🔎 creditline:"The John R. Van Derlip Fund" | Mia

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Shrine head, Ancient Yoruba — Shrine head, 12th-14th century
Ancient Yoruba

G250

Portrait Of Frank James — Frank, 1969
Chuck Close

Not on View

Carved from pale gray-green stone with cloudy white mottling and black and brown rivering throughout, the mountain landscape with high rising peaks and numerous figures and pavillions amid foliage on both sides, with the seal of the Emperor Qianlong above a long inscription on one side, the reverse with a further inscription and a seal, one seal referring to the eightieth year of the Emperor Qianlong,corresponding to the year 1784. — Jade Mountain Illustrating the Gathering of Scholars at the Lanting Pavilion, 1790
China

G210

Mademoiselle Hortense Valpinçon — Portrait of Mlle. Hortense Valpinçon, c. 1871
Edgar Degas

G351

husband and wife seated on a lotus in the pose of royal ease and intimacy with bull and tiger underfoot; symmetrical architectural backdrop with large central disc behind heads of main figures — Uma-Maheshvara, 10th-11th century
India

G211

Golden Bird, Constantin Brancusi — Golden Bird, c. 1919
Constantin Brancusi

G377

Interior of the house — Dining Room in the Country, 1913
Pierre Bonnard

G355

woman wearing a white satin gown trimmed with lace and pearls, holding a book, and seated on a yellow sofa; woman wears pearl necklaces and earrings, with her hair decorated with pearls; guitar and music next to woman on sofa; black and white lap dog in LRC — The Comtesse d'Egmont Pignatelli in Spanish Costume, 1763
Alexander Roslin

G378

Three quarter length self-portrait of Francesco de Mura — Self-Portrait, c. 1740
Francesco de Mura

G307

Nude female figure lying on a flowered couch — Nude on a Couch, c. 1880
Gustave Caillebotte

G355

rigid open coat, with arms extended and hem of coat trailing on floor; exterior of coat made of horizontal rows of overlapping dog tags; interior of coat made of reflective panels; disassembles into four parts--base consists of three parts and upper body section — Some/One, 2005
Do Ho Suh

Not on View

Amida, the Buddha of Infinite Light, Unknown Japanese — Amida, the Buddha of Infinite Light, 12th century
Unknown Japanese

G200

man with long white beard and glasses seated at LR, writing, behind a stumpy tree with thick trunk and thin branches on right side only; big cat's face at left looking out from behind tree — Saint Jerome by the Pollard Willow, 1648
Rembrandt Harmensz. van Rijn

Not on View

head (male) wearing thick collar up to lower lip; openwork caplike headdress with hanging braids and beaded cords around ears; two "beads" on forehead; flower-like beaded elements at temples--one at PR ear, two at PL ear; open circle at top of head — Memorial head, 1550-1650
Edo

G250

Gope board, Unknown — Gope board, 18th century
Unknown

Not on View

Mythological figures in a landscape. A tribute to jazz musician Nina Simone. — Homage to Nina Simone, 1965
Bob Thompson

Not on View

human face with long ears; open mouth with teeth; red linear designs — Mask, c. 900-300 BCE
Olmec

Not on View

Venice. Church. San Marco. — The Piazza San Marco, Venice, 1881
Pierre Auguste Renoir

G355

Genre. Cubist. Seated man and woman. — Married Life, 1912
Roger de la Fresnaye

G367

figure wears a replica of a heavy stone yoke at waist over skirt with fret motif; necklace; bands of bracelets on left arm; headdress broken at right. On the left knee a nead with round headdress in relief. Hole in right shoulder forms hook from which rattle could be suspended. The mould for front of body is well designed but assembled crudely with the mould for back.; Pinkish white pottery — Figure, c. 600-750 CE
Nopiloa (Veracruz)

