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laid down on mount with black, tan and gray framing lines; figure at center pulls back drapery to reveal scene of Judith with sword raised, holding struggling Holofernes, lying on bed, by the hair; soldiers at left; squared off in a grid

Judith Beheading Holofernes, c. 1583-1585

Ludovico Carracci

G333

kneeling woman wearing long dress with long sleeves and headscarf, holding a bag (?) open with her hands and mouth; woman looks up

Kneeling Woman, Study for Judith's Servant, c. 1610–15

Carlo Saraceni

G333

study of drapery; overall roughly triangular shape

Drapery Study, 18th century

Francesco Lorenzi

Not on View
arches and columns in Colosseum

Study of Antique Ruins, 1847

Louis-Georges Brillouin

Not on View
recto: seated Madonna and Child; Mary has bare feet, with PR foot resting on a riser; nude Christ child with arms spread outward; other sketchy figure studies in black chalk around main figures; verso: John seated on clouds accompanied by a large bird at right; John is writing on a tablet; long curly hair; sheet affixed to mount with black tape on recto and verso

Madonna and Child (recto); Saint John the Evangelist (verso), 16th century

Unknown Italian, 16th century

Not on View
standing woman wearing a transparent veil, looking up, holding a baby with her PR arm and reaching down to a standing child clinging to her PL hand; sketched architectural details at left

Design for a Funerary Monument with Caritas, 18th century

Giovanni-Battista Cipriani

Not on View
very sketchy, with long flowing lines; four figures surround and carry body of Jesus at center

Entombment, 17th century

Attributed to Jürgen Ovens

Not on View
young man wearing skirtlike garment kneeling on a sack, kissing the hand of a standing old man with long white hair and beard; architectural elements (column and steps) at left; lightly-penciled trees at right

Return of the Prodigal Son, 17th century

Attributed to Paulus van Vianen

Not on View
woman seated at right on rocks looking left; wears dress and elaborate headdress; gestures with right hand, landscape at left with low horizon line

Sibyl in a Landscape, 1640

Attributed to Leonardo Scaglia

Not on View
three seated figures and one standing figure, all looking toward left; frontmost figure seated on a bench

Study for the Calling of Saint Matthew, 16th-17th century

Giovanni Baglione

Not on View
recto: at top--frontal view of an altar with plain pediment and cornice with Ionic columns flanking a sculpture of a standing woman holding a long plant frond; tomb-like element below; ground plan with measurements at bottom; verso: linear shaded architectural elements

Elevation and Ground Plan of Altar Dedicated to Female Martyr (recto); Fragment of Architectural Design (verso), 18th-19th century

Flaminio Innocenzo Minozzi

Not on View
figure kneeling on PL knee, with drapery over PR knee; drapery fully finished--figure lightly sketched; squared off in a grid with numbers

Drapery Study, 19th century

Louis-Georges Brillouin

Not on View
image of right hand and arm, with arm stretched out horizontally and hand held palm up

Right Hand and Arm, c. 1625-46

Circle of Francesco Furini; Artist: Formerly attributed to Ludovico Cigoli

Not on View
recto: reclining woman, with head bent backwards, eyes closed; PL hand in lap, PR arm hanging down; study of drapery folds on garment; verso: study of PR leg of standing man, with foreshortened foot; PL leg behind, with feet at right angles

Drapery Study of a Reclining Woman (recto); Study of a Leg (verso), 18th-19th century

Pietro Fancelli

Not on View
recto: figures seated around a table at left; some standing figures at right; dog, LRC; Jesus seated, left of center, with a zigzag halo; verso: bottom half of sheet--Mary, Joseph and two other figures seated in a semicircle around baby Jesus; Mary and Joseph have zigzag halos; top half of sheet--light black chalk sketch of Madonna and Child

The Last Supper (recto); Adoration of the Shepherds (verso), c. 1621

Pietro D'Asaro (called il Monocolo di Racalmuto); Artist: Formerly attributed to Pietro Novelli (called il Monrealese)

Not on View
standing male figure, seen from back, PL side, with PL foot up on a short platform; man bends slightly at the waist and leans slightly forward, with PL arm upraised

Standing Male Figure, Study for Saint John the Baptist Preaching, 18th-19th century

Pietro Fancelli

Not on View
large fields in center of image made up of rectangular light blue paper with hole below center and tears and roughly rectangular foxed cream paper with brown and left edge and area of red marks at right center; fragments of predominately printed text in various languages and type fonts around edges; some colored paper elements predominately at right side

