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after Polykleitos, Roman copy of Greek original, the original executed in bronze, c.440 BCE; one of four known extant copies

The Doryphoros, 120–50 BCE

Italy

G240

Shrine head, 12th-14th century

Ancient Yoruba

G250

The inkstand is a replica of the Quirinal Monument in Rome and was made to commemorate its erection during the pontificate of Pius VI. The composition includes an Egyptian obalisk, and four horse tamers that can be swung from their bases on levers to reveal an inkwell and a sandbox; Sphinxes' headdresses conceal candle sockets; one of the drawers contains an assortment of tromp l'oeil engravings; two doves can be made to kiss by means of a lever located in the fountain; the inkstand has a leather carrying case that resembles a medieval fortified town, with gates, battlements and a bell tower.

The Coaci Inkstand, 1792

Vincenzo Coaci

G310

Allegory. Lucretia, portrait of a young woman, seconds after taking her own life, holding knife in right hand, blood-stained chemise, left hand grasps bell cord.

Lucretia, 1666

Rembrandt Harmensz. van Rijn

G311

Landscape of grove of olive trees and their cast shadows in foreground, mountain looms in background, intense sun and dazzling light dominates the sky. No signature.

Olive Trees, 1889

Vincent van Gogh

G355

© The Estate of Francis Bacon. All rights reserved. %2F DACS%2C London %2F ARS%2C NY 2014

Study for Portrait VI, 1953

Francis Bacon

G376

Carved from pale gray-green stone with cloudy white mottling and black and brown rivering throughout, the mountain landscape with high rising peaks and numerous figures and pavillions amid foliage on both sides, with the seal of the Emperor Qianlong above a long inscription on one side, the reverse with a further inscription and a seal, one seal referring to the eightieth year of the Emperor Qianlong,corresponding to the year 1784.

Jade Mountain Illustrating the Gathering of Scholars at the Lanting Pavilion, 1790

China

G210

seated Buddha; gilt and red and blue paint

Seated Avalokiteshvara Bodhisattva (Guanyin), late 11th-early 12th century

China

G200

standing horse with legs slightly splayed outward; wide eyes; open mouth with exposed teeth; upward-pointed ears; green patina with white, blue and red pigment traces

Celestial Horse, 25-220

China

G215

Historical. Death of Germanicus Caesar; he is lying on his death-bed with his wife Agrippina grieving at his bedside.

The Death of Germanicus, 1627

Nicolas Poussin

G313

Portrait.

Self-Portrait with Dr. Arrieta, 1820

Francisco José de Goya y Lucientes

G321

Religion: NT. Purification of the temple. Christ driving the money-changers from the temple with a whip.

Christ Driving the Money Changers from the Temple, c. 1570-75

El Greco (Domenikos Theotokopoulos)

G341

© Artists Rights Society %28ARS%29%2C New York %2F VG Bild-Kunst%2C Bonn

Blind Man's Buff, 1945

Max Beckmann

G371

Portrait Of Frank James

© Chuck Close%2C courtesy PaceWildenstein%2C New York

Frank, 1969

Chuck Close

Not on View
Figure

© The Henry Moore Foundation. All Rights Reserved%2C DACS 2014 %2F www.henry-moore.org

Warrior with Shield, 1953–54

Henry Moore

G371

Carrara marble

Ganymede and the Eagle, 1817–29

Bertel Thorvaldsen

G307

Bowman riding a horse both set on a hollowed spherical support. Radio carbon dated to 945-1235 A.D.

Equestrian figure, about 1450

Djenne

G250

A yogini bearing a jar. One of 19 known sculptures from a set originating in Kanchipuram, Tamil Nadu, India.

Yogini with a jar, early 10th century

India

G211

pendant suspended from a garland of twin rudraksha berries; central gold piece depicting two figures on a bull; one emerald pendant at bottom split during installation, two pieces stored in envelope in A12.3 MS

Rudrakshamala Necklace, early 19th century

G211

Portrait. Mythology. History. Oval.

Portrait of Mlle. Lange as Danae, 1799

Anne-Louis Girodet de Roussy-Trioson

G306

Nkisi Nkonde (nail fetish); a fetish figure in wood; the surface is covered with a variety of accoutrements: nails, reed, shells, bone, wood, string and clay; the 'magic' receptacle in the abdominal area bears a mirror

Power figure, early 20th century

Kongo

G250

tusk, ivory, Benin Culture, Nigeria, Africa, XVIII c.; a rare ivory tusk from the Kingdom of Benin, finely carved with the figures of warriors, serpents, etc.; the inclusion of the carved figure of the Oba or King, represented with its traditional mudfish, instead of legs, denotes that this was one of the Royal tusks which stood in the great bronze heads on the altar of the Oba's ancestors

