Historical. Death of Germanicus Caesar; he is lying on his death-bed with his wife Agrippina grieving at his bedside. — The Death of Germanicus, 1627
Nicolas Poussin

G313

triangular with clipped corners; stemmed cup with footed base; removable liner; slightly domed cover with three-dimensional finial of male figure wearing lion skin, holding a club aloft, with a three-headed dog held by chains; stem has a satyr in three dimensions seated next to cattails; grape vines twisting behind satyr; Classical themes, hunting and battle scenes and various scrollwork overall in high and low relief — Masterpiece cup and cover, 1746
Johann Friedrich Baer

G350

Clock, Jean-Antoine Lepine; Painter: Joseph Coteau — Clock, c. 1789
Jean-Antoine Lepine; Painter: Joseph Coteau

G314

Convulsionists of Tangier, Eugène Delacroix — Convulsionists of Tangier, 1837-1838
Eugène Delacroix

G321

Mademoiselle Hortense Valpinçon — Portrait of Mlle. Hortense Valpinçon, c. 1871
Edgar Degas

G351

Portrait. Mythology. History. Oval. — Portrait of Mlle. Lange as Danae, 1799
Anne-Louis Girodet de Roussy-Trioson

G306

Three Bathers, Henri Matisse — Three Bathers, 1907
Henri Matisse

G371

Interior of the house — Dining Room in the Country, 1913
Pierre Bonnard

G355

two goat herders seated on the left bank of a river amidst their flock; classical ruins at left side and background left center on hillside; across river stand two pair of deer under the shadow of a large tree — Pastoral Landscape, 1638
Claude Gellée (called Le Lorrain)

G313

woman wearing a white satin gown trimmed with lace and pearls, holding a book, and seated on a yellow sofa; woman wears pearl necklaces and earrings, with her hair decorated with pearls; guitar and music next to woman on sofa; black and white lap dog in LRC — The Comtesse d'Egmont Pignatelli in Spanish Costume, 1763
Alexander Roslin

G307

Still life. Neoclassicism. — The Attributes of the Arts and the Rewards Which Are Accorded Them, 1766
Jean-Baptiste-Siméon Chardin

G306

Cast c.1841 after plaster model of 1831. Signed P.Grass (on right side of base). Inscribed 'ICARE. D'apres la statue en bronze detruite en 1870 à Strasbourg' on front edge of base. Foundry mark Eck et Durand (on back of base). — Icarus Making Trial of His Wings, modeled 1831
Philippe Grasse

G321

Portrait of a woman — Portrait of Countess Maria Theresia Bucquoi, née Parr, 1793
Elisabeth Louise Vigée-Le Brun

G306

Nude female figure lying on a flowered couch — Nude on a Couch, c. 1880
Gustave Caillebotte

G355

Impressionist. Brook with a bridge. — The Japanese Bridge, c. 1923-1925
Claude Monet

G377

Wheatstack — Grainstack, Sun in the Mist, 1891
Claude Monet

G355

Jazz, Henri Matisse; Publisher: Tériade; Printer: Edmond Vairel , (stencils); Printer: Draeger Frères, Paris, France , Paris, (text) — Jazz, 1947
Henri Matisse; Publisher: Tériade; Printer: Edmond Vairel , (stencils); Printer: Draeger Frères, Paris, France , Paris, (text)

Not on View

six scenes from the life of Christ; bottom row the Annunciation, Nativity and Adoration of the Magi; middle row Betrayal of Christ by Judas, the Crucifixion, the Resurrection; top row Ascension and Pentecost — Diptych with scenes from the life of Christ, c. 1375
Attributed to Master of the Passion Diptych

Not on View

silver with inlaid enamel work (champlevé) and engraved decoration; removable cap with tube insert — Caviar server, 1905
Jules Auguste Habert-Dys

G380

Bust of Diana, Jean Alexandre Joseph Falguière — Bust of Diana, 19th century
Jean Alexandre Joseph Falguière

G319

'The Three Graces', plaster, French XIXc cat. card dims H 32-1/2 x W 18-1/2'; measurements above of base and sculpture; Base (b) is on R5A3.2 MS — Les Trois Grâces (The Three Graces), c. 1872
Jean-Baptiste Carpeaux

