🔎 country:"France" | Mia

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lengths of natural linen thread, randomly bound and wrapped with silk, cotton, wool and synthetic threads in orange, yellow, red — Evolving Tapestry: The Principal Wife, Yellow Decked, 1989
Sheila Hicks

Not on View

Sugar bowl with cover, from a five-piece coffee and tea service, Jean Puiforcat — Sugar bowl with cover, from a five-piece coffee and tea service, 1925
Jean Puiforcat

G379

Coffee pot, from a five-piece coffee and tea service, Jean Puiforcat — Coffee pot, from a five-piece coffee and tea service, 1925
Jean Puiforcat

G379

Covered two-handled faience tureen with pierced basket-weave stand; stand decorated with a landscape containing ruins and with insects painted in carmine; border outlined in purple; tureen has four sea-scroll feet; body decorated with landscape containing ruins and with more insects painted in carmine, and with acanthus motif in purple; border of tureen has painted scallop edge; pierced basket-weave lid, outlined in purple, with bunch of chestnuts painted in green and brown serving as finial — Covered tureen with stand, 18th century
France

G324

View of the Colosseum from the Orti Farnesiani — View of the Colosseum from the Orti Farnesiani, 1833
Antoine-Félix Boisselier

G306

crouching female figure with swags of a variety of flowers on an oblong octagonal base — Flora Kneeling, c. 1871
Jean-Baptiste Carpeaux

G324

Hot water kettle, from a five-piece coffee and tea set, Jean Puiforcat; Maker: Emile Puiforcat Silversmiths — Hot water kettle, from a five-piece coffee and tea set, 1925
Jean Puiforcat; Maker: Emile Puiforcat Silversmiths

G379

two goat herders seated on the left bank of a river amidst their flock; classical ruins at left side and background left center on hillside; across river stand two pair of deer under the shadow of a large tree — Pastoral Landscape, 1638
Claude Gellée (called Le Lorrain)

G313

Le Sacre - Portrait of King Louis XVI in Coronation Regalia, Charles-Clément Bervic; Artist: after Antoine-François Callet; Publisher: Chez Bervic — Le Sacre - Portrait of King Louis XVI in Coronation Regalia, 1790
Charles-Clément Bervic; Artist: after Antoine-François Callet; Publisher: Chez Bervic

G103

Bowl on a triangular pedestal — Centerpiece coupé (bowl), c. 1927-1928
M. Desnet; Designer: René Nauny; Manufacturer: La Maison Desny

G379

Hexagonally lobed faience melon ball plate; brown rim; edge contains three groups of flowers in delicate shades of pink, rose and purple typical of Niderviller; center contains a three-dimensional group of green-glazed fruits; marked with monogram of the Comte de Cuisine, the donor of the factory — Melon ball plate, 1770–93
France

G324

covered faience bowl in shape of a melon; vine and leaves forming handle; bottom half is attached to a lobed platter with flowers (rose and tulip at either end) — Covered bowl, c. 1749–60
France

G324

Ceremonial portrait — Marie Antoinette, 1775
Louis-Jacques Cathelin; Artist: after Jean Martial Frédou

G103

Creamer, from a five-piece coffee and tea service, Jean Puiforcat — Creamer, from a five-piece coffee and tea service, 1925
Jean Puiforcat

G379

faience figure of a gardener boy supported by a tree stump and leaning on a shovel; wearing a green coat; holding an apple in his right hand; with a watering can at his feet — Figure, one of a Pair, c. 1800
Niderviller Porcelain Manufactory

G324

Spitting cup with handle; brown decorations on scalloped edge; sprays of flowers scattered over surface; few yellows, primarily blues and reds; blue underglaze — Spitoon, 1749–60
Paul Antoine Hannong

G324

Teapot, from a five-piece coffee and tea service, Jean Puiforcat — Teapot, from a five-piece coffee and tea service, 1925
Jean Puiforcat

G379

faience figure of a woman standing bare-foot on grassy mound in chintz-like peasant clothes; she leans on a tree stump, over her right arm a flower basket and in her left hand a large blossom; refined in shape and painting, these figures are much more delicate than those seen at Strasbourg during the same period — Figurine, one of a pair, 18th century
France

