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Mary Magdalen with long wavy blonde hair, seated, leaning her PL upper arm on a table with heavy turned leg; Mary wears a white gown, exposing her PR breast and arm, with a loop of gold fabric around her lap and PL leg; candle on table at Mary's elbow

Mary Magdalen, 17th century

Pasquale Ottino

G313

three seated figures and one standing figure, all looking toward left; frontmost figure seated on a bench

Study for the Calling of Saint Matthew, 16th-17th century

Giovanni Baglione

Not on View
recto: at top--frontal view of an altar with plain pediment and cornice with Ionic columns flanking a sculpture of a standing woman holding a long plant frond; tomb-like element below; ground plan with measurements at bottom; verso: linear shaded architectural elements

Elevation and Ground Plan of Altar Dedicated to Female Martyr (recto); Fragment of Architectural Design (verso), 18th-19th century

Flaminio Innocenzo Minozzi

Not on View
figure kneeling on PL knee, with drapery over PR knee; drapery fully finished--figure lightly sketched; squared off in a grid with numbers

Drapery Study, 19th century

Louis-Georges Brillouin

Not on View
image of right hand and arm, with arm stretched out horizontally and hand held palm up

Right Hand and Arm, c. 1625-46

Circle of Francesco Furini; Artist: Formerly attributed to Ludovico Cigoli

Not on View
large fields in center of image made up of rectangular light blue paper with hole below center and tears and roughly rectangular foxed cream paper with brown and left edge and area of red marks at right center; fragments of predominately printed text in various languages and type fonts around edges; some colored paper elements predominately at right side

%C2%A9 Estate William Dole

Tally IV, 1966

William Dole

Not on View
view from inside ruins of forum, with broken-off columns; tall column with sculpture of standing figure at center; Classical buildings in middle ground beyond ruins

Forum of Trajan, Rome, 1827

Antonio Acquaroni

Not on View
two crouching men, back to back; right sketch light and unfinished; man at left wears belted tunic and pants

Two Studies of a Seated Male Figure, 17th century

Unknown Italian, 17th century; Artist: Formerly attributed to Ventura Salimbeni

Not on View
landscape scene with male and female satyrs in foreground at left; putti atop a structure behind foreground figures, with one putti standing on rock at left, rubbing his eyes; tree at right

A Bacchanale with Putti, 1651

Charles-Alphonse Dufresnoy

Not on View
partially reclining figure of a very muscular nude woman with upper body twisted to PL; PR elbow on outside of PL thigh; PL lower arm, PR leg and PL foot not differentiated--hair and PL hand faintly sketched; four O's in brown ink, LRC

Study of Michelangelo's Night Sculpture from the Medici Tombs, 17th century

Attributed to Cesare Dandini

Not on View
standing woman seen in profile from PR, wearing long skirt and long head covering, also covering her crossed arms; angel to woman's left, slightly bending his knees, with wrists crossed at his chest; angel has curly hair; architectural details in background

Standing Female Saint or Nun and an Angel (after Andrea del Sarto's "Annunciation to Zaccharias"), 16th-17th century

Attributed to Bernardino Poccetti; Artist: after Andrea del Sarto

Not on View
head and torso of man with long hair, leaning toward right; long, thin fingers; PR hand on chest, PL hand holds goblet; shades of brown and white

Saint John the Evangelist, 17th century

Giovanni Battista della Rovere

Not on View
landscape; slightly abstracted; dark cloud, URC; high horizon line; dark shapes/grasses in foreground

Segesta, 1842

Edward Lear

Not on View
sketch of male lion with PL front paw raised on a rock, directly under his chin; corners of sheet and mount clipped

Study of a Lion, 18th-19th century

Giuseppe Bernardino Bison

Not on View
figure tending to a fallen figure at center; horse at left; another horse in background, URQ, with another partially reclining figure; hook-like hatching