G321

Harbor. Pointillism. — Blessing of the Tuna Fleet at Groix, 1923
Paul Signac

G351

plant-covered boulders in foreground, a large branch or tree has broken off and lays atop the boulders with brown dying leaves toward left background; lush dense forest spotted by birch trees at background. — The Fallen Branch, Fontainebleau, c. 1816
Achille Etna Michallon

G321

Worship and devotion non-Christian religions — Young Greeks in the Mosque, 1865
Jean-Léon Gérôme

G357

Boy with Butterfly Net, Henri Matisse — Boy with Butterfly Net, 1907
Henri Matisse

G371

Theseus Slaying the Centaur Bianor, Antoine-Louis Barye; Caster: F. (Ferdinand) Barbedienne — Theseus Slaying the Centaur Bianor, c. 1850 (modeled, cast c. 1891)
Antoine-Louis Barye; Caster: F. (Ferdinand) Barbedienne

G303

Venice. Church. San Marco. — The Piazza San Marco, Venice, 1881
Pierre Auguste Renoir

G355

Genre. Cubist. Seated man and woman. — Married Life, 1912
Roger de la Fresnaye

G367

Harbor in Italy — Imaginary Landscape, Italian Harbor Scene, 1746
Claude-Joseph Vernet

G307

Landscape with deer — Deer in the Forest, 1868
Gustave Courbet

G321

Mary Magdalene, Attributed to Nikolaus Gerhaerts van Leyden — Mary Magdalene, c. 1460
Attributed to Nikolaus Gerhaerts van Leyden

G342

Landscape. Romantic landscape with large trees, and a bridge suspended between two great rocks. In the foreground groups of figures strolling, talking and riding. This scene painted at the Chateau de Méréville. Park Méréville — The Rustic Bridge, Château de Méréville, France, c. 1785
Hubert Robert

G306

Woman with letter and envelope — The Letter, 1791
Michel Garnier

G306

Seduction — The Poorly Defended Rose, 1789
Michel Garnier

G306

The Smoker, Édouard Manet — The Smoker, 1866
Édouard Manet

G355

cabbage tureen, cover and stand; porcelain in green glaze of verying tones; veining in yellow and green, younger leaves in yellow — Cabbage tureen, cover and stand, before 1754
France

G333

The Englishman at the Moulin Rouge, Henri de Toulouse-Lautrec — The Englishman at the Moulin Rouge, 1892
Henri de Toulouse-Lautrec

Not on View

palm leaves in blues, greens, pink, red, orange and yellow; symbol in purple in LRC — Palm, 1985
Sheila Hicks

Not on View

tapestry; warp undyed wool, 5-6½ ends per cm.; weft dyed wool, 22-26 ends per cm.; tapestry has been cut, and was originally any where from a yard or two wider to over three times its present width — The Falconers, 1435-1445
France

Not on View

Study for the Exposition Universelle / Palais de L'Optique Poster, 1900

Georges Paul Leroux

Not on View

© Arman Studio Archives NY%0D%0AThis work is recorded in the Arman Studio Archives NY under number%3A APA%238013.68.169

Untitled (Tubes of Paint), 1968

Arman (Arman Fernandez)

