view of a sheer rock wall in a landscape; waterfall at top center; buildings at high horizon line; pool in foreground — View of Tivoli, 1842
George Arthur Fripp

G353

sketch; three figures--foreground head and torso slumped, with head supported by figure at right; standing figure at left; large shadowy areas of ink wash — Death of Hyacinth, c. 1752-1753
Giambattista Tiepolo (Giovanni Battista Tiepolo)

G344

mounted on ivory paper with blue overmat; foreshortened view of personified Fame with legs at right and head at left, wings outstretched, playing a long horn; putti flying behind and putto in URC with garland — Fame in a Cloud of Putti, 18th century
Domenico Tiepolo

G344

four putti at top--three holding a square banner, the fourth flying horizontally at top center; head and PR shoulder of a figure at bottom, LLQ; sketchy — Putti Floating a Banner, 18th century
Giambattista Tiepolo (Giovanni Battista Tiepolo)

G344

Jesus standing at right with head bend, hands in prayer; John the Baptist standing at center, holding a tall cross, pouring water from his PR hand; winged cherub heads in ULC and dove; lamb and standing figures including a boy at right — Baptism of Christ, 18th century
Domenico Tiepolo

G344

at left: half-length portrait of frowning man, bent forward on books (?); man wears a cap tilted to PR; at right: half-length figure of a woman resting her chin on her PL hand, reading a letter held in her PR hand, while an old man with a frowning face peers over her shoulder — Half-Length Caricatures of a Suspicious Man and an Ill-Sorted Couple, c. 1820
Unknown (British), 19th century; Artist: Formerly attributed to Francesco Bartolozzi

Not on View

laid down on mount with black, tan and gray framing lines; figure at center pulls back drapery to reveal scene of Judith with sword raised, holding struggling Holofernes, lying on bed, by the hair; soldiers at left; squared off in a grid — Judith Beheading Holofernes, c. 1583-1585
Ludovico Carracci

Not on View

mounted on ivory paper; study for a sculpture of a standing male in a contrapposto pose, with PL arm held up; each hand holding a staff; figure stands on a dolphin on top of a base with shells and foliate swags; another smaller figure study in same pose at right; study of a hand holding a staff in red chalk at left — Study for a Fountain of Neptune, 16th-17th century
Cherubino Alberti

Not on View

Head of a Bald Man in Profile and Sketches of a Seated Man and of Drapery (recto); Sketches of a Male Head and Arms (verso), c. 1720

Federico Bencovich

Not on View

mounted to ivory sheet with pale red borders; sketchy figures in clouds; two central figures look down; figures at left conversing together; one figure in URC looks up; verso not examined--received framed — Angels Looking Down from Clouds (recto and verso), 17th-18th century
Matteo Bonechi

Not on View

mounted on white paper with pink border; two group of figures confronting one another; group at left lead by a figure carrying a bundle of paintbrushes; figure at far left holds a painter's palette; monkey-like animal in front of figure with paintbrushes; group at right lead by a figure handing a cello; goose peering around drapery of same figure — The Imitative and Descriptive Arts, 17th century
Marco Boschini

Not on View

head of a young man with short dark hair with a bald spot on the top of his head; man's head tilted slighlty downward — Portrait of a Young Man, c. 1585-1595
Attributed to Annibale Carracci

Not on View

battle scene with soldiers fighting hand-to-hand at left in middle ground; two soldiers--one fallen--in foreground; Alexander Farnese behind soldiers in foreground, standing with feet apart, pointing with his PL arm; soldiers wear draping garments and helmets with plumes; buildings at right; additional armies in far distance, UL; mounted to ivory sheet with attached green border — Alexander Farnese Directing the Siege of Antwerp, 1580s
Ludovico Carracci

Not on View

reclining woman in foreground, leaning on her PR elbow, looking up at a man who kneels, looking up, behind her; four other figures also looking up in background; clouds, ULQ; squared off in a grid — A Miraculous Cure, 16th-17th century
Attributed to Bartolomeo Cesi

Not on View

Mary seated on a cloud accompanied by many cherubs; cherubs in sky in ULC and drawing back a cloth in URC; angel at left with scales pulling up a woman while two men and other figures look on from bottom; sketchy style — Madonna Rescuing Souls from Purgatory, 18th century
Jacopo Cestaro

Not on View

soldier at left wearing helmet handing a spherical object to a standing man at right wearing robes; four figures at center look toward right; two faces at left behind robed man looking left — The Adventus of Hadrian (Marcus Aurelius), 17th century
Attributed to Pietro da Cortona (Pietro Berrettini)

Not on View

mounted on ivory paper with tan, grey and gold borders; two sketches of female statue in contrapposto pose at right and left edges of paper; central sketch of a bearded man wearing a cap at center bottom — Studies of a Nude Female Statue (Venus) and Head of a Mature Bearded Man (recto); Architectural Studies (verso), 16th-17th century
Cherubino Alberti

Not on View

Mary at left, wearing voluminous draperies, holding baby Jesus, with her PR elbow on a cushion; Joseph seated behind a rock (?), resting his head on his PL hand and holding a book in his PR hand; sketchy — Rest on the Flight into Egypt, 1620s
Pietro da Cortona (Pietro Berrettini)

Not on View

seated figure wearing long drapery, including drapery in a hood over head; figure had PR knee raised and rests PL elbow on a rock, with head on PL hand, looking up; rocky ground — Drapery Study: Seated Figure, 17th century
Attributed to Ortensio Crespi

Not on View

mounted to blue sheet with black borders; heavily-worked sketch with standing crowned figure at left, reaching out to a floating figure in URC holding spears; seated figure in LRC being crowned by a putto; standing soldiers at center; some architectural details — Allegory of the Investiture of Cosimo I as Duke of Florence, 17th century
Attributed to Giovanni Battista Foggini

Not on View

Five Grotesque Heads, 18th century

Gaetano Gandolfi

Not on View

mounted on stiff paper; St. Jerome, with long curly white hair and long beard, crawling out of a cave; baskets in a lean-to to right of cave; lion in foreground, LRQ; lush landscape scene with large tree at left; inscription at bottom — Saint Jerome in the Wilderness, 1623
Francesco Grigiotti

