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%C2%A9 The Estate of Garry Winogrand%2C courtesy Fraenkel Gallery%2C San Francisco

Untitled [Thomsen's], 1981

Garry Winogrand; Publisher: RFG Publishing, Inc., New York

Not on View

Stripes No. 88, 2015

Cornelia Thomsen

Not on View
Steel mill

%C2%A9 Craig McPherson

Edgar Thomson, 1997

Craig McPherson

Not on View

%C2%A9 Estate of George V. Thomson

East Wind, c. 1934

George V. Thomson

Not on View

Illustration for Puck Magazine, 1909

Rodney Thomson

Not on View

%C2%A9 J. Barry Thomson

Granite Quarry, Barre, Vermont, 1982

J. Barry Thomson

Not on View

The London Boardmen, c. 1877

John Thomson

Not on View

%C2%A9 Estate of George V. Thomson

Gas Works, c. 1932

George V. Thomson

Not on View

%C2%A9 Estate of George V. Thomson

Grain Elevator, c. 1938

George V. Thomson

Not on View
The artist tossed US currency pennies of random numbers and years creating patterns to be blind embossed into copper foil. A total of 28 compositions were produced. Holes corresponding to the composition were laser-cut into a 20 x 24 x 1/8 inch acrylic sheet and 3 mil copper foil was adhered to the sheet using Drytac Facemount film adhesive. Coins with corresponding dates and orientation were fitted into the sheet and embossed into the foil using an etching press. The coins were removed, the cavities filled with Durham's Rock Hard Water Putty, and the foil was wrapped around the acrylic sheet's edge and secured with Scotch Double Sided Tape. The embossed foil-wrapped acrylic sheet was then adhered to 3/8 inch medium density fiber board using DAP Weldwood Contact Cement. A label bearing the publisher's name, the artist's signature, date and inventory number was then affixed to the back. The artist chose to leave the metal surface unfinished allowing it to age and patina just as the coins they are based on expecting and welcoming the changes. The rate and amount of change will vary depending on their environment.

Copyright %C2%A9 Mungo Thomson%2C published by Highpoint Editions

Pocket Universe (Copper) #23, 2016

Mungo Thomson; Publisher: Highpoint Editions, Minneapolis

Not on View
The artist tossed US currency half dollars, quarters, and dimes of random numbers and years creating patterns to be blind embossed into aluminum foil. A total of 28 compositions were produced. Holes corresponding to the composition were laser-cut into a 20 x 24 x 1/8 inch acrylic sheet and 3 mil aluminum foil was adhered to the sheet using Drytac Facemount film adhesive. Coins with corresponding dates and orientation were fitted into the sheet and embossed into the foil using an etching press. The coins were removed, the cavities painted with shellac, and filled with Durham's Rock Hard Water Putty. The foil was wrapped around the acrylic sheet's edge and secured with Scotch Double Sided Tape. The embossed foil-wrapped acrylic sheet was then adhered to 3/8 inch medium density fiber board using DAP Weldwood Contact Cement. A label bearing the publisher's name, the artist's signature, date and inventory number was then affixed to the back. The artist chose to leave the metal surface unfinished allowing it to age and patina just as the coins they are based on expecting and welcoming the changes. The rate and amount of changes will vary depending on their environment.

Copyright %C2%A9 Mungo Thomson%2C published by Highpoint Editions

Pocket Universe (Silver) #21, 2016

Mungo Thomson; Publisher: Highpoint Editions, Minneapolis

Not on View
Mythological figures in a landscape. A tribute to jazz musician Nina Simone.

%C2%A9 Estate of Bob Thompson%2C Courtesy of Michael Rosenfeld Gallery%2C LLC%2C New York%2C NY

Homage to Nina Simone, 1965

Bob Thompson

G375

Plate 29, page 256, 1822

Thomson

Not on View

Autumn, No. 208, from Series of Seasons, "Vide Thomsons Seasons", May 12, 1794

Unknown English, 16th century; Publisher: Laurie & Whittle Publishing House

Not on View

Spring, No. 206, from Series of Seasons, "Vide Thomsons Seasons", May 12, 1794

Unknown English, 16th century; Publisher: Laurie & Whittle Publishing House

Not on View

Summer, No. 207, from Series of Seasons, "Vide Thomsons Seasons", May 12, 1794

Unknown English, 16th century; Publisher: Laurie & Whittle Publishing House

Not on View

Winter, No. 209, from Series of Seasons, "Vide Thomsons Seasons", May 12, 1794

Unknown English, 16th century; Publisher: Laurie & Whittle Publishing House

Not on View
black and white photograph of a nude man crouched in front of a grey ground and a white diamond shape

