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abstract leaf like form with mother-of-pearl inlay at top and near bottom; opposite side resembles bat wing; attaches to small rectangular wooden base

%C2%A9 Shingo Muramoto

Wing of Foliage #37, 2010

Muramoto Shingo

Not on View
curled leaf; red on exterior, brown on interior; some intentional holes

%C2%A9 Shingo Muramoto

Wing of Foliage: Bending in the Wind, 2015

Muramoto Shingo

Not on View
square plate with blunted corners; corners are gently raised; beige background with brown and red circle at center

Plate, early 21st century

Koyama Shingo

Not on View
red lacquered leaf form with trailing silver dot design beginning at bottom; patterned metal on back; small angled metal tube for mounting

%C2%A9 Shingo Muramoto

Wing of Foliage #32, 2010

Muramoto Shingo

Not on View
organic, leaf like form supported by forked twig that becomes portion of the form's body, and tall, narrow point; another smaller twig supporting bottom; black and rich brown lacquer with faint gold pattern

%C2%A9 Shingo Muramoto

Wing of Foliage #10-09, 2012

Muramoto Shingo

Not on View

Extension No. 12, 1974

Honda Shingo

Not on View
recumbent rabbit, scratching its head with its proper left rear paw

Netsuke [rabbit], 20th century

Shingyoku

Not on View
male figure seated at desk in front of window looking outside; man's PR eye is shut or missing; snow-covered trees and fence outside; three samurai gathered outside behind fence, outside of view; fourth figure in yellow enters gate at L

Takeda Shingen Visits in the Snow, late 19th century

Haneda Gesshū

Not on View
seated male figure holding a court noble's scepter, with face and hairstyle of a Bosatsu; mounted to plaque on back; legs folded in lotus position

Shinto God, 12th-13th century

Unknown Japanese

G220

Abstract assemblage in browns, tans, grey, black and cream; raised rectangular box-like elements at center--some open, some "closed"; predominately horizontal and vertical layered elements of various colors and textures; one open rectangular box has thin paperlike elements in various layers; wavy black lines and small frenetic tic marks particularly concentrated on topmost closed rectangular box and at bottom center; metal envelope clasp at top left of center; received in a shadowbox with silver edging

%C2%A9 Shinro Ohtake

Time Memory / Fault 11, 2016

Shinro Ohtake

G374

Columnar bundle of clothing (primarily denim) and other textiles, tied together in a bundle with black and white ribbon; fabrics are predominately blues and purples; mirror on one side decorated with black organic lines; rectangular wooden base partially covered with various fabrics and trims including denim and dripping purple pigments on one side; copper colored metal pendant in a type of dreamcatcher form with a crystal on one side, hanging from twisted black ribbon and yarn

%C2%A9 Shinique Smith

Bale Variant No. 0024 (Everything), 2017

Shinique Smith

G374

long-stemmed, tall plants growing in water

Copyright of the artist%2C artist%27s estate%2C or assignees

Untitled, c. 1920

Shindo T.K

Not on View
cat on ground looking up to cat on rock above at L, amid bamboo; purple and white chrysanthemums

Cats by Bamboo and Chrysanthemums, 18th century

Shin Sen

Not on View
image of white and gray cat crouched behind blossoming white and pink peonies, hunting a butterfly at top C

Cat and Butterfly among Peonies, c. 1732

Shin Sen

Not on View
small inset landscape; woman wearing grey and black striped jacket, seated on a purple, orange, blue and white cloth, covering her upper body and lap with a blue blanket with white flowers; rectangular inset image of city tower and power poles, URC

Shinbashi, c. 1914-1916

Ishii Hakutei; Publisher: Nakajima Jūtarō; Carver: Igami Bonkotsu

Not on View

Shinagawa, 1847-1852

Utagawa Hiroshige; Publisher: Tsutaya Kichizō

Not on View
busy pedestrian street in evening; three large lanterns, red and white, with black Japanese text; other signs and lights; shops with curtains over doorways; figures walking including woman in red kimono with a pink bundle with child, both seen from back, in LLQ, and young woman in purple kimono and green jacket in LRQ

