Saint Paul, c. 1460
Vincenzo Foppaexpand_more
Tempera on panelexpand_more
The William Hood Dunwoody Fundexpand_more 66.37.2
On View in Gallery 343expand_more
Saint Paul and Saint Sirus are panel paintings likely from the same large altarpiece. Panel painting was a lengthy process that required many steps. The panel is a plank of wood that was prepared with many layers of gesso, a glue-size-chalk substance that forms the white base layer of the paintings. Gesso is also used to create the raised areas, or pastiglia, seen in each painting: the top of staff and edges of the headpiece in Saint Sirus and areas on the hilt of the sword in Saint Paul. Red bole, a size-clay mixture, was added to areas that were to be gilded with gold leaf. The final step was painting the figures in numerous layers of egg tempera, a paint made of ground pigments, water, and egg yolk.
Details
- Title
- Saint Paul
- Artist Life
- Italian (Brescia), c. 1427/30 - 1515/16
- Role
- Artist
- Accession Number
- 66.37.2
- Curator Approved
This record has been reviewed by our curatorial staff but may be incomplete. These records are frequently revised and enhanced. If you notice a mistake or have additional information about this object, please email collectionsdata@artsmia.org.
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