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showing 24 results matching `*` and `room:"G241"` (clear filters)

after Polykleitos, Roman copy of Greek original, the original executed in bronze, c.440 BCE; one of four known extant copies — The Doryphoros (after Polykleitos), 27 BCE–68 CE
Unknown Roman; Artist: Polykleitos

G241

The Tiber Muse, 2nd-1st century BCE
Graeco-Roman

G241

Black-figured amphorah, used for carrying wine or oil; the front side depicts a quadriga with Poseidon, Amphitrite, another unidentified goddess, and heroenes; on the reverse and around warrior appears to be leaving for battle, with his wife and son bidding him farewell — Black-Figure Neck Amphora, c. 540 BCE
Attributed to the Painter of Vatican 359

G241

Ptolemaic Ruler in the Guise of Hercules, Graeco-Egyptian — Ptolemaic Ruler in the Guise of Hercules, 2nd century BCE
Graeco-Egyptian

G241

Relief-carved Fragment from Persepolis, 486-465 BCE

Persian

G241

painting on white ground — Standing Deity Holding Horn and Bucket, 1st century
Roman

G241

life-size carved statue of a bearded votary; In the archaic Cypriote style. The features show the mixed oriental style transformed by Hellenic influence; His head bears a wreath of leaves and berries permitting rows of small curls to frame his forehead. The beard is rendered in four stiff rows of curls. The skin tight tunic has no pleats, and the cloak which falls from the left shoulder is thrown over the left arm. Beard slightly defective. strong frontality and Greek 'archaic' smile — Votary Figure, c. 470 BCE
Ancient Greek

G241

face-covering helmet with back and sides curled upward; vertical opening at center from eye holes through bottom; organic design on forehead; curving eyebrows, connected at center — Corinthian helmet, c. 540 BCE
Unknown Greek

G241

double perfume vessel, green glass — Double Perfume Vessel, 1st-5th century
Roman

G241

Bowl with short stem and lobed foot; two protruding elements at front with floral motif decorations; large openwork decorative element above handle with flower and leaf designs — Oil Lamp, 1st century BCE - 1st century CE
Roman

G241

may represent the nature goddess or "Great Mother" of early man.; simple, schematic standing figure with crossed arms — Female Figure, c. 2500-2400 BCE
Cycladic

G241

mosaic representing a scene of an elephant attacking a feline, in multicolors.; known to have come from the floor of an early Christian church near Antioch — Elephant Attacking a Feline, late 4th-mid 5th century
Turkey

G241

Concave, incised; scene represents the Dioskouroi, the twins Castor and Polydeuces (Polyx) with their sister Helen and the goddess Minerva — Mirror, 3rd-2nd century BCE
Etruscan

G241

inside scene depicts a seated youth with athletic equipment hanging on wall; outer band depicts two scenes in one, a standing figure holding a lyre and two youths, and in the other, two standing youths with staffs face a central figure gymnasium scenes; red on black — Red-figure Kylix, 5th century BCE
Attributed to the Villa Giulia Painter

G241

light green glass; two tubes fused together; pair of looped handles; glass loops in rows at four sides — Double Cosmetic Tube with Three-tiered Handle, 5th century
Roman

G241

scepter with 2 snakes with knotted bodies at top, a pair of wings below and a bulbous form on a bent stem — Caduceus, 2nd century
Roman

G241

dagger, double-edged. Arms and Armor-Edged Weapon — Dagger, 900-400 BCE
Persia (Iran)

G241

rounded body with vertical ribs from base to shoulder; outward-flaring rim; iridescent sheen — Ribbed Jar, Date Unknown
Roman

G241

green glass; globular body on flat foot; flaring mouth; L-shaped handle; ribbed ring around neck; body decorated with irregular diamonds — Tall Ewer, 3rd-4th century
Syria

G241

this piece has been cracked through the middle — Cinerary Box with Cover, 50–100 CE
Roman

G241

Repoussé silver beaker with decoration of reclining ibexes arranged in three rows — Beaker, c. 800 BCE
Persia (Iran)

G241

after a Hellenistic Greek bronze — Torso of a Dancing Faun, 1st century CE
Graeco-Roman

G241

a.k.a. The Roman Matron — Roman Matron, 60–70
Roman

G241

Attic; black-figured hydria (three-handled water jar) in the main scene the goddess Athena, painted white, harnesses her four-horse chariot; the scene on the shoulder depicts the divine battle between Heracles and Cynus, with Zeus intervening — Hydria, c. 530 BCE
Attributed to the Antimenes Painter

G241

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