Untitled [Thomsen's], Garry Winogrand; Publisher: RFG Publishing, Inc., New York — Untitled [Thomsen's], 1981
Garry Winogrand; Publisher: RFG Publishing, Inc., New York

Not on View

Stripes No. 88, 2015

Cornelia Thomsen

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Steel mill — Edgar Thomson, 1997
Craig McPherson

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The London Boardmen, John Thomson — The London Boardmen, c. 1877
John Thomson

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Granite Quarry, Barre, Vermont, J. Barry Thomson — Granite Quarry, Barre, Vermont, 1982
J. Barry Thomson

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Illustration for Puck Magazine, Rodney Thomson — Illustration for Puck Magazine, 1909
Rodney Thomson

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Gas Works, George V. Thomson — Gas Works, c. 1932
George V. Thomson

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Grain Elevator, George V. Thomson — Grain Elevator, c. 1938
George V. Thomson

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East Wind, George V. Thomson — East Wind, c. 1934
George V. Thomson

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Portrait. George Washington in red drapery, black costume with white frills. — Portrait of George Washington, c. 1820
Thomas Sully

G332

The artist tossed US currency half dollars, quarters, and dimes of random numbers and years creating patterns to be blind embossed into aluminum foil. A total of 28 compositions were produced. Holes corresponding to the composition were laser-cut into a 20 x 24 x 1/8 inch acrylic sheet and 3 mil aluminum foil was adhered to the sheet using Drytac Facemount film adhesive. Coins with corresponding dates and orientation were fitted into the sheet and embossed into the foil using an etching press. The coins were removed, the cavities painted with shellac, and filled with Durham's Rock Hard Water Putty. The foil was wrapped around the acrylic sheet's edge and secured with Scotch Double Sided Tape. The embossed foil-wrapped acrylic sheet was then adhered to 3/8 inch medium density fiber board using DAP Weldwood Contact Cement. A label bearing the publisher's name, the artist's signature, date and inventory number was then affixed to the back. The artist chose to leave the metal surface unfinished allowing it to age and patina just as the coins they are based on expecting and welcoming the changes. The rate and amount of changes will vary depending on their environment. — Pocket Universe (Silver) #21, 2016
Mungo Thomson; Publisher: Highpoint Editions, Minneapolis

Not on View

The artist tossed US currency pennies of random numbers and years creating patterns to be blind embossed into copper foil. A total of 28 compositions were produced. Holes corresponding to the composition were laser-cut into a 20 x 24 x 1/8 inch acrylic sheet and 3 mil copper foil was adhered to the sheet using Drytac Facemount film adhesive. Coins with corresponding dates and orientation were fitted into the sheet and embossed into the foil using an etching press. The coins were removed, the cavities filled with Durham's Rock Hard Water Putty, and the foil was wrapped around the acrylic sheet's edge and secured with Scotch Double Sided Tape. The embossed foil-wrapped acrylic sheet was then adhered to 3/8 inch medium density fiber board using DAP Weldwood Contact Cement. A label bearing the publisher's name, the artist's signature, date and inventory number was then affixed to the back. The artist chose to leave the metal surface unfinished allowing it to age and patina just as the coins they are based on expecting and welcoming the changes. The rate and amount of change will vary depending on their environment. — Pocket Universe (Copper) #23, 2016
Mungo Thomson; Publisher: Highpoint Editions, Minneapolis

Not on View

Summer, No. 207, from Series of Seasons, "Vide Thomsons Seasons", Unknown English, 16th century; Publisher: Laurie & Whittle Publishing House — Summer, No. 207, from Series of Seasons, "Vide Thomsons Seasons", May 12, 1794
Unknown English, 16th century; Publisher: Laurie & Whittle Publishing House

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Autumn, No. 208, from Series of Seasons, "Vide Thomsons Seasons", Unknown English, 16th century; Publisher: Laurie & Whittle Publishing House — Autumn, No. 208, from Series of Seasons, "Vide Thomsons Seasons", May 12, 1794
Unknown English, 16th century; Publisher: Laurie & Whittle Publishing House

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Spring, No. 206, from Series of Seasons, "Vide Thomsons Seasons", Unknown English, 16th century; Publisher: Laurie & Whittle Publishing House — Spring, No. 206, from Series of Seasons, "Vide Thomsons Seasons", May 12, 1794
Unknown English, 16th century; Publisher: Laurie & Whittle Publishing House

