showing 242 results matching creditline:"Bequest of Professor Alfred Moir"

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laid down on mount with black, tan and gray framing lines; figure at center pulls back drapery to reveal scene of Judith with sword raised, holding struggling Holofernes, lying on bed, by the hair; soldiers at left; squared off in a grid

Judith Beheading Holofernes, c. 1583-1585

Ludovico Carracci

G333

kneeling woman wearing long dress with long sleeves and headscarf, holding a bag (?) open with her hands and mouth; woman looks up

Kneeling Woman, Study for Judith's Servant, c. 1610–15

Carlo Saraceni

G333

study of drapery; overall roughly triangular shape

Drapery Study, 18th century

Francesco Lorenzi

Not on View
arches and columns in Colosseum

Study of Antique Ruins, 1847

Louis-Georges Brillouin

Not on View
recto: seated Madonna and Child; Mary has bare feet, with PR foot resting on a riser; nude Christ child with arms spread outward; other sketchy figure studies in black chalk around main figures; verso: John seated on clouds accompanied by a large bird at right; John is writing on a tablet; long curly hair; sheet affixed to mount with black tape on recto and verso

Madonna and Child (recto); Saint John the Evangelist (verso), 16th century

Unknown Italian, 16th century

Not on View
standing woman wearing a transparent veil, looking up, holding a baby with her PR arm and reaching down to a standing child clinging to her PL hand; sketched architectural details at left

Design for a Funerary Monument with Caritas, 18th century

Giovanni-Battista Cipriani

Not on View
very sketchy, with long flowing lines; four figures surround and carry body of Jesus at center

Entombment, 17th century

Attributed to Jürgen Ovens

Not on View
young man wearing skirtlike garment kneeling on a sack, kissing the hand of a standing old man with long white hair and beard; architectural elements (column and steps) at left; lightly-penciled trees at right

Return of the Prodigal Son, 17th century

Attributed to Paulus van Vianen

Not on View
woman seated at right on rocks looking left; wears dress and elaborate headdress; gestures with right hand, landscape at left with low horizon line

Sibyl in a Landscape, 1640

Attributed to Leonardo Scaglia

Not on View
three seated figures and one standing figure, all looking toward left; frontmost figure seated on a bench

Study for the Calling of Saint Matthew, 16th-17th century

Giovanni Baglione

Not on View
recto: at top--frontal view of an altar with plain pediment and cornice with Ionic columns flanking a sculpture of a standing woman holding a long plant frond; tomb-like element below; ground plan with measurements at bottom; verso: linear shaded architectural elements

Elevation and Ground Plan of Altar Dedicated to Female Martyr (recto); Fragment of Architectural Design (verso), 18th-19th century

Flaminio Innocenzo Minozzi

Not on View
figure kneeling on PL knee, with drapery over PR knee; drapery fully finished--figure lightly sketched; squared off in a grid with numbers

Drapery Study, 19th century

Louis-Georges Brillouin

Not on View
image of right hand and arm, with arm stretched out horizontally and hand held palm up

Right Hand and Arm, c. 1625-46

Circle of Francesco Furini; Artist: Formerly attributed to Ludovico Cigoli

Not on View
recto: reclining woman, with head bent backwards, eyes closed; PL hand in lap, PR arm hanging down; study of drapery folds on garment; verso: study of PR leg of standing man, with foreshortened foot; PL leg behind, with feet at right angles

Drapery Study of a Reclining Woman (recto); Study of a Leg (verso), 18th-19th century

Pietro Fancelli

Not on View
recto: figures seated around a table at left; some standing figures at right; dog, LRC; Jesus seated, left of center, with a zigzag halo; verso: bottom half of sheet--Mary, Joseph and two other figures seated in a semicircle around baby Jesus; Mary and Joseph have zigzag halos; top half of sheet--light black chalk sketch of Madonna and Child

The Last Supper (recto); Adoration of the Shepherds (verso), c. 1621

Pietro D'Asaro (called il Monocolo di Racalmuto); Artist: Formerly attributed to Pietro Novelli (called il Monrealese)

Not on View
standing male figure, seen from back, PL side, with PL foot up on a short platform; man bends slightly at the waist and leans slightly forward, with PL arm upraised

Standing Male Figure, Study for Saint John the Baptist Preaching, 18th-19th century

Pietro Fancelli

Not on View
large fields in center of image made up of rectangular light blue paper with hole below center and tears and roughly rectangular foxed cream paper with brown and left edge and area of red marks at right center; fragments of predominately printed text in various languages and type fonts around edges; some colored paper elements predominately at right side

%C2%A9 Estate William Dole

Tally IV, 1966

William Dole

Not on View
view from inside ruins of forum, with broken-off columns; tall column with sculpture of standing figure at center; Classical buildings in middle ground beyond ruins

Forum of Trajan, Rome, 1827

Antonio Acquaroni

Not on View
two crouching men, back to back; right sketch light and unfinished; man at left wears belted tunic and pants

Two Studies of a Seated Male Figure, 17th century

Unknown Italian, 17th century; Artist: Formerly attributed to Ventura Salimbeni

Not on View
landscape scene with male and female satyrs in foreground at left; putti atop a structure behind foreground figures, with one putti standing on rock at left, rubbing his eyes; tree at right

A Bacchanale with Putti, 1651

Charles-Alphonse Dufresnoy

Not on View
three angels in pendentives, each holding up right arm; two angels at left look toward right; squared

Design for Angels in Pendentives, 17th century

Attributed to Giovanni Battista della Rovere; Artist: Attributed to Giovanni Mauro della Rovere

Not on View
partially reclining figure of a very muscular nude woman with upper body twisted to PL; PR elbow on outside of PL thigh; PL lower arm, PR leg and PL foot not differentiated--hair and PL hand faintly sketched; four O's in brown ink, LRC

Study of Michelangelo's Night Sculpture from the Medici Tombs, 17th century

Attributed to Cesare Dandini

Not on View
standing Madonna holding baby Jesus, who has outstretched arms; kneeling bearded man with PL hand on chest holds an object out to Christ child

Adoration of the Magi, 1701

Unknown; Artist: After Carlo Maratti; Artist: Formerly attributed to Jacques Blanchard

Not on View
recto: Mary holding Christ child, both looking down, in ULC; St. Catherine at right in LRQ; man in bishop's hat reading, LLQ; three small figures (cherubs?) and lower center; verso: sketch of seated woman with text in Italian

Studies of the Madonna and Child Adored by Saints, 17th century

Circle of Simone Cantarini

Not on View
standing woman seen in profile from PR, wearing long skirt and long head covering, also covering her crossed arms; angel to woman's left, slightly bending his knees, with wrists crossed at his chest; angel has curly hair; architectural details in background

Standing Female Saint or Nun and an Angel (after Andrea del Sarto's "Annunciation to Zaccharias"), 16th-17th century

Attributed to Bernardino Poccetti; Artist: after Andrea del Sarto

Not on View
ceiling decoration; segments separated into geometric forms with egg and dart moldings; central tiny circle with dove; largest segments with seated figures writing--figure at left accompanied by a bull; other segments with scrolls, flowers and cherub heads

Design for a Ceiling with the Evangelists John and Luke and the Medici Coat of Arms, late 16th century

Attributed to Cesare Nebbia; Artist: Attributed to Giovanni Battista Ricci da Novara

Not on View
head and torso of man with long hair, leaning toward right; long, thin fingers; PR hand on chest, PL hand holds goblet; shades of brown and white

Saint John the Evangelist, 17th century

Giovanni Battista della Rovere

Not on View
landscape; slightly abstracted; dark cloud, URC; high horizon line; dark shapes/grasses in foreground

Segesta, 1842

Edward Lear

Not on View
Jesus standing left of center, wearing a loincloth, with John the Baptist right of center, pouring water on Jesus' head; two figures at left, one kneeling figure at right; sketchy angels at right edge; several other sketchy figures at left; tiny face in black ink, URC

Baptism of Christ, 17th century

Orazio Borgianni; Artist: After school of Raphael (Raffaello Sanzio or Santi)

Not on View
group of figures seen from behind, watching a bullfight; head of a bull visible through bars of railing at center

At the Bullfight, c. 1825-1845

Leonardo Alenza y Nieto

Not on View
sketch of male lion with PL front paw raised on a rock, directly under his chin; corners of sheet and mount clipped

Study of a Lion, 18th-19th century

Giuseppe Bernardino Bison

Not on View
reclining man lying on his PR side; man looks up toward PRC; man has long beard; sphere behind man in URQ

