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Screenprint with applied bronze, silver, and pearl foils in 25 colors from stencils produced using drawings made by the artist referencing Lakota dentalium yoked dresses. The dress color is predominately red and is one of four related works from the artist's "Take Care of Them" suite.

Copyright %C2%A9 Dyani White Hawk%2C published by Highpoint Editions

Wačháŋtognaka | Nurture, 2019

Dyani White Hawk; Printer: Highpoint Editions, Minneapolis; Publisher: Highpoint Editions, Minneapolis

G303

Screenprint with applied gold foil in 14 colors from stencils produced using drawings made by the artist referencing Lakota dentalium yoked dresses. The dress color is predominantly blue and is one of four related works from the artist's "Takes Care of Them" suite.

Copyright %C2%A9 Dyani White Hawk%2C published by Highpoint Editions

Wówahokuŋkiya | Lead, 2019

Dyani White Hawk; Printer: Highpoint Editions, Minneapolis; Publisher: Highpoint Editions, Minneapolis

G303

Screenprint with applied bronze foil in 18 colors from stencils produced using drawings made by the artist referencing Lakota dentalium yoked dresses. The dress color is predominantly green and is one of four related works from the artist's "Takes Care of Them" suite.

Copyright %C2%A9 Dyani White Hawk%2C published by Highpoint Editions

Nakíčižiŋ | Protect, 2019

Dyani White Hawk; Printer: Highpoint Editions, Minneapolis; Publisher: Highpoint Editions, Minneapolis

G303

Screenprint with applied copper foil in 20 colors from stencils produced using drawings made by the artist referencing Lakota dentalium yoked dresses. The dress color is predominately gold and is one of four related works from the artist's "Takes Care of Them" suite.

Copyright %C2%A9 Dyani White Hawk%2C published by Highpoint Editions

Wókaǧe | Create, 2019

Dyani White Hawk; Printer: Highpoint Editions, Minneapolis; Publisher: Highpoint Editions, Minneapolis

G303

Screenprint bleed torn on four edges depicting figures, horses, trees, text, and abstracted indigenous masks in a landscape.

Copyright %C2%A9 Andrea Carlson%2C published by Highpoint Editions

Anti-Retro, 2018

Andrea Carlson; Printer: Highpoint Editions, Minneapolis; Publisher: Highpoint Editions, Minneapolis

G260

Screenprint torn on four edges to create a bleed image depicting Mound Man (a humanoid effigy earthwork in Wisconsin), trail marker trees, Mississippian mica hand/talon objects, hands signing Exit, and text in a landscape.

Copyright %C2%A9 Andrea Carlson%2C published by Highpoint Editions

Exit, 2019

Andrea Carlson; Printer: Highpoint Editions, Minneapolis; Publisher: Highpoint Editions, Minneapolis

G260

Lithograph printed from three plates in light gray, brown, and black depicting a coyote laying on its back holding four shadow puppets. Printing order: light grey, brown, and black.

Copyright %C2%A9 Julie Buffalohead%2C published by Highpoint Editions

Revisionist History Lesson, 2014

Julie Buffalohead; Printer: Highpoint Editions, Minneapolis; Publisher: Highpoint Editions, Minneapolis

G259

23 individual prints (collectively referred to as "The Beauties") printed intaglio style from ironing boards flattened and distressed to the artist's approval. The name of each board (Bertha Mae, Bessie, Calpurnia, Carolina, Clara Esther, Emma, Eva Mae, Ida Mae, Jane, Jesse Mae, Jonny Mae, Lilly, Lucy, Lula Bell, Mammy, Matti Lee, Pearl, Rose, Ruth, Saphire, Sarah, Willy Mae, Zeddie) was relief printed, bottom center, in a medium gray from a photopolymer plate. While originally conceived by the artist as a body of work, they were made available as individuals. Some inking variation between impressions due to the nature of the matrix are indicated by the inscription EV—variant edition.

Copyright %C2%A9 Willie Cole%2C published by Highpoint Editions

Bertha Mae, 2012

Willie Cole; Printer: Highpoint Editions, Minneapolis; Publisher: Highpoint Editions, Minneapolis

Not on View
23 individual prints (collectively referred to as "The Beauties") printed intaglio style from ironing boards flattened and distressed to the artist's approval. The name of each board (Bertha Mae, Bessie, Calpurnia, Carolina, Clara Esther, Emma, Eva Mae, Ida Mae, Jane, Jesse Mae, Jonny Mae, Lilly, Lucy, Lula Bell, Mammy, Matti Lee, Pearl, Rose, Ruth, Saphire, Sarah, Willy Mae, Zeddie) was relief printed, bottom center, in a medium gray from a photopolymer plate. While originally conceived by the artist as a body of work, they were made available as individuals. Some inking variation between impressions due to the nature of the matrix are indicated by the inscription EV—variant edition.

Copyright %C2%A9 Willie Cole%2C published by Highpoint Editions

Bessie, 2012

Willie Cole; Printer: Highpoint Editions, Minneapolis; Publisher: Highpoint Editions, Minneapolis

Not on View
23 individual prints (collectively referred to as "The Beauties") printed intaglio style from ironing boards flattened and distressed to the artist's approval. The name of each board (Bertha Mae, Bessie, Calpurnia, Carolina, Clara Esther, Emma, Eva Mae, Ida Mae, Jane, Jesse Mae, Jonny Mae, Lilly, Lucy, Lula Bell, Mammy, Matti Lee, Pearl, Rose, Ruth, Saphire, Sarah, Willy Mae, Zeddie) was relief printed, bottom center, in a medium gray from a photopolymer plate. While originally conceived by the artist as a body of work, they were made available as individuals. Some inking variation between impressions due to the nature of the matrix are indicated by the inscription EV—variant edition.

