seated figure wearing a black robe with small white flowers on sleeves and chest area; cream-colored under robe and blue inner sleeves; skirted bottoms that are puce in color with thin black stripes; figure holds brush in PR hand; characters/ text in upper right edge and in ULQ, as well as in lower left edge; red stamps in lower left edge of sheet, lower right edge of sheet and in center left; pale green shading in lower left edge — Portrait of Taiso Yoshitoshi, June 1892
Kanaki Toshikage; Publisher: Akiyama Buemon

Not on View

swimmer with long hair, holding a knife in PR hand, entangled in an octopus' tentacles; thin paper mounted on backing sheet — The Diving Woman of Shido Bay, c. 1882
Tsukioka Yoshitoshi

G238

ink drawing on thin paper with touches of red; drawings on recto and verso--difficult to read each side due to thinness of paper; half of man's face with a rectangular element covering other half of face; portion of foreshortened grimacing face with short hair, with cloud-like elements covering top of head — Preparatory drawing of Sakuma Dennai, 1869
Tsukioka Yoshitoshi

G238

man with long hair and long beard, holding a sword, wearing a grey kimono with a brown dragon on the stomach; green cowering demon at L; curtain and door at R — Picture of Shōki Capturing a Demon in the Dream, 1890
Tsukioka Yoshitoshi; Publisher: Sasaki Toyokichi

G219

one sheet; man wearing a wide white headband and a white shirt with grey elements with khaki ties, partially hidden by a wall of green bamboo; black ground — Sakuma Dennai, 1869, 3rd lunar month
Tsukioka Yoshitoshi; Publisher: Ōhashiya Yashichi

G238

three separate sheets; battle scene with four men holding up large rectangular wooden shields; men wear multicolored armor and helmets; man at center walks across fallen soldier wearing blue pants and green leggings and shoes; castle with rounded domes in silhouette in URC, with flying silhouettes of soldier's bodies and flags; red flag with white design at center top; reddish brown smoke/explosions throughout, including a reddish brown burst hitting shield of man at left — Picture of Masakiyo at Shinshū Castle During the Conquest of Korea, 1863, 10th lunar month
Tsukioka Yoshitoshi; Publisher: Kakumotoya Kinjirō

G238

three sheets; cartoonish animal with long grey fur, large yellow eye, yellow teeth with long fangs and blue hooves at center, throwing off man men who are falling and flipping in every directions; men in URQ wear yellow furs (?); mountains in background covered in snow; snow in foreground, with snowballs flying in front of animal and figures — Yamamoto Kansuke Killing a Wild Boar, 1868, 4th lunar month
Tsukioka Yoshitoshi; Publisher: Ōmiya Kyūjirō

G238

three separate sheets; giant demon at center, with wrinkled ghoulish face with bulging eyes and gaping mouth, and bare arms, reaching down twoard group of men in armor armed with swords at left, right, and center, with one man beheath demon's PR arm, near demon's face; women and smaller ghouls at left and right running away; grey-green ground — Picture of Raikō and his Four Companions Conquering the Demon of Mount Ōe, 1864, 10th lunar month
Tsukioka Yoshitoshi; Publisher: Kiya Sōjirō

G238

image of a ghostly woman wearing loose, flowing kimono; blue eyes glancing outward; open mouth; grey tones except for blue eyes — Ghost, c. 1883
Tsukioka Yoshitoshi

Not on View

two separate sheets; ink drawing on thin paper; scene on a bridge with foreshortened figure at right, jumping in a tight ball in the air, with PR hand outstretched above head; crouching man with wide stance at left, wearing armor, and holding a staff at the diagonal, head tilted toward PL; detail of railing at URC of left sheet — Preparatory drawing for the left and right sheets of Picture of the Gojō Bridge from the Chronicle of Yoshitsune, c. 1881
Tsukioka Yoshitoshi

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Preparatory drawing of High Priest Kōmyō, 1874

Tsukioka Yoshitoshi

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sketch in black and red on paper, mounted as a hanging scroll; man in LLC with wrinkled, skeletal face, falling onto his backside with his arms and legs outstretched, open-mouthed; four monsters emerging from a box at left, including a head with three eyes, mouth open and tongue out, on an enormously long neck, a woman with long hair and a catlike nose and mouth with small teeth, pinched-faced small figure wearing a fez and figure with five eyes and elongated face; round red seal at top left of center; large area of blank paper at top of sheet; brown paper and blue paper with lavender flowers on mount — Monsters jumping out of a box scaring a man, draft for the print 'The Heavy Basket' (Omoi tsuzura), around 1889
Tsukioka Yoshitoshi

