showing 100 of 824 results matching creditline:"Mary Griggs Burke Collection, Gift of the Mary and Jackson Burke Foundation". (load 200 more)

advanced
small earthenware cup with lid; cup has upward hooking handle on side and slightly protruding collar for lid; lid has small knob at top

Small lidded jar with handle, second half of 5th century

Unknown Korean

G206

round, flat object with scalloped, pointed edges; raised knob at center; rough ship just R of center knob; stylized waves at L; four Korean characters at top center; green with patina

Mirror showing a ship at sea and inscription, 12th century

Unknown Korean

G206

large jar with dark brown dripping over glaze and large rocky inclusions; wide shoulder, short neck, rolled lip; gnarled texture

Storage jar, 15th century

Unknown Japanese

G222

one of four: dish with high walls and deep scalloped cutouts on each edge, creating dramatic, irregular square shape; textured, beige over glaze against dark brown underglaze; beige over glaze on bottom lightly brushed around bowl; subtle blue vine accents on underside at cutouts

Set of food dishes (mukōzuke), early 18th century

Unknown Japanese

G225

pitcher with very narrow neck with decorative disk within neck, and narrower, needle-like mouth; short, squat, segmented spout with loose cap; thin incised lines around soft shoulder; green patina

Water vessel (Kundika), 918-1392

Unknown Korean

G206

black lacquered box with gold and silver butterflies; double flute case in black lacquer with gold and silver clouds and dragon design on bottom; bamboo flute inside with dark ribbing; smaller flute with red ribbing and details, both stored in double case; single bamboo flute case in plain wood with gold inscription on one side; also comes with two documents in handscroll form depicting the flute's history; document dated 1774

Noh Flutes named “Winter Wind” (Kogarashi) with Box and Case, mid 18th century

Unknown Japanese

G219

short, round bottle with narrow neck; beige glaze with paulownia leaves and blossoms in black and blue

Sake bottle with paulownia, 17th century

Unknown Japanese

G221

one of four: dish with high walls and deep scalloped cutouts on each edge, creating dramatic, irregular square shape; textured, beige over glaze against dark brown underglaze; beige over glaze on bottom lightly brushed around bowl; subtle blue vine accents on underside at cutouts

Set of food dishes (mukōzuke), early 18th century

Unknown Japanese

G225

one of four: dish with high walls and deep scalloped cutouts on each edge, creating dramatic, irregular square shape; textured, beige over glaze against dark brown underglaze; beige over glaze on bottom lightly brushed around bowl; subtle blue vine accents on underside at cutouts

Set of food dishes (mukōzuke), early 18th century

Unknown Japanese

G225

one of four: dish with high walls and deep scalloped cutouts on each edge, creating dramatic, irregular square shape; textured, beige over glaze against dark brown underglaze; beige over glaze on bottom lightly brushed around bowl; subtle blue vine accents on underside at cutouts

Set of food dishes (mukōzuke), early 18th century

Unknown Japanese

G225

irregularly shaped tan jar with bulbous, wasp-nest shaped base, long neck, wide mouth; flecked, dripping brown overglaze, mostly on one side; comes with rattan ring

Recumbent vessel with long neck, 7th century

Unknown Japanese

G205

jagged, towering rock formations at R with waterfall and gnarled pine trees; small pavilion on shore at lower center with fishing boat nearby; small footbridge connects two shores across a small channel with trees at L; bluish mountains in background; inscriptions ULQ

Early Spring Landscape, before 1533

Shūtoku; Author: Inscribed by Yōkoku Kentō; Author: Inscribed by Teihō Shōchū

Not on View
unsigned; musicians and actors on stage at L with audience outdoors, looking on and talking to one another; fence and banners erected behind audience; building at R with men standing and talking behind walls, and others outside sitting and chatting

Okuni Kabuki, first quarter 17th century

Unknown Japanese

Not on View
male figure in gray and white striped kimono grabs the wrist of a young female attendant who was handing him a red dish; other young women and geisha serve tea, play instruments, and dance around the man; small feast in front of man on ground, including large red snapper; scene takes place on a green dock over water

