Religion. Central panel is a Pieta with an elaborate view of 15th century Bruges in the background. Donors included with saints in the scene. Left wing - St. John; Right wing - St. Catherine Figures of Christ, Mary and Saints all portraits of real people. Artist was primarily a portraitist though fashion of the time demanded religious pictures. Rich costumes of St. Catherine in right wing and donors in central panel reveal artist's interest in color and rich fabrics. People grouped tightly in foreground with little space around them. Space extends backward into picture but not forward. View of Bruges in background characteristic of this painter's work. The non-religious figures save Catherine, surpass the others, and show genuine bent for portraiture. The Spanish cast of Christ's features an unusual detail. STYLE: Flemish paintings in oil on panel derive from earlier schools of manuscript illumination and reveal their influence in: - Colors which are brilliant and harmonious with enamel-like hardness of finish. - Delicacy of technique and proportion. - Minute and sympathetic rendering of landscape. - Long flowing lines in the tradition of the International Style. Grace of pose and gesture also characteristic of this style. — Lamentation with Saint John the Baptist and Saint Catherine of Alexandria, 1493–1501
Master of the Legend of Saint Lucy

G342

From the high altar of San Marco, Florence Italy (sold late 18th century) — Saint Romuald, c. 1440
Fra Angelico (Fra Giovanni da Fiesole)

G343

Saint Augustine and Saint Monica — Saint Augustine and Saint Monica, 17th century
Gioacchino Assereto

G330

Saint John the Baptist in the Wilderness in a loin cloth reclining on red drapery under a tree by a stream with his hands clasped with the lamb and the cross by his side. in the clouds above are seven infant Angels' heads — Saint John the Baptist, c. 1755
François Boucher

G308

Saint Roch — Saint Roch, c. 1730–35
Giambattista Tiepolo (Giovanni Battista Tiepolo)

G307

Saint Ambrose Father of the Catholic Church — Saint Ambrose, 1623 or 1625
Claude Vignon

G330

The right-hand half of a pair of decorations painted by Vuillard for Dr. Vaquez in 1912-1913; shows the junction of the Boulevard Haussmann and Boulevard Malesherbes at the Place St. Augustin as seen from a café at the Rue de la Pépinière — Place Saint-Augustin, 1912-1913
Edouard Vuillard

G355

a pair with Saint Paul (66.37.2); probably they were the lateral wings of a triptych dedicated to the Virgin Mary; arched top. Likely they were panels in a larger polyptych; not necessarily a triptych as there is no indication of them being wings. — Saint Sirus, c. 1460
Vincenzo Foppa

G343

a pair with Saint Sirus (66.37.1); probably they were the lateral wings of a triptych dedicated to the Virgin Mary; arched top — Saint Paul, c. 1460
Vincenzo Foppa

G343

Life-sized statue of the saint with her foot on the head of the upper body of a bearded man, identified as the Roman Emperor Maxentius, who willed her torture and martyrdom. — Saint Catherine, c. 1450–60
Austria

Not on View

Augustin de Saint-Aubin Seated before an Easel in his Studio, Gabriel de Saint-Aubin — Augustin de Saint-Aubin Seated before an Easel in his Studio, c. 1775
Gabriel de Saint-Aubin

Not on View

from a polyptych, arched top (pointed) — Saint Lucy, c. 1410
Benedetto di Bindo Zoppo

G343

diptych, part of an altarpiece — Saint Bartholomew and Saint Anthony Abbot, 1408
Mariotto di Nardo

G343

rectangular frame with an octagonal opening; three standing figures, a male at left facing right holding the head of St. John's by the hair, a woman wearing a blue dress at right holding a silver tray with the head of St. John on it and Salome at center looking on wearing a white headdress with strands of pearls — Salome with the Head of Saint John the Baptist, 1670s
Onorio Marinari

G330

Louise Emilie: Baronne d’Andlau, Augustin de Saint-Aubin — Louise Emilie: Baronne d’Andlau, 1779
Augustin de Saint-Aubin

Not on View

You May Count on Me!, Augustin de Saint-Aubin — You May Count on Me!, 1789
Augustin de Saint-Aubin

Not on View

At Least Be Discreet!, Augustin de Saint-Aubin — At Least Be Discreet!, 1789
Augustin de Saint-Aubin

Not on View

"Bonnart" genre. — Femme de qualite en robe de chambre d'kyuer, 1685
Jean Dieu Saint-Jean