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ink drawing in black and red; two men fighting; man at left falls forward, grabbing the hair of man at left, who is falling backward; attached to off white mount sheet — Preparatory drawing of Sumoto Sakyō, 1874
Tsukioka Yoshitoshi

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painting on fabric of an injured, bloodied, and bandaged man with proper left arm upstretched to the top of a bamboo wall behind figure; proper right hand holding a long, thin, bloody blade pointed down to ground; paper mount covered with silver/gray silk border with fern pattern; dark brown wood roller; arrived in a natural wooden box with lid, futomaki roller, and brown outer carton with paper label on one end — Hard Fighting Shōgitai Warrior, 1868
Tsukioka Yoshitoshi

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drawing in black ink with touches of pinkish-brown on face; frowining man with open mouth, grabbing at sword handle held by unseen figure at left; mounted to backing sheet — Kō Musashi-no-kami Moronao, second half 1860s
Tsukioka Yoshitoshi

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drawing in black ink with touches of red; grimacing bald man wearing a short kimono, bending slightly down with feet wide apart, with sword held down; study of second head on PR foot of figure; two bundles at bottom, LLQ; lantern, URQ; some linear sketches (drapery?) on verso; unsigned — Study of a warrior wielding his sword, 1860s
Tsukioka Yoshitoshi

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figure with human body and rather bird-like facial features, with elongated beak-like mouth with teeth, long flat nose and bulging eyes, with feathers/fur on top and head and flowing backwards from sides of head; sketch of head, body and arms of figure, wearing a necklace (?) with four large balls and bows, and holding a staff with rings at bottom in PR hand; verso: sketch of small bird and head of a bird in LRQ; unsigned — Study of a mountain goblin (tengu) dressed as a hermit (yamabushi), 1860s
Tsukioka Yoshitoshi

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three sheets joined together; drawing in black and red; battle scene on a sloping hillside, descending to a valley in LRC; standing man with a ponytail and headband, holding a staff behind his back, with his PL hand on his check, at left; many figures descending mountains in a stream to right of standing figure, with lunging man at left edge of center sheet; man on horse at center of middle sheet; figures descend to valley, with a battle with clouds of smoke — The Summer Battle at Hakone, c. 1874
Tsukioka Yoshitoshi

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left scroll of a pair; three men (clockwise from top center): Japanese man wearing partial suit of armor and helmet, seated on floor, holding a black fan and wearing a garment on his upper body with green sleeves; Asian man in LRC wearing a bright blue robe with white organic medallions and white belt, black cloth wrapped around his hair and white headband, holding a folded white fan and seated on floor; European man with red hair and thick red beard at left wearing a long red uniform jacket with brass buttons and epaulettes, and white baggy pants, seated in an orange chair; four bold lines of text in black at top around figures; large square red seal above PR shoulder of European man — Great Generals of the East and West, c. 1874
Tsukioka Yoshitoshi

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right scroll of a pair; three figures (from left): small standing European boy with red hair, wearing a grey military cap, baggy grey jacket, red vest with brass buttons and baggy white pants tucked into slouchy grey boots; standing elderly Asian man wearing a black robe and black hat, holding a white fan; steaming copper kettle on a square brazier resting on a table covered with a flowered cloth in front of and to left of man; Asian child with scruffy black hair wearing a brown and green robe, seated on floor, hugging a frightened-looking black and white dog — Great Generals of the East and West, c. 1874
Tsukioka Yoshitoshi

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two figures fighting; black garments with blue and tan stripes — Title unknown [Kanjincho], 1963
Mori Yoshitoshi

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bold, somewhat stylized archer in samurai armor with bow drawn, riding charging horse — Samurai on Horse, 1980
Mori Yoshitoshi

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green abalone in LLQ; reddish-brown lobster with blue eyes at right; tan label on back at LRC with Japanese characters and "28" — Lobster and Abalone, late 1880s
Tsukioka Yoshitoshi

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figures and small commercial buildings in foreground, red yellow and light blue banners and gray stone lanterns in middleground, large temple building in upper register with white birds above and flanked by willow trees — Asakusa Scene, 1962
Mori Yoshitoshi

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buildings in browns with blue and red roofs, interspersed with trees, stairs and red Shinto gates in lower foreground, above that a row of multi-colored stone lanterns, large five-story pagoda in red and blue, large building (the Tokyo National Museum) in upper register with fountain and figures in front — Ueno Scene, 1967
Mori Yoshitoshi

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ink drawing with pale peach highlights; head and upper body of a man on the diagonal, holding sword to left with both hands; man wears a white headband — Matsubara Tachū, second half 1860s
Tsukioka Yoshitoshi

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drawing in black and red for a fan; view of tiered landscape; man trees; long stairway at left; waterfall at center bottom; covered walkways; figures throughout; Mount Fuji in ULC — New Waterfall at Hienoyama, 1860s
Tsukioka Yoshitoshi