Tusk, 1775-1777

Edo

G250

© Succession H. Matisse %2F Artists Rights Society %28ARS%29%2C New York

Three Bathers, 1907

Henri Matisse

G371

Neoclassical marble-top table; corresponds exactly to one of the engravings in Piranesi's volume of designs for furniture, I Cammini (1769)

Pier table, c. 1768

Giovanni Battista Piranesi

G307

triangular with clipped corners; stemmed cup with footed base; removable liner; slightly domed cover with three-dimensional finial of male figure wearing lion skin, holding a club aloft, with a three-headed dog held by chains; stem has a satyr in three dimensions seated next to cattails; grape vines twisting behind satyr; Classical themes, hunting and battle scenes and various scrollwork overall in high and low relief

Masterpiece cup and cover, 1746

Johann Friedrich Baer

G350

suit includes helmet with praying mantis maedate (forecrest), menpo (face mask), torso covering, pair of front shoulder medallions that attach to torso covering, pair of large upper arm guards, pair of small shoulder coverings (each with a pin for attachment), pair of gauntlets with arm and hand guards, apron, pair of tsutsu suneate (leg guards), and pair of kote (boot coverings); see Components for descriptions of each piece

Red-and-blue-laced Suit of Armor from the Kii Tokugawa Family, mid 17th century

Suit by Unknown Japanese; Artist: Helmet by Saotome Iechika

Not on View
figure with six heads, arms, and legs astride crouched bull on wood base; metal bands around wrists, some biceps, and most ankles; halo with flames attached at back; two hands of two arms together in praying position, other arms bent and flare outwards. Upper left arm holds long staff, lower one holds implement with "curly q"-shaped end. Upper right arm holds a trident. Lower right arm fingersshaped like it was holding something in hand. Three bottom heads have crystal inlay eyes. Three smaller heads on top considerably smaller.

Daiitoku Myƍƍ, the Wisdom King of Awe-Inspiring Power, second half 13th century

Japan

G220

Impressionist. Brook with a bridge.

The Japanese Bridge, c. 1923-1925

Claude Monet

G377

Genre.

A "Bear" Chance, 1907

Philip R. Goodwin

G301

Three quarter length self-portrait of Francesco de Mura

Self-Portrait, c. 1740

Francesco de Mura

G307

German Expressionism. Genre. Figures in an interior of a house; (nude) human figure - female

Modern Bohemia, 1924

Ernst Ludwig Kirchner

G371

Still life. Neoclassicism.

The Attributes of the Arts and the Rewards Which Are Accorded Them, 1766

Jean-Baptiste-Siméon Chardin

G306

Landscape. Architecture.

The Bronze Horses of San Marco, Venice, 1876

Charles Caryl Coleman

G305

Dutch still life with fruit, foliage, and insects.

Still Life with Fruits, Foliage and Insects, c. 1669

Abraham Mignon

G311

The Cat's Paw, c. 1824

Sir Edwin Henry Landseer

G305

Coffin of Lady Tashat, 945-712 BCE

Ancient Egyptian

G250

Portrait.

Portrait of a Burgomaster, c. 1665–70

Bartholomeus van der Helst and Studio; Artist: Bartholomeus van der Helst

G311

Bust

Portrait of Luca Salvioni, c. 1536

Agostino Zoppo

G340

Religion: NT.

Destruction of the Beast and the False Prophet, 1804

Benjamin West

G321

Three quarter-length portrait of a woman in a blue satin dress with broad flat hat, pulling on her glove.

Portrait of Sarah Allen, née Sargent, c. 1763

John Singleton Copley

G322

Portrait Bust of Pope Clement X, modeled c. 1668 (cast late 17th century)

Circle of Gianlorenzo Bernini

G310

New Testament; three men (Magi) crossing the mountains on a dusty road on camels; camels behind them.

Journey of the Magi, c. 1894

James Tissot

G357

Frank Lloyd Wright Hallway, c. 1912-1914

Frank Lloyd Wright; Maker: Temple Art Glass Company

G300

St. Jerome, c. 1635

Adam Lenckhardt

G341

Portrait. Posthumous mourning portrait of an unknown child.

Portrait of a Boy, 1856

attributed to James B. Read

G304

Alterations made to the painting in the 1920's; composition exists on verso of a woman after her bath.

Dance Training, 1910-11 (altered 1920)

Ernst Ludwig Kirchner

G371

Cast c.1841 after plaster model of 1831. Signed P.Grass (on right side of base). Inscribed 'ICARE. D'apres la statue en bronze detruite en 1870 Ă  Strasbourg' on front edge of base. Foundry mark Eck et Durand (on back of base).

Icarus Making Trial of His Wings, modeled 1831

Philippe Grasse

G321

Still life with meat.