Summer Party on the Bank of the Kamo River, around 1800

Utagawa Toyohiro

Not on View
picnic set with four stacking bowls decorated with bands of flowers and foliage from each of the four seasons; sake flask created from bamboo, with bamboo leaf motif and crested flying birds; sides of caddy are decorated with wisteria; lid for stacking bowls features phoenix with chrysanthemum design; silver handle

Picnic set with plants from the four seasons, 18th century

Unknown Japanese

Not on View
unsigned; white deer wearing bells and an ornate saddle with a wisteria vine growing from it; golden circle within wisteria with three figures sitting cross-legged, and sitting with hands folded in front of chest, clasping small tablets, four of the figures are in white, and center figure is in red; mountains at top with colorful mounds, water below, and golden moon near top

Deer Mandala of the Kasuga Shrine, first half 15th century

Unknown Japanese

Not on View
seated Buddha; PL hand in lap with open palm, index and thumb loosely touching; PR hand up, with index finger and thumb touching; two-tiered knobby hair, long earlobes; traces of red pigment on robes; seated on wide, stylized lotus on round base

Amida, the Buddha of Infinite Light, early 12th century

Unknown Japanese

G220

standing wooden figure with shallowly carved draping robes with small tie at waist; peaceful expression on face; long earlobes and squared hat; figure is missing entire PR arm; PL arm is missing below the elbow, but it is apparent arm is bent forward at elbow

Bonten, the Creator, late 10th century

Unknown Japanese

G220

Buddha seated with legs folded and feet over knees; PR hand held in loose fist; PL hand open, gently cradling round object; fragments of white and green pigment; sits on flat base with pigment fragments

Hachiman in the Guise of a Buddhist Monk, 12th century

Unknown Japanese

G220

female figure seated with arms clasped toward chest; wearing court dress, with long, pleated hair; small crown on head; mounted to wooden screen on back

Shinto Goddess, 12th-13th century

Unknown Japanese

G220

seated male figure holding a court noble's scepter, with face and hairstyle of a Bosatsu; mounted to plaque on back; legs folded in lotus position

Shinto God, 12th-13th century

Unknown Japanese

G220

dark gray pitcher with bulb-like body, short neck, and dramatically flared mouth; mouth flare is actually wider than body; hole in side of body; rounded bottom

Jar with flared mouth, 5th century

Unknown Japanese

G205

jar with three incised lines around widest part; high neck, slightly flaring mouth with incised lines around outside; remnants of tan ash glaze

Jar, 3rd-7th century

Unknown Japanese

G205

red-brown jar with mottled ochre colored glaze around shoulder and down one side; four bow-like decorations around shoulder; short, vertical neck

Tea leaf storage jar, late 16th century

Unknown Japanese

G224

rectangular board with upward curved edges; pink moon at UL with two cranes flying toward L; mottled blue and brown background; elevated on two rows of triangular feet

%C2%A9 Wakao Toshisada

Chopping board with cranes and sun, 20th century

Wakao Toshisada

G223

flock of white and grey cranes, some with red at eyes and forehead, against a gold background; cranes stand, preen, and walk

Flock of Cranes [left of a pair], second half 18th century

Ishida Yūtei

G222

woman in richly decorated red kimono loosely embracing a large white crane with her PL arm; vertical rock with blossoms at R; horizontal blossoming branch extending just above her head

Parody of a Beautiful Woman as Rin Nasei (Ch. Lin Hejing) with Crane, mid 18th century

Kawamata Tsunemasa

G223

standing male figure with stringy moustache, and long flowing black hair; lotus blossoms and flames around halo; draping colorful skirts; bare chested with draping sashes

Nitten 日天 (The Sun God), c. 1450

Unknown Japanese

G220

snow-covered rocks at L with wilted, snow-covered reeds; hazy snowy mountain in background; patches of light gold wash; inscription at R

“River and Sky in Evening Snow,” from the Eight Views of the Xiao and Xiang Rivers, c. 1602-1603

Kaihō Yūshō; Author: Inscribed by Saishō Jōtai

Not on View
flat bottom; bulbous, slightly flattened bottom section; vertical wide neck with ribs; pair of irregular blocky handles; thick inverted mouth ring; entire piece intentionally asymmetrical/misshapen/slightly collapsed, with broken incised wavy line on bottom section and inherent cracking; green, light brown and tan glaze; brown lacquer cover with faceted top knob