G260

quadruped animal form with four short, stubby legs; rounded body with sloping back; small, stubby tail; rounded head with opening roughly at mouth area; extremely heavy encrustations overall, with deep and heavy crackle throughout; brown, earth-colored, with a darker brown round area on PR side of head and in several areas on front legs and feet — Kono altar, second quarter of 20th century
Bamana

G250

Khmer style of the Bayon; frontal stance; probably had extended hands; narrow shoulders and wider hips; eyes are closed; physiognomy relaxed; sublime expression — Prajnaparamita, late 12th-early 13th century
Cambodia

G213

Abstract Painting No. 9, Ad Reinhardt — Abstract Painting No. 9, 1960-1966
Ad Reinhardt

Not on View

abstract image in red-orange, blues, yellow, dark red, green; dots of various sizes overall with looped openwork designs with other colors showing through — Untitled, 1967
Kusama Yayoi

Not on View

Arched top. The Madonna, in a gold and blue mantle over a red and gold brocade robe, seated on a throne in Renaissance style holding the infant Christ who stands on her knee, an apple in his hand; at the foot of the throne, pinks in a vase, apples, and marrows. — Madonna and Child Enthroned, c. 1490
Nicola di Maestro Antonio (di Ancona)

G343

A Roman legionary fallen in battle embraced at the moment of death by the genius or spirit of victory. — Kiss of Victory, 1878–1881
Sir Alfred Gilbert

G357

male figure wearing a robe carved from brown-veined rock, seated on a red and cream stone plinth; head, hands and feet of gilt bronze; curly hair and beard; wearing cap; man holds scroll in PL hand and two keys in PR hand — The Ludovisi Saint Peter, 2nd century (marble body); c. 1590 (gilt bronze head, hands and feet; throne)
Attributed to Bastiano Torrigiani (head, hands and feet)

G340

Birds-eye view of Venice created with six joined pieces of paper; linen mat with gold edged frame — View of Venice, 1500
Jacopo de' Barbari; Publisher: Anton Kolb

Not on View

boxing match with two figures in ring with official behind them; figures around elevated boxing ring gesturing and talking — A Stag at Sharkey's, 1917
George Bellows

Not on View

Portrait of Anna Blocken, Aelbert Cuyp — Portrait of Anna Blocken, 1649
Aelbert Cuyp

G312

House Group, the evening meal; polychrome; terra cotta group representing a two-story house with canopy roof on piles and 11 figures occupied with various household tasks on two levels an upper terace and a lower, enclosed room with a wide doorway; on each of two sides a stairway of five steps leads from the base to the upper level; the surface is decorated in polychrome (red, yellow, black) with geometric designs lozenges interlocked and wavy stripes; the piece is much weathered and has been extensively restored — House Group, c. 100-400
Nayarit

G260

landscape with Cornard Church in the distance — The Fallen Tree, probably between 1750 and 1753
Thomas Gainsborough R.A.

G310

The Fighter of the Spirit, 1928
Ernst Barlach

Exterior Grounds

Akicita Wasté (Good Soldier), Martin Red Bear — Akicita Wasté (Good Soldier), 1991
Martin Red Bear

G259

Bacchante and Satyr, Jean-Baptiste Auguste Clésinger — Bacchante and Satyr, 1869
Jean-Baptiste Auguste Clésinger

Not on View

Saint Humphrey (Onuphrius), Salvator Rosa — Saint Humphrey (Onuphrius), c. 1660
Salvator Rosa

G330

Interior of a barn. Dutch genre. — Interior of a Barn, 1644
Egbert van der Poel

G312

Judith and head of Holofernes Judith and her maid servant put the head in a sack — Judith with the Head of Holofernes, c. 1635-50
Pietro della Vecchia (Pietro Muttoni)

G330

Part of a series of 12 paintings by Vouet of angels holding symbols of the Passion; other is 69.36.2 — Angels with Attributes of the Passion: Angel Holding the Vessel and Towel for Washing the Hands of Pontius Pilate, 1627
Simon Vouet