Not on View

mounted to stiff grey paper; portrait of a boy with a round face; dark brown hair with asymmetrical hairstyle--shorter on PR side, longer on PL side; large white collar; sketched suggestion of jacket — Portrait of an Adolescent Boy, 1621
Ottavio Leoni

Not on View

eight gods in the clouds, accompanied by two putti with ribbons; four gods are standing, four are seated; nine muses seated below on a hill with musical instruments, books, scepters and crowns — The Olympian Gods and the Nine Muses, 17th century
Attributed to Jacopo Ligozzi

Not on View

blonde woman with large, wide eyes and round face seated on a donkey; woman wears a white blouse and apron, yellow vest, long blue skirt, red shoes, red headband and white neckerchief trimmed in red; brown donkey wearing a harness — Woman on a Donkey (Lady Bessborough or Lady Spencer?), 1793-1794
Giovanni Battista "Tita" Lusieri

Not on View

mounted to ivory paper with grey border; three putti; foremost putti holds a cello — Putti Playing Music, Design for a Pendentive, 1538-1539
Pomponio Amalteo

Not on View

figures in a landscape with trees at right and mountains at left; old man seated at center; three figures at right, including child; seated figure at left facing old man — Hermione and the Shepherds, 17th century
Pier Francesco Mola

Not on View

mounted on ivory paper; two angels flying toward left; angel at bottom kneels on a cloud; angel at top is flying horizontally — Two Angels in Flight, c. 1645-47
Pier Francesco Mola

Not on View

recto: study of drapery on a standing figure; head, PR arm and PL upper arm/shoulder slightly differentiated, but features not included; figure holds drapery against PL thigh; some muscles of torso visible through drapery; verso not examined--received framed — Drapery Studies (recto and verso), 1560s-1570s
Unknown Italian (Roman), c. 1560s - 1570s; Artist: Formerly attributed to Girolamo Muziano

Not on View

mounted on green paper with black borders; portrait of frowning solider with long, flat nose and curly hair, wearing helmet with winged female caryatid on front surmounted by a bird, and a long plume, and armored breastplate with animal head on PR shoulder, holding a dagger or sword in his PR hand and the sheath in his PL hand; other soldiers behind, including solider holding a staff tied with a billowing ribbon — Lucius Brutus, c. 1663-1665
Domenico Peruzzini

Not on View

mounted to ivory sheet with grey, green and pink borders; sketch; figure kneeling on one knee in LRC; standing figures at left; sketchy tall figures (sculpture?) in background — Michelangelo Presenting the Moses of the Tomb of Pope Julius II to Pope Paul III, 17th-18th century
Attributed to Pietro Antonio de' Pietri

Not on View

head and torso of dead figure of Christ, lying with head up on drapery; bare-chested; hands unfinished; verso not examined--received framed — Pietà: The Dead Christ (recto); The Mourning Virgin (verso), 16th century
Unknown Italian; Artist: after Sebastiano del Piombo; Artist: Formerly attributed to Francesco Salviati; Artist: Formerly attributed to Michelangelo Buonarroti

Not on View

mounted to ivory paper with brown border; female figure standing, leaning against curved element at left; leafy architectural element to right of woman's head; PR elbow resting up, PL arm down; woman wears draping garments; light brown sketch of a female bust at right — Female Figure in a Spandrel, Study for the Allegory of Modesty, 1583-1585
Bernardino Poccetti

Not on View

six figures in costume; man in a tan coat and blue knickers bowing to a lady in a yellow dress with green patterns, with an enormous bustle, with a long feather in her hair; man with a false rotund belly, wearing a black cap, blue jacket and blue and white striped short pants, holding a broken umbrella, stands between couple; pair of acrobats with black masks--one figure standing on shoulders of another--at right behind lady's skirts; figure looking up, wearing a very large black hat and red jacket, at right; architectural details in background, including fountain at left — Caricatural Carnival Scene in Rome, 19th century
Antonio Porcelli

Not on View

muscular figure kneeling with head resting on a block; hands clasped in front of block — Saint John the Baptist Prepared for Decapitation, 17th century
Attributed to Mattia Preti

Not on View

A Grosteque Male Head, 16th-17th century

Camillo Procaccini

Not on View

mounted on ivory paper; male satyr at left, seen from PL side, pulling a baby satyr up against the back of his head to ride on his shoulders; female satyr at right, with her PL hand on male satyr's hip; sketchy tree at right — A Satyr Family, 1580s
Formerly attributed to Cavaliere d'Arpino

Not on View

foreshortened figure lying down, with feet, legs, backside and PR arm visible — Sleeping Boy, 17th century
Salvator Rosa

Not on View

verso: angel standing on cloud at right, with PR arm upraised; kneeling Mary at left with wrists crossed, hands on chest; cherubs in clouds overhead; another smaller angel, ULC; squared off in a grid in red; received framed; see 2012.58.39b for recto — The Annunciation (verso), 1623-1626 (recto)
Matteo Rosselli (recto)

Not on View

seated nude male with long curly hair; PL arm across lap, PR arm resting on top of backrest, head lying to backrest, leaning back to PL, ankles crossed; study of an arm in LLQ — Seated Male Nude, c. 1620-1650
Unknown (Italian, Bologna or Rome, 17th century); Artist: Formerly circle of Andrea Sacchi; Artist: Formerly circle of Pietro da Cortona (Pietro Berrettini)

Not on View

recto: seated man wearing draping robes with PL elbow resting on a book; balding, with long beard; verso not examined--received framed — Drapery Study (recto); Kneeling Woman (verso), 16th century
Attributed to Girolamo Siciolante da Sermoneta

Not on View

recto: winged figure partially reclining on a curved element; figure holds a staff (?) in PR hand with outstretched arm; slightly foreshortened head; squared off in a grid; verso not examined--received framed — Fame (recto); Fame and Studies of Putti (verso), 17th-18th century
Francesco Solimena

Not on View

mounted to ivory paper with blue overmat; top drawing of man wearing knickers, tall spats, simple shirt and cap, with straight hair; man seen from PR, standing, working at a table; crossbowman at bottom with PR knee on a rock, with crossbow held up; man wears a hat with two long feathers — Figure Studies: A Painter's Apprentice and Crossbowman, 17th century
Giovanni Battista Spinelli

