🔎 country:"France" | Mia

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Portrait. Mythology. History. Oval. — Portrait of Mlle. Lange as Danae, 1799
Anne-Louis Girodet de Roussy-Trioson

G306

Bust of Diana, Jean Alexandre Joseph Falguière — Bust of Diana, 19th century
Jean Alexandre Joseph Falguière

G319

Genre. Cubist. Seated man and woman. — Married Life, 1912
Roger de la Fresnaye

G367

Still life. Neoclassicism. — The Attributes of the Arts and the Rewards Which Are Accorded Them, 1766
Jean-Baptiste-Siméon Chardin

G306

standing male nude; represents man awakening to a fuller comprehension of his physical powers — The Age of Bronze, 1876–77 (plaster model); casting date unknown
Auguste Rodin; Caster: Alex Rudier Fondeur

G355

The Fugitives, Honoré Daumier — The Fugitives, c. 1868–70
Honoré Daumier

G354

Pointillism. Landscape. Fishing port. — Port-en-Bessin, 1888
Georges Seurat

G355

bas-relief; the bronze was cast by Siot-Decauville and bears the number 4 — The Fugitives, modeled c. 1850 (casting date unknown)
Honoré Daumier

G354

Landscape with cattle — Fontainebleau Oaks, c. 1840
Jules Dupré

G321

Bagpipes Bagpiper — The Bagpiper, 1910-1911
André Derain

G367

Impressionist. Brook with a bridge. — The Japanese Bridge, c. 1923-1925
Claude Monet

G377

Snow, Boulevard de Clichy, Paris, Paul Signac — Snow, Boulevard de Clichy, Paris, 1886
Paul Signac

G351

The right-hand half of a pair of decorations painted by Vuillard for Dr. Vaquez in 1912-1913; shows the junction of the Boulevard Haussmann and Boulevard Malesherbes at the Place St. Augustin as seen from a café at the Rue de la Pépinière — Place Saint-Augustin, 1912-1913
Edouard Vuillard

G355

Interior — The Sunny Room, c. 1920
Edouard Vuillard

G351

Fauve. London: Church. St. Paul's Cathedral — London: St. Paul's Cathedral seen from the Thames, 1906
André Derain

G371

Harbor. Pointillism. — Blessing of the Tuna Fleet at Groix, 1923
Paul Signac

G355

Worship and devotion non-Christian religions — Young Greeks in the Mosque, 1865
Jean-Léon Gérôme

G357

Harbor in Italy — Imaginary Landscape, Italian Harbor Scene, 1746
Claude-Joseph Vernet

G307

Light golden brown patination. After the monument in Dijon, France, commissioned 1852. — Hebe and the Eagle of Jupiter, model c. 1853-55 (casting history and edition size unknown)
François Rude; Caster: Thièbaut Frères

G354

Part of a series of 12 paintings by Vouet of angels holding symbols of the Passion; other is 69.36.2 — Angels with Attributes of the Passion: Angel Holding the Vessel and Towel for Washing the Hands of Pontius Pilate, 1627
Simon Vouet

G313

sketchy portrait of a man with bushy brown hair, small beard and mustache, wearing a dark suit with a white shirt; abstracted foliage in background with bit of sky at UL corner. Painted entirely en plein air. — Portrait of the Artist Alphonse Legros, 1856
Henri Fantin-Latour

G354

Silenus, Jean-Baptiste-Camille Corot — Silenus, 1838
Jean-Baptiste-Camille Corot

G321

Old base (b) R5A2.1 MS — Psyche Abandoned, c. 1800
Augustin Pajou; Caster: Possibly Pierre-Philippe Thomire

G306

Light yellow interior; short, bulbous body resting on a splaying foot with a flaring wide neck; neck decorated with 3 circular cartouches surrounding horses with crowns on their backs and dark blue pseudo-Islamic text against a light blue ground; white 'text' and foliage on body; floral designs on foot — Vase in the form of a mosque lamp, c. 1870
Joseph-Théodore Deck

