showing 100 of 1531 results matching creditline:"Gift of the Clark Center for Japanese Art & Culture". (load 200 more)

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unsigned; left of a pair of six-panel folding screens; many scenes against gold leaf background; edge of building on left panel with snow; building at top across panels three to six the many seated figures wearing black with a few wearing red and blue; procession in LR of panels five and six with figures in black carrying covered dias and pulling two green carriages behind

Autumn and Winter [left of the pair Scenes from the Tale of Genji in the Four Seasons], mid 17th century

Unknown Japanese

Not on View
unsigned; right of a pair of six-panel folding screens; many scenes on gold leaf: attendants with carriages at Land center among pine trees and clouds; interior scenes at top: male figure in red inside open walled room; court women at top center with pulled screens; trees; interior scene at R with court women in large robes admiring art on scrolls; group of robed men among blossoming cherry trees at UR

Spring and Summer [right of the pair Scenes from the Tale of Genji in the Four Seasons], mid 17th century

Unknown Japanese

Not on View
unsigned; scene with figures in foregreound: group of attendants on L with man in white facing woman in white; landscape with water in background on R; interior on L; gold leaf background

Emperor Ming Huang and Yang Guifei, around 1600

attributed to Kano Naganobu

Not on View
figure with six heads, arms, and legs astride crouched bull on wood base; metal bands around wrists, some biceps, and most ankles; halo with flames attached at back; two hands of two arms together in praying position, other arms bent and flare outwards. Upper left arm holds long staff, lower one holds implement with "curly q"-shaped end. Upper right arm holds a trident. Lower right arm fingersshaped like it was holding something in hand. Three bottom heads have crystal inlay eyes. Three smaller heads on top considerably smaller.

Daiitoku Myōō, the Wisdom King of Awe-Inspiring Power, second half 13th century

Unknown Japanese

G220

black and brown eagle with white tail perched on dark rock with back toward viewer, craning head around to face viewer; darker clouds at UL with snowflakes beginning to fall; brambles with white leaves in lower portion

White-tailed Eagle in a Snowstorm, after 1901

Takeuchi Seihō

G223

Boy on a Bull, late 19th century

Ueda Kōchū

Not on View
four large characters written vertically; signature at L

Qin and Calligraphy - 100 Delights, mid 18th century

Yanagisawa Kien

G251

bold, expressive, splattered characters written across 6 panels

%C2%A9 Suda Kokuta

Words Concerned with Existence [right of a pair], 1984

Suda Kokuta

G252

six panel screen with large, expressive, splattered characters written across screes

%C2%A9 Suda Kokuta

Words Concerned with Existence [left of a pair], 1984

Suda Kokuta

G252

large frog in center and small mouse in LRC; text filling background

Frog and Mouse, late 18th - early 19th century

Getsuju

Not on View
two lines of very large characters; light brown mount

Clouds and Dew, second half 18th century

Ryū Kōbi

G251

massive eagle flexing its wings on a bank next to a waterfall near center; rocky shoreline on either side of waterfall; gnarled pine to R and above eagle, with hanging vines; brambles at L

Sea Eagle amidst the Three Friends of Winter, second half 19th century

Ikeda Unshō

G223

standing wavelike form with pointed, outturned corners; horizontal waving bands in matte dark blue, with gold flecks, matte black, and shiny black; small cutout near center; one of pair

%C2%A9 Sasai Fumie

Look, 1994

Sasai Fumie

Not on View
skull with snake coiled on top; tail curving down back of skull; no lower jaw

Snake sitting on a skull, 19th century

Unknown Japanese

Not on View
very large sheet of white fabric with oversized kanji for "love" painted and splattered in black ink mixed with gold dust; signature at L with red relief stamp; splatters throughout and shadowy footprints along bottom, and a sweeping footprint at LR

%C2%A9 Hirano Isa

Love, 2009

Hirano Isa

G253

one of a pair of landscapes; once grouped with white-robed Kannon that was placed in center; left landscape; rocky cliff at LR with trees and boulder below; to men crossing an arched bridge near LL; small building in background; far background a misty rock outcropping with pine trees

