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after Polykleitos, Roman copy of Greek original, the original executed in bronze, c.440 BCE; one of four known extant copies

The Doryphoros (after Polykleitos), 27 BCE–68 CE

Unknown Roman; Artist: Polykleitos

G241

tusk, ivory, Benin Culture, Nigeria, Africa, XVIII c.; a rare ivory tusk from the Kingdom of Benin, finely carved with the figures of warriors, serpents, etc.; the inclusion of the carved figure of the Oba or King, represented with its traditional mudfish, instead of legs, denotes that this was one of the Royal tusks which stood in the great bronze heads on the altar of the Oba's ancestors

Tusk, 1775-1777

Edo

G250

Portrait.

Portrait of a Burgomaster, c. 1665–70

Bartholomeus van der Helst and Studio; Artist: Bartholomeus van der Helst

G311

Found in a temple near Pondicherry. The figure represents cosmic activity. The significance of the gestures is as follows the drum in the right hand signifies creation; the fire in the upper left hand, destruction; the abaya (fear not) position of the lower right hand, protection; the position of the raised left foot, salvation; the foot placed on the prostrate dwarf, Apasmarapurusa, removal of illusion/ignorance.

Shiva Nataraja (Lord of the Dance), c. 1100

India

G211

Figure

%C2%A9 The Henry Moore Foundation. All Rights Reserved%2C DACS 2014 %2F www.henry-moore.org

Warrior with Shield, 1953–54

Henry Moore

G371

Carrara marble

Ganymede and the Eagle, 1817–29

Bertel Thorvaldsen

G307

Religion: NT. Purification of the temple. Christ driving the money-changers from the temple with a whip.

Christ Driving the Money Changers from the Temple, c. 1570-75

El Greco (Domenikos Theotokopoulos)

G341

Shrine head, 12th-14th century

Ancient Yoruba

G250

Bowman riding a horse both set on a hollowed spherical support. Radio carbon dated to 945-1235 A.D.

Equestrian figure, about 1450

Djenne

G250

Mende Society Mask, wood and raffia, Mende Tribe, Sierra Leone, Africa, XIX c. Msmt.s of helmet only. *Med.Raffia ?- Poss. Human Hair!

Sande mask, second quarter of 20th century

Mende

G254

The inkstand is a replica of the Quirinal Monument in Rome and was made to commemorate its erection during the pontificate of Pius VI. The composition includes an Egyptian obalisk, and four horse tamers that can be swung from their bases on levers to reveal an inkwell and a sandbox; Sphinxes' headdresses conceal candle sockets; one of the drawers contains an assortment of tromp l'oeil engravings; two doves can be made to kiss by means of a lever located in the fountain; the inkstand has a leather carrying case that resembles a medieval fortified town, with gates, battlements and a bell tower.

The Coaci Inkstand, 1792

Vincenzo Coaci

G310

seated Buddha; gilt and red and blue paint

Seated Avalokiteshvara Bodhisattva (Guanyin), late 11th-early 12th century

Unknown

G200

Carved from pale gray-green stone with cloudy white mottling and black and brown rivering throughout, the mountain landscape with high rising peaks and numerous figures and pavillions amid foliage on both sides, with the seal of the Emperor Qianlong above a long inscription on one side, the reverse with a further inscription and a seal, one seal referring to the eightieth year of the Emperor Qianlong,corresponding to the year 1784.

Jade Mountain Illustrating the Gathering of Scholars at the Lanting Pavilion, 1790

China

G210

standing horse with legs slightly splayed outward; wide eyes; open mouth with exposed teeth; upward-pointed ears; green patina with white, blue and red pigment traces

Celestial Horse, 25-220

China

G215

Portrait.

Self-Portrait with Dr. Arrieta, 1820

Francisco José de Goya y Lucientes

G306

Portrait. Mythology. History. Oval.