Not on View

solider wearing a helmet, looking up to PL; curly hair; bulbous nose; wearing armored collar — Head of a Helmeted Soldier, 16th-17th century
Attributed to Bernardo Strozzi; Artist: Attributed to Giovanni Battista Caracciolo

Not on View

mounted to ivory paper; off-white over mat with gold and brown borders; enclosed courtyard/city square with tall curved wall with arches in distance; buildings at right and left; man shoeing a horse in foreground, LRC; figure on bucking horse at center; other figures along edges of square; tiny, neat inscriptions scattered throughout — A City Square with Tradesmen, 17th century
Giovanni Maria Tamburini

Not on View

mounted to ivory sheet; two oval drawings, on top of the other; top drawing of two tritons--one at right with curly hair and beard hold a club aloft in his PR hand; another figure rides on his back; triton at right with curly hair holds an animal skull in PL hand and a club in PR; bottom drawing of men riding bucking hippocampi; man at right hits man at left over the head with a club; man at left holds two fish in his PR hand — Battling Tritons and Men on Hippocampi, 16th century
Pellegrino Tibaldi

Not on View

mounted on tan paper; central female figure with long hair and her drapery flowing behind her head; two putti, each with a bow and arrow, fly in top corners; kissing figures at left; male figure in LRC holding horns (?) with curly hair and beard; putto with sea serpent below female figure — Triumph of Galatea, c. 1630
Cavaliere d'Arpino

Not on View

sketchy, unfinished; two figures; left figure reclines on cloud; right figure with arms out, PR hand touching arm of left figure; legs of right figure redrawn several times--figure has four legs — Diana and Eolus, 18th century
Giambattista Tiepolo (Giovanni Battista Tiepolo)

Not on View

mounted on ivory paper with brown border; sketchy; seated woman hugging distressed child at left; standing man at right; handwritten text, ULC — Expulsion of Hagar, c. 1750
Domenico Tiepolo

Not on View

mounted on ivory sheet with blue-grey border; line sketch with enthroned Madonna and Christ child on very tall throne with at least two figures standing on right and one on left, another possible seated figure in front — Madonna and Child with Saints (Sacra Conversazione), 18th century
Attributed to Domenico Tiepolo; Artist: Formerly attributed to Pietro Antonio de' Pietri

Not on View

recto: study of drapery folds in black chalk; verso not examined (received framed) — Drapery Studies (recto); Two Sketches of Doric Capitals (verso), c. 1530-1535
Attributed to Daniele da Volterra

Not on View

sketched studies; torso and head of reclining winged female with a horn (?) at left; lighter sketches of architectural elements at right; verso not examined--received framed — Female Figure Reclining (Allegory of Fame Vanquished by Time), Architectural Studies (recto); Three Studies of a Female Figure Reclining, Studies of Sculptural Ornament (verso), 1660s-1670s
Baldassare Franceschini (il Volterrano)

Not on View

Mary seated at right, holding baby Jesus on her PR knee; Joseph stands at left, pointing to Jesus, with his PR arm raised, PR foot resting on a rock; adoring man, LRC, and angels at right and top; squared off into a grid — Rest on the Flight into Egypt, 1585-1588
Federico Zuccaro

Not on View

mounted on ivory paper; architectural element with scrolls; putto at left sitting on architectural element; tiny putto in URQ — Putti with the Impresa of Pope Leo X, 1585-1587
Jacopo Zucchi

Not on View

mounted to sheet with gold, green and black borders; figure standing on platform with columns behind him; figures wears draping garment; standing figures at right and center in middle ground; other figures' torsos visible in lower corners; architectural elements in background center and upper right — Saint Paul Preaching in Athens, late 16th century
Attributed to Giovanni Battista Ricci da Novara; Artist: Attributed to Cesare Nebbia; Artist: Formerly attributed to Agostino Ciampellli

Not on View

Pluto driving an open chariot pulled by four horses, holding the gesturing Persephone by the waist; running figure in front of horses; two putti fly over chariot; verso not examined (received framed) — Pluto Abducting Persephone (recto); Figural Studies (verso), 17th century
Unknown Italian (Lombardy?), 17th century; Artist: Circle of Pellegrino Tibaldi

Not on View

mounted to ivory paper; standing central figure with his PL hand on the forehead of a thin, seated old man, and his PR hand held in a blessing gesture; dog, LRC; many figures in background, including child at central man's PL elbow and woman with baby at right; column and base at top right of center; squared off with black chalk — Saint Lawrence Restoring the Sight of Lucillus, c. 1604-1606
Giovanni Baglione

Not on View

Lili Grenier Sleeping, c. 1904

Albert de Belleroche

Not on View

mounted to heavy paper with gold and brown borders; kneeling nun, hands in prayer, looking up, with a book in front of her knees on ground — Kneeling Carmelite Nun: Saint Teresa of Avila (?), 17th century
Attributed to Jean-Baptiste de Champaigne

Not on View

mounted on ivory paper with red-brown borders; face with wide open, wild eyes, open mouth with teeth visible and unkempt hair — Self-Portrait Screaming in Terror, 1780s-90s
Joseph Ducreux

Not on View

three striding female figures at left, each carrying an attribute: pallet and brushes, building plan, small sculpture; sculpture at right of torch-bearing winged figure holding three foliate crowns; Apollo riding his chariot in the sky overhead preceded by a winged figure — The Coronation of the Allegories of Painting, Sculpture, and Architecture, 18th century
Louis Gauffier

Not on View

baby Jesus at center, lying on a cloth; Mary seated at right, holding her head in her PR hand, looking at Jesus; standing figure at right points at Mary; kneeling figure at left in foreground, seen from back, with a staff and a basket on the ground next to him; four figures behind Jesus; additional figure carrying a basket on her head in middle ground behind Mary; donkey and cow at left — Adoration of the Shepherds, c. 1615
Abraham Bloemaert

Not on View

mounted on ivory sheet with pale red borders; seated man at left; seated woman at right; four standing figures in background; curtain at right; heavy shadow across center bottom; putto in LLC — Hercules and Omphale, 17th century
Attributed to Gerrit van Honthorst; Artist: after Alessandro Turchi (called Orbetto)

