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stained glass heraldic cartouche, containing the Arms of Sir Anthony Hungerford of Gloustershire impaled with those of his second wife, Dorothy Danvers; the shield is enciricled by a wreath of of blue and yellow foliage with yellow ornaments; Companion to 23.52.1 and contains the Hungerford, Burnell and Bottetort quarterings, impaled with Danvers (argent a bend gules charged with these martlets or, in chief a crescent of the second) in the first and fourth quarters Dauncey (per pale or and argent therr bars bebule gules) in the second and Barendes (gules two bars and in chief as many stags heads cabashed or) in the third — Window with heraldic cartouche, 16th century
England

G325

Yorkshire-type with carved back, top rail and simple cresting; turned legs and stretcher; three stretcher rails restored — Chair, one of a pair, 1650-1699
England

G325

Chair, one of a pair, 17th century

England

G325

balaster form, all members of which are channeled and faceted; engraved triangular bases and scroll feet of iron — Andiron, one of a pair, 16th century
Italy

G325

Table; with carved bulbous legs and inlaid side rails and stretchers — Table, c. 1580-1600
England

G325

tankard, with massive scrolled thumbpiece, device of brewers guild on front, makers mark on handle and Tudor rose inside bottom — Tankard, 18th century
Netherlands

G325

Filler panels above doors (part of Tudor Room), wood, English XVIc stored in strip frame behind MacFarlane Room; An envelope of bits from the room is stored in D11.5 MS. — Tudor room, c. 1600
England

G325

Bench; narrow, of long form type with raked legs. Carved apron — Bench, early 17th century
England

G325

stained glass heraldic cartouche, containing the Arms of Sir Anthony Hungerford of Gloustershire impaled with those of his first wife, Jane Darrell; within a wreath of purple and green foliage with yellow ornaments; on the dexter side of the shield are the arms of Hungerford of Farley (per bend dancette gules and vert, a chevron or), quartered with Hungerford of Heytesbury (sable, two bars and in chief three plates argent) and charged with a crescent argent for cadency; quartered with second- Burnell (argent a Lion rampant sable crowned or, within a boudure azure) and third Bottetort (or a saltire engrailed sable); on the sinister side are the arms of Darrell (azure, a lion rampant or, ducally crowned and charged on the shoulder with a cross bottone fitche' argent) — Window with heraldic cartouche, c. 1545
England

G325

balaster form, all members of which are channeled and faceted; engraved triangular bases and scroll feet of iron — Andiron, one of a pair, 16th century
Italy

G325

Chest, early 18th century

England

G325

Three tiers with carved bulbous supports: upper frieze carved with interlaced strap work; second tier gadrooned; bottom tier channeled; drawers in top and second tier. — Cupboard, c. 1580-1590
England

G325

Wainscot; cresting and side pieces carved with scrolls; back panel lozenge design; bands of chevron inlay, turned legs. — Armchair, c. 1650
England

G325

stained glass heraldic cartouche, containing the Arms of Edward, Prince of Wales, afterwerds King Edward VI (Quarterly France and England, a label of three points argent) within a wreath of green, ruby and purple; the latter that particular shade described as 'murrey', one of the livery colours of Prince Edward — Window with heraldic cartouche, 16th century
England

G325

flagon, tapered cylindrical body with dished lid, slightly domed in center to carry lid-peg, handle with bold outward sweep meets body less than half way down, a characteristic or early German flagons, erect thumbpiece, on front of body an engraved shield with scrolled mantlings bearing initials [H.A.M.S.] and date — Flagon, 1685
Germany

G325

tankard, shallow domed lid and modified ball thumbpiece set on stem, truncated convex base with decorated geometric band in wriggled work, drum ornamentated with leaf sprays and, in front, a set of tools — Tankard, 1865
G325

arm chair, wainscot showing simple paneling with chamfered rails. Initials(?) cut in top rail — Armchair, late 16th century
England

G325

Brocade, velvet, palmette pattern, voided velvet on gold ground — Panel, late 16th century
Turkey

G325

Portrait of a man. Portrait of Robert Devereux, Second Earl of Essex — Portrait of Robert Devereux, Second Earl of Essex, 1599
Studio of Marcus Gheeraerts the Younger

G325

Stool, possibly late 16th century

England

G325

Folding table, 1580-1620

England

G325

Chair, 17th century

England

G325

Carpet, late 19th century

Iran

G325

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