Copyright %C2%A9 Willie Cole%2C published by Highpoint Editions

Calpurnia, 2012

Willie Cole; Printer: Highpoint Editions, Minneapolis; Publisher: Highpoint Editions, Minneapolis

Not on View
23 individual prints (collectively referred to as "The Beauties") printed intaglio style from ironing boards flattened and distressed to the artist's approval. The name of each board (Bertha Mae, Bessie, Calpurnia, Carolina, Clara Esther, Emma, Eva Mae, Ida Mae, Jane, Jesse Mae, Jonny Mae, Lilly, Lucy, Lula Bell, Mammy, Matti Lee, Pearl, Rose, Ruth, Saphire, Sarah, Willy Mae, Zeddie) was relief printed, bottom center, in a medium gray from a photopolymer plate. While originally conceived by the artist as a body of work, they were made available as individuals. Some inking variation between impressions due to the nature of the matrix are indicated by the inscription EV—variant edition.

Copyright %C2%A9 Willie Cole%2C published by Highpoint Editions

Carolina, 2012

Willie Cole; Printer: Highpoint Editions, Minneapolis; Publisher: Highpoint Editions, Minneapolis

Not on View
23 individual prints (collectively referred to as "The Beauties") printed intaglio style from ironing boards flattened and distressed to the artist's approval. The name of each board (Bertha Mae, Bessie, Calpurnia, Carolina, Clara Esther, Emma, Eva Mae, Ida Mae, Jane, Jesse Mae, Jonny Mae, Lilly, Lucy, Lula Bell, Mammy, Matti Lee, Pearl, Rose, Ruth, Saphire, Sarah, Willy Mae, Zeddie) was relief printed, bottom center, in a medium gray from a photopolymer plate. While originally conceived by the artist as a body of work, they were made available as individuals. Some inking variation between impressions due to the nature of the matrix are indicated by the inscription EV—variant edition.

Copyright %C2%A9 Willie Cole%2C published by Highpoint Editions

Clara Esther, 2012

Willie Cole; Printer: Highpoint Editions, Minneapolis; Publisher: Highpoint Editions, Minneapolis

Not on View
23 individual prints (collectively referred to as "The Beauties") printed intaglio style from ironing boards flattened and distressed to the artist's approval. The name of each board (Bertha Mae, Bessie, Calpurnia, Carolina, Clara Esther, Emma, Eva Mae, Ida Mae, Jane, Jesse Mae, Jonny Mae, Lilly, Lucy, Lula Bell, Mammy, Matti Lee, Pearl, Rose, Ruth, Saphire, Sarah, Willy Mae, Zeddie) was relief printed, bottom center, in a medium gray from a photopolymer plate. While originally conceived by the artist as a body of work, they were made available as individuals. Some inking variation between impressions due to the nature of the matrix are indicated by the inscription EV—variant edition.

Copyright %C2%A9 Willie Cole%2C published by Highpoint Editions

Emma, 2012

Willie Cole; Printer: Highpoint Editions, Minneapolis; Publisher: Highpoint Editions, Minneapolis

Not on View
23 individual prints (collectively referred to as "The Beauties") printed intaglio style from ironing boards flattened and distressed to the artist's approval. The name of each board (Bertha Mae, Bessie, Calpurnia, Carolina, Clara Esther, Emma, Eva Mae, Ida Mae, Jane, Jesse Mae, Jonny Mae, Lilly, Lucy, Lula Bell, Mammy, Matti Lee, Pearl, Rose, Ruth, Saphire, Sarah, Willy Mae, Zeddie) was relief printed, bottom center, in a medium gray from a photopolymer plate. While originally conceived by the artist as a body of work, they were made available as individuals. Some inking variation between impressions due to the nature of the matrix are indicated by the inscription EV—variant edition.

Copyright %C2%A9 Willie Cole%2C published by Highpoint Editions

Eva Mae, 2012

Willie Cole; Printer: Highpoint Editions, Minneapolis; Publisher: Highpoint Editions, Minneapolis

Not on View
23 individual prints (collectively referred to as "The Beauties") printed intaglio style from ironing boards flattened and distressed to the artist's approval. The name of each board (Bertha Mae, Bessie, Calpurnia, Carolina, Clara Esther, Emma, Eva Mae, Ida Mae, Jane, Jesse Mae, Jonny Mae, Lilly, Lucy, Lula Bell, Mammy, Matti Lee, Pearl, Rose, Ruth, Saphire, Sarah, Willy Mae, Zeddie) was relief printed, bottom center, in a medium gray from a photopolymer plate. While originally conceived by the artist as a body of work, they were made available as individuals. Some inking variation between impressions due to the nature of the matrix are indicated by the inscription EV—variant edition.

Copyright %C2%A9 Willie Cole%2C published by Highpoint Editions

Ida Mae, 2012

Willie Cole; Printer: Highpoint Editions, Minneapolis; Publisher: Highpoint Editions, Minneapolis

Not on View
23 individual prints (collectively referred to as "The Beauties") printed intaglio style from ironing boards flattened and distressed to the artist's approval. The name of each board (Bertha Mae, Bessie, Calpurnia, Carolina, Clara Esther, Emma, Eva Mae, Ida Mae, Jane, Jesse Mae, Jonny Mae, Lilly, Lucy, Lula Bell, Mammy, Matti Lee, Pearl, Rose, Ruth, Saphire, Sarah, Willy Mae, Zeddie) was relief printed, bottom center, in a medium gray from a photopolymer plate. While originally conceived by the artist as a body of work, they were made available as individuals. Some inking variation between impressions due to the nature of the matrix are indicated by the inscription EV—variant edition.

