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unsigned; scene with figures in foregreound: group of attendants on L with man in white facing woman in white; landscape with water in background on R; interior on L; gold leaf background

Emperor Ming Huang and Yang Guifei, around 1600

attributed to Kano Naganobu

Not on View
unsigned; left of a pair of six-panel folding screens; many scenes against gold leaf background; edge of building on left panel with snow; building at top across panels three to six the many seated figures wearing black with a few wearing red and blue; procession in LR of panels five and six with figures in black carrying covered dias and pulling two green carriages behind

Autumn and Winter [left of the pair Scenes from the Tale of Genji in the Four Seasons], mid 17th century

Unknown Japanese

Not on View
standing wavelike form with pointed, outturned corners; horizontal waving bands in matte dark blue, with gold flecks, matte black, and shiny black; small cutout near center; one of pair

%C2%A9 Sasai Fumie

Look, 1994

Sasai Fumie

Not on View
golden fan painted with morning glories in blossom supported by wooden posts; calligraphy throughout image

Morning Glories, 17th century

Unknown Japanese

G225

two lines of fat, bold calligraphy

%C2%A9 Kaneko Tohta

The Carp in the Valley, 1972 (?)

Kaneko Tohta

G251

four large, bold characters arranged vertically; large square intaglio stamp LL edge; large rectangular intaglio stamp LL edge

%C2%A9 Suda Kokuta

God of Heaven, Spirits of the Earth, 1980s

Suda Kokuta

G251

large stepped mountains with boulders, pines, and waterfall at back; small open pavilion on flat topped rock just below waterfall; pathway ascending lower stepped rock formation at center; a few houses on stilts in water at L center, surrounded by pines; two figures cross bridge at LL

Landscape in the Manner of Dong Yuan, mid 19th century

Nakabayashi Chikutō

G223

female figure in elaborate head dress, PL hand in gesture near chest, riding on a fox; fox is flying on green cloud with legs extended; snakes wrapped around fox's legs; two smaller figures kneeling in foreground

Dakiniten, the Buddhist Manifestation of the Shinto Deity Inari, late 14th century

Unknown Japanese

G220

horizontal wedge-shaped form with flaring sides, narrows at top; mounts to wooden block base

%C2%A9 Fukami Sueharu

Distant Seascape VI, 2004 (model from 1990)

Fukami Sueharu

G222

five lines of very small calligraphy on a tiny sheet of paper, mounted inside a circle with green and beige outer mount

Ninth Month, first half 18th century

Gion Nankai

G253

two large characters arranged vertically; gray and blue mount

Pines and Vines, second half 18th century

Chō Tōsai

G252

two lines of precisely written characters against brown paper with black flecks

Wine and Tea, c. 1870

Tomioka Tessai

G251

four lines of calligraphy with smaller, shorter fifth line at L; brown mount with blue brocade

Confucian Exhortation, second half 18th century

Chō Tōsai

G252

two full lines of calligraphy plus third shorter line in sharp, cursive text

Threads of Gold, mid 19th century

Kōno Tettō

G253

one of a pair of landscapes; once grouped with white-robed Kannon that was placed in center; left landscape; rocky cliff at LR with trees and boulder below; to men crossing an arched bridge near LL; small building in background; far background a misty rock outcropping with pine trees

Landscape [left of a triptych of White-Robed Kannon with Landscapes], late 15th century

attributed to Kenkō Shōkei

G221

one of a pair of landscapes, right; once grouped with a white-robed Kannon that was placed in the center; tall, vertical rock formation at L; water at R with a boat and more rock formations and a flock of birds in the background; in foreground, smaller rock formation with pine trees, small village, and two men walking away from fishing boat

Landscape [right of a triptych of White-Robed Kannon with Landscapes], late 15th century

attributed to Kenkō Shōkei

G221

one long line of calligraphy (14 characters); signature center L edge; light mauve mount