%C2%A9 Yoshida T%C5%8Dshi

Shinjuku, 1938

Yoshida Tōshi (self-published)

Not on View
large bowl-like or clam-like shape; grey, rust and metallic black color with crackled frosting-like white glaze on exterior; natural wood box with lid, marigold color cloth wrap, cream-colored mottled paper cover, and dark plum color tie

Shino's Sea God, 2015

Gotō Hideki

Not on View

Shinagawa, c. 1840-1842

Utagawa Hiroshige; Publisher: Sanoya Kihei

Not on View
red artist's seal Ichiryūsai missing

No. 12, Shinmachi, c. 1835-1838

Utagawa Hiroshige; Publisher: Iseya Rihei

Not on View
red artist's seal Ichiryūsai missing

No. 12, Shinmachi, c. 1835-1838

Utagawa Hiroshige; Publisher: Iseya Rihei

Not on View
unsigned

Shinagawa, 1810

Katsushika Hokusai; Publisher: Tsuruya Kinsuke

Not on View
female figure seated with arms clasped toward chest; wearing court dress, with long, pleated hair; small crown on head; mounted to wooden screen on back

Shinto Goddess, 12th-13th century

Unknown Japanese

G220

portrait of a frowning man with mouth slightly open; bare arms visible at edges of sheet; man wears a kimono with white stripes with brown brushstroke-like marks and purple stripes with blue checks; sword handle visible at man's stomach; landscape at top with mountain at left and trees; red cartouche with text in URC, surrounded by blossoming trees, lantern with text, bench and other objects

Kanno River at Shingawa Station [sic; Kanna River at Shinmachi Station]: (Actor Nakamura Gizaemon as) Ohyariko Denbei, 1852, 11th month

Utagawa Kunisada; Publisher: Hayashiya Shōgorō; Carver: Yokogawa Takejirō

Not on View

(Seals, Carving Tools, Porcelain Ink Box and Plum Branch), 1820

Ryūryūkyo Shinsai

Not on View

Tiger Gate, 1818

Ryūryūkyo Shinsai

Not on View
front cover soiled & worn with loss to blue & white paper & paper labels; scattered black & red spots on covers; pages soiled & discolored with scattered bleeding of ink; scattered holes/loss throughout pages & covers, possibly insect damage; other #'s J170-24

A Hundred Comic Pictures vol. 2, 1832, 5th month

Ōishi Shinko

Not on View

Bright Yellow Canary Bird, c. 1820

Ryūryūkyo Shinsai

Not on View
three full lines of bold calligraphy, fourth partial line; oval relief stamp URC; two square intaglio stamps LLC

Large Poem in Four Columns, mid 19th century

Shinozaki Shōchiku

Not on View
brown and white bud-shaped form with long slit beginning at the bulbous base, flaring to open top; outside of form is brown and white with incised lines; interior of form is brilliant teal blue; front of base is concave; sgraffito on the slip, iron inlay in the groove; hand built

%C2%A9 Tanoue Shin%27ya

Shell, 11-incubate-b, 2011

Tanoue Shin'ya

Not on View
crooked, gnarled tree growing from bottom center towards top with sharply downturned branches and white blossoms; inscription at ULQ

Pure Spirit of Antiquity, second half 19th century

Yamanaka Shinten'ō

Not on View
two and one half lines of soft, looping calligraphy; oval relief seal URC; large square relief seal LL; smaller square intaglio seal LL

Amid the Mountains, second half 19th century

Yamanaka Shinten'ō

Not on View
small (nearly) square paper with nine lines of scrawling, looping cursive; two center lines are shorter

Twenty-five Letters, mid 19th century

Shinozaki Shōchiku

Not on View
one long vertical line of calligraphy; two shorter, smaller parallel lines at bottom; mounted to textured steel blue paper mount