Not on View

each unit consists of a vertical framed photographic portrait of a child at top center and four rows of three framed horizontal TV snow-like photographic images in tan, grey, or blue, and a set of three bulb sockets above, each socket with one light bulb, with exposed hanging electrical wiring connecting the units together; any number of units can be installed in any configuration, with the maximum number of 22 units available for installation The framed portions of the units consist of: - 22 portraits of children in tin frames, glazed with glass (3 portraits were framed in-house and did not come with borders; an original unframed grey "snow" photo was color photocopied, and the copies were cut into strips to create borders for these portraits per the instructions of curator Patrick Noon--these are labeled on the back of the frames) - 264 total "snow" photographs in tin frames, glazed with glass: - 108 tan - 84 blue - 72 grey Additionally there are: - 3 empty tin frames without glazing (one has an unwelded corner) (ROS, Cab. 6, 4/14/09) - 3 photographic portraits of children in glassine envelope (ROS, Cab. 6, 4/14/09) Consumable components not inventoried include: - 5-watt flat top silver base bulbs (ROS, Cab. 6, 4/14/09) - 5-watt rounded silver base bulbs (ROS, Cab. 6, 4/14/09) - 7-watt rounded silver base bulb (ROS, Cab. 6, 4/14/09) - 15-watt flat top silver base bulbs (ROS, Cab. 6, 4/14/09) - 15-watt rounded elongated gold base bulbs (ROS, Cab. 6, 4/14/09) - 15-watt rounded squat silver base bulbs (ROS, Cab. 6, 4/14/09) - baggie containing European electrical plug and 8-hole electrical junctions (most stamped, "ML-150 S Sato Parts") (ROS, Cab. 6, 4/14/09) - box of brass light bulb sockets (ROS, Cab. 6, 4/14/09) - partial spool on 18/2 gauge black electrical wire (ROS, Cab. 6, 4/14/09) — Monuments (Installation Salle Petriere), 1986
Christian Boltanski

Not on View

standing male nude, looking up to PL, with left arm extended out straight with left hand in a fist; right hand on top of head; PR leg supporting weight and slightly ahead of PL leg, with PL foot turned outward; long curly hair — Standing Male Nude, 1760s-1780s
Nicolas-Bernard Lépicié

Not on View

Still Life with Pascal’s "Pensées", Henri Matisse — Still Life with Pascal’s "Pensées", 1924
Henri Matisse

G351

Love and Friendship (personification and symbolic representations) — The Union of Love and Friendship, c. 1793
Pierre-Paul Prud'hon

G306

Portrait of Dr. Thomas Penrose holding a sketch book, seated on a bank overlooking the Duomo and Palazzo Vecchio, Florence, Italy. — Portrait of Dr. Thomas Penrose, 1798
Louis Gauffier

G306

The Carpet Merchant, Jean-Léon Gérôme — The Carpet Merchant, c. 1887
Jean-Léon Gérôme

G357

Landscape — The Dunes at Camiers, 1871
Charles-François Daubigny

G355

painted and giltwood, plaster, marble and iron — Grand Salon from the Hôtel de la Bouëxière, c. 1735
France

G318

Portrait. Madame Aubry wears an ultramarine blue velvet dress, cloak lined with flowered brocade and a bodice of silver lamé with lace and rose ribbon. Her hand touches a whippet which may have belonged to the artist as it appears in other portraits. Her hair is styled à la Fontanges. She married into a family from Tours and later became the Marquise de Castelnau in the Berry region near Bourges. — Portrait of Catherine Coustard, Marquise of Castelnau, Wife of Charles-Léonor Aubry with Her Son Léonor, c. 1700
Nicolas de Largillière

G308

Saint John the Baptist in the Wilderness in a loin cloth reclining on red drapery under a tree by a stream with his hands clasped with the lamb and the cross by his side. in the clouds above are seven infant Angels' heads — Saint John the Baptist, c. 1755
François Boucher

G308

General Brune, 1763-1815, was commander-in-chief of the army of Italy and of the French forces in Switzerland; in this portrait he wears 'petit uniforme' of a general of an artillery division — Bust of General Guillaume Brune, c. 1800
Joseph Chinard

G310

Bureau de Dame, Jean Gaspard Feilt, kingwood, oak, marquetry, gilded bronze mounts, French XVIII listed on cat. card as Louis XV Lady's Writ- ing Desk; Dims 38-1/4 x 41-1/2 x 23-1/2'; 6/88: a-desk; b-j-drawers; k-l lower drawers; key — Lady’s writing desk, c. 1750
Jean Gaspard Feilt

G314

cast no. 2/10; figure — Large Seated Nude, c. 1923–1925
Henri Matisse

G377

Fauve. London: Church. St. Paul's Cathedral — London: St. Paul's Cathedral seen from the Thames, 1906
André Derain

G371

The Living Room, Balthus (Balthasar Klossowski de Rola) — The Living Room, 1941–1943
Balthus (Balthasar Klossowski de Rola)

Not on View

Louis XV style ormolu-mounted parquetry commode; marble top, in bois satiné with purpleheart borders; the front has two drawers with shallow cupboards at the sides, the mounts with crowned C marks — Commode, c. 1745
attributed to Charles Cressent

