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left panel of vertical hosoban triptych

Actor Nakayama Tatezō as Motoyosho Shirō, c.1792, 11th lunar month

Katsukawa Shun'ei; Publisher: Nishimuraya Yohachi

Not on View
shallow bowl on a small, short foot, with form slightly crushed; green glaze with grey areas; tan fired areas on bottom

Large Tea Bowl with Grey and Green Glazes, 2002

Tsujimura Shirō

Not on View
deep bowl with ring foot; orange glaze with inherant radiating cracks throughout; areas of thick milky-white overglaze; has storage box

Ido-style tea bowl, 2002

Tsujimura Shirō

Not on View
large vessel; bulbous body on small foot; short neck with wide mouth; thick glaze with white bubbles; brown and green

Jar, 2003

Tsujimura Shirō

Not on View
round, rough, white jar with rust colored markings; thick white glaze; horizontal ribbing on body; round, concave lid with globular handle

%C2%A9 Tsujimura Shir%C5%8D

Freshwater jar, 2003

Tsujimura Shirō

Not on View
slightly irregular bowl shape with vertical sides; cream, brown and blue glazes

Shino-style tea bowl, 2000

Tsujimura Shirō

Not on View
vertical format; rather unarticulated rough clay with very sketchy head/face; body very rough; brown/grey

%C2%A9 Tsujimura Shiro

Tanuki (badger), 20th century

Tsujimura Shirō

Not on View
sake cup; small foot; dish-shaped, with sides slightly flattened; grey bottom; white and brown glaze

Kohiki sake cup, 20th century

Tsujimura Shirō

Not on View
very rough texture; very heavy; tall triangular block from with round hole at top cetner; green and grey; slightly tilting--asymmetrical

(Triangular Vase), 20th century

Tsujimura Shirō

Not on View
bowl shaped with straight sides and lip, with form slightly crushed; grey glaze; small short foot

Hidashiguro-style tea bowl, 2000

Tsujimura Shirō

Not on View
orange with creamy dripped over-glaze; bowl with sloping sides; small short foot

Okugorai-style tea bowl, 2000

Tsujimura Shirō

Not on View
irregular, columnar vase with very thick walls; six angled sides; very sharp, knobby texture with gray, tan, and pale blue glazes; small circular opening at top

Vase, early 21st century

Tsujimura Shirō

Not on View
shallow sake cup with pink glaze; hints of creamy white over glaze; wide mouth tapers to narrow base

Sake cup (guinomi), early 21st century

Tsujimura Shirō

Not on View
globe-like vessel with off-center, oval mouth; slightly raised lip; incised linear markings throughout, including an equator line around the middle; green and rust colored glazes with thick, green drips; sharp, white knobby inclusions throughout

Jar, c. 2009

Tsujimura Shirō

Not on View
irregular jar-shaped vessel with raised neck and lip; brown, charcoal, light green, and beige glazes with an area of orange; raised white spots and raised, broken arc around top of orange

Vase, early 21st century

Tsujimura Shirō

Not on View
small irregular ring foot; flat base above foot; straight sides with outward-flaring mouth; rough texture; white with grey and brown

Kohiki tea bowl, 20th century

Tsujimura Shirō

Not on View
concave base; rough textured surface; tan and grey; rounded body; short narrow neck with spool mouth

Vase, 20th century

Ōtani Shirō

Not on View
sake server; flat, slightly concave bottom; rounded teardrop-shaped body with small short neck and outward-flaring mouth; highly textured, with milky white glaze spots; bulbous accretions and large firing flaw at bottom; green and brown; incised triangle on side

Flask (tokkuri), 20th century

Tsujimura Shirō

Not on View
large flat base; vertical bowl sides have openwork band of X's with ribs on exterior; orange and tan with round off-center tan spot at interior bottom

(Lattice-edge Bowl), 20th century

Ōtani Shirō

Not on View
rather unarticulated rough clay; seated figure with four small protruding elements on top of head; large eyes--slashes--and frowning slash for mouth; red and dark grey

%C2%A9 Tsujimura Shiro

Ema (Hell God), 20th century

Tsujimura Shirō

Not on View
tea bowl; small ring foot; very wide base; cylindrical shaped with sides pushed slightly inward to form spout; rough texture; green and tan; incised check mark shape on side of body