Portrait of Mlle. Lange as Danae, 1799

Anne-Louis Girodet de Roussy-Trioson

G306

%C2%A9 Artists Rights Society %28ARS%29%2C New York %2F VG Bild-Kunst%2C Bonn

Blind Man's Buff, 1945

Max Beckmann

G371

%C2%A9 The Estate of Francis Bacon. All rights reserved. %2F DACS%2C London %2F ARS%2C NY 2014

Study for Portrait VI, 1953

Francis Bacon

G376

Coffin of Lady Tashat, 945-712 BCE

Ancient Egyptian

G250

Nkisi Nkonde (nail fetish); a fetish figure in wood; the surface is covered with a variety of accoutrements: nails, reed, shells, bone, wood, string and clay; the 'magic' receptacle in the abdominal area bears a mirror

Power figure, early 20th century

Kongo

G250

pendant suspended from a garland of twin rudraksha berries; central gold piece depicting two figures on a bull; one emerald pendant at bottom split during installation, two pieces stored in envelope in A12.3 MS

Rudrakshamala Necklace, early 19th century

G211

Landscape of grove of olive trees and their cast shadows in foreground, mountain looms in background, intense sun and dazzling light dominates the sky. No signature.

Olive Trees, 1889

Vincent van Gogh

G355

Allegory. Lucretia, portrait of a young woman, seconds after taking her own life, holding knife in right hand, blood-stained chemise, left hand grasps bell cord.

Lucretia, 1666

Rembrandt van Rijn

G311

Leopard Aquamanile, Bronze, Benin Culture, Africa, XVIIc; covered with incised spots and smnall punch marks. Rare example.

Water pitcher, 18th century

Edo

G250

Portrait of a woman. Dutch golden age. A lady about thirty-four years of age with her fair hair in curls, stands full length at her toilet table, almost facing the spectator. She has a book in one hand and holds up her skirt with the other. She wears a light blue satin dress embroidered with gold lace. On the table, which is covered with a Turkey carpet, are a mirror, a silver box, and a candlestick. A spaniel frisks at her feet.

Portrait of Lucia Wijbrants, 1667

Gabriël Metsu

G309

Historical. Death of Germanicus Caesar; he is lying on his death-bed with his wife Agrippina grieving at his bedside.

The Death of Germanicus, 1627

Nicolas Poussin

G313

Gourd-shaped with lid; spade-shaped protrusion with opening on top of ewer handle; top of curl on lid handle is gilded; has lidded wooden box

Ewer in the shape of a gourd, 12th century

Unknown Korean

G206

Bowl, polychromed. King seated on a throne with two personages; to left and right of throne two angels; two birds below. Eight figures seated around throne.

Bowl Depicting a Seated King with Attendants, c. 1180-1220

Iran

G243

Bowl, overglaze painted ware; mounted ladies

Bowl Depicting Ladies on Horseback, c.1180-1220

Iran

G243

Ewer, white with gold luster decoration. On body seated figures separated by polygons. Arabesques on neck.

Ewer (water pitcher), late 12th-early 13th century, before 1220

Iran

G243

possibly a cast of the bozzetto of the larger sculpture modeled by Giovanni Bologna for a statue at the Medici Villa of Castello, outside Florence; base is of a later date

Florence or Venus, first half of the 17th century

Italy

G310

Enshrined Buddha, c. 1850

Myanmar (Burma)

G213

Library and Rock Garden

The Studio of Gratifying Discourse, 1797

Unknown

G216

Bust of Diana, 19th century

Jean Alexandre Joseph FalguiĂšre

G319

Genre. Cubist. Seated man and woman.

Married Life, 1912

Roger de la Fresnaye

G367

standing male nude; represents man awakening to a fuller comprehension of his physical powers

The Age of Bronze, 1876–77 (plaster model); casting date unknown

Auguste Rodin; Caster: Alex Rudier Fondeur

G355

The Fugitives, c. 1868–70

Honoré Daumier

G354

German Expressionism. Genre. Figures in an interior of a house; (nude) human figure - female

Modern Bohemia, 1924

Ernst Ludwig Kirchner

G371

Madonna and Child, probably between 1500 and 1504

Giovanni Battista Cima da Conegliano

G343

%C2%A9 Estate of Pablo Picasso %2F Artists Rights Society %28ARS%29%2C New York

Baboon and Young, 1951

Pablo Picasso

G376

Figure

The Tiber Muse, 2nd-1st century BCE

Graeco-Roman

G241

standing figure with arms bent at elbows, PL forearm slightly lower than PR forearm; unfinished back; looping drapery folds