G324

Figure of youth seated on stump of a tree, holding a hurdy-gurdy on crossed legs; colored in reddish brown, blue and green — Figurine, 1740–60
Paul Antoine Hannong

G324

Set of Eight Louis XV Fauteuils, giltwood with detachable cartouche-shaped backs, upholstered arm-rests and serpentine drop-in seats. Backs with broad molded frames edged with scrolls interrupted by foliate sprays and centered by cabochon and cartouche crestings with outscrolled arm-supports, waved seat-rails of undulating outline centered by trefoil cabochon cartouche clasps on molded cabriole legs headed by similar clasps. Four stamped I. Lebas. Six are covered in polychrome gilt ground floral brocade and two are covered in dark green floral patterned velvet. — Armchair, one of eight, after 1756
Jean-Baptiste Lebas (Maître in 1756)

G318

View of Tangier, Eugène Delacroix — View of Tangier, 1852-1853
Eugène Delacroix

G357

Side chair with embossed leather upholstery. Made for the Dining Room at L'Art Nouveau Bing. The front two legs divide into three pieces, one rising to the center front, one to front corner and the third rises to the join of the seat and back leg and then continues visually, curving slightly upward to the top of the back of the chair. The leather upholstery is tooled in a motif of interlacing flowing ribbons. A separate piece of tooled leather covers the join of the seat and the wooden frame. — Side chair, 1900
Eugène Gaillard

G352

One of a set of four arm chairs (fauteuil) with flat sheild shaped backs in carved and gilded wood. Top of back decorated with carved oak leaves, garlands, ribbons, acanthus leaves, interlaces and laurel leaves. Legs with twisted grooves. Traces of old labels and cachets of red wax. Upholstery in yellow silk, blue and cream designs of cupids, animals,leaves and draperies. — Fauteuil, one of a set of four, c. 1785
Jean-Baptiste-Claude Sené

G314

covered vase, cat. card does not list 'a-b' for vase and lid; white ground, painted with turquoise and gold circle-and-dot pattern (oeil-de-perdrix); the wide decorative bands are adorned with exotic birds and chinoisirie. The subjects and decorative grounds link them to a pair in the collection of Queen Elizabeth thought to have been bought by Marie Antoinette in 1779. The similar oeil-de-perdix of both pairs may be attributed to Vincent Taillandier, who specialized in this type of patterned ground — Covered vase, one of a pair, 1780
Sèvres Porcelain Factory; Decorator: Fallot (birds); Decorator: Charles-Eloi Asselin (figures); Decorator: Vincent Taillandier (ground pattern); Maker: Jean-Claude-Thomas Duplessis (gilt-bronze mounts)

G310

Diamond shaped two-handled faience covered tureen with four scroll feet, decorated with polychrome flowers and insects; stylized artichoke finial — Covered tureen, c. 1748–54
France

G324

Set of Eight Louis XV Fauteuils, giltwood with detachable cartouche-shaped backs, upholstered arm-rests and serpentine drop-in seats. Backs with broad molded frames edged with scrolls interrupted by foliate sprays and centered by cabochon and cartouche crestings with outscrolled arm-supports, waved seat-rails of undulating outline centered by trefoil cabochon cartouche clasps on molded cabriole legs headed by similar clasps. Four stamped I. Lebas. Six are covered in polychrome gilt ground floral brocade and two are covered in dark green floral patterned velvet. — Armchair, one of eight, after 1756
Jean-Baptiste Lebas (Maître in 1756)

G318

with arched, padded back within molded frame crisply carved with twin rose blossoms, summer flowers and guilloche, with padded acanthus-carved scroll arms above incurved supports carved as entwined reeded cornucopiae with crisp floral bouquets; the loose cushion seat within molded ancanthus - carved seat rail, on short cabriole legs haeded by paterae and acanthus, ending in scroll toes; upholstered in floral striped silk. — Duchesse d'enfant brisée (child’s day bed), c. 1780
Georges Jacob

G314

triptych, enamel on copper; the center panel holds images of the Madonna and Chld, St. John the Divine, St. Louis and Louise de Bourbon, an Abbess of Fontevrault; the left and right panels each contain an image of a prophet; inscriptions accompany each figure; at the bottom center of central panel is a white plaque, also bearing an inscription and coat of arms — Triptych with the Madonna and Child, saints, and prophets, 1538
Pierre Reymond

