🔎 creditline:"The John R. Van Derlip Fund" | Mia

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Shrine head, Ancient Yoruba — Shrine head, 12th-14th century
Ancient Yoruba

G250

Three quarter length self-portrait of Francesco de Mura — Self-Portrait, c. 1740
Francesco de Mura

G307

Genre. Cubist. Seated man and woman. — Married Life, 1912
Roger de la Fresnaye

G367

Portrait Of Frank James — Frank, 1969
Chuck Close

Not on View

Nude female figure lying on a flowered couch — Nude on a Couch, c. 1880
Gustave Caillebotte

G355

quadruped animal form with four short, stubby legs; rounded body with sloping back; small, stubby tail; rounded head with opening roughly at mouth area; extremely heavy encrustations overall, with deep and heavy crackle throughout; brown, earth-colored, with a darker brown round area on PR side of head and in several areas on front legs and feet — Kono altar, second quarter of 20th century
Bamana

G250

Carved from pale gray-green stone with cloudy white mottling and black and brown rivering throughout, the mountain landscape with high rising peaks and numerous figures and pavillions amid foliage on both sides, with the seal of the Emperor Qianlong above a long inscription on one side, the reverse with a further inscription and a seal, one seal referring to the eightieth year of the Emperor Qianlong,corresponding to the year 1784. — Jade Mountain Illustrating the Gathering of Scholars at the Lanting Pavilion, 1790
China

G210

The Fighter of the Spirit, 1928
Ernst Barlach

Exterior Grounds

buildings and bridges with water in foreground; church left of center — Le Pont de Moret, 1888
Alfred Sisley

G355

landscape with Cornard Church in the distance — The Fallen Tree, probably between 1750 and 1753
Thomas Gainsborough R.A.

G310

Interior of a barn. Dutch genre. — Interior of a Barn, 1644
Egbert van der Poel

G312

one of a pair — Portrait of Lucas van Voorst, 1628
Paulus Moreelse

G312

male figure wearing a robe carved from brown-veined rock, seated on a red and cream stone plinth; head, hands and feet of gilt bronze; curly hair and beard; wearing cap; man holds scroll in PL hand and two keys in PR hand — The Ludovisi Saint Peter, 2nd century (marble body); c. 1590 (gilt bronze head, hands and feet; throne)
Attributed to Bastiano Torrigiani (head, hands and feet)

G340

boxing match with two figures in ring with official behind them; figures around elevated boxing ring gesturing and talking — A Stag at Sharkey's, 1917
George Bellows

Not on View

Old Testament. After the prophet Samuel anointed David as King Saul's successor, Saul became jealous and plotted David's death. David's loyal friend Jonathan (Saul's son) is preparing to shoot three arrows as a warning to David who is hiding in a field. Jonathan's pose is directly derived from Michelangelo's 'David'. — Jonathan’s Token to David, c. 1868
Frederic Leighton, 1st Baron Leighton of Stretton

G357

Arched top. The Madonna, in a gold and blue mantle over a red and gold brocade robe, seated on a throne in Renaissance style holding the infant Christ who stands on her knee, an apple in his hand; at the foot of the throne, pinks in a vase, apples, and marrows. — Madonna and Child Enthroned, c. 1490
Nicola di Maestro Antonio (di Ancona)

G343

Portrait. Madame Aubry wears an ultramarine blue velvet dress, cloak lined with flowered brocade and a bodice of silver lamé with lace and rose ribbon. Her hand touches a whippet which may have belonged to the artist as it appears in other portraits. Her hair is styled à la Fontanges. She married into a family from Tours and later became the Marquise de Castelnau in the Berry region near Bourges. — Portrait of Catherine Coustard, Marquise of Castelnau, Wife of Charles-Léonor Aubry with Her Son Léonor, c. 1700
Nicolas de Largillière

G308

standing male nude; represents man awakening to a fuller comprehension of his physical powers — The Age of Bronze, 1876–77 (plaster model); casting date unknown
Auguste Rodin; Caster: Alex Rudier Fondeur