G313

mosaic representing a scene of an elephant attacking a feline, in multicolors.; known to have come from the floor of an early Christian church near Antioch — Elephant Attacking a Feline, late 4th-mid 5th century
Turkey

G240

mosaic, oblong representing birds surrounded by foliage and pomegranates in multicolors; known to have come from the floor of an early christian church near Antioch — Birds with Foliage, late 4th-mid 5th century
Turkey

G240

Old Testament. After the prophet Samuel anointed David as King Saul's successor, Saul became jealous and plotted David's death. David's loyal friend Jonathan (Saul's son) is preparing to shoot three arrows as a warning to David who is hiding in a field. Jonathan's pose is directly derived from Michelangelo's 'David'. — Jonathan’s Token to David, c. 1868
Frederic Leighton, 1st Baron Leighton of Stretton

G357

Catafalque Flambeau, wrought iron bobèche tray (6-3/8 in.), wooden bobèche with pomegranate seed and leaf carvings (6-½ in.), baroque carved structure skeleton(49-½ in.), iron pole shaft (40-½ in.), wrought iron tripod base (14 in.), triangular marble plinth, overall H.112 in., gessoed polychrome and gilded wood and wrought iron — Funeral torch, c. 1720
Italy

G310

standing male nude; represents man awakening to a fuller comprehension of his physical powers — The Age of Bronze, 1876–77 (plaster model); casting date unknown
Auguste Rodin; Caster: Alex Rudier Fondeur

G355

Genre scene. The Piazza del Popolo — The Piazza del Popolo, Rome, c. 1660
Johannes Lingelbach

G309

The Tiber Muse, 2nd-1st century BCE
Graeco-Roman

G242

Portrait. Madame Aubry wears an ultramarine blue velvet dress, cloak lined with flowered brocade and a bodice of silver lamé with lace and rose ribbon. Her hand touches a whippet which may have belonged to the artist as it appears in other portraits. Her hair is styled à la Fontanges. She married into a family from Tours and later became the Marquise de Castelnau in the Berry region near Bourges. — Portrait of Catherine Coustard, Marquise of Castelnau, Wife of Charles-Léonor Aubry with Her Son Léonor, c. 1700
Nicolas de Largillière

G308

one of a pair — Portrait of Lucas van Voorst, 1628
Paulus Moreelse

G312

Awatovi Birds, Dextra Quotskuyva — Awatovi Birds, 1990
Dextra Quotskuyva

G259

arched top — Crucifixion with the Virgin, Saint John the Evangelist and a Clerical Donor, c. 1350-1360
Lippo Vanni

G343

Portrait of Dr. Thomas Penrose holding a sketch book, seated on a bank overlooking the Duomo and Palazzo Vecchio, Florence, Italy. — Portrait of Dr. Thomas Penrose, 1798
Louis Gauffier

G306

Portrait. — Sandy, 1946
Walt Kuhn

Not on View

Ekine Society Memorial Screen (called 'Duen Fobar'); wood and raffia with traces of pigment Nigeria,Ijo Tribe,late XIXc. Abonnema Village — Funerary screen, late 19th century
Kalabari

G375

Mask, wood, painted, and feathers inserted in the outer edges; Inuit (Eskimo), Anvik From the Anvik area along the Yukon River. — Mask, 19th-20th century
Yup'ik

G260

camel standing on diamond-shaped base; head up, tail up and curled; yellow with traces of red and black pigment; single hump — Two camels and a groom (Camel), 618-907
China

G207

bust of young man with medium-length curly hair; man wears draping garment with low neckline with knot on PR shoulder; bare PR arm; mottled patina — Saint John the Baptist, c. 1505
Benedetto da Rovezzano

G340

pale grey stone; standing ram with blocky body; curling horns; stubby, blocky tail — Ram, 1938–1942
William Edmondson

