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sketched studies; torso and head of reclining winged female with a horn (?) at left; lighter sketches of architectural elements at right; verso not examined--received framed

Female Figure Reclining (Allegory of Fame Vanquished by Time), Architectural Studies (recto); Three Studies of a Female Figure Reclining, Studies of Sculptural Ornament (verso), 1660s-1670s

Baldassare Franceschini (il Volterrano)

Not on View
foreshortened figure lying down, with feet, legs, backside and PR arm visible

Sleeping Boy, 17th century

Salvator Rosa

Not on View
Mary seated at right, holding baby Jesus on her PR knee; Joseph stands at left, pointing to Jesus, with his PR arm raised, PR foot resting on a rock; adoring man, LRC, and angels at right and top; squared off into a grid

Rest on the Flight into Egypt, 1585-1588

Federico Zuccaro

Not on View
seated figure wearing long drapery, including drapery in a hood over head; figure had PR knee raised and rests PL elbow on a rock, with head on PL hand, looking up; rocky ground

Drapery Study: Seated Figure, 17th century

Attributed to Ortensio Crespi

Not on View
two studies of a faceless figure wearing a long hooded cape

Studies of a Full-Length Hooded Cape, 19th century

Theodore Valério

Not on View
recto: head of a bald man with long dark moustache, beard and eyebrows, in profile from PR, at center; drapery studies at right (very light); seated figure study, ULC; two studies of hands and one of foot, LRQ; verso not examined (received framed)

Head of a Bald Man in Profile and Sketches of a Seated Man and of Drapery (recto); Sketches of a Male Head and Arms (verso), c. 1720

Federico Bencovich

Not on View
mounted to stiff grey paper; portrait of a boy with a round face; dark brown hair with asymmetrical hairstyle--shorter on PR side, longer on PL side; large white collar; sketched suggestion of jacket

Portrait of an Adolescent Boy, 1621

Ottavio Leoni

Not on View
eight gods in the clouds, accompanied by two putti with ribbons; four gods are standing, four are seated; nine muses seated below on a hill with musical instruments, books, scepters and crowns

The Olympian Gods and the Nine Muses, 17th century

Attributed to Jacopo Ligozzi

Not on View
mounted on tan paper; central female figure with long hair and her drapery flowing behind her head; two putti, each with a bow and arrow, fly in top corners; kissing figures at left; male figure in LRC holding horns (?) with curly hair and beard; putto with sea serpent below female figure

Triumph of Galatea, c. 1630

Cavaliere d'Arpino

Not on View
architectural element with cartouche with three short lines of text; musical allegorical female figures standing at right and left flanking cartouche and reclining at top left; two putti at bottom center and upper right; standing woman at left holds horn (or dagger?) and covers her face with grey drapery; lavender drapery swags hang at top; two colorful floral swags at top of cartouche

Theater Design, 18th century

Attributed to Franz Anton Maulbertsch

Not on View
mounted to ivory paper; off-white over mat with gold and brown borders; enclosed courtyard/city square with tall curved wall with arches in distance; buildings at right and left; man shoeing a horse in foreground, LRC; figure on bucking horse at center; other figures along edges of square; tiny, neat inscriptions scattered throughout

A City Square with Tradesmen, 17th century

Giovanni Maria Tamburini

Not on View
battle scene with soldiers fighting hand-to-hand at left in middle ground; two soldiers--one fallen--in foreground; Alexander Farnese behind soldiers in foreground, standing with feet apart, pointing with his PL arm; soldiers wear draping garments and helmets with plumes; buildings at right; additional armies in far distance, UL; mounted to ivory sheet with attached green border

Alexander Farnese Directing the Siege of Antwerp, 1580s

Ludovico Carracci

Not on View
mounted to ivory paper with brown border; female figure standing, leaning against curved element at left; leafy architectural element to right of woman's head; PR elbow resting up, PL arm down; woman wears draping garments; light brown sketch of a female bust at right

Female Figure in a Spandrel, Study for the Allegory of Modesty, 1583-1585

Bernardino Poccetti

Not on View
mounted on ivory paper with blue overmat; foreshortened view of personified Fame with legs at right and head at left, wings outstretched, playing a long horn; putti flying behind and putto in URC with garland

