showing 100 of 825 results matching `creditline:"Mary Griggs Burke Collection, Gift of the Mary and Jackson Burke Foundation"`. (load 200 more)

male figure with flames behind back; holds sword up in PR hand and beads out in PL hand; face is grimacing, with one fang pointing up on one side of his mouth, and down on the opposite; red male figure at his L foot looking down holding a staff; female figure at his PL foot — The Immovable Wisdom King (Fudō Myōō) with Two Attendants, 14th century
Japan

G220

cup with three lobes; beige in color with underglaze design of diving birds in darker color; darker glaze around lip; incised line below lobes where cup rounds out to bottom — Ash container with three birds, late 16th century
Japan

G225

globular jar with short neck and slot for handle; wide mouth; broad, flat base; dark, almost black glaze with patch of ochre coloring on side — Wide-mouthed Oil Jar (kayatsubo), c. 1750
Japan

G223

19 lines of embroidered characters in blue, brown, beige, and green; red spots; decorative border — Chapter 9 of the Lotus Sutra, early 14th century
Japan

G220

dark gray pitcher with bulb-like body, short neck, and dramatically flared mouth; mouth flare is actually wider than body; hole in side of body; rounded bottom — Jar with flared mouth, 5th century
Japan

G205

jar with three incised lines around widest part; high neck, slightly flaring mouth with incised lines around outside; remnants of tan ash glaze — Jar, 3rd-7th century
Japan

G205

flat bottom; bulbous, slightly flattened bottom section; vertical wide neck with ribs; pair of irregular blocky handles; thick inverted mouth ring; entire piece intentionally asymmetrical/misshapen/slightly collapsed, with broken incised wavy line on bottom section and inherent cracking; green, light brown and tan glaze; brown lacquer cover with faceted top knob — "Burst bag" Freshwater Jar, late 16th - early 17th century
Japan

G224

rectangular bottle decorated in underglaze blue, each side bearing a panel depicting a Dutchman, two with a dog, two smoking pipes — Sake Bottle with Dutchmen, 18th century
Japan

G333

bowl with rounded square shape with rounded corners; three small square feet; blue-grey with white slip design of twining flowers; arc-shaped trellis (?) at one side; lines and scrolls around border; deep swirl at bottom center — Plate with grapevines, trellis, and geometric design, late 16th century
Japan

G225

tea caddy, large, katatsuki shape, irregular surface; dark brown glaze, slightly flared shoulder, short neck; tapers subtly at base; ivory cover with tiny finial and incised concentric lines around finial — Tea caddy, late 16th century
Japan

G224

large, brown ceramic jar with short, reddish-brown neck and lip; area of dripping, dark glaze down one side+ — Storage jar, 15th century
Japan

G223

picnic set with four stacking bowls decorated with bands of flowers and foliage from each of the four seasons; sake flask created from bamboo, with bamboo leaf motif and crested flying birds; sides of caddy are decorated with wisteria; lid for stacking bowls features phoenix with chrysanthemum design; silver handle — Picnic set with plants from the four seasons, 18th century
Japan

Not on View

drum core in shape of two adjoined chalices; black lacquer with gold flecked grape vines, leaves, and squirrels — Large hand-drum core with grapevines and squirrels, late 16th century
Japan

Not on View

lacquered writing box with heavily decorated cover and sides; zigzag down center divides pine tree with plum blossoms against a black background, from motif of chrysanthemums and leaves against reddish background; motifs continue on sides; ink stone and two empty boxes inside — Writing box with pines, plum, chrysanthemums, and paulownia, 16th century
Japan

Not on View

unembellished cup with lid and saucer; small finial on top of lid — Container for rubbing incense, 14th century
Japan

G220

bronze ritual bell with handle in the shape of a five-pronged vajra, handle stem and bell shoulder decorated with lotus petal design; probably intended for use in Esoteric Buddhist rites — Ritual bell with handle in the shape of the vajra, 18th century
Japan