Landscape [left of a triptych of White-Robed Kannon with Landscapes], late 15th century

attributed to Kenkō Shōkei

G221

one of a pair of landscapes, right; once grouped with a white-robed Kannon that was placed in the center; tall, vertical rock formation at L; water at R with a boat and more rock formations and a flock of birds in the background; in foreground, smaller rock formation with pine trees, small village, and two men walking away from fishing boat

Landscape [right of a triptych of White-Robed Kannon with Landscapes], late 15th century

attributed to Kenkō Shōkei

G221

25 lines of very neat calligraphy separated by columns of thin, red vertical lines; framed

Zhang Zihou's "Western Inscription", 1836

Ichikawa Beian

G252

flat square plate with two feet running the length of two sides; reddish-tan base glaze with irregular stripes of green flanking a stripe of dull grey

Plate, 2010

Hasu Yoshitaka

Not on View
man in grey robes seated, facing outward toward viewer; minimal detail; hands and knees seem to vanish into background; inscription UR edge and LL edge

Self-Portrait at Seventy-Seven, 1941

Fukuda Kodōjin

Not on View
abstract bird-shaped form; narrows at one end with small opening; opposite end is wider with blunt end; dark red glaze

© Suzuki Osamu

Bird, 1992

Suzuki Osamu

Not on View
flat square plate with two feet running the length of two sides; reddish-tan base glaze with irregular stripes of green flanking a stripe of dull grey

Plate, 2010

Hasu Yoshitaka

Not on View
woman wearing beige kimono with white dragon stencil pattern; woman wears red apron-like garment; woman holds a small black and white dog with a blue and gold ruff on a mint green silk cord

Court Lady with Dog, 1830s

Mihata Jōryū

Not on View
black ceramic form; one continuous form made to look like two separate, cylindrical pieces merge together at top; one side of base has a deep, cracked texture; the other side has a lumpy texture; the two sections join at top, ending with a droplet shaped opening at top with smooth surface

© Akiyama Y%C5%8D

T-065, 2006

Akiyama Yō

Not on View
red-faced monkey at UL peering over a snow-covered embankment; web-like waterfalls between snow-covered cliffs in LR; red fern to L of waterfall

Monkey on a snow hill, mid 19th century

Ōhara Donshū

Not on View
tall, slender deep red/black basket; 4-sided base flairs out into octagonal form near top; open weave with very thin, wiry strands of bamboo that form a star-shaped pattern; woven handle tapers towards center, with looping ornamentation; center lacquered bamboo cylinder with copper lining

Openwork octagonal flower basket, early 20th century

Tanabe Chikuunsai

Not on View
3/4 profile of woman wrapped in rich, red coat with vibrant white wisteria design with gray and beige ornamentation; pastel colored inner folds with green floral decoration; black cloth over hands; ornate hairpiece; white and blue parasol is held over her head at R by unseen attendant

Prostitute at a Parade, early 19th century

Hosoda Eishi

Not on View
round form with reeds in fanned, spiraled pattern spilling over the edges

© Uematsu Chikuy%C5%AB

Wind Vessel, January 2010

Uematsu Chikuyū

Not on View
detailed drawing of dragon in waves

© Asakura Takafumi

Dragon, August 2010

Asakura Takafumi

Not on View
front view of somewhat rotund woman clutching decorated black kimono in PR hand and holding white origami crane in PL hand; woman appears within round vignette against brilliant red background; pink and green lips, white nose, and high, painted eyebrows

Otafuku, 1907

Ayaoka Yushin

Not on View
three figures seated in long boat; fourth figure standing at rear, steering boat with long pole; some brambles in foreground and behind boat

Boating Scene with Poem, second half 19th century

Hoashi Kyōu

Not on View
blue covered book; kabuki scenes and text inside; brightly colored images

Kabuki News, Vol. 4, 1881

Japan

Not on View
balding figure with white beard, white wings, and long, beaklike nose standig at the edge of a steep cliff scratching head with PR hand; inscription ULQ