%C2%A9 Estate William Dole

Tally IV, 1966

William Dole

Not on View
view from inside ruins of forum, with broken-off columns; tall column with sculpture of standing figure at center; Classical buildings in middle ground beyond ruins

Forum of Trajan, Rome, 1827

Antonio Acquaroni

Not on View
two crouching men, back to back; right sketch light and unfinished; man at left wears belted tunic and pants

Two Studies of a Seated Male Figure, 17th century

Unknown Italian, 17th century; Artist: Formerly attributed to Ventura Salimbeni

Not on View
landscape scene with male and female satyrs in foreground at left; putti atop a structure behind foreground figures, with one putti standing on rock at left, rubbing his eyes; tree at right

A Bacchanale with Putti, 1651

Charles-Alphonse Dufresnoy

Not on View
three angels in pendentives, each holding up right arm; two angels at left look toward right; squared

Design for Angels in Pendentives, 17th century

Attributed to Giovanni Battista della Rovere; Artist: Attributed to Giovanni Mauro della Rovere

Not on View
partially reclining figure of a very muscular nude woman with upper body twisted to PL; PR elbow on outside of PL thigh; PL lower arm, PR leg and PL foot not differentiated--hair and PL hand faintly sketched; four O's in brown ink, LRC

Study of Michelangelo's Night Sculpture from the Medici Tombs, 17th century

Attributed to Cesare Dandini

Not on View
standing Madonna holding baby Jesus, who has outstretched arms; kneeling bearded man with PL hand on chest holds an object out to Christ child

Adoration of the Magi, 1701

Unknown; Artist: After Carlo Maratti; Artist: Formerly attributed to Jacques Blanchard

Not on View
recto: Mary holding Christ child, both looking down, in ULC; St. Catherine at right in LRQ; man in bishop's hat reading, LLQ; three small figures (cherubs?) and lower center; verso: sketch of seated woman with text in Italian

Studies of the Madonna and Child Adored by Saints, 17th century

Circle of Simone Cantarini

Not on View
standing woman seen in profile from PR, wearing long skirt and long head covering, also covering her crossed arms; angel to woman's left, slightly bending his knees, with wrists crossed at his chest; angel has curly hair; architectural details in background

Standing Female Saint or Nun and an Angel (after Andrea del Sarto's "Annunciation to Zaccharias"), 16th-17th century

Attributed to Bernardino Poccetti; Artist: after Andrea del Sarto

Not on View
ceiling decoration; segments separated into geometric forms with egg and dart moldings; central tiny circle with dove; largest segments with seated figures writing--figure at left accompanied by a bull; other segments with scrolls, flowers and cherub heads

Design for a Ceiling with the Evangelists John and Luke and the Medici Coat of Arms, late 16th century

Attributed to Cesare Nebbia; Artist: Attributed to Giovanni Battista Ricci da Novara

Not on View
head and torso of man with long hair, leaning toward right; long, thin fingers; PR hand on chest, PL hand holds goblet; shades of brown and white

Saint John the Evangelist, 17th century

Giovanni Battista della Rovere

Not on View
landscape; slightly abstracted; dark cloud, URC; high horizon line; dark shapes/grasses in foreground

Segesta, 1842

Edward Lear

Not on View
Jesus standing left of center, wearing a loincloth, with John the Baptist right of center, pouring water on Jesus' head; two figures at left, one kneeling figure at right; sketchy angels at right edge; several other sketchy figures at left; tiny face in black ink, URC

Baptism of Christ, 17th century

Orazio Borgianni; Artist: After school of Raphael (Raffaello Sanzio or Santi)

Not on View
group of figures seen from behind, watching a bullfight; head of a bull visible through bars of railing at center

At the Bullfight, c. 1825-1845

Leonardo Alenza y Nieto

Not on View
sketch of male lion with PL front paw raised on a rock, directly under his chin; corners of sheet and mount clipped

Study of a Lion, 18th-19th century

Giuseppe Bernardino Bison

Not on View
reclining man lying on his PR side; man looks up toward PRC; man has long beard; sphere behind man in URQ

River God "Archimedes", 18th century

Gaspare Diziani

Not on View
figure tending to a fallen figure at center; horse at left; another horse in background, URQ, with another partially reclining figure; hook-like hatching

The Good Samaritan, 17th century

Attributed to Simone Papa III

Not on View
standing woman, frontal view; short wavy hair; woman wears heavy draperies and has hands clasped in prayer

