light green and tan bottle with grey recessed areas; pear-shaped; round foot; raised, billowing, floral leaf patterns — Bottle with peony leaves, second half 15th century
Unknown Korean

G206

small earthenware cup with lid; cup has upward hooking handle on side and slightly protruding collar for lid; lid has small knob at top — Small lidded jar with handle, second half of 5th century
Unknown Korean

G206

Buddha seated with legs folded and feet over knees; PR hand held in loose fist; PL hand open, gently cradling round object; fragments of white and green pigment; sits on flat base with pigment fragments — Hachiman in the Guise of a Buddhist Monk, 12th century
Unknown Japanese

G220

round, flat object with scalloped, pointed edges; raised knob at center; rough ship just R of center knob; stylized waves at L; four Korean characters at top center; green with patina — Mirror showing a ship at sea and inscription, 12th century
Unknown Korean

G206

large jar with dark brown dripping over glaze and large rocky inclusions; wide shoulder, short neck, rolled lip; gnarled texture — Storage jar, 15th century
Unknown Japanese

G222

red-brown jar with mottled ochre colored glaze around shoulder and down one side; four bow-like decorations around shoulder; short, vertical neck — Tea leaf storage jar, late 16th century
Unknown Japanese

G224

unsigned; thick field of barley painted against a gold leaf background — Barley Field, early 17th century
Unknown Japanese

G223

short, squat incense burner on three legs; three separate parts; domed cover with bud-shaped nib; floral stamped and etched patterns on lid — Incense burner, 13th century
Unknown Japanese

G220

small, double pointed object with five prongs converging to form each point; center decorated with petal and concentric circle motif — Five-pronged vajra, late 14th century
Unknown Japanese

G220

squat, low bowl with gray-green glaze; diagonal zigzagging lines circle the bowl near lip; domed cover with multiple rings of zigzagging diagonal lines; ring of flowers around widest portion; bowl sits on very low foot — Covered box with wavy lines and chrysanthemums, second half 15th century
Unknown Korean

G206

vase with pale gray-blue glaze and dark stylized leaf pattern on two sides; narrow foot with widening at shoulder; narrow neck; cupped mouth with high vertical lip — Bottle with leaves, 11th century
Unknown Korean

G206

round bronze medallion with raised knob at center; five bands inside encircling center knob; each band with different figures inside including four directional guardian animals and twelve zodiac signs in relief — Mirror with Cosmological Design, 12th-13th century
Unknown Korean

G206

irregularly shaped tan jar with bulbous, wasp-nest shaped base, long neck, wide mouth; flecked, dripping brown overglaze, mostly on one side; comes with rattan ring — Recumbent vessel with long neck, 7th century
Unknown Japanese

G205

inverted pear-shape; slightly flared bottom; small crane and cloud designs — Maebyeong with flying cranes and clouds, 12th century
Unknown Korean

G206

studded helmet with short visor at front and four-tiered, wide spreading laced neck guard; curving face protectors with decorated buckskin, studs, and crests; heraldic metal disc with Sanskrit characters for the Buddhist deity Fudo; pair or thin, bladelike metal kuwagatas at front center with heart cutouts; neck guard held together with green ties; ochre colored knots around borders; has wooden stand — Helmet with ornament bearing seed syllable for Fudō Myōō, 17th century
Unknown Japanese

G219

bowl with rounded square shape with rounded corners; three small square feet; blue-grey with white slip design of twining flowers; arc-shaped trellis (?) at one side; lines and scrolls around border; deep swirl at bottom center — Plate with grapevines, trellis, and geometric design, late 16th century
Unknown Japanese

G225

seated male figure holding a court noble's scepter, with face and hairstyle of a Bosatsu; mounted to plaque on back; legs folded in lotus position — Shinto God, 12th-13th century
Unknown Japanese

