unsigned; scene with figures in foregreound: group of attendants on L with man in white facing woman in white; landscape with water in background on R; interior on L; gold leaf background — Emperor Ming Huang and Yang Guifei, around 1600
attributed to Kano Naganobu

Not on View

unsigned; left of a pair of six-panel folding screens; many scenes against gold leaf background; edge of building on left panel with snow; building at top across panels three to six the many seated figures wearing black with a few wearing red and blue; procession in LR of panels five and six with figures in black carrying covered dias and pulling two green carriages behind — Autumn and Winter [left of the pair Scenes from the Tale of Genji in the Four Seasons], mid 17th century
Unknown Japanese

Not on View

standing wavelike form with pointed, outturned corners; horizontal waving bands in matte dark blue, with gold flecks, matte black, and shiny black; small cutout near center; one of pair — Look, 1994
Sasai Fumie

Not on View

golden fan painted with morning glories in blossom supported by wooden posts; calligraphy throughout image — Morning Glories, 17th century
Unknown Japanese

G225

two lines of fat, bold calligraphy — The Carp in the Valley, 1972 (?)
Kaneko Tohta

G251

four large, bold characters arranged vertically; large square intaglio stamp LL edge; large rectangular intaglio stamp LL edge — God of Heaven, Spirits of the Earth, 1980s
Suda Kokuta

G251

large stepped mountains with boulders, pines, and waterfall at back; small open pavilion on flat topped rock just below waterfall; pathway ascending lower stepped rock formation at center; a few houses on stilts in water at L center, surrounded by pines; two figures cross bridge at LL — Landscape in the Manner of Dong Yuan, mid 19th century
Nakabayashi Chikutō

G223

female figure in elaborate head dress, PL hand in gesture near chest, riding on a fox; fox is flying on green cloud with legs extended; snakes wrapped around fox's legs; two smaller figures kneeling in foreground — Dakiniten, the Buddhist Manifestation of the Shinto Deity Inari, late 14th century
Unknown Japanese

G220

horizontal wedge-shaped form with flaring sides, narrows at top; mounts to wooden block base — Distant Seascape VI, 2004 (model from 1990)
Fukami Sueharu

G222

five lines of very small calligraphy on a tiny sheet of paper, mounted inside a circle with green and beige outer mount — Ninth Month, first half 18th century
Gion Nankai

G253

two large characters arranged vertically; gray and blue mount — Pines and Vines, second half 18th century
Chō Tōsai

G252

two lines of precisely written characters against brown paper with black flecks — Wine and Tea, c. 1870
Tomioka Tessai

G251

four lines of calligraphy with smaller, shorter fifth line at L; brown mount with blue brocade — Confucian Exhortation, second half 18th century
Chō Tōsai

G252

two full lines of calligraphy plus third shorter line in sharp, cursive text — Threads of Gold, mid 19th century
Kōno Tettō

G253

one of a pair of landscapes; once grouped with white-robed Kannon that was placed in center; left landscape; rocky cliff at LR with trees and boulder below; to men crossing an arched bridge near LL; small building in background; far background a misty rock outcropping with pine trees — Landscape [left of a triptych of White-Robed Kannon with Landscapes], late 15th century
attributed to Kenkō Shōkei

G221

one of a pair of landscapes, right; once grouped with a white-robed Kannon that was placed in the center; tall, vertical rock formation at L; water at R with a boat and more rock formations and a flock of birds in the background; in foreground, smaller rock formation with pine trees, small village, and two men walking away from fishing boat — Landscape [right of a triptych of White-Robed Kannon with Landscapes], late 15th century
attributed to Kenkō Shōkei

G221

one long line of calligraphy (14 characters); signature center L edge; light mauve mount — Sound of waves, early - mid 19th century
Kikuchi Gozan

G252

15 lines of calligraphy; thin, precise lines; tan, brown and green mount — On the Calligraphy of Emperor Saga, 1783, 3rd lunar month
Ryū Kōbi

G251

several irregular lines of cursive characters; two larger, bold characters at R — Long Life, 1823
Kameda Bōsai

G253

long line of expressive calligraphy, shorter signature line at L; light grey-green mount — Single Line from Zhuangzi, second half 19th century
Doi Gōga

G253

two and one half lines of soft, looping calligraphy; oval relief seal URC; large square relief seal LL; smaller square intaglio seal LL — Amid the Mountains, second half 19th century
Yamanaka Shinten'ō

G253

assortment of red seals in different sizes and shapes — Assortment of seals, second half 19th century
Murase Taiitsu