Not on View

center of 3 flowers, green leaves, amber bottom — Paperweight, 19th century
Saint Louis Glass Works

Not on View

"Bonnart" genre. — Femme de Qualite en deshabille de Vestalle, 1688
Jean Dieu Saint-Jean

Not on View

large purple dahlia, star base; star cut base with set up in center of large purple aster with green leaves — Paperweight, 19th century
Saint Louis Glass Works

Not on View

red fuchsia flower on apricot colored stem, 2 birds and 4 green leaves, swirl — Paperweight, 19th century
Saint Louis Glass Works

Not on View

faceted white flower with rose background encased by white lattice — Paperweight, 19th century
Saint Louis Glass Works

Not on View

large pink flower, green leaves, tiny bud, faceted, lattice background; camomile blossom — Paperweight, 19th century
Saint Louis Glass Works

Not on View

candy stripe swirl in white, green and red; center flower delicate green with tiny flowers in center — Paperweight, c. 1847
Saint Louis Glass Works

Not on View

broken candy set ups filling weight 1/2' to its depth — Paperweight, c. 1850
Saint Louis Glass Works

Not on View

bouquet; faceted center design small pink flower, white flowers and blue flowers and green leaves — Paperweight, 19th century
Saint Louis Glass Works

Not on View

red poinsettia with green leaves and white lattice background — Paperweight, 19th century
Saint Louis Glass Works

Not on View

"Bonnart" genre. — Femme de qualité en deshabille d'hyver, 1694
Jean Dieu Saint-Jean

Not on View

small faceting - center small white flowers surrounded by 12 or more green leaves and small blue flowers; all in spiral wreath of blue and white — Paperweight, 19th century
Saint Louis Glass Works

Not on View

faceted with star cut base containing old fashionde boquet; center flower deep blue surrounded by green leaves; also two set ups and 2 red petaled flowers — Paperweight, 19th century
Saint Louis Glass Works

Not on View

St. Louis millefiori; seven varying colored and shaped circular rows of set ups, closely gatherd and diminishing in size towards center of weight; around outer row and continuing under bottom of weight is a single row of crimped edged green tubular set ups with white linings — Paperweight, 19th century
Saint Louis Glass Works

Not on View

medium size paperweight consisting of six vegetables, two white and one red radish, two yellow carrots (!) and one purple; lots of green leaves; white swirl latticino background — Paperweight, 19th century
Saint Louis Glass Works

Not on View

faceted millefiori bouquet consisting of red and white filigree border around a green leaf; encased bouquet of three varying colored flowers and two set ups — Paperweight, c. 1850
Saint Louis Glass Works

Not on View

a spray consisting of 5 leaves with lighter stripe and center flower consisting of 3 set ups (red, blue and yellow); bottom corrugated — Paperweight, 19th century
Saint Louis Glass Works

Not on View

millefiori - rows of various colored flowers; lace background; consists of an outer row of predominantly and alternating pink and blue set ups, inside of which appear five generously spaced predominantly canary colored large sided set ups; in the center of the weight appears a still larger circular shaped set up with pink center and green edge — Paperweight, 19th century
Saint Louis Glass Works

Not on View

Stouf's representation of the saint shows him standing and looking down at two dead infants at his feet. His facial expression registers his horror at he devastations of the "Fronde"--the civil war of 1648-1653. The resultant life-size statue was the sculptor's first major work. — Saint Vincent de Paul, c. 1787
Jean Baptiste Stouf

G324

standing black figure with short curly black hair, wearing a gold robe and gold shoes; man has arms outstretched, holding open book in PL hand — Saint Benedict of Palermo, c. 1734
Attributed to José Montes de Oca

G341

triptych, enamel on copper; the center panel holds images of the Madonna and Chld, St. John the Divine, St. Louis and Louise de Bourbon, an Abbess of Fontevrault; the left and right panels each contain an image of a prophet; inscriptions accompany each figure; at the bottom center of central panel is a white plaque, also bearing an inscription and coat of arms — Triptych with the Madonna and Child, saints, and prophets, 1538
Pierre Reymond

G342

bust of young man with medium-length curly hair; man wears draping garment with low neckline with knot on PR shoulder; bare PR arm; mottled patina — Saint John the Baptist, c. 1505
Benedetto da Rovezzano

G340

Represented as a child. The figure is in the tribhanga stance and carries a cymbal in his left hand. The right hand is in a gesturing position. Patina brownish-green. Index finger of right hand missing. — Child Shaiva Saint Sambandar, 15th century
India