Fame in a Cloud of Putti, 18th century

Domenico Tiepolo

Not on View
mounted on ivory paper; study for a sculpture of a standing male in a contrapposto pose, with PL arm held up; each hand holding a staff; figure stands on a dolphin on top of a base with shells and foliate swags; another smaller figure study in same pose at right; study of a hand holding a staff in red chalk at left

Study for a Fountain of Neptune, 16th-17th century

Cherubino Alberti

Not on View
Pluto driving an open chariot pulled by four horses, holding the gesturing Persephone by the waist; running figure in front of horses; two putti fly over chariot; verso not examined (received framed)

Pluto Abducting Persephone (recto); Figural Studies (verso), 17th century

Italy

Not on View
head and torso of dead figure of Christ, lying with head up on drapery; bare-chested; hands unfinished; verso not examined--received framed

PietĂ : The Dead Christ (recto); The Mourning Virgin (verso), 16th century

Italy

Not on View
recto: study of drapery on a standing figure; head, PR arm and PL upper arm/shoulder slightly differentiated, but features not included; figure holds drapery against PL thigh; some muscles of torso visible through drapery; verso not examined--received framed

Drapery Studies (recto and verso), 16th century

Italy

Not on View
sketchy, unfinished; two figures; left figure reclines on cloud; right figure with arms out, PR hand touching arm of left figure; legs of right figure redrawn several times--figure has four legs

Diana and Eolus, 18th century

Giambattista Tiepolo (Giovanni Battista Tiepolo)

Not on View
low-crouching lioness seen from PL side; studies of hips, face and PL leg of lioness around finished full figure

A Lioness Preparing to Spring, August 8, 1889

William Strutt

Not on View
mounted to ivory paper with grey border; three putti; foremost putti holds a cello

Musical Putti, 1538-1539

Pomponio Amalteo

Not on View
mounted to ivory paper with blue overmat; top drawing of man wearing knickers, tall spats, simple shirt and cap, with straight hair; man seen from PR, standing, working at a table; crossbowman at bottom with PR knee on a rock, with crossbow held up; man wears a hat with two long feathers

Figure Studies: A Painter's Apprentice and Crossbowman, 17th century

Giovanni Battista Spinelli

Not on View
recto: dead Christ's body in zigzag shape, with head bent back, legs bent at hips and knees, seen from PR; curly hair; verso: loose rendering of a young man's head, upper arm and hand

The Dead Christ (recto); Studies of a Young Man, His Arm and Hands (verso), c. 1721

Antonio Balestra

Not on View
mounted on ivory paper with blue overmat; two kneeling male figures in foreground, with short hair; four standing figures behind--two with beards, one in partial shadow, one balding, with a walking stick

Group of Men Looking to the Right, c. 1550-1575

Circle of Giorgio Vasari; Artist: Formerly attributed to follower of Taddeo Zuccaro; Artist: Formerly attributed to Domenico Beccafumi

Not on View
mounted to ivory paper; standing central figure with his PL hand on the forehead of a thin, seated old man, and his PR hand held in a blessing gesture; dog, LRC; many figures in background, including child at central man's PL elbow and woman with baby at right; column and base at top right of center; squared off with black chalk

Saint Lawrence Restoring the Sight of Lucillus, 16th-17th century

Giovanni Baglione

Not on View
sketch; three figures--foreground head and torso slumped, with head supported by figure at right; standing figure at left; large shadowy areas of ink wash

Death of Hyacinth, c. 1752-1753

Giambattista Tiepolo (Giovanni Battista Tiepolo)

Not on View
mounted on ivory paper with brown and gold borders; woman reclining on her PL side, wearing a sheer draping garment with a green belt and red and white headscarf; brown background with suggestion of a window in ULC

Reclining Woman, c. 1790-1800

Friedrich Heinrich FĂĽger

Not on View
mounted to ivory sheet with grey, green and pink borders; sketch; figure kneeling on one knee in LRC; standing figures at left; sketchy tall figures (sculpture?) in background