"Burst bag" Freshwater Jar, late 16th - early 17th century

Unknown Japanese

G224

tall, narrow caddy with short, outward-curving mouth and incised line around the middle of the body; dark-brown glaze applied over a brown underglaze; bottommost portion unglazed; tiny ivory lid with concentric, incised lines

Tea caddy, after 1657

Nonomura Ninsei

G224

white gourd-shaped flask with grapevine design painted in underglaze iron oxide

Gourd-shaped flask with grapevines, early 17th century

Unknown Japanese

G221

bowl with rounded square shape with rounded corners; three small square feet; blue-grey with white slip design of twining flowers; arc-shaped trellis (?) at one side; lines and scrolls around border; deep swirl at bottom center

Plate with grapevines, trellis, and geometric design, late 16th century

Unknown Japanese

G225

cup with three lobes; beige in color with underglaze design of diving birds in darker color; darker glaze around lip; incised line below lobes where cup rounds out to bottom

Ash container with three birds, late 16th century

Unknown Japanese

G225

drum core in shape of two adjoined chalices; black lacquer with gold flecked grape vines, leaves, and squirrels

Large hand-drum core with grapevines and squirrels, late 16th century

Unknown Japanese

Not on View
lacquered writing box with heavily decorated cover and sides; zigzag down center divides pine tree with plum blossoms against a black background, from motif of chrysanthemums and leaves against reddish background; motifs continue on sides; ink stone and two empty boxes inside

Writing box with pines, plum, chrysanthemums, and paulownia, 16th century

Unknown Japanese

Not on View
cylindrical container with lid; concentric inscribed orbital lines around cylinder; scalloped bottom edge with elegant feet; three-tiered cover with concentric inscribed rings; spire at top with four disks and budlike finial on top

Cylindrical Sutra Container, first half 12th century

Unknown Japanese

G220

studded helmet with short visor at front and four-tiered, wide spreading laced neck guard; curving face protectors with decorated buckskin, studs, and crests; heraldic metal disc with Sanskrit characters for the Buddhist deity Fudo; pair or thin, bladelike metal kuwagatas at front center with heart cutouts; neck guard held together with green ties; ochre colored knots around borders; has wooden stand

Helmet with ornament bearing seed syllable for Fudō Myōō, 17th century

Unknown Japanese

G219

short, squat incense burner on three legs; three separate parts; domed cover with bud-shaped nib; floral stamped and etched patterns on lid

Incense burner, 13th century

Unknown Japanese

G220

small, double pointed object with five prongs converging to form each point; center decorated with petal and concentric circle motif

Five-pronged vajra, late 14th century

Unknown Japanese

G220

unembellished cup with lid and saucer; small finial on top of lid

Container for rubbing incense, 14th century

Unknown Japanese

G220

incense burner in the shape of an antique Chinese bronze basin with three legs, tall slotted handles and lid; lions in relief over a tao-tieh design on front and back and larger lion with ball on the top on a cloud design of the lid; perhaps originally coated with black lacquer

Incense burner with Chinese lions, 16th century

Unknown Japanese

G220

long-necked ewer with motif of dragons on handle and lid; bulbous body, gently curving spout with scalloped design around base

Ewer, 15th-16th century

Rihei

G220

bronze ritual bell with handle in the shape of a five-pronged vajra, handle stem and bell shoulder decorated with lotus petal design; probably intended for use in Esoteric Buddhist rites

Ritual bell with handle in the shape of the vajra, 18th century

Unknown Japanese

G220

mounted fan painting: man in white robe holding a calligraphy brush up to the side of a small cliff or rock formation covered with foliage; shorter man behind him leans over a rock, looking on; ivory roller ends

Hanshan and Shide, mid 16th century

attributed to Kano Yukinobu

Not on View
fat, round metal rabbit figure; very long, narrow ears held straight back over body; long nose; decorated with stylized swirling cloud motifs

Incense burner in the shape of a rabbit, late 18th-early 19th century

Murata Seimin

G225

stoneware jar with brownish ash glaze evenly distributed, mostly on the upper shoulder; wide, low shape with wide mouth and short, straight lip; foot pierced in five places with small rectangular openings; five band design around upper shoulder with alternating motifs of concentric circles and triangles with cross-hatching; bands separated by incised lines