G251

figure with six heads, arms, and legs astride crouched bull on wood base; metal bands around wrists, some biceps, and most ankles; halo with flames attached at back; two hands of two arms together in praying position, other arms bent and flare outwards. Upper left arm holds long staff, lower one holds implement with "curly q"-shaped end. Upper right arm holds a trident. Lower right arm fingersshaped like it was holding something in hand. Three bottom heads have crystal inlay eyes. Three smaller heads on top considerably smaller. — Daiitoku Myōō, the Wisdom King of Awe-Inspiring Power, second half 13th century
Unknown Japanese

G220

standing flame like form with waving vertical bands in matte red, matte black, glossy black with gold dots, and glossy black with embedded sparkles; small cutout near bottom; one of pair — Look, 1994
Sasai Fumie

Not on View

black and red, gracefully curving oblong form that extends into a pair of legs with arched feet and splayed toes; one leg is mostly red, the other is mostly black — BODY 07-2, 2007
Aoki Chie

Not on View

black lacquer; two human torsos, legs, feet meet together in middle, forming a curved, organic shape; one figure kneels with legs splayed, the other half appears to be pushing into central form — BODY 09-1 "Impact", 2009
Aoki Chie

Not on View

gold background with colorful embroidered trees, flowers, carriages, bridges — Wedding robe (uchikake) with design of carriages, bridges, pine, maple leaves, and cherry blossoms, 20th century
Unknown Japanese

Not on View

large concave rectangular plate with slightly bowed edges attached to short platform; top has gold background with rippling blue mother-of-pearl lines and gently raised designs in form of chevron over surface; black lacquer base and underside with tiny gold flecks — Plate, 2010
Okada Yūji

Not on View

black gnarled plum branch with white blossoms entering image from UL; branch is thick at top and descends vertically down center — Old Plum, first half 20th century
Ōta Jōsei

Not on View

print in shades of blue with red lightning bolts; man with ornately decorated, windblown robes and wild, windblown hair with hands bound and clasped at chest looking to PR; branch with blossoms in mouth; lightning striking around him — Actor Bando Mitsugorō IV as Kan Shōjō, c. 1832, 5th month
Utagawa Kunisada; Publisher: Ibaya Senzaburō

Not on View

flat square plate with two feet running the length of two sides; reddish-tan base glaze with irregular linear forms in green, dull grey and brown — Plate, 2010
Hasu Yoshitaka

Not on View

globe-like vessel with off-center, oval mouth; slightly raised lip; incised linear markings throughout, including an equator line around the middle; green and rust colored glazes with thick, green drips; sharp, white knobby inclusions throughout — Jar, c. 2009
Tsujimura Shirō

Not on View

text in varying styles; a few corrections in red near end; landscape image with rolling hills, pine trees, small houses, and rocks at end — Travel Poems [left of a pair], 1834
Unge

Not on View

red elevated bowl with three carved short black legs — Bowl with legs, 16th century
Unknown Japanese

Not on View

flat square plate with two feet running the length of two sides; reddish-tan base glaze with irregular stripes of green flanking a stripe of dull grey — Plate, 2010
Hasu Yoshitaka

Not on View

shaggy man in white robe seated on river bank; long, scruffy hair, flat head, large, grimacing face, pointed, claw-like nails; man resting PR hand on large frog; waves from river at lower edge; tree with blossoms at L — Gama Sennin, late 18th - early 19th century
Kuroda Ryōzan

Not on View

left print: two actors in center; one actor dressed as a woman with ornate kimono and headdress clutches kimono with PL hand and looks toward PL; actor at bottom has shadow of a moustache and wears a kimono decorated with morning glories; sword under PL hand; actor reels back thrusting PL hand in front; background with cartouches, flowers — Left sheet of a kabuki triptych, 1884
Utagawa Kuniume

Not on View

abstract scene with billowing, somewhat angular white forms punctuated with black and gray geometric shapes; pale mountain-like cone shapes ULQ; faint pinkish highlights; dark background — Village Shrine, second half 20th century
Ujiie Minoru

Not on View

detailed drawing of dragon in waves — Dragon, August 2010
Asakura Takafumi

Not on View

irregular, rounded mountains; small pavilion at center; small waterfall at R; two groups of huts in middle ground at base of mountains; two figures fishing in boat at LR; figure crossing a bridge LRC; figure raking small piece of land near hut LLC — Quiet Mountain on a Slow Day, October 1914
Fukuda Kodōjin