Single-line Calligraphy, mid 19th century

Shinozaki Shōchiku

Not on View
three larger characters at top center; two parallel lines below of looping writing; circular relief stamp URC; two square intaglio stamps at bottom; gold border

Mount Fuji, second half 19th century

Yamanaka Shinten'ō

Not on View
tall, vertical, bulbous rock formation at center with grey peaks in background; large rock formation with trees at LR; waterfall with cascades extending from large rock formation into LLQ; small figure with staff looking up at falls; inscription at ULQ

Landscape for Nakajima, second half 19th century

Yamanaka Shinten'ō

Not on View
black shrimp facing upward with two outstretched feelers at L; three shells to R of shrimp at bottom; inscription R side

Treasures of the River, second half 19th century

Yamanaka Shinten'ō

Not on View
fourteen lines of cursive calligraphy, small characters; fifteenth line composed of one character; two shorter lines just left of center with signature; writing occupies right 2/3 of sheet

Letter, mid 19th century

Shinozaki Shōchiku

Not on View
twelve lines of angular, evenly spaced calligraphy; long sheet folded into three segments; one square intaglio stamp and one square relief stamp at LL

Colophon on five leaves (page two of two), 1851

Shinozaki Shōchiku

Not on View
plum branch extending from UR with plum blossoms; inscription LRQ; gold flecked paper

Plum Blossom Tanzaku, second half 19th century

Yamanaka Shinten'ō

Not on View
forty lines of very small, compactly written and spaced calligraphy; last few lines have even smaller characters; rectangular relief stamp URC; two square intaglio stamps at L edge; mounted on jet black board

Poem, 1843

Shinozaki Shōchiku

Not on View
tall, slender pine tree; extends 3/4 of scroll; three line inscription at top; right scroll

Pine [right of a pair of Pine and Rock], 1874

Yamanaka Shinten'ō

Not on View
tall, narrow rock with two groups of fungus growing on rock; inscription in upper half at R; very long and narrow scroll; L scroll

Rock [left of a pair of Pine and Rock], 1874

Yamanaka Shinten'ō

Not on View
two broken vertical lines of calligraphy; R line broken by large, linear embellishment of character

Poem on Satin, second half 19th century

Yamanaka Shinten'ō

Not on View
four lines of calligraphy; teal blue mount

Poem on the Wind, mid 19th century

Shinozaki Shōchiku

Not on View
four lines of looping, loose calligraphy with smaller lines at L; dark blue mount

Recalling an Imperial Visit, second half 19th century

Yamanaka Shinten'ō

Not on View
flat bank at lower center lined with boulders, with trees and small, open walled structure; tall, rounded mountain at UR; inscription ULQ

Landscape in the Manner of Ni Zan, second half 19th century

Yamanaka Shinten'ō

Not on View
celadon-glazed baluster vase

%C2%A9 Kawase Shinobu

Vase, c. 1988

Kawase Shinobu

Not on View
wide foot; rounded dish shape with five lobes at rim, forming flower-like shape; light blue

Five-lobed celadon bowl, 20th century

Kawase Shinobu

Not on View
12-sided cylinder with thin crisscrossing strips of shell; gold flecks at top center

Tea caddy with stripe motif, 2009

Yamamura Shinya

Not on View
scattered pastel forms against gray background; black half field goal shape with yellow circle bottom edge R; mauve organic form on each side; pink rectangle overlapping mint green rectangle at extreme R; split rust and orange flame shape at far L; blue swoosh at C; blue and gray forms at top

%C2%A9 Shinagawa Takumi

[abstracted pastel forms], 20th century

Shinagawa Takumi

Not on View
red abstracted form of a human body; one red leg pointing out to the right and one red leg and black pointed down; blackk abstracted spiral shape in the center of the to the red form; yellow and pink background