River God "Archimedes", 18th century

Gaspare Diziani

Not on View
figure tending to a fallen figure at center; horse at left; another horse in background, URQ, with another partially reclining figure; hook-like hatching

The Good Samaritan, 17th century

Attributed to Simone Papa III

Not on View
standing woman, frontal view; short wavy hair; woman wears heavy draperies and has hands clasped in prayer

Standing Draped Figure, 19th century

Edward Coley Burne-Jones

Not on View
view through arches with square columns at right

View of the Tabularium, Rome, 1847

Louis-Georges Brillouin

Not on View
water in foreground with sailing ships; mountains at center and right with some buildings; corners clipped

View of Mountainous Coastal Town and Fortificaton, 18th century

Attributed to Francesco Zucchi

Not on View
recto: sheet divided into two sections with vertical line in black chalk; right section mostly blank, with small sketchy study of figures in LRC; left section has sketch of horse with front legs down, with rider falling from his mount; rider holds a long staff or spear vertically; verso: study of a PR hand with sketchy drapery (?) above

Man Fallen from Horse, Study for Conversion of Saint Paul or Battle of Constantine (recto); Study of a Hand (verso), 17th century

Attributed to Jacques Courtois (called Borgognone); Artist: Attributed to Guglielmo Cortese

Not on View
standing man wearing a cap and a long robe-like garment, holding a staff with both hands; head turned to PL

Standing Draped Man with a Staff, 16th-17th century

Circle of Antonio Circignani (il Pomarancio)

Not on View
king wearing crown seated on high throne at left, surrounded by soldiers; standing man at left, looking down, with his PR hand resting on a small stand; two arched openings in background

Mucius Scaevola, 17th-18th century

Silvestro Manaigo

Not on View
seated man seen from PL, with his upper body twisted or PL, PR hand on PL knee and feet crossed; man wears draping long garment; man has sketchy, large ears

Draped Man Leaning Forward (King Midas?), 17th century

Pietro Bernardi

Not on View
hippocamp seen from front, with very curly mane, slightly off-center, open mouth and long curving sea serpent tail; corners of sheet clipped

Sea Dragon, 16th-17th century

Benedetto Brandimarti

Not on View
smiling man with curly beard and long moustache, wearing foliate wreath

Head of Pan, 16th century

Attributed to Giulio Romano

Not on View
jogging man wearing short skirt and cape exposing upper back; 3/4 view from back; hear turned partially to PL; wild, long, curly hair; PL arm held up, PR arm down, holding a baton (?)

Male Figure Running, 17th-18th century

François Verdier

Not on View
seated figure completely enveloped in drapery, with head bent down and PL knee raised

Draped Lamenting Figure, 19th century

Henri Lehmann

Not on View
smiling boy with short wavy hair

Head of a Young Boy from Sculpture, 17th century

Circle of Annibale Carracci

Not on View
sketch of figures standing clustered around a column, including figure in URQ who has climbed up on column base to look down; bare-chested reclining figure in front of column with PL hand on chest and PR hand outstretched; verso: Italian text in brown ink

Christ Resurrecting a Paralytic, 16th-17th century

Domenico Passignano

Not on View
processing figures, moving toward right; figure third from left holds a shallow bowl in his PR hand; second figure from right in foreground has PR arm outstretched; man at right edge has long beard

Procession, 16th century

Attributed to Andrea Boscoli; Artist: after Polidoro da Caravaggio

Not on View
seated nude (seated on a leaning against blocky structures) seen from PR side, holding a book in his PR hand; PR leg bent with foot to side; figure leans on PL elbow; slightly cartoonish face, looking out of picture plane

Seated Male Youth Reading a Book, 16th century

Attributed to Pietro Faccini

Not on View
study of drapery on a standing figure viewed from PL; torso and legs, with feet and lower legs differentiated; arms not differentiated

Drapery Study, 17th-18th century

Carlo Maratti

Not on View
landscape with road at right; water with sailboats at left; tall bluff in URC with building on top and birds to left of bluff; three figures in foreground on road with two other figures in background

View of Capri from Anacapri, 19th century

Antonio Senape

Not on View
recto: Mary kneeling next to baby Jesus, with her veil behind his head; kneeling and standing figures at left and right; sketchy; verso: sketchy study of legs

Adoration of the Shepherds, 17th-18th century

Attributed to Paolo de Matteis

Not on View
recto: Mary at top center kneeling on clouds, praying, surrounded by cherubs; figures at bottom kneeling and gesturing, with three figures looking in through a window at center; verso: small sketch of a man's face

Assumption of the Virgin after Domenico Passignano (recto); Head of a Man (verso), 18th century

Jean-Robert Ango; Artist: After Domenico Passignano

Not on View
seated nude male figure seen from PL with body slightly turned to PL; PR arm raised, PL arm resting on thigh, with hands in loose fists; dark hair

Nude Male Academy, 18th-19th century

Pietro Fancelli

Not on View
recto: sketchy study of head and upper body of woman with her hair up, wearing a crown, with heavy draperies on her shoulders; from PL side; verso: study of the head, torso and outstretched PL arm of a draped woman with her hair in a bun, from PL side

Study of a Crowned Woman Kneeling, 17th-18th century

Luigi Garzi

Not on View
architectural study of ceiling with figures in spandrel in LRC and at bottom center below central ovoid element, and with various scrolls and swags

Ceiling Design, c. 1785

Giovanni Giuseppe Jarmorini

Not on View
four figures working at an anvil; each figure wears loincloth; other figures in LRC; ovoid shaped image

Forge of Vulcan, 16th-17th century

Attributed to Palma il Giovane; Artist: Attributed to Marcantonio Bassetti

Not on View
PL hand with fingers outstretched; dark crosshatched shading

Left Hand, 17th century

Antonio del Castillo

Not on View
seated bearded man in voluminous draperies, including cloak-like drapery tied around his neck; man looks up to PR; PR hand held out

Saint Augustine, 18th century

Charles-Nicolas Cochin II; Artist: after Giovanni Lanfranco

Not on View
landscape; very tall rock formations forming a narrow cave/grotto left of center; three figures under trees, LRC; two standing figures in LLQ

Ear of Dionysius, 1842

Edward Lear

Not on View
head of a man in profile, looking toward PR; man has curly hair and long beard and wears a cap with a rolled brim at the nape of his neck; small strip of paper at bottom of image with two collectors' stamps

Head of a Bearded Man in Profile, 16th century

Attributed to Carlo Urbino

Not on View
man at right wearing armor and holding a shield, running toward right, looking behind him; woman behind man running with her arms stretched out in front of her, looking back; another man with dark hair and beard running toward couple, hitting soward out of soldier's hand with a shovel

Roman Soldier and Woman Fleeing Man Armed with a Shovel, 18th century

Attributed to Francesco Fontebasso; Artist: Formerly attributed to Luigi Sabatelli; Artist: Attributed to John Hamilton Mortimer A.R.A; Artist: May be Guiseppi Sabatelli; Artist: May be Francesco Sabatelli; Artist: May be Giuseppe Piattoli

Not on View
five sketches--four of seated men; sketch in ULC of a man seated, holding a pen, accompanied by a small angel; sketches at bottom center and LLC of seated men holding pens and tablets; sketch in LRC of a standing man with a pen; seated man in URC

Studies of Saint John the Evangelist and Saint Matthew, 17th century

Giacinto Calandrucci

Not on View
two arms with fingers extended, as if playing a keyboard; view from PR side of body; figure wears fitted long sleeves

Study of an Arm and Hands Playing an Organ, 1609

Attributed to Francesco Vanni; Artist: Formerly attributed to Bernardino Mei

Not on View
woman wearing flowing draperies in LLQ, with a suggestion of a billowing garment behind her head, hovering over a body; another sketchy figure in URC, with billowing garment behind his head

Diana and Endymion, 17th century

Giovanni Lanfranco

Not on View
figures in a small clearing; Apollo seated at center, holding a lyre and wearing a draping garment on his lap and a laurel wreath; muses surrounding Apollo roughly in a circle, with their attributes (scrolls, books, globes, calipers, daggers); Pegasus at left; shaggy-haired man seated in LRC, looking back over his shoulder at muses; two birds behind man

Apollo and the Muses, 17th-18th century

François Verdier

Not on View
standing bearded man, head turned to PL, holding a thick staff; man appears to be stepping up

