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head and shoulders of a woman, looking over her PR shoulder; blue, purple, grey and white kimono; purple and white obi with fish pattern

%C2%A9 Torii Kotondo

Fine Weather in Early-summer, May 1936

Torii Kotondo; Publisher: Ukiyo-e Dƍkƍkai

Not on View

Print (ukiyo-e), late 19th century

Utagawa Yoshiiku

Not on View

Print (ukiyo-e), late 19th century

Utagawa Kuniteru II; Publisher: Ebiya Rinnosuke

Not on View

Print (ukiyo-e), late 19th century

Utagawa Sadahide

Not on View

Print (ukiyo-e), late 19th century

Unknown Japanese

Not on View

Print (ukiyo-e), late 19th century

Utagawa Yoshikazu

Not on View

Print (ukiyo-e / bijin-ga), c. 1910

Ikeda Terukata; Publisher: Akiyama Buemon

Not on View

Print (ukiyo-e / bijin-ga), c. 1910

Ikeda Terukata; Publisher: Akiyama Buemon

Not on View

Print (ukiyo-e / bijin-ga), c. 1910

Ikeda Terukata; Publisher: Akiyama Buemon

Not on View

Print (ukiyo-e / bijin-ga), c. 1910

Ikeda Terukata; Publisher: Akiyama Buemon

Not on View

Print (ukiyo-e / bijin-ga), c. 1910

Ikeda Terukata; Publisher: Akiyama Buemon

Not on View

Print (ukiyo-e / bijin-ga), c. 1910

Ikeda Terukata; Publisher: Akiyama Buemon

Not on View

Print (ukiyo-e / bijin-ga), c. 1910

Ikeda Terukata; Publisher: Akiyama Buemon

Not on View

Print (ukiyo-e / bijin-ga), c. 1910

Ikeda Terukata; Publisher: Akiyama Buemon

Not on View

Print (ukiyo-e / bijin-ga), c. 1910

Ikeda Terukata; Publisher: Akiyama Buemon

Not on View

Print (ukiyo-e / bijin-ga), c. 1910

Ikeda Terukata; Publisher: Akiyama Buemon

Not on View

Print (ukiyo-e / bijin-ga), c. 1910

Ikeda Terukata; Publisher: Akiyama Buemon

Not on View

Print (ukiyo-e / bijin-ga), c. 1910

Ikeda Terukata; Publisher: Akiyama Buemon

Not on View

Print (ukiyo-e / bijin-ga), c. 1910

Ikeda Terukata; Publisher: Akiyama Buemon

Not on View

Unrealized idea for possible woodcut, 2009

Santiago Cucullu

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Unrealized idea for possible woodcut, color, 2009

Santiago Cucullu

Not on View
A diptych comprised of a Ukiyo-e style woodcut image printed with watercolor inks and companion text printed in ochre lithographic ink.

Copyright %C2%A9 Santiago Cucullu%2C published by Highpoint Editions

Natty dress until the end, 2008

Santiago Cucullu; Printer: Highpoint Editions, Minneapolis; Publisher: Highpoint Editions, Minneapolis

Not on View
A diptych comprised of a Ukiyo-e style woodcut image printed with watercolor inks and companion text printed in turquoise blue lithographic ink.

Copyright %C2%A9 Santiago Cucullu%2C published by Highpoint Editions

Archive Brasil 1551 & ashes of F.L.W. house, 2008

Santiago Cucullu; Printer: Highpoint Editions, Minneapolis; Publisher: Highpoint Editions, Minneapolis

Not on View
A diptych comprised of a Ukiyo-e style woodcut image printed with watercolor inks and companion text carved from wood and printed in green lithographic ink.

Copyright %C2%A9 Santiago Cucullu%2C published by Highpoint Editions

A carved breakfast nook in the Style of 1950s American baroque, 2008

Santiago Cucullu; Printer: Highpoint Editions, Minneapolis; Publisher: Highpoint Editions, Minneapolis

Not on View
creamware; orange line rim; shoulder decorated with plum blossoms; center painted with "Ukiyo-e" style woman in plum-colored kimono, holding a basket filled with foliage

Plate, 1881

Wedgwood

Not on View

The Miracle of Famous Paintings by Ukiyo Matahei, 1853, 6th month

Utagawa Kuniyoshi; Publisher: Koshimuraya Heisuke

Not on View
male figure in gray and white striped kimono grabs the wrist of a young female attendant who was handing him a red dish; other young women and geisha serve tea, play instruments, and dance around the man; small feast in front of man on ground, including large red snapper; scene takes place on a green dock over water

