crudely applied. Low foot. From Amol. Strong resemblance to bowl in Sam Lewisohn Collection, N.Y.C., shown in Illustrated London News, Jan. 10,1931, P.63. Low foot, unglazed.

Bowl with bird motif, 10th century

Iran

G243

Copyright of the artist%2C artist%27s estate%2C or assignees

The Smoker, c. 1933

Henry W. Bannarn

G353

Copyright of the artist%2C artist%27s estate%2C or assignees

Swimming Hole in January, 1944

Eva Peterson

G353

fully marked, Britannia Standard, on outer edge near handle; fully marked on bezel of detachable rim; leopard's head erased on each hinged handle

Monteith, 1705-1706

John Leach

G209

Murano blown amber color glass, globular body, segmental gadroonings, tall cylindrical neck with quilled band.

Flask, probably 17th century

Italy

G332

Jug for hot milk with cover (replica of coffee pot), German XVIIIc cat. card dims 6 x 7-1/2'

Jug, 18th century

Germany

G324

Copyright of the artist%2C artist%27s estate%2C or assignees

Evening Concert, 20th century

Floyd E. Brewer

G303

Chest, oak, English (Jacobian), XVIIc cat. card dims 28-7/8 x 47-1/4 x 23'

Chest, early 18th century

England

G325

Holiday Traditions, Northumberland Room

Tilt-top table, 18th century

England

G327

Cup and Saucer with floral decoration in carmine.

Cup and saucer, 18th century

Germany

G324

unsigned

Whose Sleeves? [right of a pair], early 17th century

Unknown Japanese

Not on View
Landscape

Copyright of the artist%2C artist%27s estate%2C or assignees

Still Life with Bananas and Calla Lilies, 1932

Bror Julius Olsson (B.J.O.) Nordfeldt

Not on View
Card table; by Chippendale?, folding top with semi-circular and broken corners for placing candslesticks (?); cabriole legs terminating in claw and ball feet; knees carved with acanthus leaf designs and foliated cartouches; front of drawer with fine foliate scrollings.MIddle XVIII c. Mahogany.

Card table, mid 18th century

England

G326

Bacchus and Ariadne, c. 1780

Guiseppe Boschi

G317

The Muses of Music and Poetry, 18th century

Guillaume Coustou the Younger

G317

Bottle or tea caddy, ceramic-porcelain, German, XVIIIc cat. card dims 4-1/4 x 2-3/4 x 1-3/8'

Tea caddy, 18th century

Germany

G324

Copyright %C2%A9 1986 Paul Shambroom

Graco, Inc., Minneapolis, Minnesota (paint sprayers), 1986

Paul Shambroom

G368

uppers beaded overall with background panels of blue and pink, and geometric square designs; large plain tongues, trimmed in blue beads; fringe on heels

Pair of Moccasins, c. 1890

Nakoda (Assiniboine)

Not on View
rounded front with front writing desk that tips downward, revealing 12 drawers flaking and above a mirrored recess with columns; landscape transfer designs on top drawer and center drawer; large drawer on exterior below writing desk

Biedermeier secretary, 1834

Hungary (probably)

G324

Madonna and Child, c. 1310

Segna di Buonaventura

G343

figure, called Moai-Kava-Kava; toromiro wood

Moai Kavakava, 18th century

Rapa Nui (Easter Island)

G256

70.17ter the old frame for this piece is on P65B MS; Italian wood tabernacle cassetta frame, ca. 1600 (reframed 1992), H.46-1/4 x W.44 in.

Portrait of a Cardinal, possibly Gabriele de' Gabrielli (1445–1511), c. 1505–11

attributed to Lorenzo Costa

G340

Cityscape of Venice Venezia

View up the Grand Canal toward the Rialto, c. 1785

Francesco Guardi

G307

Chñteau d’Ornans, 1855

Gustave Courbet

G321

Redford Crown Glass Works near Plattsburgh NY or Redwood Glass Works, Alexandria, near Watertown NY, Monumental Aquamarine Freeblown Pitcher with Lily-Pad Decoration, between 1831-1850 glass, free-blown, with applied handle, foot, threading and lily-pad decoration.

Pitcher, c. 1840

Redford Crown Glass Works; Maker: Redwood Glass Works

Not on View
Landscape.

Catskill Mountain House, 1855

Jasper Francis Cropsey

G323

Harbor. Pointillism.

Blessing of the Tuna Fleet at Groix, 1923

Paul Signac

G355

%C2%A9 William Klein. All rights reserved.

