sketched studies; torso and head of reclining winged female with a horn (?) at left; lighter sketches of architectural elements at right; verso not examined--received framed — Female Figure Reclining (Allegory of Fame Vanquished by Time), Architectural Studies (recto); Three Studies of a Female Figure Reclining, Studies of Sculptural Ornament (verso), 1660s-1670s
Baldassare Franceschini (il Volterrano)

Not on View

Mary seated at right, holding baby Jesus on her PR knee; Joseph stands at left, pointing to Jesus, with his PR arm raised, PR foot resting on a rock; adoring man, LRC, and angels at right and top; squared off into a grid — Rest on the Flight into Egypt, 1585-1588
Federico Zuccaro

Not on View

mounted to blue sheet with black borders; heavily-worked sketch with standing crowned figure at left, reaching out to a floating figure in URC holding spears; seated figure in LRC being crowned by a putto; standing soldiers at center; some architectural details — Allegory of the Investiture of Cosimo I as Duke of Florence, 17th century
Attributed to Giovanni Battista Foggini

Not on View

battle scene with soldiers fighting hand-to-hand at left in middle ground; two soldiers--one fallen--in foreground; Alexander Farnese behind soldiers in foreground, standing with feet apart, pointing with his PL arm; soldiers wear draping garments and helmets with plumes; buildings at right; additional armies in far distance, UL; mounted to ivory sheet with attached green border — Alexander Farnese Directing the Siege of Antwerp, 1580s
Ludovico Carracci

Not on View

mounted on ivory paper with tan, brown and gold borders; standing portly man with small glowing halo, with PR foot resting on a ball and PL on a shield (?), holding a crucifix in his PR hand and a lily in his PL hand; chair, large book, cloth-covered table and sacks on floor behind man — Standing Saint, 17th century
Anthonis Sallaert

Not on View

soldier at left wearing helmet handing a spherical object to a standing man at right wearing robes; four figures at center look toward right; two faces at left behind robed man looking left — The Adventus of Hadrian (Marcus Aurelius), 17th century
Attributed to Pietro da Cortona (Pietro Berrettini)

Not on View

view up from a slightly low vantage point; figure kneeling on stairs at right before a king with a long beard and wearing a crown seated on a throne; other figures standing at right, one figure standing at left; architectural details in background, URQ — Panthea before Cyrus the Great, King of Persia, 17th century
Pieter Crijnse Volmarijn

Not on View

angels and cherubs in clouds in a V-shaped configuration; St. Matthew at center, holding a large book (?); architectural details at top and edges; mat cut to cover URC — Glorification of Saint Matthew, c. 1754
Martin Knoller

Not on View

sketchy, unfinished; two figures; left figure reclines on cloud; right figure with arms out, PR hand touching arm of left figure; legs of right figure redrawn several times--figure has four legs — Diana and Eolus, 18th century
Giambattista Tiepolo (Giovanni Battista Tiepolo)

Not on View

reclining woman in foreground, leaning on her PR elbow, looking up at a man who kneels, looking up, behind her; four other figures also looking up in background; clouds, ULQ; squared off in a grid — A Miraculous Cure, 16th-17th century
Attributed to Bartolomeo Cesi

Not on View

low-crouching lioness seen from PL side; studies of hips, face and PL leg of lioness around finished full figure — A Lioness Preparing to Spring, August 8, 1889
William Strutt

Not on View

mounted to stiff grey paper; portrait of a boy with a round face; dark brown hair with asymmetrical hairstyle--shorter on PR side, longer on PL side; large white collar; sketched suggestion of jacket — Portrait of an Adolescent Boy, 1621
Ottavio Leoni

Not on View

recto: study of drapery folds in black chalk; verso not examined (received framed) — Drapery Studies (recto); Two Sketches of Doric Capitals (verso), c. 1530-1535
Attributed to Daniele da Volterra

Not on View

mounted on white paper with pink border; two group of figures confronting one another; group at left lead by a figure carrying a bundle of paintbrushes; figure at far left holds a painter's palette; monkey-like animal in front of figure with paintbrushes; group at right lead by a figure handing a cello; goose peering around drapery of same figure — The Imitative and Descriptive Arts, 17th century
Marco Boschini

Not on View

mounted to sheet with gold, green and black borders; figure standing on platform with columns behind him; figures wears draping garment; standing figures at right and center in middle ground; other figures' torsos visible in lower corners; architectural elements in background center and upper right — Saint Paul Preaching in Athens, late 16th century
Attributed to Giovanni Battista Ricci da Novara; Artist: Attributed to Cesare Nebbia; Artist: Formerly attributed to Agostino Ciampellli