Cowardly Tengu, summer 1817

Nakabayashi Chikutō

Not on View
diving tortoise with splayed front claws and beady eyes; black flame-like forms at its rear end extend upwards to top center

Tortoise, second half 18th century

Follower of Itō Jakuchū

Not on View
rear 3/4 view of a seated older man with a few strands of hair pulled back, scraggly beard; man is wearing billowy garments; folded fan (?) at figure's PR side; cursive inscription at R

Fifty Years Old, late 18th - early 19th century

Matsumura Goshun

Not on View
two rows of neatly written calligraphy

1000-Word Essay, late 17th - early 18th century

Terai Yōsetsu

Not on View
three full lines of cursive calligraphy, shorter line at L; mounted on blue fabric

Poem by Du Fu in Cursive Script, first half 18th century

Gion Nankai

Not on View
bold landscape; bird's eye view of buildings, stream, mountains and trees; block of text and three seals, ULC; ivory roller ends

Landscape, late 19th century

Tomioka Tessai

Not on View
fan-shaped painting; bald man with bushy white eyebrows and bushy white beard, eyes squinted shut; wearing light green robe, hands clasped in front under robe; brown gourd at man's PR

Jurojin, early 20th century

Tsuji Kakō

Not on View
two vertical cliffs along L and R edges; red sun at upper center; lines of wispy clouds across cliffs; gnarled tree at lower center; small, robed human figure carrying staff stands with back to viewer

Cliffs, Pine Tree, and Rising Sun, c. 1932-1933

Fukuda Kodōjin

Not on View
three solders in ocher colored uniforms with arm bands featuring Japanese flag design walking towards entrance of burned-out building; two of the soldiers carry a sword in PR hand; center soldier has fierce look on face; background rubble painted in gray

Soldiers Entering a Building, mid 20th century

Yamamoto Shōkoku

Not on View
large rock formation with two tall pine trees at lower center with an elderly couple enjoying tea on boulder; in middle ground, three people sit in a long boat with awning; in background, two rock formations, one with a small, open walled structure and three leafless trees, the other with a few buildings at R; two sailboats in distance at UR; inscription at L; small moon at UL; a few details highlighted in pinkish wash

Boating Past Pine Trees, early 19th century

Ikeno Kanryō

Not on View
seated man in gray robes with square cap; man has faint smile; hands under sleeves in lap; inscription at L

Bashō with two Haiku, late 18th - early 19th century

Ki Baitei

Not on View
grouping of trees with dense, dark foliage LRC; at center, a small hut with lightly tinted thatched roof and a figure in blue near side window; shadowy, tall mountain rises at R, with a shorter, more well defined cliff with trees and foliage at center R; inscription ULQ

Landscape, first half 20th century

Mizuta Chikuho

Not on View
landscape with poem on fan; expressive landscape with fence in foreground and gate; tall trees and pine trees drawn with horizontal lines lie outside of fence in foreground; more pine trees in middle ground; hut with human figure just inside fence; rolling mountains, hills, and trees in background; calligraphic inscription at ULC; mounted to yellow board with gold flecks and tan border

My Natural Place, second half 19th century

Murase Taiitsu

Not on View
long, delicate branches of bamboo growing from LL foliage thickens at center ad UR; small inscription URC and along UL edge

Bamboo in the Wind, 1763

Nakayama Kōyō

Not on View
tea bowl with very dark brown-black glaze; area of tan, brown, orange, and burgundy glaze on one side; slightly lighter glaze dripping from lip; small area of brown, orange, and burgundy glaze inside

Tea bowl (chawan), before 2010

Takatori Hassen

Not on View
irregular, rounded mountains; small pavilion at center; small waterfall at R; two groups of huts in middle ground at base of mountains; two figures fishing in boat at LR; figure crossing a bridge LRC; figure raking small piece of land near hut LLC

Quiet Mountain on a Slow Day, October 1914

Fukuda Kodōjin

Not on View
two crows in rear 3/4 profile at L; crows perched side by side on a thick branch with dense foliage

Two Crows, late 18th - early 19th century

Matsumura Goshun

Not on View
large, square base with long, round neck; wide mouth opening; closed weave; wide strips of bamboo woven around neck