Maurice Thorez Funeral, Paris, 1964

William Klein

Not on View
God Bes; incised details; pierced in four places for suspension; polished

Bes Amulet, 1567-525 BCE

Ancient Egyptian

Not on View
Servant model, red white and black; Group of 3 Figures (depicts slaughtering), wood,Egyptian Dynasty X-XII cat. card dims L. 18', W. 20', H. 12-1/4'

Funerary Piece, 22nd-18th century BCE

Ancient Egyptian

Not on View
Jar Takatori pottery; ovoid form with small foot, wide shoulders and short neck with expanding lip; covered with thick glaze of brownish violet splashed with running gray-blue.

Jar, 18th century

Unknown Japanese

Not on View

East and West, 20th century

James Craig Annan

Not on View
Amulet, faience, Egyptian, Ptolemaic, century? cat. card dims H. 2-5/16', W. 7/8' Same God as 16.112. blue, pierced piece on back for suspension. one of the children of the deities, Ptah and Bast One of the children of the dieties, Ptah and Bast

Pataikos, 664-30 BCE

Ancient Egyptian

Not on View
Liquor bottle, white flint glass with silver stopper, engraved floral design based on the convetional tulip

Liquor bottle, 1765-1780

Stiegal Glass Works

Not on View
Paddle, wood, Egyptian, X-XII Dynasty cat. card dims L. 23-13/16', W. 2-7/8' black stripes, used with a small boat, polychromed wood, red and black stripes.

Oar, 22nd-18th century BCE

Ancient Egyptian

Not on View
Towel, loosely woven linen. Embroidered with a border of square floral motifs set closely together. Worked in pink, blue and green silks and tinsel thread.

Towel, 19th century

Greece

Not on View
Murano clear white; circular shape, wide rim; decorated with spirally interlacing filiaments of white opaque lattimo glass.

Deep dish, 17th century

Italy

Not on View
Signet scarab, faience, Egyptian, XVIII Dynasty cat. card dims L. 13/16', W. 9/16' Bright blue, incised, symmetrical design, wing cases not indicated, the deep undercutting was practiced in Dynasty XVIII.

Scarab, 1567-1320 BCE

Ancient Egyptian

Not on View
Plate 38

Joseph Being Sold by His Brothers into Slavery, 1852

Julius Schnorr von Carolsfeld; Publisher: George Wigand, Leipzig

Not on View

Street Scene, New Orleans, Louisiana, 1935

Walker Evans

Not on View

Fish, 20th century

A. Radclyffe Dugmore

Not on View

The Cat, 20th century

Frank Eugene

Not on View

Mayor's Office, Moundville, Alabama, 1936

Walker Evans

Not on View

Mr. Alfred Stieglitz, 20th century

Frank Eugene

Not on View

A Portrait, 20th century

Francis BruguiĂšre

Not on View

The Spider, 20th century

William B. Dyer

Not on View

Direktor F. Goetz, 20th century

Frank Eugene

Not on View

Old Church - Burgos, 20th century

James Craig Annan

Not on View
Cup, small with naturalistic plant motive in dark green.

Cup, 19th century

Meissen Porcelain Factory

Not on View
Vase, amphora shape with flaring lip. Five color decoration of butterflies green, blue, yellow, rust, and aubergine. Floral sprays intermingled with butterflies. Bluish-white glaze. Rim of foot unglazed; bottom glazed, with double-ringed blue circle of K'ang Hsi on bottom.

Vase, 1662-1722

China

Not on View

Katherine, 1905

Alfred Stieglitz

Not on View

The Hand of Man, 1902

Alfred Stieglitz

Not on View

Ploughing, 1904

Alfred Stieglitz

Not on View

A Dirigible, 1910

Alfred Stieglitz

Not on View
Bowl, low, in the form of a crouching jaguar with head modelled in full relief and tail modelled in low relief close to body of jar. Body of jar painted red; eyes, whiskers, and fangs of jaguar in cream. Base of jar pitted and paint flaking off over neck and shoulders.

Bowl, Date Unknown

Moche

Not on View
Buddha, figure of, seated on coils of a snake and sheltered by his seven expanded hoods. Monastic garment covers the figure (greatly weathered) leaving right shoulder bare; pendant ears, without jewelry. The Usnisa, or flame, is cone shaped; the hair is apparently plaited. The figure and serpent were originally ornamented with gilding, some of which remains, especially on coils of serpent and rear of his expanded heads. The serpent is in three coils. Provenance Angkor region.

Naga-Enthroned Buddha, 13th-14th century

Cambodia

Not on View
Portrait Jar in form of Seated Figure Playing Pan-Pipes. Hammered and soldered silver, made in at least two parts. A solder line can be tracved horizontallly across the back and shoulders of the figure and across the loewer part of the pipe abr. Stirrup handle at the back of the head.