Copyright %C2%A9 Willie Cole%2C published by Highpoint Editions

Jane, 2012

Willie Cole; Printer: Highpoint Editions, Minneapolis; Publisher: Highpoint Editions, Minneapolis

Not on View
23 individual prints (collectively referred to as "The Beauties") printed intaglio style from ironing boards flattened and distressed to the artist's approval. The name of each board (Bertha Mae, Bessie, Calpurnia, Carolina, Clara Esther, Emma, Eva Mae, Ida Mae, Jane, Jesse Mae, Jonny Mae, Lilly, Lucy, Lula Bell, Mammy, Matti Lee, Pearl, Rose, Ruth, Saphire, Sarah, Willy Mae, Zeddie) was relief printed, bottom center, in a medium gray from a photopolymer plate. While originally conceived by the artist as a body of work, they were made available as individuals. Some inking variation between impressions due to the nature of the matrix are indicated by the inscription EV—variant edition.

Copyright %C2%A9 Willie Cole%2C published by Highpoint Editions

Jesse Mae, 2012

Willie Cole; Printer: Highpoint Editions, Minneapolis; Publisher: Highpoint Editions, Minneapolis

Not on View
23 individual prints (collectively referred to as "The Beauties") printed intaglio style from ironing boards flattened and distressed to the artist's approval. The name of each board (Bertha Mae, Bessie, Calpurnia, Carolina, Clara Esther, Emma, Eva Mae, Ida Mae, Jane, Jesse Mae, Jonny Mae, Lilly, Lucy, Lula Bell, Mammy, Matti Lee, Pearl, Rose, Ruth, Saphire, Sarah, Willy Mae, Zeddie) was relief printed, bottom center, in a medium gray from a photopolymer plate. While originally conceived by the artist as a body of work, they were made available as individuals. Some inking variation between impressions due to the nature of the matrix are indicated by the inscription EV—variant edition.

Copyright %C2%A9 Willie Cole%2C published by Highpoint Editions

Jonny Mae, 2012

Willie Cole; Printer: Highpoint Editions, Minneapolis; Publisher: Highpoint Editions, Minneapolis

Not on View
23 individual prints (collectively referred to as "The Beauties") printed intaglio style from ironing boards flattened and distressed to the artist's approval. The name of each board (Bertha Mae, Bessie, Calpurnia, Carolina, Clara Esther, Emma, Eva Mae, Ida Mae, Jane, Jesse Mae, Jonny Mae, Lilly, Lucy, Lula Bell, Mammy, Matti Lee, Pearl, Rose, Ruth, Saphire, Sarah, Willy Mae, Zeddie) was relief printed, bottom center, in a medium gray from a photopolymer plate. While originally conceived by the artist as a body of work, they were made available as individuals. Some inking variation between impressions due to the nature of the matrix are indicated by the inscription EV—variant edition.

Copyright %C2%A9 Willie Cole%2C published by Highpoint Editions

Lilly, 2012

Willie Cole; Printer: Highpoint Editions, Minneapolis; Publisher: Highpoint Editions, Minneapolis

Not on View
23 individual prints (collectively referred to as "The Beauties") printed intaglio style from ironing boards flattened and distressed to the artist's approval. The name of each board (Bertha Mae, Bessie, Calpurnia, Carolina, Clara Esther, Emma, Eva Mae, Ida Mae, Jane, Jesse Mae, Jonny Mae, Lilly, Lucy, Lula Bell, Mammy, Matti Lee, Pearl, Rose, Ruth, Saphire, Sarah, Willy Mae, Zeddie) was relief printed, bottom center, in a medium gray from a photopolymer plate. While originally conceived by the artist as a body of work, they were made available as individuals. Some inking variation between impressions due to the nature of the matrix are indicated by the inscription EV—variant edition.

Copyright %C2%A9 Willie Cole%2C published by Highpoint Editions

Lucy, 2012

Willie Cole; Printer: Highpoint Editions, Minneapolis; Publisher: Highpoint Editions, Minneapolis

Not on View
23 individual prints (collectively referred to as "The Beauties") printed intaglio style from ironing boards flattened and distressed to the artist's approval. The name of each board (Bertha Mae, Bessie, Calpurnia, Carolina, Clara Esther, Emma, Eva Mae, Ida Mae, Jane, Jesse Mae, Jonny Mae, Lilly, Lucy, Lula Bell, Mammy, Matti Lee, Pearl, Rose, Ruth, Saphire, Sarah, Willy Mae, Zeddie) was relief printed, bottom center, in a medium gray from a photopolymer plate. While originally conceived by the artist as a body of work, they were made available as individuals. Some inking variation between impressions due to the nature of the matrix are indicated by the inscription EV—variant edition.

Copyright %C2%A9 Willie Cole%2C published by Highpoint Editions

Lula Bell, 2012

Willie Cole; Printer: Highpoint Editions, Minneapolis; Publisher: Highpoint Editions, Minneapolis

Not on View
23 individual prints (collectively referred to as "The Beauties") printed intaglio style from ironing boards flattened and distressed to the artist's approval. The name of each board (Bertha Mae, Bessie, Calpurnia, Carolina, Clara Esther, Emma, Eva Mae, Ida Mae, Jane, Jesse Mae, Jonny Mae, Lilly, Lucy, Lula Bell, Mammy, Matti Lee, Pearl, Rose, Ruth, Saphire, Sarah, Willy Mae, Zeddie) was relief printed, bottom center, in a medium gray from a photopolymer plate. While originally conceived by the artist as a body of work, they were made available as individuals. Some inking variation between impressions due to the nature of the matrix are indicated by the inscription EV—variant edition.

