at left: half-length portrait of frowning man, bent forward on books (?); man wears a cap tilted to PR; at right: half-length figure of a woman resting her chin on her PL hand, reading a letter held in her PR hand, while an old man with a frowning face peers over her shoulder — Half-Length Caricatures of a Suspicious Man and an Ill-Sorted Couple, c. 1820
Unknown (British), 19th century; Artist: Formerly attributed to Francesco Bartolozzi

Not on View

view of a sheer rock wall in a landscape; waterfall at top center; buildings at high horizon line; pool in foreground — View of Tivoli, 1842
George Arthur Fripp

G353

crowded, busy scene of horses and men fighting; empty, blank rectangle at bottom center — Study of a Battle, preparatory sketch for the fresco 'Clovis Defeats Alaric II', 1653
Raffaello Vanni

Not on View

female allegory or angel, resting on clouds, holding a torch in PR hand; wearing flowing draperies; bare-chested — Female Allegory, 18th century
Lorenzo de' Ferrari

Not on View

trompe-l'oeil image of various pieces of printed paper--black and white print of figures in a ruined landscape, newspaper front page in German, color image of buildings, images of soldiers, portrait of a woman wearing black headgear, still-life with bottles and food, flower, playing cards, sheet music--on a knotty wood background — Trompe-L'Oeil, 19th-20th century
Carl Friedrich Windels

Not on View

standing figure with long white beard; PL leg on a block; PR hand resting on PL thigh; figure holds stone tablet on PL knee; border drawn around figure — Moses, 18th century
Circle of Giambattista Tiepolo (Giovanni Battista Tiepolo)

Not on View

recto: partially reclining body with long hair, leaning on his PL elbow, PR knee raised, looking up; boy wears jacket and knickers; verso: young man wearing long vest and knickers, with bare lower legs and feet, bending over to grasp a small barrel-like object; received framed with both sides of drawing visible — Study of a Seated Boy (recto); Study of a Youth Standing (verso), 18th century
Pieter Jacob Horemans

Not on View

sketchy figures; compositional lines (large X and horizontal line) drawn over image; collapsing woman in LRQ, supported by standing figure; woman has PR arm outstretched to standing saint, who holds out PR hand to her; other standing and kneeling figures — Saint Benedict Exorcising Demons from a Young Woman, 17th century
Attributed to Ventura Salimbeni; Artist: Formerly attributed to Francesco Vanni

Not on View

standing figure wearing a billowing cape; tall, fluffy hairstyle; figure holds a staff in his PR hand; red drapery behind figure — Study for a Portrait of a Field Marshal, 17th-18th century
Jacopo Amigoni

Not on View

four tiny sketches; clockwise from ULC: two men pouring from one large vessel into another, man pouring from a small vessel into a large one while pouring over a utensil, man stirring a large vessel, man seen from back slightly bent over with PL hand in a vessel — Soap or Soup Makers, 17th century
Stefano della Bella

Not on View

view of a large, elaborate architectural fountain with five torrents of water in archways surmounted with a large architectural structure with sculptures and inscriptions; many figures around sculpture and horse-drawn carriages; another building in background on a hill in LRQ; long inscription in the plate, LLC — Vedute del Castello dell' Acqua Paola sul Monte Aureo, c. 1751
Giovanni Battista Piranesi

Not on View

Mary wearing blue gown with tan headscarf, seated on a tall chair; man figures gathered around Mary, seated, sanding, gesturing, wearing garments of various colors; architectural elements with squared column capitals and arches in background; tan and green books in LRC — Death of the Virgin, 16th-17th century
School of Carlo Saraceni

Not on View

Trompe L'Oeil, 19th century

Carl Dietrich

Not on View

Study of Two Boys (after Andrea del Sarto's "Resurrection of a Dead Child at the Deathbed of Saint Filippo Benizi"), 16th-17th century

Cristoforo Roncalli (il Pomarancio); Artist: After Andrea del Sarto

Not on View

various small sections of letterpress printing in various languages and various type fonts; some diagrams (a circular chart in LLQ, a column base at top center, a round diagram in URQ), illustrations (organic designs in LLC, images from stamps and a ticket in LLQ) and bars of music; some sections of handwritten text in various languages including a section at bottom center of possibly Arabic text — The Dictionary, 1971
William Dole

