🔎 artworks with related Audio stops | Mia

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Study for Portrait VI, Francis Bacon — Study for Portrait VI, 1953
Francis Bacon

G376

Landscape of grove of olive trees and their cast shadows in foreground, mountain looms in background, intense sun and dazzling light dominates the sky. No signature. — Olive Trees, 1889
Vincent van Gogh

G355

Allegory. Lucretia, portrait of a young woman, seconds after taking her own life, holding knife in right hand, blood-stained chemise, left hand grasps bell cord. — Lucretia, 1666
Rembrandt Harmensz. van Rijn

G311

Shrine head, Ancient Yoruba — Shrine head, 12th-14th century
Ancient Yoruba

G250

The inkstand is a replica of the Quirinal Monument in Rome and was made to commemorate its erection during the pontificate of Pius VI. The composition includes an Egyptian obalisk, and four horse tamers that can be swung from their bases on levers to reveal an inkwell and a sandbox; Sphinxes' headdresses conceal candle sockets; one of the drawers contains an assortment of tromp l'oeil engravings; two doves can be made to kiss by means of a lever located in the fountain; the inkstand has a leather carrying case that resembles a medieval fortified town, with gates, battlements and a bell tower. — The Coaci Inkstand, 1792
Vincenzo Coaci

G310

after Polykleitos, Roman copy of Greek original, the original executed in bronze, c.440 BCE; one of four known extant copies — The Doryphoros, 120–50 BCE
Italy

Not on View

seated Buddha; gilt and red and blue paint — Seated Avalokiteshvara Bodhisattva (Guanyin), late 11th-early 12th century
China

G200

Blind Man's Buff, Max Beckmann — Blind Man's Buff, 1945
Max Beckmann

G371

Portrait. — Self-Portrait with Dr. Arrieta, 1820
Francisco José de Goya y Lucientes

G321

Historical. Death of Germanicus Caesar; he is lying on his death-bed with his wife Agrippina grieving at his bedside. — The Death of Germanicus, 1627
Nicolas Poussin

G313

Warrior with Shield, 1953–54
Henry Moore

G371

Carrara marble — Ganymede and the Eagle, 1817–29
Bertel Thorvaldsen

G307

Carved from pale gray-green stone with cloudy white mottling and black and brown rivering throughout, the mountain landscape with high rising peaks and numerous figures and pavillions amid foliage on both sides, with the seal of the Emperor Qianlong above a long inscription on one side, the reverse with a further inscription and a seal, one seal referring to the eightieth year of the Emperor Qianlong,corresponding to the year 1784. — Jade Mountain Illustrating the Gathering of Scholars at the Lanting Pavilion, 1790
China

G210

Portrait Of Frank James — Frank, 1969
Chuck Close

Not on View

standing horse with legs slightly splayed outward; wide eyes; open mouth with exposed teeth; upward-pointed ears; green patina with white, blue and red pigment traces — Celestial Horse, 25-220
China

Not on View

Religion: NT. Purification of the temple. Christ driving the money-changers from the temple with a whip. — Christ Driving the Money Changers from the Temple, c. 1570
El Greco (Domenikos Theotokopoulos)

Not on View

Bowman riding a horse both set on a hollowed spherical support. Radio carbon dated to 945-1235 A.D. — Equestrian figure, about 1450
Djenne

G250

tusk, ivory, Benin Culture, Nigeria, Africa, XVIII c.; a rare ivory tusk from the Kingdom of Benin, finely carved with the figures of warriors, serpents, etc.; the inclusion of the carved figure of the Oba or King, represented with its traditional mudfish, instead of legs, denotes that this was one of the Royal tusks which stood in the great bronze heads on the altar of the Oba's ancestors — Tusk, 1775-1777
Edo

G250

low relief carving of a Winged Genius, from the Northwest palace of Ashur-Nasir-Pal at Nimrud; a wide band of inscribed writing crosses the slab in the central section — Winged Genius, c. 883–859 BCE
Assyrian

G240

Head of a woman with a base, stone on a marble base, size; 26in.; base IRC floor area — Head, 1911–1912
Amedeo Modigliani