Copyright %C2%A9 Willie Cole%2C published by Highpoint Editions

Mammy, 2012

Willie Cole; Printer: Highpoint Editions, Minneapolis; Publisher: Highpoint Editions, Minneapolis

Not on View
23 individual prints (collectively referred to as "The Beauties") printed intaglio style from ironing boards flattened and distressed to the artist's approval. The name of each board (Bertha Mae, Bessie, Calpurnia, Carolina, Clara Esther, Emma, Eva Mae, Ida Mae, Jane, Jesse Mae, Jonny Mae, Lilly, Lucy, Lula Bell, Mammy, Matti Lee, Pearl, Rose, Ruth, Saphire, Sarah, Willy Mae, Zeddie) was relief printed, bottom center, in a medium gray from a photopolymer plate. While originally conceived by the artist as a body of work, they were made available as individuals. Some inking variation between impressions due to the nature of the matrix are indicated by the inscription EV—variant edition.

Copyright %C2%A9 Willie Cole%2C published by Highpoint Editions

Matti Lee, 2012

Willie Cole; Printer: Highpoint Editions, Minneapolis; Publisher: Highpoint Editions, Minneapolis

Not on View
23 individual prints (collectively referred to as "The Beauties") printed intaglio style from ironing boards flattened and distressed to the artist's approval. The name of each board (Bertha Mae, Bessie, Calpurnia, Carolina, Clara Esther, Emma, Eva Mae, Ida Mae, Jane, Jesse Mae, Jonny Mae, Lilly, Lucy, Lula Bell, Mammy, Matti Lee, Pearl, Rose, Ruth, Saphire, Sarah, Willy Mae, Zeddie) was relief printed, bottom center, in a medium gray from a photopolymer plate. While originally conceived by the artist as a body of work, they were made available as individuals. Some inking variation between impressions due to the nature of the matrix are indicated by the inscription EV—variant edition.

Copyright %C2%A9 Willie Cole%2C published by Highpoint Editions

Pearl, 2012

Willie Cole; Printer: Highpoint Editions, Minneapolis; Publisher: Highpoint Editions, Minneapolis

Not on View
23 individual prints (collectively referred to as "The Beauties") printed intaglio style from ironing boards flattened and distressed to the artist's approval. The name of each board (Bertha Mae, Bessie, Calpurnia, Carolina, Clara Esther, Emma, Eva Mae, Ida Mae, Jane, Jesse Mae, Jonny Mae, Lilly, Lucy, Lula Bell, Mammy, Matti Lee, Pearl, Rose, Ruth, Saphire, Sarah, Willy Mae, Zeddie) was relief printed, bottom center, in a medium gray from a photopolymer plate. While originally conceived by the artist as a body of work, they were made available as individuals. Some inking variation between impressions due to the nature of the matrix are indicated by the inscription EV—variant edition.

Copyright %C2%A9 Willie Cole%2C published by Highpoint Editions

Rose, 2012

Willie Cole; Printer: Highpoint Editions, Minneapolis; Publisher: Highpoint Editions, Minneapolis

Not on View
23 individual prints (collectively referred to as "The Beauties") printed intaglio style from ironing boards flattened and distressed to the artist's approval. The name of each board (Bertha Mae, Bessie, Calpurnia, Carolina, Clara Esther, Emma, Eva Mae, Ida Mae, Jane, Jesse Mae, Jonny Mae, Lilly, Lucy, Lula Bell, Mammy, Matti Lee, Pearl, Rose, Ruth, Saphire, Sarah, Willy Mae, Zeddie) was relief printed, bottom center, in a medium gray from a photopolymer plate. While originally conceived by the artist as a body of work, they were made available as individuals. Some inking variation between impressions due to the nature of the matrix are indicated by the inscription EV—variant edition.

Copyright %C2%A9 Willie Cole%2C published by Highpoint Editions

Ruth, 2012

Willie Cole; Printer: Highpoint Editions, Minneapolis; Publisher: Highpoint Editions, Minneapolis

Not on View
23 individual prints (collectively referred to as "The Beauties") printed intaglio style from ironing boards flattened and distressed to the artist's approval. The name of each board (Bertha Mae, Bessie, Calpurnia, Carolina, Clara Esther, Emma, Eva Mae, Ida Mae, Jane, Jesse Mae, Jonny Mae, Lilly, Lucy, Lula Bell, Mammy, Matti Lee, Pearl, Rose, Ruth, Saphire, Sarah, Willy Mae, Zeddie) was relief printed, bottom center, in a medium gray from a photopolymer plate. While originally conceived by the artist as a body of work, they were made available as individuals. Some inking variation between impressions due to the nature of the matrix are indicated by the inscription EV—variant edition.

Copyright %C2%A9 Willie Cole%2C published by Highpoint Editions

Saphire, 2012

Willie Cole; Printer: Highpoint Editions, Minneapolis; Publisher: Highpoint Editions, Minneapolis

Not on View
23 individual prints (collectively referred to as "The Beauties") printed intaglio style from ironing boards flattened and distressed to the artist's approval. The name of each board (Bertha Mae, Bessie, Calpurnia, Carolina, Clara Esther, Emma, Eva Mae, Ida Mae, Jane, Jesse Mae, Jonny Mae, Lilly, Lucy, Lula Bell, Mammy, Matti Lee, Pearl, Rose, Ruth, Saphire, Sarah, Willy Mae, Zeddie) was relief printed, bottom center, in a medium gray from a photopolymer plate. While originally conceived by the artist as a body of work, they were made available as individuals. Some inking variation between impressions due to the nature of the matrix are indicated by the inscription EV—variant edition.