Michelangelo Presenting the Moses of the Tomb of Pope Julius II to Pope Paul III, 17th-18th century

Attributed to Pietro Antonio de' Pietri

Not on View
Mary seated on a cloud accompanied by many cherubs; cherubs in sky in ULC and drawing back a cloth in URC; angel at left with scales pulling up a woman while two men and other figures look on from bottom; sketchy style

Madonna Rescuing Souls from Purgatory, 18th century

Jacopo Cestaro

Not on View
laid down on mount with black, tan and gray framing lines; figure at center pulls back drapery to reveal scene of Judith with sword raised, holding struggling Holofernes, lying on bed, by the hair; soldiers at left; squared off in a grid

Judith Beheading Holofernes, c. 1583-1585

Ludovico Carracci

Not on View
recto: study of drapery folds in black chalk; verso not examined (received framed)

Drapery Studies (recto); Two Sketches of Doric Capitals (verso), c. 1530-1535

Daniele da Volterra

Not on View
mounted on ivory paper with tan, brown and gold borders; standing portly man with small glowing halo, with PR foot resting on a ball and PL on a shield (?), holding a crucifix in his PR hand and a lily in his PL hand; chair, large book, cloth-covered table and sacks on floor behind man

Standing Saint, 17th century

Anthonis Sallaert

Not on View
reclining woman in foreground, leaning on her PR elbow, looking up at a man who kneels, looking up, behind her; four other figures also looking up in background; clouds, ULQ; squared off in a grid

A Miraculous Cure, 16th-17th century

Attributed to Bartolomeo Cesi

Not on View
sketch; kneeling Christ at center, wearing blindfold, with many dynamically-posed figures surrounding him; archway in background

The Mocking of Christ, 17th century

Luca Giordano

Not on View
portrait of seated man, in profile from PL, looking at a piece of paper held in his PL hand; man has shaggy hair, beard and wears glasses and a jacket

© Estate of George Warren Rickey %2F Licensed by VAGA at Artists Rights Society %28ARS%29%2C NY

Portrait of Alfred Moir, 1969

George Warren Rickey

Not on View
muscular figure kneeling with head resting on a block; hands clasped in front of block

Saint John the Baptist Prepared for Decapitation, 17th century

Attributed to Mattia Preti

Not on View
five heads in a circle; head in lower right has mouth open with long fangs; frowning face with long nose at bottom center; grimacing balding head in lower left; compacted face in ULC, with head looking up; head with very large chin in profile, URC

Five Grotesque Heads, 18th century

Gaetano Gandolfi

Not on View
mounted on stiff paper; St. Jerome, with long curly white hair and long beard, crawling out of a cave; baskets in a lean-to to right of cave; lion in foreground, LRQ; lush landscape scene with large tree at left; inscription at bottom

Saint Jerome in the Wilderness, 1623

Francesco Grigiotti

Not on View
solider wearing a helmet, looking up to PL; curly hair; bulbous nose; wearing armored collar

Head of a Helmeted Soldier, 16th-17th century

Attributed to Bernardo Strozzi; Artist: Attributed to Giovanni Battista Caracciolo

Not on View
mounted on ivory paper with tan, grey and gold borders; two sketches of female statue in contrapposto pose at right and left edges of paper; central sketch of a bearded man wearing a cap at center bottom

Studies of a Nude Female Statue (Venus) and Head of a Mature Bearded Man (recto); Architectural Studies (verso), 16th-17th century

Cherubino Alberti

Not on View
mounted to heavy paper with gold and brown borders; kneeling nun, hands in prayer, looking up, with a book in front of her knees on ground

Kneeling Carmelite Nun: Saint Teresa of Avila (?), 17th century

Attributed to Jean-Baptiste de Champaigne

Not on View
thin bearded man with long limbs, lying on rocks with head bent upward against rock-pillow, hands on abdomen and feet on ground; small roaring lion at right

Death of Saint Jerome, 16th century

Blas de Prado

Not on View
blonde woman with large, wide eyes and round face seated on a donkey; woman wears a white blouse and apron, yellow vest, long blue skirt, red shoes, red headband and white neckerchief trimmed in red; brown donkey wearing a harness