G318

plant-husk form with lizard and bumble bee in relief — Pitcher, c. 1900
Attributed to M. Lucien Hirtz

Not on View

triptych, enamel on copper; the center panel holds images of the Madonna and Chld, St. John the Divine, St. Louis and Louise de Bourbon, an Abbess of Fontevrault; the left and right panels each contain an image of a prophet; inscriptions accompany each figure; at the bottom center of central panel is a white plaque, also bearing an inscription and coat of arms — Triptych with the Madonna and Child, saints, and prophets, 1538
Pierre Reymond

G342

made in 1949 for the Metropolitan Museum of Art — Maquette of the Grand Salon of the Hôtel de la Bouexière, 1949
Robert Carlhian

G317

Clock with vestals, Pierre-Philippe Thomire; Manufacturer: Clockworks by Sauvageot — Clock with vestals, c. 1790
Pierre-Philippe Thomire; Manufacturer: Clockworks by Sauvageot

G314

Venus and Adonis, Nicolas Mignard (Mignard d'Avignon) — Venus and Adonis, c. 1650
Nicolas Mignard (Mignard d'Avignon)

G330

Hot water kettle, from a five-piece coffee and tea set, Jean Puiforcat; Maker: Emile Puiforcat Silversmiths — Hot water kettle, from a five-piece coffee and tea set, 1925
Jean Puiforcat; Maker: Emile Puiforcat Silversmiths

G379

Barbizon landscape, northeastern France, Fontainebleau forest — The Crossroads of the Eagle’s Nest, Fontainebleau Forest, 1843-1844
Charles-François Daubigny

G321

View of Tangier, Eugène Delacroix — View of Tangier, 1852-1853
Eugène Delacroix

G357

tall neck with flared rim; short handles at shoulders; red, blue, green, white and gilt decoration of stylized foliage and geometric patterns; spreading foot with blue, red and gilt 'scales' — Two-handled flask, one of a pair, 1872
Philippe-Joseph Brocard

G243

standing female figure holding an apple in her proper left hand — Eve with Apple, c. 1902
Aristide Maillol

G324

crouching female figure with swags of a variety of flowers on an oblong octagonal base — Flora Kneeling, c. 1871
Jean-Baptiste Carpeaux

G324

Wood artist's palette with mixed oil colors. Small scene of deer in forest painted in center. — Palette, 19th century
Rosa Bonheur

Not on View

covered vase, cat. card does not list 'a-b' for vase and lid; white ground, painted with turquoise and gold circle-and-dot pattern (oeil-de-perdrix); the wide decorative bands are adorned with exotic birds and chinoisirie. The subjects and decorative grounds link them to a pair in the collection of Queen Elizabeth thought to have been bought by Marie Antoinette in 1779. The similar oeil-de-perdix of both pairs may be attributed to Vincent Taillandier, who specialized in this type of patterned ground — Covered vase, one of a pair, 1780
Sèvres Porcelain Factory; Decorator: Fallot (birds); Decorator: Charles-Eloi Asselin (figures); Decorator: Vincent Taillandier (ground pattern); Maker: Jean-Claude-Thomas Duplessis (gilt-bronze mounts)

G310

Madonna Enthroned with the Christ Child, marble. — Madonna Enthroned in Majesty with the Christ Child, late 12th century
France

G340

standing male nude; represents man awakening to a fuller comprehension of his physical powers — The Age of Bronze, 1876–77 (plaster model); casting date unknown
Auguste Rodin; Caster: Alex Rudier Fondeur

G355

The Village, Albert Gleizes — The Village, 1913
Albert Gleizes

G367

Portrait of Cleméntine Karr — Portrait of Clémentine (Mrs. Alphonse) Karr, 1845
Henri Lehmann

G357

Orpheus and Eurydice, Maurice Denis — Orpheus and Eurydice, 1910
Maurice Denis

G351

Bagpipes Bagpiper — The Bagpiper, 1910-1911
André Derain

G367

bas-relief; the bronze was cast by Siot-Decauville and bears the number 4 — The Fugitives, modeled c. 1850 (casting date unknown)
Honoré Daumier