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Winter, No. 209, from Series of Seasons, "Vide Thomsons Seasons", Unknown English, 16th century; Publisher: Laurie & Whittle Publishing House — Winter, No. 209, from Series of Seasons, "Vide Thomsons Seasons", May 12, 1794
Unknown English, 16th century; Publisher: Laurie & Whittle Publishing House

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St. Thomas, Albrecht Dürer — St. Thomas, 1514
Albrecht Dürer

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Buildings with architectural details; cathedral spire to the right and another steeple in the distance. In the foreground, a nun leads a line of young girls in school uniforms toward a building where another nun waits on the steps. — St. Thomas, 20th century
Paul Kramer

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St. Thomas, Lucas Huygensz van Leyden — St. Thomas, 1510
Lucas Huygensz van Leyden

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black and white photograph of a nude man crouched in front of a grey ground and a white diamond shape — Thomas, 1987
Robert Mapplethorpe

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Plate 29, page 256, 1822

Thomson

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Portrait. Three-quarter figure facing spectator, right hand on back of chair; left on hip. Hair worn in pompadour style of early twentieth century. Greyish-blue taffeta dress trimmed with ruching of cocoa brown silk. — Portrait of Elizabeth L. Burton, 1905-1906
Thomas Eakins

G322

Landscape. Tohickon Creek, Pennsylvania. — A Scene on the Tohickon Creek: Autumn, 1868
Thomas Moran

G323

landscape with Cornard Church in the distance — The Fallen Tree, probably between 1750 and 1753
Thomas Gainsborough R.A.

G310

a pair of exceptionally rare, unusually large sized William and Mary candlesticks; plain octagonal bases, with large bold gadroon above, fluted columns with gadroon at the base, the upper part of the columns surmounted with leaves, removable bobeche — Candlestick, one of a pair, 1694-1695
Thomas Ash

G350

Mythological figures in a landscape. A tribute to jazz musician Nina Simone. — Homage to Nina Simone, 1965
Bob Thompson

Not on View

Screenprint depicting 14 book spines based on the "Human Behavior" series published by TIME-LIFE BOOKS with gold foil text. The original book spines were scanned, manipulated by the artist removing the text, separated and printed in C/M/Y/K. The text was recreated in a similar font eliminating the original's texture and screenprinted using acrylic adhesive onto which gold hot stamping foil was applied. — Human Behavior, 2015
Mungo Thomson; Printer: Highpoint Editions, Minneapolis; Publisher: Highpoint Editions, Minneapolis

Not on View

Screenprint based on the cover of "The Forest" from the "Nature Library" series published by TIME-LIFE BOOKS. The book cover was scanned, manipulated by the artist removing the original 'knocked-out' text and red text box, separated and printed in C/M/Y/K, and a clear satin was printed over the image. The text box was recreated and printed in red. The text was recreated in a font style similar to the original and printed in white ink. — The Forest, 2015
Mungo Thomson; Printer: Highpoint Editions, Minneapolis; Publisher: Highpoint Editions, Minneapolis

Not on View

Portrait of Dr. Thomas Penrose holding a sketch book, seated on a bank overlooking the Duomo and Palazzo Vecchio, Florence, Italy. — Portrait of Dr. Thomas Penrose, 1798
Louis Gauffier

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1979 nickel head embossment, 2016

Mungo Thomson

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1990 nickel head embossment, 2016

Mungo Thomson

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1956 penny embossment, 2016

Mungo Thomson

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Quarter head embossment #1, 2016

Mungo Thomson

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Embossment tests 1 - 4 with notes and coins used for test, 2016

Mungo Thomson

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Proof, corner section with red tests, 2015

Mungo Thomson

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Embossment tests 5 - 7 with notes, 2016

Mungo Thomson

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Quarter head embossment #2, 2016

Mungo Thomson

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Quarter head embossment #3, 2016

Mungo Thomson

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Quarter tail embossment, 2016

Mungo Thomson

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Book used during proofing for color adjustment, 2015

Mungo Thomson

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Reference image printout showing color adjustment and cleaned edges, 2015

Mungo Thomson

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Proof, corner section with different foils and textured lettering, 2015

Mungo Thomson

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Proof, 1/2 size with silver foil lettering, 2015

Mungo Thomson

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Reference image printout prior to color adjustment or any cleaning, 2015