Not on View

mounted on ivory paper with brown border; sketchy; seated woman hugging distressed child at left; standing man at right; handwritten text, ULC — Expulsion of Hagar, c. 1750
Domenico Tiepolo

Not on View

solider wearing a helmet, looking up to PL; curly hair; bulbous nose; wearing armored collar — Head of a Helmeted Soldier, 16th-17th century
Attributed to Bernardo Strozzi; Artist: Attributed to Giovanni Battista Caracciolo

Not on View

mounted to ivory paper; off-white over mat with gold and brown borders; enclosed courtyard/city square with tall curved wall with arches in distance; buildings at right and left; man shoeing a horse in foreground, LRC; figure on bucking horse at center; other figures along edges of square; tiny, neat inscriptions scattered throughout — A City Square with Tradesmen, 17th century
Giovanni Maria Tamburini

Not on View

mounted to ivory sheet with pale red borders; sketchy figures in clouds; two central figures look down; figures at left conversing together; one figure in URC looks up; verso not examined--received framed — Angels Looking Down from Clouds (recto and verso), 17th-18th century
Matteo Bonechi

Not on View

mounted on ivory paper; male satyr at left, seen from PL side, pulling a baby satyr up against the back of his head to ride on his shoulders; female satyr at right, with her PL hand on male satyr's hip; sketchy tree at right — A Satyr Family, 1580s
Formerly attributed to Cavaliere d'Arpino

Not on View

recto: dead Christ's body in zigzag shape, with head bent back, legs bent at hips and knees, seen from PR; curly hair; verso: loose rendering of a young man's head, upper arm and hand — The Dead Christ (recto); Studies of a Young Man, His Arm and Hands (verso), c. 1721
Antonio Balestra

Not on View

head of a young man with short dark hair with a bald spot on the top of his head; man's head tilted slighlty downward — Portrait of a Young Man, c. 1585-1595
Attributed to Annibale Carracci

Not on View

mounted to heavy paper with gold and brown borders; kneeling nun, hands in prayer, looking up, with a book in front of her knees on ground — Kneeling Carmelite Nun: Saint Teresa of Avila (?), 17th century
Attributed to Jean-Baptiste de Champaigne

Not on View

recto: study of drapery on a standing figure; head, PR arm and PL upper arm/shoulder slightly differentiated, but features not included; figure holds drapery against PL thigh; some muscles of torso visible through drapery; verso not examined--received framed — Drapery Studies (recto and verso), 1560s-1570s
Italy

Not on View

mounted on ivory sheet with pale red borders; seated man at left; seated woman at right; four standing figures in background; curtain at right; heavy shadow across center bottom; putto in LLC — Hercules and Omphale, 17th century
Attributed to Gerrit van Honthorst; Artist: after Alessandro Turchi (called Orbetto)

Not on View

recto: winged figure partially reclining on a curved element; figure holds a staff (?) in PR hand with outstretched arm; slightly foreshortened head; squared off in a grid; verso not examined--received framed — Fame (recto); Fame and Studies of Putti (verso), 17th-18th century
Francesco Solimena

Not on View

sketch; three figures--foreground head and torso slumped, with head supported by figure at right; standing figure at left; large shadowy areas of ink wash — Death of Hyacinth, c. 1752-1753
Giambattista Tiepolo (Giovanni Battista Tiepolo)

Not on View

architectural element with cartouche with three short lines of text; musical allegorical female figures standing at right and left flanking cartouche and reclining at top left; two putti at bottom center and upper right; standing woman at left holds horn (or dagger?) and covers her face with grey drapery; lavender drapery swags hang at top; two colorful floral swags at top of cartouche — Theater Design, 18th century
Attributed to Franz Anton Maulbertsch

Not on View

mounted on ivory paper; architectural element with scrolls; putto at left sitting on architectural element; tiny putto in URQ — Putti with the Impresa of Pope Leo X, 1585-1587
Jacopo Zucchi

Not on View

mounted to ivory paper with grey border; three putti; foremost putti holds a cello — Putti Playing Music, Design for a Pendentive, 1538-1539
Pomponio Amalteo

Not on View

Head of a Bald Man in Profile and Sketches of a Seated Man and of Drapery (recto); Sketches of a Male Head and Arms (verso), c. 1720