G355

bas-relief; the bronze was cast by Siot-Decauville and bears the number 4 — The Fugitives, modeled c. 1850 (casting date unknown)
Honoré Daumier

G354

Saint Humphrey (Onuphrius), Salvator Rosa — Saint Humphrey (Onuphrius), c. 1660
Salvator Rosa

G330

Part of a series of 12 paintings by Vouet of angels holding symbols of the Passion; other is 69.36.2 — Angels with Attributes of the Passion: Angel Holding the Vessel and Towel for Washing the Hands of Pontius Pilate, 1627
Simon Vouet

G313

Venice. Church. San Marco. — The Piazza San Marco, Venice, 1881
Pierre Auguste Renoir

G355

Seated girl. Franzi Fehrmann. German Expressionism. Figure shown nearly full length, filling almost all of the picture space, seated on vivid blue divan dressed in bright red dress with yellow trim and black polka dots on green sleeves. Small nude figure at left a frequent motif in Kirchner's art. Strong color utilized, applied in broad areas with an eye to contrast and balance. Harsh contour lines add a decorative element to the composition. These strong contour lines reveal the influence of the woodcutting technique which Kirchner also practiced to great effect. Composition is simplified and economy of line and form reveal influence of Japanese art and primitive African sculpture. No signature - checked 8-21-96. — Seated Girl (Fränzi Fehrmann), 1910 (altered 1920)
Ernst Ludwig Kirchner

G371

Portrait of Anna Blocken, Aelbert Cuyp — Portrait of Anna Blocken, 1649
Aelbert Cuyp

G312

arched top — Crucifixion with the Virgin, Saint John the Evangelist and a Clerical Donor, c. 1350-1360
Lippo Vanni

G343

Golden Bird, Constantin Brancusi — Golden Bird, c. 1919
Constantin Brancusi

G377

Birds-eye view of Venice created with six joined pieces of paper; linen mat with gold edged frame — View of Venice, 1500
Jacopo de' Barbari; Publisher: Anton Kolb

Not on View

husband and wife seated on a lotus in the pose of royal ease and intimacy with bull and tiger underfoot; symmetrical architectural backdrop with large central disc behind heads of main figures — Uma-Maheshvara, 10th-11th century
India

G211

camel standing on diamond-shaped base; head up, tail up and curled; yellow with traces of red and black pigment; single hump — Two camels and a groom (Camel), 618-907
China

G207

Khmer style of the Bayon; frontal stance; probably had extended hands; narrow shoulders and wider hips; eyes are closed; physiognomy relaxed; sublime expression — Prajnaparamita, late 12th-early 13th century
Cambodia

G213

Bacchante and Satyr, Jean-Baptiste Auguste Clésinger — Bacchante and Satyr, 1869
Jean-Baptiste Auguste Clésinger

Not on View

A Roman legionary fallen in battle embraced at the moment of death by the genius or spirit of victory. — Kiss of Victory, 1878–1881
Sir Alfred Gilbert

G357

Catafalque Flambeau, wrought iron bobèche tray (6-3/8 in.), wooden bobèche with pomegranate seed and leaf carvings (6-½ in.), baroque carved structure skeleton(49-½ in.), iron pole shaft (40-½ in.), wrought iron tripod base (14 in.), triangular marble plinth, overall H.112 in., gessoed polychrome and gilded wood and wrought iron — Funeral torch, c. 1720
Italy

G310

standing blonde little girl with green eyes, wearing a pink dress with white polka dots, pink hair ribbon, white socks with pink trim, and red shoes, and holds a purple flower in her PR hand; girl has blank facial expression; girl stands in front of a wall mural with a blue and yellow dragon against a red ground with glitter highlights against a red ground with bold black Chinese characters; shiny black floor — Portrait of a Girl, 1971
Joan Brown