%C2%A9 Tanabe Y%C5%8Dta

A Man of Aoshima, 1970s-1980s

Tanabe Yōta

Not on View
black and white landscape; various ragged, cone-shaped mountains dominate the scene; small pagoda with out building and two trees in middle ground; trees top rock formations in foreground near bottom; inscription URC

Landscape after Mi Fu, December 1914

Fukuda Kodōjin

Not on View
frogs in an interior dressed in various types of garments; many frogs writing or reading; screens on R with two frogs outside on street wearing hats

Frogs in Writing Contest, c. 1738

Ogawa Haritsu

Not on View
landscape with mountains and water: tree lined mountain range near top; shore and peninsula lined with small huts; tall cliffs on either side frame the water; at bottom, a tall pine tree creates depth; at LL, a small figure in white robe with walking stick looks out onto scene

Glowing Pines and Sailboats, May 1928

Fukuda Kodōjin

Not on View
ghostlike female figure with ashen grey face and horns holds a brilliantly colored red and orange robe like a canopy over body; arms spread outward; figure wears gold and white triangle patterned top and navy blue bottom with brilliantly colored circles; top and bottom mount are painted with silver

%C2%A9 Yamamoto Tar%C5%8D

Emerging from the Robe, 2012

Yamamoto Tarō

Not on View
snow scene with woman with two children close to her body, all in very stong winds that are blowing their clothes; the woman's hat has just flown off of her head; another overturned hat at bottom; all are wearing red kimonos

Lady Tokiwa Fleeing with Children, 1850s

Utagawa Kunitsugu

Not on View
square form with waving pattern open weave, round bamboo pieces; decorative knotting

%C2%A9 Tanioka Shigeo

Shimmering of Hot Air, 1999

Tanioka Shigeo

Not on View
mountain landscape with two men in boat at lower center; large rocks with trees jut into calm bay; small huts just off shoreline at L; small building upper center of mountains; moon URQ; inscription URQ; white paint spots throughout resembling snow

Boating on a Snowy Evening, early 19th century

Yokoi Kinkoku

Not on View
large, narrow, squarish vase with narrow, raised oblong mouth; horizontal gray and burgundy glaze pattern

Jar, c. 1976

Yasuda Zenkō

Not on View
painted fan; owl perched on branch at UR, surrounded by black birds; blackbirds are all facing owl with beaks open, as if mocking

Owl and Crested Mynas on a Plum Branch, 14th - 16th century

Unknown Japanese

Not on View
unsigned; female ghost wearing a white robe, holding front sections of her slightly unkempt hair in each hand, with a horrified facial expression with bulging eyes and wide open, grimacing mouth; grave markers at right; torn lamp in LLQ; ivory roller ends

Ghost in a Graveyard, late 19th century

Unknown Japanese

Not on View
eleven lines of calligraphy; brown mount

Poems on Fishermen, first half 18th century

Gion Nankai

Not on View
two men seated in tatami room; older man, wide stance, wearing large black robe and tall headdress sits on a carpet; in front, a younger man with pink robe kneels, offering a plum branch with a bird; clouds at top and LR with inscription

The Syllable U: A Gift of an Artifical Plum Branch and Pheasant, c. 1770-1773

Katsukawa Shunshō

Not on View
two full lines of calligraphy plus third shorter line in sharp, cursive text

Threads of Gold, mid 19th century

Kōno Tettō

Not on View
crooked, delicate branch with white blossoms entering at L almost vertically upward

Plum Branch, 1863

Hidaka Tetsuō

Not on View
large rocky mountain formation with waterfall; small cluster of huts center R with trees; larger rocks at LR with trees; figure on flat landing at L gazing up towards waterfall

Landscape with Waterfall, late 18th - early 19th century

Kushiro Unzen

Not on View
three lines of calligraphy

Mists off the Lake, late 18th - early 19th century

Tachihara Suiken

Not on View
eighteen lines of linear, sometimes looping calligraphy; thin, black border along top of fan; mounted on jet black board; no stamps