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ink drawing with touches of salmon; man wearing loincloth, seen from back, with legs far apart and arms out wide, balancing on a roof, with a large knife in his PR hand — Man with knife on rooftop, second half 1860s
Tsukioka Yoshitoshi

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red-skinned chubby child watching a monkey and rabbit wrestling — Moon of Kintoki's Mountain, October 1890
Tsukioka Yoshitoshi

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woman in blue gesturing with her hands; grey ground; bottle, LRC; text at top — Somehow I Want to Win, 1878
Tsukioka Yoshitoshi

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woman seated beneath a waterfall — Spirit of a Faithful Wife in a Waterfall, 1892
Tsukioka Yoshitoshi

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large white rat in brown cloak, chewing on papers; grey and white smaller rats throughout — Priest Raigo of Miidera Transforming into a Vengeful Rat, 1891
Tsukioka Yoshitoshi

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woman in red kimono dancing with six flames — Fox-fire of the Twenty-four Paragons of Filial Piety, 1893
Tsukioka Yoshitoshi

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three piece folded image: older man with stubble stands on a balcony, looking out into garden with PR hand in a fist and clutching sheathed sword in PL hand; snow-covered rocks and hills in garden resemble menacing skulls with teeth staring back at man in the black night; right panel shows two terrified courtesans huddling with backs together in bed, windblown red and yellow shade, and a lamp; cartouche at URQ — Taira Kiyomori Seeing Skulls in the Snowy Garden, May 1882
Tsukioka Yoshitoshi

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many women, men and children on beach at right, some standing and some digging in sand with their hands and staffs; boat in foreground at left, with a man carrying a woman in blue piggyback out of boat; more boats in middle ground near horizon line; low mountains at right; mounted on foamcore board with grey silk edging — Clam Digging, 1860s
Tsukioka Yoshitoshi

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three sheets of thin paper joined together; black ink with touches of red and blue-grey; large spider with very large eyes, looking up, in LLC; diagonal lines extend through picture plane from LLC (spider web?); figure at right on stomach slides between lines; man with flowered pants holding a flaming torch at top center, striding toward spider; jumping man in ULC; rocky landscape in background at center and right; figures in URC peering over rocky peak; blank rectangular cartouche, URC — Minamoto Yorimitsu (Raikō) and His Retainers Attacking the Earth Spider (Tsuchigumo), early 1860s
Tsukioka Yoshitoshi

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drawing in black ink with touches of red and salmon pink on thin paper, mounted onto off white backing sheet; man with bare legs apart, wearing kimono with floral medallion on PL shoulder, with sword held over his head behind his back, with a grimacing expression; gourd-shaped cartouche in URC — Samurai with drawn sword, second half 1860s
Tsukioka Yoshitoshi

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jumping fish, in a backwards C shape; sea foliage above and behind tail and at top right edge; a few broad brushstrokes at bottom; face of fish reworked on back of sheet; unsigned — Study of a leaping carp, 19th century
Tsukioka Yoshitoshi

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jumping fish, in a backwards C shape; sea foliage above and behind tail; broad brushstrokes at bottom; unsigned — Study of a leaping carp, 19th century
Tsukioka Yoshitoshi

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two pages of a scene, left side (a) and right side (b); on left side is an old woman with long white hair, wearing a kimono with moth motif; woman is leaning over and peering into a large open box; on right side is a seated man with stern expression in a gray robe, next to a sword in bamboo stand — Diptych of Ibaraki, 1865
Tsukioka Yoshitoshi

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three separate sheets; battle scene at sea, with two men wearing white loincloths swimming in foreground, with their swords tied to their backs; many boats crowded with men in armor, with swords and bows and arrows; boat at left has blue and white sails and streamers, and black tassel-like object at front; boat at center middle ground has red and white flag — Picture of the Great Battle of the Minamoto and the Taira at Dan-no-ura, 1865, 6th lunar month
Tsukioka Yoshitoshi; Publisher: Ōmiya Kyūjirō; Carver: Katada Chōjirō

G238

three separate sheets; man at right with his back to and partially covered by radiating orange flames, with mouth open and hair blowing forward; four men fall on top of each other at center, with flakes around them; other fleeing men in ULQ — Picture of Odai Matarokurō Setting His Own Castle on Fire, Calmly Entering the Fiery Pit and Dying; Enemy Troops Were Amazed at His Bravery, 1866, 12th lunar month
Tsukioka Yoshitoshi; Publisher: Tsujiokaya Bunsuke; Carver: Watanabe Eizō I