Sound of waves, early - mid 19th century

Kikuchi Gozan

G252

15 lines of calligraphy; thin, precise lines; tan, brown and green mount

On the Calligraphy of Emperor Saga, 1783, 3rd lunar month

Ryū Kōbi

G251

several irregular lines of cursive characters; two larger, bold characters at R

Long Life, 1823

Kameda Bōsai

G253

long line of expressive calligraphy, shorter signature line at L; light grey-green mount

Single Line from Zhuangzi, second half 19th century

Doi Gōga

G253

two and one half lines of soft, looping calligraphy; oval relief seal URC; large square relief seal LL; smaller square intaglio seal LL

Amid the Mountains, second half 19th century

Yamanaka Shinten'ō

G253

assortment of red seals in different sizes and shapes

Assortment of seals, second half 19th century

Murase Taiitsu

G251

figure with six heads, arms, and legs astride crouched bull on wood base; metal bands around wrists, some biceps, and most ankles; halo with flames attached at back; two hands of two arms together in praying position, other arms bent and flare outwards. Upper left arm holds long staff, lower one holds implement with "curly q"-shaped end. Upper right arm holds a trident. Lower right arm fingersshaped like it was holding something in hand. Three bottom heads have crystal inlay eyes. Three smaller heads on top considerably smaller.

Daiitoku Myōō, the Wisdom King of Awe-Inspiring Power, second half 13th century

Unknown Japanese

G220

standing flame like form with waving vertical bands in matte red, matte black, glossy black with gold dots, and glossy black with embedded sparkles; small cutout near bottom; one of pair

%C2%A9 Sasai Fumie

Look, 1994

Sasai Fumie

Not on View
black and red, gracefully curving oblong form that extends into a pair of legs with arched feet and splayed toes; one leg is mostly red, the other is mostly black

%C2%A9 Chie Aoki

BODY 07-2, 2007

Aoki Chie

Not on View
black lacquer; two human torsos, legs, feet meet together in middle, forming a curved, organic shape; one figure kneels with legs splayed, the other half appears to be pushing into central form

%C2%A9 Chie Aoki

BODY 09-1 "Impact", 2009

Aoki Chie

Not on View
gold background with colorful embroidered trees, flowers, carriages, bridges

Wedding robe (uchikake) with design of carriages, bridges, pine, maple leaves, and cherry blossoms, 20th century

Unknown Japanese

Not on View
large concave rectangular plate with slightly bowed edges attached to short platform; top has gold background with rippling blue mother-of-pearl lines and gently raised designs in form of chevron over surface; black lacquer base and underside with tiny gold flecks

Plate, 2010

Okada Yūji

Not on View
black gnarled plum branch with white blossoms entering image from UL; branch is thick at top and descends vertically down center

Old Plum, first half 20th century

Ōta Jōsei

Not on View
print in shades of blue with red lightning bolts; man with ornately decorated, windblown robes and wild, windblown hair with hands bound and clasped at chest looking to PR; branch with blossoms in mouth; lightning striking around him

Actor Bando Mitsugorō IV as Kan Shōjō, c. 1832, 5th month

Utagawa Kunisada; Publisher: Ibaya Senzaburō

Not on View
flat square plate with two feet running the length of two sides; reddish-tan base glaze with irregular linear forms in green, dull grey and brown

Plate, 2010

Hasu Yoshitaka

Not on View
globe-like vessel with off-center, oval mouth; slightly raised lip; incised linear markings throughout, including an equator line around the middle; green and rust colored glazes with thick, green drips; sharp, white knobby inclusions throughout

Jar, c. 2009

Tsujimura Shirō

Not on View
text in varying styles; a few corrections in red near end; landscape image with rolling hills, pine trees, small houses, and rocks at end

Travel Poems [left of a pair], 1834

Unge

Not on View
red elevated bowl with three carved short black legs

Bowl with legs, 16th century

Unknown Japanese

Not on View
flat square plate with two feet running the length of two sides; reddish-tan base glaze with irregular stripes of green flanking a stripe of dull grey

Plate, 2010

Hasu Yoshitaka

Not on View
shaggy man in white robe seated on river bank; long, scruffy hair, flat head, large, grimacing face, pointed, claw-like nails; man resting PR hand on large frog; waves from river at lower edge; tree with blossoms at L