Federico Bencovich

Not on View

figures in a landscape with trees at right and mountains at left; old man seated at center; three figures at right, including child; seated figure at left facing old man — Hermione and the Shepherds, 17th century
Pier Francesco Mola

Not on View

three striding female figures at left, each carrying an attribute: pallet and brushes, building plan, small sculpture; sculpture at right of torch-bearing winged figure holding three foliate crowns; Apollo riding his chariot in the sky overhead preceded by a winged figure — The Coronation of the Allegories of Painting, Sculpture, and Architecture, 18th century
Louis Gauffier

Not on View

mounted to ivory sheet with brown borders; ivory and green overmat with tan and gold borders; sketch; cart at bottom drawn by a horse with its rider wearing a mask and carrying a switch; five seated figures on cart and one women wearing a mask (or female scarecrow figure?) seated on a stool at back of cart; sketch of a man on horseback in ULC; small portrait of the head and torso of a masked woman behind horseman — A Horse-Drawn Festival Cart with Studies of a Horseman and a Masquerader, 17th century
Stefano della Bella

Not on View

mounted to ivory paper with blue overmat; top drawing of man wearing knickers, tall spats, simple shirt and cap, with straight hair; man seen from PR, standing, working at a table; crossbowman at bottom with PR knee on a rock, with crossbow held up; man wears a hat with two long feathers — Figure Studies: A Painter's Apprentice and Crossbowman, 17th century
Giovanni Battista Spinelli

Not on View

head and torso of dead figure of Christ, lying with head up on drapery; bare-chested; hands unfinished; verso not examined--received framed — Pietà: The Dead Christ (recto); The Mourning Virgin (verso), 16th century
Italy

Not on View

couple seated at a table with green and white table coverings--man just rising from his chair; another woman in blue dress with white apron stands at right; seated woman holds a white cat; painting and sketch hang on wall in background — Painter and His Wife Just Finishing Their Meal, 19th century
Michael Baschiloff

Not on View

blonde woman with large, wide eyes and round face seated on a donkey; woman wears a white blouse and apron, yellow vest, long blue skirt, red shoes, red headband and white neckerchief trimmed in red; brown donkey wearing a harness — Woman on a Donkey (Lady Bessborough or Lady Spencer?), 1793-1794
Giovanni Battista "Tita" Lusieri

Not on View

mounted on ivory paper with blue overmat; two kneeling male figures in foreground, with short hair; four standing figures behind--two with beards, one in partial shadow, one balding, with a walking stick — Group of Men Looking to the Right, c. 1540-1550
Italy

Not on View

Mary seated on a cloud accompanied by many cherubs; cherubs in sky in ULC and drawing back a cloth in URC; angel at left with scales pulling up a woman while two men and other figures look on from bottom; sketchy style — Madonna Rescuing Souls from Purgatory, 18th century
Jacopo Cestaro

Not on View

mounted to ivory paper with brown border; female figure standing, leaning against curved element at left; leafy architectural element to right of woman's head; PR elbow resting up, PL arm down; woman wears draping garments; light brown sketch of a female bust at right — Female Figure in a Spandrel, Study for the Allegory of Modesty, 1583-1585
Bernardino Poccetti

Not on View

standing figure wearing long jacket with wide cuffs and knickers, with medium-length curly hair and a large nose, with hands in his pants pockets; very light, illegible inscription above figure's head — Caricature of George Michael Moser (?), 18th century
Sir Nathaniel Dance-Holland

Not on View

mounted on stiff paper; St. Jerome, with long curly white hair and long beard, crawling out of a cave; baskets in a lean-to to right of cave; lion in foreground, LRQ; lush landscape scene with large tree at left; inscription at bottom — Saint Jerome in the Wilderness, 1623
Francesco Grigiotti

Not on View

mounted on ivory paper with tan, grey and gold borders; two sketches of female statue in contrapposto pose at right and left edges of paper; central sketch of a bearded man wearing a cap at center bottom — Studies of a Nude Female Statue (Venus) and Head of a Mature Bearded Man (recto); Architectural Studies (verso), 16th-17th century
Cherubino Alberti

Not on View

seated figure wearing long drapery, including drapery in a hood over head; figure had PR knee raised and rests PL elbow on a rock, with head on PL hand, looking up; rocky ground — Drapery Study: Seated Figure, 17th century
Attributed to Ortensio Crespi