Standing Shakyamuni Buddha, late 6th century

China

G207

bas-relief; the bronze was cast by Siot-Decauville and bears the number 4

The Fugitives, modeled c. 1850 (casting date unknown)

Honoré Daumier

G354

Black-figured amphorah, used for carrying wine or oil; the front side depicts a quadriga with Poseidon, Amphitrite, another unidentified goddess, and heroenes; on the reverse and around warrior appears to be leaving for battle, with his wife and son bidding him farewell

Black-Figure Neck Amphora, c. 540 BCE

Attributed to the Painter of Vatican 359

G241

One of a pair of marriage portraits (see 57.10)

Portrait of Moritz Buchner, c. 1520

Lucas Cranach the Elder

G342

Ptolomaic Period. Torso, inscribed later with the titles of Roman Emperor Commodus (reigned: 180-192 A.D.) inscription of left side.

Striding figure, 300-30 BCE

Ancient Egyptian

G250

Landscape with cattle

Fontainebleau Oaks, c. 1840

Jules Dupré

G321

figure

The Avenger, modeled 1914, cast 1923

Ernst Barlach

G371

Providence parlour, c. 1760-1770

United States

G335

Bagpipes Bagpiper

%C2%A9 Artists Rights Society %28ARS%29%2C New York %2F ADAGP%2C Paris

The Bagpiper, 1910-1911

André Derain

G367

Impressionist. Brook with a bridge.

The Japanese Bridge, c. 1923-1925

Claude Monet

G377

Snow, Boulevard de Clichy, Paris, 1886

Paul Signac

G351

Armor, c. 1520

Germany

G340

Filler panels above doors (part of Tudor Room), wood, English XVIc stored in strip frame behind MacFarlane Room; An envelope of bits from the room is stored in D11.5 MS.

Tudor room, c. 1600

England

G325

The right-hand half of a pair of decorations painted by Vuillard for Dr. Vaquez in 1912-1913; shows the junction of the Boulevard Haussmann and Boulevard Malesherbes at the Place St. Augustin as seen from a café at the Rue de la PépiniÚre

Place Saint-Augustin, 1912-1913

Edouard Vuillard

G355

Interior

The Sunny Room, c. 1920

Edouard Vuillard

G351

Fauve. London: Church. St. Paul's Cathedral

%C2%A9 Artists Rights Society %28ARS%29%2C New York %2F ADAGP%2C Paris

London: St. Paul's Cathedral seen from the Thames, 1906

André Derain

G371

Landscape depicting the ruins of the Temple of Vespasian.

Roman Landscape with Cattle and Shepherds, 1676

Johann Heinrich Roos

G309

Religious. New Testament. Jesus Christ seated wearing a crown of thorns, meditating quietly on the Passion. Cross building tools are on the floor surrounding him (hammer, awl, nails and broom).

Man of Sorrows, c. 1560

Luis de Morales (called El Divino)

G341

Georgian drawing room, c. 1740

England

G327

Three quarter length self-portrait of Francesco de Mura

Self-Portrait, c. 1740

Francesco de Mura

G307

Pair of "chrysanthemum" Candelabra, 1891-1902

Charles T. Grosjean; Maker: Tiffany & Co.

G350

Seascape. German Expressionism.

%C2%A9 Nolde Stiftung Seeb%C3%BCll

Evening Glow, 1915

Emil Nolde (born Emil Hansen)

G377

Worship and devotion non-Christian religions

Young Greeks in the Mosque, 1865

Jean-LĂ©on GĂ©rĂŽme

G357

Abstraction. 63.14.1 ter is on P49B MS(old frame)

%C2%A9 The Arshile Gorky Foundation %2F Artists Rights Society %28ARS%29%2C New York

Composition, 1936-39

Arshile Gorky

G376

Portrait of Cardinal Pietro Maria Borghese

Portrait of Cardinal Pietro Maria Borghese, late 1620s–early 1630s

Pietro da Cortona (Pietro Berrettini)

G313

Harbor in Italy

Imaginary Landscape, Italian Harbor Scene, 1746

Claude-Joseph Vernet

G307

Figure

%C2%A9 Estate of Sir Jacob Epstein

Female Figure, 1913

Sir Jacob Epstein

G367

Study for Improvisation V, 1910

Vassily Kandinsky

G371

Holy Trinity and Purgatory

The Trinity with Souls in Purgatory, early 1740s

Corrado Giaquinto

G308

Life of the Virgin Mary ; The Presentation of the Christ Child in the Temple

The Presentation in the Temple, c. 1490–1500

Jacob Jansz.