Copyright %C2%A9 Willie Cole%2C published by Highpoint Editions

Sarah, 2012

Willie Cole; Printer: Highpoint Editions, Minneapolis; Publisher: Highpoint Editions, Minneapolis

Not on View
23 individual prints (collectively referred to as "The Beauties") printed intaglio style from ironing boards flattened and distressed to the artist's approval. The name of each board (Bertha Mae, Bessie, Calpurnia, Carolina, Clara Esther, Emma, Eva Mae, Ida Mae, Jane, Jesse Mae, Jonny Mae, Lilly, Lucy, Lula Bell, Mammy, Matti Lee, Pearl, Rose, Ruth, Saphire, Sarah, Willy Mae, Zeddie) was relief printed, bottom center, in a medium gray from a photopolymer plate. While originally conceived by the artist as a body of work, they were made available as individuals. Some inking variation between impressions due to the nature of the matrix are indicated by the inscription EV—variant edition.

Copyright %C2%A9 Willie Cole%2C published by Highpoint Editions

Willy Mae, 2012

Willie Cole; Printer: Highpoint Editions, Minneapolis; Publisher: Highpoint Editions, Minneapolis

Not on View
23 individual prints (collectively referred to as "The Beauties") printed intaglio style from ironing boards flattened and distressed to the artist's approval. The name of each board (Bertha Mae, Bessie, Calpurnia, Carolina, Clara Esther, Emma, Eva Mae, Ida Mae, Jane, Jesse Mae, Jonny Mae, Lilly, Lucy, Lula Bell, Mammy, Matti Lee, Pearl, Rose, Ruth, Saphire, Sarah, Willy Mae, Zeddie) was relief printed, bottom center, in a medium gray from a photopolymer plate. While originally conceived by the artist as a body of work, they were made available as individuals. Some inking variation between impressions due to the nature of the matrix are indicated by the inscription EV—variant edition.

Copyright %C2%A9 Willie Cole%2C published by Highpoint Editions

Zeddie, 2012

Willie Cole; Printer: Highpoint Editions, Minneapolis; Publisher: Highpoint Editions, Minneapolis

Not on View
A suite of five prints (Savannah, Dot, Fannie Mae, Queen, Anna Mae) selected by the artist and printed intaglio style from ironing boards flattened and distressed to the artist's approval. The name of each board was relief printed, bottom center, in a medium gray from a photopolymer plate. The artist's intention is for the suite of five prints to be shown together and remain as a set.

Copyright %C2%A9 Willie Cole%2C published by Highpoint Editions

Anna Mae, 2012

Willie Cole; Printer: Highpoint Editions, Minneapolis; Publisher: Highpoint Editions, Minneapolis

Not on View
A suite of five prints (Savannah, Dot, Fannie Mae, Queen, Anna Mae) selected by the artist and printed intaglio style from ironing boards flattened and distressed to the artist's approval. The name of each board was relief printed, bottom center, in a medium gray from a photopolymer plate. The artist's intention is for the suite of five prints to be shown together and remain as a set.

Copyright %C2%A9 Willie Cole%2C published by Highpoint Editions

Dot, 2012

Willie Cole; Printer: Highpoint Editions, Minneapolis; Publisher: Highpoint Editions, Minneapolis

Not on View
A suite of five prints (Savannah, Dot, Fannie Mae, Queen, Anna Mae) selected by the artist and printed intaglio style from ironing boards flattened and distressed to the artist's approval. The name of each board was relief printed, bottom center, in a medium gray from a photopolymer plate. The artist's intention is for the suite of five prints to be shown together and remain as a set.

Copyright %C2%A9 Willie Cole%2C published by Highpoint Editions

Fannie Mae, 2012

Willie Cole; Printer: Highpoint Editions, Minneapolis; Publisher: Highpoint Editions, Minneapolis

Not on View
A suite of five prints (Savannah, Dot, Fannie Mae, Queen, Anna Mae) selected by the artist and printed intaglio style from ironing boards flattened and distressed to the artist's approval. The name of each board was relief printed, bottom center, in a medium gray from a photopolymer plate. The artist's intention is for the suite of five prints to be shown together and remain as a set.

Copyright %C2%A9 Willie Cole%2C published by Highpoint Editions

Queen, 2012

Willie Cole; Printer: Highpoint Editions, Minneapolis; Publisher: Highpoint Editions, Minneapolis

Not on View
A suite of five prints (Savannah, Dot, Fannie Mae, Queen, Anna Mae) selected by the artist and printed intaglio style from ironing boards flattened and distressed to the artist's approval. The name of each board was relief printed, bottom center, in a medium gray from a photopolymer plate. The artist's intention is for the suite of five prints to be shown together and remain as a set.

Copyright %C2%A9 Willie Cole%2C published by Highpoint Editions

Savannah, 2012

Willie Cole; Printer: Highpoint Editions, Minneapolis; Publisher: Highpoint Editions, Minneapolis

Not on View
A suite of nine two-color screenprints, each printed with yellow, red, or blue iron shapes and each surrounded by either a purple, orange, or green background. While conceived as a suite, some were available as individual prints.

Copyright %C2%A9 Willie Cole%2C published by Highpoint Editions

Yellow/Orange, 2012

Willie Cole; Printer: Highpoint Editions, Minneapolis; Publisher: Highpoint Editions, Minneapolis

Not on View
A suite of nine two-color screenprints, each printed with yellow, red, or blue iron shapes and each surrounded by either a purple, orange, or green background. While conceived as a suite, some were available as individual prints.

Copyright %C2%A9 Willie Cole%2C published by Highpoint Editions

Red/Orange, 2012

Willie Cole; Printer: Highpoint Editions, Minneapolis; Publisher: Highpoint Editions, Minneapolis

Not on View
A suite of nine two-color screenprints, each printed with yellow, red, or blue iron shapes and each surrounded by either a purple, orange, or green background. While conceived as a suite, some were available as individual prints.