G367

Romanesque relief-carved stone Calvary group showing Christ on the cross between standing figures of the Virgin Mary on the left and St. John the Evangelist on the right; Christ appears with a perizonium around his waist, his legs buckling to the left and his head raised but with heavy eyelids; Mary's hair is covered by a simple veil which encloses her left elbow and is held in her right hand, looking down, with her left hand raised to her face; Mary's mantle clings to her legs in a series of "damp fold" drapery swirls, and ruffles over her pointed shoes; John holds a book in the crook of his left arm, and with his right hand (fingers now missing) gestures up towards the body of Christ; John's bare feet protrude from under a long garment with a crinkled neckline; just visible above the surviving section of the patibulum of the cross are two small, rounded shapes that most likely formed the tips of a wing, presumably of an angel; five metal pins at top of lower portion for secure installation of heads of John and Mary and torso and head of Christ — Crucifixion, c. 1180
Spain

G340

Seated girl. Franzi Fehrmann. German Expressionism. Figure shown nearly full length, filling almost all of the picture space, seated on vivid blue divan dressed in bright red dress with yellow trim and black polka dots on green sleeves. Small nude figure at left a frequent motif in Kirchner's art. Strong color utilized, applied in broad areas with an eye to contrast and balance. Harsh contour lines add a decorative element to the composition. These strong contour lines reveal the influence of the woodcutting technique which Kirchner also practiced to great effect. Composition is simplified and economy of line and form reveal influence of Japanese art and primitive African sculpture. No signature - checked 8-21-96. — Seated Girl (Fränzi Fehrmann), 1910 (altered 1920)
Ernst Ludwig Kirchner

G371

standing blonde little girl with green eyes, wearing a pink dress with white polka dots, pink hair ribbon, white socks with pink trim, and red shoes, and holds a purple flower in her PR hand; girl has blank facial expression; girl stands in front of a wall mural with a blue and yellow dragon against a red ground with glitter highlights against a red ground with bold black Chinese characters; shiny black floor — Portrait of a Girl, 1971
Joan Brown

G280

small standing highly stylized figure with very large coffee bean-type eyes; PR lower arm missing; openings at top of head and at bottom; upturned pig-like nostrils; textured body covered with scrolling designs; looping scrolls around stomach/navel and between breasts; small, widely spaced breasts with pronounced nipples; repeating incised zigzags with textured areas on back of head/hair; dark/black patina — Figurine of a Female, 1000-800 BCE
Unknown Japanese

G205

buildings and bridges with water in foreground; church left of center — Le Pont de Moret, 1888
Alfred Sisley

G355

after Polykleitos, Roman copy of Greek original, the original executed in bronze, c.440 BCE; one of four known extant copies — The Doryphoros, 120–50 BCE
Unknown Roman

G241

Blue-and-White dish, porcelain; decorated in a deep blue in the center with a large peahen flying amongst peonies, the cavetto molded with a band of peonies in white in a blue ground, the rim with a border of stylized waves and a molded foliated edge; the reverse has a typical wide unglazed base with a short foot ring and the exterior is decorated with a band of scrolling lotus — Dish, 14th century
Unknown

G325

standing female figure who has fabric around waist that she is holding up and partially covers one breast; fabric has geometric pattern — Standing Girl, c. 1910
Egon Schiele

Not on View

the nude boy shown crouching in an almost horizontal position, holding a bird in his left hand, the chubby face with simply carved features and the hair pulled back in double knots; carved from greenish white stone. Former Classification: Jade — Pillow, 17th-18th century
China

G218

Genre. Unsigned. — The Birthday Party, 1885
John Singer Sargent

G351

white cottage with slanted roof at L; trees behind - tallest with turning leaves; woman on path with a pony; figures at R by haystack — Caretaker's Cottage in the Forest of Compiegne, 1826
Paul Huet

G321

two goat herders seated on the left bank of a river amidst their flock; classical ruins at left side and background left center on hillside; across river stand two pair of deer under the shadow of a large tree — Pastoral Landscape, 1638
Claude Gellée (called Le Lorrain)