Not on View

mounted on ivory paper with tan, brown and gold borders; standing portly man with small glowing halo, with PR foot resting on a ball and PL on a shield (?), holding a crucifix in his PR hand and a lily in his PL hand; chair, large book, cloth-covered table and sacks on floor behind man — Standing Saint, 17th century
Anthonis Sallaert

Not on View

view up from a slightly low vantage point; figure kneeling on stairs at right before a king with a long beard and wearing a crown seated on a throne; other figures standing at right, one figure standing at left; architectural details in background, URQ — Panthea before Cyrus the Great, King of Persia, 17th century
Pieter Crijnse Volmarijn

Not on View

recto: dead Christ's body in zigzag shape, with head bent back, legs bent at hips and knees, seen from PR; curly hair; verso: loose rendering of a young man's head, upper arm and hand — The Dead Christ (recto); Studies of a Young Man, His Arm and Hands (verso), c. 1721
Antonio Balestra

Not on View

mounted on ivory paper with brown and gold borders; woman reclining on her PL side, wearing a sheer draping garment with a green belt and red and white headscarf; brown background with suggestion of a window in ULC — Reclining Woman, c. 1790-1800
Friedrich Heinrich Füger

Not on View

angels and cherubs in clouds in a V-shaped configuration; St. Matthew at center, holding a large book (?); architectural details at top and edges; mat cut to cover URC — Glorification of Saint Matthew, c. 1754
Martin Knoller

Not on View

architectural element with cartouche with three short lines of text; musical allegorical female figures standing at right and left flanking cartouche and reclining at top left; two putti at bottom center and upper right; standing woman at left holds horn (or dagger?) and covers her face with grey drapery; lavender drapery swags hang at top; two colorful floral swags at top of cartouche — Theater Design, 18th century
Attributed to Franz Anton Maulbertsch

Not on View

standing figure wearing long jacket with wide cuffs and knickers, with medium-length curly hair and a large nose, with hands in his pants pockets; very light, illegible inscription above figure's head — Caricature of George Michael Moser (?), 18th century
Sir Nathaniel Dance-Holland

Not on View

low-crouching lioness seen from PL side; studies of hips, face and PL leg of lioness around finished full figure — A Lioness Preparing to Spring, August 8, 1889
William Strutt

Not on View

couple seated at a table with green and white table coverings--man just rising from his chair; another woman in blue dress with white apron stands at right; seated woman holds a white cat; painting and sketch hang on wall in background — Painter and His Wife Just Finishing Their Meal, 19th century
Michael Baschiloff

Not on View

thin bearded man with long limbs, lying on rocks with head bent upward against rock-pillow, hands on abdomen and feet on ground; small roaring lion at right — Death of Saint Jerome, 16th century
Blas de Prado

Not on View

sketch of head of man with wavy hair--long on top of head--and short beard and moustache, wearing glasses — Portrait of Alfred Moir, December 24, 1978
George Warren Rickey

Not on View

mounted on ivory paper with blue overmat; two kneeling male figures in foreground, with short hair; four standing figures behind--two with beards, one in partial shadow, one balding, with a walking stick — Group of Men Looking to the Right, c. 1540-1550
Unknown Artist (Siena), 1540-50; Artist: Formerly attributed to Domenico Beccafumi

Not on View

mounted to ivory sheet with brown borders; ivory and green overmat with tan and gold borders; sketch; cart at bottom drawn by a horse with its rider wearing a mask and carrying a switch; five seated figures on cart and one women wearing a mask (or female scarecrow figure?) seated on a stool at back of cart; sketch of a man on horseback in ULC; small portrait of the head and torso of a masked woman behind horseman — A Horse-Drawn Festival Cart with Studies of a Horseman and a Masquerader, 17th century
Stefano della Bella

Not on View

line drawing of twisting, slightly crouching nude man with a standing man behind him, cutting first man's PR shoulder — Apollo Flaying Marsyas, 16th century
Circle of Luca Cambiaso

Not on View

Standing Male Figure, 17th century

Adriaen van de Velde

Not on View

standing man with his PL hand on his hip, resting his PR elbow on a ledge; heavy-set man wears a small brimmed hat; long sheepskin overcoat, coat with large buttons and knickers — Standing Man in a Sheepskin Coat, 1778
N. Grenicher

Not on View

head of a man with a medium-length curly beard and shaggy, curly hair; man has solemn expression — Portrait of a Bearded Man, 17th century
Attributed to Nicolas Lagneau

Not on View

tall, thin image of a standing satyr playing pan pipes; satyr may be wearing a hat — Pan, 16th century
Attributed to Pellegrino Tibaldi

Not on View

Male Figure with Outstretched Arms, Study for the Beethoven Frieze, c.1902

Gustav Klimt

Not on View

recto: upper bodies of figures, seen from low viewpoint; one figure holds a flat object (book or tray?) with both hands on bottom of object, at left; verso not examined--received framed — Studies of a Head and a Foreshortened Hand, 17th century
Unknown Italian (Bologna?), 17th century; Artist: Formerly attributed to Agostino Carracci

Not on View

Head of an Old Man in Profile, 17th century

Circle of Guercino (Giovanni Francesco Barbieri)

Not on View

portrait of head and shoulder of a man with medium-length curly hair and a short beard looking out of picture plane; man wears a hat and a neckerchief tied in a bow — Portrait of a Man Wearing a Hat, 17th century
Attributed to Jacques de Gheyn III; Artist: Formerly attributed to Jacques de Gheyn II

Not on View

Head of a Bearded Man in Profile, 16th century

Attributed to Carlo Urbino

Not on View

smiling man with curly beard and long moustache, wearing foliate wreath — Head of Pan, 16th century
Attributed to Giulio Romano

Not on View

recto: sheet divided into two sections with vertical line in black chalk; right section mostly blank, with small sketchy study of figures in LRC; left section has sketch of horse with front legs down, with rider falling from his mount; rider holds a long staff or spear vertically; verso: study of a PR hand with sketchy drapery (?) above — Man Fallen from Horse, Study for Conversion of Saint Paul or Battle of Constantine (recto); Study of a Hand (verso), 17th century
Attributed to Jacques Courtois (called Borgognone); Artist: Attributed to Guglielmo Cortese

Not on View

PL hand with fingers outstretched; dark crosshatched shading — Left Hand, 17th century
Antonio del Castillo