Not on View

crooked tree with two entangled trunks at center; monkey in branches at UR, another monkey on rock at LL; praying mantis carrying wasp in front claws at R; valley landscape with cascades in background — Monkeys Watching a Praying Mantis Catching a Wasp, second half 18th century
Iwai Kōun

Not on View

flat square plate with two feet running the length of two sides; reddish-tan base glaze with irregular stripes of green flanking a stripe of dull grey — Plate, 2010
Hasu Yoshitaka

Not on View

bronze flower with curving stem; sculpture rests on leaf and arching vine; flower petals curve outward and have large circular cutouts — Flower, first half 20th century
Okuni Jurō

Not on View

square slab with upward curving edges; thin gold line curving towards center from outside; line meets with curved, thin slice; rough texturizing near slit and on sides; earthtone gradient — Plate (ban), 2010
Tabuchi Tarō

Not on View

abstract bird-shaped form; narrows at one end with small opening; opposite end is wider with blunt end; dark red glaze — Bird, 1992
Suzuki Osamu

Not on View

tea bowl with very dark brown-black glaze; area of tan, brown, orange, and burgundy glaze on one side; slightly lighter glaze dripping from lip; small area of brown, orange, and burgundy glaze inside — Tea bowl (chawan), before 2010
Takatori Hassen

Not on View

center/right print; two actors in center of image; actor in front wears heavy red eye makeup, black robe with red underneath, a red obi with sword tucked in, and a blue sash around his head; actor in back wears red and blue robe with light blue headdress; print is richly colored with red, black, blue, and teal; white blossoms in background, text in cartouches in URQ — Center sheet of a kabuki triptych, 1884
Utagawa Kuniume

Not on View

image created with tiny squares of color in an overall grid, with white lines between squares; landscape with water at center with flat bridge, mountains and trees; trompe l'oeil painted mount with dark grey at bottom, light grey round image and bars of clouds in gold above and below image and similar vertical bars at top; two painted "seals" along right edge, LRQ; ivory roller ends — Landscape in Mosaic Form, 1960s-1970s
Unknown Japanese

Not on View

two severed heads sitting side by side on top of a flat surface at L; matted hair, dripping blood onto surface; cropped lantern URC — Decapitated heads, early 20th century
Unknown Japanese

Not on View

three sleeping figures and one sleeping tiger; two boys at left--one crouching face down in front, one slumped over crouching figure; seated man at right wearing grey and red, leaning against tiger; broom in foreground; ivory roller ends — The Four Sleepers, 17th century
Unknown Japanese

Not on View

Shōki, the Demon Queller, early 18th century

Yamaguchi Sekkei

Not on View

frog at LL strutting on two long legs, holding open fan in PR hand, balancing white mochi in mouth; young frog swaddled to back with red cords carrying bag of mochi balls; rabbit in black robes in round vignette at UR fanning tray of white mochi balls — Frogs and Rabbit, mid 19th century
Unknown Japanese

Not on View

Horse, first half 19th century

Yamamoto Baiitsu

Not on View

four full lines of looping calligraphy; fifth line has fewer characters, but final character ends in long vertical line running the length of other lines — Clearing after Snow, 1920s
Fukuda Kodōjin

Not on View

flat square plate with two feet running the length of two sides; reddish-tan base glaze with irregular stripes of green and dark green-brown flanking a stripe of dull grey — Plate, 2010
Hasu Yoshitaka

Not on View

rectangular form with uneven ends; made of thin bamboo sticks; organic, oval form rising at C — Passing Through the Wilderness, July 2009
Uematsu Chikuyū

Not on View

red background with colorful waves, ducks, and flowers, with gold details — Kimono (furisode), 20th century
Unknown Japanese

Not on View

very large stoneware vessel with wide mouth, thick lip; swells at midsection and tapers toward base; rust colored and beige glazes — Jar (ōgame), 2010
Kishino Kan

Not on View

night scene with moon in URC; dark mountain at bottom, LRC; cherry tree with white blossoms, LRC; clouds passing over sky — Cherry Blossoms in Moonlight, mid 20th century
Umehara Tōha

Not on View

black lacquered box with stylized thatched-roof house with peaked gray roof and low eaves; gold fence at R; gold tree at L with round mother-of-pearl blossoms — Small box with country house, 1920s
Kamisaka Sekka

Not on View

eight full lines of text, confidently, clearly written characters on a sheet of thick white paper; once folded in half down the center — Visiting my Elder-Brother-in-Poetry, first half 20th century
Fukuda Kodōjin

Not on View

squat round form with blue glaze; small mouth; soft nodules subtly poking out around upper side — Vase, 2008
Tsugane Hitomu