The Good Samaritan, 17th century

Attributed to Simone Papa III

Not on View
standing woman, frontal view; short wavy hair; woman wears heavy draperies and has hands clasped in prayer

Standing Draped Figure, 19th century

Edward Coley Burne-Jones

Not on View
view through arches with square columns at right

View of the Tabularium, Rome, 1847

Louis-Georges Brillouin

Not on View
water in foreground with sailing ships; mountains at center and right with some buildings; corners clipped

View of Mountainous Coastal Town and Fortificaton, 18th century

Attributed to Francesco Zucchi

Not on View
recto: sheet divided into two sections with vertical line in black chalk; right section mostly blank, with small sketchy study of figures in LRC; left section has sketch of horse with front legs down, with rider falling from his mount; rider holds a long staff or spear vertically; verso: study of a PR hand with sketchy drapery (?) above

Man Fallen from Horse, Study for Conversion of Saint Paul or Battle of Constantine (recto); Study of a Hand (verso), 17th century

Attributed to Jacques Courtois (called Borgognone); Artist: Attributed to Guglielmo Cortese

Not on View
standing man wearing a cap and a long robe-like garment, holding a staff with both hands; head turned to PL

Standing Draped Man with a Staff, 16th-17th century

Circle of Antonio Circignani (il Pomarancio)

Not on View
smiling man with curly beard and long moustache, wearing foliate wreath

Head of Pan, 16th century

Attributed to Giulio Romano

Not on View
jogging man wearing short skirt and cape exposing upper back; 3/4 view from back; hear turned partially to PL; wild, long, curly hair; PL arm held up, PR arm down, holding a baton (?)

Male Figure Running, 17th-18th century

François Verdier

Not on View
landscape with road at right; water with sailboats at left; tall bluff in URC with building on top and birds to left of bluff; three figures in foreground on road with two other figures in background

View of Capri from Anacapri, 19th century

Antonio Senape

Not on View
recto: Mary kneeling next to baby Jesus, with her veil behind his head; kneeling and standing figures at left and right; sketchy; verso: sketchy study of legs

Adoration of the Shepherds, 17th-18th century

Attributed to Paolo de Matteis

Not on View
seated nude male figure seen from PL with body slightly turned to PL; PR arm raised, PL arm resting on thigh, with hands in loose fists; dark hair

Nude Male Academy, 18th-19th century

Pietro Fancelli

Not on View
four figures working at an anvil; each figure wears loincloth; other figures in LRC; ovoid shaped image

Forge of Vulcan, 16th-17th century

Attributed to Palma il Giovane; Artist: Attributed to Marcantonio Bassetti

Not on View
PL hand with fingers outstretched; dark crosshatched shading

Left Hand, 17th century

Antonio del Castillo

Not on View
landscape; very tall rock formations forming a narrow cave/grotto left of center; three figures under trees, LRC; two standing figures in LLQ

Ear of Dionysius, 1842

Edward Lear

Not on View
head of a man in profile, looking toward PR; man has curly hair and long beard and wears a cap with a rolled brim at the nape of his neck; small strip of paper at bottom of image with two collectors' stamps

Head of a Bearded Man in Profile, 16th century

Attributed to Carlo Urbino

Not on View
man at right wearing armor and holding a shield, running toward right, looking behind him; woman behind man running with her arms stretched out in front of her, looking back; another man with dark hair and beard running toward couple, hitting soward out of soldier's hand with a shovel

Roman Soldier and Woman Fleeing Man Armed with a Shovel, 18th century

Attributed to Francesco Fontebasso; Artist: Formerly attributed to Luigi Sabatelli; Artist: Attributed to John Hamilton Mortimer A.R.A; Artist: May be Guiseppi Sabatelli; Artist: May be Francesco Sabatelli; Artist: May be Giuseppe Piattoli