G220

stoneware jar with brownish ash glaze evenly distributed, mostly on the upper shoulder; wide, low shape with wide mouth and short, straight lip; foot pierced in five places with small rectangular openings; five band design around upper shoulder with alternating motifs of concentric circles and triangles with cross-hatching; bands separated by incised lines — Small Jar with Perforated Foot and Stamped and Incised Designs, late 6th - early 7th century
Korea

G206

black stoneware decorated with close, thin vertical incised lines around body; squat shape with flat shoulder, short neck, flat, flared mouth — Oil bottle, 9th century
Korea

G206

pitcher shaped like a melon; short, curved spout; handle rises above spout height at top; small cover with tiny loop on top, resembling a melon vine — Ewer in the shape of a melon, first half 12th century
Korea

G206

small, light gray-blue lidded container with inlaid design of stylized chrysanthemums and dark, arabesque stems; organic design around outer border — Covered box with chrysanthemums, 13th century
Korea

G206

one of four: dish with high walls and deep scalloped cutouts on each edge, creating dramatic, irregular square shape; textured, beige over glaze against dark brown underglaze; beige over glaze on bottom lightly brushed around bowl; subtle blue vine accents on underside at cutouts — Set of food dishes (mukōzuke), early 18th century
Japan

G225

one of four: dish with high walls and deep scalloped cutouts on each edge, creating dramatic, irregular square shape; textured, beige over glaze against dark brown underglaze; beige over glaze on bottom lightly brushed around bowl; subtle blue vine accents on underside at cutouts — Set of food dishes (mukōzuke), early 18th century
Japan

G225

one of four: dish with high walls and deep scalloped cutouts on each edge, creating dramatic, irregular square shape; textured, beige over glaze against dark brown underglaze; beige over glaze on bottom lightly brushed around bowl; subtle blue vine accents on underside at cutouts — Set of food dishes (mukōzuke), early 18th century
Japan

G225

seated Buddha; PL hand in lap with open palm, index and thumb loosely touching; PR hand up, with index finger and thumb touching; two-tiered knobby hair, long earlobes; traces of red pigment on robes; seated on wide, stylized lotus on round base — Amida, the Buddha of Infinite Light, early 12th century
Japan

G220

round bronze medallion with raised knob at center; five bands inside encircling center knob; each band with different figures inside including four directional guardian animals and twelve zodiac signs in relief — Mirror with Cosmological Design, 12th-13th century
Korea

G206

vase with pale gray-blue glaze and dark stylized leaf pattern on two sides; narrow foot with widening at shoulder; narrow neck; cupped mouth with high vertical lip — Bottle with leaves, 11th century
Korea

G206

round, flat object with scalloped, pointed edges; raised knob at center; rough ship just R of center knob; stylized waves at L; four Korean characters at top center; green with patina — Mirror showing a ship at sea and inscription, 12th century
Korea

G206

squat, low bowl with gray-green glaze; diagonal zigzagging lines circle the bowl near lip; domed cover with multiple rings of zigzagging diagonal lines; ring of flowers around widest portion; bowl sits on very low foot — Covered box with wavy lines and chrysanthemums, second half 15th century
Korea

G206

light green and tan bottle with grey recessed areas; pear-shaped; round foot; raised, billowing, floral leaf patterns — Bottle with peony leaves, second half 15th century
Korea

G206

red-brown jar with mottled ochre colored glaze around shoulder and down one side; four bow-like decorations around shoulder; short, vertical neck — Tea leaf storage jar, late 16th century
Japan

G224

jar with narrow base, wide shoulder, narrow neck, and incised lip; concentric incised lines around neck, shoulder, and portion of center; light greenish glaze — Vase in meiping shape, 13th century
Japan

G224

inverted pear-shape; slightly flared bottom; small crane and cloud designs — Maebyeong with flying cranes and clouds, 12th century
Korea

G206

Incense burner, 13th century

Japan

G220

small, double pointed object with five prongs converging to form each point; center decorated with petal and concentric circle motif — Five-pronged vajra, late 14th century
Japan

G220

irregularly shaped tan jar with bulbous, wasp-nest shaped base, long neck, wide mouth; flecked, dripping brown overglaze, mostly on one side; comes with rattan ring — Recumbent vessel with long neck, 7th century
Japan

