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Portrait. Mythology. History. Oval.

Portrait of Mlle. Lange as Danae, 1799

Anne-Louis Girodet de Roussy-Trioson

G306

Cast c.1841 after plaster model of 1831. Signed P.Grass (on right side of base). Inscribed 'ICARE. D'apres la statue en bronze detruite en 1870 Ă  Strasbourg' on front edge of base. Foundry mark Eck et Durand (on back of base).

Icarus Making Trial of His Wings, modeled 1831

Philippe Grasse

G321

Portrait of a woman

Portrait of Countess Maria Theresia Bucquoi, née Parr, 1793

Elisabeth Louise Vigée-Le Brun

G306

Historical. Death of Germanicus Caesar; he is lying on his death-bed with his wife Agrippina grieving at his bedside.

The Death of Germanicus, 1627

Nicolas Poussin

G313

Wheatstack

Grainstack, Sun in the Mist, 1891

Claude Monet

G355

Clock, c. 1789

Jean-Antoine Lepine; Painter: Joseph Coteau

G314

painted and giltwood, plaster, marble and iron

Grand Salon from the HÎtel de la BouëxiÚre, c. 1735

France

G318

Bust of Diana, 19th century

Jean Alexandre Joseph FalguiĂšre

G319

'The Three Graces', plaster, French XIXc cat. card dims H 32-1/2 x W 18-1/2'; measurements above of base and sculpture; Base (b) is on R5A3.2 MS

Les Trois GrĂąces (The Three Graces), c. 1872

Jean-Baptiste Carpeaux

G321

Mary Magdalene, c. 1460

Attributed to Nikolaus Gerhaerts van Leyden

G342

cabbage tureen, cover and stand; porcelain in green glaze of verying tones; veining in yellow and green, younger leaves in yellow

Cabbage tureen, cover and stand, before 1754

France

G333

%C2%A9 Succession H. Matisse %2F Artists Rights Society %28ARS%29%2C New York

Boy with Butterfly Net, 1907

Henri Matisse

G371

Genre. Cubist. Seated man and woman.

Married Life, 1912

Roger de la Fresnaye

G367

Worship and devotion non-Christian religions

Young Greeks in the Mosque, 1865

Jean-LĂ©on GĂ©rĂŽme

G357

The Smoker, 1866

Édouard Manet

G355

Woman with letter and envelope

The Letter, 1791

Michel Garnier

G306

Seduction

The Poorly Defended Rose, 1789

Michel Garnier

G306

Nude female figure lying on a flowered couch

Nude on a Couch, c. 1880

Gustave Caillebotte

G355

plant-covered boulders in foreground, a large branch or tree has broken off and lays atop the boulders with brown dying leaves toward left background; lush dense forest spotted by birch trees at background.

The Fallen Branch, Fontainebleau, c. 1816

Achille Etna Michallon

G321

Impressionist. Brook with a bridge.

The Japanese Bridge, c. 1923-1925

Claude Monet

G377

Landscape with deer

Deer in the Forest, 1868

Gustave Courbet

G321

Still life. Neoclassicism.

The Attributes of the Arts and the Rewards Which Are Accorded Them, 1766

Jean-Baptiste-Siméon Chardin

G306

Harbor. Pointillism.

Blessing of the Tuna Fleet at Groix, 1923

Paul Signac

G351

Harbor in Italy

Imaginary Landscape, Italian Harbor Scene, 1746

Claude-Joseph Vernet

G307

made in 1949 for the Metropolitan Museum of Art

Maquette of the Grand Salon of the HĂŽtel de la BouexiĂšre, 1949

Robert Carlhian

G317

Theseus Slaying the Centaur Bianor, c. 1850 (modeled, cast c. 1891)

Antoine-Louis Barye; Caster: F. (Ferdinand) Barbedienne

Not on View

Bacchante and Satyr, 1869

Jean-Baptiste Auguste Clésinger

Not on View

The Algerian, c. 1850-1857

Charles-Henri-Joseph Cordier

G357

Figure

Woman in a Bathtub, 1889 modeled (cast 1920-21) no. 26/C

Edgar Degas

G351

landscape with farm field in foreground, church in background, and low buildings and sheep in middle ground

The Church at Chailly, 1868-1869

Jean-François Millet

Not on View

Hot water kettle, from a five-piece coffee and tea set, 1925

Jean Puiforcat; Maker: Emile Puiforcat Silversmiths

G379

Louis XV style ormolu-mounted parquetry commode; marble top, in bois satiné with purpleheart borders; the front has two drawers with shallow cupboards at the sides, the mounts with crowned C marks