G220

incense burner in the shape of an antique Chinese bronze basin with three legs, tall slotted handles and lid; lions in relief over a tao-tieh design on front and back and larger lion with ball on the top on a cloud design of the lid; perhaps originally coated with black lacquer — Incense burner with Chinese lions, 16th century
Unknown Japanese

G220

unsigned; small, round basket with crisscrossing closed weave; handle made of twisted, gnarled branch that comes to a point near center — Basket with wood handle, late 19th-early 20th century
Unknown Japanese

G222

white bottle with looping floral decoration on body; incised lines around base of neck and body; narrow neck, wide body, narrow foot slightly flaring mouth — Bottle with floral design, late 15th century
Unknown Korean

G206

cup with three lobes; beige in color with underglaze design of diving birds in darker color; darker glaze around lip; incised line below lobes where cup rounds out to bottom — Ash container with three birds, late 16th century
Unknown Japanese

G225

monk in white robe riding a donkey towards L — Yushanzhu Riding a Donkey [right of a pair of Zhenghuangniu and Yushanzhu], 17th century
Kano Dōun

G221

seated Buddha; PL hand in lap with open palm, index and thumb loosely touching; PR hand up, with index finger and thumb touching; two-tiered knobby hair, long earlobes; traces of red pigment on robes; seated on wide, stylized lotus on round base — Amida, the Buddha of Infinite Light, early 12th century
Unknown Japanese

G220

tall vessel with graceful widening near top; fluted into six sections; short, thin neck with high mouth; two concentric inscribed circles below neck; horizontal inscribed markings around center — Lobed maebyeong, 13th century
Unknown Korean

G206

unembellished cup with lid and saucer; small finial on top of lid — Container for rubbing incense, 14th century
Unknown Japanese

G220

standing figure in robes wearing a two-pointed cap; holding heart-shaped object in closed hands at waist — Tomb guardian figures, 16th-18th century
Unknown Korean

G206

standing wooden figure with shallowly carved draping robes with small tie at waist; peaceful expression on face; long earlobes and squared hat; figure is missing entire PR arm; PL arm is missing below the elbow, but it is apparent arm is bent forward at elbow — Bonten, the Creator, late 10th century
Unknown Japanese

G220

long-necked ewer with motif of dragons on handle and lid; bulbous body, gently curving spout with scalloped design around base — Ewer, 15th-16th century
Rihei

G220

mounted fan painting: man in white robe holding a calligraphy brush up to the side of a small cliff or rock formation covered with foliage; shorter man behind him leans over a rock, looking on; ivory roller ends — Hanshan and Shide, mid 16th century
attributed to Kano Yukinobu

G221

pitcher shaped like a melon; short, curved spout; handle rises above spout height at top; small cover with tiny loop on top, resembling a melon vine — Ewer in the shape of a melon, first half 12th century
Unknown Korean

G206

figurine of a boy riding side saddle on a water buffalo; boy is holding a shield with a swirl pattern in PR hand while holding PL hand up to his own ear; water buffalo holds its head slightly down in walking pose — Incense burner in the shape of a Chinese boy on a water buffalo, 19th century
Unknown Japanese

G225

male figure in robes and two-pointed cap; standing with feet hip-width apart, holding clover-shaped object in folded hands at waist — Tomb guardian figures, 16th-18th century
Unknown Korean

G206

small, light gray-blue lidded container with inlaid design of stylized chrysanthemums and dark, arabesque stems; organic design around outer border — Covered box with chrysanthemums, 13th century
Unknown Korean

G206

inverted pear-shape; short neck; round mouth is wider than neck; light green glaze with darker green foliage and flower motif; lid is bell-shaped with darker grayish glaze and darker vine design — Maebyeong with chrysanthemums, 11th-12th century
Unknown Korean

G206

abstracted peony motif in shades of brown; narrow base, wider shoulder, short lip — Maebyeong with peonies, 11th-12th century
Unknown Korean