G243

Cast c.1841 after plaster model of 1831. Signed P.Grass (on right side of base). Inscribed 'ICARE. D'apres la statue en bronze detruite en 1870 à Strasbourg' on front edge of base. Foundry mark Eck et Durand (on back of base). — Icarus Making Trial of His Wings, modeled 1831
Philippe Grasse

G321

'The Three Graces', plaster, French XIXc cat. card dims H 32-1/2 x W 18-1/2'; measurements above of base and sculpture; Base (b) is on R5A3.2 MS — Les Trois Grâces (The Three Graces), c. 1872
Jean-Baptiste Carpeaux

G321

Saint John the Baptist in the Wilderness in a loin cloth reclining on red drapery under a tree by a stream with his hands clasped with the lamb and the cross by his side. in the clouds above are seven infant Angels' heads — Saint John the Baptist, c. 1755
François Boucher

G308

Bureau de Dame, Jean Gaspard Feilt, kingwood, oak, marquetry, gilded bronze mounts, French XVIII listed on cat. card as Louis XV Lady's Writ- ing Desk; Dims 38-1/4 x 41-1/2 x 23-1/2'; 6/88: a-desk; b-j-drawers; k-l lower drawers; key — Lady’s writing desk, c. 1750
Jean Gaspard Feilt

G314

Religion: OT. Moses at a well meets the seven daughters of Jethro — Moses Defending the Daughters of Jethro, 17th century
Sébastien Bourdon

G313

Clock with vestals, Pierre-Philippe Thomire; Manufacturer: Clockworks by Sauvageot — Clock with vestals, c. 1790
Pierre-Philippe Thomire; Manufacturer: Clockworks by Sauvageot

G314

Venus and Adonis, Nicolas Mignard (Mignard d'Avignon) — Venus and Adonis, c. 1650
Nicolas Mignard (Mignard d'Avignon)

G330

triptych, enamel on copper; the center panel holds images of the Madonna and Chld, St. John the Divine, St. Louis and Louise de Bourbon, an Abbess of Fontevrault; the left and right panels each contain an image of a prophet; inscriptions accompany each figure; at the bottom center of central panel is a white plaque, also bearing an inscription and coat of arms — Triptych with the Madonna and Child, saints, and prophets, 1538
Pierre Reymond

G342

Woman in a Bathtub, 1889 modeled (cast 1920-21) no. 26/C
Edgar Degas

G351

Barbizon landscape, northeastern France, Fontainebleau forest — The Crossroads of the Eagle’s Nest, Fontainebleau Forest, 1843-1844
Charles-François Daubigny

G321

View of Tangier, Eugène Delacroix — View of Tangier, 1852-1853
Eugène Delacroix

G357

crouching female figure with swags of a variety of flowers on an oblong octagonal base — Flora Kneeling, c. 1871
Jean-Baptiste Carpeaux

G324

Hot water kettle, from a five-piece coffee and tea set, Jean Puiforcat; Maker: Emile Puiforcat Silversmiths — Hot water kettle, from a five-piece coffee and tea set, 1925
Jean Puiforcat; Maker: Emile Puiforcat Silversmiths

G379

Landscape. Romantic landscape with large trees, and a bridge suspended between two great rocks. In the foreground groups of figures strolling, talking and riding. This scene painted at the Chateau de Méréville. Park Méréville — The Rustic Bridge, Château de Méréville, France, c. 1785
Hubert Robert

G306

Landscape with deer — Deer in the Forest, 1868
Gustave Courbet

G321

Mary Magdalene, Attributed to Nikolaus Gerhaerts van Leyden — Mary Magdalene, c. 1460
Attributed to Nikolaus Gerhaerts van Leyden

G342

Portrait — Portrait of Charlotte of France, c. 1522
Jean Clouet the Younger

G342

plant-covered boulders in foreground, a large branch or tree has broken off and lays atop the boulders with brown dying leaves toward left background; lush dense forest spotted by birch trees at background. — The Fallen Branch, Fontainebleau, c. 1816
Achille Etna Michallon

