showing 70 results matching creditline:"Gift of Richard L. Simmons and Rosa Lynn Pinkus"

advanced
black and white stretchy fabric appears to be printed and shrink dyed; print suggests textiles in motion; one edge raw; other has sewn twill tape; shaggy selvedges; possible double weave

%C2%A9 Nuno Corporation %2F Woven Structure Pattern%2C Jun%27ichi Arai%2C 1984

Woven Structure Pattern, 1984

Arai Jun'ichi; Manufacturer: Nuno Corporation

Not on View
square seat of woven fibers; chair is painted in mostly gold, olive green, black; fruit and leaf design painted on chair back at top center; horizontal rail at middle of chair back has a star in a square design flanked by fan-like shapes; striped pattern at front of chair seat

Side chair, c. 1830

United States

Not on View
off-white; rounded back; arms curve downward and forward and extend into front legs; front of seat curves downward and then slightly under seat; an additional layer of plywood for back curves under and behind seat

Armchair, model no. 4801, c. 1963

(Cesare) Joe Colombo; Manufacturer: Kartell

Not on View
cross-like framework where lowest point of chair is the seat; tan rope is woven through holes in wood of the three lower sections of "cross" and rope is tied and woven through holes at top of "cross"

Harp chair, c. 1968

Jorgen Hovelskov; Manufacturer: Christensen and Larsen Mobelhadvaerk

Not on View
wooden lattice seat; front of seat is rounded; lattice bands of seat curve upward at rear to create chair back; two bands of wood curve down to create arms; each of the four legs consist of three bands of wood; legs intersect at bottom center

%C2%A9 Frank O. Gehry

Cross Check armchair, 1992

Frank Gehry; Manufacturer: Knoll, New York, New York

Not on View
warp face; plain weave; black with red borders and six red stripes running through the length; small patterning and fringe at ends

Man's wrapper, 20th century

Tang Khul Naga

Not on View
red and white stripes through the length, with black and white warp patterning and fringe

Man's wrapper, 20th century

Tang Khul Naga

Not on View
block printed overall in leaf motifs with a narrow border of bird and flower pattern; brown on beige with black lining

Shawl, 1879

India

Not on View
warp face, dark brown with beige stripes running the length; thin lines of color in beige stripes

Women's skirt, 20th century

Tang Khul Naga

Not on View
single panel; maroon ground with cone-shaped floral pattern in red; pattern stamped in horizontal rows; name or number printed at one end

Panel, 20th century

India

Not on View
weft ikat; purple with green, yellow and blue geometric patterns

Sari, c. 1975

India

Not on View
weft ikat, partially lined; orange/red central area with horizontal stripes, blue patterning; dark border with light blue and red designs

Sari, 20th century

Naga

Not on View
tapestry; brocade; face dyed (on orange); geometric patterning down edges in metallic thread; body of textile is deep indigo with small circles of metallic; wide area of tapestry at ends

Headcover, 19th century

India

Not on View
block printed and painted; rows of figures in various scenes painted in red, blue and yellow, with brown decorative border; yellow backing

Mata ni Pachedi textile, 20th century

Nagri caste

Not on View
warp face, plain weave; red with black edges through length; two white stripes run the length dividing the design into thirds

Woman's skirt, 20th century

Tang Khul Naga

Not on View
warp face, plain weave with some embroidery; four black stripes run the length on a beige ground; brown and black patterned edge; black/red diamonds in center

Woman's wrapper, 20th century

Tang Khul Naga

Not on View
resist tie-dyed; rust red, green and white; four medallions (large) inside green squares; vertical center join

Inner wedding veil (Patori), late 19th century

India

Not on View
brocade; white with four blue stripes running through the length with six sections of brocade design, perpendicular to blue stripes; fringe on one end

Woman's wrapper, 20th century

Tangkhul Naga

Not on View
four black stripes run the length near edges; central portion light beige with six small designs, scattered

Woman's wrapper, c. 1975

Naga

Not on View
three panels hand stitched together; indigo dyed; blue mottled; warp fringe twisted and knotted at both ends; plain weave

Woman's wrapper, Date Unknown

Sangtam Naga

Not on View
three white stripes run length of wrapper, alternating with black; multi-colored crossing patterns over red run down the edges and hang through the weave in areas

Woman's wrapper, 20th century

Kabui Naga

Not on View
very straight, tall back; seat moulded to resemble padded buttoned seat; elaborate geometric and geometricized organic openwork back rest; two twisted leg supports; geometric rondel design around edge of seat; brown coppery patina