G205

large jar with dark brown dripping over glaze and large rocky inclusions; wide shoulder, short neck, rolled lip; gnarled texture — Storage jar, 15th century
Japan

G222

small earthenware cup with lid; cup has upward hooking handle on side and slightly protruding collar for lid; lid has small knob at top — Small lidded jar with handle, second half of 5th century
Korea

G206

studded helmet with short visor at front and four-tiered, wide spreading laced neck guard; curving face protectors with decorated buckskin, studs, and crests; heraldic metal disc with Sanskrit characters for the Buddhist deity Fudo; pair or thin, bladelike metal kuwagatas at front center with heart cutouts; neck guard held together with green ties; ochre colored knots around borders; has wooden stand — Helmet with ornament bearing seed syllable for Fudō Myōō, 17th century
Japan

G219

inverted pear-shape; short neck; round mouth is wider than neck; light green glaze with darker green foliage and flower motif; lid is bell-shaped with darker grayish glaze and darker vine design — Maebyeong with chrysanthemums, 11th-12th century
Korea

G206

squat, dark brown container with flat shoulder; very short neck, rolled lip; drips down side of darker, iridescent over glaze on sides; ivory cover with incised circle around tiny knob; comes with three cover pouches: purple; light stripes with cloud pattern; beige metallic brocade — Tea caddy, late 16th - early 17th century
Japan

G224

abstracted peony motif in shades of brown; narrow base, wider shoulder, short lip — Maebyeong with peonies, 11th-12th century
Korea

G206

one of four: dish with high walls and deep scalloped cutouts on each edge, creating dramatic, irregular square shape; textured, beige over glaze against dark brown underglaze; beige over glaze on bottom lightly brushed around bowl; subtle blue vine accents on underside at cutouts — Set of food dishes (mukōzuke), early 18th century
Japan

G225

colorful images depicting a story of an elderly couple discovering and raising an abandoned baby who grows into a beautiful woman; scenes with monkeys surrounding a basket in a tree; dogs emerging from baskets and attacking monkeys, ending with a monkey in a stable — Story of the Wisteria Basket, 18th century
Japan

G237

two panel small screen; small boat drawn with just a few silver strokes against a dark blue background; silver panel opposite — Boat, c. 1962
Shinoda Tōkō

G253

tall vessel with graceful widening near top; fluted into six sections; short, thin neck with high mouth; two concentric inscribed circles below neck; horizontal inscribed markings around center — Lobed maebyeong, 13th century
Korea

G206

standing figure with a conical hat with ear flaps, long skirt and cloak draped over the left shoulder; figure is standing on rock formation with palms up and crossed at the wrist across the chest; base — Zaō Gongen, Manifestation of Mount Kinpu, 12th century
Japan

G220

image of a stylized monkey hugging a gourd on top of a catfish; text at top — Monkey trying to catch a catfish with a gourd, 1912
Tomioka Tessai

G227

snow-covered rocks at L with wilted, snow-covered reeds; hazy snowy mountain in background; patches of light gold wash; inscription at R — “River and Sky in Evening Snow,” from the Eight Views of the Xiao and Xiang Rivers, c. 1602-1603
Kaihō Yūshō; Author: Inscribed by Saishō Jōtai

Not on View

tall, narrow caddy with short, outward-curving mouth and incised line around the middle of the body; dark-brown glaze applied over a brown underglaze; bottommost portion unglazed; tiny ivory lid with concentric, incised lines — Tea caddy, after 1657
Nonomura Ninsei

G224

white bottle with looping floral decoration on body; incised lines around base of neck and body; narrow neck, wide body, narrow foot slightly flaring mouth — Bottle with floral design, late 15th century
Korea

G206

jagged, towering rock formations at R with waterfall and gnarled pine trees; small pavilion on shore at lower center with fishing boat nearby; small footbridge connects two shores across a small channel with trees at L; bluish mountains in background; inscriptions ULQ — Early Spring Landscape, before 1533
Shūtoku; Author: Inscribed by Yōkoku Kentō; Author: Inscribed by Teihō Shōchū