Standing Draped Man (Saint James Major or Saint Roch), 17th century

Jan de Bisschop

Not on View
portrait of head and shoulder of a man with medium-length curly hair and a short beard looking out of picture plane; man wears a hat and a neckerchief tied in a bow

Portrait of a Man Wearing a Hat, 17th century

Attributed to Jacques de Gheyn III; Artist: Formerly attributed to Jacques de Gheyn II

Not on View
view of a building with multiple stories; arched doorway at left, arched opening to a small balcony at center and arched opening in wall at right; potted plants on high patio at center; trees at left

Italian Landscape, 18th-19th century

Giacomo Quarenghi

Not on View
sketchy figures; compositional lines (large X and horizontal line) drawn over image; collapsing woman in LRQ, supported by standing figure; woman has PR arm outstretched to standing saint, who holds out PR hand to her; other standing and kneeling figures

Saint Benedict Exorcising Demons from a Young Woman, 17th century

Attributed to Ventura Salimbeni; Artist: Formerly attributed to Francesco Vanni

Not on View
Jesus standing at right with head bend, hands in prayer; John the Baptist standing at center, holding a tall cross, pouring water from his PR hand; winged cherub heads in ULC and dove; lamb and standing figures including a boy at right

Baptism of Christ, 18th century

Domenico Tiepolo

Not on View
standing figure of Christ wearing a white loincloth and crown of thorns, tied to a short column; figure at left with arm poised to lash Christ with thongs; figure at left wears salmon-colored skirt and white headband and partially-removed shirt; three figures at right, including turbaned man with long beard wearing salmon-colored robes; very dark ground

Flagellation of Christ, 17th century

Attributed to Jacques Blanchard

Not on View
three large rowboats in foreground, filled with people; figure at front of boat at left stands holding oar over his head; small sailboat at far right in distance; sailing ship with sails unfurled at right in middle ground; other sailing ships at left without sails unfurled, in distance; buildings and hill on opposite shore; grey sky and water with a few low clouds at center

View of the Bay of Naples, 19th century

Giuseppe Canella

Not on View
sketch of a smiling standing man wearing suspenders, holding his hands at his sides with palms facing forward; hand-written text at left

%C2%A9 Donald Lent

An Actor, 1964

Donald Lent

Not on View
dead boy lying in foreground wearing a simple long-sleeved garment, with a foliate crown; same boy seated behind body, with his PL hand on chest of dead body and PR arm raised, head in profile from PL

Study of Two Boys (after Andrea del Sarto's "Resurrection of a Dead Child at the Deathbed of Saint Filippo Benizi"), 16th-17th century

Unknown; Artist: After Andrea del Sarto; Artist: Cristoforo Roncalli (il Pomarancio)

Not on View
standing figure wearing a billowing cape; tall, fluffy hairstyle; figure holds a staff in his PR hand; red drapery behind figure

Study for a Portrait of a Field Marshal, 17th-18th century

Jacopo Amigoni

Not on View
view of a sheer rock wall in a landscape; waterfall at top center; buildings at high horizon line; pool in foreground

View of Tivoli, 1842

George Arthur Fripp

Not on View
Mary Magdalen with long wavy blonde hair, seated, leaning her PL upper arm on a table with heavy turned leg; Mary wears a white gown, exposing her PR breast and arm, with a loop of gold fabric around her lap and PL leg; candle on table at Mary's elbow

Mary Magdalen, 16th-17th century

Pasquale Ottino

Not on View
female allegory or angel, resting on clouds, holding a torch in PR hand; wearing flowing draperies; bare-chested

Female Allegory, 18th century

Lorenzo de' Ferrari

Not on View
line drawing of twisting, slightly crouching nude man with a standing man behind him, cutting first man's PR shoulder

Apollo Flaying Marsyas, 16th century

Circle of Luca Cambiaso

Not on View
old man in profile, with long beard and hair brushed forward

Head of an Old Man in Profile, 17th century

Circle of Guercino (Giovanni Francesco Barbieri)

Not on View
head, torso and upper legs of standing figure, holding partially reclining boy down by his head; man holds dagger in PR hand; man turns to look at small angel behind man holds man's PL arm; sketchy; watermarks (or pencil sketches?) on back of mount--shield and circle with bird

Sacrifice of Isaac, 17th century

Attributed to Giovanni Andrea de' Ferrari; Artist: Formerly attributed to Gioacchino Assereto

Not on View
recto: two sketches--at left, PR hand and drapery sleeve; at right, PL hand holding drapery in folds on shoulder and PL arm; verso: midsection of seated figure with PL hand resting on chair arm

Study of Hands and Drapery (recto); Study of Chest and Arms of a Seated Cleric (verso), 17th century

Attributed to Alessandro Tiarini

Not on View
recto: seated Madonna holding standing Christ child, on clouds at top center, surrounded by angels and cherubs in a ring, hand in hand; at bottom, three standing male saints, from left: John the Baptist with his cross, man holding an open book, man holding a closed book in his PL hand and man in bishop's hat with crozier; verso: scene of the descent from the cross with Mary behind Jesus, holding him beneath this PL arm; praying and mourning figures surround Jesus, with two ladders behind them; lower left corner of drawing is missing

Madonna and Child with Four Saints (recto); Pietà (verso), 16th century

Federico Zuccaro; Artist: verso attributed to Antonio Viviani

Not on View
recto: sculpted male head with wavy hair in chunky pieces; wide bridge of nose; head turned slightly to PL; verso: standing nude male figure seen from back, with head bent down; heels together, with PR foot slightly in front, toes apart; PR hand on back of hip bone; some geometric perspective sketches, LRC

Head of Meleager (recto); Unfinished Study of the Farnese Hercules from the Back (verso), 18th-19th century

Pietro Fancelli

Not on View
recto: seated nude male figure with legs apart; PR knee higher than PL knee; arms out, with hands not differentiated; head bent slightly downward; torso well differentiated; verso: arm holding staff and line indicating side of body

Seated Male Nude, 19th century

Luigi Sabatelli

Not on View
study of crumpled cloth (napkin?) on lightly striped surface (tablecloth?)

%C2%A9 David Ligare

Drapery Study, 1979

David Ligare

Not on View
two standing figures--male on left, female on right; each figure has PR arm held out in front of them; both figures heavily draped; man has curly shoulder-length hair and beard and wears sandals; woman has long curly hair covered with headscarf; verso: light sketch of a face

Standing Draped Male and Female Figures, 16th century

Circle of Giulio Romano; Artist: Workshop of Raphael (Raffaello Sanzio or Santi)

Not on View
standing woman in profile from PR, wearing calf-length skirt and apron

Maid Servant, 18th century

Francesco Simonini

Not on View
woman walking, seen from front; woman has long wavy hair and wears a gown with a slit in PL side, allowing a view of tall sandals; gown tied with a sash at waist; scooped neckline; PL arm at side; PR arm held away from body, with arm unfinished and hand out of picture plane; grey wash overall on background

Woman in a Neoclassical Dress, 18th century

Attributed to Jean Grandjean

Not on View
five sketches--four of seated men; sketch in ULC of a man seated, holding a pen, accompanied by a small angel; sketches at bottom center and LLC of seated men holding pens and tablets; sketch in LRC of a standing man with a pen; seated man in URC

Angelic Vision of a Bearded Man (Saint Jerome?), 17th century

Attributed to Alonso Cano

Not on View
standing youth wearing heavy draperies--cloak over long skirt; figure seen from PL, gesturing

Drapery Study of a Young Man, 17th century

Giovanni da San Giovanni

Not on View
St. John the Baptist at center, Christ at center right, flanked by angels, who draws a cloth over Christ's head; God the Father and Holy Ghost represented as dove in clouds; crwod at left

Baptism of Christ, 17th-18th century

Tommaso Redi

Not on View
recto: pair of standing winged women flaking an open ovoid area (undefined cartouche); both women wear heavily folded draperies; woman at left extends her PR arm across her body along top edge of cartouche; woman at right rests her PR elbow on edge of cartouche and holds a large bouquet (?) in her PL hand, which rests on her hip; verso: pair of standing women flanking an open circular area; woman at left is winged and is writing, leaning her paper on edge of cartouche; woman at right rests PR elbow on cartouche with hand held upward

Study of Two Female Allegories Flanking a Cartouche (recto and verso), late 18th century

Unknown French, 18th century

Not on View
kneeling man wearing long cape-like drapery; bare feet; arms held out toward PR with hands outstretched; suggestion of halo; black border drawn around edge