Not on View

mounted to ivory sheet; two oval drawings, on top of the other; top drawing of two tritons--one at right with curly hair and beard hold a club aloft in his PR hand; another figure rides on his back; triton at right with curly hair holds an animal skull in PL hand and a club in PR; bottom drawing of men riding bucking hippocampi; man at right hits man at left over the head with a club; man at left holds two fish in his PR hand — Battling Tritons and Men on Hippocampi, 16th century
Pellegrino Tibaldi

Not on View

baby Jesus at center, lying on a cloth; Mary seated at right, holding her head in her PR hand, looking at Jesus; standing figure at right points at Mary; kneeling figure at left in foreground, seen from back, with a staff and a basket on the ground next to him; four figures behind Jesus; additional figure carrying a basket on her head in middle ground behind Mary; donkey and cow at left — Adoration of the Shepherds, c. 1615
Abraham Bloemaert

Not on View

mounted on green paper with black borders; portrait of frowning solider with long, flat nose and curly hair, wearing helmet with winged female caryatid on front surmounted by a bird, and a long plume, and armored breastplate with animal head on PR shoulder, holding a dagger or sword in his PR hand and the sheath in his PL hand; other soldiers behind, including solider holding a staff tied with a billowing ribbon — Lucius Brutus, c. 1663-1665
Domenico Peruzzini

Not on View

mounted on ivory paper; two angels flying toward left; angel at bottom kneels on a cloud; angel at top is flying horizontally — Two Angels in Flight, c. 1645-47
Pier Francesco Mola

Not on View

foreshortened figure lying down, with feet, legs, backside and PR arm visible — Sleeping Boy, 17th century
Salvator Rosa

Not on View

Mary at left, wearing voluminous draperies, holding baby Jesus, with her PR elbow on a cushion; Joseph seated behind a rock (?), resting his head on his PL hand and holding a book in his PR hand; sketchy — Rest on the Flight into Egypt, 1620s
Pietro da Cortona (Pietro Berrettini)

Not on View

Lili Grenier Sleeping, c. 1904

Albert de Belleroche

Not on View

muscular figure kneeling with head resting on a block; hands clasped in front of block — Saint John the Baptist Prepared for Decapitation, 17th century
Attributed to Mattia Preti

Not on View

Pluto driving an open chariot pulled by four horses, holding the gesturing Persephone by the waist; running figure in front of horses; two putti fly over chariot; verso not examined (received framed) — Pluto Abducting Persephone (recto); Figural Studies (verso), 17th century
Italy

Not on View

two studies of a faceless figure wearing a long hooded cape — Studies of a Full-Length Hooded Cape, 19th century
Theodore Valério

Not on View

mounted to ivory paper; standing central figure with his PL hand on the forehead of a thin, seated old man, and his PR hand held in a blessing gesture; dog, LRC; many figures in background, including child at central man's PL elbow and woman with baby at right; column and base at top right of center; squared off with black chalk — Saint Lawrence Restoring the Sight of Lucillus, c. 1604-1606
Giovanni Baglione

Not on View

thin bearded man with long limbs, lying on rocks with head bent upward against rock-pillow, hands on abdomen and feet on ground; small roaring lion at right — Death of Saint Jerome, 16th century
Blas de Prado

Not on View

recto: seated man wearing draping robes with PL elbow resting on a book; balding, with long beard; verso not examined--received framed — Drapery Study (recto); Kneeling Woman (verso), 16th century
Attributed to Girolamo Siciolante da Sermoneta

Not on View

A Grosteque Male Head, 16th-17th century

Camillo Procaccini

Not on View

mounted on ivory sheet with blue-grey border; line sketch with enthroned Madonna and Christ child on very tall throne with at least two figures standing on right and one on left, another possible seated figure in front — Madonna and Child with Saints (Sacra Conversazione), 18th century
Attributed to Domenico Tiepolo; Artist: Formerly attributed to Pietro Antonio de' Pietri

Not on View

mounted on ivory paper with brown and gold borders; woman reclining on her PL side, wearing a sheer draping garment with a green belt and red and white headscarf; brown background with suggestion of a window in ULC — Reclining Woman, c. 1790-1800
Friedrich Heinrich Füger

Not on View

mounted on tan paper; central female figure with long hair and her drapery flowing behind her head; two putti, each with a bow and arrow, fly in top corners; kissing figures at left; male figure in LRC holding horns (?) with curly hair and beard; putto with sea serpent below female figure — Triumph of Galatea, c. 1630
Cavaliere d'Arpino

Not on View

mounted on ivory paper with blue overmat; foreshortened view of personified Fame with legs at right and head at left, wings outstretched, playing a long horn; putti flying behind and putto in URC with garland — Fame in a Cloud of Putti, 18th century
Domenico Tiepolo