%C2%A9 Robert Mapplethorpe %2F The Robert Mapplethorpe Foundation

Thomas, 1987

Robert Mapplethorpe

Not on View

St. Thomas, 1514

Albrecht Dürer

Not on View
Buildings with architectural details; cathedral spire to the right and another steeple in the distance. In the foreground, a nun leads a line of young girls in school uniforms toward a building where another nun waits on the steps.

%C2%A9 Estate of Paul Kramer

St. Thomas, 20th century

Paul Kramer

Not on View

St. Thomas, 1510

Lucas Huygensz van Leyden

Not on View
Portrait. George Washington in red drapery, black costume with white frills. No signature visible.

Portrait of George Washington, c. 1820

Thomas Sully

G305

Landscape. Tohickon Creek, Pennsylvania.

A Scene on the Tohickon Creek: Autumn, 1868

Thomas Moran

G323

a pair of exceptionally rare, unusually large sized William and Mary candlesticks; plain octagonal bases, with large bold gadroon above, fluted columns with gadroon at the base, the upper part of the columns surmounted with leaves, removable bobeche

Candlestick, one of a pair, 1694-1695

Thomas Ash

G350

Screenprint based on the cover of "The Forest" from the "Nature Library" series published by TIME-LIFE BOOKS. The book cover was scanned, manipulated by the artist removing the original 'knocked-out' text and red text box, separated and printed in C/M/Y/K, and a clear satin was printed over the image. The text box was recreated and printed in red. The text was recreated in a font style similar to the original and printed in white ink.

Copyright %C2%A9 Mungo Thomson%2C published by Highpoint Editions

The Forest, 2015

Mungo Thomson; Printer: Highpoint Editions, Minneapolis; Publisher: Highpoint Editions, Minneapolis

Not on View
Screenprint depicting 14 book spines based on the "Human Behavior" series published by TIME-LIFE BOOKS with gold foil text. The original book spines were scanned, manipulated by the artist removing the text, separated and printed in C/M/Y/K. The text was recreated in a similar font eliminating the original's texture and screenprinted using acrylic adhesive onto which gold hot stamping foil was applied.

Copyright %C2%A9 Mungo Thomson%2C published by Highpoint Editions

Human Behavior, 2015

Mungo Thomson; Printer: Highpoint Editions, Minneapolis; Publisher: Highpoint Editions, Minneapolis

Not on View

Book used during proofing for color adjustment, 2015

Mungo Thomson

Not on View

Reference image printout showing spine texture, 2015

Mungo Thomson

Not on View

Quarter head embossment #1, 2016

Mungo Thomson

Not on View

Reference image printout showing color adjustment and cleaned edges, 2015

Mungo Thomson

Not on View

Mock-up printout showing equal sheet sizes, 2015

Mungo Thomson

Not on View

Reference image printout prior to color adjustment or any cleaning, 2015

Mungo Thomson

Not on View

Proof, 1/2 size with gold foil lettering, 2015

Mungo Thomson

Not on View

Embossment tests 5 - 7 with notes, 2016

Mungo Thomson

Not on View

Embossment tests 1 - 4 with notes and coins used for test, 2016

Mungo Thomson

Not on View

Quarter head embossment #3, 2016

Mungo Thomson

Not on View

1956 penny embossment, 2016

Mungo Thomson

Not on View

Quarter head embossment #2, 2016

Mungo Thomson

Not on View

Coin embossing test on white paper, 2016

Mungo Thomson

Not on View

1979 nickel head embossment, 2016

Mungo Thomson

Not on View

Mock-up printout showing float mounting, 2015

Mungo Thomson

Not on View

1990 nickel head embossment, 2016

Mungo Thomson

Not on View

Quarter tail embossment, 2016

Mungo Thomson

Not on View

Proof, 1/2 size with silver foil lettering, 2015

Mungo Thomson

Not on View

Coin embossing/printing test on tan paper, 2016

Mungo Thomson

Not on View

Proof, corner section with different foils and textured lettering, 2015

Mungo Thomson

Not on View

Typeface samples and Post-it note with artist's notes, 2015

Mungo Thomson

Not on View

Coin embossing/printing test on black paper, 2016

Mungo Thomson

Not on View

Proof, corner section with red tests, 2015

Mungo Thomson

Not on View
Portrait of Dr. Thomas Penrose holding a sketch book, seated on a bank overlooking the Duomo and Palazzo Vecchio, Florence, Italy.