Not on View
five sketches--four of seated men; sketch in ULC of a man seated, holding a pen, accompanied by a small angel; sketches at bottom center and LLC of seated men holding pens and tablets; sketch in LRC of a standing man with a pen; seated man in URC

Studies of Saint John the Evangelist and Saint Matthew, 17th century

Giacinto Calandrucci

Not on View
two arms with fingers extended, as if playing a keyboard; view from PR side of body; figure wears fitted long sleeves

Study of an Arm and Hands Playing an Organ, 1609

Attributed to Francesco Vanni; Artist: Formerly attributed to Bernardino Mei

Not on View
woman wearing flowing draperies in LLQ, with a suggestion of a billowing garment behind her head, hovering over a body; another sketchy figure in URC, with billowing garment behind his head

Diana and Endymion, 17th century

Giovanni Lanfranco

Not on View
standing bearded man, head turned to PL, holding a thick staff; man appears to be stepping up

Standing Draped Man (Saint James Major or Saint Roch), 17th century

Jan de Bisschop

Not on View
portrait of head and shoulder of a man with medium-length curly hair and a short beard looking out of picture plane; man wears a hat and a neckerchief tied in a bow

Portrait of a Man Wearing a Hat, 17th century

Attributed to Jacques de Gheyn III; Artist: Formerly attributed to Jacques de Gheyn II

Not on View
view of a building with multiple stories; arched doorway at left, arched opening to a small balcony at center and arched opening in wall at right; potted plants on high patio at center; trees at left

Italian Landscape, 18th-19th century

Giacomo Quarenghi

Not on View
Jesus standing at right with head bend, hands in prayer; John the Baptist standing at center, holding a tall cross, pouring water from his PR hand; winged cherub heads in ULC and dove; lamb and standing figures including a boy at right

Baptism of Christ, 18th century

Domenico Tiepolo

Not on View
standing figure of Christ wearing a white loincloth and crown of thorns, tied to a short column; figure at left with arm poised to lash Christ with thongs; figure at left wears salmon-colored skirt and white headband and partially-removed shirt; three figures at right, including turbaned man with long beard wearing salmon-colored robes; very dark ground

Flagellation of Christ, 17th century

Attributed to Jacques Blanchard

Not on View
three large rowboats in foreground, filled with people; figure at front of boat at left stands holding oar over his head; small sailboat at far right in distance; sailing ship with sails unfurled at right in middle ground; other sailing ships at left without sails unfurled, in distance; buildings and hill on opposite shore; grey sky and water with a few low clouds at center

View of the Bay of Naples, 19th century

Giuseppe Canella

Not on View
sketch of a smiling standing man wearing suspenders, holding his hands at his sides with palms facing forward; hand-written text at left

%C2%A9 Donald Lent

An Actor, 1964

Donald Lent

Not on View
standing figure wearing a billowing cape; tall, fluffy hairstyle; figure holds a staff in his PR hand; red drapery behind figure

Study for a Portrait of a Field Marshal, 17th-18th century

Jacopo Amigoni

Not on View
view of a sheer rock wall in a landscape; waterfall at top center; buildings at high horizon line; pool in foreground

View of Tivoli, 1842

George Arthur Fripp

Not on View
line drawing of twisting, slightly crouching nude man with a standing man behind him, cutting first man's PR shoulder

Apollo Flaying Marsyas, 16th century

Circle of Luca Cambiaso

Not on View
old man in profile, with long beard and hair brushed forward

Head of an Old Man in Profile, 17th century

Circle of Guercino (Giovanni Francesco Barbieri)

Not on View
recto: sculpted male head with wavy hair in chunky pieces; wide bridge of nose; head turned slightly to PL; verso: standing nude male figure seen from back, with head bent down; heels together, with PR foot slightly in front, toes apart; PR hand on back of hip bone; some geometric perspective sketches, LRC

Head of Meleager (recto); Unfinished Study of the Farnese Hercules from the Back (verso), 18th-19th century

Pietro Fancelli

Not on View
study of crumpled cloth (napkin?) on lightly striped surface (tablecloth?)