G238

three separate sheets; orange and white smoke in middle ground; man in green armor at right in background riding white horse, with purple flag with white flower; two dead men in LLC; man with long hair and full face on a brown horse at center, with a long spear and a torn red flag; figure in green armor at right — Fire, Picture of Sassa Narimasa’s Hard Fight in Kyushu, 1867, 9th lunar month
Tsukioka Yoshitoshi; Publisher: Kiya Sōjirō; Carver: Ōta Utakichi

G238

three separate sheets; underwater fight with two men in armor at center, another man falling backwards under water at left, and swimming figure at top left; four men on rocky shore at top center and URQ; swimming grey horse at right — Water, Saitō Toshimitsu fighting Nonoma in the River Akuta, 1867, 7th lunar month
Tsukioka Yoshitoshi; Publisher: Kiya Sōjirō; Carver: Koizumi Kanegorō

G238

print in the form of a fan; man at left with legs wide apart, holding a staff with both hands; man wears black armor with red trim; jumping woman at right with legs drawn up, wearing purple, blue and green flower patterned kimono; figures on wooden bridge; moon in sky to left of woman; received matted — Yoshitsune and Benkei on the Gojō Bridge, March 1886
Tsukioka Yoshitoshi; Publisher: Yokoyama Ryōhachi

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two separate sheets; two men fighting with swords; man at left wears purple, grey and white striped pants and blue, yellow and white hand and arm guards; man at right wears pink, red and blue striped pants and purple and yellow hand and arm guards; green at bottom, purple at top, white at center — Tanno Yoshikatsu and Suzuki Yoshitake, April 1873
Tsukioka Yoshitoshi; Publisher: Masadaya Heikichi

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three separate sheets; man at left with legs wide apart, holding a wooden staff with both hands; man wears black armor with red and white trim, and garment with red ground and multicolored floral medallions with straw sandals; white cloth beneath man's PR foot; jumping woman at right with legs drawn up, wearing garments with floral designs on red and green ground, and zori sandals with black platform soles and brown, yellow and purple striped socks; figures on wooden bridge; moon in sky between figures; green mountains in background — Picture of the Gojō Bridge from the Chronicle of Yoshitsune, 1881
Tsukioka Yoshitoshi; Publisher: Morimoto Junzaburō

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two men running on a wooden bridge; frontmost man is barefoot, wearing grey, black and red armor on his body and legs, with bare arms, wearing a green garment with brown scrolling vines, holding a blade-tipped spear with a pink cloth attached to the end; man in background wears zori with platforms and a red garment with green flowers; orange moon low in sky in LLQ — Ushiwakamaru, Son of Distinguished Family and Later Iyo-no-kami Minamoto Yoshitsune and Saitō Musashibō Benkei, October 1878
Tsukioka Yoshitoshi; Publisher: Funazu Chūjirō

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three separate sheets; man wearing orange kimono with white flowers, light blue pants and black hat at center, playing a black and red flute; crouching an wearing blue, green and black, reaching for his sword, at right; silhouettes of grasses blowing in wind behind figures; orange moon at left; grey clouds — By Request, Picture of Fujiwara Yasumasa Playing the Flute by Moonlight, a Painting Shown at the Exhibition for the Advancement of Painting in Autumn 1882, February 1883
Tsukioka Yoshitoshi; Publisher: Akiyama Buemon

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two sheets configured vertically; man with hands folded and head bowed, being pulled upward by the back of his black shirt through a cloud, with only his upper body visible through the cloud; red-skinned shirtless figure with curly brown hair, wearing white flowing cloths around his neck, arms and waist, with a green and brown loincloth, holding a gold staff, pulling on man's shirt; standing topless woman at top of cloud, with long flowing hair, folding a white flower on a very long stem, wearing blue skirt with yellow flowers, yellow belt and purple and yellow flowered garment around one shoulder — Picture of Mongaku’s Penitence, April 1885
Tsukioka Yoshitoshi; Publisher: Matsui Eikichi

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one sheet; grimacing figure with red skin and beard, wearing green patterned kimono, partially reclining on floor on his stomach, with his chin behind held by a heavy-set bald man standing over him; heavy set man has pink and white skin with white circles and wears a crane patterned kimono with purple ground; brown demon with white hair and pink blouse at right; gesturing man in red kimono, URQ; pair of gruesome heads--red face frowning and white face smiling--in ULQ; books and scrolls with text, LRQ — Asahina Saburō Yoshihide, 1872-1873
Tsukioka Yoshitoshi; Publisher: Masadaya Heikichi

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horizontal chūban — Streetwalkers Taking a Break in Yoshida-machi, Honjo, January 1881
Tsukioka Yoshitoshi; Publisher: Tsunajima Kamekichi

