🔎 artworks with related Audio stops | Mia

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standing horse with legs slightly splayed outward; wide eyes; open mouth with exposed teeth; upward-pointed ears; green patina with white, blue and red pigment traces — Celestial Horse, 25-220
China

G215

Portrait. Mythology. History. Oval. — Portrait of Mlle. Lange as Danae, 1799
Anne-Louis Girodet de Roussy-Trioson

G306

Allegory. Lucretia, portrait of a young woman, seconds after taking her own life, holding knife in right hand, blood-stained chemise, left hand grasps bell cord. — Lucretia, 1666
Rembrandt Harmensz. van Rijn

G311

tusk, ivory, Benin Culture, Nigeria, Africa, XVIII c.; a rare ivory tusk from the Kingdom of Benin, finely carved with the figures of warriors, serpents, etc.; the inclusion of the carved figure of the Oba or King, represented with its traditional mudfish, instead of legs, denotes that this was one of the Royal tusks which stood in the great bronze heads on the altar of the Oba's ancestors — Tusk, 1775-1777
Edo

G250

Shrine head, Ancient Yoruba — Shrine head, 12th-14th century
Ancient Yoruba

G250

Portrait. — Portrait of a Burgomaster, c. 1665–70
Bartholomeus van der Helst and Studio; Artist: Bartholomeus van der Helst

G311

pendant suspended from a garland of twin rudraksha berries; central gold piece depicting two figures on a bull; one emerald pendant at bottom split during installation, two pieces stored in envelope in A12.3 MS — Rudrakshamala Necklace, early 19th century
G211

Cast c.1841 after plaster model of 1831. Signed P.Grass (on right side of base). Inscribed 'ICARE. D'apres la statue en bronze detruite en 1870 à Strasbourg' on front edge of base. Foundry mark Eck et Durand (on back of base). — Icarus Making Trial of His Wings, modeled 1831
Philippe Grasse

G321

Woodwork from the interior of Colonel John Stuart's house at 104 Tradd Street, Charleston S.C. Cypress paneling from the drawing room showing doorways and fireplace with elaborate overmantle, showing French influence. The house was built in 1772. — Charleston Drawing Room, 1772
United States

G336

Baboon and Young, Pablo Picasso — Baboon and Young, 1951
Pablo Picasso

G376

Portrait Bust of Pope Clement X, Circle of Gianlorenzo Bernini — Portrait Bust of Pope Clement X, modeled c. 1668 (cast late 17th century)
Circle of Gianlorenzo Bernini

G310

Three quarter length self-portrait of Francesco de Mura — Self-Portrait, c. 1740
Francesco de Mura

G307

Portrait. George Washington in red drapery, black costume with white frills. — Portrait of George Washington, c. 1820
Thomas Sully

G332

Warrior with Shield, 1953–54
Henry Moore

G371

The inkstand is a replica of the Quirinal Monument in Rome and was made to commemorate its erection during the pontificate of Pius VI. The composition includes an Egyptian obalisk, and four horse tamers that can be swung from their bases on levers to reveal an inkwell and a sandbox; Sphinxes' headdresses conceal candle sockets; one of the drawers contains an assortment of tromp l'oeil engravings; two doves can be made to kiss by means of a lever located in the fountain; the inkstand has a leather carrying case that resembles a medieval fortified town, with gates, battlements and a bell tower. — The Coaci Inkstand, 1792
Vincenzo Coaci

G310

low relief carving of a Winged Genius, from the Northwest palace of Ashur-Nasir-Pal at Nimrud; a wide band of inscribed writing crosses the slab in the central section — Winged Genius, c. 883–859 BCE
Assyrian

G240

Library and Rock Garden — The Studio of Gratifying Discourse, 1797
Unknown

G216

Portrait of a woman — Portrait of Countess Maria Theresia Bucquoi, née Parr, 1793
Elisabeth Louise Vigée-Le Brun

G306

seated Buddha; gilt and red and blue paint — Seated Avalokiteshvara Bodhisattva (Guanyin), late 11th-early 12th century
Unknown

G200

Historical. Death of Germanicus Caesar; he is lying on his death-bed with his wife Agrippina grieving at his bedside. — The Death of Germanicus, 1627
Nicolas Poussin