Not on View

old paper with holes and creases at center (probably from a book) with some small scraps of printing in various fonts and languages; several hand-written elements in pencil and ink at lower corners and ULC; purplish-grey rectangle in LRC with fragments of colored marbled endpapers--predominately red and blue, and green and blue; small thin orange strip of paper to left of old paper background, ULC — Work Sheet I, 1964
William Dole

Not on View

standing bearded man with long hair, wearing salmon-colored and white garments, bound at the wrists, gesturing with his hands, at right, accompanied by two guards--one with a long staff; two men, each wearing shades of red, seated on a tall platform, at left; blonde woman wearing white blouse behind turbaned seated man at left; soldier, seen from back, leaning on platform, at left, accompanied by a seated dog; three other male figures at center in background; red flag on pole at diagonal extending from column, at top center of image; dark interior — St. Paul Before the Praetor, 17th century
Attributed to Nicolaus Knüpfer

Not on View

landscape with ruins at left; group of partially draped seated and partially reclined figures in foreground, center; some standing figures in middle ground near ruins; mountains in distance at right — Italian Landscape with Figures, 17th-18th century
Johan van Haensbergen

Not on View

seated man wearing a coat with a wide collar and knickers; man has drapery over his PL shoulder; long curly hair; head lightly sketched, not fully completed — Portrait of an Alderman, 17th century
Attributed to Anthony van Dyck

Not on View

three large rowboats in foreground, filled with people; two small sailboats in middle ground; large sailing ship at left in distance with other ships at right without sails unfurled; Mount Vesuvius in background; grey sky and water — View of Mount Vesuvius, 19th century
Giuseppe Canella

Not on View

recto: sketch of seated muscular man, with long curly hair and long white beard; head turned toward left, looking upward; PR arm across body, holding book (?) on table at right; drapery across lap; verso: curvilinear lines, script? — Study of a Male Saint Writing, c. 1618-1620
Circle of Guercino (Giovanni Francesco Barbieri)

Not on View

seascape with hill/land mass at center and left; beach and water at right; sketchy figures sitting on beach in LRC; standing figure on shoreline beyond seated figures; green, tan, grey and blue — Grotto of Tiberius at Sperlonga, 18th-19th century
Carlo Labruzzi

Not on View

sketch of a smiling standing man wearing suspenders, holding his hands at his sides with palms facing forward; hand-written text at left — An Actor, 1964
Donald Lent

Not on View

various small sections of letterpress printing in various languages and various type fonts; some diagrams (column and cornice sections in URQ, four diagrams of various skulls at top URQ) and illustrations (column capital at bottom center, certificate with eagle in LRQ); some small sections of handwritten text in various languages; vertical section of three lines of Asian text at right; yellowed rectangles in LLC and at left edge (probably inherent, but may be damage to sheet?) — The Dictionary, 1971
William Dole

Not on View

Christ at center in red robes wearing crown of thorns; figure kneeling in LRC wearing blue binds Christ's wrists with rope; soldier behind Christ with unidentified tool; another figure at right wearing brown; three figures in shadows, ULC; dark image — Crown of Thorns, 17th century
Lorenzo Garbieri

Not on View

three figures on a cloud; figure at left kneels; figure at right crowns kneeling figure; third figure in back raises PL hand; squared-off corners — Apotheosis of Classical Divinities, 18th-19th century
Giuliano Traballesi

Not on View

various small sketches on sheet; round coat of arms medallion with acanthus leaves surrounding small irregularly-shaped shield mounted with a helmet of armor and a small scroll with text at top, at right center of sheet; sketch of helmet of armor in LLC; small sketches of figures in various poses overall, including scene of flogging at left center and soldiers with flags and spears — Medici Coat of Arts with Figures from Callot, 17th century
Ercole Bazzicaluva

Not on View

kneeling woman wearing long dress with long sleeves and headscarf, holding a bag (?) open with her hands and mouth; woman looks up — Kneeling Woman, Study for Judith's Servant, 17th century
Carlo Saraceni

Not on View

figures in a landscape; Christ at left wearing blue garment, accompanied by five figures in various colored robes; three men, including one man wearing vest of armor, kneeling at center before Christ; man in vest of armor with sword, wearing red cape with white fur lining at right, seated on horseback, accompanied by seated dog; standing armored soldier behind kneeling figures; other standing figures and horse; foliage at left — Christ with the Centurion, 1632
Nicolaes Cornelisz Moyaert