Woman on a Donkey (Lady Bessborough or Lady Spencer?), 1793-1794

Giovanni Battista "Tita" Lusieri

Not on View
mounted to sheet with gold, green and black borders; figure standing on platform with columns behind him; figures wears draping garment; standing figures at right and center in middle ground; other figures' torsos visible in lower corners; architectural elements in background center and upper right

Saint Paul Preaching in Athens, late 16th century

Attributed to Giovanni Battista Ricci da Novara; Artist: Attributed to Cesare Nebbia; Artist: Formerly attributed to Agostino Ciampellli

Not on View
view up from a slightly low vantage point; figure kneeling on stairs at right before a king with a long beard and wearing a crown seated on a throne; other figures standing at right, one figure standing at left; architectural details in background, URQ

Panthea before Cyrus the Great, King of Persia, 17th century

Pieter Crijnse Volmarijn

Not on View
mounted on ivory paper with red-brown borders; face with wide open, wild eyes, open mouth with teeth visible and unkempt hair

Self-Portrait Screaming in Terror, 1780s-90s

Joseph Ducreux

Not on View
mounted to ivory sheet; two oval drawings, on top of the other; top drawing of two tritons--one at right with curly hair and beard hold a club aloft in his PR hand; another figure rides on his back; triton at right with curly hair holds an animal skull in PL hand and a club in PR; bottom drawing of men riding bucking hippocampi; man at right hits man at left over the head with a club; man at left holds two fish in his PR hand

Battling Tritons and Men on Hippocampi, 16th century

Pellegrino Tibaldi

Not on View
mounted on ivory paper; architectural element with scrolls; putto at left sitting on architectural element; tiny putto in URQ

Putti with the Impresa of Pope Leo X, 1585-1587

Jacopo Zucchi

Not on View
mounted on ivory paper with brown border; sketchy; seated woman hugging distressed child at left; standing man at right; handwritten text, ULC

Expulsion of Hagar, c. 1750

Domenico Tiepolo

Not on View
mounted to ivory sheet with pale red borders; sketchy figures in clouds; two central figures look down; figures at left conversing together; one figure in URC looks up; verso not examined--received framed

Angels Looking Down from Clouds (recto and verso), 17th-18th century

Matteo Bonechi

Not on View
recto: winged figure partially reclining on a curved element; figure holds a staff (?) in PR hand with outstretched arm; slightly foreshortened head; squared off in a grid; verso not examined--received framed

Fame (recto); Fame and Studies of Putti (verso), 17th-18th century

Francesco Solimena

Not on View
figures in a landscape with trees at right and mountains at left; old man seated at center; three figures at right, including child; seated figure at left facing old man

Hermione and the Shepherds, 17th century

Pier Francesco Mola

Not on View
head of a young man with short dark hair with a bald spot on the top of his head; man's head tilted slighlty downward

Portrait of a Young Man, mid 1580s

Attributed to Annibale Carracci

Not on View
baby Jesus at center, lying on a cloth; Mary seated at right, holding her head in her PR hand, looking at Jesus; standing figure at right points at Mary; kneeling figure at left in foreground, seen from back, with a staff and a basket on the ground next to him; four figures behind Jesus; additional figure carrying a basket on her head in middle ground behind Mary; donkey and cow at left

Adoration of the Shepherds, c. 1615

Abraham Bloemaert

Not on View
mounted on ivory sheet with pale red borders; seated man at left; seated woman at right; four standing figures in background; curtain at right; heavy shadow across center bottom; putto in LLC

Hercules and Omphale, 17th century

Attributed to Gerrit van Honthorst; Artist: after Alessandro Turchi (called Orbetto)

Not on View
mounted on white paper with pink border; two group of figures confronting one another; group at left lead by a figure carrying a bundle of paintbrushes; figure at far left holds a painter's palette; monkey-like animal in front of figure with paintbrushes; group at right lead by a figure handing a cello; goose peering around drapery of same figure

The Imitative and Descriptive Arts, 17th century

Marco Boschini

Not on View
mounted on heavy paper with grey and black borders; green overmat; profile of man from PL side; man is balding, with stray tufts of hair on front of head, thin scraggly beard and moustache, and long eyebrow hairs; man has closed eyes and open mouth; wearing red shirt and grey cloak