G342

Coat of Arms at right identified as that of Kuetraffer family of Regensburg, identification of the young girl not obtained.

Portrait of a Girl, 1547

Georg Pencz

G342

Madonna and Child.

Standing Madonna with Child, c. 1350-1354

Nardo di Cione

G343

Ptolemaic Ruler in the Guise of Hercules, 2nd century BCE

Graeco-Egyptian

G241

Landscape. Tohickon Creek, Pennsylvania.

A Scene on the Tohickon Creek: Autumn, 1868

Thomas Moran

G323

Abstract.

Tahkt-I-Sulayman Variation II%2C 1969 %C2%A9 Frank Stella %2F Artists Rights Society %28ARS%29%2C New York

Tahkt-I-Sulayman Variation II, 1969

Frank Stella

G235

Light golden brown patination. After the monument in Dijon, France, commissioned 1852.

Hebe and the Eagle of Jupiter, model c. 1853-55 (casting history and edition size unknown)

François Rude; Caster: ThiÚbaut FrÚres

G354

Part of a series of 12 paintings by Vouet of angels holding symbols of the Passion; other is 69.36.2

Angels with Attributes of the Passion: Angel Holding the Vessel and Towel for Washing the Hands of Pontius Pilate, 1627

Simon Vouet

G313

A wounded officer lying on his couch, at the head of which is seated his wife. An Irish wolfhound is also lying curled up on the sofa. Arched top.

Peace Concluded, 1856

Sir John Everett Millais

G357

model of Frank Lloyd Wright designed house; 3 short flights up a small hill on one long side; semicircular porch on same side; large, sprawling floor plan

%C2%A9 David Swanson%2C Construct Studios

Architectural model, 1998-1999

Construct Studios (David Swanson); Architect: Frank Lloyd Wright

G300

triangular fragment decorated with rust-red and dark brown geometric stamps in 4 repeated rows on 2 sides; beige ground

Tapa Cloth, 1800-1825

United States

G256

New Testament; three men (Magi) crossing the mountains on a dusty road on camels; camels behind them.

Journey of the Magi, c. 1894

James Tissot

G357

sketchy portrait of a man with bushy brown hair, small beard and mustache, wearing a dark suit with a white shirt; abstracted foliage in background with bit of sky at UL corner. Painted entirely en plein air.

Portrait of the Artist Alphonse Legros, 1856

Henri Fantin-Latour

G354

figure, called Moai-Kava-Kava; toromiro wood

Moai Kavakava, 18th century

Rapa Nui (Easter Island)

G256

Mask, 19th century

Guro

G250

One of a pair; see 73.11.1; near view, has conversation group;

View of a Town House Garden in The Hague, 1775

Paulus Constantijn la Fargue

G314

Frank Lloyd Wright Hallway, c. 1912-1914

Frank Lloyd Wright; Maker: Temple Art Glass Company

G300

Silenus, 1838

Jean-Baptiste-Camille Corot

G321

Holy Family, 1613

Luis TristĂĄn

G341

Old base (b) R5A2.1 MS

Psyche Abandoned, c. 1800

Augustin Pajou; Caster: Possibly Pierre-Philippe Thomire

G306

bust-length profile of a man, carved in relief, with curly hair and a curly beard

Relief-carved Fragment from Persepolis, 486-465 BCE

Persian

G241

doll, cloth with leather moccasins, two beaded shoulder bags, one containing wood arrows in a quiver, doll has human hair.

Doll, c. 1900

Anishinaabe (Ojibwe)

G260

Light yellow interior; short, bulbous body resting on a splaying foot with a flaring wide neck; neck decorated with 3 circular cartouches surrounding horses with crowns on their backs and dark blue pseudo-Islamic text against a light blue ground; white 'text' and foliage on body; floral designs on foot

Vase in the form of a mosque lamp, c. 1870

Joseph-Théodore Deck

G243

Cast c.1841 after plaster model of 1831. Signed P.Grass (on right side of base). Inscribed 'ICARE. D'apres la statue en bronze detruite en 1870 Ă  Strasbourg' on front edge of base. Foundry mark Eck et Durand (on back of base).