Study of Kneeling Figure from the Back, 16th-17th century

Giulio Cesare Procaccini

Not on View
Jesus at center, praying, leaning on a rock, with an angel in front of him carrying a cross and a goblet; three sleeping figures at left

Agony in the Garden, 17th century

Domenico Piola

Not on View
standing young person with shoulder length, straight, dark hair, curled under at ends, looking down, with PR hand on chest, wearing a knee-length robe; light sketch of a head to left of youth's head; verso: line sketch of pair of legs, LLC

Draped Youth Standing, 19th century

Louis-Georges Brillouin

Not on View
standing figure wearing heavy robes; PR arm slightly raised; sketchy head up and turned to PR

Study for the Drapery of a Standing Figure, 16th-17th century

Carlo Bonone

Not on View
ruins, an ancient theater with semicircular descending rows of seating; water in distance with sailboats; island with buildings in center backgroundt; foliage and buildings in foreground, with four figures--three standing and one seated, drawing

View of Siracusa, 19th century

Antonio Senape

Not on View
mounted on cardboard; Mary holding and looking at baby Jesus with Joseph at right looking on

Holy Family, 17th century

Circle of Simone Cantarini

Not on View
male figure wearing tan knickers, grey socks, greenish long coat and top hat, resting his head on his PL arm; no background differentiated

Resting Boy, c. 1810

Joseph Powell

Not on View
standing figures with draping garments; arms outstretched

Standing Draped Figure, 16th century

Attributed to Carlo Urbino

Not on View
head and torso of a man wearing a heavy garment, with PR elbow resting on a stack of books, head in hand; PL hand also rests on books; face sketchy--drapery study; corners clipped

Saint Thomas Aquinas in Meditation, 17th century

Circle of Giacomo Cavedone

Not on View
image of face of putto in grey; rust-colored ground

Head of Carved Putto, 17th century

Unknown; Artist: Formerly attributed to Francois Duquesnoy; Artist: Formerly attributed to Nicolaes Berchem

Not on View
central rectangular image of man wearing helmet and carrying shield, riding a rearing horse; three female figures at left; round building in URC; nude female figure standing on an orb at left; female caryatid at right; decorative frieze below

Heroism of Marcus Curtius, c. 1550-95

Circle of Federico Zuccaro; Artist: Circle of Taddeo Zuccaro; Artist: Formerly attributed to Francesco Salviati or his circle

Not on View
reclining foreshortened figure, lying on PR side, with knees bent and feet drawn up; sketchy

Seated Boy, 17th century

Jan Both

Not on View
Peter seated at center with shackles on his wrists and ankles broken, with arms held open, PR arm raised and PL arm down with hand near his PL thigh; Peter has curly hair and beard; angel at right touches Peter on shoulder and holds PL arm toward open doorway at right with view of buildings; two sleeping soldiers in foreground--figure on left holds his head in his PL hand, figure on right wears helmet and leans on his shield

Liberation of Saint Peter, 16th-17th century

Patricio Cajes

Not on View
Pan at right, grabbing Syrinx around the waist, who has her PR arm up and her PL arm across her chest, pulling away; three other figures seated in LLQ; medium brown wash through much of image

Pan and Syrinx, c. 1760

Attributed to Giuseppe Bazzani; Artist: Formerly attributed to Francesco Trevisani

Not on View
recto: man seen from back, wearing a coat with large pockets and stitching on slit at back; man holds papers with text in PR hand; legs of stool visible beneath coat hem; verso: fantastic columnar architectural element with cartouche, swags and foliate scrolls, face and animal legs

Man Seated at a Draftsman's Table, 18th century

Attributed to Carlo Marchionni or; Artist: Attributed to Pier Leone Ghezzi

Not on View
at left: half-length portrait of frowning man, bent forward on books (?); man wears a cap tilted to PR; at right: half-length figure of a woman resting her chin on her PL hand, reading a letter held in her PR hand, while an old man with a frowning face peers over her shoulder

Half-Length Caricatures of a Suspicious Man and an Ill-Sorted Couple, c. 1820

Unknown (British), 19th century; Artist: Formerly attributed to Francesco Bartolozzi

Not on View
portrait of man with receding hairline and long sideburns; brown eyes; wearing a grey coat with a star on his PL breast and a metal on his PL lapel

Portrait of Dr. Leighton, c. 1840

Henri Monnier

Not on View
head, torso, PR thigh and knee and PL foot of seated figure with medium length dark wavy hair, leaning on PR arm, holding a white drape at right; portion of column visible behind figure; irregularly-shaped sheet laid down on two fragments of architectural drawings, with foliate swag in URQ and column fragment in ULC

Putto Lifting Drapery, 17th century

Unknown Italian (Florence), 17th century

Not on View
two horses at left; central soldier in armor holding a sword up behind his back, preparing to slay a fallen soldier before him on ground; other soldiers and horses at right and in background at center

Battle Scene, 16th-17th century

Antonio Tempesta

Not on View
group of kneeling supplicating men, some wearing thin drapery or loincloths; many zigzag pen strokes

Group of Worshipping Men, 17th century

Pseudo Gherardi

Not on View
recto: female nude, with lower legs undefined, seen from PR side, with upper body twisted to left; PR arm raised; verso: portion of a drawing with two figures in a boat at center; landscape in background with three standing figures; pointing hand at left edge of sheet

Twisting Nude (recto); Two Figures in a Boat with Landscape (verso), 16th-17th century

Formerly attributed to Ferraù Fenzoni

Not on View
study of drapery folds in roughly an X shape

Drapery Study, 16th century

Attributed to Wolf Huber

Not on View
recto: standing woman wearing long draped robe; hands folded in front of her, holding a palm frond; woman slightly slouches and looks up toward PR; verso: four studies of sitting, striding and gesturing nudes in various sizes

Standing Female Martyr (recto); Studies of Figures (verso), 19th century

Salvino Salvini

Not on View
five faces; clockwise from LLC: man with long grey hair and grey beard, woman wearing wreath with red flowers, woman wearing a headscarf (?) with a pink feather, woman with large curl over PL ear, woman in profile with brown hair

Study of Five Heads, late 15th-early 16th century

Unknown Italian

Not on View
seascape with hill/land mass at center and left; beach and water at right; sketchy figures sitting on beach in LRC; standing figure on shoreline beyond seated figures; green, tan, grey and blue

Grotto of Tiberius at Sperlonga, 18th-19th century

Carlo Labruzzi

Not on View
seated man wearing a coat with a wide collar and knickers; man has drapery over his PL shoulder; long curly hair; head lightly sketched, not fully completed

Portrait of an Alderman, 17th century

Attributed to Anthony van Dyck

Not on View
standing figure with long white beard; PL leg on a block; PR hand resting on PL thigh; figure holds stone tablet on PL knee; border drawn around figure

Moses, 18th century

Circle of Giambattista Tiepolo (Giovanni Battista Tiepolo)

Not on View
Madonna and Christ child seated at top center; standing male saint with hooked staff at left, with long beard; male saint at right kneeling on PR knee, hands in prayer; partially squared off in a grid

Madonna and Child Adored by Two Male Saints, 17th century

Alonzo Rodriguez

Not on View
falling partially draped figures; falling angel at left; clouds at bottom

Fall of the Damned, 19th century

Giuseppe Bezzuoli

Not on View
crowded, busy scene of horses and men fighting; empty, blank rectangle at bottom center

Study of a Battle, preparatory sketch for the fresco 'Clovis Defeats Alaric II', 1653

Raffaello Vanni

Not on View
landscape; view through a rock archway with foliage growing on top and at left side; more foliage beyond visible through opening

Cava di Tufa, 18th century

Louis-Gabriel Blanchet

Not on View
two studies of a man's torso; top study has sketched-in head and face; each study in the same pose, with PL arm across stomach

Studies of a Male Torso, 17th century

Baldassare Franceschini (il Volterrano)

Not on View
three figures on a cloud; figure at left kneels; figure at right crowns kneeling figure; third figure in back raises PL hand; squared-off corners

Apotheosis of Classical Divinities, 18th-19th century

Giuliano Traballesi

Not on View
arms, head, torso and upper legs of a nude figure, in profile from PR, with arms outstretched and head down, forming an L shape

Male Figure with Outstretched Arms, Study for the Beethoven Frieze, c.1902

Gustav Klimt

Not on View
abstract image; blue ground fading subtly into grey at right edge; triangular forms in LRC in pale green, yellow, orange, red and pale blue--color shading subtly into other hues