G280

Interior of the house — Dining Room in the Country, 1913
Pierre Bonnard

G355

Mademoiselle Hortense Valpinçon — Portrait of Mlle. Hortense Valpinçon, c. 1871
Edgar Degas

G351

The Miracle of the Madonna of the Fire, Aureliano Milani — The Miracle of the Madonna of the Fire, c. 1725
Aureliano Milani

G340

woman wearing a white satin gown trimmed with lace and pearls, holding a book, and seated on a yellow sofa; woman wears pearl necklaces and earrings, with her hair decorated with pearls; guitar and music next to woman on sofa; black and white lap dog in LRC — The Comtesse d'Egmont Pignatelli in Spanish Costume, 1763
Alexander Roslin

G307

Portrait of Dr. Thomas Penrose holding a sketch book, seated on a bank overlooking the Duomo and Palazzo Vecchio, Florence, Italy. — Portrait of Dr. Thomas Penrose, 1798
Louis Gauffier

G306

Nude seated female figure with child in lap. Band above figure's breats. Wearing a necklace with six teeth and a coiled bead. Fiber band around base. — Figure, 20th century
Yombe

G250

House Group, the evening meal; polychrome; terra cotta group representing a two-story house with canopy roof on piles and 11 figures occupied with various household tasks on two levels an upper terace and a lower, enclosed room with a wide doorway; on each of two sides a stairway of five steps leads from the base to the upper level; the surface is decorated in polychrome (red, yellow, black) with geometric designs lozenges interlocked and wavy stripes; the piece is much weathered and has been extensively restored — House Group, c. 100-400
Nayarit

G260

Mask, wood, painted, and feathers inserted in the outer edges; Inuit (Eskimo), Anvik From the Anvik area along the Yukon River. — Mask, 19th-20th century
Yup'ik

G260

figure wears a replica of a heavy stone yoke at waist over skirt with fret motif; necklace; bands of bracelets on left arm; headdress broken at right. On the left knee a nead with round headdress in relief. Hole in right shoulder forms hook from which rattle could be suspended. The mould for front of body is well designed but assembled crudely with the mould for back.; Pinkish white pottery — Figure, c. 600-750 CE
Nopiloa (Veracruz)

G260

Awatovi Birds, Dextra Quotskuyva — Awatovi Birds, 1990
Dextra Quotskuyva

G259

Akicita Wasté (Good Soldier), Martin Red Bear — Akicita Wasté (Good Soldier), 1991
Martin Red Bear

G259

the nude boy shown crouching in an almost horizontal position, holding a bird in his left hand, the chubby face with simply carved features and the hair pulled back in double knots; carved from greenish white stone. Former Classification: Jade — Pillow, 17th-18th century
China

G218

Kiss of Judas: accompanied by soldiers with torches and lanterns, he kisses Christ. The scene is described in the Bible: Matthew 26:51, Mark 14:47, Luke 22:47, John 18:3-10 (Then Simon Peter, having a sword, drew it and struck the high priest's slave (Malchus) and cut off his right ear." John 18:10) — The Betrayal of Christ, c. 1618–1620
Anthony van Dyck

G313

Citwamo Ca Mangu (Throne), Moxico School — Citwamo Ca Mangu (Throne), 20th century
Moxico School

G250

white cottage with slanted roof at L; trees behind - tallest with turning leaves; woman on path with a pony; figures at R by haystack — Caretaker's Cottage in the Forest of Compiegne, 1826
Paul Huet

G321

black lacquer with mother-of-pearl inlay; Kang-Shi Period — Tray, late 17th century
China

G210

two seated figures, male and female, on separate bases that fit into large separate rectangular base; larger male figure has four arms and sits with PL leg drawn in and PR leg extended downwards at an angle; man wears headdress with wheel on back; one hand has a small animal perched on his fingers, another hand has a small axe-like object resting on fingers; female figure seated in mirror image of man's position, with a small bolster under PR knee; woman is bare-breasted and hold PL hand out, palm up; woman wears a tiered conical headdress with a wheel on the back — Somaskanda (Holy Family), 13th-14th century
India