Gama Sennin, late 18th - early 19th century

Kuroda Ryōzan

Not on View
left print: two actors in center; one actor dressed as a woman with ornate kimono and headdress clutches kimono with PL hand and looks toward PL; actor at bottom has shadow of a moustache and wears a kimono decorated with morning glories; sword under PL hand; actor reels back thrusting PL hand in front; background with cartouches, flowers

Left sheet of a kabuki triptych, 1884

Utagawa Kuniume

Not on View
abstract scene with billowing, somewhat angular white forms punctuated with black and gray geometric shapes; pale mountain-like cone shapes ULQ; faint pinkish highlights; dark background

%C2%A9 Ujiie Minoru

Village Shrine, second half 20th century

Ujiie Minoru

Not on View
detailed drawing of dragon in waves

%C2%A9 Asakura Takafumi

Dragon, August 2010

Asakura Takafumi

Not on View
irregular, rounded mountains; small pavilion at center; small waterfall at R; two groups of huts in middle ground at base of mountains; two figures fishing in boat at LR; figure crossing a bridge LRC; figure raking small piece of land near hut LLC

Quiet Mountain on a Slow Day, October 1914

Fukuda Kodōjin

Not on View
crooked tree with two entangled trunks at center; monkey in branches at UR, another monkey on rock at LL; praying mantis carrying wasp in front claws at R; valley landscape with cascades in background

Monkeys Watching a Praying Mantis Catching a Wasp, second half 18th century

Iwai Kōun

Not on View
flat square plate with two feet running the length of two sides; reddish-tan base glaze with irregular stripes of green flanking a stripe of dull grey

Plate, 2010

Hasu Yoshitaka

Not on View
bronze flower with curving stem; sculpture rests on leaf and arching vine; flower petals curve outward and have large circular cutouts

%C2%A9 Okuni Jur%C5%8D

Flower, first half 20th century

Okuni Jurō

Not on View
square slab with upward curving edges; thin gold line curving towards center from outside; line meets with curved, thin slice; rough texturizing near slit and on sides; earthtone gradient

Plate (ban), 2010

Tabuchi Tarō

Not on View
abstract bird-shaped form; narrows at one end with small opening; opposite end is wider with blunt end; dark red glaze

%C2%A9 Suzuki Osamu

Bird, 1992

Suzuki Osamu

Not on View
tea bowl with very dark brown-black glaze; area of tan, brown, orange, and burgundy glaze on one side; slightly lighter glaze dripping from lip; small area of brown, orange, and burgundy glaze inside

Tea bowl (chawan), before 2010

Takatori Hassen

Not on View
center/right print; two actors in center of image; actor in front wears heavy red eye makeup, black robe with red underneath, a red obi with sword tucked in, and a blue sash around his head; actor in back wears red and blue robe with light blue headdress; print is richly colored with red, black, blue, and teal; white blossoms in background, text in cartouches in URQ

Center sheet of a kabuki triptych, 1884

Utagawa Kuniume

Not on View
image created with tiny squares of color in an overall grid, with white lines between squares; landscape with water at center with flat bridge, mountains and trees; trompe l'oeil painted mount with dark grey at bottom, light grey round image and bars of clouds in gold above and below image and similar vertical bars at top; two painted "seals" along right edge, LRQ; ivory roller ends

Landscape in Mosaic Form, 1960s-1970s

Unknown Japanese

Not on View
two severed heads sitting side by side on top of a flat surface at L; matted hair, dripping blood onto surface; cropped lantern URC

Decapitated heads, early 20th century

Unknown Japanese

Not on View
three sleeping figures and one sleeping tiger; two boys at left--one crouching face down in front, one slumped over crouching figure; seated man at right wearing grey and red, leaning against tiger; broom in foreground; ivory roller ends

The Four Sleepers, 17th century

Unknown Japanese

Not on View
large, scruffy male figure with wild hair and beard in profile, walking determinedly to L of image; sword end emerging from PL side; large bundle at R; flat object rising over head