G313

Study for Portrait VI, Francis Bacon — Study for Portrait VI, 1953
Francis Bacon

G376

Carrara marble — Ganymede and the Eagle, 1817–29
Bertel Thorvaldsen

G307

Religion: NT. Purification of the temple. Christ driving the money-changers from the temple with a whip. — Christ Driving the Money Changers from the Temple, c. 1570-75
El Greco (Domenikos Theotokopoulos)

G341

Portrait. — Self-Portrait with Dr. Arrieta, 1820
Francisco José de Goya y Lucientes

Not on View

after Polykleitos, Roman copy of Greek original, the original executed in bronze, c.440 BCE; one of four known extant copies — The Doryphoros (after Polykleitos), 27 BCE - AD 68
Unknown Roman; Artist: Polykleitos

Not on View

Carved from pale gray-green stone with cloudy white mottling and black and brown rivering throughout, the mountain landscape with high rising peaks and numerous figures and pavillions amid foliage on both sides, with the seal of the Emperor Qianlong above a long inscription on one side, the reverse with a further inscription and a seal, one seal referring to the eightieth year of the Emperor Qianlong,corresponding to the year 1784. — Jade Mountain Illustrating the Gathering of Scholars at the Lanting Pavilion, 1790
China

G210

Landscape of grove of olive trees and their cast shadows in foreground, mountain looms in background, intense sun and dazzling light dominates the sky. No signature. — Olive Trees, 1889
Vincent van Gogh

Not on View

Coffin of Lady Tashat, Ancient Egyptian — Coffin of Lady Tashat, 945-712 BCE
Ancient Egyptian

G250

Nkisi Nkonde (nail fetish); a fetish figure in wood; the surface is covered with a variety of accoutrements: nails, reed, shells, bone, wood, string and clay; the 'magic' receptacle in the abdominal area bears a mirror — Power figure, early 20th century
Kongo

G250

ritual beadwork with face and sixteen birds mounted on the crown; long fringe hangs from crown — Crown, about 1920
Yoruba

G236

plant-covered boulders in foreground, a large branch or tree has broken off and lays atop the boulders with brown dying leaves toward left background; lush dense forest spotted by birch trees at background. — The Fallen Branch, Fontainebleau, c. 1816
Achille Etna Michallon

G321

rounded front with front writing desk that tips downward, revealing 12 drawers flaking and above a mirrored recess with columns; landscape transfer designs on top drawer and center drawer; large drawer on exterior below writing desk — Biedermeier secretary, 1834
Hungary (probably)

G333

Still life.Trompe l'oeil door, with ephemera tacked to the green door, including image of Abraham Lincoln, money, clippings, and labels. '1809', '1865' and 'ABE' are "carved" into the door. — Reminiscences of 1865, 1904
John Frederick Peto

G322

Three quarter-length portrait of a woman in a blue satin dress with broad flat hat, pulling on her glove. — Portrait of Sarah Allen, née Sargent, c. 1763
John Singleton Copley

G322

Bust — Portrait of Luca Salvioni, c. 1536
Agostino Zoppo

G340

the nude boy shown crouching in an almost horizontal position, holding a bird in his left hand, the chubby face with simply carved features and the hair pulled back in double knots; carved from greenish white stone. Former Classification: Jade — Pillow, 17th-18th century
China

G218

mirror with relief gold frame with foliage and putti; removable top section with fruit, putti and foliage — Mirror on a stand, from a toilette service, 1683
William Fowle; Retailer: Fowle & Wotton

G350

Enshrined Buddha, Myanmar (Burma) — Enshrined Buddha, c. 1850
Myanmar (Burma)

G213

Bust of Diana, Jean Alexandre Joseph Falguière — Bust of Diana, 19th century
Jean Alexandre Joseph Falguière

G319

Providence parlour, United States — Providence parlour, c. 1760-1770
United States

G335

Filler panels above doors (part of Tudor Room), wood, English XVIc stored in strip frame behind MacFarlane Room; An envelope of bits from the room is stored in D11.5 MS. — Tudor room, c. 1600
England

G325

Frank Lloyd Wright Hallway, Frank Lloyd Wright; Maker: Temple Art Glass Company — Frank Lloyd Wright Hallway, c. 1912-1914
Frank Lloyd Wright; Maker: Temple Art Glass Company