Not on View

image of right hand and arm, with arm stretched out horizontally and hand held palm up — Right Hand and Arm, c. 1625-46
Circle of Francesco Furini; Artist: Formerly attributed to Ludovico Cigoli

Not on View

two arms with fingers extended, as if playing a keyboard; view from PR side of body; figure wears fitted long sleeves — Study of an Arm and Hands Playing an Organ, 1609
Attributed to Francesco Vanni; Artist: Formerly attributed to Bernardino Mei

Not on View

recto: female nude, with lower legs undefined, seen from PR side, with upper body twisted to left; PR arm raised; verso: portion of a drawing with two figures in a boat at center; landscape in background with three standing figures; pointing hand at left edge of sheet — Twisting Nude (recto); Two Figures in a Boat with Landscape (verso), 16th-17th century
Formerly attributed to Ferraù Fenzoni

Not on View

kneeling man wearing long cape-like drapery; bare feet; arms held out toward PR with hands outstretched; suggestion of halo; black border drawn around edge — Study of Kneeling Figure from the Back, 16th-17th century
Giulio Cesare Procaccini

Not on View

standing man wearing a cap and a long robe-like garment, holding a staff with both hands; head turned to PL — Standing Draped Man with a Staff, 16th-17th century
Circle of Antonio Circignani (il Pomarancio)

Not on View

head and torso of a man wearing a heavy garment, with PR elbow resting on a stack of books, head in hand; PL hand also rests on books; face sketchy--drapery study; corners clipped — Saint Thomas Aquinas in Meditation, 17th century
Circle of Giacomo Cavedone

Not on View

five sketches--four of seated men; sketch in ULC of a man seated, holding a pen, accompanied by a small angel; sketches at bottom center and LLC of seated men holding pens and tablets; sketch in LRC of a standing man with a pen; seated man in URC — Studies of Saint John the Evangelist and Saint Matthew, 17th century
Giacinto Calandrucci

Not on View

Pan at right, grabbing Syrinx around the waist, who has her PR arm up and her PL arm across her chest, pulling away; three other figures seated in LLQ; medium brown wash through much of image — Pan and Syrinx, c. 1760
Attributed to Giuseppe Bazzani; Artist: Formerly attributed to Francesco Trevisani

Not on View

standing figure wearing heavy robes; PR arm slightly raised; sketchy head up and turned to PR — Study for the Drapery of a Standing Figure, 16th-17th century
Carlo Bonone

Not on View

jogging man wearing short skirt and cape exposing upper back; 3/4 view from back; hear turned partially to PL; wild, long, curly hair; PL arm held up, PR arm down, holding a baton (?) — Male Figure Running, 17th-18th century
François Verdier

Not on View

study of crumpled cloth (napkin?) on lightly striped surface (tablecloth?) — Drapery Study, 1979
David Ligare

Not on View

recto: sculpted male head with wavy hair in chunky pieces; wide bridge of nose; head turned slightly to PL; verso: standing nude male figure seen from back, with head bent down; heels together, with PR foot slightly in front, toes apart; PR hand on back of hip bone; some geometric perspective sketches, LRC — Head of Meleager (recto); Unfinished Study of the Farnese Hercules from the Back (verso), 18th-19th century
Pietro Fancelli

Not on View

figure kneeling on PL knee, with drapery over PR knee; drapery fully finished--figure lightly sketched; squared off in a grid with numbers — Drapery Study, 19th century
Louis-Georges Brillouin

Not on View

recto: standing woman wearing long draped robe; hands folded in front of her, holding a palm frond; woman slightly slouches and looks up toward PR; verso: four studies of sitting, striding and gesturing nudes in various sizes — Standing Female Martyr (recto); Studies of Figures (verso), 19th century
Salvino Salvini

Not on View

drawing of sculpted head of woman with round face and rather thick neck; hair in waves--wearing headband — Head of Empress Sabina, c. 1776
Marie-Christine Vagliengo Campana

Not on View

crowded, busy scene of horses and men fighting; empty, blank rectangle at bottom center — Study of a Battle, preparatory sketch for the fresco 'Clovis Defeats Alaric II', 1653
Raffaello Vanni

Not on View

trompe-l'oeil image of various pieces of printed paper--black and white print of figures in a ruined landscape, newspaper front page in German, color image of buildings, images of soldiers, portrait of a woman wearing black headgear, still-life with bottles and food, flower, playing cards, sheet music--on a knotty wood background — Trompe-L'Oeil, 19th-20th century
Carl Friedrich Windels

Not on View

standing figure with long white beard; PL leg on a block; PR hand resting on PL thigh; figure holds stone tablet on PL knee; border drawn around figure — Moses, 18th century
Circle of Giambattista Tiepolo (Giovanni Battista Tiepolo)

Not on View

recto: partially reclining body with long hair, leaning on his PL elbow, PR knee raised, looking up; boy wears jacket and knickers; verso: young man wearing long vest and knickers, with bare lower legs and feet, bending over to grasp a small barrel-like object; received framed with both sides of drawing visible — Study of a Seated Boy (recto); Study of a Youth Standing (verso), 18th century
Pieter Jacob Horemans

Not on View

standing figure wearing a billowing cape; tall, fluffy hairstyle; figure holds a staff in his PR hand; red drapery behind figure — Study for a Portrait of a Field Marshal, 17th-18th century
Jacopo Amigoni

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four tiny sketches; clockwise from ULC: two men pouring from one large vessel into another, man pouring from a small vessel into a large one while pouring over a utensil, man stirring a large vessel, man seen from back slightly bent over with PL hand in a vessel — Soap or Soup Makers, 17th century
Stefano della Bella

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view of a large, elaborate architectural fountain with five torrents of water in archways surmounted with a large architectural structure with sculptures and inscriptions; many figures around sculpture and horse-drawn carriages; another building in background on a hill in LRQ; long inscription in the plate, LLC — Vedute del Castello dell' Acqua Paola sul Monte Aureo, c. 1751
Giovanni Battista Piranesi

Not on View

Trompe L'Oeil, 19th century

Carl Dietrich

Not on View

various small sections of letterpress printing in various languages and various type fonts; some diagrams (a circular chart in LLQ, a column base at top center, a round diagram in URQ), illustrations (organic designs in LLC, images from stamps and a ticket in LLQ) and bars of music; some sections of handwritten text in various languages including a section at bottom center of possibly Arabic text — The Dictionary, 1971
William Dole