Not on View

three large rowboats in foreground, filled with people; figure at front of boat at left stands holding oar over his head; small sailboat at far right in distance; sailing ship with sails unfurled at right in middle ground; other sailing ships at left without sails unfurled, in distance; buildings and hill on opposite shore; grey sky and water with a few low clouds at center — View of the Bay of Naples, 19th century
Giuseppe Canella

Not on View

falling partially draped figures; falling angel at left; clouds at bottom — Fall of the Damned, 19th century
Giuseppe Bezzuoli

Not on View

Study of a Seated Model Wearing a Bishop's Chasuble and Mitre, 18th century

Attributed to Joseph-Marie Vien; Artist: Attributed to Eustache Le Sueur

Not on View

rust-red ground paper applied to white sheet; predominately rectangular pieces of colored paper, mainly applied to LRQ--oranges, reds, purple, browns, cream-colored — Like Red, 1962
William Dole

Not on View

recto: upper bodies of figures, seen from low viewpoint; one figure holds a flat object (book or tray?) with both hands on bottom of object, at left; verso not examined--received framed — Study of Figures in a Dome (recto); Figure Study (verso), 1650s
Attributed to Baldassare Franceschini (il Volterrano); Artist: Formerly attributed to Correggio (Antonio Allegri)

Not on View

Madonna and Christ child seated at top center; standing male saint with hooked staff at left, with long beard; male saint at right kneeling on PR knee, hands in prayer; partially squared off in a grid — Madonna and Child Adored by Two Male Saints, 17th century
Alonzo Rodriguez

Not on View

standing figure of Christ wearing a white loincloth and crown of thorns, tied to a short column; figure at left with arm poised to lash Christ with thongs; figure at left wears salmon-colored skirt and white headband and partially-removed shirt; three figures at right, including turbaned man with long beard wearing salmon-colored robes; very dark ground — Flagellation of Christ, 17th century
Attributed to Jacques Blanchard

Not on View

recto: two figure sketches; figure at right faces left, turned 3/4, with head down and wrists bound; figure at left faces right, bent forward at the waist, wrists bound; cloudy wash overall; cloudy third figure at top center--bleeding through from back of sheet; verso not examined--received framed — Two Studies of the Bound Christ (recto); Study of the Bound Christ (verso), 17th century
Alessandro Maganza

Not on View

Mary Magdalen with long wavy blonde hair, seated, leaning her PL upper arm on a table with heavy turned leg; Mary wears a white gown, exposing her PR breast and arm, with a loop of gold fabric around her lap and PL leg; candle on table at Mary's elbow — Mary Magdalen, 16th-17th century
Pasquale Ottino

Not on View

sketchy image of cluster of fighting figures; figure at left center holds a dagger; fallen figure in LLC — Massacre of the Innocents, 17th century
Pietro Testa

Not on View

centaur with PR front leg raised; thick midsection at human waist; centaur looks backward toward PL; trees in background — Centaur, 17th century
Carlo Saraceni

Not on View

standing man looking down; man wears a hat and short cloak or blanket around his upper body and holds a short walking stick; blank negative space behind man at right side of sheet — Standing Man, 17th century
Attributed to Cornelis Bega

Not on View

two studies of a man's torso; top study has sketched-in head and face; each study in the same pose, with PL arm across stomach — Studies of a Male Torso, 17th century
Baldassare Franceschini (il Volterrano)

Not on View

owl perched on an ovoid element — Owl, 18th century
Pier Antonio Novelli

Not on View

standing, slightly foreshortened male figure, viewed from low angle; arms upraised--PR upper arm covers face; squared off in grid — Nude Male Standing with Arms Raised, 17th century
Attributed to Giovanni Lanfranco

Not on View

small paragraphs, lines of text, words, letters, bar of music scattered throughout image, in black and red; abstract cloudy areas of color and spots of color over text in red, khaki, forest green and medium blue — Generalba, 1971
William Dole

Not on View

landscape; view through a rock archway with foliage growing on top and at left side; more foliage beyond visible through opening — Cava di Tufa, 18th century
Louis-Gabriel Blanchet

Not on View

three figures on the ground--one on hands and knees; a sketched-in fourth figure in URQ — Three Male Figures Writhing on the Ground, Study for a Resurrection, Pentecost, or Conversion of St. Paul, 16th-17th century
Palma il Giovane

Not on View

abstract image; blue ground fading subtly into grey at right edge; triangular forms in LRC in pale green, yellow, orange, red and pale blue--color shading subtly into other hues — Intrusion, 1968
Steve Wilson