G300

'The Three Graces', plaster, French XIXc cat. card dims H 32-1/2 x W 18-1/2'; measurements above of base and sculpture; Base (b) is on R5A3.2 MS — Les Trois Grâces (The Three Graces), c. 1872
Jean-Baptiste Carpeaux

G321

Woman with a basket containing a large fish and a stingray presenting them to a man on a white horse with a dog; rocky coastal scene with boats at left. — Selling Fish, 1792
George Morland

G306

Side chair, Frank Lloyd Wright; Maker: John W. Ayers — Side chair, c. 1903
Frank Lloyd Wright; Maker: John W. Ayers

G300

Dutch still life with fruit, foliage, and insects. — Still Life with Fruits, Foliage and Insects, c. 1669
Abraham Mignon

G311

Mary Magdalene, Attributed to Nikolaus Gerhaerts van Leyden — Mary Magdalene, c. 1460
Attributed to Nikolaus Gerhaerts van Leyden

G342

standing horse balancing on three legs; mouth open; short tail pointing up; leaning slightly to proper left — Prancing Horse, 1st-3rd century
China

G215

Religion: NT. — Destruction of the Beast and the False Prophet, 1804
Benjamin West

G321

cabbage tureen, cover and stand; porcelain in green glaze of verying tones; veining in yellow and green, younger leaves in yellow — Cabbage tureen, cover and stand, before 1754
France

G333

Illustration for Canto XI of the 'Rubáiyaát of Omar Khayyám', Frank William Brangwyn — Illustration for Canto XI of the 'Rubáiyaát of Omar Khayyám', c. 1912
Frank William Brangwyn

G334

German Expressionism. Genre. Figures in an interior of a house; (nude) human figure - female — Modern Bohemia, 1924
Ernst Ludwig Kirchner

G371

Harbor. Pointillism. — Blessing of the Tuna Fleet at Groix, 1923
Paul Signac

G351

Worship and devotion non-Christian religions — Young Greeks in the Mosque, 1865
Jean-Léon Gérôme

G357

Seduction — The Poorly Defended Rose, 1789
Michel Garnier

G306

Woman with letter and envelope — The Letter, 1791
Michel Garnier

G306

Harbor in Italy — Imaginary Landscape, Italian Harbor Scene, 1746
Claude-Joseph Vernet

G307

Cottage on Fire, Joseph Wright of Derby — Cottage on Fire, c. 1786-1787
Joseph Wright of Derby

G306

St. Jerome, Adam Lenckhardt — St. Jerome, c. 1635
Adam Lenckhardt

G341

Dutch Golden Age. Interior of a Dutch house. Man in orange descending staircase at right; woman with a plate and small dog standing at center; woman with baskets of asparagus entering door at left; seated woman, sewing, in background. — The Asparagus Vendor, 1675–80
Pieter de Hooch

G309

The Cat's Paw, Sir Edwin Henry Landseer — The Cat's Paw, c. 1824
Sir Edwin Henry Landseer

G305

Seventeenth-century Dutch Marine landscape with fishing boats in a rough sea. — Fishing Vessels Offshore in a Heavy Sea, 1684
Ludolph Backhuysen

G309

4-part plaster and wood model with front columned entry flanked by 2 small porches with columns; colonnades on both sides; curved back with small porch at center — Model of original scheme for the Minneapolis Society of Fine Arts, c. 1912
McKim, Mead, and White