Side chair, c. 1870

Circle of Christopher Dresser; Manufacturer: Masborough Stove Grate Company

Not on View
ivory; seven different integrated weaves (back and front); example: coarse and fine, herringbone and loose woven, etc.; button and top machine surged by company for display panels

%C2%A9 Nuno Corporation %2F Basket Weave%2C Jun%27ichi Arai%2C 1985

Basket Weave, 1985

Arai Jun'ichi; Manufacturer: Nuno Corporation

Not on View
gold lamé (?) pattern in acid burn out; large overlapping vertical circles; ends overcast; finished by company as display panel

%C2%A9 Nuno Corporation %2F Cloud Chamber%2C Otani Keiji%2C 1995

Cloud Chamber, 1995

Otani Keiji; Project Manager: Suwa Hiroko; Manufacturer: Nuno Corporation

Not on View
cotton muslin with six red, blue, yellow and gold geometric embroidery designs; short fringe on the two short ends

Bath towel, late 19th-early 20th century

Morocco

Not on View
green, light blue, pink, purple ikat fabric; black and blue crocheted trim; lined predominately in pink, green and white leaf printed fabric

Coat, 19th century

Central Asia

Not on View
red and white ikat fabric in paisley-like or leaf designs; black, white and blue crocheted trim; lined predominantly in cream fabric with blue stripes

Coat, 19th century

Central Asia

Not on View
multicolored ikat print on white, with dog bone-like shapes; lined with red, green, white and yellow floral print and gold, rust, blue, tan and white striped fabrics; black, orange, white and blue crocheted trim

Coat, 19th century

Central Asia

Not on View
dark purple, blue and white ikat with touches of red in diamond designs; white crocheted trim; lined with white and brown printed floral motif fabric

Coat, 19th century

Central Asia

Not on View
green, blue, purple and white ikat fabric with touches of pink and yellow; purple trim; lined predominately with pink and white floral print fabric

Coat, 19th century

Tajikistan

Not on View
blue and olive Jacquard woven geometric pattern stripes, triangles, rectangles and squares

Woven panel, 20th century

Germany or France(?)

Not on View
red, white, green and purple ikat in stripes with paisley shapes; lined predominantly with red fabric with white and black printed zigzag motifs; blue crocheted trim

Coat, 19th century

Central Asia

Not on View
black figures on natural ground; figures include woman with bow (stylized), deer and hunting dog; vine-like scrolls connect figures

Screen printed panel, 1930

Tom Lam; Designer: DuPont

Not on View
vertical pattern, black and linen color stripes; complex flat weave; ends machine overcast; finished by company as display panel

%C2%A9 Nuno Corporation %2F Basho 80 Stripe%2C Reiko Sudo%2C 1987

Basho 80 Stripe, 1987

Sudō Reiko; Manufacturer: Nuno Corporation

Not on View
narrow swaths of geometrics across double weaves and tube weaves create a vertical banded design; heat and abrasion create a crinkled, springy, narrow fabric; ends serged

%C2%A9 Nuno Corporation %2F Vanilla%2C Reiko Sudo%2C 1988

Vanilla, 1988

Sudō Reiko; Manufacturer: Nuno Corporation

Not on View
black and white formed into tight pleat-like tuck structure using double beam weaving technique; grey appearance; ends serged; selvedges fringed

%C2%A9 Nuno Corporation %2F Bellows%2C Reiko Sudo%2C 1989

Bellows, 1989

Sudō Reiko; Manufacturer: Nuno Corporation

Not on View
two layered weaves sliced apart unevenly to create an edgy counter grain look; black velvet with blue serged ends

%C2%A9 Nuno Corporation %2F Nervous Velvet%2C Reiko Sudo%2C 1992

Nervous Velvet, 1992

Sudō Reiko; Manufacturer: Nuno Corporation

Not on View
double weave sheer silk organdy; hand inserted feathers between layers of double weave; brown feathers, ivory fabric; finished by company as display panel

%C2%A9 Nuno Corporation %2F Feather Flurries%2C Reiko Sudo%2C 1993

Feather Flurries, 1993

Sudō Reiko; Manufacturer: Nuno Corporation

Not on View
square lock pattern of iron plates; rust dyeing; mottled effect; rust color on ivory; one end 1" tape and other overcast machine stitching; finished by company as display panel