Shōki, the Demon Queller, early 18th century

Yamaguchi Sekkei

Not on View
frog at LL strutting on two long legs, holding open fan in PR hand, balancing white mochi in mouth; young frog swaddled to back with red cords carrying bag of mochi balls; rabbit in black robes in round vignette at UR fanning tray of white mochi balls

Frogs and Rabbit, mid 19th century

Unknown Japanese

Not on View
tiny image of a reclining yellow horse; horse's side is facing viewer, its head is turned towards hind quarters in profile; thin black outline and detail; horse is poised between two horizontal lines; adhered to small sheet of paper

Horse, first half 19th century

Yamamoto Baiitsu

Not on View
four full lines of looping calligraphy; fifth line has fewer characters, but final character ends in long vertical line running the length of other lines

Clearing after Snow, 1920s

Fukuda Kodōjin

Not on View
flat square plate with two feet running the length of two sides; reddish-tan base glaze with irregular stripes of green and dark green-brown flanking a stripe of dull grey

Plate, 2010

Hasu Yoshitaka

Not on View
rectangular form with uneven ends; made of thin bamboo sticks; organic, oval form rising at C

%C2%A9 Uematsu Chikuy%C5%AB

Passing Through the Wilderness, July 2009

Uematsu Chikuyū

Not on View
red background with colorful waves, ducks, and flowers, with gold details

Kimono (furisode), 20th century

Unknown Japanese

Not on View
very large stoneware vessel with wide mouth, thick lip; swells at midsection and tapers toward base; rust colored and beige glazes

Jar (ōgame), 2010

Kishino Kan

Not on View
night scene with moon in URC; dark mountain at bottom, LRC; cherry tree with white blossoms, LRC; clouds passing over sky

%C2%A9 Umehara Toha

Cherry Blossoms in Moonlight, mid 20th century

Umehara Tōha

Not on View
black lacquered box with stylized thatched-roof house with peaked gray roof and low eaves; gold fence at R; gold tree at L with round mother-of-pearl blossoms

Small box with country house, 1920s

Kamisaka Sekka

Not on View
eight full lines of text, confidently, clearly written characters on a sheet of thick white paper; once folded in half down the center

Visiting my Elder-Brother-in-Poetry, first half 20th century

Fukuda Kodōjin

Not on View
squat round form with blue glaze; small mouth; soft nodules subtly poking out around upper side

%C2%A9 Tsugane Hitomu

Vase, 2008

Tsugane Hitomu

Not on View
vertically oriented, diamond-shaped vessel; incised line around circumference and on each side of vertical face; rough charcoal grey and off-white surface

%C2%A9 Mihara Ken

Vessel, 2007

Mihara Ken

Not on View
black bowl with flared mouth; zigzagged mouth; four raised lines crisscrossing inside

Bowl, 2010

Imaizumi Takeshi

Not on View
heavy white robe with golden rectangular bars, flowers, clouds; gold lined; padded hem

Wedding robe (uchikake), 20th century

Unknown Japanese

Not on View
three blue and pale green flying fish with delicate, transparent white wings against a vivid background of blue, green, and gold diagonal lines; white surface cuts across lower quadrant; gold pigment and white splatters punctuate background; two fish arranged near bottom, one near top in an arc

Flying fish, early 20th century

Kōho

Not on View
flat square plate with two feet running the length of two sides; reddish-tan base glaze with irregular stripes of green flanking a stripe of dull grey

Plate, 2010

Hasu Yoshitaka

Not on View
black ceramic form; one continuous form made to look like two separate, cylindrical pieces merge together at top; one side of base has a deep, cracked texture; the other side has a lumpy texture; the two sections join at top, ending with a droplet shaped opening at top with smooth surface

%C2%A9 Akiyama Y%C5%8D

T-065, 2006

Akiyama Yō

Not on View
woman wearing beige kimono with white dragon stencil pattern; woman wears red apron-like garment; woman holds a small black and white dog with a blue and gold ruff on a mint green silk cord

Court Lady with Dog, 1830s

Mihata Jōryū

Not on View
large, horizontal characters first text panel; longer, vertically arranged verses through remainder of scroll; roll cover is dark grey-blue brocade