Tea bowl (chawan), 20th century

Tsujimura Shirō

Not on View
bowl shape, with slightly inward-curving mouth; small, short foot; shiny dark grey glaze, with metallic-looking areas

Rakukei Hidashiguro-style tea bowl, 2000

Tsujimura Shirō

Not on View
line drawing of a nude woman with her arms above her head--out of the picture plane--and her PL leg drawn up; brown and grey flecked paper

%C2%A9 Tsujimura Shiro

Nude, 20th century

Tsujimura Shirō

Not on View
grey and black; abstracted view of tall, straight tree trunks with wavy lines of smoke in middle ground

Bon Fire, 1959

Kasamatsu Shirō (self-published)

Not on View
six hanging lanterns with various openwork designs in a dark temple; deer outdoors in LLQ; red walls on exterior visible through windows at top

Kasuga Shrine, 1964

Kasamatsu Shirō (self-published)

Not on View
view of a garden through an open doorway with tree at center; grid of paper-covered sliding door at right; grey and black

Garden of a Zen Temple, 1964

Kasamatsu Shirō (self-published)

Not on View
predominately orange, yellow, and brown; abstracted horizontal rows of orange and yellow grasses; three figures in grey at rigth center; buildings at top with orange roofs

Ohara in Autumn, 1963

Kasamatsu Shirō (self-published)

Not on View
large tree with grey trunk and black silhouetted branches and leaves; woman and child with umbrellas at bottom center; grey misty sky; low horizon line

Rainy Season at Kinokunizaka, 1950s

Kasamatsu Shirō; Publisher: Watanabe Shōzaburō

Not on View
kneeling woman in an interior setting, wearing a purple floral kimono and holding a red cloth

%C2%A9 Kasamatsu Shir%C5%8D

Tea Ceremony in Early Spring, 1932

Kasamatsu Shirō; Publisher: Watanabe Shōzaburō

Not on View
very large hanging red lantern with black characters on front, with a smaller brown lantern with gold characters in front of it; men in Western dress (overcoats and fedora hats) and women in kimonos on steps in foreground

Great lantern at Asakusa Kannondō, 1950s

Kasamatsu Shirō; Publisher: Watanabe Shōzaburō

Not on View
elaborate gateway in white, grey, blue, and gold, flanked by red, blue, and khaki green structures; row of grey lanterns in foreground; snow

Snow at Yomei Gate, Nikko, 1952

Kasamatsu Shirō; Publisher: Unsōdō; Printer: Shinmi Saburō; Carver: Nagashima Michio

Not on View
people wearing predominately blue garments working in a field with yellow crops; brown steer at right center; blue mountain peak in background

Harvesting, 1953

Kasamatsu Shirō; Publisher: Unsōdō; Printer: Shinmi Saburō; Carver: Nagashima Michio

Not on View
Mt. Fuji with orange sky; row of buildings and power poles along a grey road extending back toward right; figure with a child on road; glowing orange sign on nearest power pole; orange glow in windows

Fuji from Yoshida, 1958

Kasamatsu Shirō; Publisher: Unsōdō; Printer: Shinmi Saburō; Carver: Ōkura Hanbei III

Not on View

Untitled, 20th century

Tsujimura Shirō

Not on View

Falling Rain, late 18th - early 19th century

Inoue Shirō

Not on View
Abstraction with numerous square patches of color.

%C2%A9 Estate of Shirley Goldfarb %2F Artists Rights Society %28ARS%29%2C NY %2F ADAGP%2C Paris

Blue and Blue, 1967

Shirley Goldfarb

G375

hide shirt with fringe on arms and neckpiece and short fringe on bottom; beaded strips on sleeves and over shoulders; triangular beaded flaps at neck, front and back; pink beaded ground with geometric multicolored designs

Shirt, c. 1890

A'aninin (Gros Ventre)

Not on View
green shirt that buttons on one side under sleeve; upper portion of shirt is embroidered on front and back; sleeves are completely covered with embroidery

Shirt, 20th century

Miao

G210

dark brown; small silver and gold butterfly; silver and gold flower with red and brown leaves; blue silk bag included