G367

Library and Rock Garden — The Studio of Gratifying Discourse, 1797
China

G216

pendant suspended from a garland of twin rudraksha berries; central gold piece depicting two figures on a bull; one emerald pendant at bottom split during installation, two pieces stored in envelope in A12.3 MS — Rudrakshamala Necklace, early 19th century
Not on View

Woodwork from the interior of Colonel John Stuart's house at 104 Tradd Street, Charleston S.C. Cypress paneling from the drawing room showing doorways and fireplace with elaborate overmantle, showing French influence. The house was built in 1772. — Charleston Drawing Room, 1772
United States

G336

Mademoiselle Hortense Valpinçon — Portrait of Mlle. Hortense Valpinçon, c. 1871
Edgar Degas

G351

Clock, Jean-Antoine Lepine; Painter: Joseph Coteau — Clock, c. 1789
Jean-Antoine Lepine; Painter: Joseph Coteau

G314

Standing Guanyin with lotus bud(?) in left hand, right hand missing, inscribed base which bears the date 571 A.D., translation of inscription filed with purchase blank, from Xi'an in Shaanxi province. — Standing Bodhisattva, 571
China

G200

Leopard Aquamanile, Bronze, Benin Culture, Africa, XVIIc; covered with incised spots and smnall punch marks. Rare example. — Water pitcher, 18th century
Edo

G250

bis pole, mangrove wood, New Guinea, Asmat — Bis Pole, 20th century
Asmat (Bismam group)

G256

vintage print; printed 1940 or before; mounted, matted — Migrant Mother, Nipomo, California, 1936
Dorothea Lange; Depicted: Florence Owens Thompson

Not on View

Portrait. Mythology. History. Oval. — Portrait of Mlle. Lange as Danae, 1799
Anne-Louis Girodet de Roussy-Trioson

G306

Nkisi Nkonde (nail fetish); a fetish figure in wood; the surface is covered with a variety of accoutrements: nails, reed, shells, bone, wood, string and clay; the 'magic' receptacle in the abdominal area bears a mirror — Power figure, early 20th century
Kongo

G250

Interior of the house — Dining Room in the Country, 1913
Pierre Bonnard

G355

two goat herders seated on the left bank of a river amidst their flock; classical ruins at left side and background left center on hillside; across river stand two pair of deer under the shadow of a large tree — Pastoral Landscape, 1638
Claude Gellée (called Le Lorrain)

G313

Religion. Central panel is a Pieta with an elaborate view of 15th century Bruges in the background. Donors included with saints in the scene. Left wing - St. John; Right wing - St. Catherine Figures of Christ, Mary and Saints all portraits of real people. Artist was primarily a portraitist though fashion of the time demanded religious pictures. Rich costumes of St. Catherine in right wing and donors in central panel reveal artist's interest in color and rich fabrics. People grouped tightly in foreground with little space around them. Space extends backward into picture but not forward. View of Bruges in background characteristic of this painter's work. The non-religious figures save Catherine, surpass the others, and show genuine bent for portraiture. The Spanish cast of Christ's features an unusual detail. STYLE: Flemish paintings in oil on panel derive from earlier schools of manuscript illumination and reveal their influence in: - Colors which are brilliant and harmonious with enamel-like hardness of finish. - Delicacy of technique and proportion. - Minute and sympathetic rendering of landscape. - Long flowing lines in the tradition of the International Style. Grace of pose and gesture also characteristic of this style. — Lamentation with Saint John the Baptist and Saint Catherine of Alexandria, 1493–1501
Master of the Legend of Saint Lucy

G342

Gesso, color, kirikane on wood, metal — Jizō, the Bodhisattva of the Earth Matrix, early 13th century
Japan

G220

Golden Bird, Constantin Brancusi — Golden Bird, c. 1919
Constantin Brancusi

G377

face-covering helmet with back and sides curled upward; vertical opening at center from eye holes through bottom; organic design on forehead; curving eyebrows, connected at center — Corinthian helmet, c. 540 BCE
Greece

G241

husband and wife seated on a lotus in the pose of royal ease and intimacy with bull and tiger underfoot; symmetrical architectural backdrop with large central disc behind heads of main figures — Uma-Maheshvara, 10th-11th century
India