%C2%A9 Steve Wilson

Intrusion, 1968

Steve Wilson

Not on View
Mary wearing blue gown with tan headscarf, seated on a tall chair; man figures gathered around Mary, seated, sanding, gesturing, wearing garments of various colors; architectural elements with squared column capitals and arches in background; tan and green books in LRC

Death of the Virgin, 16th-17th century

School of Carlo Saraceni

Not on View
view of a large, elaborate architectural fountain with five torrents of water in archways surmounted with a large architectural structure with sculptures and inscriptions; many figures around sculpture and horse-drawn carriages; another building in background on a hill in LRQ; long inscription in the plate, LLC

Vedute del Castello dell' Acqua Paola sul Monte Aureo, c. 1751

Giovanni Battista Piranesi

Not on View
seated figure in a high-backed chair, seen in profile from PL, wearing voluminous robes and bishop's hat; head turned toward PR; mounted on heavy blue paper

Study of a Seated Model Wearing a Bishop's Chasuble and Mitre, 18th century

Attributed to Joseph-Marie Vien; Artist: Attributed to Eustache Le Sueur

Not on View
three large rowboats in foreground, filled with people; two small sailboats in middle ground; large sailing ship at left in distance with other ships at right without sails unfurled; Mount Vesuvius in background; grey sky and water

View of Mount Vesuvius, 19th century

Giuseppe Canella

Not on View
standing, slightly foreshortened male figure, viewed from low angle; arms upraised--PR upper arm covers face; squared off in grid

Nude Male Standing with Arms Raised, 17th century

Attributed to Giovanni Lanfranco

Not on View
sketchy style; standing figure carrying another figure in his arms; possible architectural element at right

Dedalus Burying Icarus, c. 1605

Carlo Saraceni

Not on View
four tiny sketches; clockwise from ULC: two men pouring from one large vessel into another, man pouring from a small vessel into a large one while pouring over a utensil, man stirring a large vessel, man seen from back slightly bent over with PL hand in a vessel

Soap or Soup Makers, 17th century

Stefano della Bella

Not on View
sketchy image of cluster of fighting figures; figure at left center holds a dagger; fallen figure in LLC

Massacre of the Innocents, 17th century

Pietro Testa

Not on View
standing bearded man with long hair, wearing salmon-colored and white garments, bound at the wrists, gesturing with his hands, at right, accompanied by two guards--one with a long staff; two men, each wearing shades of red, seated on a tall platform, at left; blonde woman wearing white blouse behind turbaned seated man at left; soldier, seen from back, leaning on platform, at left, accompanied by a seated dog; three other male figures at center in background; red flag on pole at diagonal extending from column, at top center of image; dark interior

St. Paul Before the Praetor, 17th century

Attributed to Nicolaus Knüpfer

Not on View
various small sections of letterpress printing in various languages and various type fonts; some diagrams (a circular chart in LLQ, a column base at top center, a round diagram in URQ), illustrations (organic designs in LLC, images from stamps and a ticket in LLQ) and bars of music; some sections of handwritten text in various languages including a section at bottom center of possibly Arabic text

%C2%A9 Estate William Dole

The Dictionary, 1971

William Dole

Not on View
trompe-l'oeil image of various pieces of printed paper--black and white print of figures in a ruined landscape, newspaper front page in German, color image of buildings, images of soldiers, portrait of a woman wearing black headgear, still-life with bottles and food, flower, playing cards, sheet music--on a knotty wood background

Copyright of the artist%2C artist%27s estate%2C or assignees

Trompe-L'Oeil, 19th-20th century

Carl Friedrich Windels

Not on View
recto: upper bodies of figures, seen from low viewpoint; one figure holds a flat object (book or tray?) with both hands on bottom of object, at left; verso not examined--received framed

Study of Figures in a Dome (recto); Figure Study (verso), 1650s

Attributed to Baldassare Franceschini (il Volterrano); Artist: Formerly attributed to Correggio (Antonio Allegri)

Not on View
tall, thin image of a standing satyr playing pan pipes; satyr may be wearing a hat

Pan, 16th century

Attributed to Pellegrino Tibaldi

Not on View
centaur with PR front leg raised; thick midsection at human waist; centaur looks backward toward PL; trees in background

Centaur, 17th century

Carlo Saraceni

Not on View
standing man with his PL hand on his hip, resting his PR elbow on a ledge; heavy-set man wears a small brimmed hat; long sheepskin overcoat, coat with large buttons and knickers

Standing Man in a Sheepskin Coat, 1778

N. Grenicher

Not on View
owl perched on an ovoid element

Owl, 18th century

Pier Antonio Novelli

Not on View
head of a man with a medium-length curly beard and shaggy, curly hair; man has solemn expression

Portrait of a Bearded Man, 17th century

Attributed to Nicolas Lagneau

Not on View
four putti at top--three holding a square banner, the fourth flying horizontally at top center; head and PR shoulder of a figure at bottom, LLQ; sketchy

Putti Floating a Banner, 18th century

Giambattista Tiepolo (Giovanni Battista Tiepolo)

Not on View
standing man looking down; man wears a hat and short cloak or blanket around his upper body and holds a short walking stick; blank negative space behind man at right side of sheet

Standing Man, 17th century

Attributed to Cornelis Bega

Not on View
rust-red ground paper applied to white sheet; predominately rectangular pieces of colored paper, mainly applied to LRQ--oranges, reds, purple, browns, cream-colored

%C2%A9 Estate William Dole

Like Red, 1962

William Dole

Not on View
recto: sketch of seated muscular man, with long curly hair and long white beard; head turned toward left, looking upward; PR arm across body, holding book (?) on table at right; drapery across lap; verso: curvilinear lines, script?

Study of a Male Saint Writing, c. 1618-1620

Circle of Guercino (Giovanni Francesco Barbieri)

Not on View
various small sections of letterpress printing in various languages and various type fonts; some diagrams (column and cornice sections in URQ, four diagrams of various skulls at top URQ) and illustrations (column capital at bottom center, certificate with eagle in LRQ); some small sections of handwritten text in various languages; vertical section of three lines of Asian text at right; yellowed rectangles in LLC and at left edge (probably inherent, but may be damage to sheet?)

%C2%A9 Estate William Dole

The Dictionary, 1971

William Dole

Not on View
three figures on the ground--one on hands and knees; a sketched-in fourth figure in URQ

Three Male Figures Writhing on the Ground, Study for a Resurrection, Pentecost, or Conversion of St. Paul, 16th-17th century

Palma il Giovane

Not on View
landscape with ruins at left; group of partially draped seated and partially reclined figures in foreground, center; some standing figures in middle ground near ruins; mountains in distance at right

Italian Landscape with Figures, 17th-18th century

Johan van Haensbergen

Not on View
standing figure wearing heavy, long drapery; figure stands in profile from PR, with head turned to PR; bottom half of face delineated, but not finished

Standing Male Figure, 17th century

Adriaen van de Velde

Not on View
figures in a landscape; Christ at left wearing blue garment, accompanied by five figures in various colored robes; three men, including one man wearing vest of armor, kneeling at center before Christ; man in vest of armor with sword, wearing red cape with white fur lining at right, seated on horseback, accompanied by seated dog; standing armored soldier behind kneeling figures; other standing figures and horse; foliage at left

Christ with the Centurion, 1632

Nicolaes Cornelisz Moyaert

Not on View
various small sketches on sheet; round coat of arms medallion with acanthus leaves surrounding small irregularly-shaped shield mounted with a helmet of armor and a small scroll with text at top, at right center of sheet; sketch of helmet of armor in LLC; small sketches of figures in various poses overall, including scene of flogging at left center and soldiers with flags and spears

Medici Coat of Arts with Figures from Callot, 17th century

Ercole Bazzicaluva

Not on View
recto: partially reclining body with long hair, leaning on his PL elbow, PR knee raised, looking up; boy wears jacket and knickers; verso: young man wearing long vest and knickers, with bare lower legs and feet, bending over to grasp a small barrel-like object; received framed with both sides of drawing visible

Study of a Seated Boy (recto); Study of a Youth Standing (verso), 18th century

Pieter Jacob Horemans

Not on View
small paragraphs, lines of text, words, letters, bar of music scattered throughout image, in black and red; abstract cloudy areas of color and spots of color over text in red, khaki, forest green and medium blue

