purple yuzen uchikake with carts, flowers, trees and cloud motifs — Wedding robe, 20th century
Unknown Japanese

Not on View

Open sides and long sleeves; ties at neck; white body with red ties, colar and lining; sleeves striped in red, white, pink, yellow, orange and blue — Wedding robe, late 19th-early 20th century
Unknown Korean

Not on View

heavy white robe with golden rectangular bars, flowers, clouds; gold lined; padded hem — Wedding robe (uchikake), 20th century
Unknown Japanese

Not on View

long-sleeved robe with thickly padded red hem; tuquoise with horizontal gold metallic uneven bands and squares; multicolored embroidered flowers and foliage; embroidered birds in various location throughout; red and white bird printed lining with gold forms — Uchikake (outer robe), from a five-piece wedding kimono set, 1934
Unknown Japanese

G219

white ground printed with shiburi leaves in brown and embroidered with bamboo and flowers in orange, green and gold; lined with orange silk and stuffed at lower hem — Wedding robe (uchikake) with design of tree peonies, 18th century
Unknown Japanese

Not on View

purple uchikake with koto, biwa, taiko and flower motifs — Wedding robe with design of musical instruments and flowers, 20th century
Unknown Japanese

Not on View

royal blue uchikake with cranes and colorful ribbons motifs; ribbon designs include embroidered flowers, fans, waves, phoenixes, crests, and clouds — Wedding robe (uchikake) with design of cranes and sashes, 20th century
Unknown Japanese

Not on View

cream-colored garment with padded hem — Juban, from a five-piece wedding kimono set, 1934
Unknown Japanese

G219

red and white tie dye with wavelike clouds and flying birds; robe with long sleeves with solid red lining — So-shibori juban (undergarment), from a five-piece wedding kimono set, 1934
Unknown Japanese

G219

blue-gray background with embroidered autumn maple leaf motif throughout; other brightly colored, ornately embroidered designs including bridges, ducks, turtles, crests, and patterns — Wedding robe (uchikake) with design of standing curtains, maple trees, and large drum, late 19th century
Unknown Japanese

Not on View

beige brocade with floral motifs; padding at bottom with light blue lining; three golden paulownia crests embroidered along top of back — Wedding robe (uchikake) with design of paulownia and chrysanthemums in flowing water, 20th century
Unknown Japanese

Not on View

long sleeved robe with padded hem; printed design with bold flowers and pink ground; bright multicolors--primarily red and orange; cloud-like forms at top and chest are black with grid of gold dots; pair of grey, green, white, and gold birds with very long tailfeathers, with accents in gold embroidery, on stomach; crane above pair of birds; birds on back of sleeves and PR shoulder, with gold details; large crane with gold details on PR lower back; black at ends of sleeves and hem; lined in red — Nagasode kimono, from a five-piece wedding kimono set, 1934
Unknown Japanese

G219

predominately gold and green sash, with florform background designs and bright multicolored floral medalions, including medalions with cranes, phoenixes, and butterflies — Obi (sash), from a five-piece wedding kimono set, 1934
Unknown Japanese

G219

gold background with colorful embroidered trees, flowers, carriages, bridges — Wedding robe (uchikake) with design of carriages, bridges, pine, maple leaves, and cherry blossoms, 20th century
Unknown Japanese

Not on View

pink, white, yellow, blue, purple, green ikat; warp twined trim around cuffs, front and bottom--purple and white; lined in various printed fabrics — Woman's robe (munisak), c. 1850-1875
Uzbekistan

Not on View

Imperial robe of pale coral-colored k'ossu with nine 5-clawed dragons in gold. Scattered in ground are loose clouds, bats and the double happiness sign in shades of blue, green, red, pink, violet and strong purple. Conventional border with staight slanting stripes; very tight band of small clouds; rolling waves in which appear Buddhist symbols. Olive green in border. Below border on sleeves a strip of fabric striped horozontally. Cuffs and collar band of dark blue k'ossu with the body motifs. Edging of gold and blue fretwork meander, and band of same directly below border of sleves. At arm holes, a wide band of gold and blue brocade of different pattern. Robe slit at sides, lined with yellow damask and faced on all openings with a band of the blue and gold brocade used for the cuff edging. The double happiness character indicates this robe was worn for a wedding. Dragon's eyes embroidered. Some painting. — Manchu Woman's Formal Court Robe, Daoguang period, 1821-1850
China