Not on View

vertically oriented, diamond-shaped vessel; incised line around circumference and on each side of vertical face; rough charcoal grey and off-white surface — Vessel, 2007
Mihara Ken

Not on View

black bowl with flared mouth; zigzagged mouth; four raised lines crisscrossing inside — Bowl, 2010
Imaizumi Takeshi

Not on View

heavy white robe with golden rectangular bars, flowers, clouds; gold lined; padded hem — Wedding robe (uchikake), 20th century
Unknown Japanese

Not on View

three blue and pale green flying fish with delicate, transparent white wings against a vivid background of blue, green, and gold diagonal lines; white surface cuts across lower quadrant; gold pigment and white splatters punctuate background; two fish arranged near bottom, one near top in an arc — Flying fish, early 20th century
Kōho

Not on View

flat square plate with two feet running the length of two sides; reddish-tan base glaze with irregular stripes of green flanking a stripe of dull grey — Plate, 2010
Hasu Yoshitaka

Not on View

black ceramic form; one continuous form made to look like two separate, cylindrical pieces merge together at top; one side of base has a deep, cracked texture; the other side has a lumpy texture; the two sections join at top, ending with a droplet shaped opening at top with smooth surface — T-065, 2006
Akiyama Yō

Not on View

woman wearing beige kimono with white dragon stencil pattern; woman wears red apron-like garment; woman holds a small black and white dog with a blue and gold ruff on a mint green silk cord — Court Lady with Dog, 1830s
Mihata Jōryū

Not on View

large, horizontal characters first text panel; longer, vertically arranged verses through remainder of scroll; roll cover is dark grey-blue brocade — Travel Poems [right of a pair], 1834
Unge

Not on View

diving tortoise with splayed front claws and beady eyes; black flame-like forms at its rear end extend upwards to top center — Tortoise, second half 18th century
Follower of Itō Jakuchū

Not on View

large, bulbous, narrow mouthed jar; dark olive green glaze at top, black at center, and rust colored at bottom; drips from top layers extend to bottom on one side — Jar, 20th century
Fujiwara Kei

Not on View

hexagonal basket with tapered, round mouth; squarish handle; patterned weaving along top of handle; swirling, elegant supports and decorations along handle; ornate, star-shaped close weaving pattern; carving on supports; large copper lined bamboo cylinder with grate at top — Chinese-Style Flower Basket, autumn 1921
Tanabe Chikuunsai

Not on View

colorful image of a daimyo procession, with male figures marching, carrying large parcels, and some carrying a massive palanquin — Daimyo Procession, 19th century
Unknown Japanese

Not on View

large, square base with long, round neck; wide mouth opening; closed weave; wide strips of bamboo woven around neck — A Man of Aoshima, 1970s-1980s
Tanabe Yōta

Not on View

tall, slender deep red/black basket; 4-sided base flairs out into octagonal form near top; open weave with very thin, wiry strands of bamboo that form a star-shaped pattern; woven handle tapers towards center, with looping ornamentation; center lacquered bamboo cylinder with copper lining — Openwork octagonal flower basket, early 20th century
Tanabe Chikuunsai

Not on View

hollow, U-shaped openwork basket, narrows at top; two parallel braces at top; bamboo pieces lacquered at tips — Wind Tunnel, October 2010
Uematsu Chikuyū

Not on View

large, bulbous, smooth bronze vase with reddish flame-like markings along sides — Large vase with flame-like markings, late 19th century
Ten'yo

Not on View

round form with reeds in fanned, spiraled pattern spilling over the edges — Wind Vessel, January 2010
Uematsu Chikuyū

Not on View

abstract landscape with golden, tan and grey fields in foreground, with irregular paths; purple, grey and dark blue mountains; low hanging grey clouds — Landscape, second half of 20th century
Kawai Kenji

Not on View

irregularly shaped tea bowl; pink glazed interior; white and earth tones outside; red underside — Teabowl Tea Bowl with White, Black, Silver, Red, and Pink Glazes, c. 2010
Kim Hono

Not on View

seated figure wearing a rose-colored and black robe, with hands inside sleeves; man is balding with long wavy black hair and short black beard; ivory roller ends — Daruma, 1980s
Unknown Japanese

Not on View

two vertical cliffs along L and R edges; red sun at upper center; lines of wispy clouds across cliffs; gnarled tree at lower center; small, robed human figure carrying staff stands with back to viewer — Cliffs, Pine Tree, and Rising Sun, c. 1932-1933
Fukuda Kodōjin