%C2%A9 Shinagawa Takumi

Dance Music No. 8, 1953

Shinagawa Takumi

Not on View
dark purple and grey ground; two vertical white and grey wedges; eye at top of right wedge; horizontal blue forms

%C2%A9 Shinagawa Takumi

[Abstract face], 20th century

Shinagawa Takumi

Not on View
dark columnar form with light and dark areas, rising through center of sheet; linear forms slicing from figure into negative space: two at top and bottom R side extending downward, and two on L side extending upward; horizontal dark block extending at LL into columnar figure

%C2%A9 Shinoda T%C5%8Dk%C5%8D

Source, 1980s

Shinoda Tōkō

Not on View
four wispy linear forms rising vertically up the center of image from between two square figures at bottom; LL square is black, LR figure is lighter, transparent; at center, a transparent rectangular form crosses the wispy figures

%C2%A9 Shinoda T%C5%8Dk%C5%8D

Sprout D, 1980s

Shinoda Tōkō

Not on View
large abstract painting; black background with two vertical and one horizontal bar forms that form partial frame within black background; shorter horizontal white bar near LLC; large area of white splatter marks near C and UC

%C2%A9 Shinoda T%C5%8Dk%C5%8D

Untitled, second half 20th century

Shinoda Tōkō

Not on View
black triangle, LLC; black line top center; lighter grey lines with some diagonal marks

%C2%A9 Shinoda T%C5%8Dk%C5%8D

Title unknown [Abstract image with lines], 1968

Shinoda Tōkō

Not on View
abstract image; highly textured light gray diagonal shapes across C and LL; rich black triangular shape at LL; wispy crisscrossing and V-shaped lines upper; white background

%C2%A9 Shinoda T%C5%8Dk%C5%8D

After the Rain, 1968

Shinoda Tōkō

Not on View
abstract image; Heavy black stroke slanting down from upper left towards the right center of image; texture stroke began from bottom center, slants up to left center, turns to center if image, narrows to dul point of to the right side of image; bottom right corner is inked with light texture;

%C2%A9 Shinoda T%C5%8Dk%C5%8D

Breeze, 1968

Shinoda Tōkō

Not on View
irregular rectangular form rendered in watery, pockmarked ink at bottom; horizontal crisscrossing brush marks upper C

%C2%A9 Shinoda T%C5%8Dk%C5%8D

Rihaku, 1990

Shinoda Tōkō

Not on View
black diagonal form with linear red accents LLQ; parallel beige form and overlapping gray streak with rubbed texture also LLQ; two thick, crisscrossed diagonal brushstrokes near C of image, with tip overlapping in forms at L; thin white and ochre accent in brushstroke

%C2%A9 Shinoda T%C5%8Dk%C5%8D

Blessing C, 20th century

Shinoda Tōkō

Not on View
image of print broken up into three separate sections; left section is a gradated mossy green with thin black lines and thin black grid system; top right image is a lighter green with organic shadowy elements of curling sticks, a leaf, and transparent watery drips; bottom right section is purple with a leaves and petals, with a darker blue squared off area in ULC, and orange rectangular section on left

%C2%A9 Araki Shinko

Green Flora V, c. 2000

Araki Shinko

Not on View
medium sized celadon bowl; pronounced cracks across surface; six notches around rim of bowl; pale brown ceramic visible under glazing around rim

%C2%A9 Kawase Shinobu

Lobed celadon bowl, 1970s

Kawase Shinobu

Not on View
two images on mount: top image has five lines of calligraphy; lower image has a gnarled and bent pine tree with two mushrooms growing from LL of trunk, and inscription at R

Pine and Poem Gifts, second half 19th century

Yamanaka Shinten'ō

APS

abstracted form of an erupting volcano at bottom, in purple-brown, overlapping a black band; dreamy background of dark gray, brown, and purple; triangular shape entering plane at R; two irregular lines overlapping scene at L and one at R; built-up layers of cloth tape at corners, with a few pieces along edge