Standing Draped Figure, 19th century

Edward Coley Burne-Jones

Not on View
view through arches with square columns at right

View of the Tabularium, Rome, 1847

Louis-Georges Brillouin

Not on View
water in foreground with sailing ships; mountains at center and right with some buildings; corners clipped

View of Mountainous Coastal Town and Fortificaton, 18th century

Attributed to Francesco Zucchi

Not on View
recto: sheet divided into two sections with vertical line in black chalk; right section mostly blank, with small sketchy study of figures in LRC; left section has sketch of horse with front legs down, with rider falling from his mount; rider holds a long staff or spear vertically; verso: study of a PR hand with sketchy drapery (?) above

Man Fallen from Horse, Study for Conversion of Saint Paul or Battle of Constantine (recto); Study of a Hand (verso), 17th century

Attributed to Jacques Courtois (called Borgognone); Artist: Attributed to Guglielmo Cortese

Not on View
standing man wearing a cap and a long robe-like garment, holding a staff with both hands; head turned to PL

Standing Draped Man with a Staff, 16th-17th century

Circle of Antonio Circignani (il Pomarancio)

Not on View
king wearing crown seated on high throne at left, surrounded by soldiers; standing man at left, looking down, with his PR hand resting on a small stand; two arched openings in background

Mucius Scaevola, 17th-18th century

Silvestro Manaigo

Not on View
seated man seen from PL, with his upper body twisted or PL, PR hand on PL knee and feet crossed; man wears draping long garment; man has sketchy, large ears

Draped Man Leaning Forward (King Midas?), 17th century

Pietro Bernardi

Not on View
hippocamp seen from front, with very curly mane, slightly off-center, open mouth and long curving sea serpent tail; corners of sheet clipped

Sea Dragon, 16th-17th century

Benedetto Brandimarti

Not on View
smiling man with curly beard and long moustache, wearing foliate wreath

Head of Pan, 16th century

Attributed to Giulio Romano

Not on View
jogging man wearing short skirt and cape exposing upper back; 3/4 view from back; hear turned partially to PL; wild, long, curly hair; PL arm held up, PR arm down, holding a baton (?)

Male Figure Running, 17th-18th century

François Verdier

Not on View
seated figure completely enveloped in drapery, with head bent down and PL knee raised

Draped Lamenting Figure, 19th century

Henri Lehmann

Not on View
smiling boy with short wavy hair

Head of a Young Boy from Sculpture, 17th century

Circle of Annibale Carracci

Not on View
sketch of figures standing clustered around a column, including figure in URQ who has climbed up on column base to look down; bare-chested reclining figure in front of column with PL hand on chest and PR hand outstretched; verso: Italian text in brown ink

Christ Resurrecting a Paralytic, 16th-17th century

Domenico Passignano

Not on View
processing figures, moving toward right; figure third from left holds a shallow bowl in his PR hand; second figure from right in foreground has PR arm outstretched; man at right edge has long beard

Procession, 16th century

Attributed to Andrea Boscoli; Artist: after Polidoro da Caravaggio

Not on View
seated nude (seated on a leaning against blocky structures) seen from PR side, holding a book in his PR hand; PR leg bent with foot to side; figure leans on PL elbow; slightly cartoonish face, looking out of picture plane

Seated Male Youth Reading a Book, 16th century

Attributed to Pietro Faccini

Not on View
study of drapery on a standing figure viewed from PL; torso and legs, with feet and lower legs differentiated; arms not differentiated

Drapery Study, 17th-18th century

Carlo Maratti

Not on View
landscape with road at right; water with sailboats at left; tall bluff in URC with building on top and birds to left of bluff; three figures in foreground on road with two other figures in background

View of Capri from Anacapri, 19th century

Antonio Senape

Not on View
recto: Mary kneeling next to baby Jesus, with her veil behind his head; kneeling and standing figures at left and right; sketchy; verso: sketchy study of legs

Adoration of the Shepherds, 17th-18th century

Attributed to Paolo de Matteis

Not on View
recto: Mary at top center kneeling on clouds, praying, surrounded by cherubs; figures at bottom kneeling and gesturing, with three figures looking in through a window at center; verso: small sketch of a man's face

Assumption of the Virgin after Domenico Passignano (recto); Head of a Man (verso), 18th century

Jean-Robert Ango; Artist: After Domenico Passignano

Not on View
seated nude male figure seen from PL with body slightly turned to PL; PR arm raised, PL arm resting on thigh, with hands in loose fists; dark hair