G321

white cottage with slanted roof at L; trees behind - tallest with turning leaves; woman on path with a pony; figures at R by haystack — Caretaker's Cottage in the Forest of Compiegne, 1826
Paul Huet

G321

stairway around a fountain in a garden; tall trees at L; 2 sculptures at overlook at top of stairs at center; figures at LLC and at overlook — The Grand Staircase of the Villa d'Este at Tivoli, 1760
Jean-Honoré Fragonard

G310

Cubist still life. — Table and Fruit, 1909
Fernand Léger

G367

covered vase, cat. card does not list 'a-b' for vase and lid; white ground, painted with turquoise and gold circle-and-dot pattern (oeil-de-perdrix); the wide decorative bands are adorned with exotic birds and chinoisirie. The subjects and decorative grounds link them to a pair in the collection of Queen Elizabeth thought to have been bought by Marie Antoinette in 1779. The similar oeil-de-perdix of both pairs may be attributed to Vincent Taillandier, who specialized in this type of patterned ground — Covered vase, one of a pair, 1780
Sèvres Porcelain Factory; Decorator: Fallot (birds); Decorator: Charles-Eloi Asselin (figures); Decorator: Vincent Taillandier (ground pattern); Maker: Jean-Claude-Thomas Duplessis (gilt-bronze mounts)

G310

View of Mont Blanc, Seen from La Faucille, Théodore Rousseau — View of Mont Blanc, Seen from La Faucille, c. 1865
Théodore Rousseau

G321

triangular with clipped corners; stemmed cup with footed base; removable liner; slightly domed cover with three-dimensional finial of male figure wearing lion skin, holding a club aloft, with a three-headed dog held by chains; stem has a satyr in three dimensions seated next to cattails; grape vines twisting behind satyr; Classical themes, hunting and battle scenes and various scrollwork overall in high and low relief — Masterpiece cup and cover, 1746
Johann Friedrich Baer

G350

landscape with farm field in foreground, church in background, and low buildings and sheep in middle ground — The Church at Chailly, 1868-1869
Jean-François Millet

Not on View

Convulsionists of Tangier, Eugène Delacroix — Convulsionists of Tangier, 1837-1838
Eugène Delacroix

G321

Through Birds, Through Fire but Not Through Glass, Yves Tanguy — Through Birds, Through Fire but Not Through Glass, 1943
Yves Tanguy

G376

Boy with Butterfly Net, Henri Matisse — Boy with Butterfly Net, 1907
Henri Matisse

G371

Venice. Church. San Marco. — The Piazza San Marco, Venice, 1881
Pierre Auguste Renoir

G351

Historical. Death of Germanicus Caesar; he is lying on his death-bed with his wife Agrippina grieving at his bedside. — The Death of Germanicus, 1627
Nicolas Poussin

Not on View

La Place du Théâtre Français (Pluie) — Place du Théâtre Français, Paris: Rain, 1898
Camille Pissarro

G355

Wheatstack — Grainstack, Sun in the Mist, 1891
Claude Monet

G355

The Smoker, Édouard Manet — The Smoker, 1866
Édouard Manet

G351

two goat herders seated on the left bank of a river amidst their flock; classical ruins at left side and background left center on hillside; across river stand two pair of deer under the shadow of a large tree — Pastoral Landscape, 1638
Claude Gellée (called Le Lorrain)

G313

Nabi. Tahiti. Landscape with two females and a dog. — I Raro Te Oviri (Under the Pandanus), 1891
Paul Gauguin

G355

Mademoiselle Hortense Valpinçon — Portrait of Mlle. Hortense Valpinçon, c. 1871
Edgar Degas

G351

Cubist landscape — The Viaduct at L'Estaque, 1907
Georges Braque

G371

Portrait of a woman — Portrait of Countess Maria Theresia Bucquoi, née Parr, 1793
Elisabeth Louise Vigée-Le Brun

G103

buildings and bridges with water in foreground; church left of center — Le Pont de Moret, 1888
Alfred Sisley

G351

Nude female figure lying on a flowered couch — Nude on a Couch, c. 1880
Gustave Caillebotte