Not on View

old paper with holes and creases at center (probably from a book) with some small scraps of printing in various fonts and languages; several hand-written elements in pencil and ink at lower corners and ULC; purplish-grey rectangle in LRC with fragments of colored marbled endpapers--predominately red and blue, and green and blue; small thin orange strip of paper to left of old paper background, ULC — Work Sheet I, 1964
William Dole

Not on View

seated man wearing a coat with a wide collar and knickers; man has drapery over his PL shoulder; long curly hair; head lightly sketched, not fully completed — Portrait of an Alderman, 17th century
Attributed to Anthony van Dyck

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three large rowboats in foreground, filled with people; two small sailboats in middle ground; large sailing ship at left in distance with other ships at right without sails unfurled; Mount Vesuvius in background; grey sky and water — View of Mount Vesuvius, 19th century
Giuseppe Canella

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recto: sketch of seated muscular man, with long curly hair and long white beard; head turned toward left, looking upward; PR arm across body, holding book (?) on table at right; drapery across lap; verso: curvilinear lines, script? — Study of a Male Saint Writing, c. 1618-1620
Circle of Guercino (Giovanni Francesco Barbieri)

Not on View

seascape with hill/land mass at center and left; beach and water at right; sketchy figures sitting on beach in LRC; standing figure on shoreline beyond seated figures; green, tan, grey and blue — Grotto of Tiberius at Sperlonga, 18th-19th century
Carlo Labruzzi

Not on View

sketch of a smiling standing man wearing suspenders, holding his hands at his sides with palms facing forward; hand-written text at left — An Actor, 1964
Donald Lent

Not on View

various small sections of letterpress printing in various languages and various type fonts; some diagrams (column and cornice sections in URQ, four diagrams of various skulls at top URQ) and illustrations (column capital at bottom center, certificate with eagle in LRQ); some small sections of handwritten text in various languages; vertical section of three lines of Asian text at right; yellowed rectangles in LLC and at left edge (probably inherent, but may be damage to sheet?) — The Dictionary, 1971
William Dole

Not on View

three figures on a cloud; figure at left kneels; figure at right crowns kneeling figure; third figure in back raises PL hand; squared-off corners — Apotheosis of Classical Divinities, 18th-19th century
Giuliano Traballesi

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various small sketches on sheet; round coat of arms medallion with acanthus leaves surrounding small irregularly-shaped shield mounted with a helmet of armor and a small scroll with text at top, at right center of sheet; sketch of helmet of armor in LLC; small sketches of figures in various poses overall, including scene of flogging at left center and soldiers with flags and spears — Medici Coat of Arts with Figures from Callot, 17th century
Ercole Bazzicaluva

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kneeling woman wearing long dress with long sleeves and headscarf, holding a bag (?) open with her hands and mouth; woman looks up — Kneeling Woman, Study for Judith's Servant, 17th century
Carlo Saraceni

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three large rowboats in foreground, filled with people; figure at front of boat at left stands holding oar over his head; small sailboat at far right in distance; sailing ship with sails unfurled at right in middle ground; other sailing ships at left without sails unfurled, in distance; buildings and hill on opposite shore; grey sky and water with a few low clouds at center — View of the Bay of Naples, 19th century
Giuseppe Canella

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falling partially draped figures; falling angel at left; clouds at bottom — Fall of the Damned, 19th century
Giuseppe Bezzuoli

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Study of a Seated Model Wearing a Bishop's Chasuble and Mitre, 18th century

Attributed to Joseph-Marie Vien; Artist: Attributed to Eustache Le Sueur

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rust-red ground paper applied to white sheet; predominately rectangular pieces of colored paper, mainly applied to LRQ--oranges, reds, purple, browns, cream-colored — Like Red, 1962
William Dole

Not on View

recto: upper bodies of figures, seen from low viewpoint; one figure holds a flat object (book or tray?) with both hands on bottom of object, at left; verso not examined--received framed — Study of Figures in a Dome (recto); Figure Study (verso), 1650s
Attributed to Baldassare Franceschini (il Volterrano); Artist: Formerly attributed to Correggio (Antonio Allegri)

Not on View

Madonna and Christ child seated at top center; standing male saint with hooked staff at left, with long beard; male saint at right kneeling on PR knee, hands in prayer; partially squared off in a grid — Madonna and Child Adored by Two Male Saints, 17th century
Alonzo Rodriguez

Not on View

recto: two figure sketches; figure at right faces left, turned 3/4, with head down and wrists bound; figure at left faces right, bent forward at the waist, wrists bound; cloudy wash overall; cloudy third figure at top center--bleeding through from back of sheet; verso not examined--received framed — Two Studies of the Bound Christ (recto); Study of the Bound Christ (verso), 17th century
Alessandro Maganza

Not on View

sketchy image of cluster of fighting figures; figure at left center holds a dagger; fallen figure in LLC — Massacre of the Innocents, 17th century
Pietro Testa

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centaur with PR front leg raised; thick midsection at human waist; centaur looks backward toward PL; trees in background — Centaur, 17th century
Carlo Saraceni

Not on View

landscape; view through a rock archway with foliage growing on top and at left side; more foliage beyond visible through opening — Cava di Tufa, 18th century
Louis-Gabriel Blanchet

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abstract image; blue ground fading subtly into grey at right edge; triangular forms in LRC in pale green, yellow, orange, red and pale blue--color shading subtly into other hues — Intrusion, 1968
Steve Wilson

Not on View

sketchy style; standing figure carrying another figure in his arms; possible architectural element at right — Dedalus Burying Icarus, c. 1605
Carlo Saraceni

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seated man seen from PL, with his upper body twisted or PL, PR hand on PL knee and feet crossed; man wears draping long garment; man has sketchy, large ears — Draped Man Leaning Forward (King Midas?), 17th century
Pietro Bernardi

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view of a building with multiple stories; arched doorway at left, arched opening to a small balcony at center and arched opening in wall at right; potted plants on high patio at center; trees at left — Italian Landscape, 18th-19th century
Giacomo Quarenghi

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large fields in center of image made up of rectangular light blue paper with hole below center and tears and roughly rectangular foxed cream paper with brown and left edge and area of red marks at right center; fragments of predominately printed text in various languages and type fonts around edges; some colored paper elements predominately at right side — Tally IV, 1966
William Dole