Farewell Poems, first half 18th century

Gion Nankai

Not on View
organic, bud-shaped vase forming two separate "feet" at base; concentric, curving, V-lines incised around sides; narrow opening at top; salmon pink and charcoal glaze

Vase, 2008

Uetake Satoshi

Not on View
woman in red kimono with blue, orange and green; she is holding kimono closed from the wind; treee behind her on R

Kyoto Maiden [left of the pair Kyoto Maiden and Peeking Boy], 1830s

Mihata Jōryū

Not on View
boy with bulging eyes within circle with flowering branch below

Peeking Boy [right of the pair Kyoto Maiden and Peeking Boy], 1830s

Mihata Jōryū

Not on View
rear view of abstracted pear-shaped figure at LR seated behind low table; near center, converging lines resemble abstracted, scattered papers; blocks of inscription weave back and forth down scroll, ending in vertical inscription down LL edge

Figure with Inscription, early 20th century

Higashiyama Bugyoku

Not on View
two-panel screen of an aviary: small octagonal structure bottom center with second, elevated round roof on pole at upper center; set on small island in shallow, green pool with concrete edge; chicken wire fence in background; white and multi-colored pigeons roosting on elevated roof; ducks on edge of pool at R; other water birds wading and swimming; three white feathers floating in pond at R

Aviary, 1920s

Unknown Japanese

Not on View
triangular shaped vase: narrow mouth flaring to wide base with very narrow foot; raised geometric shapes punctuated with grid patterns and intentionally aged with green patina

Vase with overlapping geometrical patterns, early 20th century

Shūhō

Not on View
three male figures sitting on an outstretched blanket enjoying a picnic at LL; gigantic gingko tree occupies majority of image

Picnic Under a Giant Tree, 19th century

Unknown Japanese

Not on View
five men with exaggerated phalluses wrestling over each other in an attempt to rape a woman lying on the ground

Five Men Raping a Girl, 19th century

Unknown Japanese

Not on View
abstract, playful procession of five figures with very tall, cone-shaped heads, exaggerated eyes and noses, minimal bodies; moon in background right

Five sages, late 19th century

Doi Gōga

Not on View
colorful image of a daimyo procession, with male figures marching, carrying large parcels, and some carrying a massive palanquin

Daimyo Procession, 19th century

Unknown Japanese

Not on View
three blue and pale green flying fish with delicate, transparent white wings against a vivid background of blue, green, and gold diagonal lines; white surface cuts across lower quadrant; gold pigment and white splatters punctuate background; two fish arranged near bottom, one near top in an arc

Flying fish, early 20th century

Kōho

Not on View
two severed heads sitting side by side on top of a flat surface at L; matted hair, dripping blood onto surface; cropped lantern URC

Decapitated heads, early 20th century

Unknown Japanese

Not on View
thick tree branches with dense, new twig growth, and many white and pink buds and blossoms; green, gray, and whitish tinges to branches; two doves perched at L

Two Doves in a Wild Plum Tree, late 1920s

Onda Tokuju

Not on View
large, hoop-shaped basket; with raised mass at center; made of wider, darkly stained bamboo and filled in with lacquer, so it has a muddy appearance; copper tube for water

%C2%A9 Nagakura Ken%27ichi

Circle, 1990

Nagakura Ken'ichi

Not on View
white cover with white pattern and Japanese label at R; variety of partially colored images inside including landscapes, people, and animals including dogs, cats, mice, and a camel

Transmitting the Spirit and Revealing the Form of Things: Hokusai's Sketchbooks, vol. 14, 1878

Katsushika Hokusai

Not on View
small white plastic figure with large head, blonde hair, two mouths, and many green eyes sits in meditation position atop a green plastic orb covered with brightly colored flowers, each smiling at the center; orb comes apart revealing small CD supported on white base with blue swirl; underside of top of orb is decorated with white lotus with eyeball at center; sits on silver base with eyeballs

%C2%A9 Murakami Takashi

Oval on a Cosmos Ball, 1999

Murakami Takashi

Not on View
heavily worn ribbon bound book with black and white copied images of birds, flowers, insects, and decorative designs and motifs