G210

Found in a temple near Pondicherry. The figure represents cosmic activity. The significance of the gestures is as follows the drum in the right hand signifies creation; the fire in the upper left hand, destruction; the abaya (fear not) position of the lower right hand, protection; the position of the raised left foot, salvation; the foot placed on the prostrate dwarf, Apasmarapurusa, removal of illusion/ignorance. — Shiva Nataraja (Lord of the Dance), c. 1100
India

Not on View

Vessel in the shape of an owl. Two flanges, one ending just under the beak in front and the other continuing to the top of the head in back, have alternating straight and L-shaped scores, those on the front flange being much the deeper of the two. The tail, with a scored flange border, forms the back support of the vessel. Apart from the realistically-formed feet, the bird is strongly stylized. The body is completely covered by rows of scales except for the shoulder line, expressed by a vigorous spiral, and the wings quills, rendered by bands filled with antithetical spirals. Patina green. — Zun wine vessel in the shape of an owl, 13th-12th century BCE
China

Not on View

Abstract. — Tahkt-I-Sulayman Variation II, 1969
Frank Stella

G235

Artist's multiple published in an edition of 8 — Vicki! I--I Thought I Heard Your Voice!, 1964
Roy Lichtenstein

Not on View

Dance Mask; Carved in the round from a single piece of lightweight wood. Interior hollow. Features remarkable in that they resemble Greek and Sicilian works of the 6th Century B.C. The back of the mask, carved in terrace and striated patterns, contrasts with the smooth lateral contours of the face. — Helmet mask, 19th century
Luba

G250

wood frieze carved with birds whose eyes are made of green turbo shell opercula; painted serpents wind their way across the relief; covered with lime and painted in red, black, and white pigments; carved for use in the Malanggan rites when it would be placed in a special hut with other sculptures — Malagan Frieze, 19th century
Papua New Guinea

G256

carved wood, standing male figure; hair bound in a topknot; inlaid paua shell eyes; larger scale head, face adorned with tattooing; arms akimbo and large hands spread over abdomen; raised disc belly button; erect penis; raffia loin cloth in separate vitrine — Post Figure (poutokomanawa), c. 1840
Ngāti Kahungunu Māori

G256

beaded panel with geometric design at bottom of bag; fringe with strung beads and red tassels; simple quillwork design of flowers on body of bag — Man's Pouch, c. 1800
Anishinaabe (Ojibwe) or Dakhóta

G259

Standing Screen with Marble Panel, gray brown and white marble slab reminiscent of a misty mountain, set into a wood frame; twelve carved panels within frame depict chi dragons and scrolls; frame set into larger stand — Screen, 17th century
China

G217

standing figure with panpipes encircled by serpents and birds; wood with opercula inserts and pigments; carved for Malanggan rites — Malagan Figure, c. 1890
Papua New Guinea

G256

Gourd-shaped with lid; spade-shaped protrusion with opening on top of ewer handle; top of curl on lid handle is gilded; has lidded wooden box — Ewer in the shape of a gourd, 12th century
Korea

G206

Portrait of Juan de Pareja, the Assistant to Velázquez, Salvador Dali; Depicted: Juan de Pareja — Portrait of Juan de Pareja, the Assistant to Velázquez, 1960
Salvador Dali; Depicted: Juan de Pareja

G376

Large pot with flaring midsection and tapering shoulder; decorated with incised textured half-circles below mouth and band of leaf-like shapes alternating with 4 triangles between 3 textured bands — Beer pot, mid 20th century
Zulu

G236

ritual beadwork with face and sixteen birds mounted on the crown; long fringe hangs from crown — Crown, about 1920
Yoruba

G236

Still life with meat. — Carcass of Beef, 1925
Chaim Soutine

G377

Nude female figure lying on a flowered couch — Nude on a Couch, c. 1880
Gustave Caillebotte

G355

Madonna and Child, Segna di Buonaventura — Madonna and Child, c. 1310
Segna di Buonaventura

G343

Landscape. Urban. Architecture. — City Night, 1926
Georgia O'Keeffe

G378

St. Jerome, Adam Lenckhardt — St. Jerome, c. 1635
Adam Lenckhardt

G341

Mandala of colored sand on wood; Yamantaka (Conqueror of Death) is represented at the center by the blue 'vajra'; consists of a series of concentric bands; outermost represents burial grounds with a landscape and animals; moving inward are a circle of flames, a circle of 'vajras' and a circle of lotus petals; these bands circumscribe a quadrangle with gates at the four compass points; innermost square divided into triangular quadrants and an inner circle is divided into nine units containing symbols which represent various deities; attributes of the five senses are depicted in the four outside corners — Yamantaka Mandala, 1991
Monks of the Gyuto Tantric University