Portrait of Dr. Thomas Penrose, 1798

Louis Gauffier

G305

A pair of rare large sized William and Mary candlesticks

Candlestick, one of a pair, 1694-1695

Thomas Ash; Artist: Previously attributed to Thomas Allen

G350

Clock with vestals, c. 1790

Pierre-Philippe Thomire; Manufacturer: Clockworks by Sauvageot

G314

three men in a chariot at left, with one man stepping in at back; two groomsmen lead two horses pulling chariot; men dressed in various Classical draperies; framed and glazed with glass

Model for a bronze mount (chariot scene), c. 1808

Pierre-Philippe Thomire

G314

boats with colorful sails at left; calm water; view of buildings in Venice in background

View of Venice, 1902

Thomas Moran

G353

Portrait of John Langston, Esquire, of Sarsden, 1787

Thomas Gainsborough R.A.

G306

Landscape.

Landscape, 1825

Thomas Cole

Not on View
landscape with Cornard Church in the distance

The Fallen Tree, probably between 1750 and 1753

Thomas Gainsborough R.A.

G310

Portrait. Three-quarter figure facing spectator, right hand on back of chair; left on hip. Hair worn in pompadour style of early twentieth century. Greyish-blue taffeta dress trimmed with ruching of cocoa brown silk.

Portrait of Elizabeth L. Burton, 1905-1906

Thomas Eakins

Not on View
Portrait. The subject is painted half-length wearing a brown coat.

Portrait of Robert Erwin Gray, 1811

Thomas Sully

G324

Library table, c. 1800

Thomas Hope

Not on View
broad view of Mississippi River with two figures in rowboat to L of center; small sailboat to the L; mill buildings with river boats and passengers on shore at R; faint river bluffs in distance; upper 2/3 is sky with a rainstorm at L and blue sky at R; ornate gold frame

Mississippi at Dubuque, Iowa, 1870

Alfred Thompson Bricher

G323

Ex-Libris: Gustav and Martha Thomssen, 1913

Georg Honnefer Broël

Not on View

Prince Rupert, 19th century

James Thomson; Artist: after Anthony van Dyck

Not on View
standing one-eyed man with glasses on his forehead and wild hair, wearing a small cap and cloak and leaning on a walking stick

Thomas Vireloque, 1860

Jules de Goncourt; Artist: after Paul Gavarni (Sulpice-Guillaume Chevalier)

Not on View
various imagery; bird with two upper bodies, two heads and two pairs of wings; hand at left; spider, LRQ; horse's head in silhouette, ULC

Copyright %C2%A9 Tony Fitzpatrick

St. Thomas's Birds, 1989

Tony Fitzpatrick

Not on View

Thomas Vireloque, 1854

Paul Gavarni (Sulpice-Guillaume Chevalier); Publisher: Imp. Bertauts

Not on View

Increduality of St. Thomas, 1888

Timothy Cole; Artist: after Duccio di Buoninsegna

Not on View
One of 62 impressions

St. Thomas, New York, 1918

Childe Hassam

Not on View
Old base (b) R5A2.1 MS

Psyche Abandoned, c. 1800

Augustin Pajou; Caster: Possibly Pierre-Philippe Thomire

G306

dark-skinned abstracted figure being carried by (or wearing the skin of?) a tan bird; sun-like symbol, URC

%C2%A9 Roy Thomas

Untitled [sun and bird-man], 20th century

Roy Thomas

Not on View

Ministers of State, Peking, c. 1912-1920

K. T. Thompson

Not on View
brick shape base; green dog house with black details and coin slot; dog, tan and rust, holding tray, facing house; dog bows when coin is placed on tray

"Thank You Dog Tray" mechanical bank, c. 1880

R. R. Thompson, Ltd.

Not on View
vintage print; printed 1940 or before; mounted, matted

Migrant Mother, Nipomo, California, 1936

Dorothea Lange; Depicted: Florence Owens Thompson

Not on View

Portrait of Diepenbeck, 1826

Seipse; Engraver: Peter Thomson; Publisher: John Major

Not on View
head and torso of a man wearing a heavy garment, with PR elbow resting on a stack of books, head in hand; PL hand also rests on books; face sketchy--drapery study; corners clipped