%C2%A9 David Ligare

Drapery Study, 1979

David Ligare

Not on View
standing woman in profile from PR, wearing calf-length skirt and apron

Maid Servant, 18th century

Francesco Simonini

Not on View
standing youth wearing heavy draperies--cloak over long skirt; figure seen from PL, gesturing

Drapery Study of a Young Man, 17th century

Giovanni da San Giovanni

Not on View
recto: pair of standing winged women flaking an open ovoid area (undefined cartouche); both women wear heavily folded draperies; woman at left extends her PR arm across her body along top edge of cartouche; woman at right rests her PR elbow on edge of cartouche and holds a large bouquet (?) in her PL hand, which rests on her hip; verso: pair of standing women flanking an open circular area; woman at left is winged and is writing, leaning her paper on edge of cartouche; woman at right rests PR elbow on cartouche with hand held upward

Study of Two Female Allegories Flanking a Cartouche (recto and verso), late 18th century

Unknown French, 18th century

Not on View
kneeling man wearing long cape-like drapery; bare feet; arms held out toward PR with hands outstretched; suggestion of halo; black border drawn around edge

Study of Kneeling Figure from the Back, 16th-17th century

Giulio Cesare Procaccini

Not on View
standing figure wearing heavy robes; PR arm slightly raised; sketchy head up and turned to PR

Study for the Drapery of a Standing Figure, 16th-17th century

Carlo Bonone

Not on View
ruins, an ancient theater with semicircular descending rows of seating; water in distance with sailboats; island with buildings in center backgroundt; foliage and buildings in foreground, with four figures--three standing and one seated, drawing

View of Siracusa, 19th century

Antonio Senape

Not on View
head and torso of a man wearing a heavy garment, with PR elbow resting on a stack of books, head in hand; PL hand also rests on books; face sketchy--drapery study; corners clipped

Saint Thomas Aquinas in Meditation, 17th century

Circle of Giacomo Cavedone

Not on View
image of face of putto in grey; rust-colored ground

Head of Carved Putto, 17th century

Unknown; Artist: Formerly attributed to Francois Duquesnoy; Artist: Formerly attributed to Nicolaes Berchem

Not on View
reclining foreshortened figure, lying on PR side, with knees bent and feet drawn up; sketchy

Seated Boy, 17th century

Jan Both

Not on View
portrait of man with receding hairline and long sideburns; brown eyes; wearing a grey coat with a star on his PL breast and a metal on his PL lapel

Portrait of Dr. Leighton, c. 1840

Henri Monnier

Not on View
group of kneeling supplicating men, some wearing thin drapery or loincloths; many zigzag pen strokes

Group of Worshipping Men, 17th century

Pseudo Gherardi

Not on View
recto: female nude, with lower legs undefined, seen from PR side, with upper body twisted to left; PR arm raised; verso: portion of a drawing with two figures in a boat at center; landscape in background with three standing figures; pointing hand at left edge of sheet

Twisting Nude (recto); Two Figures in a Boat with Landscape (verso), 16th-17th century

Formerly attributed to Ferraù Fenzoni

Not on View
recto: standing woman wearing long draped robe; hands folded in front of her, holding a palm frond; woman slightly slouches and looks up toward PR; verso: four studies of sitting, striding and gesturing nudes in various sizes

Standing Female Martyr (recto); Studies of Figures (verso), 19th century

Salvino Salvini

Not on View
five faces; clockwise from LLC: man with long grey hair and grey beard, woman wearing wreath with red flowers, woman wearing a headscarf (?) with a pink feather, woman with large curl over PL ear, woman in profile with brown hair

Study of Five Heads, late 15th-early 16th century

Unknown Italian

Not on View
seascape with hill/land mass at center and left; beach and water at right; sketchy figures sitting on beach in LRC; standing figure on shoreline beyond seated figures; green, tan, grey and blue