%C2%A9 Estate William Dole

Generalba, 1971

William Dole

Not on View
old paper with holes and creases at center (probably from a book) with some small scraps of printing in various fonts and languages; several hand-written elements in pencil and ink at lower corners and ULC; purplish-grey rectangle in LRC with fragments of colored marbled endpapers--predominately red and blue, and green and blue; small thin orange strip of paper to left of old paper background, ULC

%C2%A9 Estate William Dole

Work Sheet I, 1964

William Dole

Not on View
abstract image of primarily horizontal and vertical calligraphic lines--a few curved lines

%C2%A9 Estate Ulfert Wilke

Music to be Seen #1, 1956

Ulfert Wilke

Not on View
Christ at center in red robes wearing crown of thorns; figure kneeling in LRC wearing blue binds Christ's wrists with rope; soldier behind Christ with unidentified tool; another figure at right wearing brown; three figures in shadows, ULC; dark image

Crown of Thorns, 17th century

Lorenzo Garbieri

Not on View
recto: upper bodies of figures, seen from low viewpoint; one figure holds a flat object (book or tray?) with both hands on bottom of object, at left; verso not examined--received framed

Studies of a Head and a Foreshortened Hand, 17th century

Unknown Italian (Bologna?), 17th century; Artist: Formerly attributed to Agostino Carracci

Not on View
recto: two figure sketches; figure at right faces left, turned 3/4, with head down and wrists bound; figure at left faces right, bent forward at the waist, wrists bound; cloudy wash overall; cloudy third figure at top center--bleeding through from back of sheet; verso not examined--received framed

Two Studies of the Bound Christ (recto); Study of the Bound Christ (verso), 17th century

Alessandro Maganza

Not on View
thin bearded man with long limbs, lying on rocks with head bent upward against rock-pillow, hands on abdomen and feet on ground; small roaring lion at right

Death of Saint Jerome, 16th century

Blas de Prado

Not on View
portrait of seated man, in profile from PL, looking at a piece of paper held in his PL hand; man has shaggy hair, beard and wears glasses and a jacket

%C2%A9 Estate of George Warren Rickey %2F Licensed by VAGA at Artists Rights Society %28ARS%29%2C NY

Portrait of Alfred Moir, 1969

George Warren Rickey

Not on View
mounted on ivory paper with red-brown borders; face with wide open, wild eyes, open mouth with teeth visible and unkempt hair

Self-Portrait Screaming in Terror, 1780s-90s

Joseph Ducreux

Not on View
five heads in a circle; head in lower right has mouth open with long fangs; frowning face with long nose at bottom center; grimacing balding head in lower left; compacted face in ULC, with head looking up; head with very large chin in profile, URC

Five Grotesque Heads, 18th century

Gaetano Gandolfi

Not on View
reclining woman in foreground, leaning on her PR elbow, looking up at a man who kneels, looking up, behind her; four other figures also looking up in background; clouds, ULQ; squared off in a grid

A Miraculous Cure, 16th-17th century

Attributed to Bartolomeo Cesi

Not on View
Mary seated at right, holding baby Jesus on her PR knee; Joseph stands at left, pointing to Jesus, with his PR arm raised, PR foot resting on a rock; adoring man, LRC, and angels at right and top; squared off into a grid

Rest on the Flight into Egypt, 1585-1588

Federico Zuccaro

Not on View
recto: study of drapery on a standing figure; head, PR arm and PL upper arm/shoulder slightly differentiated, but features not included; figure holds drapery against PL thigh; some muscles of torso visible through drapery; verso not examined--received framed

Drapery Studies (recto and verso), 1560s-1570s

Unknown Italian (Roman), c. 1560s - 1570s; Artist: Formerly attributed to Girolamo Muziano

Not on View
low-crouching lioness seen from PL side; studies of hips, face and PL leg of lioness around finished full figure

A Lioness Preparing to Spring, August 8, 1889

William Strutt

Not on View
blonde woman with large, wide eyes and round face seated on a donkey; woman wears a white blouse and apron, yellow vest, long blue skirt, red shoes, red headband and white neckerchief trimmed in red; brown donkey wearing a harness

Woman on a Donkey (Lady Bessborough or Lady Spencer?), 1793-1794

Giovanni Battista "Tita" Lusieri

Not on View
battle scene with soldiers fighting hand-to-hand at left in middle ground; two soldiers--one fallen--in foreground; Alexander Farnese behind soldiers in foreground, standing with feet apart, pointing with his PL arm; soldiers wear draping garments and helmets with plumes; buildings at right; additional armies in far distance, UL; mounted to ivory sheet with attached green border

Alexander Farnese Directing the Siege of Antwerp, 1580s

Ludovico Carracci

Not on View
baby Jesus at center, lying on a cloth; Mary seated at right, holding her head in her PR hand, looking at Jesus; standing figure at right points at Mary; kneeling figure at left in foreground, seen from back, with a staff and a basket on the ground next to him; four figures behind Jesus; additional figure carrying a basket on her head in middle ground behind Mary; donkey and cow at left

Adoration of the Shepherds, c. 1615

Abraham Bloemaert

Not on View
seated figure wearing long drapery, including drapery in a hood over head; figure had PR knee raised and rests PL elbow on a rock, with head on PL hand, looking up; rocky ground

Drapery Study: Seated Figure, 17th century

Attributed to Ortensio Crespi

Not on View
mounted to ivory sheet; two oval drawings, on top of the other; top drawing of two tritons--one at right with curly hair and beard hold a club aloft in his PR hand; another figure rides on his back; triton at right with curly hair holds an animal skull in PL hand and a club in PR; bottom drawing of men riding bucking hippocampi; man at right hits man at left over the head with a club; man at left holds two fish in his PR hand

Battling Tritons and Men on Hippocampi, 16th century

Pellegrino Tibaldi

Not on View
standing figure wearing long jacket with wide cuffs and knickers, with medium-length curly hair and a large nose, with hands in his pants pockets; very light, illegible inscription above figure's head

Caricature of George Michael Moser (?), 18th century

Sir Nathaniel Dance-Holland

Not on View
head and torso of dead figure of Christ, lying with head up on drapery; bare-chested; hands unfinished; verso not examined--received framed

Pietà: The Dead Christ (recto); The Mourning Virgin (verso), 16th century

Unknown Italian; Artist: after Sebastiano del Piombo; Artist: Formerly attributed to Francesco Salviati; Artist: Formerly attributed to Michelangelo Buonarroti

Not on View
mounted on ivory sheet with pale red borders; seated man at left; seated woman at right; four standing figures in background; curtain at right; heavy shadow across center bottom; putto in LLC

Hercules and Omphale, 17th century

Attributed to Gerrit van Honthorst; Artist: after Alessandro Turchi (called Orbetto)

Not on View
mounted to ivory paper with grey border; three putti; foremost putti holds a cello

Putti Playing Music, Design for a Pendentive, 1538-1539

Pomponio Amalteo

Not on View
recto: dead Christ's body in zigzag shape, with head bent back, legs bent at hips and knees, seen from PR; curly hair; verso: loose rendering of a young man's head, upper arm and hand

The Dead Christ (recto); Studies of a Young Man, His Arm and Hands (verso), c. 1721

Antonio Balestra

Not on View
mounted to ivory sheet with pale red borders; sketchy figures in clouds; two central figures look down; figures at left conversing together; one figure in URC looks up; verso not examined--received framed

Angels Looking Down from Clouds (recto and verso), 17th-18th century

Matteo Bonechi

Not on View
mounted to ivory paper; standing central figure with his PL hand on the forehead of a thin, seated old man, and his PR hand held in a blessing gesture; dog, LRC; many figures in background, including child at central man's PL elbow and woman with baby at right; column and base at top right of center; squared off with black chalk

Saint Lawrence Restoring the Sight of Lucillus, c. 1604-1606

Giovanni Baglione

Not on View
mounted on ivory paper; architectural element with scrolls; putto at left sitting on architectural element; tiny putto in URQ

Putti with the Impresa of Pope Leo X, 1585-1587

Jacopo Zucchi

Not on View
mounted on ivory paper with tan, brown and gold borders; standing portly man with small glowing halo, with PR foot resting on a ball and PL on a shield (?), holding a crucifix in his PR hand and a lily in his PL hand; chair, large book, cloth-covered table and sacks on floor behind man

Standing Saint, 17th century

Anthonis Sallaert

Not on View
Mary seated on a cloud accompanied by many cherubs; cherubs in sky in ULC and drawing back a cloth in URC; angel at left with scales pulling up a woman while two men and other figures look on from bottom; sketchy style