Not on View

three white, black, and blue birds perched around a nest on a twisted, weathered pink trunk; pine foliage extends upward and to the L — Three Magpies on a Pine Tree, 1920s-1930s
Unknown Japanese

Not on View

bound album with a variety of richly colored images and design motifs; grey-green cover with silver birds and insects flying around — All Kinds of Things, Vol. 3, April 1903
Kamisaka Sekka

Not on View

two stalks with pink blossoms and buds — Flowers, early 19th century
Nakamura Hōchū

Not on View

fan-shaped painting; bald man with bushy white eyebrows and bushy white beard, eyes squinted shut; wearing light green robe, hands clasped in front under robe; brown gourd at man's PR — Jurojin, early 20th century
Tsuji Kakō

Not on View

at center of vignette, three figures gathered around a table full of food and drink; figure at R with red skin clutches his long, flowing black beard in his PL hand; figure at center has very pale skin, a shorter beard; figure at LL has bluish skin, exaggerated eyes, a beard, and a big grin; inscription inside vignette; the background is blue with dragons and fire — Brotherhood of the Three Kingdoms, 1832
Utagawa Kunisada; Author: Poem by Baigetsukan Senrei

Not on View

white cover with white pattern and Japanese label at R; variety of partially colored images inside including landscapes, people, and animals including dogs, cats, mice, and a camel — Transmitting the Spirit and Revealing the Form of Things: Hokusai's Sketchbooks, vol. 14, 1878
Katsushika Hokusai

Not on View

orange string bound book with green Japanese label at L and stamped Japanese label URQ; variety of black and white images inside including a fox processional, birds dressed as people; flowers, etc. — Gekko's Sketches in Iroha-alphabet order (Vol. 2, fasc. 3), 1898
Ogata Gekkō

Not on View

very large image of Shoki in black robes and black boots holding very tall straight sword in PR hand; very full, windblown beard and hair, fierce face, bushy eyebrows — Festival banner of Shōki, the Demon Queller, 19th century
Shōka

Not on View

two male figures in L side of image: figure in green at R coyly holds a decorated fan up to his face with PR hand; male in blue at L kneels while tapping a drum resting over his PR shoulder; both men wear black triangular hats — Manzai Comedy at the Imperial Palace, 1920s-1930s
Kamisaka Sekka

Not on View

collection of colorful, humorous, abstract images and designs secured with metal brad at top; comes in hard cover folio with Japanese title and anthropomorphized kanji character in red circle; English information on back — Humorous Designs, April 1903
Kamisaka Sekka

Not on View

tall, open weave vase in three attached segments; top cylinder widens slightly on descent; wide, bulbous, tightly woven center segment; bottom segment similar cylindrical shape, tapering slightly towards bottom; tight, decorative weave at top and bottom edges; dark bamboo inner cylinder — Tall basket without handle, late 20th century
Minoura Chikuho

Not on View

landscape featuring small partitioned rice fields; farmers planting rice plants and working the land; sweeping channel with two boats and a bridge separates fields in foreground from those in middle ground; row of tall trees and huts behind fields in middle ground; Mt. Fuji in background — Rice Paddies and Fuji, after Taiga, 1816
Okada Beisanjin

Not on View

organic, leaf like form supported by forked twig that becomes portion of the form's body, and tall, narrow point; another smaller twig supporting bottom; black and rich brown lacquer with faint gold pattern — Wing of Foliage #10-09, 2012
Muramoto Shingo

Not on View

vase with flared lip, narrow neck; richly decorated with blue, red, and gold foliage; alternating vignettes with blue border: orange and gold phoenix in maple tree; smaller vignette with foliage; delicate orange and red foliage motif inside lip — Vase, late 19th - early 20th century
Unknown Japanese

Not on View

accordion album containing multi-colored images of butterflies in various styles; green silk cover with Japanese label — All Kinds of Butterflies, Vol. 2, February 1908
Kamisaka Sekka

Not on View

black rectangular slab; large cone-shaped form rising out of rounded end; carved symbol near corner; dark brown glaze with intentional "worn" spots and inclusions in medium — Hill, 2011
Izumita Yukiya

Not on View

unsigned; female ghost wearing a white robe, holding front sections of her slightly unkempt hair in each hand, with a horrified facial expression with bulging eyes and wide open, grimacing mouth; grave markers at right; torn lamp in LLQ; ivory roller ends — Ghost in a Graveyard, late 19th century
Unknown Japanese

Not on View

showing 100 of 1531 results matching creditline:"Gift of the Clark Center for Japanese Art & Culture". (load 200 more)

Download results as CSV