Copyright %C2%A9 Willie Cole%2C published by Highpoint Editions

Blue/Orange, 2012

Willie Cole; Printer: Highpoint Editions, Minneapolis; Publisher: Highpoint Editions, Minneapolis

Not on View
A suite of nine two-color screenprints, each printed with yellow, red, or blue iron shapes and each surrounded by either a purple, orange, or green background. While conceived as a suite, some were available as individual prints.

Copyright %C2%A9 Willie Cole%2C published by Highpoint Editions

Yellow/Purple, 2012

Willie Cole; Printer: Highpoint Editions, Minneapolis; Publisher: Highpoint Editions, Minneapolis

Not on View
A suite of nine two-color screenprints, each printed with yellow, red, or blue iron shapes and each surrounded by either a purple, orange, or green background. While conceived as a suite, some were available as individual prints.

Copyright %C2%A9 Willie Cole%2C published by Highpoint Editions

Red/Purple, 2012

Willie Cole; Printer: Highpoint Editions, Minneapolis; Publisher: Highpoint Editions, Minneapolis

Not on View
A suite of nine two-color screenprints, each printed with yellow, red, or blue iron shapes and each surrounded by either a purple, orange, or green background. While conceived as a suite, some were available as individual prints.

Copyright %C2%A9 Willie Cole%2C published by Highpoint Editions

Blue/Purple, 2012

Willie Cole; Printer: Highpoint Editions, Minneapolis; Publisher: Highpoint Editions, Minneapolis

Not on View
A suite of nine two-color screenprints, each printed with yellow, red, or blue iron shapes and each surrounded by either a purple, orange, or green background. While conceived as a suite, some were available as individual prints.

Copyright %C2%A9 Willie Cole%2C published by Highpoint Editions

Yellow/Green, 2012

Willie Cole; Printer: Highpoint Editions, Minneapolis; Publisher: Highpoint Editions, Minneapolis

Not on View
A suite of nine two-color screenprints, each printed with yellow, red, or blue iron shapes and each surrounded by either a purple, orange, or green background. While conceived as a suite, some were available as individual prints.

Copyright %C2%A9 Willie Cole%2C published by Highpoint Editions

Red/Green, 2012

Willie Cole; Printer: Highpoint Editions, Minneapolis; Publisher: Highpoint Editions, Minneapolis

Not on View
A suite of nine two-color screenprints, each printed with yellow, red, or blue iron shapes and each surrounded by either a purple, orange, or green background. While conceived as a suite, some were available as individual prints.

Copyright %C2%A9 Willie Cole%2C published by Highpoint Editions

Blue/Green, 2012

Willie Cole; Printer: Highpoint Editions, Minneapolis; Publisher: Highpoint Editions, Minneapolis

Not on View
One print of eight from the suite "The Virgins." A two-color screenprint of a light orange iron shape on an orange background.

Copyright %C2%A9 Willie Cole%2C published by Highpoint Editions

Virgin of Creativity (ascending), 2012

Willie Cole; Printer: Highpoint Editions, Minneapolis; Publisher: Highpoint Editions, Minneapolis

Not on View
One print of eight from the suite "The Virgins." A two-color screenprint of an orange iron shape on a light orange background.

Copyright %C2%A9 Willie Cole%2C published by Highpoint Editions

Virgin of Creativity (descending), 2012

Willie Cole; Printer: Highpoint Editions, Minneapolis; Publisher: Highpoint Editions, Minneapolis

Not on View
One print of eight from the suite "The Virgins." A two-color screenprint of a light red iron shape on a red background.

Copyright %C2%A9 Willie Cole%2C published by Highpoint Editions

Virgin of Desire (ascending), 2012

Willie Cole; Printer: Highpoint Editions, Minneapolis; Publisher: Highpoint Editions, Minneapolis

Not on View
One print of eight from the suite "The Virgins." A two-color screenprint of a red iron shape on a light red background.

Copyright %C2%A9 Willie Cole%2C published by Highpoint Editions

Virgin of Desire (descending), 2012

Willie Cole; Printer: Highpoint Editions, Minneapolis; Publisher: Highpoint Editions, Minneapolis

Not on View
One print of eight from the suite "The Virgins." A two-color screenprint of a light green iron shape on a green background.

Copyright %C2%A9 Willie Cole%2C published by Highpoint Editions

Virgin of Healing (ascending), 2012

Willie Cole; Printer: Highpoint Editions, Minneapolis; Publisher: Highpoint Editions, Minneapolis

Not on View
One print of eight from the suite "The Virgins." A two-color screenprint of a green iron shape printed on a lighter green background.

Copyright %C2%A9 Willie Cole%2C published by Highpoint Editions

Virgin of Healing (descending), 2012

Willie Cole; Printer: Highpoint Editions, Minneapolis; Publisher: Highpoint Editions, Minneapolis

Not on View
One print of eight from the suite "The Virgins." A two-color screenprint of a light fuchsia iron shape on a fuchsia background.

Copyright %C2%A9 Willie Cole%2C published by Highpoint Editions

Virgin of Renunciation (ascending), 2012

Willie Cole; Printer: Highpoint Editions, Minneapolis; Publisher: Highpoint Editions, Minneapolis

Not on View
One print of eight from the suite "The Virgins." A two-color screenprint of a fuchsia iron shape on a light fuchsia background.

Copyright %C2%A9 Willie Cole%2C published by Highpoint Editions

Virgin of Renunciation (descending), 2012

Willie Cole; Printer: Highpoint Editions, Minneapolis; Publisher: Highpoint Editions, Minneapolis

Not on View
A four run two-color screenprint of a white iron shape on a gray field on the left side and a gray iron shape on a white background on the right.