G303

classical vase form; on square base with fluted pedestal feet; cast coat of arms; decorated with putti amidst scrolling grapevine; collars engraved on each side with two crests (dragon and lion) Description (consistent for each cooler): Classical vase form; on square base with fluted pedestal feet; cast coat of arms; decorated with putti amidst scrolling grapevine; collars engraved on each side with two crests (dragon and lion). Coat of arms: those of Sawbridge-Erle-Drax with Grosvenoer in pretence, probably for Johan Samuel Wanley Sawbridge of Olantigh Towers, Kent, Holnest House, Co. Dorset, and Ellerton Abbey, Co. York (1800-1887). He married in 1827 Jane Frances, sister and sole heiress of her brother Richerd Erle-Drax-Grosvenor, M.P., of Charlborough Park, Dorset (dd. 1828). By 1853, Burke's Visitations of Seats and Arms, vol. 2, records this latter house as the seat of John Samuel Wanley Erle-Drax, M.P., Captain of the East Kent Militia. Stamps/Inscriptions/Stickers: 1a-c) - D. ELLIS LONDON FECIT - stamped, on front of base; - SH2097 - incised on bottom of base; - A501/091 - in black, on bottom of base; - EEBJW - and three stamps near top of liner; - 2 - etched three times on bottom of removable liner. 2a-c) - D.ELLIS FECIT - stamped, on front of base; - SH2097 - incised on bottom of base; - A501/ - and illegible numbers in black, on bottom of base; - EEBJW - and three stamps near top of liner and side of collar; - A501/692 - in black, on bottom of removable liner. 3a-c) - D.ELLIS LONDON FECIT - stamped, on front of base; - SH2097 - incised on bottom of base; - A501/693 - in black, on bottom of base, bottom of liner and bottom of collar; - M209810 1(4) - on sticker on bottom of base; - EEBJW - and three stamps near top of liner and side of collar. 4a-c) - D.ELLIS FECIT - stamped, on front of base; - SH2097 - incised on bottom of base; - M209810 1(4) - sticker on bottom of base; - A501/691 - in black, on bottom of base, liner and collar; - EEBJW - and three stamps near top of liner and — Set of four wine coolers, 1828
Edward, Edward, James, and Barnard (a.k.a. Edward Barnard & Sons); Retailer: David Ellis

G350

Courtly procession on a tree-lined road, moated castle in left distance. Large coulisse tree in left foreground, open hillside before woods beyond at right. Man in center foreground standing on his head. The work depicts Margaretha van Mechelen riding out with Prince Maurits near Abspoel House in the vicinity of Oegstgeest. — Courtly Procession before Abstpoel Castle, 1619
Esaias van de Velde I

G312

Chest with five painted and studded iron bands; painted blue with organic designs between bands; large c-shaped handles; key has circular top element with teardrop shape with small hole extending from shaft; key in key cabinet MS — Chest, 1777
Ivar Kvalen (Quallen)

G304

Dutch and English battle at sea — The Four Days’ Battle, 1666
Abraham Storck

G309

Portrait. Posthumous mourning portrait of an unknown child. — Portrait of a Boy, 1856
attributed to James B. Read

G304

Alterations made to the painting in the 1920's; composition exists on verso of a woman after her bath. — Dance Training, 1910-11 (altered 1920)
Ernst Ludwig Kirchner

G371

Georgian drawing room, England — Georgian drawing room, c. 1740
England

G327

Coat of Arms at right identified as that of Kuetraffer family of Regensburg, identification of the young girl not obtained. — Portrait of a Girl, 1547
Georg Pencz

G342

Madonna and Child. — Standing Madonna with Child, c. 1350-1354
Nardo di Cione

G343

2 door frames, 2 pieces of molding, 2 doors, 3 panels, and miscellaneous trim — Queen Anne room, c. 1720-1730
England

G326

Portrait of a young boy, three quarters view, with a dog — Portrait of James Ward, 1779
Gilbert Stuart

G322

Historical. Charles I, King of England. A helmeted Britannia, wearing violet drapery, holds steady the golden crown which England and Scotland, in red and yellow draperies, suspend above the head of the Infant Charles I. Two putti above support an escutcheon with the arms of the United Kingdom lightly indicated, and a putto below holds a torch to a heap of armor, spears, and dull red banners which the union makes no longer necessary. — The Union of England and Scotland (Charles I as the Prince of Wales), 1633–34
Peter Paul Rubens

G313

Geometric motifs with red yellow black and blue — Composition with Blue, Red, Yellow, and Black, 1922
Piet Mondrian

G377

Head of a woman. — Head of a Woman, 1938
Joan Miró

G376

Portrait of a woman. Dutch golden age. A lady about thirty-four years of age with her fair hair in curls, stands full length at her toilet table, almost facing the spectator. She has a book in one hand and holds up her skirt with the other. She wears a light blue satin dress embroidered with gold lace. On the table, which is covered with a Turkey carpet, are a mirror, a silver box, and a candlestick. A spaniel frisks at her feet. — Portrait of Lucia Wijbrants, 1667
Gabriël Metsu

G309

The Smoker, Édouard Manet — The Smoker, 1866
Édouard Manet

G355

Landscape — Rainy Evening on Hennepin Avenue, c. 1902
Robert Koehler

G302

Mythology: Diana the Huntress. Artemis. — Diana the Huntress, c. 1690
Giovanni Battista Gaulli (Baciccio)