%C2%A9 Nuno Corporation %2F Scrapyard Iron Plates%2C Reiko Sudo%2C 1994

Scrapyard Iron Plates, 1994

Sudō Reiko; Printer: Suwa Hiroko; Printer: Sasaki Tomoko; Manufacturer: Nuno Corporation

Not on View
ivory color; triple weave; pile between two sheer layers; top layer dissolved in areas, exposing pile and creating pattern; top and bottom edges serged; called "Peek-a Boo" technique

%C2%A9 Nuno Corporation %2F Moss Temple%2C Reiko Sudo%2C 1996

Moss Temple, 1996

Sudō Reiko; Manufacturer: Nuno Corporation

Not on View
light moss green that fades to cream color; shape is created by two-sheet paper patterns between which was laid plain polyester fabric, heat- pressed; folds and transfer printed in different colors by hand; all edges serged; three dimensional origami pleats

%C2%A9 Nuno Corporation %2F Origami Pleats%2C Reiko Sudo%2C 1997

Origami Pleats, 1997

Sudō Reiko; Designer: Suwa Hiroko; Project Manager: Okada Mizue; Project Manager: Suwa Hiroko; Manufacturer: Nuno Corporation

Not on View
white, three dimensional honeycomb "structure" of stiff filament with square and rectangle patchwork of textile remnants imbedded between; one unfinished end; other has sewn on twill tape; selvedges are irregular

%C2%A9 Nuno Corporation %2F Tsugihagi%2C Reiko Sudo%2C 1998

Tsugihagi, 1998

Sudō Reiko; Designer: Ueno Kazuhiro; Manufacturer: Nuno Corporation

Not on View
purple float woven; cross laid strips of loosely spun wool in a nylon base were abraded to felt and exposed wool/ window frame areas which cause them to shrink and pucker; serged ends; selvedges self folded because of above procedure

%C2%A9 Nuno Corporation %2F Window Box%2C Reiko Sudo%2C 1999

Window Box, 1999

Sudō Reiko; Designer: Ueno Kazuhiro; Designer: Nuno Corporation

Not on View
vertical pattern of stainless steel discolored blob-blue/ brown on stainless steel; finished by company as display panel

%C2%A9 Nuno Corporation %2F Karadaki%2C Reiko Sudo%2C 2000

Karadaki, 2000

Sudō Reiko; Manufacturer: Nuno Corporation

Not on View
very sheer red silk with crane origami patterns; ends machine overcast by company as display panel; salt shrinking technique

%C2%A9 Nuno Corporation %2F Tsuru%2C Keiji Otani%2C 2001

Tsuru, 2001

Otani Keiji; Project Manager: Sudō Reiko; Manufacturer: Nuno Corporation

Not on View
red, very narrow tape interlaced in vertical circular patters in irregular sizes; very open weave

%C2%A9 Nuno Corporation %2F Paper Roll%2C Reiko Sudo%2C 2002

Paper Roll, 2002

Sudō Reiko; Manufacturer: Nuno Corporation

Not on View
plain woven off-white ground with dark flecks with supplementary patterns (?); 3 1/4" black and white striped circles; top and bottom machine serged by company for display panel

%C2%A9 Nuno Corporation %2F Striped Rounds%2C Reiko Sudo%2C 2004

Striped Rounds, 2004

Sudō Reiko; Manufacturer: Nuno Corporation

Not on View
long sash in shades of blue and purple; folded and pressed into triangular patterns; blue thread loops at points on one end

%C2%A9 Nuno Corporation %2F Tanabata%2C Reiko Sudo%2C 2005

Tanabata, 2005

Sudō Reiko; Assistant: Suwa Hiroko; Cutter: Miura Tomoko; Manufacturer: Nuno Corporation

Not on View
cool turquoise ground of transparent fabric; embroidered squares with brown faces in repeating patterns

%C2%A9 Nuno Corporation %2F Carnival%2C Reiko Sudo%2C 1994

Carnival, 1994

Sudō Reiko; Artist: Itō Mayumi; Manufacturer: Nuno Corporation

Not on View
black pile fabric with smooth backing; leather-like surface with abraded regular holes in rows

%C2%A9 Nuno Corporation %2F Amate%2C Reiko Sudo%2C 2000

Amate, 2000

Sudō Reiko; Manufacturer: Nuno Corporation

Not on View
white transparent backing fabric, finished on all sides; small strips of white paper woven into fabric

%C2%A9 Nuno Corporation %2F Patched Paper%2F %28Yaburegami%29%2C Reiko Sudo%2C 1997