G277

Dutch still life with fruit, foliage, and insects. — Still Life with Fruits, Foliage and Insects, c. 1669
Abraham Mignon

G311

Alterations made to the painting in the 1920's; composition exists on verso of a woman after her bath. — Dance Training, 1910-11 (altered 1920)
Ernst Ludwig Kirchner

G371

Cast c.1841 after plaster model of 1831. Signed P.Grass (on right side of base). Inscribed 'ICARE. D'apres la statue en bronze detruite en 1870 à Strasbourg' on front edge of base. Foundry mark Eck et Durand (on back of base). — Icarus Making Trial of His Wings, modeled 1831
Philippe Grasse

G321

Landscape. Architecture. — The Bronze Horses of San Marco, Venice, 1876
Charles Caryl Coleman

G305

The Cat's Paw, Sir Edwin Henry Landseer — The Cat's Paw, c. 1824
Sir Edwin Henry Landseer

G305

Portrait of a young boy, three quarters view, with a dog — Portrait of James Ward, 1779
Gilbert Stuart

G322

German Expressionism. Genre. Figures in an interior of a house; (nude) human figure - female — Modern Bohemia, 1924
Ernst Ludwig Kirchner

G371

Still life. Neoclassicism. — The Attributes of the Arts and the Rewards Which Are Accorded Them, 1766
Jean-Baptiste-Siméon Chardin

G306

Three quarter length self-portrait of Francesco de Mura — Self-Portrait, c. 1740
Francesco de Mura

G307

Genre. — A "Bear" Chance, 1907
Philip R. Goodwin

G301

Impressionist. Brook with a bridge. — The Japanese Bridge, c. 1923-1925
Claude Monet

G377

Portrait Bust of Pope Clement X, Circle of Gianlorenzo Bernini — Portrait Bust of Pope Clement X, modeled c. 1668 (cast late 17th century)
Circle of Gianlorenzo Bernini

G310

New Testament; three men (Magi) crossing the mountains on a dusty road on camels; camels behind them. — Journey of the Magi, c. 1894
James Tissot

G357

Portrait. Posthumous mourning portrait of an unknown child. — Portrait of a Boy, 1856
attributed to James B. Read

G304

Frank Lloyd Wright Hallway, Frank Lloyd Wright; Maker: Temple Art Glass Company — Frank Lloyd Wright Hallway, c. 1912-1914
Frank Lloyd Wright; Maker: Temple Art Glass Company

G300

Bust — Portrait of Luca Salvioni, c. 1536
Agostino Zoppo

G340

Three quarter-length portrait of a woman in a blue satin dress with broad flat hat, pulling on her glove. — Portrait of Sarah Allen, née Sargent, c. 1763
John Singleton Copley

G322

Religion: NT. — Destruction of the Beast and the False Prophet, 1804
Benjamin West

G321

Portrait. — Portrait of a Burgomaster, c. 1665–70
Bartholomeus van der Helst and Studio; Artist: Bartholomeus van der Helst

G311

Portrait. George Washington in red drapery, black costume with white frills. — Portrait of George Washington, c. 1820
Thomas Sully

G332

Tripod effigy vessel, large, with the head of a jaguar in high relief. Two legs, finished at the base of the neck with rigid ring handles formed of the jaguar's front legs, represent the hind legs and are pierced and contain pellets. The third support, in the form of a flattened tail, emerges from the back of the vessel. The jaguar head, an oblong, bib-like area below, the legs, and a wide band at the throat, are painted in polychrome with geometric designs on an orange ground. High polish. — Vessel, c. 1100 - 1200 CE
Guanacaste