G342

painted and giltwood, plaster, marble and iron — Grand Salon from the Hôtel de la Bouëxière, c. 1735
France

G318

Commode, Antione (Pierre-Antoine) Foullet — Commode, c. 1775-1800
Antione (Pierre-Antoine) Foullet

G314

Janus, Max Ernst — Janus, modeled 1973 (cast 1975)
Max Ernst

G376

Venus and Adonis, Nicolas Mignard (Mignard d'Avignon) — Venus and Adonis, c. 1650
Nicolas Mignard (Mignard d'Avignon)

G330

Unsigned — The Choir in the Capuchin Church on the Piazza Barberini, Rome, c. 1815-1830
François-Marius Granet

G305

Barbizon landscape, northeastern France, Fontainebleau forest — The Crossroads of the Eagle’s Nest, Fontainebleau Forest, 1843-1844
Charles-François Daubigny

G321

standing man with outstretched arm wearing elaborate costume with full-length cloak and hat with feather — Study for a Costume of a Civil Official, c. 1792
Jacques-Louis David

G103

The Artist's Daughter, Julie, with her Nanny, Berthe Morisot — The Artist's Daughter, Julie, with her Nanny, c. 1884
Berthe Morisot

G351

Nabi. Landscape in tropical and subtropical region: Tahiti — Tahitian Landscape, 1891
Paul Gauguin

G355

Study for the Assumption of the Virgin, Jean-Baptiste Deshays — Study for the Assumption of the Virgin, 1758
Jean-Baptiste Deshays

G314

Figure; This work was cast posthumously from a terracotta sketch, ca. 1900; casting history and edition size unknown — Dancer Putting on Her Stocking, 19th century
Edgar Degas

G351

Convulsionists of Tangier, Eugène Delacroix — Convulsionists of Tangier, 1837-1838
Eugène Delacroix

G321

Crucifixion of Christ. Expressionism. Religious. — The Crucifixion, early 1920s
Georges Rouault

G377

General Brune, 1763-1815, was commander-in-chief of the army of Italy and of the French forces in Switzerland; in this portrait he wears 'petit uniforme' of a general of an artillery division — Bust of General Guillaume Brune, 1798 - 1804
Joseph Chinard

G103

Corner cabinet (Encoignure), Jean-Chrysotome Stumpff — Corner cabinet (Encoignure), c. 1770–80
Jean-Chrysotome Stumpff

G314

A Torrent at Romagnes, Jean-Baptiste-Camille Corot — A Torrent at Romagnes, after 1862
Jean-Baptiste-Camille Corot

G321

Bureau de Dame, Jean Gaspard Feilt, kingwood, oak, marquetry, gilded bronze mounts, French XVIII listed on cat. card as Louis XV Lady's Writ- ing Desk; Dims 38-1/4 x 41-1/2 x 23-1/2'; 6/88: a-desk; b-j-drawers; k-l lower drawers; key — Lady’s writing desk, c. 1750
Jean Gaspard Feilt

G314

Self-portrait of the artist, three quarter length. — Self-Portrait, 1786
Jean-Laurent Mosnier

G314

Bureau Plat, wood, ormulo mounts, leather top, French XVIIIc Cat. card dims H 32-1/4' x W 76' x 42', Charles Chevalier - furniture maker — Desk, c. 1750
Charles Chevallier

G314

Mother and child seated in field with tree in background and water in foreground. The mother holds an apple in her hand — Temptation, 1880
William-Adolphe Bouguereau

G357

Louis XVI Cabinet (Meuble D'Entre Deux) — Cabinet, c. 1765
Claude Charles Saunier

G314

The Algerian, Charles-Henri-Joseph Cordier — The Algerian, c. 1850-1857
Charles-Henri-Joseph Cordier

G357

'The Three Graces', plaster, French XIXc cat. card dims H 32-1/2 x W 18-1/2'; measurements above of base and sculpture; Base (b) is on R5A3.2 MS — Les Trois Grâces (The Three Graces), c. 1872
Jean-Baptiste Carpeaux

G321

Cast c.1841 after plaster model of 1831. Signed P.Grass (on right side of base). Inscribed 'ICARE. D'apres la statue en bronze detruite en 1870 à Strasbourg' on front edge of base. Foundry mark Eck et Durand (on back of base). — Icarus Making Trial of His Wings, modeled 1831
Philippe Grasse