G206

one of four: dish with high walls and deep scalloped cutouts on each edge, creating dramatic, irregular square shape; textured, beige over glaze against dark brown underglaze; beige over glaze on bottom lightly brushed around bowl; subtle blue vine accents on underside at cutouts — Set of food dishes (mukōzuke), early 18th century
Unknown Japanese

G225

monk riding an ox side-saddle, facing R, reading; ox is turning to LL — Zhenghuangniu Riding an Ox [left of a pair of Zhenghuangniu and Yushanzhu], 17th century
Kano Dōun

G221

embroidered Sanskrit "seed" syllables of Amida, Kannon and Seishi with lotus pedestals; a canopy and an altar table with two vases and incense burner at bottom; embroidered poem sheets at ULC and URC with sutra quotations in Chinese characters; embroidered floral border above and below composition — Embroidered Amida Triad in the form of Sanskrit Syllables, 14th century
Unknown Japanese

G220

tall, narrow caddy with short, outward-curving mouth and incised line around the middle of the body; dark-brown glaze applied over a brown underglaze; bottommost portion unglazed; tiny ivory lid with concentric, incised lines — Tea caddy, after 1657
Nonomura Ninsei

G224

pitcher with very narrow neck with decorative disk within neck, and narrower, needle-like mouth; short, squat, segmented spout with loose cap; thin incised lines around soft shoulder; green patina — Water vessel (Kundika), 918-1392
Unknown Korean

G206

large, bold angular calligraphy with curved, wispy brush strokes — Sound of Cold Air, 18th century
Yosa Buson

G251

dark gray pitcher with bulb-like body, short neck, and dramatically flared mouth; mouth flare is actually wider than body; hole in side of body; rounded bottom — Jar with flared mouth, 5th century
Unknown Japanese

G205

female figure seated with arms clasped toward chest; wearing court dress, with long, pleated hair; small crown on head; mounted to wooden screen on back — Shinto Goddess, 12th-13th century
Unknown Japanese

G220

stoneware jar with brownish ash glaze evenly distributed, mostly on the upper shoulder; wide, low shape with wide mouth and short, straight lip; foot pierced in five places with small rectangular openings; five band design around upper shoulder with alternating motifs of concentric circles and triangles with cross-hatching; bands separated by incised lines — Small Jar with Perforated Foot and Stamped and Incised Designs, late 6th - early 7th century
Unknown Korean

G206

flat bottom; bulbous, slightly flattened bottom section; vertical wide neck with ribs; pair of irregular blocky handles; thick inverted mouth ring; entire piece intentionally asymmetrical/misshapen/slightly collapsed, with broken incised wavy line on bottom section and inherent cracking; green, light brown and tan glaze; brown lacquer cover with faceted top knob — "Burst bag" Freshwater Jar, late 16th - early 17th century
Unknown Japanese

G224

white gourd-shaped flask with grapevine design painted in underglaze iron oxide — Gourd-shaped flask with grapevines, early 17th century
Unknown Japanese

G221

black lacquered box with gold and silver butterflies; double flute case in black lacquer with gold and silver clouds and dragon design on bottom; bamboo flute inside with dark ribbing; smaller flute with red ribbing and details, both stored in double case; single bamboo flute case in plain wood with gold inscription on one side; also comes with two documents in handscroll form depicting the flute's history; document dated 1774 — Noh Flutes named “Winter Wind” (Kogarashi) with Box and Case, mid 18th century
Unknown Japanese

G219

bronze ritual bell with handle in the shape of a five-pronged vajra, handle stem and bell shoulder decorated with lotus petal design; probably intended for use in Esoteric Buddhist rites — Ritual bell with handle in the shape of the vajra, 18th century
Unknown Japanese

G220

one large, bold and brushy calligraphy character at R; smaller two line inscription at L with signature at far L — Nothingness (mu), early 19th century
Kaimon Zenkaku

G253

short, round bottle with narrow neck; beige glaze with paulownia leaves and blossoms in black and blue — Sake bottle with paulownia, 17th century
Unknown Japanese

