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Historical. Charles I, King of England. A helmeted Britannia, wearing violet drapery, holds steady the golden crown which England and Scotland, in red and yellow draperies, suspend above the head of the Infant Charles I. Two putti above support an escutcheon with the arms of the United Kingdom lightly indicated, and a putto below holds a torch to a heap of armor, spears, and dull red banners which the union makes no longer necessary.

The Union of England and Scotland (Charles I as the Prince of Wales), 1633–34

Peter Paul Rubens

G313

Love and Friendship (personification and symbolic representations)

The Union of Love and Friendship, c. 1793

Pierre-Paul Prud'hon

G306

Oyster Plate, ceramic-porcelain, American, New York, XIX c. cat. card, pat. 1881-1883, dims rose background L. 8-3/4', W. 6- 3/4', rose background L. 8-1/2, W. 6-1/2' Enamel-painted, with indentations for 4 oysters, 1 mussel, and 1 scallop.

Oyster plate, one of a pair, 19th century

Union Porcelain Works

Not on View
Oyster Plate, ceramic-porcelain, American, New York, XIX c. cat. card, pat. 1881-1883, dims green bkgd L.8-3/4', W. 6-3/4 ', rose bkgd L. 8-1/2', W. 6-1/2' Enamel-painted, with indentations for 4 oysters, 1 mussel and 1 scallop.

Oyster plate, one of a pair, 19th century

Union Porcelain Works

Not on View
Caricature; No. 257

The Union Club, January 21, 1801

James Gillray; Etcher: James Gillray; Publisher: Mrs. Hannah Humphrey , 27 St. Jame's Street

Not on View
view of building with multiple levels that is predominantly yellow in color with blue, gray and black abstract sections across middle and into upper right quadrant; three columns extending vertically in foreground, with three levels visible behind columns; columns connect with vaulted ceiling across the top; street runs horizontally across lower quadrant; images of loosely sketched figures on middle floor interior; two rectangle shapes that resemble windows on top floor

%C2%A9 Estate of Isabel Bishop. Courtesy of DC Moore Gallery%2C New York.

Under Union Square, 20th century

Isabel Bishop

Not on View
signs of foxing on reverse

Union Square, Rainy Day, 1904

Joseph Pennell

Not on View
Tall tower with light on top; watchtower with "UNION" sign; telephone and power poles and wires; grain elevator at right; grey sky

%C2%A9 Mike Lynch

Watchtower, Union Railyard, Southeast Minneapolis, c. 1986

Mike Lynch

Not on View
Cut and folded leaf, xerographic text and illustration of a devil riding a unicycle printed on wove paper; 8 pp.

Why Unions Are Not the Devil, 2012

Mission Mini-Comix, San Francisco; Publisher: Mission Mini-Comix, San Francisco

Not on View

%C2%A9 Stuart D. Klipper

First Earth Day, Union Square, 1969

Stuart D. Klipper

Not on View

%C2%A9 Jerome Liebling%2C all rights reserved.

Union Square, New York City, 1948

Jerome Liebling

Not on View
small dull silver colored safe; combination dial; coin slot in top; open scroll work on top; perforated bottom

"Union Bank" safe still bank, c. 1904

Kenton Hardware Manufacturing Co.

Not on View
standing woman with long red hair, wearing orange helmet and breastplate and white skirt, holding a white flag on a red pole with her PL hand and blowing into an orange horn held in her PR hand; red sunrise behind her; ground made of various pieces of torn and cut cardboard, including corrugated cardboard and other types of packaging; piece disassembles into two vertical sections which affix together with Velcro

%C2%A9 Andrea Bowers

National Union of Women's Suffrage Societies, 2017

Andrea Bowers; Artist: after a design by Caroline Marsh Watts

Not on View

%C2%A9 Estate of Robert Gene Wilcox

Untitled (windows of Western Union building), 20th century

Robert Gene Wilcox

Not on View
metal chest with 4 doors on top. 4 large drawers and 2 small drawers on the bottom with 2 side doors on bottom; stamped on back "Union National. Inc./ Fine Furniture/ Jamestown, NY"

"Furniture Cabinet, Union National, Inc." still bank, c. 1950s

Banthrico, Inc.