Commode, c. 1745

attributed to Charles Cressent

G318

cast no. 2/10; figure

%C2%A9 Succession H. Matisse %2F Artists Rights Society %28ARS%29%2C New York

Large Seated Nude, c. 1923–1925

Henri Matisse

G377

General Brune, 1763-1815, was commander-in-chief of the army of Italy and of the French forces in Switzerland; in this portrait he wears 'petit uniforme' of a general of an artillery division

Bust of General Guillaume Brune, c. 1800

Joseph Chinard

G310

triangular with clipped corners; stemmed cup with footed base; removable liner; slightly domed cover with three-dimensional finial of male figure wearing lion skin, holding a club aloft, with a three-headed dog held by chains; stem has a satyr in three dimensions seated next to cattails; grape vines twisting behind satyr; Classical themes, hunting and battle scenes and various scrollwork overall in high and low relief

Masterpiece cup and cover, 1746

Johann Friedrich Baer

G350

triptych, enamel on copper; the center panel holds images of the Madonna and Chld, St. John the Divine, St. Louis and Louise de Bourbon, an Abbess of Fontevrault; the left and right panels each contain an image of a prophet; inscriptions accompany each figure; at the bottom center of central panel is a white plaque, also bearing an inscription and coat of arms

Triptych with the Madonna and Child, saints, and prophets, 1538

Pierre Reymond

G342

Old base (b) R5A2.1 MS

Psyche Abandoned, c. 1800

Augustin Pajou; Caster: Possibly Pierre-Philippe Thomire

G306

Figure; This work was cast posthumously from a terracotta sketch, ca. 1900; casting history and edition size unknown

Dancer Putting on Her Stocking, 19th century

Edgar Degas

G351

standing female figure holding an apple in her proper left hand

Eve with Apple, c. 1902

Aristide Maillol

G324

Caffieri, 'Portrait Bust of M. De Neuville', marble, French XVIIIc. cat. card dims H. 21' x W. 22'; base to bust stored as well 11-1/4' x 8' x 8'

Portrait Bust of M. de Neuville, Captain of Artillery and Comptroller General, c. 1780

Jean-Jacques Caffieri

G317

crouching female figure with swags of a variety of flowers on an oblong octagonal base

Flora Kneeling, c. 1871

Jean-Baptiste Carpeaux

G324

covered vase, cat. card does not list 'a-b' for vase and lid; white ground, painted with turquoise and gold circle-and-dot pattern (oeil-de-perdrix); the wide decorative bands are adorned with exotic birds and chinoisirie. The subjects and decorative grounds link them to a pair in the collection of Queen Elizabeth thought to have been bought by Marie Antoinette in 1779. The similar oeil-de-perdix of both pairs may be attributed to Vincent Taillandier, who specialized in this type of patterned ground

Covered vase, one of a pair, 1780

SĂšvres Porcelain Factory; Decorator: Fallot (birds); Decorator: Charles-Eloi Asselin (figures); Decorator: Vincent Taillandier (ground pattern); Maker: Jean-Claude-Thomas Duplessis (gilt-bronze mounts)

G310

Madonna Enthroned with the Christ Child, marble.

Madonna Enthroned in Majesty with the Christ Child, late 12th century

France

G340

standing male nude; represents man awakening to a fuller comprehension of his physical powers

The Age of Bronze, 1876–77 (plaster model); casting date unknown

Auguste Rodin; Caster: Alex Rudier Fondeur

G355

bas-relief; the bronze was cast by Siot-Decauville and bears the number 4

The Fugitives, modeled c. 1850 (casting date unknown)

Honoré Daumier

G354

The right-hand half of a pair of decorations painted by Vuillard for Dr. Vaquez in 1912-1913; shows the junction of the Boulevard Haussmann and Boulevard Malesherbes at the Place St. Augustin as seen from a café at the Rue de la PépiniÚre

Place Saint-Augustin, 1912-1913

Edouard Vuillard

G355

Light golden brown patination. After the monument in Dijon, France, commissioned 1852.

Hebe and the Eagle of Jupiter, model c. 1853-55 (casting history and edition size unknown)

François Rude; Caster: ThiÚbaut FrÚres

G354

Bureau de Dame, Jean Gaspard Feilt, kingwood, oak, marquetry, gilded bronze mounts, French XVIII listed on cat. card as Louis XV Lady's Writ- ing Desk; Dims 38-1/4 x 41-1/2 x 23-1/2'; 6/88: a-desk; b-j-drawers; k-l lower drawers; key

Lady’s writing desk, c. 1750

Jean Gaspard Feilt

G314

Clock with vestals, c. 1790

Pierre-Philippe Thomire; Manufacturer: Clockworks by Sauvageot

G314

Landscape. Romantic landscape with large trees, and a bridge suspended between two great rocks. In the foreground groups of figures strolling, talking and riding. This scene painted at the Chateau de Méréville. Park Méréville

The Rustic Bridge, Chùteau de Méréville, France, c. 1785

Hubert Robert

G306

Venice. Church. San Marco.