Octagonal pipe case depicting flower and butterfly, c. 1840s

Shiraku

Not on View
small box; top has two overlapping squares with rounded corners--top square with grasses and flowers against dark ground with clouds, bottom square with building, tree, rocks, and clouds; gold and amber; gold exterior; gold flecked amber interior and bottom; unsigned

Incense box with landscape design, late 18th century

Shiraku

Not on View
rounded form overall; slightly squat; short neck with outward-flaring mouth; rough texture; shiny grey at top, dull at bottom

(Sue Vase), late 20th century

Shiromoto Kazue

Not on View
tan, textured paper ground with abstract, sparse painting in black comprised of two thick, round globs and wavy, broad strokes

%C2%A9 Morita Shiry%C5%AB

Return, 1961

Morita Shiryū

Not on View
two islands; smaller island at left; sunset at left; two flying white cranes at left; teal trees; orange, yellow and white buildings; three figures seated at an orange table with tea on third panel from left; blue waves with whitecaps; block of text in black with red seal in URC

%C2%A9 Estate Shirakura Ka%27ny%C5%AB

The Three Paradisiacal Isles [right of a pair], mid 20th century

Shirakura Ka'nyū

Not on View
islands with teal trees and mountains; two cranes at left in a small clearing; orange, yellow and white buildings; figure wearing yellow garment and salmon-colored hood walking with a white deer at bottom of third panel from left; two figures--one wearing white garment and yellow hood, the other wearing a small black cap, blue shirt and yellow pants--on a path at bottom of third panel from left; two figures seated in a small courtyard--one wearing white with yellow hood, one wearing pale blue--at bottom of second panel from right; inscription and seal in LLC

%C2%A9 Estate Shirakura Ka%27ny%C5%AB

The Three Paradisiacal Isles [left of a pair], mid 20th century

Shirakura Ka'nyū

Not on View
several white flowers with wide petals, and thin white filaments with orange tips; long broad green leaves behind flowers, with a dark blue background

%C2%A9 Shirley Russell

White Ginger, c. 1936

Shirley Russell

Not on View
pieces of fragmented material, in colorful, pixilated designs, layered over each other to form an abstract dimensional image; turquoise background; red rectangle, arranged vertically in C; yellow shape with tiny dots in TC; black frame; long, skinny geometric shape on the R

New Moon Construction, Number 10, 2021

Erin Shirreff

Not on View
geometric designs in a variety of colors in a sculptural form; two notched black pyramid shapes on either end of red textured bar form base; large open gold ring on one side with small yellow bar extending out on a diagonal, attached to a purple cylinder; grey triangular shaped attached to top of gold ring, topped with black double wedge shape in shiny black enamel, yellow square shape, copper-colored rod with light blue sideways pyramidal shapes, and horizontal silver ring with three black cylinders

%C2%A9 Peter Shire

Menorah #2, 1986

Peter Shire

Not on View
image of three standing Black men; man at left is heavy set with small moustache and hands on waist, wearing turquoise shirt and brown pants; man at center wears light blue sweatshirt, pink pants and white, pink and brown checked cap; man at right has short beard and wears blue and brown spotted shirt and blue pants