Not on View

Scene in Union Square, New York, On a March Day, 1860

Winslow Homer

Not on View

Union Meetings in the Open Air Outside the Academy of Music, 1860

Winslow Homer

Not on View
Saddle stitched binding, photographic image of three figure with designs and letterpress text printed in offset lithography on coated paper covers; 21 pp.

None Shall Escape: Radical Perpectives in the Caribbean, July 1988

Fundi; Printer: Union Place, London; Publisher: News From Everywhere, London

Not on View

The Great Sumter Meeting in Union Square, New York, April 11, 1863, 1863

Winslow Homer

Not on View

The Union Calvary and Artillery Starting in Pursuit of the Rebels up the Yorktown Turnpike, 1862

Winslow Homer

Not on View

Art %C2%A9 Elizabeth Catlett %2F Licensed by VAGA at Artists Rights Society %28ARS%29%2C NY

For My People: Walking Blindly, 1992

Elizabeth Catlett; Printer: J. K. Fine Art Editions Co., Union City, N.J.; Publisher: The Limited Editions Club

Not on View

Art %C2%A9 Elizabeth Catlett %2F Licensed by VAGA at Artists Rights Society %28ARS%29%2C NY

For My People: To Marry, 1992

Elizabeth Catlett; Printer: J. K. Fine Art Editions Co., Union City, N.J.; Publisher: The Limited Editions Club

Not on View

Art %C2%A9 Elizabeth Catlett %2F Licensed by VAGA at Artists Rights Society %28ARS%29%2C NY

For My People: All the People, 1992

Elizabeth Catlett; Printer: J. K. Fine Art Editions Co., Union City, N.J.; Publisher: The Limited Editions Club

Not on View

Art %C2%A9 Elizabeth Catlett %2F Licensed by VAGA at Artists Rights Society %28ARS%29%2C NY

For My People: Singing their Songs, 1992

Elizabeth Catlett; Printer: J. K. Fine Art Editions Co., Union City, N.J.; Publisher: The Limited Editions Club

Not on View
three images; central image of brown wall with many missing white tiles; four grey vertical columns with signs near bottom of columns with red and white stripes and "NO CLEARANCE BETWEEN COLUMNS" in red; left and right images are partial views of same scene

%C2%A9 Kenji Nakahashi %2F Center for Creative Photography%2C Arizona Board of Regents

Subway Wall 1989 (Union Square, 14th Street, Lexington Avenue Line, New York City), 1989

Kenji Nakahashi

Not on View

Minneapolis Community Union Project, 20th century

United States

Not on View

The Union Christmas Dinner, 1864

Thomas Nast

Not on View
38 engravings; contained in an Arches wove wrapper inside a cardboard folder with lettering on the front; slip case: papier peigne and cloth-covered protective boards with lettering on the spine

%C2%A9 Estate of Pablo Picasso %2F Artists Rights Society %28ARS%29%2C New York

Carmen, 1949

Pablo Picasso; Author: Prosper Mérimée; Publisher: La BibliotÚque Française; Printer: Atelier LacouriÚre et Frélaut, Paris, France (engravings, aquatints); Printer: Imprimerie Union, Paris , (text and type)

Not on View

The War for the Union, 1862 - A Bayonet Charge, 1862

Winslow Homer

Not on View

The War for the Union, 1862 - A Cavalry Charge, 1862

Winslow Homer

Not on View

A L'Interieur de la Vue: 8 Poems Visibles, 1948

Max Ernst; Author: Paul Éluard; Publisher: Pierre Seghers, Paris; Printer: Imprimerie Union, Paris , (text); Printer: Mourlot Freres, Paris , (illustrations)