Summer Party on the Bank of the Kamo River, around 1800

Utagawa Toyohiro

Not on View
creamware; orange line rim; shoulder decorated with blossoming pine branches; center painted with "Ukiyo-e" style woman in floral kimono, holding a fan, in an interior with black and white checker-board floor

Plate, c. 1880

Wedgwood

Not on View
image of a ghostly woman wearing loose, flowing kimono; blue eyes glancing outward; open mouth; grey tones except for blue eyes

Ghost, c. 1883

Tsukioka Yoshitoshi

Not on View
unsigned; image of two black lacquer kimono stands with different types of gold patterning, hung with various patterned kimono; koto (zither) in LRQ; tubular case with pink flowered brocade, pink tassels and gold bells hanging from right top corner of kimono stand at right

Whose Sleeves?, early 17th century

Unknown Japanese

Not on View
western man with blue eyes, flat blonde hair, greyish goatee and pursed lips faces outward; rests PR hand on decorated pedestal; cradles hat against body with PL hand

Portrait of a Western Man, late 19th century

Nakayama Toshitsugu

Not on View
vertical ƍban triptych

Children Setting up the Framework of a Storehouse, c. 1842

Utagawa Kuniyoshi; Publisher: JƍshĆ«ya Kinzƍ

Not on View
portrait of woman wearing dark grey and black dress with buttons at center; small gold brooch and gold hoop earring; blue eyes; grey-blonde hair pulled tightly back and braided at crown of head; PL hand rests openly on table at LR; PR hand at side

Portrait of a Western Woman, late 19th century

Nakayama Toshitsugu

Not on View
abstract, playful procession of five figures with very tall, cone-shaped heads, exaggerated eyes and noses, minimal bodies; moon in background right

Five sages, late 19th century

Doi Gƍga

Not on View
couple engaged in intercourse; woman wears a purple kimono with white and orange flowers; man wears a green, orange and white striped kimono; man looks in an oval mirror on a black lacquer vanity stand with orange flowers at left; text above and below woman's head

Before the Mirror, No. 4 from Twelve Bouts in the Way of Love (Shikidƍ torikumi jĆ«niban), c. 1775-1777

Isoda Koryƫsai

Not on View

Prostitute as the Daoist Immortal Kinkƍ riding on a carp, c. 1768

Suzuki Harunobu

Not on View

Ashinoyu, second half 1830s

Utagawa Hiroshige; Publisher: Ibaya Senzaburƍ

Not on View

Rainy Twilight, 1907

Bertha Lum

Not on View
woman standing under a blossoming tree, in front of a winding stream with small cascade; she is wrapped in a large, white kimono with green and red overcoat slipping off shoulder

Poetess Ise no Tayƫ, first half 18th century

Miyagawa Chƍshun

Not on View
lively scenes of demons, some dancing, some playing instruments, others running and fighting; some of the demons are broken instruments, tools, or cookware; sun on horizon at far L

Night Parade of One Hundred Demons, c. 1830s

Attributed to Eigyƍ

Not on View
several vignettes of men and women carousing; men rowing sleeping women on boats; women performing instruments and lounging inside buildings with barred windows; scenes inside tea houses and behind screens; ivory roller ends

Scenes from the Pleasure Quarters, first half 18th century

ƌoka Michinobu

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five women lounging with instruments, books, fans; bald man at L with back to viewer playing stringed instrument; decorative screen ULQ; women in bright kimonos

Musical Party, late 17th century

Hishikawa Moronobu

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landscape; 3 plants with red and brown flowers (or seed pods?) bending in wind in foreground; grasses with brown seed pods in background; bird in grey sky

Before a Thunderstorm, March 1920

Itƍ Shinsui; Publisher: Watanabe Shƍzaburƍ

Not on View
kneeling man at left wearing black jacket and green and white striped kimono with purple trim; two standing small women on a cloud at right; woman at left wearing green kimono with purple and white obi; woman at right wears purple kimono and red and green striped obi; text in a cloud at top and at right edge in grey area

Ukiyonosuke Meets Ofuji and Osen at Ryushinzan Shrine, No. 1 from the book Elegant Erotic Mane'emon (Fƫryƫ enshoku Mane'emon), vol. 1, c. 1768-1770