A Grosteque Male Head, 16th-17th century

Camillo Procaccini

Not on View
mounted on green paper with black borders; portrait of frowning solider with long, flat nose and curly hair, wearing helmet with winged female caryatid on front surmounted by a bird, and a long plume, and armored breastplate with animal head on PR shoulder, holding a dagger or sword in his PR hand and the sheath in his PL hand; other soldiers behind, including solider holding a staff tied with a billowing ribbon

Lucius Brutus, c. 1663-1665

Domenico Peruzzini

Not on View
mounted to ivory sheet with brown borders; ivory and green overmat with tan and gold borders; sketch; cart at bottom drawn by a horse with its rider wearing a mask and carrying a switch; five seated figures on cart and one women wearing a mask (or female scarecrow figure?) seated on a stool at back of cart; sketch of a man on horseback in ULC; small portrait of the head and torso of a masked woman behind horseman

A Horse-Drawn Festival Cart with Studies of a Horseman and a Masquerader, 17th century

Stefano della Bella

Not on View
recto: seated man wearing draping robes with PL elbow resting on a book; balding, with long beard; verso not examined--received framed

Drapery Study (recto); Kneeling Woman (verso), 16th century

Attributed to Girolamo Siciolante da Sermoneta

Not on View
mounted on ivory paper; two angels flying toward left; angel at bottom kneels on a cloud; angel at top is flying horizontally

Two Angels in Flight, c. 1645-47

Pier Francesco Mola

Not on View
Mary at left, wearing voluminous draperies, holding baby Jesus, with her PR elbow on a cushion; Joseph seated behind a rock (?), resting his head on his PL hand and holding a book in his PR hand; sketchy

Rest on the Flight into Egypt, 1620s

Pietro da Cortona (Pietro Berrettini)

Not on View
soldier at left wearing helmet handing a spherical object to a standing man at right wearing robes; four figures at center look toward right; two faces at left behind robed man looking left

The Adventus of Hadrian (Marcus Aurelius), 17th century

Attributed to Pietro da Cortona (Pietro Berrettini)

Not on View
three striding female figures at left, each carrying an attribute: pallet and brushes, building plan, small sculpture; sculpture at right of torch-bearing winged figure holding three foliate crowns; Apollo riding his chariot in the sky overhead preceded by a winged figure

The Coronation of the Allegories of Painting, Sculpture, and Architecture, 18th century

Louis Gauffier

Not on View
angels and cherubs in clouds in a V-shaped configuration; St. Matthew at center, holding a large book (?); architectural details at top and edges; mat cut to cover URC

Glorification of Saint Matthew, c. 1754

Martin Knoller

Not on View
standing figure wearing long jacket with wide cuffs and knickers, with medium-length curly hair and a large nose, with hands in his pants pockets; very light, illegible inscription above figure's head

Caricature of George Michael Moser (?), 18th century

Sir Nathaniel Dance-Holland

Not on View
recto: angel standing on cloud at right, with PR arm upraised; kneeling Mary at left with wrists crossed, hands on chest; cherubs in clouds overhead; another smaller angel, ULC; squared off in a grid in red; received framed; see 2012.58.39b for verso

The Annunciation (recto), 1623-1626 (recto)

Matteo Rosselli (recto)

Not on View
mounted on ivory sheet with blue-grey border; line sketch with enthroned Madonna and Christ child on very tall throne with at least two figures standing on right and one on left, another possible seated figure in front

Madonna and Child with Saints (Sacra Conversazione), 18th century

Attributed to Domenico Tiepolo; Artist: Formerly attributed to Pietro Antonio de' Pietri

Not on View
mounted to blue sheet with black borders; heavily-worked sketch with standing crowned figure at left, reaching out to a floating figure in URC holding spears; seated figure in LRC being crowned by a putto; standing soldiers at center; some architectural details

Allegory of the Investiture of Cosimo I as Duke of Florence, 17th century

Attributed to Giovanni Battista Foggini

Not on View
mounted on ivory paper; male satyr at left, seen from PL side, pulling a baby satyr up against the back of his head to ride on his shoulders; female satyr at right, with her PL hand on male satyr's hip; sketchy tree at right