G211

Tazza, ceramic, Italian, majolica, cavetto and broad marli molded in relief, depicting the Lion of St. Mark and a conventional leaf design, in the brilliant blue, yellow-gold, and ruby lustre of Gubbio, XVI c. cat. card dims Diam. 10'; ruby lustred — Plate with lion of St. Mark, c. 1525
Italy

G332

Round, Tree of Life design, rabbit preparing elixir of long life. — Mirror, 8th century
China

G208

Round, silverized, animal and grape design — Mirror, 8th century
China

G208

Round, lacquer, gold and silver. — Mirror, 8th century
China

G208

Robe of green kesiwith all-over design of peonies, orchids, plum blossoms and butterflies. Sleeves and collar banded with black k'esi of bat design. Cuffs of white satin embroidered wit flower sprays. Trimming the kesi band of clooar and opening is a band of floral brocade braid which is shaped into a scrolled line at under arm opening/ Inferior k'ossu with much painted detail. Robe slit at sides and lined with pink silk. — Manchu Woman's Unofficial Informal Robe, Guangxu period, 1875-1908
China

G218

Brush holder, white jade carved with design of landscape showing mountain rocks, flowers and Ling-Chih, the plant of Long Life. — Brush Pot, 1736-1795
China

G210

ebony frame with gilt acanthus leaf decoration; central bust of Flora on top crest rail; original mirror panels — Mirror, c. 1700
Italy

G310

One of a pair of Imperial prayer banners in imperial yellow k'ossu made up of one wide and two narrow strips attached to a gilded bronze plaque with two dragon heads. The central strip, terminating in slit shaped ends finished with wedge-shaped plaques of gilded bronze, is formed of blue-black k'ossu with an inscription in gold characters mounted in yellow k'ossu, which has a design of the Eternal Sea, slender, five-clawed dragons, bats, and clouds in shades of blue, green, violet, crimson, and pink. The side strips suspended from shaped gilt bronze plaques incised with scrollscarry the same dragon and cloud design and terminate in three narrow strips of blue k'ossu with meander fret in gold. The strips are attached to the yellow band by three gilt bronze fungus heads, which are repeated on ends of blue strips. Lining of egg-shell silk of medallion design. These banners are said to have flanked the Emperor's private alter in the Temple of the Forbidden City. Of superb quality and condition. See Harris label for translation of inscriptions. — Altar Banner, Yongzhong period (1723-1735)
China

G218

Bed Cover of embroidered black satin. Design of birds and flowers in shades of blue, green, pink, peach. etc. in satin, laid and knot stitch. Good quality Canton work. Tasselled fringe border of black silk twist. Thin white, silk lining. Embroidered silk. — Bed Cover, 19th century
China

G217

Throne seat cover of blue k'ossu with the same floral and emblem design as 42.8.238, except for double peach here seen in panel. Central panel oblong instead of shaped; border wider and no boxed border. Painted details. Lining of yellow satin with cloud pattern. Inscription on back. — Throne Seat Cover, c. 1800
China

G210

One of a pair of Imperial prayer banners in imperial yellow k'ossu made up of one wide and two narrow strips attached to a gilded bronze plaque with two dragon heads. The central strip, terminating in slit shaped ends finished with wedge-shaped plaques of gilded bronze, is formed of blue-black k'ossu with an inscription in gold characters mounted in yellow k'ossu, which has a design of the Eternal Sea, slender, five-clawed dragons, bats, and clouds in shades of blue, green, violet, crimson, and pink. The side strips suspended from shaped gilt bronze plaques incised with scrollscarry the same dragon and cloud design and terminate in three narrow strips of blue k'ossu with meander fret in gold. The strips are attached to the yellow band by three gilt bronze fungus heads, which are repeated on ends of blue strips. Lining of egg-shell silk of medallion design. These banners are said to have flanked the Emperor's private alter in the Temple of the Forbidden City. Of superb quality and condition. See Harris label for translation of inscriptions. — Imperial Altar Banner, Yongzhong period (1723-1735)
China