Not on View
Woman left in front of two TV screens of 'Illinois Primary Union Households' and Walter Mondale

%C2%A9 Tom Arndt

Television Reporter, St. Paul, 1984

Thomas F. Arndt

Not on View
exterior decorated with ships at front and back of edge, at full sail on a green sea, flying two Union Jacks; central rondel with scene of ten sailors at various pursuits; each sailor has a speech bubble; white ground; two floral sprays on exterior

Documentary shipping bowl, late 18th century

China

G209

1/2 plate positive image on glass, similar to an Ivorytype, in a Samuel Peck 'Union' plastic case with geometric design

Untitled [vignette bust portrait of a woman], 1858-1869

Jeremiah Gurney

Not on View
Paramasukha-Chakrasamvara (four-faced, twelve-armed god) and Vajravarahi embracing, symbolizing the union of wisdom and compassion; gilt bronze figures intertwined; Chakrasamvara tramples on the Hindu demons Bharava and Kalaratri who represent ignorance and evil; highly detailed deities are adorned with crowns and garlands of skulls and severed human heads; Chakrasamvara holds a 'vajra' and 'ghanta' in his crossed hands

Chakrasamvara Embracing Vajravarahi, 1403-1424

Tibet

Not on View
A yogini bearing a jar. One of 19 known sculptures from a set originating in Kanchipuram, Tamil Nadu, India.

Yogini with a jar, early 10th century

India

G211

red cotton flag with horizontal image orientation; three poles with telephone lines connecting each pole, in C, ending at two houses on R and L sides of image; two figures, each walking out of houses; Union Jack symbol in ULC; gold and white checkered edges on T, R and B; white cotton edging on L; mounted on white muslin

Flag, 1920s-1930s

Fante

Not on View
husband and wife seated on a lotus in the pose of royal ease and intimacy with bull and tiger underfoot; symmetrical architectural backdrop with large central disc behind heads of main figures

Uma-Maheshvara, 10th-11th century

India

G211

Exhibtion Poster: "Kappel, Collage and Related Works", 1974

Hugh Kappel; Publisher: University of Minnesota Press

Not on View
Hispano-Moresque Deep Basin with coat-of-arms of Aragon and Sicily.

Deep basin, after 1450

Spain

G243

The deity embracing Vajranairatma; two figures at center in embrace; back figure has many faces, arms and legs and is wearing a large headdress; front figure has her back to the viewer with her PL leg wrapped around other figure and her arms around his neck; flat, black metal base

Hevajra and Nairatmaya, 12-13th century

India or Bangladesh

G211

chi dragons flank top below upper crossbar; central carved panel of four pairs of Mandarin ducks, a pair in flight

Towel Rack, early 18th century

China

G218

Garden Scene with two Princes and Attendants. The painting is based on the romantic epic poem 'Gal-Mul' by Sa'di. The lyrical sweetness of this picture is particularly striking in the painting of the vegetation. Timurid of Ottoman period.

Garden Scene with Princes and Attendants, 15th century

Iran or Turkey

Not on View
applied snakes twine into and around jug; five 3-dimensional figures and one low relief figure; applied spiders, frog and lizard; incised phrases; multicolored pigment traces

Snake jug, c. 1865

Anna Pottery

Not on View
men wearing khaki colored uniforms, elephant-like gas masks, and black boots in foreground in two lines--some shooting guns upward toward ULC, and other shooting toward a building in background with four window, with yelling people inside; sign--"DONT SCAB"--between windows; large ducts and tanks in URC; dark blues in background

Strike Breakers (Company Violence), 1937

Morris Topchevsky

G361

map of England in an oval with counties delineated with colored embroidered borders and black stitched names; scrolling tan ribbon with flower branches at bottom; leafy and flowered swags with tan ribbon at top and along sides; two small roundels in top corners--scene on left of two men--one on horseback, on standing--with a pair of columns with lintel in background; right scene is a woman with a spear leaning on a shield with the Union Jack, with a cornucopia at right and a ship at left; cream silk ground; edges nailed to wooden stretcher boards

Map of England and Wales, 18th century

England

Not on View

%C2%A9 Estate of Isabel Bishop. Courtesy of DC Moore Gallery%2C New York.