G351

Landscape. Chestnut trees. Impressionism. — Chestnut Trees at Jas de Bouffan, c. 1885-1886
Paul Cézanne

G355

General Brune, 1763-1815, was commander-in-chief of the army of Italy and of the French forces in Switzerland; in this portrait he wears 'petit uniforme' of a general of an artillery division — Bust of General Guillaume Brune, c. 1800
Joseph Chinard

G310

Château d’Ornans, Gustave Courbet — Château d’Ornans, 1855
Gustave Courbet

G323

Clock, Jean-Antoine Lepine; Painter: Joseph Coteau — Clock, c. 1789
Jean-Antoine Lepine; Painter: Joseph Coteau

G314

Louis XV style ormolu-mounted parquetry commode; marble top, in bois satiné with purpleheart borders; the front has two drawers with shallow cupboards at the sides, the mounts with crowned C marks — Commode, c. 1745
attributed to Charles Cressent

G318

Three Bathers, Henri Matisse — Three Bathers, 1907
Henri Matisse

G371

Mother and child seated in field with tree in background and water in foreground. The mother holds an apple in her hand — Temptation, 1880
William-Adolphe Bouguereau

G357

cast no. 2/10; figure — Large Seated Nude, c. 1923–1925
Henri Matisse

G377

Caffieri, 'Portrait Bust of M. De Neuville', marble, French XVIIIc. cat. card dims H. 21' x W. 22'; base to bust stored as well 11-1/4' x 8' x 8' — Portrait Bust of M. de Neuville, Captain of Artillery and Comptroller General, c. 1780
Jean-Jacques Caffieri

G317

Still life with meat. — Carcass of Beef, 1926
Chaim Soutine

G377

Portrait. Madame Aubry wears an ultramarine blue velvet dress, cloak lined with flowered brocade and a bodice of silver lamé with lace and rose ribbon. Her hand touches a whippet which may have belonged to the artist as it appears in other portraits. Her hair is styled à la Fontanges. She married into a family from Tours and later became the Marquise de Castelnau in the Berry region near Bourges. — Portrait of Catherine Coustard, Marquise of Castelnau, Wife of Charles-Léonor Aubry with Her Son Léonor, c. 1700
Nicolas de Largillière

G308

Sugar bowl with cover, from a five-piece coffee and tea service, Jean Puiforcat — Sugar bowl with cover, from a five-piece coffee and tea service, 1925
Jean Puiforcat

G379

Coffee pot, from a five-piece coffee and tea service, Jean Puiforcat — Coffee pot, from a five-piece coffee and tea service, 1925
Jean Puiforcat

G379

Covered two-handled faience tureen with pierced basket-weave stand; stand decorated with a landscape containing ruins and with insects painted in carmine; border outlined in purple; tureen has four sea-scroll feet; body decorated with landscape containing ruins and with more insects painted in carmine, and with acanthus motif in purple; border of tureen has painted scallop edge; pierced basket-weave lid, outlined in purple, with bunch of chestnuts painted in green and brown serving as finial — Covered tureen with stand, 18th century
France

G324

Bowl on a triangular pedestal — Centerpiece coupé (bowl), c. 1927-1928
M. Desnet; Designer: René Nauny; Manufacturer: La Maison Desny

G379

Hexagonally lobed faience melon ball plate; brown rim; edge contains three groups of flowers in delicate shades of pink, rose and purple typical of Niderviller; center contains a three-dimensional group of green-glazed fruits; marked with monogram of the Comte de Cuisine, the donor of the factory — Melon ball plate, 1770–93
France

G324

covered faience bowl in shape of a melon; vine and leaves forming handle; bottom half is attached to a lobed platter with flowers (rose and tulip at either end) — Covered bowl, c. 1749–60
France

G324

Creamer, from a five-piece coffee and tea service, Jean Puiforcat — Creamer, from a five-piece coffee and tea service, 1925
Jean Puiforcat