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three separate sheets; battle scene in an interior; man at right wearing blue pants with white floral medallions fading to pale yellow at hems and blue patterned blouse, behind a black lacquer sliding door with flowers against a yellow ground at bottom, pulling on a very long staff penetrating the door, held by a man in blue armor at center; two fallen men in LLC--legs only of one of the men visible, across the body of the other man; running man in blue patterned kimono, with blood on his legs, at right, holding a spear; other figures fighting in background, left — Picture of a Night Battle at Shijō in Kyoto, 1864, 3rd lunar month
Tsukioka Yoshitoshi; Publisher: Fujiokaya Keijirō; Carver: Koizumi Kanegorō; Carver: Kobayashi Kane

G238

two separate sheets/vertical orientation; two men, both upside down, fighting in water; tattooed man on top wearing red loincloth; lower man with bulging eyes and hairy limbs wearing green kimono; two fish, ULC; seaweed and octopus, LLC — Picture of ‘White Stripe in the Waves’ Zhang Shun and ‘Black Whirlwind’ Li Kui Fighting in the Water, After February 1887
Tsukioka Yoshitoshi; Publisher: Matsui Eikichi

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ink drawing with blue, green, yellow and red; standing man with feet wide apart, holding sword over his head, scowling in anger; man has long black hair and wears greenish-blue blouse with gold dragons, red pants and skirt with wave patterns; rounded dark doorway at left behind figures; flowers, URC; attached to off-white mount sheet — Nine-Tailed-Turtle Tao Zongwang, 1868, 7th lunar month
Tsukioka Yoshitoshi; Publisher: Ōhashiya Yashichi

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woman peering out from between two slatted doors; woman wears pink kimono with twining pink morning glories with green stems and leaves, with white collar and red cuffs — Appearing Inquisitive, Behavior of a Maid of the Tenpō Era, April 1888
Tsukioka Yoshitoshi; Publisher: Tsunajima Kamekichi

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woman in flowing draperies, holding a small brown container, standing on yellow and black clouds; pink ground — Chang E Flees to the Moon, 1885
Tsukioka Yoshitoshi; Publisher: Akiyama Buemon

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three separate sheets; saturated color; underwater scene; figure at L riddled with arrows and blood standing in front of large brown rock, wielding sword; figure at C sinking in water, with arrows in body, sinking toward crabs at bottom; family in robes at R seated on rock, looking on; figure in foreground with swords, bloody, charging to L — Picture of the Heike Clan Sinking and Perishing at Sea, 1853, 6th lunar month
Tsukioka Yoshitoshi; Publisher: Kazusaya Iwazō

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two men; standing man with moustache at left with a drawn bow, wearing wide-legged blue pants, red and black armor and brown and white gloves, looking up; man with moustache at right, kneeling on one knee, wearing a blue and white garment with black and grey sleeves, holding a blue dagger (?), looking up at arrow above his head; yellow sky with building roof in background; orange-red and grey cloud (smoke?) from LLQ diagonally behind man in blue and white across picture plane — Genzanmi Yorimasa and I no Hayata, October 1878
Tsukioka Yoshitoshi; Publisher: Funazu Chūjirō

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two men; standing man with moustache at left with a drawn bow, wearing wide-legged blue pants, red and black armor and brown and white gloves, looking up; man with moustache at right, kneeling on one knee, wearing a blue and white garment with black and grey sleeves, holding a blue dagger (?), looking up at arrow above his head; bold black, red and yellow jagged patterns in sky; pink cloud (smoke?) from LLQ diagonally behind man in blue and white across picture plane — Genzanmi Yorimasa and I no Hayata, October 1878
Tsukioka Yoshitoshi; Publisher: Funazu Chūjirō

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male figure seated on orange cushion in an elevated room; male figure squatting at R gesturing towards seated man with fan; pine tree in background — Second Act, 1860, 4th lunar month
Tsukioka Yoshitoshi; Publisher: Maruya Jinpachi

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two baskets of flowers; frontmost basket has open circle motif, with pink and red peonies inside; brown basket at right in back has openwork band at top with star shapes in green, with yellow, pink and white flowers; text at top; purple and lavender border in the fashion of a fabric mount, with fox and flower designs — Table of Contents, October 1888
Tsukioka Yoshitoshi; Publisher: Tsunajima Kamekichi

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two sheets, unattached: figure seated in foreground looking to L, with horrified expression; figure is holding large bush in PR hand; powerful looking figures in shadow in background above building; female figures in shadow in middle ground, in front of building; murder scene at UL in shadow — Kiku's Shadows, 1860, 7th lunar month
Tsukioka Yoshitoshi; Publisher: Kakumotoya Kinjirō