Small Jar with Perforated Foot and Stamped and Incised Designs, late 6th - early 7th century

Unknown Korean

G206

vase with pale gray-blue glaze and dark stylized leaf pattern on two sides; narrow foot with widening at shoulder; narrow neck; cupped mouth with high vertical lip

Bottle with leaves, 11th century

Unknown Korean

G206

inverted pear-shape; short neck; round mouth is wider than neck; light green glaze with darker green foliage and flower motif; lid is bell-shaped with darker grayish glaze and darker vine design

Maebyeong with chrysanthemums, 11th-12th century

Unknown Korean

G206

abstracted peony motif in shades of brown; narrow base, wider shoulder, short lip

Maebyeong with peonies, 11th-12th century

Unknown Korean

G206

black stoneware decorated with close, thin vertical incised lines around body; squat shape with flat shoulder, short neck, flat, flared mouth

Oil bottle, 9th century

Unknown Korean

G206

unsigned; image of two black lacquer kimono stands with different types of gold patterning, hung with various patterned kimono; koto (zither) in LRQ; tubular case with pink flowered brocade, pink tassels and gold bells hanging from right top corner of kimono stand at right

Whose Sleeves?, early 17th century

Unknown Japanese

Not on View
squat, low bowl with gray-green glaze; diagonal zigzagging lines circle the bowl near lip; domed cover with multiple rings of zigzagging diagonal lines; ring of flowers around widest portion; bowl sits on very low foot

Covered box with wavy lines and chrysanthemums, second half 15th century

Unknown Korean

G206

light green and tan bottle with grey recessed areas; pear-shaped; round foot; raised, billowing, floral leaf patterns

Bottle with peony leaves, second half 15th century

Unknown Korean

G206

tall vessel with graceful widening near top; fluted into six sections; short, thin neck with high mouth; two concentric inscribed circles below neck; horizontal inscribed markings around center

Lobed maebyeong, 13th century

Unknown Korean

G206

pitcher shaped like a melon; short, curved spout; handle rises above spout height at top; small cover with tiny loop on top, resembling a melon vine

Ewer in the shape of a melon, first half 12th century

Unknown Korean

G206

white bottle with looping floral decoration on body; incised lines around base of neck and body; narrow neck, wide body, narrow foot slightly flaring mouth

Bottle with floral design, late 15th century

Unknown Korean

G206

small, light gray-blue lidded container with inlaid design of stylized chrysanthemums and dark, arabesque stems; organic design around outer border

Covered box with chrysanthemums, 13th century

Unknown Korean

G206

inverted pear-shape; slightly flared bottom; small crane and cloud designs

Maebyeong with flying cranes and clouds, 12th century

Unknown Korean

G206

cluster of morning glories, with vines, small pink flowers, and grasses; a few insects perched on grasses

Autumn Flowers [left of a pair], mid 19th century

Oki Ichiga

G237

morning glory vines and leaves interwoven with tiny white flowers, purple, and pink flowers; a few insects exploring the foliage

Autumn Flowers [right of a pair], mid 19th century

Oki Ichiga

G237

oval basket with open weave around most of body in diamond pattern; horizontal bands of closed weave around top and bottom; diagonal weaving around mouth; handle made of four thin reeds coupled together and crossed at top

Basket, 1920s-1930s

Suzuki Gangansai

G239

male figure in robes and two-pointed cap; standing with feet hip-width apart, holding clover-shaped object in folded hands at waist

Tomb guardian figures, 16th-18th century

Unknown Korean

G206

standing figure in robes wearing a two-pointed cap; holding heart-shaped object in closed hands at waist

Tomb guardian figures, 16th-18th century

Unknown Korean

G206

round bronze medallion with raised knob at center; five bands inside encircling center knob; each band with different figures inside including four directional guardian animals and twelve zodiac signs in relief

Mirror with Cosmological Design, 12th-13th century

Unknown Korean

G206

square writing box with golden wave pattern surrounding a bridge with mother-of-pearl supports; inside: pewter, gold, and mother-of-pearl swans on golden bank with eddies; design of swans inside around ink stone