Mother Nursing a Child, 20th century

Isabel Bishop

Not on View
etching of six figures walking, clustered in various groups; two figures face opposite direction on right side; central figure's back is turned; three figures on left side, all facing different directions; prominent shadows cover figures; background is ambiguous with varying degrees of black, white and gray colors

%C2%A9 Estate of Isabel Bishop. Courtesy of DC Moore Gallery%2C New York.

Students Walking, 1971

Isabel Bishop; Publisher: Abrams Original Editions, New York

Not on View
head of woman wearing headdress, looking up; multicolored floral kimono; purple ground; label glued on back

Actor Nakamura Fukusuke V as Ohan, 1928

Natori Shunsen; Publisher: Watanabe Shƍzaburƍ

Not on View

Medal commemorating Indiana Centennial 1816-1916, 1916

Janet Scudder

Not on View
male figure with three graduated rows of three grimacing faces on each row, wearing headdresses of smiling skulls, with two animal heads at top; figure has six arms, four legs, and pair of wings; male figure engaged in intercourse with a small female figure with long hair, wearing similar headdress with similar facial expression; base has two small figures--one reclining backward, one lying on stomach; dark patina with some red inlays remaining; received with base separate from figure; b = paper fragments removed from inner cavity

Hayagriva, 18th century

Tibet

G212

blue figure with 3 heads (one white, one blue and one red), 6 arms, 4 legs and wings embracing a green figure with long red hair; flaming mandala behind figures; small thrones below, above and at R and L with various demons, humans and part animal/part human figures; multicolored pigments

Thangka of Vajrakila and Diptachakra, late 19th century

Tibet

G212

Dacotah Encampment, 1849-1855

Seth Eastman

G301

'Hill tray' presented to James J. Hill by seventeen prominent Minneapolis businessmen, kidney shaped in outline, has large flat central are engraved with a view of Minneapolis showing the Stone Arch Railroad Bridge completed 22 Nov. 1883; around the perimeter of the scene, within molded reserves, are eight vignettes representing significant incidents in J.J. Hill's career, separated by a profile medallion of Hill (top center), six animal head trophies, and a monogram of Hill's initials; all parts individually designed and manufactured, separately cast and joined to central panel

James J. Hill Presentation Tray, 1884

Tiffany & Co.

Not on View
Krishna stands on left and converses with Radha, who is seated at our right. They are located within an Islamicate court with a landscape in the background and lambs at the lower right.

Krishna and Radha, c. 1680

India

Not on View
tan with red, off-white, and black uneven net-like fiber border; grey rectangular paper stitched in center with crosshatched flowering wave, or mountain-like shapes; large oval in lower center of paper covered with multi-directional tan stitching; tan and black fibers stitched in wavy lines across paper and fiber border to form continuous lines; one circular cutout of paper with black and gray design near URC of paper; four small circular cutouts of paper with colorful dots attached near URC of paper

%C2%A9 Norma Minkowitz

Lunar Landing, 2017

Norma Minkowitz

Not on View
seated female nude, with legs tucked up, reaching PR arm up to stroke the neck of a large swan to her L; portion of a tree in background, and castle ULQ background

Leda and the Swan, 1548

Sebald Beham

Not on View
Seated female figure from head to knees; legs apart, PR hand where PR knee would be; PL hand raised in front of chest; wearing gold headdress and earrings with turquoise inlay and other gold jewelry; face gold, blue hair

Green Tara, 14th-15th century

Tibet

G212

woman wearing a crown seated beneath a tree at center, with Jesus to right of woman, handing her a branch with fruits; two figures at left--one holding a small goat, one holding an incense burner and a pair of tablets; ground of men at right with spears; text at bottom