Nude Male Academy, 18th-19th century

Pietro Fancelli

Not on View
recto: sketchy study of head and upper body of woman with her hair up, wearing a crown, with heavy draperies on her shoulders; from PL side; verso: study of the head, torso and outstretched PL arm of a draped woman with her hair in a bun, from PL side

Study of a Crowned Woman Kneeling, 17th-18th century

Luigi Garzi

Not on View
architectural study of ceiling with figures in spandrel in LRC and at bottom center below central ovoid element, and with various scrolls and swags

Ceiling Design, c. 1785

Giovanni Giuseppe Jarmorini

Not on View
four figures working at an anvil; each figure wears loincloth; other figures in LRC; ovoid shaped image

Forge of Vulcan, 16th-17th century

Attributed to Palma il Giovane; Artist: Attributed to Marcantonio Bassetti

Not on View
PL hand with fingers outstretched; dark crosshatched shading

Left Hand, 17th century

Antonio del Castillo

Not on View
seated bearded man in voluminous draperies, including cloak-like drapery tied around his neck; man looks up to PR; PR hand held out

Saint Augustine, 18th century

Charles-Nicolas Cochin II; Artist: after Giovanni Lanfranco

Not on View
landscape; very tall rock formations forming a narrow cave/grotto left of center; three figures under trees, LRC; two standing figures in LLQ

Ear of Dionysius, 1842

Edward Lear

Not on View
head of a man in profile, looking toward PR; man has curly hair and long beard and wears a cap with a rolled brim at the nape of his neck; small strip of paper at bottom of image with two collectors' stamps

Head of a Bearded Man in Profile, 16th century

Attributed to Carlo Urbino

Not on View
man at right wearing armor and holding a shield, running toward right, looking behind him; woman behind man running with her arms stretched out in front of her, looking back; another man with dark hair and beard running toward couple, hitting soward out of soldier's hand with a shovel

Roman Soldier and Woman Fleeing Man Armed with a Shovel, 18th century

Attributed to Francesco Fontebasso; Artist: Formerly attributed to Luigi Sabatelli; Artist: Attributed to John Hamilton Mortimer A.R.A; Artist: May be Guiseppi Sabatelli; Artist: May be Francesco Sabatelli; Artist: May be Giuseppe Piattoli

Not on View
five sketches--four of seated men; sketch in ULC of a man seated, holding a pen, accompanied by a small angel; sketches at bottom center and LLC of seated men holding pens and tablets; sketch in LRC of a standing man with a pen; seated man in URC

Studies of Saint John the Evangelist and Saint Matthew, 17th century

Giacinto Calandrucci

Not on View
two arms with fingers extended, as if playing a keyboard; view from PR side of body; figure wears fitted long sleeves

Study of an Arm and Hands Playing an Organ, 1609

Attributed to Francesco Vanni; Artist: Formerly attributed to Bernardino Mei

Not on View
woman wearing flowing draperies in LLQ, with a suggestion of a billowing garment behind her head, hovering over a body; another sketchy figure in URC, with billowing garment behind his head

Diana and Endymion, 17th century

Giovanni Lanfranco

Not on View
figures in a small clearing; Apollo seated at center, holding a lyre and wearing a draping garment on his lap and a laurel wreath; muses surrounding Apollo roughly in a circle, with their attributes (scrolls, books, globes, calipers, daggers); Pegasus at left; shaggy-haired man seated in LRC, looking back over his shoulder at muses; two birds behind man

Apollo and the Muses, 17th-18th century

François Verdier

Not on View
standing bearded man, head turned to PL, holding a thick staff; man appears to be stepping up

Standing Draped Man (Saint James Major or Saint Roch), 17th century

Jan de Bisschop

Not on View
portrait of head and shoulder of a man with medium-length curly hair and a short beard looking out of picture plane; man wears a hat and a neckerchief tied in a bow

Portrait of a Man Wearing a Hat, 17th century

Attributed to Jacques de Gheyn III; Artist: Formerly attributed to Jacques de Gheyn II

Not on View
view of a building with multiple stories; arched doorway at left, arched opening to a small balcony at center and arched opening in wall at right; potted plants on high patio at center; trees at left

Italian Landscape, 18th-19th century

Giacomo Quarenghi

Not on View
sketchy figures; compositional lines (large X and horizontal line) drawn over image; collapsing woman in LRQ, supported by standing figure; woman has PR arm outstretched to standing saint, who holds out PR hand to her; other standing and kneeling figures