Willy, Billy Joe, and Leroy, 1973

Shirley Gorelick

Not on View

Sketch made on Indian Reservation, Montana, 19th century

Walter Shirlaw

Not on View

Montana Indian Reservation I, 19th century

Walter Shirlaw

Not on View

Sketch made on Indian Reservation, Montana, 19th century

Walter Shirlaw

Not on View

Sketch made on Indian Reservation, Montana, c. 1890

Walter Shirlaw

Not on View

Sketch made on Indian Reservation, Montana, c. 1890

Walter Shirlaw

Not on View

Sketch made on Indian Reservation, Montana, c. 1890

Walter Shirlaw

Not on View

Sketch made on Indian Reservation, Montana, c. 1890

Walter Shirlaw

Not on View

Sketch made on Indian Reservation, Montana, 19th century

Walter Shirlaw

Not on View

Sketch made on Indian Reservation, Montana, 19th century

Walter Shirlaw

Not on View

Sketch made on Indian Reservation, Montana, c. 1890

Walter Shirlaw

Not on View

Sketch made on Indian Reservation, Montana, c. 1890

Walter Shirlaw

Not on View

Study of Indian Riding, c. 1890

Walter Shirlaw

Not on View

Study of Indian Riding, 19th century

Walter Shirlaw

Not on View

Sketch made on Indian Reservation, Montana, c. 1890

Walter Shirlaw

Not on View

Sketch made on Indian Reservation, Montana, 19th century

Walter Shirlaw

Not on View

Sketch made on Indian Reservation, Montana, c. 1890

Walter Shirlaw

Not on View

Sketch made on Indian Reservation, Montana, c. 1890

Walter Shirlaw

Not on View

Sketch made on Indian Reservation, Montana, 19th century

Walter Shirlaw

Not on View

Sketch made on Indian Reservation, Montana, c. 1890

Walter Shirlaw

Not on View

Tree Study, 19th century

Walter Shirlaw

Not on View

Woman In The Park, 19th century

Walter Shirlaw

Not on View

Sketch made on Indian Reservation, Montana, 19th century

Walter Shirlaw

Not on View

Study for Toning of the Bell, 19th century

Walter Shirlaw

Not on View

Sketch made on Indian Reservation, Montana, 19th century

Walter Shirlaw

Not on View

Sketch made on Indian Reservation, Montana, 19th century

Walter Shirlaw

Not on View

Sketch made on Indian Reservation, Montana, c. 1890

Walter Shirlaw

Not on View

Sketch made on Indian Reservation, Montana, 19th century

Walter Shirlaw

Not on View

Sketch made on Indian Reservation, Montana, c. 1890

Walter Shirlaw

Not on View

Sketch made on Indian Reservation, Montana, c. 1890

Walter Shirlaw

Not on View

Sketch made on Indian Reservation, Montana, c. 1890

Walter Shirlaw

Not on View

Study of Indian Riding, c. 1890

Walter Shirlaw

Not on View

Study of Indian Riding, c. 1890

Walter Shirlaw

Not on View

Sketch on Indian Reservation, Montana, 19th century

Walter Shirlaw

Not on View

Sketch made on Indian Reservation, Montana, c. 1890

Walter Shirlaw

Not on View

Western Landscape, 19th century

Walter Shirlaw

Not on View

Sketch made on Indian Reservation, Montana, c. 1890

Walter Shirlaw

Not on View

Sketch made on Indian Reservation, Montana, c. 1890

Walter Shirlaw

Not on View

Study of Indian Riding, c. 1890

Walter Shirlaw

Not on View

Study of Indian Riding, c. 1890

Walter Shirlaw

Not on View

Sketch made on Indian Reservation, Montana, 19th century

Walter Shirlaw

Not on View

Sketch made on Indian Reservation, Montana, 19th century

Walter Shirlaw

Not on View

Sketch made on Indian Reservation, Montana, 19th century

Walter Shirlaw

Not on View

Rothenberg, 19th century

Walter Shirlaw

Not on View

Sketch made on Indian Reservation, Montana, 19th century

Walter Shirlaw

Not on View

Sketch made on Indian Reservation, Montana, 19th century

Walter Shirlaw

Not on View

Montana Indian Reservation II, 19th century

Walter Shirlaw

Not on View
虎 Tora

Tiger, 1964

Morita Shiryū

Not on View

Church at Polling, Bavaria, 19th century

Walter Shirlaw

Not on View

View, 1964

Morita Shiryū

Not on View
boxy shirt; pullover style with long sleeves, long tail; blue body with white geometric dye-resist designs; black and white sleeves and tail with embroidered geometric band designs in red, yellow, green and white

Shirt, Date Unknown

Miao

Not on View
white and tan striped textile with geometric embroidery at the chest area; sides of shirt are completely open; neck opening is "v" shaped and has blue lining; edges of shirt are hemmed

Shirt, Date Unknown

Yoruba

Not on View
yellow; longer sleeves; keyhole opening with button closure at back of neck; embroidered overall with red flower-like medallions and purple, green and red various small designs; long red embroidered panel with heart-like and flower motifs at front; red geometric designs on shoulders

Shirt, early-mid 20th century

Pakistan

Not on View

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