Patched Paper/ (Yaburegami), 1997

Sudō Reiko; Manufacturer: Nuno Corporation

Not on View
back is a curved band of wood with three pairs of vertical rails; square seat with wooden borders and woven seagrass; a horizontal rail connects two back legs and two front legs

Grass-Seated chair, c. 1961

George Nakashima; Manufacturer: George Nakashima

Not on View
red, white and pink large, bold ikat fabric; lined with red fabric printed with tan flowers; no trim

Woman's robe (champan), early 20th century

Central Asia

Not on View
jacquard weave with silk and metallic threads; black; large center field with partial gold borders; center field has repetitive pattern

%C2%A9 Shri Noman Abdin

Sari, 2004

Shri Noman Abdin

Not on View
weft ikat; faux patola; red with two stripes of pattern along short ends, one along each length border; center is patterns of yellow, green and blue

Sari, 1950-1975

Naga

Not on View
weft and warp ikat; red/orange sari with floral and bird patterning throughout center in green, purple and yellow; warp ikat pattern along length edges; stripes and weft ikat across one end

Sari, 1950-1975

India

Not on View
weft ikat; border print; navy and red diamond shapes throughout- some divided by solid navy stripes; selvages and finished edges; 4" wide hem facing

Sari, c. 1970

India

Not on View
small; squared-off spindles on back and seat; thin, curved arms; front legs have forked hoof feet; painted with peacock feather on center back and foliage and scrolls at center front of seat, top back corners, front corners and sides

"Elastic" chair, c. 1808

Samuel Gragg

Not on View
double weave; purple and avocado vertical stripe pattern; machine overcastting finished by company as display panel

%C2%A9 Nuno Corporation %2F Basho 80 Stripe%2C Reiko Sudo%2C 1987

Sashiko Stripe, 1993 (original in 1986)

Sudō Reiko; Manufacturer: Nuno Corporation

Not on View
woven cane seat; three wooden rungs on chair back; two sphere-like finials on chair back; pairs of horizontal rails on front, left and right-between chair legs; only one horizontal rail between back chair legs

Shaker side chair, c. 1840

United States

Not on View
three panels hand stitched together; dark indigo with thin lighter blue stripes; warp fringe twisted and knotted at both ends; plain weave

Woman's (?) wrapper, c. 1925

Sangtam Naga

Not on View
dark olive with floral and geometric metallic gold brocade in overall pattern; borders in same design; orange highlights in flowers; hem facing on bottom edge

Sari, mid 20th century

India

Not on View
metalloid aluminum lamé-silver; R side shimmering sheer silver gloss; both ends machine overcast-finished by company as display panel

%C2%A9 Nuno Corporation %2F Stainless Steel Gloss%2C Reiko Sudo%2C 1986

Stainless Steel Gloss, 1986

Sudō Reiko; Manufacturer: Nuno Corporation

Not on View
overall leaf pattern in crepe-like texture; rust and brown-black; ends are serged

%C2%A9 Nuno Corporation %2F Warp-Dyed Maple Tree%2C Reiko Sudo%2C 1991

Warp-Dyed Maple Tree, 1991

Sudō Reiko; Manufacturer: Nuno Corporation

Not on View
purple, pink, blue, white and yellow ikat fabric; black velvet trim; lined predominantly with blue, rust, white, green, yellow and black floral printed fabric

Coat, 19th century

Uzbekistan

Not on View
blue, white, pink and yellow ikat fabric; lined predominately with printed fabric with red and blue checks and grey flowers; black trim

Coat, 19th century

Central Asia

Not on View
indigo with twelve circle traces in shell; four vertical stripes run along edges of the length, small red rectangles in rows throughout center area; fringe

Warrior's body cloth, 20th century

Sema Naga

Not on View
scarf of transparent beige with puckered woven squares in brown and blue, flecked with white; off-white knotted hair-like fringe

%C2%A9 Nuno Corporation %2F Re-Textiles Oshima Mado%2C Reiko Sudo%2C 2003

Re-Textiles Oshima Mado, 2003

Sudō Reiko; Designer: Nuno Corporation

Not on View
red with four bands of white running though the length; ends are finished with green and orange patterning with fringe

Man's wrapper, 20th century

Tang Khul Naga

Not on View
crimson ikat (faux patola); metallic borders with heart-patterned center; bird borders

Sari, 20th century

India

Not on View

showing 70 results matching creditline:"Gift of Richard L. Simmons and Rosa Lynn Pinkus"

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