Plate 2, from "The Song of Solomon", 1643

Claes Janz. Visscher II; Artist: after Maarten de Vos

Not on View
slightly tilted, blurry image of street at night with figure in silhouette in front of building at center; other figures behind a railing at right

%C2%A9 Daido Moriyama

Untitled, from the October 21, 1969, International Anti-War Day, 1969 (printed 1980s)

Daido Moriyama

Not on View
man in red in LRC with a wheelbarrow holding an image of a face in black and white; repeated images of same face in black and yellow in background; red border; "LBJ" in pink in ULC

%C2%A9 Antonio Fern%C3%A1ndez Reboiro

LBJ (Lyndon Baines Johnson), 1968

Antonio FernĂĄndez Reboiro; Printer: Instituto Cubano de Arte e Industria CinematogrĂĄfico (ICAIC), Havana, Cuba; Publisher: Instituto Cubano de Arte e Industria CinematogrĂĄfico (ICAIC), Havana, Cuba

Not on View

%C2%A9 Piotr Szyhalski %2F Labor Camp

October 31, 2020: OUTSIDE of OURSELVES, 10/31/2020

Piotr Szyhalski / Labor Camp

Not on View

Hercules Carrying the Columns of Gaza, From the Labors of Hercules, 1545

Sebald Beham

Not on View

Hercules Killing Cacus, From the Labors of Hercules, 1545

Sebald Beham

Not on View

Hercules Abducting Iole, From the Labors of Hercules, 1544

Sebald Beham

Not on View

Hercules Killing Nessus, From the Labors of Hercules, 1542

Sebald Beham

Not on View

%C2%A9 Estate of Conrad Felixm%C3%BCller %2F Artists Rights Society %28ARS%29%2C New York

Liebespaar, 1919

Conrad FelixmĂŒller

Not on View
upside-down, oversized dark grey cup on bottom; white/grey cup on top; both "soft" and appear to be collapsing and falling apart

%C2%A9 2005 Irv Tepper

Two Deconstructed Cups, 2005

Irv Tepper

Not on View
a supernatural battle takes place in outer space with nude, hooded women, astronauts, and cowboys riding scud missiles; a papal figure giving a blessing with his left hand is riding out of the image frame at bottom center in a rocket ship; there is an alien-like creature in a rocket wrapped with dynamite at center--by far the largest visual element; the surface of a planet at the LL is engulfed in flames and has several mushroom clouds exploding on it; there are various other satellites, planets, and stars peppered throughout the image, which is in black, red, and white

%C2%A9 Tom Huck

Scuds, 2011

Tom Huck

Not on View
smock or overlay type of garment; open sides; made of plastic screen material; top portion has overlapping oval shapes edges in pale green, yellow and light blue stitching, with darker blues at edges; floral-like petals on shoulders; back has crocheted blue and white variegated V-shaped inset at neckline; front of neckline has similar V crocheted in yellow and green with slit opening, held closed with hook and eye and white plastic doll's arm; two plastic eggs suspended from underarms at back; some areas have pigments in screen openings

%C2%A9 Norma Minkowitz

Flight, 1984

Norma Minkowitz

Not on View

Hercules Killing the Nemean Lion, From the Labors of Hercules, 1548

Sebald Beham

Not on View

Hercules Fighting the Trojans, From the Labors of Hercules, 1545

Sebald Beham

Not on View

Hercules Capturing Cerberus, From the Labors of Hercules, 1545

Sebald Beham

Not on View

Hercules Killing Antaeus, From the Labors of Hercules, 1545

Sebald Beham

Not on View

Death of Hercules, From the Labors of Hercules, 1548

Sebald Beham

Not on View

Hercules Slaying the Hydra, From the Labors of Hercules, 1545

Sebald Beham

Not on View
Portrait. American flag. One of a series of portraits of heroes of the War of 1812.