The Piazza San Marco, Venice, 1881

Pierre Auguste Renoir

G355

Fauve. London: Church. St. Paul's Cathedral

%C2%A9 Artists Rights Society %28ARS%29%2C New York %2F ADAGP%2C Paris

London: St. Paul's Cathedral seen from the Thames, 1906

André Derain

G371

%C2%A9 Artists Rights Society %28ARS%29%2C New York %2F ADAGP%2C Paris

The Village, 1913

Albert Gleizes

G367

The Plague in Rome, 1869

Jules Elie Delaunay

Not on View

Venus and Adonis, c. 1650

Nicolas Mignard (Mignard d'Avignon)

G330

Mademoiselle Hortense Valpinçon

Portrait of Mlle. Hortense Valpinçon, c. 1871

Edgar Degas

G351

Cubist still life.

%C2%A9 Artists Rights Society %28ARS%29%2C New York %2F ADAGP%2C Paris

Table and Fruit, 1909

Fernand LĂ©ger

G367

Pointillism. Landscape. Fishing port.

Port-en-Bessin, 1888

Georges Seurat

G355

Portrait of Ursule-Anne Dubuisson, c. 1710

Antoine Pesne; Artist: Previously attributed to Nicolas de Largilliere

Not on View
Bagpipes Bagpiper

%C2%A9 Artists Rights Society %28ARS%29%2C New York %2F ADAGP%2C Paris

The Bagpiper, 1910-1911

André Derain

G367

Portrait of a Carthusian Monk, c. 1715

Jean Restout II

G324

Portrait of Cleméntine Karr

Portrait of Clémentine (Mrs. Alphonse) Karr, 1845

Henri Lehmann

G357

Orpheus and Eurydice, 1910

Maurice Denis

G351

%C2%A9Estate of Yves Tanguy %2F Artists Rights Society %28ARS%29%2C New York

Through Birds, Through Fire but Not Through Glass, 1943

Yves Tanguy

G376

Barbizon landscape, northeastern France, Fontainebleau forest

The Crossroads of the Eagle’s Nest, Fontainebleau Forest, 1843-1844

Charles-François Daubigny

G321

two goat herders seated on the left bank of a river amidst their flock; classical ruins at left side and background left center on hillside; across river stand two pair of deer under the shadow of a large tree

Pastoral Landscape, 1638

Claude Gellée (called Le Lorrain)

G313

sketchy portrait of a man with bushy brown hair, small beard and mustache, wearing a dark suit with a white shirt; abstracted foliage in background with bit of sky at UL corner. Painted entirely en plein air.

Portrait of the Artist Alphonse Legros, 1856

Henri Fantin-Latour

G354

Religion: OT. Moses at a well meets the seven daughters of Jethro

Moses Defending the Daughters of Jethro, 17th century

SĂ©bastien Bourdon

G313

Nabi. Tahiti. Landscape with two females and a dog.

I Raro Te Oviri (Under the Pandanus), 1891

Paul Gauguin

G355

%C2%A9 Succession H. Matisse %2F Artists Rights Society %28ARS%29%2C New York

Three Bathers, 1907

Henri Matisse

G371

Interior

The Sunny Room, c. 1920

Edouard Vuillard

G351

Snow, Boulevard de Clichy, Paris, 1886

Paul Signac

G355

Silenus, 1838

Jean-Baptiste-Camille Corot

G321

Mother and child seated in field with tree in background and water in foreground. The mother holds an apple in her hand

Temptation, 1880

William-Adolphe Bouguereau

G357

View of Mont Blanc, Seen from La Faucille, c. 1865

Théodore Rousseau

G321

La Place du Théùtre Français (Pluie)

Place du Théùtre Français, Paris: Rain, 1898

Camille Pissarro

G351

Portrait

Portrait of Charlotte of France, c. 1522

Jean Clouet the Younger

G342

Interior of the house

Dining Room in the Country, 1913

Pierre Bonnard

G355

The Fugitives, c. 1868

Honoré Daumier

G354

Impressionist. Landscape with coast.