Icarus Making Trial of His Wings, modeled 1831

Philippe Grasse

G321

'The Three Graces', plaster, French XIXc cat. card dims H 32-1/2 x W 18-1/2'; measurements above of base and sculpture; Base (b) is on R5A3.2 MS

Les Trois GrĂąces (The Three Graces), c. 1872

Jean-Baptiste Carpeaux

G321

Arched top. The Madonna, in a gold and blue mantle over a red and gold brocade robe, seated on a throne in Renaissance style holding the infant Christ who stands on her knee, an apple in his hand; at the foot of the throne, pinks in a vase, apples, and marrows.

Madonna and Child Enthroned, c. 1490

Nicola di Maestro Antonio (di Ancona)

G343

silver gilt, separates into five parts; fluted foot and bowl with four panels embossed with scenes of the life of the emperor Caligula and capped with a cast and chased figure of Emperor Augustus

Tazza, c. 1587–1599

Unknown Netherlandish?

G350

Saint John the Baptist in the Wilderness in a loin cloth reclining on red drapery under a tree by a stream with his hands clasped with the lamb and the cross by his side. in the clouds above are seven infant Angels' heads

Saint John the Baptist, c. 1755

François Boucher

G308

lacquered and giltwood, gilt bronze mounts; writing desk and chest-of-drawers which opens

Writing desk, c. 1760

Italy

G308

painting on white ground

Standing Deity Holding Horn and Bucket, 1st century

Roman

G241

Bureau de Dame, Jean Gaspard Feilt, kingwood, oak, marquetry, gilded bronze mounts, French XVIII listed on cat. card as Louis XV Lady's Writ- ing Desk; Dims 38-1/4 x 41-1/2 x 23-1/2'; 6/88: a-desk; b-j-drawers; k-l lower drawers; key

Lady’s writing desk, c. 1750

Jean Gaspard Feilt

G314

marquetry

Center table, c. 1680

Hans Daniel Sommer

G312

Clock with vestals, c. 1790

Pierre-Philippe Thomire; Manufacturer: Clockworks by Sauvageot

G314

Dutch Golden Age. Interior of a Dutch house. Man in orange descending staircase at right; woman with a plate and small dog standing at center; woman with baskets of asparagus entering door at left; seated woman, sewing, in background.

The Asparagus Vendor, 1675–80

Pieter de Hooch

G309

multi-colored leaded glass with geometric design; multi-colored rectangular design bordered by off-white bands at top and bottom

Skylight panel from a set of six, 1913

William Gray Purcell; Designer: George Grant Elmslie; Manufacturer: Mosaic Art Shops (E.L. Sharretts)

G300

The Cat's Paw, c. 1824

Sir Edwin Henry Landseer

G305

Yellow and orange glass; red and yellow neon tubing

%C2%A9 2019 Chihuly Studios %2F Artists Rights Society %28ARS%29%2C New York

Sunburst, 1999

Dale Chihuly

G100

Seventeenth-century Dutch Marine landscape with fishing boats in a rough sea.