G354

Bacchante and Satyr, Jean-Baptiste Auguste Clésinger — Bacchante and Satyr, 1869
Jean-Baptiste Auguste Clésinger

Not on View

Shepherd / shepherdess — Seated Shepherdess, c. 1852
Jean-François Millet

G357

landscape with farm field in foreground, church in background, and low buildings and sheep in middle ground — The Church at Chailly, 1868-1869
Jean-François Millet

Not on View

Part of a series of 12 paintings by Vouet of angels holding symbols of the Passion; other is 69.36.2 — Angels with Attributes of the Passion: Angel Holding the Vessel and Towel for Washing the Hands of Pontius Pilate, 1627
Simon Vouet

G313

The Fugitives, Honoré Daumier — The Fugitives, c. 1868
Honoré Daumier

G354

The right-hand half of a pair of decorations painted by Vuillard for Dr. Vaquez in 1912-1913; shows the junction of the Boulevard Haussmann and Boulevard Malesherbes at the Place St. Augustin as seen from a café at the Rue de la Pépinière — Place Saint-Augustin, 1912-1913
Edouard Vuillard

G355

Portrait of Ursule-Anne Dubuisson, Antoine Pesne; Artist: Previously attributed to Nicolas de Largilliere — Portrait of Ursule-Anne Dubuisson, c. 1710
Antoine Pesne; Artist: Previously attributed to Nicolas de Largilliere

Not on View

Interior — The Sunny Room, c. 1920
Edouard Vuillard

G351

Snow, Boulevard de Clichy, Paris, Paul Signac — Snow, Boulevard de Clichy, Paris, 1886
Paul Signac

G355

Light golden brown patination. After the monument in Dijon, France, commissioned 1852. — Hebe and the Eagle of Jupiter, model c. 1853-55 (casting history and edition size unknown)
François Rude; Caster: Thièbaut Frères

G354

Silenus, Jean-Baptiste-Camille Corot — Silenus, 1838
Jean-Baptiste-Camille Corot

G321

Old base (b) R5A2.1 MS — Psyche Abandoned, c. 1800
Augustin Pajou; Caster: Possibly Pierre-Philippe Thomire

G306

Religion: OT. Moses at a well meets the seven daughters of Jethro — Moses Defending the Daughters of Jethro, 17th century
Sébastien Bourdon

G313

Portrait — Portrait of Charlotte of France, c. 1522
Jean Clouet the Younger

G342

Landscape. Chestnut trees. Impressionism. — Chestnut Trees at Jas de Bouffan, c. 1885-1886
Paul Cézanne

G355

Light yellow interior; short, bulbous body resting on a splaying foot with a flaring wide neck; neck decorated with 3 circular cartouches surrounding horses with crowns on their backs and dark blue pseudo-Islamic text against a light blue ground; white 'text' and foliage on body; floral designs on foot — Vase in the form of a mosque lamp, c. 1870
Joseph-Théodore Deck

G243

Cubist still life. — Table and Fruit, 1909
Fernand Léger

G367

Nabi. Tahiti. Landscape with two females and a dog. — I Raro Te Oviri (Under the Pandanus), 1891
Paul Gauguin

G355

Landscape with cattle — Fontainebleau Oaks, c. 1840
Jules Dupré

G321

Caffieri, 'Portrait Bust of M. De Neuville', marble, French XVIIIc. cat. card dims H. 21' x W. 22'; base to bust stored as well 11-1/4' x 8' x 8' — Portrait Bust of M. de Neuville, Captain of Artillery and Comptroller General, c. 1780
Jean-Jacques Caffieri

G314

La Place du Théâtre Français (Pluie) — Place du Théâtre Français, Paris: Rain, 1898
Camille Pissarro

G351

sketchy portrait of a man with bushy brown hair, small beard and mustache, wearing a dark suit with a white shirt; abstracted foliage in background with bit of sky at UL corner. Painted entirely en plein air. — Portrait of the Artist Alphonse Legros, 1856
Henri Fantin-Latour

G354

Portrait of a Carthusian Monk, Jean Restout II — Portrait of a Carthusian Monk, c. 1715
Jean Restout II

G324

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