One of four maps of the world relief printed from laser-engraved Plexiglas mounted on masonite in solid black with the countries dislocated from their normal placements, often overlapping.

Copyright %C2%A9 Carlos Amorales%2C published by Highpoint Editions

Useless Wonder Map #1, 2010

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Carlos Amorales was born in Mexico City, where he lives and works today. After spending part of his childhood in London, he moved to Amsterdam, where he attended the Gerrit Rietveld Academie and the Rijksakademie van Beeldende Kunsten. He works in almost every conceivable medium, including painting, sculpture, installation, photography, collage, and performance. His themes range from natural wonders to professional wrestling to totemic imagery. Throughout his work, one has a strong sense of many parts making up a complete entity. His work has been the subject of about 60 solo exhibitions over the past decade.

"Useless Wonder" has been a major concept in his work for the past five years or more. The present series of maps are closely associated with a series of works in different media during 2006-2007. Each of these showed a silhouette map of the world, but in some cases the countries were scrambled over the surface of the image. They encompassed painting, drawing, collage, and textiles. In 2010, Amorales began a very fruitful collaboration with Cole Rogers of Highpoint Editions. Together they have revisited several of Amorales's key motifs, including the maps. A central aspect of their working method is the use of plastic silhouettes that Amorales designs and then has laser cut from sheets of sturdy plastic-similar to that commonly used for protractors and French curves. For the "Useless Wonder Maps," he produced plastic templates representing the countries of the world. These were then arranged, inked, and printed in four different configurations, in an edition of seven each. One configuration shows the world much as we would expect to see it on a Mercator map, except that it has been jiggled and everything is somewhat out of alignment. In the other three images, the countries are more radically displaced. Dislocated from their usual contexts, some of the countries become nearly unrecognizable.

Certainly they are "Useless" as maps, but the prints are a cause of "Wonder." They prompt one to think of the un

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Details
Title
Useless Wonder Map #1
Artist Life
born 1970
Role
Artist
Accession Number
2020.85.7.1
Provenance
Highpoint Editions, Minneapolis (publisher); sold to MIA, 2020.
Curator Approved

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One of four maps of the world relief printed from laser-engraved Plexiglas mounted on masonite in solid black with the countries dislocated from their normal placements, often overlapping.

Copyright © Carlos Amorales, published by Highpoint Editions