%C2%A9 Shinro Ohtake

Retina #27 (Active Volcano), 1990-1991

Shinro Ohtake

Not on View
light blue; black lacquer cover with small loop handle; wide, flat foot; sides taper inward and flare outward to three scallops--two incised and one pointing outward as a spout

%C2%A9 Kawase Shinobu

Water container (mizusashi), 2009

Kawase Shinobu

Not on View
vase with flared mouth that mimics the shape of a lotus leaf; slightly flared base with narrow body; celadon glaze

%C2%A9 Kawase Shinobu

Flower vase with flared lotus-shaped mouth, c. 1996

Kawase Shinobu

Not on View
framed abstract painting; gray angled form at bottom with black diagonal streak balancing over it starting at L edge and extending towards R; bowed, brushy arc over diagonal streak

%C2%A9 Shinoda T%C5%8Dk%C5%8D

Movement and Stillness, 1964

Shinoda Tōkō

Not on View
curvilinear form with a blob-like body; pink and cream coloring with grey scorch marks; lid has three lobes and a curved ribbon-like handle

Flare, 1994

Kawase Shinobu

Not on View
rounded, almost lobed, shaped bowl with stark white glaze dripped over a reddish brown clay body

Tea bowl (chawan), 1991

Kawase Shinobu

Not on View
two panel small screen; small boat drawn with just a few silver strokes against a dark blue background; silver panel opposite

%C2%A9 Shinoda T%C5%8Dk%C5%8D

Boat, c. 1962

Shinoda Tōkō

Not on View
a long and narrow cliff with an empty hut on an upper plateau and a pine tree dominates the center; a sailboat emerges from behind the cliff on the left

Casually Embracing I Fu-chiu's Ideas, 19th century

Yamanaka Shinten'ō

Not on View
front cover soiled & worn with loss to blue & white paper & paper labels; scattered black & red spots on covers; pages soiled & discolored with scattered bleeding of ink; scattered holes/loss throughout pages & covers, possibly insect damage; other #'s J170-24

A Hundred Comic Pictures vol. 1, 1832, 5th month

Ōishi Shinko

Not on View

(Monkey Costumed for a New Year's Dance), around 1900

After Ryūryūkyo Shinsai

Not on View

(Folded Court Robe and a Hat with Tiger Ornament), 18th-19th century

Ryūryūkyo Shinsai

Not on View

Yellow of Boxwood Comb, c. 1820

Ryūryūkyo Shinsai

Not on View

Red, c. 1820

Ryūryūkyo Shinsai

Not on View

Costumed Figures on a Stage, 20th century

Everett Shinn

Not on View

Tigers Run One Thousand Miles, 1818

Ryūryūkyo Shinsai

Not on View

Making Court Headgears, 19th century

Ryūryūkyo Shinsai

Not on View
2 sharp edges with black at edges and mouth; horizontal, uneven striations in various shades of blue, lightening toward top

%C2%A9 Estate of Miyashita Zenji

Shining Sea Reflecting on Clouds, 2001

Miyashita Zenji

Not on View
portrait (bijin-ga); back of a seated woman wearing a black garment with grey flecks; red, blue and white blanket over woman's lap

Charcoal Foot Warmer, January 1923

Itō Shinsui; Publisher: Watanabe Shōzaburō

Not on View
landscape; seated figure at L and standing figure at center, each with a cow on a lead; figure in bright hut milking a cow at center; trees at R; water in background; dark blue sky

%C2%A9 It%C5%8D Shinsui

Daybreak, 1937

Itō Shinsui; Publisher: Watanabe Shōzaburō

Not on View
portrait (bijin-ga); head and torso of woman wearing light purple and white kimono with red and white collar and multicolored obi; blue ground

%C2%A9 It%C5%8D Shinsui

Maiko Girl, July 1932

Itō Shinsui; Publisher: Watanabe Shōzaburō

Not on View
landscape; small pavillion at the end of a dock in the falling snow; snow-covered foliage at L; grasses in water in foreground