A Satyr Family, 1580s

Formerly attributed to Cavaliere d'Arpino

Not on View
seated nude male with long curly hair; PL arm across lap, PR arm resting on top of backrest, head lying to backrest, leaning back to PL, ankles crossed; study of an arm in LLQ

Seated Male Nude, 17th century

Circle of Pietro da Cortona (Pietro Berrettini); Artist: Formerly circle of Andrea Sacchi

Not on View
mounted on ivory paper with brown borders; portrait of a sleeping woman with her head turned in profile to PL; woman has dark hair piled on top of her head and has her head resting on pillow

Lili Grenier Sleeping, c. 1904

Albert de Belleroche

Not on View
sketch of head of man with wavy hair--long on top of head--and short beard and moustache, wearing glasses

© Estate of George Warren Rickey %2F Licensed by VAGA at Artists Rights Society %28ARS%29%2C NY

Portrait of Alfred Moir, December 24, 1978

George Warren Rickey

Not on View
six figures in costume; man in a tan coat and blue knickers bowing to a lady in a yellow dress with green patterns, with an enormous bustle, with a long feather in her hair; man with a false rotund belly, wearing a black cap, blue jacket and blue and white striped short pants, holding a broken umbrella, stands between couple; pair of acrobats with black masks--one figure standing on shoulders of another--at right behind lady's skirts; figure looking up, wearing a very large black hat and red jacket, at right; architectural details in background, including fountain at left

Caricatural Carnival Scene in Rome, 19th century

Antonio Porcelli

Not on View
verso not examined--received framed; see 2012.58.39a for recto

Serving Boy (verso), 17th century

Jacopo da Empoli (verso)

Not on View
view of a building with multiple stories; arched doorway at left, arched opening to a small balcony at center and arched opening in wall at right; potted plants on high patio at center; trees at left

Italian Landscape, 18th-19th century

Giacomo Quarenghi

Not on View
standing figure wearing a billowing cape; tall, fluffy hairstyle; figure holds a staff in his PR hand; red drapery behind figure

Study for a Portrait of a Field Marshal, 17th-18th century

Jacopo Amigoni

Not on View
line drawing of twisting, slightly crouching nude man with a standing man behind him, cutting first man's PR shoulder

Apollo Flaying Marsyas, 16th century

Circle of Luca Cambiaso

Not on View
falling partially draped figures; falling angel at left; clouds at bottom

Fall of the Damned, 19th century

Giuseppe Bezzuoli

Not on View
old paper with holes and creases at center (probably from a book) with some small scraps of printing in various fonts and languages; several hand-written elements in pencil and ink at lower corners and ULC; purplish-grey rectangle in LRC with fragments of colored marbled endpapers--predominately red and blue, and green and blue; small thin orange strip of paper to left of old paper background, ULC

© Estate William Dole

Work Sheet I, 1964

William Dole

Not on View
seascape with hill/land mass at center and left; beach and water at right; sketchy figures sitting on beach in LRC; standing figure on shoreline beyond seated figures; green, tan, grey and blue

Grotto of Tiberius at Sperlonga, 18th-19th century

Carlo Labruzzi

Not on View
two studies of a man's torso; top study has sketched-in head and face; each study in the same pose, with PL arm across stomach

Studies of a Male Torso, 17th century

Baldassare Franceschini (il Volterrano)

Not on View
three large rowboats in foreground, filled with people; two small sailboats in middle ground; large sailing ship at left in distance with other ships at right without sails unfurled; Mount Vesuvius in background; grey sky and water

View of Mount Vesuvius, 19th century

Giuseppe Canella

Not on View
crowded, busy scene of horses and men fighting; empty, blank rectangle at bottom center

Study of a Battle, preparatory sketch for the fresco 'Clovis Defeats Alaric II', 1653

Raffaello Vanni

Not on View
landscape; view through a rock archway with foliage growing on top and at left side; more foliage beyond visible through opening