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one sheet; bare breasted woman with long hair wearing a tattered khaki robe, reaching under the arms of a boy with thick hair and red skin; rabbit to left of figures; woman leaning against a blooming cherry tree; green mountain in distance — Yamauba and Kaidomaru, February 1873
Tsukioka Yoshitoshi; Publisher: Masadaya Heikichi

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two standing women at shoreline; woman at left wears kimono with red at top shading into blue and bottom, with yellow and blue flowers, and holds a staff and a black umbrella; woman at right wears a blue kimono with black trim and a purple belt; trees in background — Eighth Act, 1860, 5th lunar month
Tsukioka Yoshitoshi; Publisher: Maruya Jinpachi

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three separate sheets; overhead roofless view of a large building with many rooms; group of men and women dining with woman playing shamisen in LLC; another group of dingers in ULC with three women in elaborate colorful kimonos; man in yellow checked kimono at center accompanied by two women; male servant in blue checked kimono at right with a lantern and a low table with plates of food; two women and a man dining at top center — Complete View of a Courtesan House in Tokyo, 1870, 3rd lunar month
Tsukioka Yoshitoshi; Publisher: Masadaya Heikichi

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one sheet; man wearing white garment and headband with blue sash and belt, pointing a gun directly out of picture plane; grey ground — Komagine Hachibei, 1868, 8th lunar month
Tsukioka Yoshitoshi; Publisher: Ōhashiya Yashichi

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one sheet; legs, face and PR arm of man falling into splashing mud; man holds sword straight up in PR hand and wears black stockings and sandals — Tanaka Kanhachi, 1869, 3rd lunar month
Tsukioka Yoshitoshi; Publisher: Ōhashiya Yashichi

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female figure in red robe with white flowers on ground before male figure in black robes with white designs; both figures at the foot of stone stairs and stone wall — Prologue, 1860, 4th lunar month
Tsukioka Yoshitoshi; Publisher: Maruya Jinpachi

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man at left wearing blue kimono with pants with medium and light blue floral medallions on white, pointing a spear at a partially kneeling man who holds the end of the staff in his PR hand; kneeling man wears a blue and grey geometric patterned kimono; snowy landscape at left — Ninth Act, 1860, 5th lunar month
Tsukioka Yoshitoshi; Publisher: Maruya Jinpachi

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one sheet; two falling figures, upside down, fighting; front/topmost figure wears light blue, red and purple garment on his upper body and light blue and patterned grey garments on his legs, with bare legs in URQ; topmost figure holds neck and arm of lower figure in his hands; lower/rearmost figure wears black garment on upper body, lined with floral patterning, and red garment on arms and legs with netlike patterning; lower figure holds upper figure's hair in one hand; white birds flying around figures; water at bottom, with figure in a small rowboat — Inuzuka Shino and Inukai Genpachi, April 1873
Tsukioka Yoshitoshi; Publisher: Masadaya Heikichi

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one sheet; man looking over his PR shoulder, with a tree at left; man wears brownish-purple garment with purple sleeves with white and grey patterning; man holds a gun; grey ground — Negoro no Komitsucha, 1868, 9th lunar month
Tsukioka Yoshitoshi; Publisher: Ōhashiya Yashichi

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one sheet; two men holding torches, in the rain; both men are dressed similarly in blue with floral patterns, with black fabric tied with white on their shins; dark ground — Soga Jūrō Sukenari and Soga Gorō Tokimune, 1872-1873
Tsukioka Yoshitoshi; Publisher: Masadaya Heikichi

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Geki Magohachi, 1868-1869

Tsukioka Yoshitoshi; Publisher: Ōhashiya Yashichi

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one sheet; man looking toward PL, with hair pulled back and center of crown of head shaved; man wears white blouse; black hat with yellow scrolling design on front over man's PL arm, attached around his neck with a light blue cord; man had blood on his hands and sword handle; dark grey ground — Gamō Daizen, 1869, 3rd lunar month
Tsukioka Yoshitoshi; Publisher: Ōhashiya Yashichi

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one sheet; younger woman wearing blue kimono with white patterning and red trim wrestling with a wrinkled elderly figure with white hair, wearing a green and blue skirt and holding a knife in her PR hand; screen and door with tears in paper in background — The Old Hag of the Lonely House, 1872, 11th lunar month
Tsukioka Yoshitoshi; Publisher: Masadaya Heikichi

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Shima Sakon Tomoyuki, 1868, 8th lunar month

Tsukioka Yoshitoshi; Publisher: Ōhashiya Yashichi

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one sheet; grimacing man with a bleeding, oozing wound to the PL jaw, bend over, holding a sword handle with both hands; blood on hands and arm at torn away area of blue kimono; accordion folded pages of text across PL shoulder of man; brown diagonal lines across image (wind?) — Sugaya Kuemon, 1868, 8th lunar month
Tsukioka Yoshitoshi; Publisher: Ōhashiya Yashichi