Floating Temple of Katada, May 1918

Itō Shinsui; Publisher: Watanabe Shōzaburō

Not on View
landscape; building in LLC in mountains with trees in foliage

%C2%A9 It%C5%8D Shinsui

Charcoal-making at Hino, 1939

Itō Shinsui; Publisher: Watanabe Shōzaburō

Not on View
crouching woman wearing a blue and white floral kimono, holding the end of her sleeve in her mouth and wringing a cloth over a wooden bucket

%C2%A9 It%C5%8D Shinsui

Woman After a Bath, 1960

Itō Shinsui; Publisher: Watanabe Shōzaburō

Not on View
still life; cantalope with attached stem, R; blue, brown and white bowl with green and pink peaches

%C2%A9 It%C5%8D Shinsui

Melon and Peaches, 1939

Itō Shinsui; Publisher: Watanabe Shōzaburō

Not on View
portrait (bijin-ga), mica background; standing woman seen from back, adjusting the back of her hair with a comb; orange and yellow patterned kimono; black, white, green and maroon striped obi

Long Undergarments, 1927

Itō Shinsui; Publisher: Watanabe Shōzaburō

Not on View
landscape; woman in a purple and blue kimono carrying a bucket on her head, walking on a path toward water; buildings at L and R; foliage, LRC; bird in sky at top center

%C2%A9 It%C5%8D Shinsui

High Noon, 1937

Itō Shinsui; Publisher: Watanabe Shōzaburō

Not on View
landscape; rocky shortline; mountains in background

%C2%A9 It%C5%8D Shinsui

Afternoon at Shirahama, 1939

Itō Shinsui; Publisher: Watanabe Shōzaburō

Not on View
portrait; nude woman standing on a rock, water at R, washing her PR foot with a blue and white cloth; orange leaves, ULC, with fallen leaves on rocks

%C2%A9 It%C5%8D Shinsui

Fragrance of the Hot-spring, Autumn 1930

Itō Shinsui; Publisher: Watanabe Shōzaburō

Not on View
landscape; tall trees with thick trunks beyond a field in foreground; figure with ox at R; blue mountains in background

Awazu, May 1917

Itō Shinsui; Publisher: Watanabe Shōzaburō

Not on View
portrait; head and shoulders of a woman applying pigment to her lips with her finger, holding a blue and white container of pigment; red and white kimono with grey and white collar

Lip Rouge, October 1922

Itō Shinsui; Publisher: Watanabe Shōzaburō

Not on View
young woman in a grey kimono with white crosses, holding a blue umbrella, standing in front of irises and azaleas in bloom

%C2%A9 It%C5%8D Shinsui

Early-summer Rain, May 1931

Itō Shinsui; Publisher: Watanabe Shōzaburō

Not on View
bust portrait of woman in profile wearing blue and white plaid kimono, hanging a paper lantern with blue flowers

%C2%A9 It%C5%8D Shinsui

Gifu-style Paper Lantern, Summer 1930

Itō Shinsui; Publisher: Watanabe Shōzaburō

Not on View

Ki(ri)shun; Five-sheet print of Collecting Brine, no. 2, c. 1828-1830

Utagawa Kuniyoshi; Carver: Shinzō

Not on View
profile view of nude woman crouching on ground; blue/green background

Early Summer Bath, Spring 1922

Itō Shinsui; Publisher: Watanabe Shōzaburō

Not on View
portrait (bijin-ga); head and torso of a woman wrapping a blue and white cloth around her head; woman wears a blue and white kimono; blue and white ground; label on back, LLC

%C2%A9 It%C5%8D Shinsui

Shellfish Gathering, Spring 1931

Itō Shinsui; Publisher: Watanabe Shōzaburō

Not on View

Ensei, c. 1828-1830

Utagawa Kuniyoshi; Carver: Shinzō

Not on View

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