Copyright %C2%A9 Willie Cole%2C published by Highpoint Editions

Virgin of Enlightenment (ascending/descending), 2012

Willie Cole; Printer: Highpoint Editions, Minneapolis; Publisher: Highpoint Editions, Minneapolis

Not on View
A four run two-color screenprint of a light blue iron shape on a blue field on the left side and a blue iron shape on a light blue field on the right.

Copyright %C2%A9 Willie Cole%2C published by Highpoint Editions

Virgin of Wisdom (ascending/descending), 2012

Willie Cole; Printer: Highpoint Editions, Minneapolis; Publisher: Highpoint Editions, Minneapolis

Not on View
An edition of nine black-and-white relief prints plus proofs printed from a plywood block carved by the artist with a router.

Copyright %C2%A9 Willie Cole%2C published by Highpoint Editions

Sole Sisters, 2013 (published 2018)

Willie Cole; Printer: Highpoint Editions, Minneapolis; Publisher: Highpoint Editions, Minneapolis

Not on View
Matrix for Anna Mae & Lula Bell, from The Beauties series

Printing matrix for "Anna Mae" (top) and "Lula Bell" (bottom), 2012

Willie Cole

Not on View
Matrix for Dot/ & Ida Mae, from The Beauties series

Printing matrix for "Dot" (top) and "Ida Mae" (bottom), 2012

Willie Cole

Not on View
Matrix for Fannie Mae & Ruth, from The Beauties series

Printing matrix for "Fannie Mae" (top) and "Ruth" (bottom), 2012

Willie Cole

Not on View
Matrix for Queen & Lucy, from The Beauties series

Printing matrix for "Queen" (top) and "Lucy" (bottom), 2012

Willie Cole

Not on View
Beauty, Savannah/ Bessie

Printing matrix, 2012

Willie Cole

Not on View
Photolithographic plates created with films of spray paint and stencil drawings created by the artist. Photo polymergravure plate made from a retouched historical photograph of Harriet Tubman.

Copyright %C2%A9 Rico Gatson%2C published by Highpoint Editions

Harriet, 2018

Rico Gatson; Printer: Highpoint Editions, Minneapolis; Publisher: Highpoint Editions, Minneapolis

Not on View
Mixed media bleed print employing a portrait hand-drawn by the artist on a ball grained plate, a collagraph plate made from an antique christening dress collected by the artist, a one-color background from a photolithography plate made with a drawing by the artist, and hand-stitching applied by the artist.

Copyright %C2%A9 Delita Martin%2C published by Highpoint Editions

Keepsakes: Ann, 2021

Delita Martin; Printer: Highpoint Editions, Minneapolis; Publisher: Highpoint Editions, Minneapolis

Not on View
Mixed media bleed print employing a portrait hand-drawn by the artist on a ball grained plate, a collagraph plate made from an antique christening dress collected by the artist, a one-color background from a photolithography plate made with a drawing by the artist, and hand-stitching applied by the artist.

Copyright %C2%A9 Delita Martin%2C published by Highpoint Editions

Keepsakes: Delita, 2021

Delita Martin; Printer: Highpoint Editions, Minneapolis; Publisher: Highpoint Editions, Minneapolis

Not on View
Mixed media bleed print employing a portrait hand-drawn by the artist on a ball grained plate, a collagraph plate made from an antique christening dress collected by the artist, a two-color background from two photolithography plates made with drawings by the artist, and hand-stitching applied by the artist.

Copyright %C2%A9 Delita Martin%2C published by Highpoint Editions

Keepsakes: Joyce, 2021

Delita Martin; Printer: Highpoint Editions, Minneapolis; Publisher: Highpoint Editions, Minneapolis

Not on View
Mixed media bleed print employing a portrait hand-drawn by the artist on a ball grained plate, a collagraph plate made from an antique christening dress collected by the artist, a two-color background from two photo lithography plates made with drawings by the artist, and hand-stitching applied by the artist.

Copyright %C2%A9 Delita Martin%2C published by Highpoint Editions

Keepsakes: Karen, 2021

Delita Martin; Printer: Highpoint Editions, Minneapolis; Publisher: Highpoint Editions, Minneapolis

Not on View
Mixed media bleed print employing a portrait hand-drawn by the artist on a lithographic stone, a collagraph plate made from an antique baptism dress collected by the artist, a one-color background from a photolithography plate made with a drawing by the artist, and hand-stitching applied by the artist.

Copyright %C2%A9 Delita Martin%2C published by Highpoint Editions

Keepsakes: Malayah, 2021

Delita Martin; Printer: Highpoint Editions, Minneapolis; Publisher: Highpoint Editions, Minneapolis

Not on View
Mixed media bleed print employing a portrait hand-drawn by the artist on a ball grained plate, a collagraph plate made from an antique christening dress collected by the artist, a two-color background from two photolithography plates made with drawings by the artist, and hand-stitching applied by the artist.

Copyright %C2%A9 Delita Martin%2C published by Highpoint Editions

Keepsakes: Reneisha, 2021

Delita Martin; Printer: Highpoint Editions, Minneapolis; Publisher: Highpoint Editions, Minneapolis

Not on View
Mixed media bleed print employing a portrait hand-drawn by the artist on a ball grained plate, a collagraph plate made from an antique christening dress collected by the artist, a one-color background from a photolithography plate made with a drawing by the artist, and hand-stitching applied by the artist.