G313

Harbor. Pointillism. — Blessing of the Tuna Fleet at Groix, 1923
Paul Signac

G351

Round, lacquer, gold and silver. — Mirror, 8th century
China

G208

standing infant with PL arm upraised; striding forward with PR leg; wearing gold, red and black garment tied with sash, and gold and red shoulder cloth; long dark hair; standing on five winged putto heads — Christ Child, one of a pair, c. 1640
Attributed to Felipe de Ribas

G341

pinkish orange overall mottled wash; some blotchy vertical green and purple irregular pigment areas particularly at right edge; light stenciled areas in purple and white in the form of continents--two forms of Africa at right center and at left edge, Australia left of center, South America at center — False Start, 1970
Frank Bowling

G373

Embroidered scene of the Golden Pavilion on one side and scene of Mount Fuji painted on silk on the other, black lacquer frame — The Golden Pavilion in Kyoto, early 20th century
Unknown Japanese

G239

standing infant with arms out, PL arm slightly upraised; thick, short hair; standing on rocky element; wearing brown and gilt garment trimmed in dark brown fur; gilt shoulder cloth — John the Baptist as a Child, one of a pair, c. 1640
Attributed to Felipe de Ribas

G341

Cubist style; geometricized buildings in LRQ, predominately in salmon pinks, black and browns; blue shapes in UL with geometricized sailboat in tan with white sails at ULC; received unframed — Italian Town by the Sea, c. 1917
Alexandra Exter

G367

three standing figures with Jesus' reclining body; Jesus wears gold loincloth and has curly hair and curling pointed beard; Mary at center wearing gold garment and head cloth, lined in blue; Mary Magdalene wearing gold cap and garment with red sleeve lining and holding a gold cylindrical container; man (Joseph?) with long curly hair at left wearing gold garment and cape with blue lining — Lamentation of Christ, 1490s
Hans Schnatterpeck

G342

Robe of a Taoist Priest with Buddhist and Taoist symbols embroidered in gold and colors. — Daoist Priest's Robe (jiang yi), Late 18th century
China

Not on View

two men at left--one standing man wearing a hat holding a staff, looking down to PR, and seated gesturing man with short beard; small group of pigs of various colors and sizes to right of men at center bottom; figure and dog in middle ground at right; two horse pulling a covered wagon right of center in middle ground; expansive landscape behind figures with clouds in sky — A Landscape with a Herd of Pigs, The Swineherd Conversing with Another Man, 1645
Paulus Potter

G312

portrait of a young woman wearing a choker of large pearls, a blue dress with bows on the bodice and white lace netting and ribbons over the shoulders, and white lace and tiny pink and yellow flowers in her hair, with a brown squirrel wearing a collar with a silver chain attached, perched on her PR hand; painted oval around image, with grey ground — Portrait of Olive Craster, 1762
Sir Nathaniel Dance-Holland

G307

seated man with a grey overcoat drawn around him, with a helmet (?) over his PL knee, at left, in a ruined brick building; two figures seen from back--one seated wearing a blue shirt, one standing wearing a red shirt with PR arm around shoulders of figure in blue shirt, in URQ — Remembering, 1937
George Grosz

G377

Genre. — Gathering of Gamblers with Hurdy-Gurdy Player, c. 1660
Master of the Procession

G310

Head, stone, 'Hacha' type, of hard greyish stone. Animal headress; ears pierced for rings. Mexican (Vera Cruz) cat. card dims H 9 x W 4-1/2' — Hacha, c. 600-900 CE
Nopiloa (Veracruz)

G260

seated ball player; polychrome figure seated with legs crossed, left hand resting on left knee, and ball held in front of breast in right hand; the figure wears a modelled loin cloth, a band at the neck, flat twisted turban, and large ear plugs with pendant ends; the tattooing of face and body represented by geometric designs in polychrome; the face wears the comic expression and tentative smile often found in the figures of Nayarit, and the arms and legs are characteristically stunted — Figure, 200 BCE - 400 CE
Nayarit