Carcass of Beef, 1925

Chaim Soutine

G377

Madonna and Child, c. 1310

Segna di Buonaventura

G343

low relief carving of a Winged Genius, from the Northwest palace of Ashur-Nasir-Pal at Nimrud; a wide band of inscribed writing crosses the slab in the central section

Winged Genius, c. 883–859 BCE

Assyrian

G240

Library and Rock Garden

The Studio of Gratifying Discourse, 1797

China

G216

Coffin representing a rock lobster with five pairs of jointed limbs, two long antennae, which are hinged, and two paired feelers on top. It is painted a green color with six white and black stripes around the body, orange and white paint at sides, and light-purple painted anntenae. The upper body is covered in spines and has a rough texture.

©1993 Sowah Kwei

Fantasy coffin, 1993

Sowah Kwei

G250

Portrait. George Washington in red drapery, black costume with white frills.

Portrait of George Washington, c. 1820

Thomas Sully

G332

Portrait of a young boy, three quarters view, with a dog

Portrait of James Ward, 1779

Gilbert Stuart

G322

Nude female figure lying on a flowered couch

Nude on a Couch, c. 1880

Gustave Caillebotte

G355

ritual beadwork with face and sixteen birds mounted on the crown; long fringe hangs from crown

Crown, about 1920

Yoruba

G236

gallery installation/"period room"

© Mark Dion Studio

Curator's Office, 2012-2013

Mark Dion

G378

Mandala of colored sand on wood; Yamantaka (Conqueror of Death) is represented at the center by the blue 'vajra'; consists of a series of concentric bands; outermost represents burial grounds with a landscape and animals; moving inward are a circle of flames, a circle of 'vajras' and a circle of lotus petals; these bands circumscribe a quadrangle with gates at the four compass points; innermost square divided into triangular quadrants and an inner circle is divided into nine units containing symbols which represent various deities; attributes of the five senses are depicted in the four outside corners

Yamantaka Mandala, 1991

Monks of the Gyuto Tantric University

G277

silver four-door automobile; front in the style of a Volkswagen with three headlights; sloped back with back central vertical fin and back louvered window; brown leather interior; sunroof

Tatra T87 four-door sedan, 1948 (designed 1936)

Hans Ledwinka; Manufacturer: Ringhoffer-Tatra-Werke AG

G379

Head of a woman with a base, stone on a marble base, size; 26in.; base IRC floor area

Head, 1911–1912

Amedeo Modigliani

G367

Landscape. Urban. Architecture.

© Georgia O%27Keeffe Museum %2F Artists Rights Society %28ARS%29%2C New York

City Night, 1926

Georgia O'Keeffe

G378

drop-front desk with four-legged base; front of base decorated with high-relief carving of sword; exterior of drop-front decorated with high-relief carvings of forks and knives, bottles, gun, various tools (saw, pick axe, trowel, shovel), pocket knives, two pointing hands and other objects; sides also decorated with applied relief carvings of various objects; medium wood patina

Writing desk, c. 1870

Attributed to William Howard

Not on View
rigid open coat, with arms extended and hem of coat trailing on floor; exterior of coat made of horizontal rows of overlapping dog tags; interior of coat made of reflective panels; disassembles into four parts--base consists of three parts and upper body section

© Do-ho Suh

Some/One, 2005

Do Ho Suh

Not on View
Western style coat with outward flaring skirt at bottom; small rectangular flap at back of neck; black, red, tan and light grey geometric painted symmetrical designs; cuffs on sleeves; light-colored hide; no closures

Hunting Coat, c. 1750

Innu (Naskapi)

Not on View
top decorated with symmetrical design with scrolling edges; some cutouts in various shapes (teardrops, circles, quatrefoil, bar) inlaid with gold stamped with repeating circular patterns on front and back of comb; tapering teeth

Hair comb, about 1800

Swahili

G254

vessel with handle, surmounted by female head; opening of vessel is through top of figure's headdress; surface has glossy appearance; dark clay body

Vessel, 1930

Mangbetu

G236

Georgian drawing room, c. 1740

England

G327

Woman with letter and envelope

The Letter, 1791

Michel Garnier

G306

Worship and devotion non-Christian religions

Young Greeks in the Mosque, 1865

Jean-LĂ©on GĂ©rĂŽme

G357

Life of the Virgin Mary ; The Presentation of the Christ Child in the Temple

The Presentation in the Temple, c. 1490–1500

Jacob Jansz.

G342

Seduction

The Poorly Defended Rose, 1789

Michel Garnier

G306

Harbor in Italy

Imaginary Landscape, Italian Harbor Scene, 1746

Claude-Joseph Vernet

G307

Harbor. Pointillism.

Blessing of the Tuna Fleet at Groix, 1923

Paul Signac

G351

© Succession H. Matisse %2F Artists Rights Society %28ARS%29%2C New York

Boy with Butterfly Net, 1907

Henri Matisse

G371

Madonna and Child.