Saint Benedict Exorcising Demons from a Young Woman, 17th century

Attributed to Ventura Salimbeni; Artist: Formerly attributed to Francesco Vanni

Not on View
Jesus standing at right with head bend, hands in prayer; John the Baptist standing at center, holding a tall cross, pouring water from his PR hand; winged cherub heads in ULC and dove; lamb and standing figures including a boy at right

Baptism of Christ, 18th century

Domenico Tiepolo

Not on View
standing figure of Christ wearing a white loincloth and crown of thorns, tied to a short column; figure at left with arm poised to lash Christ with thongs; figure at left wears salmon-colored skirt and white headband and partially-removed shirt; three figures at right, including turbaned man with long beard wearing salmon-colored robes; very dark ground

Flagellation of Christ, 17th century

Attributed to Jacques Blanchard

Not on View
three large rowboats in foreground, filled with people; figure at front of boat at left stands holding oar over his head; small sailboat at far right in distance; sailing ship with sails unfurled at right in middle ground; other sailing ships at left without sails unfurled, in distance; buildings and hill on opposite shore; grey sky and water with a few low clouds at center

View of the Bay of Naples, 19th century

Giuseppe Canella

Not on View
sketch of a smiling standing man wearing suspenders, holding his hands at his sides with palms facing forward; hand-written text at left

%C2%A9 Donald Lent

An Actor, 1964

Donald Lent

Not on View
dead boy lying in foreground wearing a simple long-sleeved garment, with a foliate crown; same boy seated behind body, with his PL hand on chest of dead body and PR arm raised, head in profile from PL

Study of Two Boys (after Andrea del Sarto's "Resurrection of a Dead Child at the Deathbed of Saint Filippo Benizi"), 16th-17th century

Unknown; Artist: After Andrea del Sarto; Artist: Cristoforo Roncalli (il Pomarancio)

Not on View
standing figure wearing a billowing cape; tall, fluffy hairstyle; figure holds a staff in his PR hand; red drapery behind figure

Study for a Portrait of a Field Marshal, 17th-18th century

Jacopo Amigoni

Not on View
view of a sheer rock wall in a landscape; waterfall at top center; buildings at high horizon line; pool in foreground

View of Tivoli, 1842

George Arthur Fripp

Not on View
Mary Magdalen with long wavy blonde hair, seated, leaning her PL upper arm on a table with heavy turned leg; Mary wears a white gown, exposing her PR breast and arm, with a loop of gold fabric around her lap and PL leg; candle on table at Mary's elbow

Mary Magdalen, 16th-17th century

Pasquale Ottino

Not on View
female allegory or angel, resting on clouds, holding a torch in PR hand; wearing flowing draperies; bare-chested

Female Allegory, 18th century

Lorenzo de' Ferrari

Not on View
line drawing of twisting, slightly crouching nude man with a standing man behind him, cutting first man's PR shoulder

Apollo Flaying Marsyas, 16th century

Circle of Luca Cambiaso

Not on View
old man in profile, with long beard and hair brushed forward

Head of an Old Man in Profile, 17th century

Circle of Guercino (Giovanni Francesco Barbieri)

Not on View
head, torso and upper legs of standing figure, holding partially reclining boy down by his head; man holds dagger in PR hand; man turns to look at small angel behind man holds man's PL arm; sketchy; watermarks (or pencil sketches?) on back of mount--shield and circle with bird

Sacrifice of Isaac, 17th century

Attributed to Giovanni Andrea de' Ferrari; Artist: Formerly attributed to Gioacchino Assereto

Not on View
recto: two sketches--at left, PR hand and drapery sleeve; at right, PL hand holding drapery in folds on shoulder and PL arm; verso: midsection of seated figure with PL hand resting on chair arm

Study of Hands and Drapery (recto); Study of Chest and Arms of a Seated Cleric (verso), 17th century

Attributed to Alessandro Tiarini

Not on View
recto: seated Madonna holding standing Christ child, on clouds at top center, surrounded by angels and cherubs in a ring, hand in hand; at bottom, three standing male saints, from left: John the Baptist with his cross, man holding an open book, man holding a closed book in his PL hand and man in bishop's hat with crozier; verso: scene of the descent from the cross with Mary behind Jesus, holding him beneath this PL arm; praying and mourning figures surround Jesus, with two ladders behind them; lower left corner of drawing is missing

Madonna and Child with Four Saints (recto); Pietà (verso), 16th century

Federico Zuccaro; Artist: verso attributed to Antonio Viviani

Not on View
recto: sculpted male head with wavy hair in chunky pieces; wide bridge of nose; head turned slightly to PL; verso: standing nude male figure seen from back, with head bent down; heels together, with PR foot slightly in front, toes apart; PR hand on back of hip bone; some geometric perspective sketches, LRC

Head of Meleager (recto); Unfinished Study of the Farnese Hercules from the Back (verso), 18th-19th century

Pietro Fancelli

Not on View
recto: seated nude male figure with legs apart; PR knee higher than PL knee; arms out, with hands not differentiated; head bent slightly downward; torso well differentiated; verso: arm holding staff and line indicating side of body

Seated Male Nude, 19th century

Luigi Sabatelli

Not on View
study of crumpled cloth (napkin?) on lightly striped surface (tablecloth?)