Not on View

two crouching men, back to back; right sketch light and unfinished; man at left wears belted tunic and pants — Two Studies of a Seated Male Figure, 17th century
Unknown Italian, 17th century; Artist: Formerly attributed to Ventura Salimbeni

Not on View

arches and columns in Colosseum — Study of Antique Ruins, 1847
Louis-Georges Brillouin

Not on View

recto: seated nude male figure with legs apart; PR knee higher than PL knee; arms out, with hands not differentiated; head bent slightly downward; torso well differentiated; verso: arm holding staff and line indicating side of body — Seated Male Nude, 19th century
Luigi Sabatelli

Not on View

view from inside ruins of forum, with broken-off columns; tall column with sculpture of standing figure at center; Classical buildings in middle ground beyond ruins — Forum of Trajan, Rome, 1827
Antonio Acquaroni

Not on View

ceiling decoration; segments separated into geometric forms with egg and dart moldings; central tiny circle with dove; largest segments with seated figures writing--figure at left accompanied by a bull; other segments with scrolls, flowers and cherub heads — Design for a Ceiling with the Evangelists John and Luke and the Medici Coat of Arms, late 16th century
Attributed to Cesare Nebbia; Artist: Attributed to Giovanni Battista Ricci da Novara

Not on View

landscape scene with male and female satyrs in foreground at left; putti atop a structure behind foreground figures, with one putti standing on rock at left, rubbing his eyes; tree at right — A Bacchanale with Putti, 1651
Charles-Alphonse Dufresnoy

Not on View

figure tending to a fallen figure at center; horse at left; another horse in background, URQ, with another partially reclining figure; hook-like hatching — The Good Samaritan, 17th century
Attributed to Simone Papa III

Not on View

woman walking, seen from front; woman has long wavy hair and wears a gown with a slit in PL side, allowing a view of tall sandals; gown tied with a sash at waist; scooped neckline; PL arm at side; PR arm held away from body, with arm unfinished and hand out of picture plane; grey wash overall on background — Woman in a Neoclassical Dress, 18th century
Attributed to Jean Grandjean

Not on View

king wearing crown seated on high throne at left, surrounded by soldiers; standing man at left, looking down, with his PR hand resting on a small stand; two arched openings in background — Mucius Scaevola, 17th-18th century
Silvestro Manaigo

Not on View

water in foreground with sailing ships; mountains at center and right with some buildings; corners clipped — View of Mountainous Coastal Town and Fortificaton, 18th century
Attributed to Francesco Zucchi

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Jesus standing left of center, wearing a loincloth, with John the Baptist right of center, pouring water on Jesus' head; two figures at left, one kneeling figure at right; sketchy angels at right edge; several other sketchy figures at left; tiny face in black ink, URC — Baptism of Christ, 17th century
Orazio Borgianni; Artist: After school of Raphael (Raffaello Sanzio or Santi)

Not on View

central rectangular image of man wearing helmet and carrying shield, riding a rearing horse; three female figures at left; round building in URC; nude female figure standing on an orb at left; female caryatid at right; decorative frieze below — Heroism of Marcus Curtius, c. 1550-95
Circle of Federico Zuccaro; Artist: Circle of Taddeo Zuccaro; Artist: Formerly attributed to Francesco Salviati or his circle

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sketch of male lion with PL front paw raised on a rock, directly under his chin; corners of sheet and mount clipped — Study of a Lion, 18th-19th century
Giuseppe Bernardino Bison

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five sketches--four of seated men; sketch in ULC of a man seated, holding a pen, accompanied by a small angel; sketches at bottom center and LLC of seated men holding pens and tablets; sketch in LRC of a standing man with a pen; seated man in URC — Angelic Vision of a Bearded Man (Saint Jerome?), 17th century
Attributed to Alonso Cano

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two standing figures--male on left, female on right; each figure has PR arm held out in front of them; both figures heavily draped; man has curly shoulder-length hair and beard and wears sandals; woman has long curly hair covered with headscarf; verso: light sketch of a face — Standing Draped Male and Female Figures, 16th century
Circle of Giulio Romano; Artist: Workshop of Raphael (Raffaello Sanzio or Santi)

Not on View

reclining foreshortened figure, lying on PR side, with knees bent and feet drawn up; sketchy — Seated Boy, 17th century
Jan Both

Not on View

woman wearing flowing draperies in LLQ, with a suggestion of a billowing garment behind her head, hovering over a body; another sketchy figure in URC, with billowing garment behind his head — Diana and Endymion, 17th century
Giovanni Lanfranco

Not on View

figures in a small clearing; Apollo seated at center, holding a lyre and wearing a draping garment on his lap and a laurel wreath; muses surrounding Apollo roughly in a circle, with their attributes (scrolls, books, globes, calipers, daggers); Pegasus at left; shaggy-haired man seated in LRC, looking back over his shoulder at muses; two birds behind man — Apollo and the Muses, 17th-18th century
François Verdier

Not on View

standing young person with shoulder length, straight, dark hair, curled under at ends, looking down, with PR hand on chest, wearing a knee-length robe; light sketch of a head to left of youth's head; verso: line sketch of pair of legs, LLC — Draped Youth Standing, 19th century
Louis-Georges Brillouin

Not on View

image of face of putto in grey; rust-colored ground — Head of Carved Putto, 17th century
Unknown; Artist: Formerly attributed to Francois Duquesnoy; Artist: Formerly attributed to Nicolaes Berchem

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landscape; very tall rock formations forming a narrow cave/grotto left of center; three figures under trees, LRC; two standing figures in LLQ — Ear of Dionysius, 1842
Edward Lear

Not on View

Standing Female Saint or Nun and an Angel (after Andrea del Sarto's "Annunciation to Zaccharias"), 16th-17th century

Attributed to Bernardino Poccetti; Artist: after Andrea del Sarto

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Maid Servant, 18th century

Francesco Simonini

Not on View

four figures working at an anvil; each figure wears loincloth; other figures in LRC; ovoid shaped image — Forge of Vulcan, 16th-17th century
Attributed to Palma il Giovane; Artist: Attributed to Marcantonio Bassetti