Grotto of Tiberius at Sperlonga, 18th-19th century

Carlo Labruzzi

Not on View
seated man wearing a coat with a wide collar and knickers; man has drapery over his PL shoulder; long curly hair; head lightly sketched, not fully completed

Portrait of an Alderman, 17th century

Attributed to Anthony van Dyck

Not on View
standing figure with long white beard; PL leg on a block; PR hand resting on PL thigh; figure holds stone tablet on PL knee; border drawn around figure

Moses, 18th century

Circle of Giambattista Tiepolo (Giovanni Battista Tiepolo)

Not on View
Madonna and Christ child seated at top center; standing male saint with hooked staff at left, with long beard; male saint at right kneeling on PR knee, hands in prayer; partially squared off in a grid

Madonna and Child Adored by Two Male Saints, 17th century

Alonzo Rodriguez

Not on View
falling partially draped figures; falling angel at left; clouds at bottom

Fall of the Damned, 19th century

Giuseppe Bezzuoli

Not on View
crowded, busy scene of horses and men fighting; empty, blank rectangle at bottom center

Study of a Battle, preparatory sketch for the fresco 'Clovis Defeats Alaric II', 1653

Raffaello Vanni

Not on View
landscape; view through a rock archway with foliage growing on top and at left side; more foliage beyond visible through opening

Cava di Tufa, 18th century

Louis-Gabriel Blanchet

Not on View
three figures on a cloud; figure at left kneels; figure at right crowns kneeling figure; third figure in back raises PL hand; squared-off corners

Apotheosis of Classical Divinities, 18th-19th century

Giuliano Traballesi

Not on View
arms, head, torso and upper legs of a nude figure, in profile from PR, with arms outstretched and head down, forming an L shape

Male Figure with Outstretched Arms, Study for the Beethoven Frieze, c.1902

Gustav Klimt

Not on View
abstract image; blue ground fading subtly into grey at right edge; triangular forms in LRC in pale green, yellow, orange, red and pale blue--color shading subtly into other hues

%C2%A9 Steve Wilson

Intrusion, 1968

Steve Wilson

Not on View
Mary wearing blue gown with tan headscarf, seated on a tall chair; man figures gathered around Mary, seated, sanding, gesturing, wearing garments of various colors; architectural elements with squared column capitals and arches in background; tan and green books in LRC

Death of the Virgin, 16th-17th century

School of Carlo Saraceni

Not on View
view of a large, elaborate architectural fountain with five torrents of water in archways surmounted with a large architectural structure with sculptures and inscriptions; many figures around sculpture and horse-drawn carriages; another building in background on a hill in LRQ; long inscription in the plate, LLC

Vedute del Castello dell' Acqua Paola sul Monte Aureo, c. 1751

Giovanni Battista Piranesi

Not on View
seated figure in a high-backed chair, seen in profile from PL, wearing voluminous robes and bishop's hat; head turned toward PR; mounted on heavy blue paper

Study of a Seated Model Wearing a Bishop's Chasuble and Mitre, 18th century

Attributed to Joseph-Marie Vien; Artist: Attributed to Eustache Le Sueur

Not on View
three large rowboats in foreground, filled with people; two small sailboats in middle ground; large sailing ship at left in distance with other ships at right without sails unfurled; Mount Vesuvius in background; grey sky and water

View of Mount Vesuvius, 19th century

Giuseppe Canella

Not on View
sketchy style; standing figure carrying another figure in his arms; possible architectural element at right

Dedalus Burying Icarus, c. 1605

Carlo Saraceni

Not on View
four tiny sketches; clockwise from ULC: two men pouring from one large vessel into another, man pouring from a small vessel into a large one while pouring over a utensil, man stirring a large vessel, man seen from back slightly bent over with PL hand in a vessel

