Large pot with flaring midsection and tapering shoulder; decorated with incised textured half-circles below mouth and band of leaf-like shapes alternating with 4 triangles between 3 textured bands — Beer pot, Zulu #411

ritual beadwork with face and sixteen birds mounted on the crown; long fringe hangs from crown — Crown, Yoruba #919

vessel with handle, surmounted by female head; opening of vessel is through top of figure's headdress; surface has glossy appearance; dark clay body — Vessel, Mangbetu #433

Large pot with flaring midsection and tapering shoulder; decorated with incised textured half-circles below mouth and band of leaf-like shapes alternating with 4 triangles between 3 textured bands — Beer pot, mid 20th century
Zulu

G236

ritual beadwork with face and sixteen birds mounted on the crown; long fringe hangs from crown — Crown, about 1920
Yoruba

G236

vessel with handle, surmounted by female head; opening of vessel is through top of figure's headdress; surface has glossy appearance; dark clay body — Vessel, 20th century
Mangbetu

G236

salmon-colored terracotta; rounded bottom section with small flat foot; rather long, wide neck with asymmetrical forms with three points; tilted, diagonal wide rim — Vessel, 1985
Magdalene Odundo

G236

skirt, Kuba, woman's woven raffia skirt dyed brown, decorated with linear embroidery and raffia patchwork — Woman's ceremonial skirt, 20th century
Kuba

G236

Tabwa Mask, colored glass beads, feathers, cloth raffia and skin, Zambia late XIX-early XXc. — Mask, second quarter of 20th century
Tabwa

G236

vessel with handle, surmounted by male head; opening of vessel is through top of figure's headdress; surface has glossy appearance; dark clay body — Vessel in the shape of a Male Head, 20th century
Mangbetu

G236

two-pointed blade, straight point at center, curved point at back, two protrusions at back of blade, handle wrapped with cloth and rope — Throwing knife, early 20th century
Ngbaka

G236

Red ground with white blue green yellow brown in geometric patterning; center band has white ground with large and small camels and human figures (?) — Bed cover, 19th century
Tunisia

G236

Beaded Apron (Jocolo), South Africa — Beaded Apron (Jocolo), 20th century
South Africa

G236

various sizes of raffia panels stitched together; applique and embroidery; various shades of brown — Woman's Ceremonial Skirt, 20th century
Kuba

G236

beaded crown; shells and small and large beads; three projections along top; front and sides beaded; center back of hat is plain except along edges; top section with knobs is an added three-dimensional section; lined; beads are red, white, black, yellow and olive — Hat, Date Unknown
Kuba

G236

Whistle is fully beaded with blue, white, and red and is attached to a cloth strap — Whistle, 1940s
Grasslands

G236

rectangular brown pouch; beaded overall with repeating diamond bands in red and white with blue and white horizontal center band and black beads on ground; blue and white beaded bands at top; beaded tassels at bottom of blue, black and white; strap beaded with black, red and white beads; received mounted with Plexi cover — Tobacco pouch, Date Unknown
Xhosa

G236

dark purple, and gold striped agbada with heavy embroidery at neckline and across chest; gold embroidery at UR chest is many lines of design in a large swirled pattern; at center and left side of chest - much solid golden embroidery as well as abstract embroidered areas; horizontal lines of (punched?) holes in center area; vertical lines on holes on open sleeve areas; on back center another large swirled area of golden embroidery; upper body of garment is lined with teal blue fabric which shows through horizontal holes on back and front — Agbada, 20th century
Yoruba

G236

circular body, lower body angled to small circular foot; long neck terminated by a wide flaring mouth; black high gloss glaze; thin wall construction — Reduced Black Piece, 1990
Magdalene Odundo

G236

Round body with rounded bottom; tapering to a narrow, long neck which flares out at the mouth; red body with six incised lines around mouth and two incised lines around shoulder flanking a zigzagged band in brown and tan — Vessel, about 14th century
Djenne

G236

Round-bodied jar with small, short foot; opening for lid has 2 notches; lid has large knob; jar covered overall with rows of protruding nubs; nubs on lid and sides of knob — Jar with lid, mid 20th century
Lobi

G236

Earthenware handled jug, black with incised line designs on top half. — Jug, mid 20th century
Lwena

G236

cream colored ceramic vase with pale green shading at the top and bottom; faux crackling throughout; brown dimensional script throughout; oblong in shape with a thin neck and small opening — White Vase, 2016
Khaled Ben Slimane

G236

medium blue gingham with openwork designs in blue of scrolling S-shapes and squares flanked by pairs of bars; fragments of cloth stitched together — "Pelete bite" lower wrapper, late 19th century
Kalabari

G236

street art style portrait of two boys against orange and black background; boy at L holds head down slightly while looking up toward viewer, wearing a white shirt; boy at L looks outward, wearing red and black shirt; collage of painted, slashed newspaper and paper pulp — Les Winzins de Djamtala 1, 2017
Armand Boua

G236

Throwing knife, late 19th century

Ngbaka

G236

Sickle sword, late 19th century

Benza

G236

Insignia, first quarter of 20th century

Mbole

G236

Sickle knife, early 20th century

Mangbetu

G236

Throwing knife, first half of 20th century

Kota

G236

Insignia, first half of 20th century

Burkina Faso or Côte d’Ivoire

G236

Vessel, mid 20th century

Ga'anda

G236

Insignia, late 19th century

Portugal

G236

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