Not on View

eight gods in the clouds, accompanied by two putti with ribbons; four gods are standing, four are seated; nine muses seated below on a hill with musical instruments, books, scepters and crowns — The Olympian Gods and the Nine Muses, 17th century
Attributed to Jacopo Ligozzi

Not on View

mounted to ivory sheet with grey, green and pink borders; sketch; figure kneeling on one knee in LRC; standing figures at left; sketchy tall figures (sculpture?) in background — Michelangelo Presenting the Moses of the Tomb of Pope Julius II to Pope Paul III, 17th-18th century
Attributed to Pietro Antonio de' Pietri

Not on View

Five Grotesque Heads, 18th century

Gaetano Gandolfi

Not on View

sketch of head of man with wavy hair--long on top of head--and short beard and moustache, wearing glasses — Portrait of Alfred Moir, December 24, 1978
George Warren Rickey

Not on View

mounted on ivory paper with red-brown borders; face with wide open, wild eyes, open mouth with teeth visible and unkempt hair — Self-Portrait Screaming in Terror, 1780s-90s
Joseph Ducreux

Not on View

mounted on ivory paper; study for a sculpture of a standing male in a contrapposto pose, with PL arm held up; each hand holding a staff; figure stands on a dolphin on top of a base with shells and foliate swags; another smaller figure study in same pose at right; study of a hand holding a staff in red chalk at left — Study for a Fountain of Neptune, 16th-17th century
Cherubino Alberti

Not on View

laid down on mount with black, tan and gray framing lines; figure at center pulls back drapery to reveal scene of Judith with sword raised, holding struggling Holofernes, lying on bed, by the hair; soldiers at left; squared off in a grid — Judith Beheading Holofernes, c. 1583-1585
Ludovico Carracci

Not on View

sketch; kneeling Christ at center, wearing blindfold, with many dynamically-posed figures surrounding him; archway in background — The Mocking of Christ, 17th century
Luca Giordano

Not on View

© Estate of George Warren Rickey %2F Licensed by VAGA at Artists Rights Society %28ARS%29%2C NY

Portrait of Alfred Moir, 1969

George Warren Rickey

Not on View

six figures in costume; man in a tan coat and blue knickers bowing to a lady in a yellow dress with green patterns, with an enormous bustle, with a long feather in her hair; man with a false rotund belly, wearing a black cap, blue jacket and blue and white striped short pants, holding a broken umbrella, stands between couple; pair of acrobats with black masks--one figure standing on shoulders of another--at right behind lady's skirts; figure looking up, wearing a very large black hat and red jacket, at right; architectural details in background, including fountain at left — Caricatural Carnival Scene in Rome, 19th century
Antonio Porcelli

Not on View

recto: upper bodies of figures, seen from low viewpoint; one figure holds a flat object (book or tray?) with both hands on bottom of object, at left; verso not examined--received framed — Studies of a Head and a Foreshortened Hand, 17th century
Italy

Not on View

four putti at top--three holding a square banner, the fourth flying horizontally at top center; head and PR shoulder of a figure at bottom, LLQ; sketchy — Putti Floating a Banner, 18th century
Giambattista Tiepolo (Giovanni Battista Tiepolo)

Not on View

Madonna and Christ child seated at top center; standing male saint with hooked staff at left, with long beard; male saint at right kneeling on PR knee, hands in prayer; partially squared off in a grid — Madonna and Child Adored by Two Male Saints, 17th century
Alonzo Rodriguez

Not on View

recto: sketch of seated muscular man, with long curly hair and long white beard; head turned toward left, looking upward; PR arm across body, holding book (?) on table at right; drapery across lap; verso: curvilinear lines, script? — Study of a Male Saint Writing, c. 1618-1620
Circle of Guercino (Giovanni Francesco Barbieri)

Not on View

owl perched on an ovoid element — Owl, 18th century
Pier Antonio Novelli

Not on View

seascape with hill/land mass at center and left; beach and water at right; sketchy figures sitting on beach in LRC; standing figure on shoreline beyond seated figures; green, tan, grey and blue — Grotto of Tiberius at Sperlonga, 18th-19th century
Carlo Labruzzi

Not on View

Jesus standing at right with head bend, hands in prayer; John the Baptist standing at center, holding a tall cross, pouring water from his PR hand; winged cherub heads in ULC and dove; lamb and standing figures including a boy at right — Baptism of Christ, 18th century
Domenico Tiepolo