Not on View

standing figure, heroic size; figure is bulky, with beast-like feet slightly arched, and stunted arms, the left bent, hand on stomach, the right bent up to hold a jar on the right shoulder; narrow head with long pointed chin, large hooked nose with plug, bulbous eyes, and huge round ear plugs pierced in the center; the figure wears a flat band headdress, bracelets, an epaulette on the left shoulder, and a sashed skirt with geometric patterns painted in polychrome; details of body also painted — Figure, c. 100-200
Nayarit

G260

Landscape. Minneapolis, Minnesota. — Mill Pond at Minneapolis, 1888
Alexis Jean Fournier

Not on View

Mantel clock, J. & J.G. Low Patent Art Tile Works; Manufacturer: New Haven Clock Company (works) — Mantel clock, c. 1884
J. & J.G. Low Patent Art Tile Works; Manufacturer: New Haven Clock Company (works)

G334

Pair of elevator grilles, frieze, and overgrille, Louis Henri Sullivan — Pair of elevator grilles, frieze, and overgrille, c. 1893-1894
Louis Henri Sullivan

G300

fox head handle — Ladle, 1927
Arthur Black Cloud Sr.

Not on View

two seated figures, male and female, on separate bases that fit into large separate rectangular base; larger male figure has four arms and sits with PL leg drawn in and PR leg extended downwards at an angle; man wears headdress with wheel on back; one hand has a small animal perched on his fingers, another hand has a small axe-like object resting on fingers; female figure seated in mirror image of man's position, with a small bolster under PR knee; woman is bare-breasted and hold PL hand out, palm up; woman wears a tiered conical headdress with a wheel on the back — Somaskanda (Holy Family), 13th-14th century
India

G211

Whistle in the form of a Dignitary; Island of Jaina style. Figure stands with arms crossed and feet spread well apart. The costume consists of a short, two-tiered skirt with a wide panel descending to feet in center front. Stylized hair with feathered headdress, pectoral, earrings. The face is well modelled, with arched nose and flattened brow. A whistle, modelled in left shoulder blade, makes clear musical note when blown. Painted in blue, red, black,and white. An unusually fine example. — Whistle, 600-900
Maya

Not on View

male figure; wood, horn, brass tacks, metalwork, glass, beads, fiber and leather — Power figure, c. 1900
Songye

Not on View

Oval buckle with beading around outer edge in red, white and blue beads. Brown band of quillwork separates beaded area from center quillwork. Center is an American flag with a cow skull on top of it. — Belt Buckle, 1990
Leo Arrowite

G259

this piece has been cracked through the middle — Cinerary Box with Cover, 1st century
Roman

G241

inside scene depicts a seated youth with athletic equipment hanging on wall; outer band depicts two scenes in one, a standing figure holding a lyre and two youths, and in the other, two standing youths with staffs face a central figure gymnasium scenes; red on black — Red-figure Kylix, 5th century BCE
Attributed to the Villa Giulia Painter

G241

Modello - Apotheosis of Individual Persons : Andrea Doria — The Glorification of Andrea Doria, c. 1750–68
Domenico Corvi

G314

Part of a series of 12 paintings by Vouet of angels holding symbols of the Passion; another is 69.36.1 (angel holding vessel and towel for washing the hands of Pontius Pilate) — Angels with Attributes of the Passion, the Superscription from the Cross, 1627
Simon Vouet

G313

(One of a) Pair of War Stirrups, iron with silver inlay. Inscribed with maker's name. Kuniyuki, maker, sho worked in Knangawa. Wisteria and wave design in silver inlay. — (War Stirrup, one of a pair), 17th century
Unknown Japanese

G219

five figures and a dog in an interior — The Return of the Young Hunter, c. 1775
Jean-Baptiste Greuze

Not on View

Semi-translucent grey jade marked with brown clouds. Used a decorative ring on belt. — Belt Ornament, 206 BCE - 220 CE
China

G215

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