G330

The Grand Canal in Venice from Palazzo Flangini to Campo San Marcuola, Canaletto (Giovanni Antonio Canal) — The Grand Canal in Venice from Palazzo Flangini to Campo San Marcuola, c. 1740
Canaletto (Giovanni Antonio Canal)

G307

Religious. New Testament. Jesus Christ seated wearing a crown of thorns, meditating quietly on the Passion. Cross building tools are on the floor surrounding him (hammer, awl, nails and broom). — Man of Sorrows, c. 1560
Luis de Morales (called El Divino)

G341

Genre. Cubist. Seated man and woman. — Married Life, 1912
Roger de la Fresnaye

G367

Still life with meat. — Carcass of Beef, 1925
Chaim Soutine

G377

A wounded officer lying on his couch, at the head of which is seated his wife. An Irish wolfhound is also lying curled up on the sofa. Arched top. — Peace Concluded, 1856
Sir John Everett Millais

G357

Landscape with deer — Deer in the Forest, 1868
Gustave Courbet

G321

1756 - Benedict XIV Presenting Ex Omnibus to Choiseul. — Pope Benedict XIV Presenting the Encyclical "Ex Omnibus" to the Comte de Stainville, Later Duc de Choiseul, 1757
Pompeo Girolamo Batoni

G307

Kiss of Judas: accompanied by soldiers with torches and lanterns, he kisses Christ. The scene is described in the Bible: Matthew 26:51, Mark 14:47, Luke 22:47, John 18:3-10 (Then Simon Peter, having a sword, drew it and struck the high priest's slave (Malchus) and cut off his right ear." John 18:10) — The Betrayal of Christ, c. 1618–1620
Anthony van Dyck

G313

From the high altar of San Marco, Florence Italy (sold late 18th century) — Saint Romuald, c. 1440
Fra Angelico (Fra Giovanni da Fiesole)

G343

Madonna and Child, Segna di Buonaventura — Madonna and Child, c. 1310
Segna di Buonaventura

G343

modified telephone; lobster receiver — Aphrodisiac Telephone, 1938
Salvador Dali

G376

Clock, Jean-Antoine Lepine; Painter: Joseph Coteau — Clock, c. 1789
Jean-Antoine Lepine; Painter: Joseph Coteau

G314

the oval bowl of the wine cooler rests on a similarly shaped foot comprised of a plain concave molding and a vertical base rim surmounted by a convex repoussé band; rim and bowl are linked in the center of either lone side of the oval bowl by a large cash male head surrounded by exhuborant scrolls and moldings Weight: 703 troy ounces = 48 lbs. and 3.29 oz. — Wine cistern, 1719–1720
Paul de Lamerie

G350

The Wu Family Reception Hall, China — The Wu Family Reception Hall, early 17th century
China

G218

Standing Guanyin with lotus bud(?) in left hand, right hand missing, inscribed base which bears the date 571 A.D., translation of inscription filed with purchase blank, from Xi'an in Shaanxi province. — Standing Bodhisattva, 571
China

G200

Portrait Of Frank James — Frank, 1969
Chuck Close

Not on View

Mandala of colored sand on wood; Yamantaka (Conqueror of Death) is represented at the center by the blue 'vajra'; consists of a series of concentric bands; outermost represents burial grounds with a landscape and animals; moving inward are a circle of flames, a circle of 'vajras' and a circle of lotus petals; these bands circumscribe a quadrangle with gates at the four compass points; innermost square divided into triangular quadrants and an inner circle is divided into nine units containing symbols which represent various deities; attributes of the five senses are depicted in the four outside corners — Yamantaka Mandala, 1991
Monks of the Gyuto Tantric University

G277

Found in a temple near Pondicherry. The figure represents cosmic activity. The significance of the gestures is as follows the drum in the right hand signifies creation; the fire in the upper left hand, destruction; the abaya (fear not) position of the lower right hand, protection; the position of the raised left foot, salvation; the foot placed on the prostrate dwarf, Apasmarapurusa, removal of illusion/ignorance. — Shiva Nataraja (Lord of the Dance), c. 1100
India

G211

Cosmetic Case and Mirror Stand, China — Cosmetic Case and Mirror Stand, early 17th century
China

G218

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