Portrait Jar, 20th century

Unknown

Not on View

Copyright of the artist%2C artist%27s estate%2C or assignees

The Seals, c. 1944

Mari Arnal

Not on View
dish ring, pierced and chased, with reeded edge at top and bottom; the six pierced medallions show a leaf design

Dish ring, c. 1790

England

Not on View
Two cylinders joined by rope loops

Goldweight [Linked Knots], 19th-20th century

Akan

Not on View
Four legged animal with a flat football shaped body. Two spiral antlers that come together at the ends. Attached to wooden base.

Goldweight [Antelope], 19th-20th century

Akan

Not on View
Pair of sandals with dogbone-shaped soles; two straps creating X over each sole; round element in center of each X

Goldweight [Pair of Sandals], 19th-20th century

Akan

Not on View
Three balls at top of seat back

Goldweight [Chair], 19th-20th century

Akan

Not on View
Small beetle with head and body. Head is pointed. No legs

Goldweight [Beetle], 19th-20th century

Akan

Not on View
Three legged animal with round body, long neck and slim head. Ring under chin and short, down-turned tail.

Goldweight [Antelope], 19th-20th century

Akan

Not on View
Brass seated figure with rectangular object in-between the knees, with hands on each side of object;

Goldweight [Seated Figure with an Implement Between the Knees], 19th-20th century

Akan

Not on View
Head bent to back; ball in mouth

Goldweight [Bird], 19th-20th century

Akan

Not on View
Three feathers on head, three rings at bottom of serpentine neck

Goldweight [Bird], 19th-20th century

Akan

Not on View
Four legged animal with applied "wire wrapping" around body and horns. Triangular shape at base of head and horns. Long, slightly upturned tail.

Goldweight [Antelope], 19th-20th century

Akan

Not on View
Tortoise with rounded oval shape body; flat head; legs made of two pieces of bent wires

Goldweight [Tortoise], 19th-20th century

Akan

Not on View
Four legged animal with legs slightly curled as if walking. Tail looks like a fifth leg. Short spiral horns that curve slightly.

Goldweight [Antelope], 19th-20th century

Akan

Not on View
Rectangular shield with two snakehead-like protrusions, top and bottom edges on short sides; applied vertical band between snakeheads with incised V's; applied decoration in two outer panels; handle on back is two C-shapes at right angles

Goldweight [Shield], 19th-20th century

Akan

Not on View

Portraits--A Group, c. 1845

David Octavius Hill; Photographer: Robert Adamson

Not on View

New York at Night, 1900-1914

Paul B. Haviland

Not on View

The Minnow Pool, c. 1845

David Octavius Hill; Photographer: Robert Adamson

Not on View

Winter, late 19th-early 20th century

Arthur Allen Lewis

Not on View

Mr. Rintoul, Editor "Spectator", 19th century

David Octavius Hill; Photographer: Robert Adamson

Not on View

Handyside Ritchie and Wm. Henning, 19th century

David Octavius Hill; Photographer: Robert Adamson

Not on View

The Spanish Shawl, 1900-1912

Paul B. Haviland

Not on View

The Churchgoers, 19th-20th century

Theodor Hofmeister; Photographer: Oscar Hofmeister

Not on View

Villa Torlonia, 1901

Hugo Henneberg

Not on View

'Twixt the Cup and the Lip, 1900-1907

Benedict F. Herzog

Not on View

Miss Doris Keane, 1900-1912

Paul B. Haviland

Not on View

The Banks of Lethe, 1900-1907

Benedict F. Herzog

Not on View

Windblown, late 19th-early 20th century

Heinrich Keuhn

Not on View

Newhaven Fisheries, c. 1845

David Octavius Hill; Photographer: Robert Adamson

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The Last Hour, 19th-20th century

Joseph T. Keiley; Editor: Alfred Stieglitz

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Angela, 1900-1905

Benedict F. Herzog

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Pomeranian Motif, 1902

Hugo Henneberg

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The Marquis of Northampton, 19th century

David Octavius Hill; Photographer: Robert Adamson

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New York at Night, 1900-1914

Paul B. Haviland

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Washerwoman on the Dunes, late 19th-early 20th century

Heinrich Keuhn

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Sir Francis Grant, P.R.A., 19th century

David Octavius Hill; Photographer: Robert Adamson

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Portrait, late 19th-early 20th century

Heinrich Keuhn

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Villa Falconieri, 1900

Hugo Henneberg

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Harbour of Hamburg, late 19th-early 20th century

Heinrich Keuhn

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Passing Steamer, 1900-1912

Paul B. Haviland

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Portrait--The Gown and the Casket, c. 1845

David Octavius Hill; Photographer: Robert Adamson

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Mrs. Rigby, c. 1845