Not on View

pitcher with very narrow neck with decorative disk within neck, and narrower, needle-like mouth; short, squat, segmented spout with loose cap; thin incised lines around soft shoulder; green patina — Water vessel (Kundika), 918-1392
Korea

G206

oval bottle with very narrow foot and cap; vertical bands of colored enamel with overlapping decorations of butterflies, flowers, and vine designs; separate cap with bright floral motifs against black enamel — Covered bottle with butterflies, flowers, and vine designs, around 1900
Namikawa Yasuyuki

G239

bird with long, pointed tail perched on small branch at R, about to swoop down towards LR; cluster of pointed foliage at R — Wagtails, early 16th century
Kenkō Shōkei

G221

bird with black neck and long, pointed tail perched on branch with PR wing extended, looking toward wing with beak partially open; small branches and leaves at L — Wagtails, early 16th century
Kenkō Shōkei

G221

standing wooden figure with shallowly carved draping robes with small tie at waist; peaceful expression on face; long earlobes and squared hat; figure is missing entire PR arm; PL arm is missing below the elbow, but it is apparent arm is bent forward at elbow — Bonten, the Creator, late 10th century
Japan

G220

different images of Kannon, images of Buddha figures within large halos, with attendants, on lotus pedestals; text, some in Sanskrit — Iconographic drawings of the forms of Kannon, the Bodhisattva of Compassion, 5th month of 1230, 1230, 5th lunar month
Shinken

G220

many small children playing with and climbing on a white elephant that is lying down — Chinese Children Playing with an Elephant [right of a pair], late 18th-mid 19th century
Style of Nagasawa Rosetsu

Not on View

sparrow perched at L on delicate blossoming branch; another sparrow flying, about to land at R — Birds on a Plum Tree, 1795
Itō Jakuchū

G225

framed abstract painting; gray angled form at bottom with black diagonal streak balancing over it starting at L edge and extending towards R; bowed, brushy arc over diagonal streak — Movement and Stillness, 1964
Shinoda Tōkō

G253

large abstract painting; black background with two vertical and one horizontal bar forms that form partial frame within black background; shorter horizontal white bar near LLC; large area of white splatter marks near C and UC — Untitled, second half 20th century
Shinoda Tōkō

G253

unsigned; image of two black lacquer kimono stands with different types of gold patterning, hung with various patterned kimono; koto (zither) in LRQ; tubular case with pink flowered brocade, pink tassels and gold bells hanging from right top corner of kimono stand at right — Whose Sleeves?, early 17th century
Japan

Not on View

two sparrows on a bent millet stalk near center; three others fighting over seed on the ground at LL; millet plant at R extending to UC; flowers at R — Sparrows among Millet and Asters, late 15th century
Geiai

G222

biomorphic turquoise and white vessel; large rounded bulbs with five points at mouth — Akoda, 2005
Katsumata Chieko

G253

thick green grasses with golden clouds and silver in background; scattered red and blue flowers, white flowers, lilies in foreground — Musashi Plains [left of a pair], Second quarter 17th century
Japan

Not on View

turtle wrapped in a snake's coils — Snake curled around a turtle, late 18th-19th century
Japan

Not on View

unsigned; white deer wearing bells and an ornate saddle with a wisteria vine growing from it; golden circle within wisteria with three figures sitting cross-legged, and sitting with hands folded in front of chest, clasping small tablets, four of the figures are in white, and center figure is in red; mountains at top with colorful mounds, water below, and golden moon near top — Deer Mandala of the Kasuga Shrine, first half 15th century
Unknown Japanese

Not on View

mounted fan painting: man in white robe holding a calligraphy brush up to the side of a small cliff or rock formation covered with foliage; shorter man behind him leans over a rock, looking on; ivory roller ends — Hanshan and Shide, mid 16th century
attributed to Kano Yukinobu

Not on View

unsigned; musicians and actors on stage at L with audience outdoors, looking on and talking to one another; fence and banners erected behind audience; building at R with men standing and talking behind walls, and others outside sitting and chatting — Okuni Kabuki, first quarter 17th century
Japan