Madonna Rescuing Souls from Purgatory, 18th century

Jacopo Cestaro

Not on View
mounted on tan paper; central female figure with long hair and her drapery flowing behind her head; two putti, each with a bow and arrow, fly in top corners; kissing figures at left; male figure in LRC holding horns (?) with curly hair and beard; putto with sea serpent below female figure

Triumph of Galatea, c. 1630

Cavaliere d'Arpino

Not on View
couple seated at a table with green and white table coverings--man just rising from his chair; another woman in blue dress with white apron stands at right; seated woman holds a white cat; painting and sketch hang on wall in background

Painter and His Wife Just Finishing Their Meal, 19th century

Michael Baschiloff

Not on View
recto: winged figure partially reclining on a curved element; figure holds a staff (?) in PR hand with outstretched arm; slightly foreshortened head; squared off in a grid; verso not examined--received framed

Fame (recto); Fame and Studies of Putti (verso), 17th-18th century

Francesco Solimena

Not on View
solider wearing a helmet, looking up to PL; curly hair; bulbous nose; wearing armored collar

Head of a Helmeted Soldier, 16th-17th century

Attributed to Bernardo Strozzi; Artist: Attributed to Giovanni Battista Caracciolo

Not on View
eight gods in the clouds, accompanied by two putti with ribbons; four gods are standing, four are seated; nine muses seated below on a hill with musical instruments, books, scepters and crowns

The Olympian Gods and the Nine Muses, 17th century

Attributed to Jacopo Ligozzi

Not on View
angels and cherubs in clouds in a V-shaped configuration; St. Matthew at center, holding a large book (?); architectural details at top and edges; mat cut to cover URC

Glorification of Saint Matthew, c. 1754

Martin Knoller

Not on View
mounted to ivory sheet with brown borders; ivory and green overmat with tan and gold borders; sketch; cart at bottom drawn by a horse with its rider wearing a mask and carrying a switch; five seated figures on cart and one women wearing a mask (or female scarecrow figure?) seated on a stool at back of cart; sketch of a man on horseback in ULC; small portrait of the head and torso of a masked woman behind horseman

A Horse-Drawn Festival Cart with Studies of a Horseman and a Masquerader, 17th century

Stefano della Bella

Not on View
recto: head of a bald man with long dark moustache, beard and eyebrows, in profile from PR, at center; drapery studies at right (very light); seated figure study, ULC; two studies of hands and one of foot, LRQ; verso not examined (received framed)

Head of a Bald Man in Profile and Sketches of a Seated Man and of Drapery (recto); Sketches of a Male Head and Arms (verso), c. 1720

Federico Bencovich

Not on View
sketchy, unfinished; two figures; left figure reclines on cloud; right figure with arms out, PR hand touching arm of left figure; legs of right figure redrawn several times--figure has four legs

Diana and Eolus, 18th century

Giambattista Tiepolo (Giovanni Battista Tiepolo)

Not on View
sketched studies; torso and head of reclining winged female with a horn (?) at left; lighter sketches of architectural elements at right; verso not examined--received framed

Female Figure Reclining (Allegory of Fame Vanquished by Time), Architectural Studies (recto); Three Studies of a Female Figure Reclining, Studies of Sculptural Ornament (verso), 1660s-1670s

Baldassare Franceschini (il Volterrano)

Not on View
mounted on ivory paper with blue overmat; foreshortened view of personified Fame with legs at right and head at left, wings outstretched, playing a long horn; putti flying behind and putto in URC with garland

Fame in a Cloud of Putti, 18th century

Domenico Tiepolo

Not on View
muscular figure kneeling with head resting on a block; hands clasped in front of block

Saint John the Baptist Prepared for Decapitation, 17th century

Attributed to Mattia Preti

Not on View
mounted on white paper with pink border; two group of figures confronting one another; group at left lead by a figure carrying a bundle of paintbrushes; figure at far left holds a painter's palette; monkey-like animal in front of figure with paintbrushes; group at right lead by a figure handing a cello; goose peering around drapery of same figure

The Imitative and Descriptive Arts, 17th century

Marco Boschini

Not on View
recto: study of drapery folds in black chalk; verso not examined (received framed)

Drapery Studies (recto); Two Sketches of Doric Capitals (verso), c. 1530-1535

Attributed to Daniele da Volterra

Not on View
sketch; kneeling Christ at center, wearing blindfold, with many dynamically-posed figures surrounding him; archway in background

The Mocking of Christ, 17th century

Luca Giordano

Not on View
Mary at left, wearing voluminous draperies, holding baby Jesus, with her PR elbow on a cushion; Joseph seated behind a rock (?), resting his head on his PL hand and holding a book in his PR hand; sketchy

Rest on the Flight into Egypt, 1620s

Pietro da Cortona (Pietro Berrettini)

Not on View
mounted to ivory paper with brown border; female figure standing, leaning against curved element at left; leafy architectural element to right of woman's head; PR elbow resting up, PL arm down; woman wears draping garments; light brown sketch of a female bust at right

Female Figure in a Spandrel, Study for the Allegory of Modesty, 1583-1585

Bernardino Poccetti

Not on View
verso: angel standing on cloud at right, with PR arm upraised; kneeling Mary at left with wrists crossed, hands on chest; cherubs in clouds overhead; another smaller angel, ULC; squared off in a grid in red; received framed; see 2012.58.39b for recto

The Annunciation (verso), 17th century

Matteo Rosselli

Not on View
mounted on ivory paper; two angels flying toward left; angel at bottom kneels on a cloud; angel at top is flying horizontally

Two Angels in Flight, c. 1645-47

Pier Francesco Mola

Not on View
mounted to heavy paper with gold and brown borders; kneeling nun, hands in prayer, looking up, with a book in front of her knees on ground

Kneeling Carmelite Nun: Saint Teresa of Avila (?), 17th century

Attributed to Jean-Baptiste de Champaigne

Not on View
head of a young man with short dark hair with a bald spot on the top of his head; man's head tilted slighlty downward

Portrait of a Young Man, c. 1585-1595

Attributed to Annibale Carracci

Not on View
mounted on ivory paper with brown and gold borders; woman reclining on her PL side, wearing a sheer draping garment with a green belt and red and white headscarf; brown background with suggestion of a window in ULC

Reclining Woman, c. 1790-1800

Friedrich Heinrich Füger

Not on View
foreshortened figure lying down, with feet, legs, backside and PR arm visible

Sleeping Boy, 17th century

Salvator Rosa

Not on View
mounted on green paper with black borders; portrait of frowning solider with long, flat nose and curly hair, wearing helmet with winged female caryatid on front surmounted by a bird, and a long plume, and armored breastplate with animal head on PR shoulder, holding a dagger or sword in his PR hand and the sheath in his PL hand; other soldiers behind, including solider holding a staff tied with a billowing ribbon

Lucius Brutus, c. 1663-1665

Domenico Peruzzini

Not on View
mounted on ivory paper with blue overmat; two kneeling male figures in foreground, with short hair; four standing figures behind--two with beards, one in partial shadow, one balding, with a walking stick

Group of Men Looking to the Right, c. 1540-1550

Unknown Artist (Siena), 1540-50; Artist: Formerly attributed to Domenico Beccafumi

Not on View
mounted on ivory paper with brown borders; portrait of a sleeping woman with her head turned in profile to PL; woman has dark hair piled on top of her head and has her head resting on pillow

Lili Grenier Sleeping, c. 1904

Albert de Belleroche

Not on View
mounted to ivory sheet with grey, green and pink borders; sketch; figure kneeling on one knee in LRC; standing figures at left; sketchy tall figures (sculpture?) in background

Michelangelo Presenting the Moses of the Tomb of Pope Julius II to Pope Paul III, 17th-18th century

Attributed to Pietro Antonio de' Pietri

Not on View
mounted to sheet with gold, green and black borders; figure standing on platform with columns behind him; figures wears draping garment; standing figures at right and center in middle ground; other figures' torsos visible in lower corners; architectural elements in background center and upper right

Saint Paul Preaching in Athens, late 16th century

Attributed to Giovanni Battista Ricci da Novara; Artist: Attributed to Cesare Nebbia; Artist: Formerly attributed to Agostino Ciampellli

Not on View
mounted to ivory paper; off-white over mat with gold and brown borders; enclosed courtyard/city square with tall curved wall with arches in distance; buildings at right and left; man shoeing a horse in foreground, LRC; figure on bucking horse at center; other figures along edges of square; tiny, neat inscriptions scattered throughout