G221

cylindrical container with lid; concentric inscribed orbital lines around cylinder; scalloped bottom edge with elegant feet; three-tiered cover with concentric inscribed rings; spire at top with four disks and budlike finial on top — Cylindrical Sutra Container, first half 12th century
Unknown Japanese

G220

jar with three incised lines around widest part; high neck, slightly flaring mouth with incised lines around outside; remnants of tan ash glaze — Jar, 3rd-7th century
Unknown Japanese

G205

black stoneware decorated with close, thin vertical incised lines around body; squat shape with flat shoulder, short neck, flat, flared mouth — Oil bottle, 9th century
Unknown Korean

G206

oval bottle with very narrow foot and cap; vertical bands of colored enamel with overlapping decorations of butterflies, flowers, and vine designs; separate cap with bright floral motifs against black enamel — Covered bottle with butterflies, flowers, and vine designs, around 1900
Namikawa Yasuyuki

G239

figure with large halo seated on a reclining bull; figure is holding a scepter in PR hand that has a bust on it; PL hand is held to side of body, open; painted on the reverse side of a Buddhist sutra, with text visible through image — Enmaten, 13th century
Unknown Japanese

G220

seven eye-like figures arranged vertically down scroll; collaborative painting — Buddhist Jewels, 20th century
Shūtō

G222

one of four: dish with high walls and deep scalloped cutouts on each edge, creating dramatic, irregular square shape; textured, beige over glaze against dark brown underglaze; beige over glaze on bottom lightly brushed around bowl; subtle blue vine accents on underside at cutouts — Set of food dishes (mukōzuke), early 18th century
Unknown Japanese

G225

one of four: dish with high walls and deep scalloped cutouts on each edge, creating dramatic, irregular square shape; textured, beige over glaze against dark brown underglaze; beige over glaze on bottom lightly brushed around bowl; subtle blue vine accents on underside at cutouts — Set of food dishes (mukōzuke), early 18th century
Unknown Japanese

G225

one of four: dish with high walls and deep scalloped cutouts on each edge, creating dramatic, irregular square shape; textured, beige over glaze against dark brown underglaze; beige over glaze on bottom lightly brushed around bowl; subtle blue vine accents on underside at cutouts — Set of food dishes (mukōzuke), early 18th century
Unknown Japanese

G225

one of two sake containers in the shape of a large drum with attached supports shaped like drum-stands; painted chrysanthemums and other flowering plants; base of spout shaped like chrysanthemum — Sake Cask in the Shape of a Drum, early 17th century
Unknown Japanese

Not on View

vertically orientated rectangular vase with beveled edge around mouth, and rectangular mouth; mottled dark background with overlapping geometric shapes resembling film strips; opalescent glaze; dark background, beige and pink forms — Vase, 20th century
Okada Kenzō

Not on View

grapevine with abundant grape clusters, tendrils, and scattered leaves; three small squirrels climbing the vine — Grapevine and Squirrels, 18th-19th century
Unknown Japanese

Not on View

square writing box with golden wave pattern surrounding a bridge with mother-of-pearl supports; inside: pewter, gold, and mother-of-pearl swans on golden bank with eddies; design of swans inside around ink stone — Writing box with bridge and waves, 18th century
Unknown Japanese

Not on View

rust-colored; dark brown-gold pigment around rim; leaf pattern on body — Jar with murasaki plant, 1982
Takeda Toshio

Not on View

toiletry set with box, three combs of varying fineness of teeth; small chalice with pine and floral design; and other small containers, all flecked gold with pine tree and floral designs; mirror stand; box decorated with pine trees, carriages, boats, and silver clouds; tray decorated with pine tree — Accessories box with scenes from The Tale of Genji, 17th-18th century
Unknown Japanese

Not on View

male figure with halo reading a handscroll while sitting on a lion with curly mane and tail — Monju on a Lion, second half 17th century
Kiyohara Yukinobu