Not on View

recto: Mary holding Christ child, both looking down, in ULC; St. Catherine at right in LRQ; man in bishop's hat reading, LLQ; three small figures (cherubs?) and lower center; verso: sketch of seated woman with text in Italian — Studies of the Madonna and Child Adored by Saints, 17th century
Circle of Simone Cantarini

Not on View

recto: pair of standing winged women flaking an open ovoid area (undefined cartouche); both women wear heavily folded draperies; woman at left extends her PR arm across her body along top edge of cartouche; woman at right rests her PR elbow on edge of cartouche and holds a large bouquet (?) in her PL hand, which rests on her hip; verso: pair of standing women flanking an open circular area; woman at left is winged and is writing, leaning her paper on edge of cartouche; woman at right rests PR elbow on cartouche with hand held upward — Study of Two Female Allegories Flanking a Cartouche (recto and verso), late 18th century
Unknown French, 18th century

Not on View

head, torso, PR thigh and knee and PL foot of seated figure with medium length dark wavy hair, leaning on PR arm, holding a white drape at right; portion of column visible behind figure; irregularly-shaped sheet laid down on two fragments of architectural drawings, with foliate swag in URQ and column fragment in ULC — Putto Lifting Drapery, 17th century
Unknown Italian (Florence), 17th century

Not on View

architectural study of ceiling with figures in spandrel in LRC and at bottom center below central ovoid element, and with various scrolls and swags — Ceiling Design, c. 1785
Giovanni Giuseppe Jarmorini

Not on View

study of drapery on a standing figure viewed from PL; torso and legs, with feet and lower legs differentiated; arms not differentiated — Drapery Study, 17th-18th century
Carlo Maratti

Not on View

Study of Five Heads, late 15th-early 16th century

Unknown Italian

Not on View

seated nude (seated on a leaning against blocky structures) seen from PR side, holding a book in his PR hand; PR leg bent with foot to side; figure leans on PL elbow; slightly cartoonish face, looking out of picture plane — Seated Male Youth Reading a Book, 16th century
Attributed to Pietro Faccini

Not on View

ruins, an ancient theater with semicircular descending rows of seating; water in distance with sailboats; island with buildings in center backgroundt; foliage and buildings in foreground, with four figures--three standing and one seated, drawing — View of Siracusa, 19th century
Antonio Senape

Not on View

three seated figures and one standing figure, all looking toward left; frontmost figure seated on a bench — Study for the Calling of Saint Matthew, 16th-17th century
Giovanni Baglione

Not on View

standing youth wearing heavy draperies--cloak over long skirt; figure seen from PL, gesturing — Drapery Study of a Young Man, 17th century
Giovanni da San Giovanni

Not on View

head and torso of man with long hair, leaning toward right; long, thin fingers; PR hand on chest, PL hand holds goblet; shades of brown and white — Saint John the Evangelist, 17th century
Giovanni Battista della Rovere

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recto: seated Madonna holding standing Christ child, on clouds at top center, surrounded by angels and cherubs in a ring, hand in hand; at bottom, three standing male saints, from left: John the Baptist with his cross, man holding an open book, man holding a closed book in his PL hand and man in bishop's hat with crozier; verso: scene of the descent from the cross with Mary behind Jesus, holding him beneath this PL arm; praying and mourning figures surround Jesus, with two ladders behind them; lower left corner of drawing is missing — Madonna and Child with Four Saints (recto); Pietà (verso), 16th century
Federico Zuccaro; Artist: verso attributed to Antonio Viviani

Not on View

Jesus at center, praying, leaning on a rock, with an angel in front of him carrying a cross and a goblet; three sleeping figures at left — Agony in the Garden, 17th century
Domenico Piola

Not on View

very sketchy, with long flowing lines; four figures surround and carry body of Jesus at center — Entombment, 17th century
Attributed to Jürgen Ovens

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study of drapery; overall roughly triangular shape — Drapery Study, 18th century
Francesco Lorenzi

Not on View

standing woman wearing a transparent veil, looking up, holding a baby with her PR arm and reaching down to a standing child clinging to her PL hand; sketched architectural details at left — Design for a Funerary Monument with Caritas, 18th century
Giovanni-Battista Cipriani

Not on View

landscape; slightly abstracted; dark cloud, URC; high horizon line; dark shapes/grasses in foreground — Segesta, 1842
Edward Lear

Not on View

hippocamp seen from front, with very curly mane, slightly off-center, open mouth and long curving sea serpent tail; corners of sheet clipped — Sea Dragon, 16th-17th century
Benedetto Brandimarti

Not on View

recto: reclining woman, with head bent backwards, eyes closed; PL hand in lap, PR arm hanging down; study of drapery folds on garment; verso: study of PR leg of standing man, with foreshortened foot; PL leg behind, with feet at right angles — Drapery Study of a Reclining Woman (recto); Study of a Leg (verso), 18th-19th century
Pietro Fancelli

Not on View

recto: sketchy study of head and upper body of woman with her hair up, wearing a crown, with heavy draperies on her shoulders; from PL side; verso: study of the head, torso and outstretched PL arm of a draped woman with her hair in a bun, from PL side — Study of a Crowned Woman Kneeling, 17th-18th century
Luigi Garzi

Not on View

recto: at top--frontal view of an altar with plain pediment and cornice with Ionic columns flanking a sculpture of a standing woman holding a long plant frond; tomb-like element below; ground plan with measurements at bottom; verso: linear shaded architectural elements — Elevation and Ground Plan of Altar Dedicated to Female Martyr (recto); Fragment of Architectural Design (verso), 18th-19th century
Flaminio Innocenzo Minozzi

Not on View

recto: Mary kneeling next to baby Jesus, with her veil behind his head; kneeling and standing figures at left and right; sketchy; verso: sketchy study of legs — Adoration of the Shepherds, 17th-18th century
Attributed to Paolo de Matteis

Not on View

group of kneeling supplicating men, some wearing thin drapery or loincloths; many zigzag pen strokes — Group of Worshipping Men, 17th century
Pseudo Gherardi

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standing male figure, seen from back, PL side, with PL foot up on a short platform; man bends slightly at the waist and leans slightly forward, with PL arm upraised — Standing Male Figure, Study for Saint John the Baptist Preaching, 18th-19th century
Pietro Fancelli

Not on View