G379

faience figure of a gardener boy supported by a tree stump and leaning on a shovel; wearing a green coat; holding an apple in his right hand; with a watering can at his feet — Figure, one of a Pair, c. 1800
Niderviller Porcelain Manufactory

G324

Spitting cup with handle; brown decorations on scalloped edge; sprays of flowers scattered over surface; few yellows, primarily blues and reds; blue underglaze — Spitoon, 1749–60
Paul Antoine Hannong

G324

Teapot, from a five-piece coffee and tea service, Jean Puiforcat — Teapot, from a five-piece coffee and tea service, 1925
Jean Puiforcat

G379

faience figure of a woman standing bare-foot on grassy mound in chintz-like peasant clothes; she leans on a tree stump, over her right arm a flower basket and in her left hand a large blossom; refined in shape and painting, these figures are much more delicate than those seen at Strasbourg during the same period — Figurine, one of a pair, 18th century
France

G324

Figure of youth seated on stump of a tree, holding a hurdy-gurdy on crossed legs; colored in reddish brown, blue and green — Figurine, 1740–60
Paul Antoine Hannong

G324

Side chair with embossed leather upholstery. Made for the Dining Room at L'Art Nouveau Bing. The front two legs divide into three pieces, one rising to the center front, one to front corner and the third rises to the join of the seat and back leg and then continues visually, curving slightly upward to the top of the back of the chair. The leather upholstery is tooled in a motif of interlacing flowing ribbons. A separate piece of tooled leather covers the join of the seat and the wooden frame. — Side chair, 1900
Eugène Gaillard

G352

One of a set of four arm chairs (fauteuil) with flat sheild shaped backs in carved and gilded wood. Top of back decorated with carved oak leaves, garlands, ribbons, acanthus leaves, interlaces and laurel leaves. Legs with twisted grooves. Traces of old labels and cachets of red wax. Upholstery in yellow silk, blue and cream designs of cupids, animals,leaves and draperies. — Fauteuil, one of a set of four, c. 1785
Jean-Baptiste-Claude Sené

G314

Diamond shaped two-handled faience covered tureen with four scroll feet, decorated with polychrome flowers and insects; stylized artichoke finial — Covered tureen, c. 1748–54
France

G324

with arched, padded back within molded frame crisply carved with twin rose blossoms, summer flowers and guilloche, with padded acanthus-carved scroll arms above incurved supports carved as entwined reeded cornucopiae with crisp floral bouquets; the loose cushion seat within molded ancanthus - carved seat rail, on short cabriole legs haeded by paterae and acanthus, ending in scroll toes; upholstered in floral striped silk. — Duchesse d'enfant brisée (child’s day bed), c. 1780
Georges Jacob

G314

Commode, Antione (Pierre-Antoine) Foullet — Commode, c. 1775-1800
Antione (Pierre-Antoine) Foullet

G314

Janus, Max Ernst — Janus, modeled 1973 (cast 1975)
Max Ernst

G376

Study for the Assumption of the Virgin, Jean-Baptiste Deshays — Study for the Assumption of the Virgin, 1758
Jean-Baptiste Deshays

G314

Figure; This work was cast posthumously from a terracotta sketch, ca. 1900; casting history and edition size unknown — Dancer Putting on Her Stocking, 19th century
Edgar Degas

G351

Corner cabinet (Encoignure), Jean-Chrysotome Stumpff — Corner cabinet (Encoignure), c. 1770–80
Jean-Chrysotome Stumpff

G314

A Torrent at Romagnes, Jean-Baptiste-Camille Corot — A Torrent at Romagnes, after 1862
Jean-Baptiste-Camille Corot

G321

Self-portrait of the artist, three quarter length. — Self-Portrait, 1786
Jean-Laurent Mosnier

G314

Bureau Plat, wood, ormulo mounts, leather top, French XVIIIc Cat. card dims H 32-1/4' x W 76' x 42', Charles Chevalier - furniture maker — Desk, c. 1750
Charles Chevallier

G314

Louis XVI Cabinet (Meuble D'Entre Deux) — Cabinet, c. 1765
Claude Charles Saunier

G314

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