Writing box with bridge and waves, 18th century

Unknown Japanese

Not on View
irregularly shaped platter with waving inscribed lines; taupe, beige, and olive green glaze, with dark pooling in indentations; incised floral and berry design under

%C2%A9 Kojima Kenji

Platter, 20th-21st century

Kojima Kenji

Not on View
round vessel in charcoal color with large swatch of red; diagonal, swirling ribbed lines; rough, crackled texture; low lip and small mouth

%C2%A9 It%C5%8D Sekisui V

Vase, 1984

Itō Sekisui V

Not on View
squat, fluted container decorated with small gold cherry trees with large blossoms and fronds of foliage; open-weave metal cover; tiny golden flecks in background

Lobed incense burner with metal cover, 17th century

Unknown Japanese

Not on View
unsigned; village scene with people in various forms of activity; men with carriages; images separated by gold clouds

Six Scenes from the Tale of Genji, 18th century

Unknown Japanese

Not on View
five crows perched near top of tree; two are darting down at LL; minimal, curled leaves with light color

Crows in an Old Tree, 18th century

Yosa Buson

Not on View
long, narrow, rectangular platter with slightly rippled edges that are rolled inward; dark color with ochre and rust colored accents in organic shapes

%C2%A9 Fukushima Kazuo

Platter, 20th century

Fukushima Kazuo

Not on View
large brown storage jar with narrow foot, wide shoulder with four bow-shaped handles; short neck, rolled lip; tan, charcoal, and ochre color glazes with greenish-blue pooling

Storage jar, 18th century

Unknown Japanese

Not on View
shallow bowl with incised line around inner center; shallow relief lotus petal design on underside; pale blue-green celadon glaze

Bowl with lotus petals, first half 12th century

Unknown Korean

Not on View
outer storage box for incense game set; box features gold and silver designs of a landscape with tree and bird, scholar's rock, and blossoming trees with stylized waves; contains other sets of smaller boxes inside, containing game pieces and incense storage containers, each decorated in gold with motifs from nature and of small buildings on stilts; many separate tools including a tamper, tongs, chopsticks, and cutting tools; two ceramic incense bowls; square multi-layered gold box with similar decorative motifs, writing box, and a box containing incised ivory chips

Box and assorted implements for the incense game, 17th-18th century

Unknown Japanese

Not on View
ink drawing of six men seated close together; some are looking at a short, suspended hanging scroll near center; two others are sharing a hand scroll at L; one figure is peering from behind the scroll at far L; ivory rolle rends

The Four Accomplishments, mid 18th century

Ike Taiga

Not on View
shallow dish with stylized design of green fog revealing blue flowers, ferns, and grasses; blue floral and vine designs on underside; blue vertical bars painted on foot

Plate with autumn grasses, 17th-19th century

Unknown Japanese

Not on View
outline drawing of Mt. Fuji with hint of a cloud at ULQ; inscriptions on page

Mt. Fuji, late 16th-mid 17th century

Karasumaru Mitsuhiro

Not on View
images of fierce deities with weapons, flaming halos, grotesque features; text, some in Sanskrit

Iconographic drawings of the forms of Kannon, the Bodhisattva of Compassion, 5th month of 1230, 1230, 5th lunar month

Jinken

Not on View
very large dark brown jar with irregular, bulbous shape; short neck, rounded lip; tan, beige, and gray drip glaze top one-third of body; drips down mouth interior; large stoneware globules on sides

Storage jar, early 17th century

Unknown Japanese

Not on View
two black and orange birds perched in the lower limbs of a tree branch; wispy, willowy branches interspersed with pink and purple flowers

Swallow's Song in Spring Breeze, 1852, 3rd lunar month

Tsubaki Chinzan

Not on View
two-fold screen; R screen from pair; very young crane at L panel; three cranes at R panel

Family of Cranes [right of a pair], c. 1787

Nagasawa Rosetsu

Not on View
brown and gold brocade cover with a floral and diamond-shaped design; each page features two cartouches: one with inscription at top, and a brightly colored imge of a woman in large robes at bottom

Thirty-Six Immortal Poetesses, 17th century

Unknown Japanese

Not on View
pair of feet with polychrome decoration; dark orange with gold decoration