Not on View

falling partially draped figures; falling angel at left; clouds at bottom — Fall of the Damned, 19th century
Giuseppe Bezzuoli

Not on View

abstract image of primarily horizontal and vertical calligraphic lines--a few curved lines — Music to be Seen #1, 1956
Ulfert Wilke

Not on View

female allegory or angel, resting on clouds, holding a torch in PR hand; wearing flowing draperies; bare-chested — Female Allegory, 18th century
Lorenzo de' Ferrari

Not on View

three figures on the ground--one on hands and knees; a sketched-in fourth figure in URQ — Three Male Figures Writhing on the Ground, Study for a Resurrection, Pentecost, or Conversion of St. Paul, 16th-17th century
Palma il Giovane

Not on View

landscape with ruins at left; group of partially draped seated and partially reclined figures in foreground, center; some standing figures in middle ground near ruins; mountains in distance at right — Italian Landscape with Figures, 17th-18th century
Johan van Haensbergen

Not on View

old paper with holes and creases at center (probably from a book) with some small scraps of printing in various fonts and languages; several hand-written elements in pencil and ink at lower corners and ULC; purplish-grey rectangle in LRC with fragments of colored marbled endpapers--predominately red and blue, and green and blue; small thin orange strip of paper to left of old paper background, ULC — Work Sheet I, 1964
William Dole

Not on View

Trompe L'Oeil, 19th century

Carl Dietrich

Not on View

landscape; view through a rock archway with foliage growing on top and at left side; more foliage beyond visible through opening — Cava di Tufa, 18th century
Louis-Gabriel Blanchet

Not on View

two studies of a man's torso; top study has sketched-in head and face; each study in the same pose, with PL arm across stomach — Studies of a Male Torso, 17th century
Baldassare Franceschini (il Volterrano)

Not on View

sketchy figures; compositional lines (large X and horizontal line) drawn over image; collapsing woman in LRQ, supported by standing figure; woman has PR arm outstretched to standing saint, who holds out PR hand to her; other standing and kneeling figures — Saint Benedict Exorcising Demons from a Young Woman, 17th century
Attributed to Ventura Salimbeni; Artist: Formerly attributed to Francesco Vanni

Not on View

Mary Magdalen with long wavy blonde hair, seated, leaning her PL upper arm on a table with heavy turned leg; Mary wears a white gown, exposing her PR breast and arm, with a loop of gold fabric around her lap and PL leg; candle on table at Mary's elbow — Mary Magdalen, 16th-17th century
Pasquale Ottino

Not on View

figures in a landscape; Christ at left wearing blue garment, accompanied by five figures in various colored robes; three men, including one man wearing vest of armor, kneeling at center before Christ; man in vest of armor with sword, wearing red cape with white fur lining at right, seated on horseback, accompanied by seated dog; standing armored soldier behind kneeling figures; other standing figures and horse; foliage at left — Christ with the Centurion, 1632
Nicolaes Cornelisz Moyaert

Not on View

standing man with his PL hand on his hip, resting his PR elbow on a ledge; heavy-set man wears a small brimmed hat; long sheepskin overcoat, coat with large buttons and knickers — Standing Man in a Sheepskin Coat, 1778
N. Grenicher

Not on View

Male Figure with Outstretched Arms, Study for the Beethoven Frieze, c.1902

Gustav Klimt

Not on View

sketchy image of cluster of fighting figures; figure at left center holds a dagger; fallen figure in LLC — Massacre of the Innocents, 17th century
Pietro Testa

Not on View

standing, slightly foreshortened male figure, viewed from low angle; arms upraised--PR upper arm covers face; squared off in grid — Nude Male Standing with Arms Raised, 17th century
Attributed to Giovanni Lanfranco

Not on View

Standing Male Figure, 17th century

Adriaen van de Velde

Not on View

three large rowboats in foreground, filled with people; two small sailboats in middle ground; large sailing ship at left in distance with other ships at right without sails unfurled; Mount Vesuvius in background; grey sky and water — View of Mount Vesuvius, 19th century
Giuseppe Canella

Not on View

Study of a Seated Model Wearing a Bishop's Chasuble and Mitre, 18th century

Attributed to Joseph-Marie Vien; Artist: Attributed to Eustache Le Sueur

Not on View

head of a man with a medium-length curly beard and shaggy, curly hair; man has solemn expression — Portrait of a Bearded Man, 17th century
Attributed to Nicolas Lagneau

Not on View

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