A City Square with Tradesmen, 17th century

Giovanni Maria Tamburini

Not on View
recto: seated man wearing draping robes with PL elbow resting on a book; balding, with long beard; verso not examined--received framed

Drapery Study (recto); Kneeling Woman (verso), 16th century

Attributed to Girolamo Siciolante da Sermoneta

Not on View
mounted to ivory paper with blue overmat; top drawing of man wearing knickers, tall spats, simple shirt and cap, with straight hair; man seen from PR, standing, working at a table; crossbowman at bottom with PR knee on a rock, with crossbow held up; man wears a hat with two long feathers

Figure Studies: A Painter's Apprentice and Crossbowman, 17th century

Giovanni Battista Spinelli

Not on View
mounted on ivory paper with tan, grey and gold borders; two sketches of female statue in contrapposto pose at right and left edges of paper; central sketch of a bearded man wearing a cap at center bottom

Studies of a Nude Female Statue (Venus) and Head of a Mature Bearded Man (recto); Architectural Studies (verso), 16th-17th century

Cherubino Alberti

Not on View
sketch; three figures--foreground head and torso slumped, with head supported by figure at right; standing figure at left; large shadowy areas of ink wash

Death of Hyacinth, c. 1752-1753

Giambattista Tiepolo (Giovanni Battista Tiepolo)

Not on View
figures in a landscape with trees at right and mountains at left; old man seated at center; three figures at right, including child; seated figure at left facing old man

Hermione and the Shepherds, 17th century

Pier Francesco Mola

Not on View
two studies of a faceless figure wearing a long hooded cape

Studies of a Full-Length Hooded Cape, 19th century

Théodore Valério

Not on View
mounted on ivory paper; study for a sculpture of a standing male in a contrapposto pose, with PL arm held up; each hand holding a staff; figure stands on a dolphin on top of a base with shells and foliate swags; another smaller figure study in same pose at right; study of a hand holding a staff in red chalk at left

Study for a Fountain of Neptune, 16th-17th century

Cherubino Alberti

Not on View
mounted to blue sheet with black borders; heavily-worked sketch with standing crowned figure at left, reaching out to a floating figure in URC holding spears; seated figure in LRC being crowned by a putto; standing soldiers at center; some architectural details

Allegory of the Investiture of Cosimo I as Duke of Florence, 17th century

Attributed to Giovanni Battista Foggini

Not on View
mounted on heavy paper with grey and black borders; green overmat; profile of man from PL side; man is balding, with stray tufts of hair on front of head, thin scraggly beard and moustache, and long eyebrow hairs; man has closed eyes and open mouth; wearing red shirt and grey cloak

A Grosteque Male Head, 16th-17th century

Camillo Procaccini

Not on View
six figures in costume; man in a tan coat and blue knickers bowing to a lady in a yellow dress with green patterns, with an enormous bustle, with a long feather in her hair; man with a false rotund belly, wearing a black cap, blue jacket and blue and white striped short pants, holding a broken umbrella, stands between couple; pair of acrobats with black masks--one figure standing on shoulders of another--at right behind lady's skirts; figure looking up, wearing a very large black hat and red jacket, at right; architectural details in background, including fountain at left

Caricatural Carnival Scene in Rome, 19th century

Antonio Porcelli

Not on View
view up from a slightly low vantage point; figure kneeling on stairs at right before a king with a long beard and wearing a crown seated on a throne; other figures standing at right, one figure standing at left; architectural details in background, URQ

Panthea before Cyrus the Great, King of Persia, 17th century

Pieter Crijnse Volmarijn

Not on View
mounted on ivory paper with brown border; sketchy; seated woman hugging distressed child at left; standing man at right; handwritten text, ULC

Expulsion of Hagar, c. 1750

Domenico Tiepolo

Not on View
mounted on ivory sheet with blue-grey border; line sketch with enthroned Madonna and Christ child on very tall throne with at least two figures standing on right and one on left, another possible seated figure in front

Madonna and Child with Saints (Sacra Conversazione), 18th century

Attributed to Domenico Tiepolo; Artist: Formerly attributed to Pietro Antonio de' Pietri

Not on View
mounted on stiff paper; St. Jerome, with long curly white hair and long beard, crawling out of a cave; baskets in a lean-to to right of cave; lion in foreground, LRQ; lush landscape scene with large tree at left; inscription at bottom

Saint Jerome in the Wilderness, 1623

Francesco Grigiotti

Not on View
three striding female figures at left, each carrying an attribute: pallet and brushes, building plan, small sculpture; sculpture at right of torch-bearing winged figure holding three foliate crowns; Apollo riding his chariot in the sky overhead preceded by a winged figure

The Coronation of the Allegories of Painting, Sculpture, and Architecture, 18th century

Louis Gauffier

Not on View
soldier at left wearing helmet handing a spherical object to a standing man at right wearing robes; four figures at center look toward right; two faces at left behind robed man looking left

The Adventus of Hadrian (Marcus Aurelius), 17th century

Attributed to Pietro da Cortona (Pietro Berrettini)

Not on View
seated nude male with long curly hair; PL arm across lap, PR arm resting on top of backrest, head lying to backrest, leaning back to PL, ankles crossed; study of an arm in LLQ

Seated Male Nude, c. 1620-1650

Unknown (Italian, Bologna or Rome, 17th century); Artist: Formerly circle of Andrea Sacchi; Artist: Formerly circle of Pietro da Cortona (Pietro Berrettini)

Not on View
mounted on ivory paper; male satyr at left, seen from PL side, pulling a baby satyr up against the back of his head to ride on his shoulders; female satyr at right, with her PL hand on male satyr's hip; sketchy tree at right

A Satyr Family, 1580s

Formerly attributed to Cavaliere d'Arpino

Not on View
mounted to stiff grey paper; portrait of a boy with a round face; dark brown hair with asymmetrical hairstyle--shorter on PR side, longer on PL side; large white collar; sketched suggestion of jacket

Portrait of an Adolescent Boy, 1621

Ottavio Leoni

Not on View
sketch of head of man with wavy hair--long on top of head--and short beard and moustache, wearing glasses

%C2%A9 Estate of George Warren Rickey %2F Licensed by VAGA at Artists Rights Society %28ARS%29%2C NY

Portrait of Alfred Moir, December 24, 1978

George Warren Rickey

Not on View
Pluto driving an open chariot pulled by four horses, holding the gesturing Persephone by the waist; running figure in front of horses; two putti fly over chariot; verso not examined (received framed)

Pluto Abducting Persephone (recto); Figural Studies (verso), 17th century

Unknown Italian (Lombardy?), 17th century; Artist: Circle of Pellegrino Tibaldi

Not on View
architectural element with cartouche with three short lines of text; musical allegorical female figures standing at right and left flanking cartouche and reclining at top left; two putti at bottom center and upper right; standing woman at left holds horn (or dagger?) and covers her face with grey drapery; lavender drapery swags hang at top; two colorful floral swags at top of cartouche

Theater Design, 18th century

Attributed to Franz Anton Maulbertsch

Not on View
drawing of sculpted head of woman with round face and rather thick neck; hair in waves--wearing headband

Head of Empress Sabina, c. 1776

Marie-Christine Vagliengo Campana

Not on View
boy standing holding a pitcher

Serving Boy (recto), 1623–1626

Jacopo da Empoli

Not on View
battle scene with some soldiers on horseback with spears; soldier wearing armor, right of center on brown horse; fallen horse at right edge; fallen soldier beneath white horse, right of center; wounded soldier seated on ground, seen from back, in foreground; hat, gun and spear in foreground

A Battle Scene, 1632

Anthonie Palamedesz

Not on View
image of various documents printed in German, including newspapers, pamphlets and scraps of handwritten papers; central handwritten folded letter with broken red wax seal; map at right edge; image of a figure in profile in LRQ, upside down, with a heart in front of his face; sheet music at bottom center

Trompe L'Oeil, 19th century

Carl Dietrich

Not on View
portrait of a man wearing a long, curly grey wig with a prominent center part; man wear a red robe over a black robe with a white collar and white at his cuffs; man holds a thin booklet; landscape in background with pink flowers at left and in URC; tree at left

Portrait of Charles-Léonor Aubry, Marquis de Castelnau, 1701

Nicolas de Largillière

G308

Entombment of Christ, 1745

Georg Friedrich Ruppert; Artist: After Federico Barocci

Not on View

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