G321

Old base (b) R5A2.1 MS — Psyche Abandoned, c. 1800
Augustin Pajou; Caster: Possibly Pierre-Philippe Thomire

G306

a. clock; b. wood piece to cover clock bell; c. cupid which surmounts bell; d. wall bracket — Wall clock with bracket, c. 1725
attributed to Charles Cressent; Maker: Abraham Gudin; Maker: Jacques Gudin; Designer: André Charles Boulle

G314

Madonna Enthroned with the Christ Child, marble. — Madonna Enthroned in Majesty with the Christ Child, late 12th century
France

G340

Stouf's representation of the saint shows him standing and looking down at two dead infants at his feet. His facial expression registers his horror at he devastations of the "Fronde"--the civil war of 1648-1653. The resultant life-size statue was the sculptor's first major work. — Saint Vincent de Paul, c. 1787
Jean Baptiste Stouf

G324

The Muses of Music and Poetry, Guillaume Coustou the Younger — The Muses of Music and Poetry, 18th century
Guillaume Coustou the Younger

G103

Bust of Diana, Jean Alexandre Joseph Falguière — Bust of Diana, 19th century
Jean Alexandre Joseph Falguière

G319

Figure standing in flowing robes with dove, round grassy base with tree stump. — Allegorical Figure of Peace, c. 1780
Sèvres Porcelain Factory

G324

Love and Friendship (personification and symbolic representations) — The Union of Love and Friendship, c. 1793
Pierre-Paul Prud'hon

G306

Wheatstack — Grainstack, Sun in the Mist, 1891
Claude Monet

G355

covered vase, cat. card does not list 'a-b' for vase and lid; white ground, painted with turquoise and gold circle-and-dot pattern (oeil-de-perdrix); the wide decorative bands are adorned with exotic birds and chinoisirie. The subjects and decorative grounds link them to a pair in the collection of Queen Elizabeth throught to have been bought by Marie Antoinette in 1779. The similar oeil-de-perdix of both pairs may be attributed to Vincent Taillandier, who specialized in this type of patterned ground — Covered vase, one of a pair, 1780
Sèvres Porcelain Factory

G310

The Carpet Merchant, Jean-Léon Gérôme — The Carpet Merchant, c. 1887
Jean-Léon Gérôme

G243

Trouville environs. Beach (as place of recreation). — Vacationers on the Beach at Trouville, 1864
Eugène-Louis Boudin

G351

study for the figure of Pierre de Wiessant; cast in the Alexis Rudier foundry, Paris Figure — Study for a Burgher of Calais (Pierre de Wiessant), modeled c. 1885 in plaster
Auguste Rodin

G355

building facade with clock face at top; 2 treelike elements in front; details in gold — Tzedakah Box, 19th century
France

G362

Madonna and Child, polychromed limestone, French XIVc. — Virgin and Child, 14th century
France

G340

Figure of a man seated on a tree stump, wearing a yellow-lined blue cape, tied in a knot in front; he holds a black and white spotted dog on his lap — Figurine, c. 1740–60
France

G324

plant-covered boulders in foreground, a large branch or tree has broken off and lays atop the boulders with brown dying leaves toward left background; lush dense forest spotted by birch trees at background. — The Fallen Branch, Fontainebleau, c. 1816
Achille Etna Michallon

G321

teapot, silver; floral repousee chased pear design body with scroll legs, spread falcon finial — Teapot, c. 1860
Jean-François Veyrat

G350

Woman in a Bathtub, 1889 modeled (cast 1920-21) no. 26/C
Edgar Degas

G351

St. Jean de Paris Forest at Fontainebleau — Autumn at St. Jean de Paris, Forest of Fontainebleau, 1846
Théodore Rousseau

G321

Clock, Jean-Antoine Lepine; Painter: Joseph Coteau — Clock, c. 1789
Jean-Antoine Lepine; Painter: Joseph Coteau

G314

saucer, cermaic-porcelain, cup and saucer from a dejeuner, painted with portraits of Louis XVI and Marie Antoinette; the crossed L's in the foliage refer to Louis, and much of the iconography (rings, birds, etc.) refer to a marriage or betrothal — Saucer, 1770–74
Sèvres Porcelain Factory