G218

Child's coat of greenish-brown silk of brocaded design embroidered in satin stitch with an all-over design of loose, thin clouds and cranes in shades of blue, green, and white. Cuffs, bottom,a nd opening banded with black satin embroidered with peony design in blues. A band of the same is applied around body of coat at waistline. Short collar band of black satin embroidered with floral design in blue and gold. Two ties of the greenish silk attached to coat at waist. Lining of faded orange gauze. — Chinese Child's Unofficial Informal Robe, 19th century
China

G218

mirror, round, with pictorial decoration in relief, Yeuh type — Mirror, 1st-2nd century
China

G215

Semi-translucent grey jade marked with brown clouds. Used a decorative ring on belt. — Belt Ornament, 206 BCE - 220 CE
China

G215

Pair of elevator grilles, frieze, and overgrille, Louis Henri Sullivan — Pair of elevator grilles, frieze, and overgrille, c. 1893-1894
Louis Henri Sullivan

G300

Genre. — Gathering of Gamblers with Hurdy-Gurdy Player, c. 1660
Master of the Procession

G310

one of a pair — Portrait of Catharina van Voorst, 1628
Paulus Moreelse

G312

Mantel clock, J. & J.G. Low Patent Art Tile Works; Manufacturer: New Haven Clock Company (works) — Mantel clock, c. 1884
J. & J.G. Low Patent Art Tile Works; Manufacturer: New Haven Clock Company (works)

G334

Basin with Apollo and the Muses, Workshop of Orazio Fontana — Basin with Apollo and the Muses, c. 1575-1600
Workshop of Orazio Fontana

G332

Tankard, Parcel gilt, wrought in extremely high relief, with the scene of the Crossing of the Red Sea — Tankard, about 1690
Nathanial Schlaubitz

G350

Saint Augustine and Saint Monica — Saint Augustine and Saint Monica, 17th century
Gioacchino Assereto

G330

Genre scene. The Piazza del Popolo — The Piazza del Popolo, Rome, c. 1660
Johannes Lingelbach

G309

Judith and head of Holofernes Judith and her maid servant put the head in a sack — Judith with the Head of Holofernes, c. 1635-50
Pietro della Vecchia (Pietro Muttoni)

G330

Part of a series of 12 paintings by Vouet of angels holding symbols of the Passion; another is 69.36.1 (angel holding vessel and towel for washing the hands of Pontius Pilate) — Angels with Attributes of the Passion, the Superscription from the Cross, 1627
Simon Vouet

G313

Modello - Apotheosis of Individual Persons : Andrea Doria — The Glorification of Andrea Doria, c. 1750–68
Domenico Corvi

G314

N.B.Replacement pieces(TV Trays) for this work are located in MS R3A2.2 — Mountain Journey, 1991
Tony Berlant

G100A

two men at left--one standing man wearing a hat holding a staff, looking down to PR, and seated gesturing man with short beard; small group of pigs of various colors and sizes to right of men at center bottom; figure and dog in middle ground at right; two horse pulling a covered wagon right of center in middle ground; expansive landscape behind figures with clouds in sky — A Landscape with a Herd of Pigs, The Swineherd Conversing with Another Man, 1645
Paulus Potter

G312

standing infant with arms out, PL arm slightly upraised; thick, short hair; standing on rocky element; wearing brown and gilt garment trimmed in dark brown fur; gilt shoulder cloth — John the Baptist as a Child, one of a pair, c. 1640
Attributed to Felipe de Ribas

G341

standing infant with PL arm upraised; striding forward with PR leg; wearing gold, red and black garment tied with sash, and gold and red shoulder cloth; long dark hair; standing on five winged putto heads — Christ Child, one of a pair, c. 1640
Attributed to Felipe de Ribas