Not on View

Imperial robe of yellow satin embroidered by couching narrow strips of braided silk in shades of blue, rose, pink, green, yellow, mauve, aubergine, and red to the ground. Nine five-clawed dragons in blue with accents of red, pink, and white. Loosely drawn clouds on ground. Border of slanting wavy stripes in above colors with clouds separating stripes from rolling waves across which a group of bats fly to left and right of central mountain motif. Upper section of border design repeated at elbows of sleeves which are finished with a section of blister-ribbed satin terminating in dark blue satin cuffs embroidered with a dragon, clouds, etc., in same technique as body of robe. Collar and front band of same dark blue edged with narrow band of blue and gold brocade. Coat slit at sides and lined with thin yellow silk having good luck design on a fretwork ground. — Manchu Empress' Semiformal Court Robe, 1662-1722
China

Not on View

Chinese Woman's Quasi-Official Wedding Robe, c. 1900-1910

China

Not on View

Dragon Robe, Tao Kuang period, 1821-1850

China

Not on View

Dragon Robe, Jiaqing period, 1796-1820

China

Not on View

Dragon Robe, Jiaqing period, 1796-1820

China

Not on View

Manchu Woman's Semiformal Court Robe, Tao Kuang period, 1821-1850

China

Not on View

bridal scene: young woman in wedding dress and long veil with crown cradling a large bundle of flowers in PR arm, followed by four older women in dresses with head scarves; lilies on the floor in front of bride — Italian Bride, 1937
Robert Sargent Austin

Not on View

bridal scene: young woman in wedding dress and long veil with crown cradling large bundle of flowers in PR arm, followed by 4 older women in dresses with head scarves; lilies on the floor in front of her — Italian Bride, 1937
Robert Sargent Austin

Not on View

Sleeveless coat of blue-black satin embroidered in satin, knot, couched, and outline stitch in shades of blue, green, yellow, red, purple, cerise, olive-green. Three 5-clawed dragons in gold. Applied on breast and in middle back a mandarin square with a crane and Buddhist symbols, indicating rank of the wearer's husband. Body of coat has clouds, double-peach, phoenix, and bats. Conventional border, but with stripes barely visible. Rolling waves scattered with blossoms and symbols. Border of yellow and silver brocade. Collar band simulated by couched gold thread. Lining of thin pink silk. Fringed bottom. — Woman's Official Vest with Insignia Square, 19th century
China

G210

Picture panel of pale apricot satin with self diapered ground embroidered in shades of blue, green, pink, yellow, rust, red, and black applique. The design represents an emperor and an empress with their attendants. In the background are large sprays of lotus. Border of black satin embroidered with flowers and symbols in colors and gold. The applique motifs are done chiefly in satin stitch, but couched, knot, chain, and laid stitches also used. Lining of course orange gauze. Note dragon design of emperor's robe; phoenix design of Empress'. — Pictorial Hanging, c. 1825
China

Not on View

four vertically configured sheets of yellowish paper (received affixed together with tape) of different sizes; top sheet has stylized image of three heads, seen from above--2 with wavy blonde hair, one with black hair and moustache, wearing suit jackets and shirts with dollar signs down the front, drinking from black straws in a milk bottle with a band of dollar signs; red hearts with cracks and symbols and circles in lower quadrants; second sheet from highly stylized symmetrical pattern of three heads with bands of dollar signs around spoked medallion, separated by colored circles; intertwined red, purple, and green hearts; verso: unfinished design at center, similar to recto, with triangular pencil guide marks; second sheet from bottom has geometric design with eight-pointed star at center, surrounded by various multicolored geometric circular bands; geometric rectangular border primarily in green and red; bottom sheet is text: Titled Husbands in USA — Titled Husbands in USA, c.1935
Mary Sully

Not on View

three vertically configured sheets of yellowish paper (received affixed together with tape) of different sizes; top sheet has hat-like form with green and brown lines; red arrows at center of left and right edges; green vertical lines at bottom with four small arcing railroad track elements; center sheet has repeating organic vertical pattern with brown and green ovals and red diamonds; bottom sheet has rectangle split into three vertical rectangles; central section has nine geometric elements in red, brown, and grey made of squares and rectangles; left and right sections have red horizontal lines; bottom sheet detached — Steinmetz, c.1935
Mary Sully

Not on View

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