Not on View

male figure in gray and white striped kimono grabs the wrist of a young female attendant who was handing him a red dish; other young women and geisha serve tea, play instruments, and dance around the man; small feast in front of man on ground, including large red snapper; scene takes place on a green dock over water — Summer Party on the Bank of the Kamo River, around 1800
Utagawa Toyohiro

Not on View

underglaze cobalt blue design of reserved panels of flowers and birds separated by scrollwork with birds and flowers; vertical band of triangles and more scrollwork on lid — Apothecary bottle with mynas and peonies, c. 1660-1680
Japan

G222

panoramic view of densely packed rooftops and trees along a bay surrounded by mountains, and filled with boats — Nagasaki Harbor, 1880-1890
Japan

Not on View

small bowl on very small foot; dark, somewhat mottled navy blue glaze with ochre, tan, and greenish gradients; lip is brown and rust colored; slightly raised scaly pattern around outside — Tea Bowl with Indented Lip and Hare's Fur markings, 13th century
China

Not on View

elevated scalloped saucer with attached hollow cup; swirling U-shaped carved decorations — Tea bowl stand, 16th century
Japan

Not on View

framed: thirteen Bodhisattvas standing on lotus blossoms within a cloud; each is dressed differently, and is standing in a different pose, looking in a different direction; figure at top has a sword in PR hand; figure at LR is surrounded by flame, and holding a sword and a rope; black background; metallic halos — Thirteen Buddhas and Bodhisattvas, 16th century
Japan

Not on View

lines of inscription at R; image of Buddha in red robes seated on a blue lotus blossom; olden halo behind head; two concentric circles behind figure — Hōshō Nyorai, 13th century
Japan

Not on View

framed: Buddha seated on lotus blossom; pedestal supported by sneering three-headed elephant; figure wears ornate headdress, and holds two metal objects; lips are colored red; lips, underside of trunks, inside of ears, and lotus blossoms on elephants are also red — Fugen Enmei Bosatsu, 1322
Japan

Not on View

framed: figure seated cross-legged on lotus blossom, with four sets arms; two of the hands are praying in front of chest; two are held up at sides, one holding scepter and the other holding a lotus blossom; two are extended outward with open, outward palms; and two are down, with one hand holding beads, and the other a small whip-like object; figure has headdress and decoration on forehead — Fukūkenjaku Kannon, early 14th century
Japan

Not on View

figure with large halo seated on a reclining bull; figure is holding a scepter in PR hand that has a bust on it; PL hand is held to side of body, open; painted on the reverse side of a Buddhist sutra, with text visible through image — Enmaten, 13th century
Japan

Not on View

framed: encircled Buddha seated with double flaming halo at C, surrounded by eight similar encircled figures, each with a unique appearance; two floating clouds above with three attendants playing instruments, floating crown at top C; semicircle at LL with four-armed figure holding scepter, surrounded in flames; triangle at LR with seated figure holding small sword, surrounded by flames; arabesque design with a pot lower C — Sonsho Mandala, 1321
Japan

Not on View

male figures on a white-curtained balcony; one man is standing, aiming a longbow toward a cloud carrying grotesque figures brandishing weapons — Fragment from Tengu zōshi emaki, 1500
Japan

Not on View

landscape featuring a male figure sitting on a cliff edge near a blossoming tree at R overlooking a valley enveloped in fog and clouds; rooftops visible amid white blossoming trees; poem at R on separate paper — Fragment from the Illustrated Scrolls of the Tales of Saigyō (Saigyō monogatari emaki), 17th century
Japan

Not on View

album containing brightly painted images of men and women meeting indoors, and on a boat; pages of cursive text; navy blue cover with title label on paper decorated with gold — The Tale of Hachikazuki, vol. 2, late 17th century
Japan

Not on View

book with brightly colored images interspersed with may pages of text; images of men and women indoors; image with man and woman inside a temple with monk; woman lying on a mat with mourners; man and woman crying; navy blue cover with title on decorated paper; silver lining inside cover — The Tale of Hachikazuki, vol. 1, late 17th century
Japan