Saint Thomas Aquinas in Meditation, 17th century

Circle of Giacomo Cavedone

Not on View
Black man wearing a light-colored hat with a small brim, dark-framed glasses, plaid suit, and bow tie, with his hands in his pants pockets, standing in front of a store on a city street with a grate in front of the windows; pictures of Muhammed Ali and Malcolm X at left, behind small grate

U.S. "Slow Kid" Thompson, Harlem, 1970s

Anthony Barboza

Not on View
white budded cross with a white cloth tied around it, placed in the C in a flat landscape; blue sky across top

Thomas Merton's Grave, 2021

Math Bass

Not on View
English author and politician; from wet plate negative of an engraving

Thomas Macaulay (1800-1859), 1858-1869

Jeremiah Gurney

Not on View
bust of male figure wearing a bow tie; "Thomas A. Edison" on bottom front; copper patina

"Thomas A. Edison" still bank, c. 1958

Banthrico, Inc.

Not on View

Charles Thomas Haden, 1864

Francis Seymour Haden

Not on View

%C2%A9 Harland P. Nasvik

Walter Henry Thomas, c. 1939

Harland P. Nasvik

Not on View
English actress; from wet plate negative

Lydia Thompson (1836-1908), 1869-1874

Jeremiah Gurney

Not on View

Portrait of Thomas B. Aldrich, 19th century

William B. Closson

Not on View

Thomas Haden of Derby, 1864

Francis Seymour Haden

Not on View
matted with P.68.413 and P.68.414

Portrait of Thomas Stilianus Appules, 1625

Ottavio Leoni

Not on View

%C2%A9 Estate of Leonard Baskin

Portrait of Thomas Eakins, 1965

Leonard Baskin

Not on View

Portrait of Thomas Bailey Aldrich, 19th century

William B. Closson

Not on View

Title Page, Vol. II, from The Caricature Magazine,/ Or/ Hudibrastic Mirror/ By/ Thomas Rowlandson, Esq., 1807-1809

Thomas Rowlandson; Publisher: Thomas Tegg , 111 Cheapside, London

Not on View

St. Thomas, 19th century

Paolo Toschi; Artist: after Correggio (Antonio Allegri)

Not on View

St. Thomas, 16th century

Jerome Wierix; Artist: After Albrecht Dürer

Not on View

St. Thomas, 15th century

Israhel van Meckenem; Artist: after Hans Holbein

Not on View
large tree right foreground; man carrying a bundle of sticks(?) with a second bundle at his feet; dog sleeping at right; two cows at left; thatched building left middle ground

Print, 18th century

Thomas Rowlandson; Delineator: After Thomas Gainsborough R.A.

Not on View

%C2%A9 Thomas DeBiaso

Untitled, 1977

Thomas DeBiaso

Not on View

An Anatomical Lecture at Royal Academy of Arts, 1780s

Thomas Rowlandson

Not on View
Close-up of man's face with blank eyes, scruffy beard and short, slightly spikey hair; wearing a jacket and a shirt with a turned-up collar

%C2%A9 Tom Arndt

Portrait of a Man, Chicago, 1991

Thomas F. Arndt

Not on View
three figures in front of a narrow wooden walkway between two brick buildings; girl at L wearing zippered sweatshirt and carrying plastic bag; boy with shaved head at center wearing sweatshirt printed, "GHOLO (?) BOY"; seated smoking boy at R, wearing sweatshirt printed, "FELIX"

%C2%A9 Tom Arndt

Kids Standing on Steps, Pilsen Neighborhood, Chicago, 1999

Thomas F. Arndt

Not on View
seated female figure wearing gown and acantus leaf crown, with a starred and striped shield and sword; crowd of kneeling, supplicating men at L, two holding documents

Pardon, from "Harper's Weekly", August 5, 1865

after Thomas Nast

Not on View
standing female figure wearing gown and acantus leaf crown, with her PR hand on the shoulder of a black soldier, missing his PR leg, on crutches

Franchise, from "Harper's Weekly", August 5, 1865

after Thomas Nast

Not on View

Morning on the St. Johns, Florida, 1881

Thomas Moran

Not on View
caricature

Box-Lobby Loungers, 1786

Thomas Rowlandson

Not on View

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