Fishing Vessels Offshore in a Heavy Sea, 1684

Ludolph Backhuysen

G309

classical vase form; on square base with fluted pedestal feet; cast coat of arms; decorated with putti amidst scrolling grapevine; collars engraved on each side with two crests (dragon and lion) Description (consistent for each cooler): Classical vase form; on square base with fluted pedestal feet; cast coat of arms; decorated with putti amidst scrolling grapevine; collars engraved on each side with two crests (dragon and lion). Coat of arms: those of Sawbridge-Erle-Drax with Grosvenoer in pretence, probably for Johan Samuel Wanley Sawbridge of Olantigh Towers, Kent, Holnest House, Co. Dorset, and Ellerton Abbey, Co. York (1800-1887). He married in 1827 Jane Frances, sister and sole heiress of her brother Richerd Erle-Drax-Grosvenor, M.P., of Charlborough Park, Dorset (dd. 1828). By 1853, Burke's Visitations of Seats and Arms, vol. 2, records this latter house as the seat of John Samuel Wanley Erle-Drax, M.P., Captain of the East Kent Militia. Stamps/Inscriptions/Stickers: 1a-c) - D. ELLIS LONDON FECIT - stamped, on front of base; - SH2097 - incised on bottom of base; - A501/091 - in black, on bottom of base; - EEBJW - and three stamps near top of liner; - 2 - etched three times on bottom of removable liner. 2a-c) - D.ELLIS FECIT - stamped, on front of base; - SH2097 - incised on bottom of base; - A501/ - and illegible numbers in black, on bottom of base; - EEBJW - and three stamps near top of liner and side of collar; - A501/692 - in black, on bottom of removable liner. 3a-c) - D.ELLIS LONDON FECIT - stamped, on front of base; - SH2097 - incised on bottom of base; - A501/693 - in black, on bottom of base, bottom of liner and bottom of collar; - M209810 1(4) - on sticker on bottom of base; - EEBJW - and three stamps near top of liner and side of collar. 4a-c) - D.ELLIS FECIT - stamped, on front of base; - SH2097 - incised on bottom of base; - M209810 1(4) - sticker on bottom of base; - A501/691 - in black, on bottom of base, liner and collar; - EEBJW - and three stamps near top of liner and

Set of four wine coolers, 1828

Edward, Edward, James, and Barnard (a.k.a. Edward Barnard & Sons); Retailer: David Ellis

G350

Courtly procession on a tree-lined road, moated castle in left distance. Large coulisse tree in left foreground, open hillside before woods beyond at right. Man in center foreground standing on his head. The work depicts Margaretha van Mechelen riding out with Prince Maurits near Abspoel House in the vicinity of Oegstgeest.

Courtly Procession before Abstpoel Castle, 1619

Esaias van de Velde I

G312

Seated figure, resting PR elbow on raised PR knee, PL leg bent and on ground and PL arm behind, hand resting on ground; wearing bracelets, long necklaces and elaborate crown

Avalokiteshvara Bodhisattva in the Water-Moon Form (Shuiyue Guanyin), 12th century

China

G200

Door Panel, Mamluk dynasty, wood carved with geometric and arabesque patterns, inlaid with ivory. Panel has modern mount and is set in seperate base which has four small decorative wood panels inset. Remounted 1984.

Door Panel, 14th century

Egypt

G242

seventeenth-century Dutch landscape

River Landscape with the Pellecussen Gate near Utrecht, 1648

Jan van Goyen

G311

Dutch and English battle at sea

The Four Days’ Battle, 1666

Abraham Storck

G309

three panels of façade inlaid with designs of Nonesuch Palace, upper and lower portions with dormer windows of the same; panels framed by bead-and-real border; three drawers in lower portion; hardware of iron

Chest, c. 1590-1610

England

G310

%C2%A9 Salvador Dali%2C Gala-Salvador Dali Foundation %2F Artists Rights Society %28ARS%29%2C New York

Portrait of Juan de Pareja, the Assistant to VelĂĄzquez, 1960

Salvador Dali; Depicted: Juan de Pareja

G376

Cottage on Fire, c. 1786-1787

Joseph Wright of Derby

G306

Woman with a basket containing a large fish and a stingray presenting them to a man on a white horse with a dog; rocky coastal scene with boats at left.

Selling Fish, 1792

George Morland

G306

Side chair, c. 1903

Frank Lloyd Wright; Maker: John W. Ayers

G300

Arm Chair, Palagio Pelagi, Italian, XIXc cat. card dims 42-1/4 x 26-1/2 x 22' reupholstered in 1993-1994; see file for details

Armchair from a pair of armchairs, 1835

Filippo Pelagio Palagi; Maker: Gabrielle Capello ("Monclavo"); Maker: Carlo Chiavasse

G324

life-size carved statue of a bearded votary; In the archaic Cypriote style. The features show the mixed oriental style transformed by Hellenic influence; His head bears a wreath of leaves and berries permitting rows of small curls to frame his forehead. The beard is rendered in four stiff rows of curls. The skin tight tunic has no pleats, and the cloak which falls from the left shoulder is thrown over the left arm. Beard slightly defective. strong frontality and Greek 'archaic' smile

Votary Figure, c. 470 BCE

Ancient Greek

G241

Frame Dutch, mid-XVII century, bolection profile in ebonized fruitwood with sight wave mouldings, ripple-and-reed panel and border mouldings, accessioned for use on Dou, 88.50.1.