Soap or Soup Makers, 17th century

Stefano della Bella

Not on View
sketchy image of cluster of fighting figures; figure at left center holds a dagger; fallen figure in LLC

Massacre of the Innocents, 17th century

Pietro Testa

Not on View
standing bearded man with long hair, wearing salmon-colored and white garments, bound at the wrists, gesturing with his hands, at right, accompanied by two guards--one with a long staff; two men, each wearing shades of red, seated on a tall platform, at left; blonde woman wearing white blouse behind turbaned seated man at left; soldier, seen from back, leaning on platform, at left, accompanied by a seated dog; three other male figures at center in background; red flag on pole at diagonal extending from column, at top center of image; dark interior

St. Paul Before the Praetor, 17th century

Attributed to Nicolaus Knüpfer

Not on View
various small sections of letterpress printing in various languages and various type fonts; some diagrams (a circular chart in LLQ, a column base at top center, a round diagram in URQ), illustrations (organic designs in LLC, images from stamps and a ticket in LLQ) and bars of music; some sections of handwritten text in various languages including a section at bottom center of possibly Arabic text

%C2%A9 Estate William Dole

The Dictionary, 1971

William Dole

Not on View
trompe-l'oeil image of various pieces of printed paper--black and white print of figures in a ruined landscape, newspaper front page in German, color image of buildings, images of soldiers, portrait of a woman wearing black headgear, still-life with bottles and food, flower, playing cards, sheet music--on a knotty wood background

Copyright of the artist%2C artist%27s estate%2C or assignees

Trompe-L'Oeil, 19th-20th century

Carl Friedrich Windels

Not on View
recto: upper bodies of figures, seen from low viewpoint; one figure holds a flat object (book or tray?) with both hands on bottom of object, at left; verso not examined--received framed

Study of Figures in a Dome (recto); Figure Study (verso), 1650s

Attributed to Baldassare Franceschini (il Volterrano); Artist: Formerly attributed to Correggio (Antonio Allegri)

Not on View
centaur with PR front leg raised; thick midsection at human waist; centaur looks backward toward PL; trees in background

Centaur, 17th century

Carlo Saraceni

Not on View
standing man with his PL hand on his hip, resting his PR elbow on a ledge; heavy-set man wears a small brimmed hat; long sheepskin overcoat, coat with large buttons and knickers

Standing Man in a Sheepskin Coat, 1778

N. Grenicher

Not on View
head of a man with a medium-length curly beard and shaggy, curly hair; man has solemn expression

Portrait of a Bearded Man, 17th century

Attributed to Nicolas Lagneau

Not on View
four putti at top--three holding a square banner, the fourth flying horizontally at top center; head and PR shoulder of a figure at bottom, LLQ; sketchy

Putti Floating a Banner, 18th century

Giambattista Tiepolo (Giovanni Battista Tiepolo)

Not on View
rust-red ground paper applied to white sheet; predominately rectangular pieces of colored paper, mainly applied to LRQ--oranges, reds, purple, browns, cream-colored

%C2%A9 Estate William Dole

Like Red, 1962

William Dole

Not on View
recto: sketch of seated muscular man, with long curly hair and long white beard; head turned toward left, looking upward; PR arm across body, holding book (?) on table at right; drapery across lap; verso: curvilinear lines, script?

Study of a Male Saint Writing, c. 1618-1620

Circle of Guercino (Giovanni Francesco Barbieri)

Not on View
various small sections of letterpress printing in various languages and various type fonts; some diagrams (column and cornice sections in URQ, four diagrams of various skulls at top URQ) and illustrations (column capital at bottom center, certificate with eagle in LRQ); some small sections of handwritten text in various languages; vertical section of three lines of Asian text at right; yellowed rectangles in LLC and at left edge (probably inherent, but may be damage to sheet?)