Portrait of Captain Samuel Chester Reid, 1815

John Wesley Jarvis

Not on View
Child with Helmet, earthenware, Mexico, Olmec culture, 1000-500BC

Figure, 11th-6th century BCE

Olmec

Not on View

Rembrandt and His Wife Saskia, 1636

Rembrandt van Rijn

Not on View

Saskia with Pearls in Her Hair, 1634

Rembrandt van Rijn

Not on View
long, oversized strand of large beads covered in gold leaf; tube shaped pendant with one bulbous end; three dangles of braided gold cord hanging off end of pendant, with round and disc shaped beads at end

Tasbih %C2%A9 2016 Zarina. All rights reserved.

Tasbih, 2016

Zarina

Not on View
Plate 25; black-and-white scene of building with two window and doorway with overhang; sign above doorway and figure sitting on steps; woman and child stand in background in between two shutters; three children grouped in lower left quadrant; three more children and dog grouped in lower right quadrant

%C2%A9 Anatoli Luovitch Kaplan

The Children of the Town of Anatevka, 1961

Anatoli Kaplan

Not on View
black-and-white image; outer band of design with six roundels dispersed with portraits of faces, one on top center, one on bottom center and two each of right and left side; swirling linear designs between portraits; rectangle in center; Hebrew text in center, with dates 1957-1961 along bottom edge

%C2%A9 Anatoli Luovitch Kaplan

Title page from "Tevia the Milkman", 1957-61

Anatoli Kaplan

Not on View
Plate 8; interior scene; veiled woman on right standing over series of candles on a cloth covered table, hands raised over candles; large cabinet behind woman in URC; window with curtains in ULQ; chair beneath window and one at table; smaller table and chair in LLQ

%C2%A9 Anatoli Luovitch Kaplan

On the Eve of the Sabbath, 1961

Anatoli Kaplan

Not on View
Plate 9; street scene; group of four figures in front, two men and two women; chickens in LRC; horse pulling wagon behind chickens with two figures riding; buildings in background; two figures sitting on steps of building in ULQ; dog or goat in middle left

%C2%A9 Anatoli Luovitch Kaplan

In Boiberik, 1961

Anatoli Kaplan

Not on View
color lithograph with scene of two animals, a goat on the right and a lion on the left, standing on their hind legs; two birds below lion and goat with text in between; gold scrolling designs dispersed throughout scene with orange, black, and white gradated shading

%C2%A9 Anatoli Luovitch Kaplan

Title page from "The Little Goat", 1957-61

Anatoli Kaplan

Not on View
Plate 11; black-and-white image of bearded man standing in a room; chair on left edge; hanging clock top center; window on right with cat seated below it; girl seated at window opening; man wears long, striped robe that covers his head

%C2%A9 Anatoli Luovitch Kaplan

Praying Before Breakfast [Tevia Praying], 1961

Anatoli Kaplan

Not on View
Plate 21; interior scene of woman standing in front of a window looking out onto a village or town; small horse and wagon in distance; clock hanging on wall in URQ

%C2%A9 Anatoli Luovitch Kaplan

Waiting, 1961

Anatoli Kaplan

Not on View
Plate 22; interior domestic scene; two figures, one male and one female, sit at a table in front of a window; female sits at right side of table, male at left; hanging clock on wall above female in URC; stove and cooking items in LRQ; shelves with jars and containers as well as second window in ULQ

%C2%A9 Anatoli Luovitch Kaplan

In Exile, 1961

Anatoli Kaplan

Not on View
Plate 19; two figures, one male and one female, beneath a tree on left; male figure crouches and gazes at object in his hands; female is standing behind male, hands in prayer position with white flat object held in her arms; goat grazing in LRQ; two figures fishing in distance behind the goat; body of water in middle ground; boat with figure in the distance toward the horizon; sun in URQ with gradated sky

%C2%A9 Anatoli Luovitch Kaplan

Awaiting Sentence, 1961

Anatoli Kaplan

Not on View
center green circular image of seven seated figures at a table with hanging lamp directly above; Hebrew script in silver pigment on outer edge of circle; four birds in black, green and silver ink in all four corners of outer image; silver background with black dots; green and black striped border with black and silver alternating pattern on outer border; small black lines on top and bottom of image