G341

three standing figures with Jesus' reclining body; Jesus wears gold loincloth and has curly hair and curling pointed beard; Mary at center wearing gold garment and head cloth, lined in blue; Mary Magdalene wearing gold cap and garment with red sleeve lining and holding a gold cylindrical container; man (Joseph?) with long curly hair at left wearing gold garment and cape with blue lining — Lamentation of Christ, 1490s
Hans Schnatterpeck

G342

marble top not original — Chest of drawers with mirror, 1881
Herter Brothers

Not on View

Unfinished Portrait of Henry J. Brent, 1811-1850, Charles Loring Elliott — Unfinished Portrait of Henry J. Brent, 1811-1850, c. 1850
Charles Loring Elliott

G324

Diogenes, Johann Carl Loth — Diogenes, 17th century
Johann Carl Loth

G308

Cabbage Leaf, Edward Weston — Cabbage Leaf, 1931
Edward Weston

Not on View

Taoist priest robe of black satin embroidered in couched gold threads and couched twist in colors. On the back conventional Taoist motives and large medallions with Buddhist symbols. On shoulders, large, trailing sprays of lotus. On the front the Yang and Yin symbol. Borders of Buddhist emblems and lotus, edged with Greek key meander in couched yellow twist. Lining of leaf green satin with scattered leaf and flower design. — Daoist priest’s robe (jiangyi), 1662-1722
China

Not on View

Taoist priest robe of embroidered tea-leaf green satin. On the back conventional Taoist motives, large medallions with Buddhist symbols, bats, and butterflies; lotus blossoms and good luck symbols in couched gold threads, and couched twist in colors. On the front two sacred pagodas. Borders of black satin with dragons, Buddhist and other symbols, and clouds in couched gold threads and couched twist in colors. Lining of heavy gold tribute silk of good luck symbol design. — Daoist priest’s robe (jiangyi), 1662-1722
China

Not on View

Monolith, The Face of Half Dome, Ansel Adams; Publisher: Sierra Club — Monolith, The Face of Half Dome, c. 1926
Ansel Adams; Publisher: Sierra Club

Not on View

Dogwood Blossoms, Ansel Adams; Publisher: Sierra Club — Dogwood Blossoms, 1938
Ansel Adams; Publisher: Sierra Club

Not on View

Winter Storm, Ansel Adams; Publisher: Sierra Club — Winter Storm, 1944
Ansel Adams; Publisher: Sierra Club

Not on View

"Willie," New Orleans, Edward Weston — "Willie," New Orleans, 1941
Edward Weston

Not on View

Dunes, Oceano, Edward Weston — Dunes, Oceano, 1936
Edward Weston

Not on View

David H. McAlpin, New York, Edward Weston — David H. McAlpin, New York, 1941
Edward Weston

Not on View

Forty-seven pages with drawings on front and back covers; bound in vellum — Italian Sketchbook of Antique and Revolutionary Subjects, after 1797
Unknown Italian, late 18th - early 19th century

Not on View

man with long white beard and glasses seated at LR, writing, behind a stumpy tree with thick trunk and thin branches on right side only; big cat's face at left looking out from behind tree — Saint Jerome by the Pollard Willow, 1648
Rembrandt Harmensz. van Rijn

Not on View

Dionysus on a Donkey, Roman — Dionysus on a Donkey, 2nd century
Roman

Not on View

Stouf's representation of the saint shows him standing and looking down at two dead infants at his feet. His facial expression registers his horror at he devastations of the "Fronde"--the civil war of 1648-1653. The resultant life-size statue was the sculptor's first major work. — Saint Vincent de Paul, c. 1787
Jean Baptiste Stouf

G324

Windowsill Daydreaming, Rochester, New York, Minor White — Windowsill Daydreaming, Rochester, New York, 1958 (printed 1975)
Minor White

Not on View

Peeled Paint, Rochester New York, Minor White — Peeled Paint, Rochester New York, 1959 (printed 1975)
Minor White

Not on View

Ivy, Portland, Oregon, Minor White — Ivy, Portland, Oregon, 1964 (printed 1975)
Minor White

Not on View

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