showing 11 results matching zeng

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seated bald man in profile from PL, wearing a white robe and a gold hoop earring, writing with a brush; two lines of text in URQ with large red seal below left line of text; second red seal in LLC

%C2%A9 1978 Fan Zeng

Portrait of Calligrapher Huai Su, 1978

Fan Zeng

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gnarled old tree with bare branches, floating over a pinkish-tan, blue and grey mottled ground; some exposed roots interspersed with text

%C2%A9 1995 Zeng Xiaojun

Passing of Time, c. 1995

Zeng Xiaojun

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large, gnarled tree trunk with twisted, gnarled roots

%C2%A9 Zeng Xiaojun

Tree, 20th-21st century

Zeng Xiaojun

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A comment on calligraphy in running script, 1928

Zeng Xi

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Street Performers, 1826

Zeng Yandong

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sake cup with slight flair at top; salmon colored clay with gray glaze; black floral motif on one side; X pattern on opposite side; black lip

Sake cup (guinomi), late 20th century

Eiraku Zengorō XVI

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figure seated on small, flat rock formation upper center, wearing orange robes; blue hair, and large bump on head; several other, smaller figures in colorful robes seated on flat rock formations, most wearing colorful robes and holding objects like staffs, inscribed papers, and rosaries in hands; all figures have halos; trees, waterfalls, and swirling clouds separate figures

Zengetsu Daishi and Saints, mid 19th century

Butsujo Jisen

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wooden calligraphy box with two stems of bright blue flowers with green leaves and gold veins; includes brush, silver weight or brush rest, wooden tool rest, two metal and wood tools, green ceramic ink stone, and yellow ceramic water dripper

Calligraphy box decorated with gentians, 1920s

Kamisaka Sekka; Ceramist: Eiraku Zengorō XV; Manufacturer: Ichinose Kohei

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Crabs, 1945

Qi Baishi; Calligrapher: Fu Zengxing

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The decor of the upper part of this bipartite boiler is restricted to a neck belt with low, narrow flanges of which every second becomes the central ridge in the face of a dragonized t'ao-t'ieh,the halves formed by winged dragons.The bulbs of the Li-ting forming the lower half of the vessel are adorned with forceful t'ao-t'ieh heads of a fairly realistic bovine type, with eyebrows, ears, scaly horns .

Yan steamer, 11th century BCE

China

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“The Newly Built Zenggong Pavilion” by Chen Zuolin (1837-1920) in running script, 20th century

Wang Jiantang

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