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Akechi Samanosuke, 1868, 10th lunar month

Tsukioka Yoshitoshi; Publisher: Ōhashiya Yashichi

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triptych with two attached sheets, one separate sheet; three men in black coats with gray patterns against pink sky with white blossoms; each of the men has blue and red tattoos poking out from under robes — Fashionable Courageous Flowers, 1860, 2nd lunar month
Tsukioka Yoshitoshi; Publisher: Kakumotoya Kinjirō

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three separate sheets; man wearing tan kimono with white and orange flowers, light blue pants and black hat at center, playing a black and brown flute; crouching man wearing blue, turquoise and grey, reaching for his sword, at right; silhouettes of grasses blowing in wind behind figures; orange-yellow moon at left; grey clouds — By Request, Picture of Fujiwara Yasumasa Playing the Flute by Moonlight, a Painting Shown at the Exhibition for the Advancement of Painting in Autumn 1882, February 1883
Tsukioka Yoshitoshi; Publisher: Akiyama Buemon

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triptych with right and center images pasted together; all three panels attached to backing paper; four figures in a boat with a thatch-roofed shelter at the center; seated pointing man to left of shelter wears red armor and a green kimono with blue and red patterning; standing man at left wears purple pants and sleeves with red and black checks; man in red and black armor to right of shelter; man wearing white loincloth at right front of boat, rowing with a bamboo pole; four flying crantes at top left; crane to right of rowing man; battle on far shore wtih clouds of pink smoke in URC, man on horseback and figures with banners — Second Shogun, Lord Daitoku-inden Hidetada, 1875
Tsukioka Yoshitoshi; Publisher: Yorozuya Magobei

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three separate sheets; distressed-looking crouching woman at left, wearing grey kimono with orange and yellow flowers along them hem and red flowered obi, holding a green bamboo lantern; standing man at center wearing a kimono with blue, purple and white striped and patterned sleeves and blue body with swirl patterns and orange obi, holding a fan in his PR hand with blue geometric pattern; two women at right--crouching woman wearing dark blue kimono with light blue flowers and standing woman wearing blue kimono fading to pink at hem, and yellow obit with blue and green checks; two other women in background behind man, to his PR; seascape beyond with boats on water and night sky with moon — Distant view of Yokohama from the Daikokurō Restaurant at Kanagawa, 1864, 5th lunar month
Tsukioka Yoshitoshi; Publisher: Yamaguchiya Tōbei

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two images arranged vertically on one sheet; top image: seated man with one arm around a reclining woman, while a second woman pours a drink from a teapot into a bowl held in man's PR hand at center, with four foxes around figures; two foxes wear garments; stone shrine gate in ULQ; bottom image: grey and brown horses racing, with jockey on brown horse facing backwards, wearing red blouse, purple vest and white pants; jockey on grey horse being thrown; jockey in background falling from horse wears green and white striped pants, black vest and red blouse — Top: Cheerful Foxes at the Mimeguri Shrine on the Banks of the Sumida River; Bottom: A famous jockey at Shōkonsha, January 1881
Tsukioka Yoshitoshi; Publisher: Tsunajima Kamekichi

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seated man in LRQ, wearing blue, with his PR arm outstretched, pulling backward with his body; man in blue with purple medallion patterned skirt standing behind first man, scowling, with both hands on his sheathed sword; another seated man wearing purple garment with purple, light blue and white striped skirt and black trim, leaning forward, in LL; landscape view with trees, water and figures in ULQ — Sixth Act, 1860, 4th lunar month
Tsukioka Yoshitoshi; Publisher: Maruya Jinpachi

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three men fighting a large black bear in the falling snow; arrows in bear's body; man at right center wears a quiver of arrows and plunges a dagger into the bear's body — Abe Hirafu, February 1880
Tsukioka Yoshitoshi; Publisher: Funazu Chūjirō

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one sheet; man crouching behind a black lantern; man wears purple patterned pants and red, black and brown armor on chest and arms; man holds a spear; blue ground — 11, Chikamatsu Kanroku Minamoto Yukishige, 1868, 6th lunar month
Tsukioka Yoshitoshi; Publisher: Masudaya Ginjirō

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portrait of a frowning man in rectangle in LRC, with red lips, wearing purple, grey and white striped kimono and undergarment with swirling blue pattern; pink ground; rectangle at left with text, with blue background with white and grey flowers; purple and yellow flower motifs with green leaves and branches in background — Kiku moyō enmei bukuro, no. 2, 1890-1891
Tsukioka Yoshitoshi; Publisher: Yamato Shinbunsha