%C2%A9 Matsuda Yuriko

Conduct, 1981

Matsuda Yuriko

Not on View
two-fold screen; unsigned; L screen from pair; three cranes at L panel; one is a young crane; one crane at R panel tucking head behind legs

Family of Cranes [left of a pair], c. 1787

Nagasawa Rosetsu

Not on View
Flock of white and grey cranes against gold ground standing and preening

Flock of Cranes [right of a pair], second half 18th century

Ishida Yūtei

Not on View
landscape with trees growing out of large boulders at R; some of the trees have red leaves; large rock formations with pine trees in background; rooftops peak out above treetops ULQ; figures in three boats near center; larger covered boat lower center

Landscape with River View, c. 1770

Ike Taiga

Not on View
two sparrows on a bent millet stalk near center; three others fighting over seed on the ground at LL; millet plant at R extending to UC; flowers at R

Sparrows among Millet and Asters, first half 16th century

Geiai

Not on View
waves at R with male figure standing at L end of very long boat; beach near center with mossy rocks and a tree at center; squared, tall rock formations at L with some moss on rocks and white flowers

Boats on the Sea, 17th century

studio of Tawaraya Sōtatsu

Not on View
long, narrow figure of a Western male figure wearing a hat and holding a rooster with a long tail

Dutchman with rooster, late 18th-19th century

Unknown Japanese

Not on View
unsigned; corner of a building with a woman standing on the verandah, looking out at a man and young boy on the ground; the child is holding a sword, and the man kneels with a fan; older woman with a young girl sit inside behind the standing woman; maple tree behind building

Beauty on a Veranda (“Visiting Kawachi” from the Tales of Ise), early 18th century

Unknown Japanese

Not on View
three turtles standing in a stack, with largest turtle at bottom, and smallest at top; bottom turtle is standing on lily pad

Pyramid of three turtles, late 18th-19th century

Unknown Japanese

Not on View
woodblock printed book with illustrations by the monk Tokusen; blue cover with plaid title label; text pages along with blocky, grotesque images of demons torturing humans, in many various, creative ways; male figures with beards and scribes; bodhisattvas on clouds and in temple complex at end

Sutra on the Ten Kings of Hell, 18th century

Unknown Japanese

Not on View
six armed red figure seated on lotus pedestal; each arm is holding a different object; large halo

Aizen Myōō, The Wisdom King of Passion, early 14th century

Unknown Japanese

Not on View
top 3/4 of a male figure wrapped completely in red robe, frowning mouth, eyes gazing slightly upward; three line inscription in black ink at top; one line red inscription bottom

Daruma, c. 1818 - 1837

Mindō Sōsen; Author: Inscribed by Chūhō Sō'u

Not on View
unsigned; front view of man in General's uniform, standing with legs close together, PR hand on waist, looking toward R; white pants, short blue jacket with red lining in tails; pink sash, two star decorations, and red-plumed black hat

Russian Admiral, early 19th century

Unknown Nagasaki School

Not on View
two panel screen: two puppies on R panel: brown puppy is scratching its face, and white puppy is looking on with mouth partially open; three puppies on L panel, one at far L is seated, while the two others are standing near each other; blue background with gold flecks

Puppies, 1781

Maruyama Ōkyo

Not on View
mountain landscape with rolling vertical rock formations and pine trees; water at R side; rocky tree lined shores; two small buildings at R; open pavilion LRQ

Landscape, 1844

Nakabayashi Chikutō

Not on View
rectangular sake container with two gold ducks swimming away from a sprig of reeds on either side; small, graceful willow with lotus leaves on shore on both short ends; grass design on top with spout top center

Sake container with design of ducks, 17th-18th century

Unknown Japanese

Not on View
outline drawing of young woman seated on ground with an abundance of robes billowing around her; holding PR hand to face, looking wistfully toward a painting of two figures at L; inscription on either side of woman

Court Lady with paintings of Japanese Sages, 19th century

Reizei Tamechika

Not on View

showing 100 of 824 results matching creditline:"Mary Griggs Burke Collection, Gift of the Mary and Jackson Burke Foundation". (load 200 more)

Download results as CSV