Collected works of Kōtōsha, 1923

Kishimoto Shōdō; Artist: Fukuda Suikō

Not on View
colorful landscape; steep cliff along R with path leading to a shrine just visible between rocks; pine trees at top of cliff at center; tall, jagged mountains in mist in background; a flock of cranes fly in front of sun at UL; churning ocean at bottom

Mount Horai, first half 20th century

Komuro Suiun

Not on View
bulbous, squat, delicately shaped flask with very narrow neck; white with hints of lavender, gray, and pale blue over glazes; tan around lip

Flask (tokkuri), 2012

Tabuchi Tarō

Not on View
wide, shallow cup with tapered, narrow base; mostly white glaze with pink, lavender, and mustard highlights

Sake cup (guinomi), 2012

Tabuchi Tarō

Not on View
cylindrical white cup with faint celadon and lavender over glaze; simple, clean silhouette

Sake cup (guinomi), 2012

Tabuchi Tarō

Not on View
graceful, squat flask with short neck; black clay with crazing celadon over glaze; deep glaze pooling at bottom

Flask (tokkuri), 2012

Imaizumi Takeshi

Not on View
round, bulbous sake cup; black clay with crazed celadon over glaze; deep blue pooling on sides

Sake cup (guinomi), 2012

Imaizumi Takeshi

Not on View
three white birds on tree on R; duck in water with water plants on L

Birds in Landscape [right of a pair], first half 17th century

Kano Naonobu

Not on View
three figures fighting against the wind with hat being blown away in snowy landscape; grey, red, yellow, blue, green

Lady Tokiwa fleeing with her sons through the snow. The Secrets of Strategy, no. 1, c. 1848

Utagawa Kuniyoshi; Publisher: Ibaya Kyūbei

Not on View
snow covered bare tree and plants on L with five birds; snow covered branch coming down from top in panel 3 with large bird seated on branch; small flying bird in panel 6

Birds in Landscape [left of a pair], first half 17th century

Kano Naonobu

Not on View
standing heavy-set man with long hair, beard and moustache, scowling, and wearing slippers, belted robe with an additional belt across his chest and a hat; demon figure behind man, holding a sword; ivory roller ends

Shōki with Demon, early 20th century

Mano Kyōtei

Not on View
dramatically arched dragon body emerging from swirling black mist, face at LLC; three sharp claws are visible, the claw at LLC is clutching a golden spiral; dragon is flanked by lightning bolts; swirling cloud pattern with pink, green, and blue shading circles and frames the dragon

Dragon, 1919

Unknown Japanese

Not on View
four large, bold characters arranged vertically; large square intaglio stamp LL edge; large rectangular intaglio stamp LL edge

%C2%A9 Suda Kokuta

A God in the Heavens, a Spirit in the Ground, mid - late 20th century

Suda Kokuta

Not on View
two pieces that bolt together to form long open vessel with jagged upper edges; brown/grey/taupe; component b is on left when viewed from front and is higher on the end

%C2%A9 Kofushiwaki Tsukasa %2F licensed by Minneapolis Institute of Art

Fallen Moon 1, 1994

Kofushiwaki Tsukasa

Not on View
4-part sculpture composed of long, black leaf like forms highlighted with red pigment, eminating from base like a fountain when assembled

%C2%A9 Kofushiwaki Tsukasa %2F licensed by Minneapolis Institute of Art

A Leaf, so It Has a Back and Front, 2000

Kofushiwaki Tsukasa

Not on View
large, rippled black form resembling a wrinkled, windblown tarp

%C2%A9 Kofushiwaki Tsukasa %2F licensed by Minneapolis Institute of Art

Flag-01, 2013

Kofushiwaki Tsukasa

Not on View
flat, kidney-shaped basket with slightly pointed end; low handle arcing over basket between pointed end and rounded end; vertical weave alternating between wide and thin slats with spiraled horizontal stitching; low lacquered bamboo cylinder

%C2%A9 Tanioka Shigeo

Swallowtail Basket, 2000

Tanioka Shigeo

Not on View

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