Mungo Thomson

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Proof, 1/2 size with gold foil lettering, 2015

Mungo Thomson

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Typeface samples and Post-it note with artist's notes, 2015

Mungo Thomson

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Reference image printout showing spine texture, 2015

Mungo Thomson

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Mock-up printout showing equal sheet sizes, 2015

Mungo Thomson

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Mock-up printout showing float mounting, 2015

Mungo Thomson

Not on View

Coin embossing/printing test on black paper, 2016

Mungo Thomson

Not on View

Coin embossing/printing test on tan paper, 2016

Mungo Thomson

Not on View

Coin embossing test on white paper, 2016

Mungo Thomson

Not on View

A pair of rare large sized William and Mary candlesticks — Candlestick, one of a pair, 1694-1695
Thomas Ash; Artist: Previously attributed to Thomas Allen

G350

vintage print; printed 1940 or before; mounted, matted — Migrant Mother, Nipomo, California, 1936
Dorothea Lange; Depicted: Florence Owens Thompson

Not on View

Clock with vestals, Pierre-Philippe Thomire; Manufacturer: Clockworks by Sauvageot — Clock with vestals, c. 1790
Pierre-Philippe Thomire; Manufacturer: Clockworks by Sauvageot

G314

Minnesota landscape — View of Fort Snelling, c. 1850
Edward K. Thomas

G303

Landscape. — Landscape, 1825
Thomas Cole

Not on View

Landscape. View of the Hudson River looking across towards West Point. — View of West Point, c. 1850
Thomas Chambers

G304

Portrait. The subject is painted half-length wearing a brown coat. — Portrait of Robert Erwin Gray, 1811
Thomas Sully

G324

Library table, Thomas Hope — Library table, c. 1800
Thomas Hope

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three men in a chariot at left, with one man stepping in at back; two groomsmen lead two horses pulling chariot; men dressed in various Classical draperies; framed and glazed with glass — Model for a bronze mount (chariot scene), c. 1808
Pierre-Philippe Thomire

G314

front of nude woman and back of nude man surrounded by buildings; black frame with gold filet — Two Nudes, c. 1922
Marguerite Thompson Zorach

G377

Morpeth Bridge, Thomas Girtin — Morpeth Bridge, c. 1796
Thomas Girtin

G353

Portrait of John Langston, Esquire, of Sarsden, Thomas Gainsborough R.A. — Portrait of John Langston, Esquire, of Sarsden, 1787
Thomas Gainsborough R.A.

G306

Ex-Libris: Gustav and Martha Thomssen, 1913

Georg Honnefer Broël

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One of 62 impressions — St. Thomas, New York, 1918
Childe Hassam

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Thomas Vireloque, Paul Gavarni (Sulpice-Guillaume Chevalier); Publisher: Imp. Bertauts — Thomas Vireloque, 1854
Paul Gavarni (Sulpice-Guillaume Chevalier); Publisher: Imp. Bertauts

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Increduality of St. Thomas, Timothy Cole; Artist: after Duccio di Buoninsegna — Increduality of St. Thomas, 1888
Timothy Cole; Artist: after Duccio di Buoninsegna

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various imagery; bird with two upper bodies, two heads and two pairs of wings; hand at left; spider, LRQ; horse's head in silhouette, ULC — St. Thomas's Birds, 1989
Tony Fitzpatrick

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standing one-eyed man with glasses on his forehead and wild hair, wearing a small cap and cloak and leaning on a walking stick — Thomas Vireloque, 1860
Jules de Goncourt; Artist: after Paul Gavarni (Sulpice-Guillaume Chevalier)

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Old base (b) R5A2.1 MS — Psyche Abandoned, c. 1800
Augustin Pajou; Caster: Possibly Pierre-Philippe Thomire

G306

man wearing a light-colored short-sleeved shirt over a dark long-sleeved shirt in foreground; gentle hills with a trail in background; moon at ULC — Thomas Murphy, San Mateo County Coast, California, October 24, 1947
Minor White

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Prince Rupert, 19th century

James Thomson; Artist: after Anthony van Dyck

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Ministers of State, Peking, K. T. Thompson — Ministers of State, Peking, c. 1912-1920
K. T. Thompson

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brick shape base; green dog house with black details and coin slot; dog, tan and rust, holding tray, facing house; dog bows when coin is placed on tray — "Thank You Dog Tray" mechanical bank, c. 1880
R. R. Thompson, Ltd.