Not on View

black lacquered box with mother-of-pearl inlaid flowers and vines; twisted wire design creating swirling tendrils; mother-of-pearl dots along outside edge of box — Box with floral scrolls, late 19th early - 20th century
Unknown Korean

Not on View

shallow dish on low foot; blue and white design of folded fans in lower half, with ornate brocade background; pale green upper; floral and vine design on underside with overlapping flower petal motif around foot — Plate with folded fans and geometric design, late 17th century
Unknown Japanese

Not on View

irregularly shaped platter with waving inscribed lines; taupe, beige, and olive green glaze, with dark pooling in indentations; incised floral and berry design under — Platter, 20th-21st century
Kojima Kenji

Not on View

round vessel in charcoal color with large swatch of red; diagonal, swirling ribbed lines; rough, crackled texture; low lip and small mouth — Vase, 1984
Itō Sekisui V

Not on View

squat, fluted container decorated with small gold cherry trees with large blossoms and fronds of foliage; open-weave metal cover; tiny golden flecks in background — Lobed incense burner with metal cover, 17th century
Unknown Japanese

Not on View

bowl with narrow base and wide, flaring mouth; mostly black with red inside at bottom and flecks of ochre coloring around inside of mouth; outside is black with thick red band near top — Bowl with Tenmoku Glaze, 20th century
Watanabe Asako

Not on View

reddish orange lacquer with light green cloud design; gold speckled interior; round, flat-topped lid; body slightly narrows at bottom — Tea caddy with clouds, 20th century
Suzuki Mutsumi; Artist: Suzuki Misako

Not on View

figure standing on lotus leaf; PR arm is bent up at the elbow, with hand loosely fisted, possibly once holding an object; PL arm extended down with middle two fingers drawn in; eyes closed; pointed hat, sash over PL shoulder connecting to petal-like skirt — Kannon, the Bodhisattva of Compassion, from a group of 1000 (Kōfukuji sentaibutsu 興福寺千体仏), 12th century
Unknown Japanese

Not on View

vessel with rounded diamond shape; reddish brown coloring with ochre colored splatters on lip; black lacquer lid with rounded diamond shape and very thin, bowed pull — Freshwater jar with lid, 20th century
Takahara Shoji

Not on View

round red lacquered table; legs curve; scrolled cutouts on table sides; leaf like carved details on tops of legs; small metal brackets on sides; metal toe caps on feet — Lacquer table, 16th century
Unknown Japanese

Not on View

white jar with very narrow base and wide shoulder; two phoenixes among stylized clouds and flames rendered in blue; slightly irregular shape — Jar with phoenix among clouds, late 18th - early 19th century
Unknown Korean

Not on View

unsigned; village scene with people in various forms of activity; men with carriages; images separated by gold clouds — Six Scenes from the Tale of Genji, 18th century
Unknown Japanese

Not on View

five crows perched near top of tree; two are darting down at LL; minimal, curled leaves with light color — Crows in an Old Tree, 18th century
Yosa Buson

Not on View

long, narrow, rectangular platter with slightly rippled edges that are rolled inward; dark color with ochre and rust colored accents in organic shapes — Platter, 20th century
Fukushima Kazuo

Not on View

unsigned; white deer wearing bells and an ornate saddle with a wisteria vine growing from it; golden circle within wisteria with three figures sitting cross-legged, and sitting with hands folded in front of chest, clasping small tablets, four of the figures are in white, and center figure is in red; mountains at top with colorful mounds, water below, and golden moon near top — Deer Mandala of the Kasuga Shrine, first half 15th century
Unknown Japanese

Not on View

large brown storage jar with narrow foot, wide shoulder with four bow-shaped handles; short neck, rolled lip; tan, charcoal, and ochre color glazes with greenish-blue pooling — Storage jar, 18th century
Unknown Japanese