A Hermit Praying, 1670

Gerrit Dou

G309

Venus and Adonis, c. 1650

Nicolas Mignard (Mignard d'Avignon)

G330

Madonna and Child, c. 1310

Segna di Buonaventura

G343

Copyright of the artist%2C artist%27s estate%2C or assignees

Citwamo Ca Mangu (Throne), 20th century

Moxico School

G250

palanquin hardware, bronze

Palanquin Hooks, 12th-13th century

Khmer

G213

Armchair, c. 1912

George Washington Maher

G300

Dims of vase(a) only, 'b' stored in D12.10 MS

Vase, c. 1758

Chelsea Porcelain Manufactory

G310

Chief's chair, 19th century

Asante

G250

Mortuary figures, pair of, representing warriors both wear armor, with curious head-dresses, and one carries a sword-like object. Four of these figures were found at the entrance of a tomb in Honan province. Two bought by M.I.A., and two by the Boston Museum of Fine Arts. They are fashioned of polychromed pottery of the greyish cast associated with Wei. Traces of faded terra cotta color remain. These are unusually large tomb figures.

Tomb Guardian Figures, early 6th century

China

G208

Nude seated female figure with child in lap. Band above figure's breats. Wearing a necklace with six teeth and a coiled bead. Fiber band around base.

Figure, 20th century

Yombe

G250

Madonna and Child. No signature or markings.

Virgin and Child in a Landscape, c. 1492–98

possibly Master of the Madonna Grog; Artist: possibly Aert van den Bossche; Artist: formerly Master of the Embroidered Foliage

G342

Two glazed doors separated by a central panel decorated with a stylized floral motif in marquetry of various colored woods inlaid with mother-of-pearl and abalone shell, the brass door handles with circular enamelled plaques; original finish intact; fitted with green velvet interior; arrived with key

Display cabinet, c. 1898

E. A. (Ernest Archibald) Taylor

G378

octagonal box with lid; lid carved with central circle surrounded by 4 C-scrolls and 4 concentric bands of tixi scrolls; box decorated with rolls of same scrolls; black interior

Octagonal Box, 15th century

China

G210

Barbizon landscape, northeastern France, Fontainebleau forest

The Crossroads of the Eagle’s Nest, Fontainebleau Forest, 1843-1844

Charles-François Daubigny

G321

Three figures as a support for a round top. PL figure is holding drum, center figure is on a horse and PR is female with a child on her back. Figures on irregularly shaped base.

Divination tray, mid 20th century

Yoruba

G254

the nude boy shown crouching in an almost horizontal position, holding a bird in his left hand, the chubby face with simply carved features and the hair pulled back in double knots; carved from greenish white stone. Former Classification: Jade

Pillow, 17th-18th century

China

G218

Landscape.

Catskill Mountain House, 1855

Jasper Francis Cropsey

G323

Kapkap tortoise shell, giant clam

Kapkap, 19th century

Solomon Islands

G256

face-covering helmet with back and sides curled upward; vertical opening at center from eye holes through bottom; organic design on forehead; curving eyebrows, connected at center

Corinthian helmet, c. 540 BCE

Unknown Greek

G241

View of Tangier, 1852-1853

EugĂšne Delacroix

G357

base with iridescent light green glaze and 2 animals, one standing on the back of the other; long post topped with openwork bird finial; 4 long branches at top: 3 depict figures dancing and holding objects and a figure under a canopy on top of branch and figures and radiating coins below branch; one depicts same scene except an animal replaces the figure under canopy; 20 rectangular branches, 19 with figures, horses, deer and figure under canopy with coins sprouting from branches; one with same scene except animal and figure(?) replace figure under canopy; 40 small branches with 3 radiating coins; pendant of monkey with a coin

Money Tree, 1st-2nd century

China

G201

Side chair, one of four, c. 1914

William Gray Purcell; Designer: George Grant Elmslie; Manufacturer: John S. Bradstreet and Company

G300

crouching female figure with swags of a variety of flowers on an oblong octagonal base

Flora Kneeling, c. 1871

Jean-Baptiste Carpeaux

G324

Hot water kettle, from a five-piece coffee and tea set, 1925

Jean Puiforcat; Maker: Emile Puiforcat Silversmiths

G379

Cosmetic Case and Mirror Stand, early 17th century

China

G218

Slab built and modeled, rectangular courtyard surrounded by a tile roofed wall; seperate elements are a pigsty, boar, round food dish, rectangular food dish, seated figure, bird, dog, suckling pig, four piglets.