Not on View

covered sauce tureen and stand, gold and bleu du roi borders, grisaille medallions — Covered sauce tureen with stand, 1792
Thomas Flight's Worcester Porcelain Factory

G333

head and torso of a man wearing a heavy garment, with PR elbow resting on a stack of books, head in hand; PL hand also rests on books; face sketchy--drapery study; corners clipped — Saint Thomas Aquinas in Meditation, 17th century
Circle of Giacomo Cavedone

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Portrait of Thomas Eakins, Leonard Baskin — Portrait of Thomas Eakins, 1965
Leonard Baskin

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Portrait of Thomas B. Aldrich, William B. Closson — Portrait of Thomas B. Aldrich, 19th century
William B. Closson

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Portrait of Thomas Bailey Aldrich, William B. Closson — Portrait of Thomas Bailey Aldrich, 19th century
William B. Closson

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matted with P.68.413 and P.68.414 — Portrait of Thomas Stilianus Appules, 1625
Ottavio Leoni

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English actress; from wet plate negative — Lydia Thompson (1836-1908), 1869-1874
Jeremiah Gurney

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Thomas Haden of Derby, Francis Seymour Haden — Thomas Haden of Derby, 1864
Francis Seymour Haden

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Charles Thomas Haden, Francis Seymour Haden — Charles Thomas Haden, 1864
Francis Seymour Haden

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man tied to tree at left; man with knife in hand on one knee; man with lyre, seated, pointing; man seated at right; all figures in foreground; arched bridge left middle ground; gate with arch middle ground center; field with sheep left distance; trees at right middle ground; hills and fields at distance — Romæ apud Philippum Thomassinu, 18th century
After Raphael (Raffaello Sanzio or Santi); Engraver: Bentricius, Der Meister mit dem Würfel

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bust of male figure wearing a bow tie; "Thomas A. Edison" on bottom front; copper patina — "Thomas A. Edison" still bank, c. 1958
Banthrico, Inc.

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English author and politician; from wet plate negative of an engraving — Thomas Macaulay (1800-1859), 1858-1869
Jeremiah Gurney

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Walter Henry Thomas, Harland P. Nasvik — Walter Henry Thomas, c. 1939
Harland P. Nasvik

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Black man wearing a light-colored hat with a small brim, dark-framed glasses, plaid suit, and bow tie, with his hands in his pants pockets, standing in front of a store on a city street with a grate in front of the windows; pictures of Muhammed Ali and Malcolm X at left, behind small grate — U.S. "Slow Kid" Thompson, Harlem, 1970s
Anthony Barboza

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white budded cross with a white cloth tied around it, placed in the C in a flat landscape; blue sky across top — Thomas Merton's Grave, 2021
Math Bass

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St. Thomas, 15th century

Israhel van Meckenem; Artist: after Hans Holbein

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St. Thomas, 16th century

Jerome Wierix; Artist: After Albrecht Dürer

Not on View

St. Thomas, 19th century

Paolo Toschi; Artist: after Correggio (Antonio Allegri)

Not on View

Portrait of Diepenbeck, 1826

Seipse; Engraver: Peter Thomson; Publisher: John Major

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Title Page, Vol. II, from The Caricature Magazine,/ Or/ Hudibrastic Mirror/ By/ Thomas Rowlandson, Esq., Thomas Rowlandson; Publisher: Thomas Tegg , 111 Cheapside, London — Title Page, Vol. II, from The Caricature Magazine,/ Or/ Hudibrastic Mirror/ By/ Thomas Rowlandson, Esq., 1807-1809
Thomas Rowlandson; Publisher: Thomas Tegg , 111 Cheapside, London

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large tree right foreground; man carrying a bundle of sticks(?) with a second bundle at his feet; dog sleeping at right; two cows at left; thatched building left middle ground — Print, 18th century
Thomas Rowlandson; Delineator: After Thomas Gainsborough R.A.

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Part of a portfolio — Gas Chamber, Dachau, 1985
Thomas F. Arndt

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looking out window of fast moving train — En Route to Dachau, 1985
Thomas F. Arndt

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rainy day, figure with umbrella — East Berlin, 1985
Thomas F. Arndt

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woman and child at Berlin Wall — West Berlin, 1985
Thomas F. Arndt

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