Not on View

sketchy style; standing figure carrying another figure in his arms; possible architectural element at right — Dedalus Burying Icarus, c. 1605
Carlo Saraceni

Not on View

seated man seen from PL, with his upper body twisted or PL, PR hand on PL knee and feet crossed; man wears draping long garment; man has sketchy, large ears — Draped Man Leaning Forward (King Midas?), 17th century
Pietro Bernardi

Not on View

view of a building with multiple stories; arched doorway at left, arched opening to a small balcony at center and arched opening in wall at right; potted plants on high patio at center; trees at left — Italian Landscape, 18th-19th century
Giacomo Quarenghi

Not on View

large fields in center of image made up of rectangular light blue paper with hole below center and tears and roughly rectangular foxed cream paper with brown and left edge and area of red marks at right center; fragments of predominately printed text in various languages and type fonts around edges; some colored paper elements predominately at right side — Tally IV, 1966
William Dole

Not on View

two crouching men, back to back; right sketch light and unfinished; man at left wears belted tunic and pants — Two Studies of a Seated Male Figure, 17th century
Unknown Italian, 17th century; Artist: Formerly attributed to Ventura Salimbeni

Not on View

arches and columns in Colosseum — Study of Antique Ruins, 1847
Louis-Georges Brillouin

Not on View

group of figures seen from behind, watching a bullfight; head of a bull visible through bars of railing at center — At the Bullfight, c. 1825-1845
Leonardo Alenza y Nieto

Not on View

three angels in pendentives, each holding up right arm; two angels at left look toward right; squared — Design for Angels in Pendentives, 17th century
Attributed to Giovanni Battista della Rovere; Artist: Attributed to Giovanni Mauro della Rovere

Not on View

smiling boy with short wavy hair — Head of a Young Boy from Sculpture, 17th century
Circle of Annibale Carracci

Not on View

recto: seated nude male figure with legs apart; PR knee higher than PL knee; arms out, with hands not differentiated; head bent slightly downward; torso well differentiated; verso: arm holding staff and line indicating side of body — Seated Male Nude, 19th century
Luigi Sabatelli

Not on View

male figure wearing tan knickers, grey socks, greenish long coat and top hat, resting his head on his PL arm; no background differentiated — Resting Boy, c. 1810
Joseph Powell

Not on View

woman seated at right on rocks looking left; wears dress and elaborate headdress; gestures with right hand, landscape at left with low horizon line — Sibyl in a Landscape, 1640
Attributed to Leonardo Scaglia

Not on View

view from inside ruins of forum, with broken-off columns; tall column with sculpture of standing figure at center; Classical buildings in middle ground beyond ruins — Forum of Trajan, Rome, 1827
Antonio Acquaroni

Not on View

ceiling decoration; segments separated into geometric forms with egg and dart moldings; central tiny circle with dove; largest segments with seated figures writing--figure at left accompanied by a bull; other segments with scrolls, flowers and cherub heads — Design for a Ceiling with the Evangelists John and Luke and the Medici Coat of Arms, late 16th century
Attributed to Cesare Nebbia; Artist: Attributed to Giovanni Battista Ricci da Novara

Not on View

landscape scene with male and female satyrs in foreground at left; putti atop a structure behind foreground figures, with one putti standing on rock at left, rubbing his eyes; tree at right — A Bacchanale with Putti, 1651
Charles-Alphonse Dufresnoy

Not on View

figure tending to a fallen figure at center; horse at left; another horse in background, URQ, with another partially reclining figure; hook-like hatching — The Good Samaritan, 17th century
Attributed to Simone Papa III

Not on View

recto: figures seated around a table at left; some standing figures at right; dog, LRC; Jesus seated, left of center, with a zigzag halo; verso: bottom half of sheet--Mary, Joseph and two other figures seated in a semicircle around baby Jesus; Mary and Joseph have zigzag halos; top half of sheet--light black chalk sketch of Madonna and Child — The Last Supper (recto); Adoration of the Shepherds (verso), c. 1621
Pietro D'Asaro (called il Monocolo di Racalmuto); Artist: Formerly attributed to Pietro Novelli (called il Monrealese)

Not on View

woman walking, seen from front; woman has long wavy hair and wears a gown with a slit in PL side, allowing a view of tall sandals; gown tied with a sash at waist; scooped neckline; PL arm at side; PR arm held away from body, with arm unfinished and hand out of picture plane; grey wash overall on background — Woman in a Neoclassical Dress, 18th century
Attributed to Jean Grandjean