G324

made in 1949 for the Metropolitan Museum of Art — Maquette of the Grand Salon of the Hôtel de la Bouexière, 1949
Robert Carlhian

G317

Three Women, Fernand Léger — Three Women, 1919
Fernand Léger

G377

Mythology Telemachus Eucharis Mentor Minerva — Telemachus and Eucharis, 1824
Raymond Auguste Quinsac Monvoisin

G310

Saint John the Baptist in the Wilderness in a loin cloth reclining on red drapery under a tree by a stream with his hands clasped with the lamb and the cross by his side. in the clouds above are seven infant Angels' heads — Saint John the Baptist, c. 1755
François Boucher

G308

Louis XV style ormolu-mounted parquetry commode; marble top, in bois satiné with purpleheart borders; the front has two drawers with shallow cupboards at the sides, the mounts with crowned C marks — Commode, c. 1745
attributed to Charles Cressent

G318

Modello or sketch for porte montre (watch stand), c. 1780
France

G314

Portrait. Madame Aubry wears an ultramarine blue velvet dress, cloak lined with flowered brocade and a bodice of silver lamé with lace and rose ribbon. Her hand touches a whippet which may have belonged to the artist as it appears in other portraits. Her hair is styled à la Fontanges. She married into a family from Tours and later became the Marquise de Castelnau in the Berry region near Bourges. — Portrait of Catherine Coustard, Marquise of Castelnau, Wife of Charles-Léonor Aubry with Her Son Léonor, c. 1700
Nicolas de Largillière

G308

Portrait of a woman — Portrait of Countess Maria Theresia Bucquoi, née Parr, 1793
Elisabeth Louise Vigée-Le Brun

G103

Still life with pheasants and plovers laid out on a white tablecloth — Still Life with Pheasants and Plovers, 1879
Claude Monet

G355

Clock with vestals, Pierre-Philippe Thomire; Manufacturer: Clockworks by Sauvageot — Clock with vestals, c. 1790
Pierre-Philippe Thomire; Manufacturer: Clockworks by Sauvageot

G314

Cubist landscape — The Viaduct at L'Estaque, 1907
Georges Braque

G371

Chaire de la Mosquée Mohammed-Ali au Caire, Félix Bonfils — Chaire de la Mosquée Mohammed-Ali au Caire, 19th century
Félix Bonfils

G242

Mythology, The Odyssey, Calypso mourning over Odysseus on isle of Ogygia — Calypso, 1869
Henri Lehmann

G357

Portrait — Portrait of Charlotte of France, c. 1522
Jean Clouet the Younger

G342

View of Mont Blanc, Seen from La Faucille, Théodore Rousseau — View of Mont Blanc, Seen from La Faucille, c. 1865
Théodore Rousseau

G321

Aluminum with adjustable hood vents; ebonite top and foot — Lamp, c. 1927-1930
Jacques Le Chevallier; Artist: Rene Koechlin

G379

Aluminum with adjustable top elements — Lamp, c. 1927-1930
Jacques Le Chevallier; Artist: Rene Koechlin

G379

polished cast-iron with fountain motif; two removable feet; originally backed with a fine wire mesh screen — Firescreen, c. 1923
Edgar Brandt

G379

Still Life with Pascal’s "Pensées", Henri Matisse — Still Life with Pascal’s "Pensées", 1924
Henri Matisse

G351

View of Rome from Monte Pincio, Jean-Baptiste-Camille Corot — View of Rome from Monte Pincio, 1826
Jean-Baptiste-Camille Corot

G321

Pointillism. Landscape. Fishing port. — Port-en-Bessin, 1888
Georges Seurat

G355

Peasant Girl at the Spring, Jean-Baptiste-Camille Corot — Peasant Girl at the Spring, c. 1860-65
Jean-Baptiste-Camille Corot

G354

cast no. 8/10; cast in 1948 — Reclining Nude II, 1927
Henri Matisse

G377

Fauve. London: Church. St. Paul's Cathedral — London: St. Paul's Cathedral seen from the Thames, 1906
André Derain

G371

Daedalus Attaching the Wings to his Son, Icarus, France — Daedalus Attaching the Wings to his Son, Icarus, early 18th century
France

G310

The Smoker, Édouard Manet — The Smoker, 1866
Édouard Manet

G351

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