Copyright %C2%A9 Delita Martin%2C published by Highpoint Editions

Keepsakes: Trina, 2021

Delita Martin; Printer: Highpoint Editions, Minneapolis; Publisher: Highpoint Editions, Minneapolis

Not on View
dress form outline; right half is light beige and left half is light grey

Collagraphic printing matrix for Malayah, from the suite "Keepsakes", 2021

Delita Martin

Not on View
photolithograph background; repeated form of outline of pale green leaf

Progressive proof #1 for "Malayah", from the suite "Keepsakes", 2021

Delita Martin

Not on View
photolithograph background and the lithographic portrait from the stone; face of girl over background of leaves

Progressive proof #2 for "Malayah" from "Keepsakes", 2021

Delita Martin

Not on View
photolithographic background, the lithographic portrait from the stone and the dress collagraph; outliine of dress, face of girl, and leaves

Progressive proof #3 for "Malayah" from "Keepsakes", 2021

Delita Martin

Not on View
photolithographic background, the lithographic portrait from the stone, the dress collagraph and the hand-stitched embroidery; rust colored thread sewn in shape of outline of leaves, outline of dress, face of girl, and leaves

Progressive proof #4 for "Malayah," from "Keepsakes", 2021

Delita Martin

Not on View
Bound progressive proof set for "Entropia (review)."

Set of progressive proofs bound as a flipbook, 2004

Julie Mehretu

Not on View
Lithographic pencil on stone printed in Shop Mix black on natural kitakata chine collé; solid hard-edged intaglio aquatints printed in Bone black; screenprinting in opaque white and semi-transparent white; and screenprinting in flat black.

Copyright %C2%A9 Clarence Morgan%2C published by Highpoint Editions

Complete Isolation, 2005

Clarence Morgan; Printer: Highpoint Editions, Minneapolis; Publisher: Highpoint Editions, Minneapolis

Not on View
Spit-bite intaglio printed in warm brown on natural kitakata chine collé; solid hard-edged aquatints printed in Bone black; screenprinting in opaque white; and screenprinting in flat black.

Copyright %C2%A9 Clarence Morgan%2C published by Highpoint Editions

Organized Opposition, 2005

Clarence Morgan; Printer: Highpoint Editions, Minneapolis; Publisher: Highpoint Editions, Minneapolis

Not on View
Lithographic pencil on stone with deleted negative shape printed in Shop Mix black on kitakata chine collé; solid hard-edged aquatints printed in Bone black; and screenprinting in opaque white.

Copyright %C2%A9 Clarence Morgan%2C published by Highpoint Editions

Strange Amalgamation, 2005

Clarence Morgan; Printer: Highpoint Editions, Minneapolis; Publisher: Highpoint Editions, Minneapolis

Not on View
Lithographic pencil on stone with deletions creating positive shapes printed in Shop Mix black on white gampi chine collé; spit-bite intaglio in warm brown; and solid hard-edged aquatints printed in Bone black.

Copyright %C2%A9 Clarence Morgan%2C published by Highpoint Editions

Faithful Manipulation, 2005

Clarence Morgan; Printer: Highpoint Editions, Minneapolis; Publisher: Highpoint Editions, Minneapolis

Not on View
Lithographic pencil and tushe splatters on stone printed in Shop Mix black on natural kitakata chine collé; solid hard-edged aquatints printed in Bone black; and screenprinting in opaque white and semi-transparent white.

Copyright %C2%A9 Clarence Morgan%2C published by Highpoint Editions

Interrupted Universe, 2005

Clarence Morgan; Printer: Highpoint Editions, Minneapolis; Publisher: Highpoint Editions, Minneapolis

Not on View
Spit-bite intaglio printed in warm brown on natural kitakata chine collé; solid hard-edged aquatints printed in Bone black; screenprinting in opaque white and semi-transparent white; and screenprinting in flat black.

Copyright %C2%A9 Clarence Morgan%2C published by Highpoint Editions

The Science of Symmetry, 2005

Clarence Morgan; Printer: Highpoint Editions, Minneapolis; Publisher: Highpoint Editions, Minneapolis

Not on View
Lithographic pencil on stone with a deleted negative shape printed in Shop Mix black on okawara chine collé; solid hard-edged aquatints printed in Bone black; and screenprinting in opaque and transparent white inks.

Copyright %C2%A9 Clarence Morgan%2C published by Highpoint Editions

Reworked Iconography, 2005

Clarence Morgan; Printer: Highpoint Editions, Minneapolis; Publisher: Highpoint Editions, Minneapolis

Not on View
Unpublished proof of intaglio and lithography.

Copyright %C2%A9 Clarence Morgan%2C published by Highpoint Editions

Waiting Cloud, 2005

Clarence Morgan; Printer: Highpoint Editions, Minneapolis; Publisher: Highpoint Editions, Minneapolis

Not on View
Eight-color lithograph and screenprint.

Copyright %C2%A9 Clarence Morgan%2C published by Highpoint Editions

Bottomless Pleasure, 2012

Clarence Morgan; Printer: Highpoint Editions, Minneapolis; Publisher: Highpoint Editions, Minneapolis

Not on View
Nine-color lithograph and screenprint.

Copyright %C2%A9 Clarence Morgan%2C published by Highpoint Editions

Double Take, 2012

Clarence Morgan; Printer: Highpoint Editions, Minneapolis; Publisher: Highpoint Editions, Minneapolis

Not on View
Eight-color lithograph and screenprint.

Copyright %C2%A9 Clarence Morgan%2C published by Highpoint Editions

Open Translation, 2012

Clarence Morgan; Printer: Highpoint Editions, Minneapolis; Publisher: Highpoint Editions, Minneapolis

Not on View
Eight-color lithograph and screenprint.

Copyright %C2%A9 Clarence Morgan%2C published by Highpoint Editions

Hearing Voices, 2012

Clarence Morgan; Printer: Highpoint Editions, Minneapolis; Publisher: Highpoint Editions, Minneapolis

Not on View
Nine-color lithograph and screenprint.

Copyright %C2%A9 Clarence Morgan%2C published by Highpoint Editions