Travel Poems [right of a pair], 1834

Unge

Not on View
diving tortoise with splayed front claws and beady eyes; black flame-like forms at its rear end extend upwards to top center

Tortoise, second half 18th century

Follower of Itō Jakuchū

Not on View
large, bulbous, narrow mouthed jar; dark olive green glaze at top, black at center, and rust colored at bottom; drips from top layers extend to bottom on one side

Jar, 20th century

Fujiwara Kei

Not on View
hexagonal basket with tapered, round mouth; squarish handle; patterned weaving along top of handle; swirling, elegant supports and decorations along handle; ornate, star-shaped close weaving pattern; carving on supports; large copper lined bamboo cylinder with grate at top

Chinese-Style Flower Basket, autumn 1921

Tanabe Chikuunsai

Not on View
colorful image of a daimyo procession, with male figures marching, carrying large parcels, and some carrying a massive palanquin

Daimyo Procession, 19th century

Unknown Japanese

Not on View
large, square base with long, round neck; wide mouth opening; closed weave; wide strips of bamboo woven around neck

%C2%A9 Tanabe Y%C5%8Dta

A Man of Aoshima, 1970s-1980s

Tanabe Yōta

Not on View
tall, slender deep red/black basket; 4-sided base flairs out into octagonal form near top; open weave with very thin, wiry strands of bamboo that form a star-shaped pattern; woven handle tapers towards center, with looping ornamentation; center lacquered bamboo cylinder with copper lining

Openwork octagonal flower basket, early 20th century

Tanabe Chikuunsai

Not on View
hollow, U-shaped openwork basket, narrows at top; two parallel braces at top; bamboo pieces lacquered at tips

%C2%A9 Uematsu Chikuy%C5%AB

Wind Tunnel, October 2010

Uematsu Chikuyū

Not on View
large, bulbous, smooth bronze vase with reddish flame-like markings along sides

Large vase with flame-like markings, late 19th century

Ten'yo

Not on View
round form with reeds in fanned, spiraled pattern spilling over the edges

%C2%A9 Uematsu Chikuy%C5%AB

Wind Vessel, January 2010

Uematsu Chikuyū

Not on View
abstract landscape with golden, tan and grey fields in foreground, with irregular paths; purple, grey and dark blue mountains; low hanging grey clouds

%C2%A9 Kawai Kenji

Landscape, second half of 20th century

Kawai Kenji

Not on View
irregularly shaped tea bowl; pink glazed interior; white and earth tones outside; red underside

Teabowl Tea Bowl with White, Black, Silver, Red, and Pink Glazes, c. 2010

Kim Hono

Not on View
seated figure wearing a rose-colored and black robe, with hands inside sleeves; man is balding with long wavy black hair and short black beard; ivory roller ends

Daruma, 1980s

Unknown Japanese

Not on View
two vertical cliffs along L and R edges; red sun at upper center; lines of wispy clouds across cliffs; gnarled tree at lower center; small, robed human figure carrying staff stands with back to viewer

Cliffs, Pine Tree, and Rising Sun, c. 1932-1933

Fukuda Kodōjin

Not on View
three white, black, and blue birds perched around a nest on a twisted, weathered pink trunk; pine foliage extends upward and to the L

Three Magpies on a Pine Tree, 1920s-1930s

Unknown Japanese

Not on View
bound album with a variety of richly colored images and design motifs; grey-green cover with silver birds and insects flying around

All Kinds of Things, Vol. 3, April 1903

Kamisaka Sekka

Not on View
two stalks with pink blossoms and buds

Flowers, early 19th century

Nakamura Hōchū

Not on View
fan-shaped painting; bald man with bushy white eyebrows and bushy white beard, eyes squinted shut; wearing light green robe, hands clasped in front under robe; brown gourd at man's PR

Jurojin, early 20th century

Tsuji Kakō

Not on View
at center of vignette, three figures gathered around a table full of food and drink; figure at R with red skin clutches his long, flowing black beard in his PL hand; figure at center has very pale skin, a shorter beard; figure at LL has bluish skin, exaggerated eyes, a beard, and a big grin; inscription inside vignette; the background is blue with dragons and fire