Not on View

shallow bowl with incised line around inner center; shallow relief lotus petal design on underside; pale blue-green celadon glaze — Bowl with lotus petals, first half 12th century
Unknown Korean

Not on View

irregularly, organically shaped vessel with gradients of indigo, green to lime green; tall, very narrow spout at top — Bottle, 20th century
Tokuda Yasokichi III

Not on View

shallow dish on low foot; design of three blue cylindrical baskets with open weave, filled with robust red cherry blossoms; stylized waves at bottom; blue flowers with vines on underside and vertical painted ridges on foot — Plate with baskets and cherry blossoms, late 17th century-early 18th century
Unknown Japanese

Not on View

black bowl with incised tiny white triangles; triangles form circles; wide at top and narrows significantly at foot — Bowl with abstract design, 1990
Kitamura Junko

Not on View

outer storage box for incense game set; box features gold and silver designs of a landscape with tree and bird, scholar's rock, and blossoming trees with stylized waves; contains other sets of smaller boxes inside, containing game pieces and incense storage containers, each decorated in gold with motifs from nature and of small buildings on stilts; many separate tools including a tamper, tongs, chopsticks, and cutting tools; two ceramic incense bowls; square multi-layered gold box with similar decorative motifs, writing box, and a box containing incised ivory chips — Box and assorted implements for the incense game, 17th-18th century
Unknown Japanese

Not on View

teardrop shaped vase with ridge near base, and narrow foot; two small nodes sticking out of neck; flat, flared mouth; celadon glaze — Vase, 1987
Suzuki Sansei

Not on View

Manjushri Bodhisattva, early 15th century

Kichizan Minchō

Not on View

ink drawing of six men seated close together; some are looking at a short, suspended hanging scroll near center; two others are sharing a hand scroll at L; one figure is peering from behind the scroll at far L; ivory rolle rends — The Four Accomplishments, mid 18th century
Ike Taiga

Not on View

celadon colored bowl with floral motif embedded under glaze; small foot, wide mouth — Bowl with floral design, first half 12th century
Unknown Korean

Not on View

irregular wedge-shaped form; deep incised lines and valleys; irregular hole near top on one side; dark gray, beige, and red-orange colored glazes — Flower container, 20th century
Kishimoto Kennin

Not on View

black caddy with an orange fire design burning atop gold leaves — Tea caddy with autumn fire, 20th century
Suzuki Mutsumi; Artist: Suzuki Misako

Not on View

round bowl with slightly raised lip; wide shoulder; elevated on short, conical stand with concentric incised lines; grayish coloring with brown areas; small flat lid with short knob; slightly lopsided — Footed dish with Cover, first half 6th century
Unknown Korean

Not on View

white bottle with blue dragon coiling around body; decorative clouds scattered; narrow neck; bulbous body — Bottle with dragons, 19th century
Unknown Korean

Not on View

bowl with scalloped edges; underglaze design of blue butterflies with blue flowers against green pine boughs; yellow chrysanthemum blossoms, blue flowers and foliage; tan grasshopper — Bowl with butterflies, pine boughs, and flowers, 1992
Ikuta Susumu

Not on View

gray-blue blue bowl with decorative willow trees, swimming birds, and reeds encircling three flowers at center; painted band around top edge; wide floral band on outer walls — Bowl with waterfowl, willows, and reeds, late 13th - early 14th century
Unknown Korean

Not on View

jar with narrow base, wide shoulder, narrow neck, and incised lip; concentric incised lines around neck, shoulder, and portion of center; light greenish glaze — Vase in meiping shape, 13th century
Unknown Japanese

Not on View

bottle with design of red and cream colored peonies, and a Chinese lion — Bottle with peonies and Chinese lion, c. 1660s
Unknown Japanese

Not on View

shallow dish with stylized design of green fog revealing blue flowers, ferns, and grasses; blue floral and vine designs on underside; blue vertical bars painted on foot — Plate with autumn grasses, 17th-19th century
Unknown Japanese

Not on View

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