G211

angel wearing a breastplate and a helmet with a lion at the top and three feathers, holding a sword aloft in his PR hand; angel also wears a shield on his PL arm, printed with, "QUIS UT DEUS"; angel wears a short skirt and a flowered sash over his PR shoulder; angel stands on a fantastic animal with a fierce dog-like head with open mouth with many teeth, lion-like body, thick tail and bat-like wings; silver figures, gilt base — The Archangel Saint Michael in Triumph, c. 1780
Giuseppe Sanmartino

G350

image of a young man with a halo and bobbed blonde hair wearing a red tunic and blue leggings riding a white horse; man also wears an oversized red cloak with a grey lining which he extends to cover the shoulders of a man in white loincloth with brown hair and beard and worn white headscarf, walking behind horse; young man extends sword back toward walking man — Saint Martin and the Beggar, c. 1375-85
Jaume Serra; Artist: Pere Serra

G343

light brown patina; standing man holding an infant in the crook of his PL arm, seated on a book; man has hair cut in a tonsure hairstyle — Saint Anthony of Padua, 17th-18th century
India

G254

male figure wearing a robe carved from brown-veined rock, seated on a red and cream stone plinth; head, hands and feet of gilt bronze; curly hair and beard; wearing cap; man holds scroll in PL hand and two keys in PR hand — The Ludovisi Saint Peter, 2nd century (marble body); c. 1590 (gilt bronze head, hands and feet; throne)
Attributed to Bastiano Torrigiani (head, hands and feet)

G340

Child Baptist in the Wilderness, accompanied by a lamb. — Saint John the Baptist in the Wilderness, c. 1776
Sir Joshua Reynolds

Not on View

'Immaculata' with Anthony of Padua and Francis of Assisi. — The Immaculate Conception with Saints Francis of Assisi and Anthony of Padua, 1649–50
Giovanni Benedetto Castiglione (Il Grechetto)

G330

Religion: NT. Triptych, center panel gabled; wings together form gable. Madonna and Child with Paul, Peter, Catherine and Helena. Francis. Miracles. Stigmatization of Francis in retreat on Mount Alverna. Annunciation. Mary, usually reading, is visited by the Angel. Crucified Christ with Mary and John the Evangelist. Central panel Madonna and Child enthroned; the child stands in his mother's lap facing her, his arms extended; the Virgin looks at him with a half smile; she wears a red lined blue mantel over a dark red gown; back of throne decorated with slender arabesques on scarlet ground; to left of throne stands St. Helen and St. Peter, to the right St. Catherine and St. Paul; the colors of their robes are ivory, rose, mauve, gold, dull green; gold leaf background; left wing St. Francis Receiving the Stigmata; dull mauve robe; angel's drapery scarlet; gold background; right wing Crucifixion; Mary in black standing at foot of cross; gold leaf background; Pinnacles The Annunciation, Virgin's robe black against scarlet background with decorative motifs of throne, angel, diaphanous rose drapery against gold leaf background; panels bordered with incised motif, haloes bear incised decoration; gold background brilliant, colors fresh. Unsigned. — Madonna and Child Enthroned with Saints, 1339
Bernardo Daddi

G343

Saint Elizabeth of Hungary — Saint Elizabeth, 1901
Timothy Cole; Artist: after (attributed to) Francisco de Zurbarán

Not on View

Impressionist. Landscape with coast. — The Seashore at Sainte-Adresse, 1864
Claude Monet

Not on View

Madonna and Child — The Madonna and Child with the Infant Saint John, c. 1750
Francesco de Mura

G308

Saint Ottilia, Israhel van Meckenem — Saint Ottilia, c. 1475-1480
Israhel van Meckenem

Not on View

St. Leonard sculpture, gilt and painted wood, Italian XVc cat. card dims H 46-1/4' cat card changed back to Austria from Italian; Full-length figure holding a book in his left hand and should be holding a chain in his right, signifying his role as patron saint of prisoners. — Saint Leonard, 1495-1510
Hans Klocker

Not on View

Saint Sebastian, Martin Schongauer — Saint Sebastian, c. 1480-1490
Martin Schongauer

Not on View

Saint Christopher, Lucas Cranach the Elder — Saint Christopher, c. 1509
Lucas Cranach the Elder

Not on View

One of six known impressions; trimmed all four sides; no watermark. — Saint Lucy, c. 1510
Master I.I.C.A.