Not on View

recto: seated Madonna and Child; Mary has bare feet, with PR foot resting on a riser; nude Christ child with arms spread outward; other sketchy figure studies in black chalk around main figures; verso: John seated on clouds accompanied by a large bird at right; John is writing on a tablet; long curly hair; sheet affixed to mount with black tape on recto and verso — Madonna and Child (recto); Saint John the Evangelist (verso), 16th century
Unknown (Italian, 16th century)

Not on View

king wearing crown seated on high throne at left, surrounded by soldiers; standing man at left, looking down, with his PR hand resting on a small stand; two arched openings in background — Mucius Scaevola, 17th-18th century
Silvestro Manaigo

Not on View

recto: man seen from back, wearing a coat with large pockets and stitching on slit at back; man holds papers with text in PR hand; legs of stool visible beneath coat hem; verso: fantastic columnar architectural element with cartouche, swags and foliate scrolls, face and animal legs — Man Seated at a Draftsman's Table, 18th century
Attributed to Carlo Marchionni or; Artist: Attributed to Pier Leone Ghezzi

Not on View

water in foreground with sailing ships; mountains at center and right with some buildings; corners clipped — View of Mountainous Coastal Town and Fortificaton, 18th century
Attributed to Francesco Zucchi

Not on View

Jesus standing left of center, wearing a loincloth, with John the Baptist right of center, pouring water on Jesus' head; two figures at left, one kneeling figure at right; sketchy angels at right edge; several other sketchy figures at left; tiny face in black ink, URC — Baptism of Christ, 17th century
Orazio Borgianni; Artist: After school of Raphael (Raffaello Sanzio or Santi)

Not on View

central rectangular image of man wearing helmet and carrying shield, riding a rearing horse; three female figures at left; round building in URC; nude female figure standing on an orb at left; female caryatid at right; decorative frieze below — Heroism of Marcus Curtius, c. 1550-95
Circle of Federico Zuccaro; Artist: Circle of Taddeo Zuccaro; Artist: Formerly attributed to Francesco Salviati or his circle

Not on View

young man wearing skirtlike garment kneeling on a sack, kissing the hand of a standing old man with long white hair and beard; architectural elements (column and steps) at left; lightly-penciled trees at right — Return of the Prodigal Son, 17th century
Attributed to Paulus van Vianen

Not on View

sketch of male lion with PL front paw raised on a rock, directly under his chin; corners of sheet and mount clipped — Study of a Lion, 18th-19th century
Giuseppe Bernardino Bison

Not on View

five sketches--four of seated men; sketch in ULC of a man seated, holding a pen, accompanied by a small angel; sketches at bottom center and LLC of seated men holding pens and tablets; sketch in LRC of a standing man with a pen; seated man in URC — Angelic Vision of a Bearded Man (Saint Jerome?), 17th century
Attributed to Alonso Cano

Not on View

seated figure completely enveloped in drapery, with head bent down and PL knee raised — Draped Lamenting Figure, 19th century
Henri Lehmann

Not on View

two standing figures--male on left, female on right; each figure has PR arm held out in front of them; both figures heavily draped; man has curly shoulder-length hair and beard and wears sandals; woman has long curly hair covered with headscarf; verso: light sketch of a face — Standing Draped Male and Female Figures, 16th century
Circle of Giulio Romano; Artist: Workshop of Raphael (Raffaello Sanzio or Santi)

Not on View

reclining foreshortened figure, lying on PR side, with knees bent and feet drawn up; sketchy — Seated Boy, 17th century
Jan Both

Not on View

processing figures, moving toward right; figure third from left holds a shallow bowl in his PR hand; second figure from right in foreground has PR arm outstretched; man at right edge has long beard — Procession, 16th century
Attributed to Andrea Boscoli; Artist: after Polidoro da Caravaggio

Not on View

woman wearing flowing draperies in LLQ, with a suggestion of a billowing garment behind her head, hovering over a body; another sketchy figure in URC, with billowing garment behind his head — Diana and Endymion, 17th century
Giovanni Lanfranco

Not on View

study of drapery folds in roughly an X shape — Drapery Study, 16th century
Attributed to Wolf Huber