G260

Raised work (stumpwork) casket depicting the story of Queen Esther and King Ahasuerus; Initialed 'BP' and dated 1662, worked in polychrome silk and metallic threads on white satin and decorated with seed pearls, English; Front King Ahasuerus presenting the royal scepter to Queen Esther; Back The hanging of Haman; Right side the search for a wife for King Ahasuerus; Left side Mordecai honored by Ahasuerus and paraded in royal regalia; Top King Ahasuerus, Queen Esther and Haman at dinner; The casket with two doors opening to reveal curious set of drawers with secret compartments; the top lifting to reveal a pink velvet interior fitted with two bottles, an inkpot and a pen tray, the back of this lid with brackets for a mirror that now is missing; a second lid at the top opening to reveal a shallow silk-lined tray. A 17th century oak box lined in marbled paper with replaced lock accompanies the casket (95.14cc Traveling Case for Stumpwork Casket); an itemized list of pieces and their dimensions is in the object file in the registration office. Surface ornamentation (Needlework) — Embroidered Box, 1662
England

Not on View

Egrets in Willow [left of the pair Egrets in Plum and Willow], Sesson Shūkei — Egrets in Willow [left of the pair Egrets in Plum and Willow], second half 16th century
Sesson Shūkei

Not on View

new frame and border; central seated male with two children next to him, surrounded by people in a garden; scattered groups of people within nearby buildings and out of doors engaged in activities — General Guo Ziyi's Banquet, mid 19th century
Korea

Not on View

six scenes from the life of Christ; bottom row the Annunciation, Nativity and Adoration of the Magi; middle row Betrayal of Christ by Judas, the Crucifixion, the Resurrection; top row Ascension and Pentecost — Diptych with scenes from the life of Christ, c. 1375
Attributed to Master of the Passion Diptych

Not on View

Gope board, Papua New Guinea — Gope board, 18th century
Papua New Guinea

Not on View

Abstraction with six horseshoe shapes. — Prospects, 1977
Philip Guston

Not on View

Mythological figures in a landscape. A tribute to jazz musician Nina Simone. — Homage to Nina Simone, 1965
Bob Thompson

Not on View

four horizontal panels with multiple figures in various poses: standing, riding bicycles, riding animals, seated; incised horizontal bars divide panels — Palace door, early 20th century
Dada Areogun, a.k.a Areogun of Osi-Ilorin

Not on View

figure wears a replica of a heavy stone yoke at waist over skirt with fret motif; necklace; bands of bracelets on left arm; headdress broken at right. On the left knee a nead with round headdress in relief. Hole in right shoulder forms hook from which rattle could be suspended. The mould for front of body is well designed but assembled crudely with the mould for back.; Pinkish white pottery — Figure, c. 600-750 CE
Nopiloa (Veracruz)

G260

2 door frames, 2 pieces of molding, 2 doors, 3 panels, and miscellaneous trim — Queen Anne room, c. 1720-1730
England

G326

Providence parlour, United States — Providence parlour, c. 1760-1770
United States

G335

Armor, Germany — Armor, c. 1520
Germany

G340

Filler panels above doors (part of Tudor Room), wood, English XVIc stored in strip frame behind MacFarlane Room; An envelope of bits from the room is stored in D11.5 MS. — Tudor room, c. 1600
England

G325

standing horse balancing on three legs; mouth open; short tail pointing up; leaning slightly to proper left — Prancing Horse, 1st-3rd century
China

G215

cabbage tureen, cover and stand; porcelain in green glaze of verying tones; veining in yellow and green, younger leaves in yellow — Cabbage tureen, cover and stand, before 1754
France

G333

Executed by an Athenian sculptor of marble from the quarry at Mount Pentelicus — Crouching Lion, 330-317 BCE
Ancient Greek

G241

Georgian drawing room, England — Georgian drawing room, c. 1740
England

G327

Mende Society Mask, wood and raffia, Mende Tribe, Sierra Leone, Africa, XIX c. Msmt.s of helmet only. *Med.Raffia ?- Poss. Human Hair! — Sande mask, second quarter of 20th century
Mende

G254

vessel with handle, surmounted by female head; opening of vessel is through top of figure's headdress; surface has glossy appearance; dark clay body — Vessel, 1930
Mangbetu

G236

Geometric motifs with red yellow black and blue — Composition with Blue, Red, Yellow, and Black, 1922
Piet Mondrian

G377

Head of a woman. — Head of a Woman, 1938
Joan Miró

G376

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