Not on View

rectangular box with scenes from the Tale of Genji painted on outside; on cover: male and female figure inside building looking out over verandah onto snow-covered rocks and a stream; on one side, female figure in green and red robes lays on her stomach on verandah looking wistfully toward man in white who is seated on the ground; on opposite side, a young woman and two other figures inside on green matting; blossoming tree nearby; inside is gold painted with white chrysanthemums — Box with scenes from The Tale of Genji, 18th century
Japan

Not on View

three geese walking and nibbling on the ground along a shoreline with grassy reeds — Geese and Reeds [left of a pair], 16th century
Japan

Not on View

small crested bird perched with beak open, facing L on a crooked blossoming branch; cluster of bamboo to R of branch on bottom — Bulbul on a Plum Tree [right of a pair], 16th century
Japan

Not on View

unsigned; pair of cranes left of center; pine tree at left; swimming duck and pair of smaller birds at right; blooming white and red chrysanthemums; unsigned — Cranes under Pine Trees, 16th century
Japan

Not on View

white heron about to alight on a shore near a jagged branch, with wings spread and legs splayed; smaller heron near LL wading in grasses along shore; against gray background — Herons, 17th century
Japan

Not on View

large flock of cranes, with a few darker gray cranes against a gold background — Cranes [left of a pair], 18th century
Japan

Not on View

six panel screen; dense flock of white cranes, and a few cranes with darker feathers against gold background — Cranes [right of a pair], 18th century
Japan

Not on View

landscape scene with dark blue water and puffy gold clouds, brown rice fields, trees, mountains; a few huts amid fields; small temple complex on a peninsula; people on boats — A View of Ama no Hashidate, early 17th century
Japan

Not on View

small six-panel screen; group of people picnicking on red blanket along a shore at R; another group of picnickers near UC between trees, with horseback rider nearby; arched bridge with tree nearby at L; another group of people on bench at L; man entering shine complex at L — Sumiyoshi Shrine and Osaka Bay, c. 1660
Japan

Not on View

six richly painted scenes: couple sitting close at R with approaching figure; male and female sitting across from one another in small structures; female figure in stylized rickshaw with male figure nearby; two male figures fighting; male figure at end with sword and open fan — Six No and Kyogen Pieces, 17th century
Japan

Not on View

male figure standing in three quarter pose with PL hang reaching for sword in belt; looking over PR shoulder; long robes with drum and pine design — Wakashu with a sword, 17th century
Japan

Not on View

three women relaxing together; woman in light blue lying on stomach, supporting head in hands while another woman leans on her back; younger woman in pink at LL holds a bouquet and looks up toward the other two women — Three Beauties, 17th century
Japan

Not on View

woman in 3/4 pose wearing white kimono decorated with gold fog and wispy chrysanthemum blossoms; blue and red hems; green obi — Standing Beauty, 18th century
Japan

Not on View

framed: woodblock print of 100 images of Fudo Myoo in grid like pattern; figure is seated on a platform with flame like background; halo; holding sword upright in PR hand — Fudo, 14th century
Japan

Not on View

framed: Buddha seated cross-legged on lotus platform with PL hand open in lap and PR hand giving an O symbol; two halos and a beaded cloud above head; surrounded on two sides by figures playing instruments floating on clouds; two figures on either side, one praying, the other offering an object; dark background with small Bodhisattva figures — Welcoming Descent of Amida and Twenty Five Bodhisattvas, 16th century
Japan

Not on View

framed: male figure in draping brown robes, large double halos, standing on cloud at UC with PR hand up, and PL down; two golden rays emanate from forehead to LR; two attendants in robes on either side of figure's feet, one at L has bent knees and is clasping hands; attendant at R is crouching and proffering a lotus to the R; two men at lower edge; man at R has a small cloud with three small figures emerging from mouth; black background — Welcoming Descent of Amida, 17th century
Japan

Not on View

showing 100 of 825 results matching creditline:"Mary Griggs Burke Collection, Gift of the Mary and Jackson Burke Foundation". (load 200 more)