Not on View

figures in a small clearing; Apollo seated at center, holding a lyre and wearing a draping garment on his lap and a laurel wreath; muses surrounding Apollo roughly in a circle, with their attributes (scrolls, books, globes, calipers, daggers); Pegasus at left; shaggy-haired man seated in LRC, looking back over his shoulder at muses; two birds behind man — Apollo and the Muses, 17th-18th century
François Verdier

Not on View

recto: two sketches--at left, PR hand and drapery sleeve; at right, PL hand holding drapery in folds on shoulder and PL arm; verso: midsection of seated figure with PL hand resting on chair arm — Study of Hands and Drapery (recto); Study of Chest and Arms of a Seated Cleric (verso), 17th century
Attributed to Alessandro Tiarini

Not on View

Serving Boy (recto), Jacopo da Empoli (verso) — Serving Boy (recto), 17th century
Jacopo da Empoli (verso)

Not on View

landscape; very tall rock formations forming a narrow cave/grotto left of center; three figures under trees, LRC; two standing figures in LLQ — Ear of Dionysius, 1842
Edward Lear

Not on View

Standing Female Saint or Nun and an Angel (after Andrea del Sarto's "Annunciation to Zaccharias"), 16th-17th century

Attributed to Bernardino Poccetti; Artist: after Andrea del Sarto

Not on View

Maid Servant, 18th century

Francesco Simonini

Not on View

four figures working at an anvil; each figure wears loincloth; other figures in LRC; ovoid shaped image — Forge of Vulcan, 16th-17th century
Attributed to Palma il Giovane; Artist: Attributed to Marcantonio Bassetti

Not on View

standing figures with draping garments; arms outstretched — Standing Draped Figure, 16th century
Attributed to Carlo Urbino

Not on View

recto: Mary holding Christ child, both looking down, in ULC; St. Catherine at right in LRQ; man in bishop's hat reading, LLQ; three small figures (cherubs?) and lower center; verso: sketch of seated woman with text in Italian — Studies of the Madonna and Child Adored by Saints, 17th century
Circle of Simone Cantarini

Not on View

recto: pair of standing winged women flaking an open ovoid area (undefined cartouche); both women wear heavily folded draperies; woman at left extends her PR arm across her body along top edge of cartouche; woman at right rests her PR elbow on edge of cartouche and holds a large bouquet (?) in her PL hand, which rests on her hip; verso: pair of standing women flanking an open circular area; woman at left is winged and is writing, leaning her paper on edge of cartouche; woman at right rests PR elbow on cartouche with hand held upward — Study of Two Female Allegories Flanking a Cartouche (recto and verso), late 18th century
Unknown French, 18th century

Not on View

head, torso, PR thigh and knee and PL foot of seated figure with medium length dark wavy hair, leaning on PR arm, holding a white drape at right; portion of column visible behind figure; irregularly-shaped sheet laid down on two fragments of architectural drawings, with foliate swag in URQ and column fragment in ULC — Putto Lifting Drapery, 17th century
Unknown Italian (Florence), 17th century

Not on View

architectural study of ceiling with figures in spandrel in LRC and at bottom center below central ovoid element, and with various scrolls and swags — Ceiling Design, c. 1785
Giovanni Giuseppe Jarmorini

Not on View

study of drapery on a standing figure viewed from PL; torso and legs, with feet and lower legs differentiated; arms not differentiated — Drapery Study, 17th-18th century
Carlo Maratti

Not on View

Study of Five Heads, late 15th-early 16th century

Unknown Italian

Not on View

seated nude (seated on a leaning against blocky structures) seen from PR side, holding a book in his PR hand; PR leg bent with foot to side; figure leans on PL elbow; slightly cartoonish face, looking out of picture plane — Seated Male Youth Reading a Book, 16th century
Attributed to Pietro Faccini

Not on View

reclining man lying on his PR side; man looks up toward PRC; man has long beard; sphere behind man in URQ — River God "Archimedes", 18th century
Gaspare Diziani

Not on View

ruins, an ancient theater with semicircular descending rows of seating; water in distance with sailboats; island with buildings in center backgroundt; foliage and buildings in foreground, with four figures--three standing and one seated, drawing — View of Siracusa, 19th century
Antonio Senape

Not on View

three seated figures and one standing figure, all looking toward left; frontmost figure seated on a bench — Study for the Calling of Saint Matthew, 16th-17th century
Giovanni Baglione

Not on View

standing youth wearing heavy draperies--cloak over long skirt; figure seen from PL, gesturing — Drapery Study of a Young Man, 17th century
Giovanni da San Giovanni

Not on View

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