Standing Madonna with Child, c. 1350-1354

Nardo di Cione

G343

© Estate of Pablo Picasso %2F Artists Rights Society %28ARS%29%2C New York

Baboon and Young, 1951

Pablo Picasso

G376

'The Three Graces', plaster, French XIXc cat. card dims H 32-1/2 x W 18-1/2'; measurements above of base and sculpture; Base (b) is on R5A3.2 MS

Les Trois GrĂąces (The Three Graces), c. 1872

Jean-Baptiste Carpeaux

G321

© The Estate of Sir Frank Brangwyn %2F Bridgeman Copyright

Illustration for Canto XI of the 'RubĂĄiyaĂĄt of Omar KhayyĂĄm', c. 1912

Frank William Brangwyn

G334

plant-covered boulders in foreground, a large branch or tree has broken off and lays atop the boulders with brown dying leaves toward left background; lush dense forest spotted by birch trees at background.

The Fallen Branch, Fontainebleau, c. 1816

Achille Etna Michallon

G321

Dutch Golden Age. Interior of a Dutch house. Man in orange descending staircase at right; woman with a plate and small dog standing at center; woman with baskets of asparagus entering door at left; seated woman, sewing, in background.

The Asparagus Vendor, 1675–80

Pieter de Hooch

G309

Cottage on Fire, c. 1786-1787

Joseph Wright of Derby

G306

Copyright of the artist%2C artist%27s estate%2C or assignees

Citwamo Ca Mangu (Throne), 20th century

Moxico School

G250

Seventeenth-century Dutch Marine landscape with fishing boats in a rough sea.

Fishing Vessels Offshore in a Heavy Sea, 1684

Ludolph Backhuysen

G309

Side chair, c. 1903

Frank Lloyd Wright; Maker: John W. Ayers

G300

Portrait Sculpture of Priest Gyƍki, early 17th century

Japan

G220

Tripod effigy vessel, large, with the head of a jaguar in high relief. Two legs, finished at the base of the neck with rigid ring handles formed of the jaguar's front legs, represent the hind legs and are pierced and contain pellets. The third support, in the form of a flattened tail, emerges from the back of the vessel. The jaguar head, an oblong, bib-like area below, the legs, and a wide band at the throat, are painted in polychrome with geometric designs on an orange ground. High polish.

Vessel, c. 1100 - 1200 CE

Guanacaste

G260

figure wears a replica of a heavy stone yoke at waist over skirt with fret motif; necklace; bands of bracelets on left arm; headdress broken at right. On the left knee a nead with round headdress in relief. Hole in right shoulder forms hook from which rattle could be suspended. The mould for front of body is well designed but assembled crudely with the mould for back.; Pinkish white pottery

Figure, c. 600-750 CE

Nopiloa (Veracruz)

G260

2 door frames, 2 pieces of molding, 2 doors, 3 panels, and miscellaneous trim

Queen Anne room, c. 1720-1730

England

G326

standing female figure wearing short pleated yellow skirt, belt with tan disks, silver blouse, red and black bolero jacket, silver shoes, and silver necklace with flower or star pendant; woman has long black hair and wide eyes; body intertwined with one snake, another snake around woman's neck; attached black metal mount

Mami Wata figure, 1950s

Igbo

G250

Enshrined Buddha, c. 1850

Myanmar (Burma)

G213

Providence parlour, c. 1760-1770

United States

G335

Armor, c. 1520

Germany

G340

Filler panels above doors (part of Tudor Room), wood, English XVIc stored in strip frame behind MacFarlane Room; An envelope of bits from the room is stored in D11.5 MS.

Tudor room, c. 1600

England

G325

Wallpaper, 19th century

China

G328

ivory noisemaker; extension carved with flowers and crosshatched designs; plexi stand

Grogger (noise maker), 20th century

Middle East or India

G362

standing horse balancing on three legs; mouth open; short tail pointing up; leaning slightly to proper left

Prancing Horse, 1st-3rd century

China

G215

Woodwork from the interior of Colonel John Stuart's house at 104 Tradd Street, Charleston S.C. Cypress paneling from the drawing room showing doorways and fireplace with elaborate overmantle, showing French influence. The house was built in 1772.

Charleston Drawing Room, 1772

United States

G336

cabbage tureen, cover and stand; porcelain in green glaze of verying tones; veining in yellow and green, younger leaves in yellow

Cabbage tureen, cover and stand, before 1754

France

G333

X-ray of Lady Tashat is at column in Paintings racks in MS

Cartonnage of Lady Tashat, 945-712 BCE

Ancient Egyptian

G250

Large pot with flaring midsection and tapering shoulder; decorated with incised textured half-circles below mouth and band of leaf-like shapes alternating with 4 triangles between 3 textured bands

Beer pot, mid 20th century

Zulu

Not on View

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