%C2%A9 Estate William Dole

The Dictionary, 1971

William Dole

Not on View
landscape with ruins at left; group of partially draped seated and partially reclined figures in foreground, center; some standing figures in middle ground near ruins; mountains in distance at right

Italian Landscape with Figures, 17th-18th century

Johan van Haensbergen

Not on View
standing figure wearing heavy, long drapery; figure stands in profile from PR, with head turned to PR; bottom half of face delineated, but not finished

Standing Male Figure, 17th century

Adriaen van de Velde

Not on View
figures in a landscape; Christ at left wearing blue garment, accompanied by five figures in various colored robes; three men, including one man wearing vest of armor, kneeling at center before Christ; man in vest of armor with sword, wearing red cape with white fur lining at right, seated on horseback, accompanied by seated dog; standing armored soldier behind kneeling figures; other standing figures and horse; foliage at left

Christ with the Centurion, 1632

Nicolaes Cornelisz Moyaert

Not on View
various small sketches on sheet; round coat of arms medallion with acanthus leaves surrounding small irregularly-shaped shield mounted with a helmet of armor and a small scroll with text at top, at right center of sheet; sketch of helmet of armor in LLC; small sketches of figures in various poses overall, including scene of flogging at left center and soldiers with flags and spears

Medici Coat of Arts with Figures from Callot, 17th century

Ercole Bazzicaluva

Not on View
recto: partially reclining body with long hair, leaning on his PL elbow, PR knee raised, looking up; boy wears jacket and knickers; verso: young man wearing long vest and knickers, with bare lower legs and feet, bending over to grasp a small barrel-like object; received framed with both sides of drawing visible

Study of a Seated Boy (recto); Study of a Youth Standing (verso), 18th century

Pieter Jacob Horemans

Not on View
old paper with holes and creases at center (probably from a book) with some small scraps of printing in various fonts and languages; several hand-written elements in pencil and ink at lower corners and ULC; purplish-grey rectangle in LRC with fragments of colored marbled endpapers--predominately red and blue, and green and blue; small thin orange strip of paper to left of old paper background, ULC

%C2%A9 Estate William Dole

Work Sheet I, 1964

William Dole

Not on View
abstract image of primarily horizontal and vertical calligraphic lines--a few curved lines

%C2%A9 Estate Ulfert Wilke

Music to be Seen #1, 1956

Ulfert Wilke

Not on View
Christ at center in red robes wearing crown of thorns; figure kneeling in LRC wearing blue binds Christ's wrists with rope; soldier behind Christ with unidentified tool; another figure at right wearing brown; three figures in shadows, ULC; dark image

Crown of Thorns, 17th century

Lorenzo Garbieri

Not on View
recto: upper bodies of figures, seen from low viewpoint; one figure holds a flat object (book or tray?) with both hands on bottom of object, at left; verso not examined--received framed

Studies of a Head and a Foreshortened Hand, 17th century

Unknown Italian (Bologna?), 17th century; Artist: Formerly attributed to Agostino Carracci

Not on View
recto: two figure sketches; figure at right faces left, turned 3/4, with head down and wrists bound; figure at left faces right, bent forward at the waist, wrists bound; cloudy wash overall; cloudy third figure at top center--bleeding through from back of sheet; verso not examined--received framed

Two Studies of the Bound Christ (recto); Study of the Bound Christ (verso), 17th century

Alessandro Maganza

Not on View
portrait of seated man, in profile from PL, looking at a piece of paper held in his PL hand; man has shaggy hair, beard and wears glasses and a jacket

%C2%A9 Estate of George Warren Rickey %2F Licensed by VAGA at Artists Rights Society %28ARS%29%2C NY

Portrait of Alfred Moir, 1969

George Warren Rickey

Not on View
mounted on ivory paper with red-brown borders; face with wide open, wild eyes, open mouth with teeth visible and unkempt hair

Self-Portrait Screaming in Terror, 1780s-90s

Joseph Ducreux

Not on View

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