The Seashore at Sainte-Adresse, 1864

Claude Monet

G355

Part of a series of 12 paintings by Vouet of angels holding symbols of the Passion; other is 69.36.2

Angels with Attributes of the Passion: Angel Holding the Vessel and Towel for Washing the Hands of Pontius Pilate, 1627

Simon Vouet

G313

View of Tangier, 1852-1853

EugĂšne Delacroix

G357

%C2%A9 Succession H. Matisse %2F Artists Rights Society %28ARS%29%2C New York

Still Life with Pascal’s "PensĂ©es", 1924

Henri Matisse

G351

white cottage with slanted roof at L; trees behind - tallest with turning leaves; woman on path with a pony; figures at R by haystack

Caretaker's Cottage in the Forest of Compiegne, 1826

Paul Huet

G321

stairway around a fountain in a garden; tall trees at L; 2 sculptures at overlook at top of stairs at center; figures at LLC and at overlook

The Grand Staircase of the Villa d'Este at Tivoli, 1760

Jean-Honoré Fragonard

G310

buildings and bridges with water in foreground; church left of center

Le Pont de Moret, 1888

Alfred Sisley

G355

sketchy image of skyline with buildings in browns and greys; lightening, slightly cloudy sky with bright clouds at bottom, grey sky in ULC

Rouen Cathedral, Sunrise, 1825

Richard Parkes Bonington

G321

portrait of a balding man wearing a red cap lined in brown fur, red coat with brown fur trim and white shirt with blue tie; silver masterpiece cup on tabletop at right, with silver working mallet and tools under man's hand

Portrait of the Silversmith Johann Friedrich Baer, c. 1770

Attributed to Johann Daniel Heimlich

G350

Convulsionists of Tangier, 1837-1838

EugĂšne Delacroix

Not on View

The Carpet Merchant, c. 1887

Jean-LĂ©on GĂ©rĂŽme

G243

Portrait. Madame Aubry wears an ultramarine blue velvet dress, cloak lined with flowered brocade and a bodice of silver lamé with lace and rose ribbon. Her hand touches a whippet which may have belonged to the artist as it appears in other portraits. Her hair is styled à la Fontanges. She married into a family from Tours and later became the Marquise de Castelnau in the Berry region near Bourges.

Portrait of Catherine Coustard, Marquise of Castelnau, Wife of Charles-LĂ©onor Aubry with Her Son LĂ©onor, c. 1700

Nicolas de LargilliĂšre

G308

Saint John the Baptist in the Wilderness in a loin cloth reclining on red drapery under a tree by a stream with his hands clasped with the lamb and the cross by his side. in the clouds above are seven infant Angels' heads

Saint John the Baptist, c. 1755

François Boucher

G308

Landscape with cattle

Fontainebleau Oaks, c. 1840

Jules Dupré

G321

prancing horse, facing right, with feathery webbed feet in place of hooves; horse has a tasseled blanket on its back; feathery cresting decorative scrolling waves

"Chevaux Marin" (seahorse) chenet, one of a pair, c. 1745-1750

France

G318

prancing horse, facing left, with feathery webbed feet in place of hooves; horse has a tasseled blanket on its back; feathery cresting decorative scrolling waves

"Chevaux Marin" (seahorse) chenet, one of a pair, c. 1745-1750

France

G318

faience figure of a gardener boy supported by a tree stump and leaning on a shovel; wearing a green coat; holding an apple in his right hand; with a watering can at his feet

Figure, one of a Pair, c. 1800

Niderviller Porcelain Manufactory

G324

Spitting cup with handle; brown decorations on scalloped edge; sprays of flowers scattered over surface; few yellows, primarily blues and reds; blue underglaze

Spitoon, 1749–60

Paul Antoine Hannong

G324

Figure of youth seated on stump of a tree, holding a hurdy-gurdy on crossed legs; colored in reddish brown, blue and green

Figurine, 1740–60

Paul Antoine Hannong

G324

One of a set of four arm chairs (fauteuil) with flat sheild shaped backs in carved and gilded wood. Top of back decorated with carved oak leaves, garlands, ribbons, acanthus leaves, interlaces and laurel leaves. Legs with twisted grooves. Traces of old labels and cachets of red wax. Upholstery in yellow silk, blue and cream designs of cupids, animals,leaves and draperies.

Fauteuil, one of a set of four, c. 1785

Jean-Baptiste-Claude Sené

G314

Rim with a 'gros bleu marbrĂš' ground and bands of gilt neo-classical inspiration. Center painted with two branches of a yellow flower with lush, thick foliage, the cavetto with a gilt band of laurel leaves.

Botanical Plate, 1832

SĂšvres Porcelain Factory

G333

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