Brotherhood of the Three Kingdoms, 1832

Utagawa Kunisada; Author: Poem by Baigetsukan Senrei

Not on View
white cover with white pattern and Japanese label at R; variety of partially colored images inside including landscapes, people, and animals including dogs, cats, mice, and a camel

Transmitting the Spirit and Revealing the Form of Things: Hokusai's Sketchbooks, vol. 14, 1878

Katsushika Hokusai

Not on View
orange string bound book with green Japanese label at L and stamped Japanese label URQ; variety of black and white images inside including a fox processional, birds dressed as people; flowers, etc.

Gekko's Sketches in Iroha-alphabet order (Vol. 2, fasc. 3), 1898

Ogata Gekkō

Not on View
very large image of Shoki in black robes and black boots holding very tall straight sword in PR hand; very full, windblown beard and hair, fierce face, bushy eyebrows

Festival banner of Shōki, the Demon Queller, 19th century

Shōka

Not on View
two male figures in L side of image: figure in green at R coyly holds a decorated fan up to his face with PR hand; male in blue at L kneels while tapping a drum resting over his PR shoulder; both men wear black triangular hats

Manzai Comedy at the Imperial Palace, 1920s-1930s

Kamisaka Sekka

Not on View
collection of colorful, humorous, abstract images and designs secured with metal brad at top; comes in hard cover folio with Japanese title and anthropomorphized kanji character in red circle; English information on back

Humorous Designs, April 1903

Kamisaka Sekka

Not on View
tall, open weave vase in three attached segments; top cylinder widens slightly on descent; wide, bulbous, tightly woven center segment; bottom segment similar cylindrical shape, tapering slightly towards bottom; tight, decorative weave at top and bottom edges; dark bamboo inner cylinder

%C2%A9 Minoura Chikuho

Tall basket without handle, late 20th century

Minoura Chikuho

Not on View
landscape featuring small partitioned rice fields; farmers planting rice plants and working the land; sweeping channel with two boats and a bridge separates fields in foreground from those in middle ground; row of tall trees and huts behind fields in middle ground; Mt. Fuji in background

Rice Paddies and Fuji, after Taiga, 1816

Okada Beisanjin

Not on View
organic, leaf like form supported by forked twig that becomes portion of the form's body, and tall, narrow point; another smaller twig supporting bottom; black and rich brown lacquer with faint gold pattern

%C2%A9 Shingo Muramoto

Wing of Foliage #10-09, 2012

Muramoto Shingo

Not on View
vase with flared lip, narrow neck; richly decorated with blue, red, and gold foliage; alternating vignettes with blue border: orange and gold phoenix in maple tree; smaller vignette with foliage; delicate orange and red foliage motif inside lip

Vase, late 19th - early 20th century

Unknown Japanese

Not on View
accordion album containing multi-colored images of butterflies in various styles; green silk cover with Japanese label

All Kinds of Butterflies, Vol. 2, February 1908

Kamisaka Sekka

Not on View
black rectangular slab; large cone-shaped form rising out of rounded end; carved symbol near corner; dark brown glaze with intentional "worn" spots and inclusions in medium

%C2%A9 Izumita Yukiya

Hill, 2011

Izumita Yukiya

Not on View
unsigned; female ghost wearing a white robe, holding front sections of her slightly unkempt hair in each hand, with a horrified facial expression with bulging eyes and wide open, grimacing mouth; grave markers at right; torn lamp in LLQ; ivory roller ends

Ghost in a Graveyard, late 19th century

Unknown Japanese

Not on View
cream colored accordion style book with colorful images of people, flowers, and animals

Kōrin Picture Album, 1802 (?)