%C2%A9 Anatoli Luovitch Kaplan

The Friday Night Meal (Kiddush), 1961

Anatoli Kaplan

Not on View
After meeting in the early sixties, Henry and Georgia Speller married in 1979. They spent 10 years together, lovingly comparing illustrations on their porch. As a couple they balanced each other, and as artists their respective practices grounded their union. By using basic, accessible materials, they collectively convey a youthful simplicity underscored by a deep social critique. Through bold washes of tempera and contrasting color schemes, the Spellers manifested on paper their hopes, dreams, frustrations, and criticisms of the classist and racist structures that impoverished their community. Henry’s Steamboat Katie Adam and Georgia’s House up on the Hill off the Highway exemplify material class privilege in southern society—a way out, always in view, never in reach. In Two Cousins, Georgia explores beauty standards and individual stylistic choices. Pig Eating Breakfast and Two Cousins refer more and less overtly to eroticism and sexual pressures under the white patriarchal gaze in American society. “We sit on the porch in the summer drawing pictures and making music. I made me up a song once. Georgie had a round piece of wood, made a drum and beat on it. One night, her mama’s spirit come to her, told her she’d be coming. She told me, ‘Mama come to me in a dream. I won’t be out here next summer.” - Henry Speller

%C2%A9 Henry Speller %2F Artists Rights Society %28ARS%29%2C New York

Steamboat Katie Adam, 1987

Henry Speller

Not on View
After meeting in the early sixties, Henry and Georgia Speller married in 1979. They spent 10 years together, lovingly comparing illustrations on their porch. As a couple they balanced each other, and as artists their respective practices grounded their union. By using basic, accessible materials, they collectively convey a youthful simplicity underscored by a deep social critique. Through bold washes of tempera and contrasting color schemes, the Spellers manifested on paper their hopes, dreams, frustrations, and criticisms of the classist and racist structures that impoverished their community. Henry’s Steamboat Katie Adam and Georgia’s House up on the Hill off the Highway exemplify material class privilege in southern society—a way out, always in view, never in reach. In Two Cousins, Georgia explores beauty standards and individual stylistic choices. Pig Eating Breakfast and Two Cousins refer more and less overtly to eroticism and sexual pressures under the white patriarchal gaze in American society. “We sit on the porch in the summer drawing pictures and making music. I made me up a song once. Georgie had a round piece of wood, made a drum and beat on it. One night, her mama’s spirit come to her, told her she’d be coming. She told me, ‘Mama come to me in a dream. I won’t be out here next summer.” - Henry Speller

%C2%A9 Henry Speller %2F Artists Rights Society %28ARS%29%2C New York

Pig Eating Breakfast, 1988

Henry Speller

Not on View

Barometer, c. 1830

Gugeri and Belotti

Not on View

Mars, Venus, and Cupid, 1530

Lucas Huygensz van Leyden

Not on View

%C2%A9 Tom Wesselmann %2F Licensed by VAGA at Artists Rights Society %28ARS%29%2C NY

Expo Mouth #10, 1967

Tom Wesselmann

Not on View
man wearing a cap and work clothes hammering on the lower half of a large machine; machine says "WESTINGHOUSE" at top

Heart of the Turbine, 1930

Lewis W. Hine

Not on View
standing horse seen from PR, tied with ropes by ankles and neck; horse looks back toward left; dark cloud-like forms in sky

%C2%A9 Estate Leo Katz %2F Leo Katz Foundation

Horse, No. 1, 1932

Leo Katz

Not on View

Hercules Fighting the Centaurs, From the Labors of Hercules, 1542

Sebald Beham

Not on View

Lichas Bringing the Garment of Nessus to Hercules, From the Labors of Hercules, 1542-1548

Sebald Beham

Not on View

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