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male figure with head to R in triangular cartouche, framed with wreath; yellow glass wind chime with paper hanging from wreath; bamboo in lower background; white robe with dark blue swirls — Actor Nakamura Shikan IV, 1862, 5th lunar month
Tsukioka Yoshitoshi; Publisher: Daikokuya Kichinosuke

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three separate sheets; miniature railroad with women and men in European dress inside car behind locomotive; women and men in LRC; couple at left beneath a walkway, with a view of boats and water behind them; yellow, brown and blue brick wall in middle ground, with figures in Asian dress and horses walking and standing by railings along top of colorful brick wall — Famous places in Tokyo, Takanawa: Picture of . Complete picture of a steam locomotive and railroad, 1871, 9th lunar month
Tsukioka Yoshitoshi; Publisher: Yamashiroya Jinbei

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two men in a room; man at R is seated on floor, leaning back slightly and pointing fan at L man; man at L is leaning towards R man, with hand on sword; shades in room are yellow and red — Third Act, 1860, 4th lunar month
Tsukioka Yoshitoshi; Publisher: Maruya Jinpachi

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soldiers in predominately red and purple tunics and blue pants, with rifles, at left; two fallen men with bugles; man at center in red tunic with blue sleeves aiming rifle at jumping man with spear in red and blue at right; grey and blue smoke clouds — The Great Battle of the Ane River in the Chronicle of the Great Peace, 1867, 7th lunar month
Tsukioka Yoshitoshi; Publisher: Masudaya Ginjirō

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male figure looking L, holding sword in teeth; black streaks in foreground partially obscuring figure's body and bushy black hair — Actor Ichikawa Kodanji IV as Torii Matasuke, 1860, 3rd lunar month
Tsukioka Yoshitoshi; Publisher: Kakumotoya Kinjirō

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ink drawing with blue, red, brown, yellow and green; two fighting men, foreshortened; man on top is bare chested and wears a blue skirt, holding his PL lower leg across stomach of other man, and holding other man's neck in his PL hand; man on bottom wears brown, yellow and red helmet, red garment with yellow designs, and green boots with brown soles; snow covered tree at left; attached to off-white mount sheet — The Boatman Zhang Heng, 1868, 8th lunar month
Tsukioka Yoshitoshi; Publisher: Ōhashiya Yashichi

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detached triptych; two men sword fighting at R in front of black gate; man at R, in red, is about to strike down with his sword while dodging the sword of figure at C; man at UL on horseback charges at group of men with large spear — Mashiba, the Tairyō, Subjugates Korea, 1862, 5th lunar month
Tsukioka Yoshitoshi; Publisher: Iwazō Katōya

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woman leaning forward, with her brown and yellow striped kimono with black collar slipping off her PL shoulder, lighting a small lamp on a black lacquer shelf, with a pillow roll beneath her; tan basket or box with black handle and red and yellow object (pipe?) between woman and shelf — Appearing Dark, Behavior of a Wife of the Meiji Period, March 1888
Tsukioka Yoshitoshi; Publisher: Tsunajima Kamekichi

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two image on one sheet, configured horizontally; left image: man wearing grey, brown and green striped kimono with blue trim and red and black undergarment, holding a green tube-like object, with a flaming scowling figure with blue skin and grey hair behind him; right image: man wearing green kimono with yellow and white bird designs, lined in red, riding through waves on a giant fish, with a fishing pole held over his head — Left: Kurikara Kengorō; right: Hohodemi-no-mikoto, 1867, 8th lunar month
Tsukioka Yoshitoshi; Publisher: Ōmiya Kyūjirō

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unattached triptych; two male figures charge toward a monster in the sky at L; both are holding swords, and figure at far R holds a lantern which illuminates a monster against the black night sky; monsters in shadow faintly visible in sky — Picture of Kusunoki Tamonmaru Conquering the Old Badger, 1860, 4th lunar month
Tsukioka Yoshitoshi; Publisher: Kakumotoya Kinjirō

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two separate sheets; two men fighting with swords; man at left wears purple, blue, white and grey striped pants and purple, white and yellow hand and arm guards; man at right wears green, yellow, purple and grey striped pants and purple and white hand and arm guards; purple at top, green at bottom, white at center — Shitada Harumasa and Hayami Masanao, April 1873
Tsukioka Yoshitoshi; Publisher: Masadaya Heikichi

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man kneeling on PL knee, with PR leg outstretched to side, holding a gold disc behind his head with both hands; man wears red headband and blue and white armor with black fringe at bottom, with a garment with large blue flowers of red ground tired around his waist; clouds of salmon colored smoke coming from black braiser at left behind man — Ōshima Tanzō, 1866, 8th lunar month
Tsukioka Yoshitoshi; Publisher: Ōmiya Kyūjirō

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