Cava di Tufa, 18th century

Louis-Gabriel Blanchet

Not on View
kneeling woman wearing long dress with long sleeves and headscarf, holding a bag (?) open with her hands and mouth; woman looks up

Kneeling Woman, Study for Judith's Servant, 17th century

Carlo Saraceni

Not on View
sketchy image of cluster of fighting figures; figure at left center holds a dagger; fallen figure in LLC

Massacre of the Innocents, 17th century

Pietro Testa

Not on View
female allegory or angel, resting on clouds, holding a torch in PR hand; wearing flowing draperies; bare-chested

Female Allegory, 18th century

Lorenzo de' Ferrari

Not on View
Mary Magdalen with long wavy blonde hair, seated, leaning her PL upper arm on a table with heavy turned leg; Mary wears a white gown, exposing her PR breast and arm, with a loop of gold fabric around her lap and PL leg; candle on table at Mary's elbow

Mary Magdalen, 16th-17th century

Pasquale Ottino

Not on View
three large rowboats in foreground, filled with people; figure at front of boat at left stands holding oar over his head; small sailboat at far right in distance; sailing ship with sails unfurled at right in middle ground; other sailing ships at left without sails unfurled, in distance; buildings and hill on opposite shore; grey sky and water with a few low clouds at center

View of the Bay of Naples, 19th century

Giuseppe Canella

Not on View
seated man wearing a coat with a wide collar and knickers; man has drapery over his PL shoulder; long curly hair; head lightly sketched, not fully completed

Portrait of an Alderman, 17th century

Attributed to Anthony van Dyck

Not on View
abstract image of primarily horizontal and vertical calligraphic lines--a few curved lines

© Estate Ulfert Wilke

Music to be Seen #1, 1956

Ulfert Wilke

Not on View
view of a sheer rock wall in a landscape; waterfall at top center; buildings at high horizon line; pool in foreground

View of Tivoli, 1842

George Arthur Fripp

Not on View
standing, slightly foreshortened male figure, viewed from low angle; arms upraised--PR upper arm covers face; squared off in grid

Nude Male Standing with Arms Raised, 17th century

Attributed to Giovanni Lanfranco

Not on View
Madonna and Christ child seated at top center; standing male saint with hooked staff at left, with long beard; male saint at right kneeling on PR knee, hands in prayer; partially squared off in a grid

Madonna and Child Adored by Two Male Saints, 17th century

Alonzo Rodriguez

Not on View
standing bearded man with long hair, wearing salmon-colored and white garments, bound at the wrists, gesturing with his hands, at right, accompanied by two guards--one with a long staff; two men, each wearing shades of red, seated on a tall platform, at left; blonde woman wearing white blouse behind turbaned seated man at left; soldier, seen from back, leaning on platform, at left, accompanied by a seated dog; three other male figures at center in background; red flag on pole at diagonal extending from column, at top center of image; dark interior

St. Paul Before the Praetor, 17th century

Attributed to Nicolaus KnĂĽpfer

Not on View
seated figure in a high-backed chair, seen in profile from PL, wearing voluminous robes and bishop's hat; head turned toward PR; mounted on heavy blue paper

Study of a Seated Model Wearing a Bishop's Chasuble and Mitre, 18th century

Attributed to Joseph-Marie Vien; Artist: Attributed to Eustache Le Sueur

Not on View
three figures on the ground--one on hands and knees; a sketched-in fourth figure in URQ

Three Male Figures Writhing on the Ground, Study for a Resurrection, Pentecost, or Conversion of St. Paul, 16th-17th century

Palma il Giovane

Not on View
standing figure of Christ wearing a white loincloth and crown of thorns, tied to a short column; figure at left with arm poised to lash Christ with thongs; figure at left wears salmon-colored skirt and white headband and partially-removed shirt; three figures at right, including turbaned man with long beard wearing salmon-colored robes; very dark ground

Flagellation of Christ, 17th century

Attributed to Jacques Blanchard

Not on View
standing figure with long white beard; PL leg on a block; PR hand resting on PL thigh; figure holds stone tablet on PL knee; border drawn around figure

Moses, 18th century

Circle of Giambattista Tiepolo (Giovanni Battista Tiepolo)

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