Suzuki Harunobu; Author: Komatsuya Hyakki; Publisher: Nishimuraya Yohachi

Not on View

Fancy-free Type, 1792-1793

Kitagawa Utamaro; Publisher: Tsutaya JĆ«zaburƍ

Not on View

Snow at Akashi, 1854, 1st month

Utagawa Hiroshige; Publisher: Ibaya Senzaburƍ

Not on View

Picture Book: Field of Vines, vol. 2, 1736

Nishikawa Sukenobu; Publisher: Kikuya Kihei

Not on View

Prostitute Hanaƍgi of the ƌgiya House, 1793-1794

Kitagawa Utamaro; Publisher: Tsutaya JĆ«zaburƍ

Not on View

"Woman as the Poet Funya No Yasuhide", 1793-1794

Hosoda Eishi; Publisher: Nishimuraya Yohachi

Not on View

%C2%A9 Masami Teraoka

31 Flavors Invading Japan: Today’s Special, 1981

Masami Teraoka

Not on View
unsigned

Cherry Viewing Party, first half 18th century

Attributed to Miyagawa Chƍshun

Not on View

Evening Shower over ƌhashi Bridge and Atake, 1857, 9th month

Utagawa Hiroshige; Publisher: Sakanaya Eikichi

Not on View
seated figure wearing a black robe with small white flowers on sleeves and chest area; cream-colored under robe and blue inner sleeves; skirted bottoms that are puce in color with thin black stripes; figure holds brush in PR hand; characters/ text in upper right edge and in ULQ, as well as in lower left edge; red stamps in lower left edge of sheet, lower right edge of sheet and in center left; pale green shading in lower left edge

Portrait of Taiso Yoshitoshi, June 1892

Kanaki Toshikage; Publisher: Akiyama Buemon

Not on View
young woman wearing black kimono with red under layer exposed; looking down towards PL; standing near branches of white wisteria; Japanese inscription at top

Wisteria Maiden, second half 18th century

Tsukioka Settei

Not on View

Prostitute with Sake Cup, c. 1794

Utagawa Toyokuni

Not on View

"Yƍkƍ", 1844-1846

Utagawa Kuniyoshi; Publisher: Wakasaya Yoichi

Not on View
portrait of older man in profile, PR; frowning expression; man holds white rolled paper (?) in PL hand; man wears green striped kimono with black trim; yellow background

Actor Onoe Matsusuke IV as Gorƍji in Kagatobi, 1920

Yamamura Kƍka (Toyonari); Publisher: Yamamura Kƍka Hanga Kankƍkai

Not on View
courtesan in voluminous gray robes with a younger attendant on each side; all three are standing below part of a cherry tree branch; courtesan and attendant on PR are looking toward L

A Prostitute and her attendants under a cherry tree, 1790s

Hosoda Eishi

Not on View
male figure sitting cross-legged rests his chin in his left hand and is surrounded by fine women and several rickshaws; the man wears a tall black hat and the women have hair of various colors that flow all the way to the ground; three gold hilltops at upper right

Hikaru Genji, 1930

Otake Chikuha

Not on View

Picture Books of Amusements of Actors on all Three Floors (Gazu yakusha san-kai kyƍ), 1801

Utagawa Toyokuni; Author: Shikitei Sanba; Publisher: Nishinomiya Shinroku

Not on View
a woman stands with her back to a lantern and her right arm outstretched, a wad of white paper in her hand, preparing to catch a spider that dangles from a single web strand

Beauty catching a spider, c. 1783

Katsukawa Shunshƍ

Not on View
2 vols, kusazo_shi

"Picture Books of Amusements of Actors on the Three Floors", 1801

Utagawa Toyokuni; Author: Shikitei Sanba; Publisher: Nishinomiya Shinroku

Not on View

Portrait of Tomimoto Toyohina, 1795-1796

Kitagawa Utamaro; Publisher: ƌmiya Gonkurƍ

Not on View
unsigned

Visual Parody of Emperor Xuanzong and Yang Guifei, 1765

Suzuki Harunobu

Not on View
at R, four women gather around a board playing go; one woman at L poised with brush over long sheet held by attendant; older woman in gray looks on at L

Seven Otafukus, 1870s-1880s

Kawanabe Kyƍsai

Not on View

Mary Cassatt at the Louvre: The Paintings Gallery, 1879-1880

Edgar Degas

Not on View
Woodcut: Seven-color Ukiyo-e style in collaboration with Highpoint Exhibition and Studio Manager Joanne Price bleed printed on 10 x 10 inch Japanese mulberry paper. Block cutting under the supervision of, and printing by, Joanne Price. Printing order: (1) Medium yellow (2) Dark orange (3) Red (4) Dark red (5) Red (6) Very dark red (7) Black. Lithograph: Four-color lithograph in collaboration with Highpoint Master Printer Cole Rogers from three stones and one ball grained plate bleed printed on 10 x 10 inch white Rives BFK paper. The images were made with lithographic crayon on two stones, rubbing ink on another, and gum stop out on the plate. Printing order: (1) Light blue (2) Moss green (3) Dark blue (4) Black. Intaglio: One-color spit-bite aquatint bleed printed in black on 10 x 10 inch Pescia Grey paper in collaboration with Highpoint Senior Printer Zac Adams-Bliss. Plate-making and proofing to approval by Zac Adams-Bliss. Edition printed by Justin Israels.