%C2%A9 David Ligare

Drapery Study, 1979

David Ligare

Not on View
two standing figures--male on left, female on right; each figure has PR arm held out in front of them; both figures heavily draped; man has curly shoulder-length hair and beard and wears sandals; woman has long curly hair covered with headscarf; verso: light sketch of a face

Standing Draped Male and Female Figures, 16th century

Circle of Giulio Romano; Artist: Workshop of Raphael (Raffaello Sanzio or Santi)

Not on View
standing woman in profile from PR, wearing calf-length skirt and apron

Maid Servant, 18th century

Francesco Simonini

Not on View
woman walking, seen from front; woman has long wavy hair and wears a gown with a slit in PL side, allowing a view of tall sandals; gown tied with a sash at waist; scooped neckline; PL arm at side; PR arm held away from body, with arm unfinished and hand out of picture plane; grey wash overall on background

Woman in a Neoclassical Dress, 18th century

Attributed to Jean Grandjean

Not on View
five sketches--four of seated men; sketch in ULC of a man seated, holding a pen, accompanied by a small angel; sketches at bottom center and LLC of seated men holding pens and tablets; sketch in LRC of a standing man with a pen; seated man in URC

Angelic Vision of a Bearded Man (Saint Jerome?), 17th century

Attributed to Alonso Cano

Not on View
standing youth wearing heavy draperies--cloak over long skirt; figure seen from PL, gesturing

Drapery Study of a Young Man, 17th century

Giovanni da San Giovanni

Not on View
St. John the Baptist at center, Christ at center right, flanked by angels, who draws a cloth over Christ's head; God the Father and Holy Ghost represented as dove in clouds; crwod at left

Baptism of Christ, 17th-18th century

Tommaso Redi

Not on View
recto: pair of standing winged women flaking an open ovoid area (undefined cartouche); both women wear heavily folded draperies; woman at left extends her PR arm across her body along top edge of cartouche; woman at right rests her PR elbow on edge of cartouche and holds a large bouquet (?) in her PL hand, which rests on her hip; verso: pair of standing women flanking an open circular area; woman at left is winged and is writing, leaning her paper on edge of cartouche; woman at right rests PR elbow on cartouche with hand held upward

Study of Two Female Allegories Flanking a Cartouche (recto and verso), late 18th century

Unknown French, 18th century

Not on View
kneeling man wearing long cape-like drapery; bare feet; arms held out toward PR with hands outstretched; suggestion of halo; black border drawn around edge

Study of Kneeling Figure from the Back, 16th-17th century

Giulio Cesare Procaccini

Not on View
Jesus at center, praying, leaning on a rock, with an angel in front of him carrying a cross and a goblet; three sleeping figures at left

Agony in the Garden, 17th century

Domenico Piola

Not on View
standing young person with shoulder length, straight, dark hair, curled under at ends, looking down, with PR hand on chest, wearing a knee-length robe; light sketch of a head to left of youth's head; verso: line sketch of pair of legs, LLC

Draped Youth Standing, 19th century

Louis-Georges Brillouin

Not on View
standing figure wearing heavy robes; PR arm slightly raised; sketchy head up and turned to PR

Study for the Drapery of a Standing Figure, 16th-17th century

Carlo Bonone

Not on View
ruins, an ancient theater with semicircular descending rows of seating; water in distance with sailboats; island with buildings in center backgroundt; foliage and buildings in foreground, with four figures--three standing and one seated, drawing

View of Siracusa, 19th century

Antonio Senape

Not on View
mounted on cardboard; Mary holding and looking at baby Jesus with Joseph at right looking on

Holy Family, 17th century

Circle of Simone Cantarini

Not on View
male figure wearing tan knickers, grey socks, greenish long coat and top hat, resting his head on his PL arm; no background differentiated

Resting Boy, c. 1810

Joseph Powell

Not on View

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