Funerary Model of a Pig Sty, 2nd century BCE

China

G215

vessel with handle, surmounted by female head; opening of vessel is through top of figure's headdress; surface has glossy appearance; dark clay body

Vessel, 1930

Mangbetu

G236

Bowl, Seljuk dynasty, light creamy earthenware, covered with a thick coat of opaque white tin enamel. Funnel-shaped, with straight standing rim, slightly ridged on outside where it is decorated with Cufic characters in black. Low raised foot. Inside of rim decorated with conventionalized band of Cufic characters in gold, blue and red. Medallion in center of bowl shows three figures in blue and gold garments; this medallion is surrounded by ten smaller figures, eahc in a separate 'niche', and above this is a row of sixteen still smaller figures. All figures shown with gold nimbus. Mended; has been broken in many pieces. Saveh excavation.

Bowl with Courtly Scene, c. 1180-1220

Iran

G243

Molded; central reclining nude figure with five nude children behind

Fecundity dish, c. 1650-1660

England

G332

Landscape. Romantic landscape with large trees, and a bridge suspended between two great rocks. In the foreground groups of figures strolling, talking and riding. This scene painted at the Chateau de Méréville. Park Méréville

The Rustic Bridge, Chùteau de Méréville, France, c. 1785

Hubert Robert

G306

polychrome wood statue of a Confucian scholar standing, holding a book (?) downward at waist toward the viewer, wearing a long flowing blue robe, red waisted skirt with black belt and a black hat

Attendant to a King of Hell, 19th century

Unknown Korean

G206

dark brown in color; square mouth piece cut from rim of smaller end; five holes at top, three at underside

Vertical flute, c. 1800

China

G216

Bust

Portrait of Luca Salvioni, c. 1536

Agostino Zoppo

G340

Landscape with deer

Deer in the Forest, 1868

Gustave Courbet

G321

husband and wife seated on a lotus in the pose of royal ease and intimacy with bull and tiger underfoot; symmetrical architectural backdrop with large central disc behind heads of main figures

Uma-Maheshvara, 10th-11th century

India

G211

Mary Magdalene, c. 1460

Attributed to Nikolaus Gerhaerts van Leyden

G342

Portrait

Portrait of Charlotte of France, c. 1522

Jean Clouet the Younger

G342

rectangular body with rounded corners on a slightly smaller base; round speaker with yellow dial below; three chrome knobs and chrome accented handles

Model AC74C radio, 1933

Serge (Sergius) Ivan Chermayeff; Manufacturer: Ecko Works, E. K. Cole, Ltd.

G379

standing horse balancing on three legs; mouth open; short tail pointing up; leaning slightly to proper left

Prancing Horse, 1st-3rd century

China

G215

copper vase, original patina

Weed holder, c. 1895-1900

Frank Lloyd Wright; Maker: James A. Miller & Brothers

G300

buttress vessel form shape #416; for 'Teco' ware line

Monumental vase, c. 1905-1910

William Day Gates; Manufacturer: American Terra Cotta and Ceramic Company

G378

plant-covered boulders in foreground, a large branch or tree has broken off and lays atop the boulders with brown dying leaves toward left background; lush dense forest spotted by birch trees at background.

The Fallen Branch, Fontainebleau, c. 1816

Achille Etna Michallon

G321

large door; carved jambs, lintel and central post on door; two complete rows remaining of large iron fasteners on door surface; only two remain in lower row; iron chain, plate and securing pin at top right center of door; four pins along center post on door

Door, mid 19th century

Swahili

G242

carved wood cup with straight handle; rounded cup has beaver and canoe carved on bottom; tapering two-part handle carved with scroll at end and rows of triangles

Belt Cup, c. 1830

Wendat (Huron)

G260