Nakamura Hōchū

Not on View
center panel: curving, lightly moss covered trunk of a pine tree beginning LLQ, up through R; two swaths of green, one at URC and one in ULQ form pine branches; thin branches extending from left edge with white spots form plum branches

Maid of Ōhara, Pine and Plum Blossoms, Manzai Comedy, one of three panels, 1920s-1930s

Kamisaka Sekka

Not on View
fan-shaped painting of little human figure in green and red robe with an object in each hand; small blue bird with red head at figure's PL; signature and seal LLQ inside fan outline

Folding Fan with Fushimi Doll, 1920s-1930s

Kamisaka Sekka

Not on View
bulbous, squat, delicately shaped flask with very narrow neck; white with hints of lavender, gray, and pale blue over glazes; tan around lip

Flask (tokkuri), 2012

Tabuchi Tarō

Not on View
fan mounted as a hanging scroll; bird at right with grey ink wash and gold back, stomach, beak and legs; rock form and vertical foliage forms at right; waterlike elements at bottom and left; ivory roller ends

Wagtail and Waves, early 19th century

Nakamura Hōchū

Not on View
gray foliage with faint green highlights rising upward at L; two large clusters of small white flowers with blue centers at R

Hydrangea, early 19th century

Nakamura Hōchū

Not on View
wide, shallow cup with tapered, narrow base; mostly white glaze with pink, lavender, and mustard highlights

Sake cup (guinomi), 2012

Tabuchi Tarō

Not on View
heavily worn ribbon bound book with black and white copied images of birds, flowers, insects, and decorative designs and motifs

Collected works of Kōtōsha, 1923

Kishimoto Shōdō; Artist: Fukuda Suikō

Not on View
man wearing white hat and short blue shift tied at waist stands on bamboo raft holding long green bamboo pole in both hands; man has whiskers around mouth and is looking off to PL side; black rock (?) formation ULC

Boatman, one of four, 1920s

Kamisaka Sekka

Not on View
round shallow plate with gently peaked crease at side, coming to small point; crackled glaze with shades of blue

Jade Celadon Plate, 2011

Imaizumi Takeshi

Not on View
bold landscape; bird's eye view of buildings, stream, mountains and trees; block of text and three seals, ULC; ivory roller ends

Landscape, late 19th century

Tomioka Tessai

Not on View
two-panel folding screen with powerful green waves capped with white, fingerlike crest; dark tan background

Foaming Waves, 17th - 19th century

Unknown Japanese

Not on View
two-panel folding screen; thin, stylized red, gold, silver, and burgundy bamboo stalks against black background; small spray of bamboo foliage on L screen

Bamboo, mid 20th century

Atarashi Kōsen

Not on View
light blue cover; inside with many pages of text, landscape scenes, and people traveling, playing, meeting, etc.

Illustrated Famous Places in Yamato (Vol. 6), 1791

Takehara Shunchōsai; Author: Akisato Ritō

Not on View
large, irregularly shaped, high walled tea bowl; crackled white glaze; blue patch with abstracted boat figures; other abstract orange figures with faint blue raised outline

"With Ocean", 2011

Kim Hono

Not on View
right panel; two men in light green clothing with triangular black hat with white crisscross at top; man in front peers wide-eyed and somewhat lasciviously over an open white fan with red sun in center that he holds in PR hand

Maid of Ōhara, Pine and Plum Blossoms, Manzai Comedy, one of three panels, 1920s-1930s

Kamisaka Sekka

Not on View
somewhat abstracted landscape: densely foliaged rock formation with bands of irregularly shaped clouds; tiny figure seated on top of rocky outcropping just R of center; treetops under fog just below center; tiny hut on cliff bottom center with other irregular rock formations with dense foliage on bottom; inscription URQ

Releasing the Oar in the Pure Valley, January 1930

Fukuda Kodōjin

Not on View
large mountain with many levels and boulders and flat, sloping surfaces at upper center; small, "terraced" waterfall at LL; figure in small house on stilts seated overlooking water; cluster of trees and boulders at R; a few brown highlights

Reading I-Ching in the Autumn Woods, first half 19th century

Nakabayashi Chikutō

Not on View
bristly white raccoon with pointy black face and black legs; 3/4 view walking in from UR; some reeds and grasses near feet

Old Raccoon, early 20th century

Konoshima Ōkoku

Not on View