Copyright %C2%A9 Kinji Akagawa%2C published by Highpoint Editions

Here and Now: Re-View, Re-Think, i≠i, 2010

Kinji Akagawa; Printer: Highpoint Editions, Minneapolis; Publisher: Highpoint Editions, Minneapolis

Not on View

Moonlight [left of the pair Beauties in Spring], c. 1798

Hosoda Eishi

Not on View

The Barefooted Child, c. 1896-1897

Mary Cassatt

Not on View

Portrait of Dr. Gachet (Auvers-sur-Oise), May 15, 1890

Vincent van Gogh

Not on View
carp jumping out of the water, curving body dramatically to L; splashing water curling around body and splashing upward at R; pink highlights on tips of fins and tail

Carp Leaping Out of Water [right of a pair of Carps], 1777

Tsukioka Settei

Not on View

Shƍki Carrying Two Baskets of Demons, 1800s

Kitagawa Hidemaro

G219

Crane, Pine, and Sun, c. 1851

Utagawa Hiroshige

Not on View

Lovers Sharing a Single Umbrella, c. 1770

Suzuki Harunobu

Not on View

Reaching for a Dragonfly, 1760s

Suzuki Harunobu

Not on View

Entertainer and Her Attendant in Front of Matsumoto-ya, c. 1768

Suzuki Harunobu

Not on View
unsigned

A Fishing Party, 1766-1767

Suzuki Harunobu

Not on View

Getting Dressed, 1765-1769

Suzuki Harunobu

Not on View
unsigned

Woman Likened to Chinese Hermit Handling Dragon, 1765

Suzuki Harunobu

Not on View
unsigned

Visual Parody of the Noh Play "Hachi no ki", 1765-1766

Suzuki Harunobu

Not on View

Evening Shower over ƌhashi Bridge and Atake, 1857, 9th month

Utagawa Hiroshige; Publisher: Sakanaya Eikichi

G223

Teppƍzu and Tsukiji Hongan-ji Temple, 1858, 7th month

Utagawa Hiroshige; Publisher: Sakanaya Eikichi

G223

Forest of Suijin Shrine and Masaki on the Sumida River, 1856, 8th month

Utagawa Hiroshige; Publisher: Sakanaya Eikichi

G223

Kinryƫzan Temple, Asakusa, 1856, 7th month

Utagawa Hiroshige; Publisher: Sakanaya Eikichi

G223

Seidƍ and Kanda River from Shƍhei Bridge, 1857, 9th month

Utagawa Hiroshige; Publisher: Sakanaya Eikichi

G223

Nihonbashi, Clearing After Snow, 1856, 5th month

Utagawa Hiroshige; Publisher: Sakanaya Eikichi

G223

vertical ƍban triptych

Lady Descending from a Court Carriage, c. 1801-1804

Kitagawa Utamaro; Publisher: Izumiya Ichibei

Not on View

Falcon, Pine, and Sun, 1853, 9th month

Utagawa Hiroshige; Publisher: Maruya Jinpachi

Not on View

Falcon on Snow-covered Pine, c. 1840-1842

Utagawa Hiroshige; Publisher: Sanoya Kihei

Not on View

The Noji Jewel River in Yamato Province, c. 1835

Utagawa Hiroshige; Publisher: Kawaguchiya Shƍzƍ

Not on View
unsigned

Act VIII, c. 1806

Katsushika Hokusai; Publisher: Izumiya Ichibei

Not on View

Snapper and Horse Mackerel, c. 1835-1839

Utagawa Hiroshige; Publisher: Tsujiya Yasubei

Not on View

Act III, c. 1843-1847

Utagawa Hiroshige; Publisher: Aritaya Seiemon

Not on View

Act V, c. 1843-1847

Utagawa Hiroshige; Publisher: Aritaya Seiemon

Not on View

Delivering the Enemy, c. 1843-1847

Utagawa Hiroshige

Not on View

Mountain Gorge in Winter, c. 1842

Utagawa Hiroshige; Publisher: Sanoya Kihei

Not on View

Act VII, c. 1835-1839

Utagawa Hiroshige; Publisher: Izumiya Ichibei

Not on View

Act VI, c. 1843-1847

Utagawa Hiroshige; Publisher: Aritaya Seiemon

Not on View

Act IX, c. 1843-1847

Utagawa Hiroshige; Publisher: Aritaya Seiemon

Not on View
nishiki-e

Mount Haruna in Snow, Kƍzuke Province, 1853, 8th month

Utagawa Hiroshige; Publisher: Koshimuraya Heisuke

Not on View

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