Not on View

standing man wearing a hat with a wide brim, pushed back on his head, with long ties and robe-like garment; man holds a pen in his PR hand and an open book in his PL hand; standing lion next to and behind man; columns and a wall with architectural details behind man, with landscape and buildings visible beyond columns; sheet trimmed into round shape (tondo) — Saint Jerome, c. 1520
Master of 1518

Not on View

seated female figure holding feather-like object and book in PR hand; sword (?) in PL hand; two female figures standing on either side; architectural background; broken wheel, center front — Saint Catherine Enthroned with Saint Lucy and Saint Agatha, 16th-17th century
Lazzaro Tavarone

Not on View

five images (clockwise from top): frieze with five women wearing flowing garments, drinking horn with branch in relief and bull's head at bottom, seated Egyptian goddess with animal's head, putto seen from back with a bleating goat who is lying down, vessel with a fluted foot and relief heads; 2016.106.4.1-6 received bound together (stitched at top with string) — Fascicule I, Plate 2, from "Suite de Dix Huit Feuilles d'après l'antique...", 1763
Jean-Claude Richard, Abbé de Saint-Non

Not on View

six images (clockwise from top): frieze with scrolls and foliage, covered vessel with pair of panther handles, seated satyr playing a panflute, seated figure with a lobed hat or hairstyle, seated bearded man holding a U-shaped object, monument with pair of figures with their hands on each other’s shoulders and a garland across their legs; 2016.106.4.7-12 received bound together (stitched at top with string) — Fascicule II, Plate 10, from "Suite de Dix Huit Feuilles d'après l'antique...", 1763
Jean-Claude Richard, Abbé de Saint-Non

Not on View

three images (clockwise from top): frieze with procession of women, with girl and nude child at left, carrying a column and a rounded vessel on a litter, standing woman with braids and a spray of fruit above her head, ornament with winged putto, pair of goat heads, and pair of sphynxes; 2016.106.4.7-12 received bound together (stitched at top with string) — Fascicule II, Plate 8, from "Suite de Dix Huit Feuilles d'après l'antique...", 1763
Jean-Claude Richard, Abbé de Saint-Non

Not on View

three images (clockwise from top): nude man with a drapery tied around his neck wrestling with two bulls, columns in the form of griffons, seated woman wearing a crown and draping garment flanked by two lions; 2016.106.4.1-6 received bound together (stitched at top with string) — Fascicule I, Plate 1, from "Suite de Dix Huit Feuilles d'après l'antique...", 1763
Jean-Claude Richard, Abbé de Saint-Non

Not on View

four images (clockwise from top): frieze with old man at left and young man at right each kneeling on one knee, picking grapes, vessel with arcing handles and relief portrait, winged putto with ribbons and swags with fruit, three nude female figures holding a basin aloft; 2016.106.4.7-12 received bound together (stitched at top with string) — Fascicule II, Plate 7, from "Suite de Dix Huit Feuilles d'après l'antique...", 1763
Jean-Claude Richard, Abbé de Saint-Non

Not on View

four images (clockwise from top left): tapering column flanked by two Egyptian figures, topped with egg-shaped element with face, woman wearing draped garment standing behind and assisting a youth wearing draperies playing two horns, basin supported by standing nude male figures, monument with eagles, two children with a boar, swag of fruit and pair of horned male heads, topped with vessels of various types; 2016.106.4.1-6 received bound together (stitched at top with string) — Fascicule I, Plate 6, from "Suite de Dix Huit Feuilles d'après l'antique...", 1763
Jean-Claude Richard, Abbé de Saint-Non

Not on View

five images (clockwise from top right): winged woman wearing flowing garment holding a laurel crown, pot with pair of high relief handles in the form of nude females, satyr with a tambourine embracing a woman with a drapery across her lap and a satyr child in lower right, basin with tapered column legs with paw feet and lion's heads, standing winged putto with garland of fruit with ribbons; 2016.106.4.7-12 received bound together (stitched at top with string) — Fascicule II, Plate 11, from "Suite de Dix Huit Feuilles d'après l'antique...", 1763
Jean-Claude Richard, Abbé de Saint-Non

Not on View

four images (clockwise from top): frieze with pair of griffons facing each other, decorative scrolls and flowers, seated Egyptian with text on the front of garment over shins, frieze with pair of lions facing each other, each with a paw on the edge of a vessel between them, drum-shaped column with pair of birds and column with overturned vessel on top, spilling liquid; 2016.106.4.13-18 received bound together (stitched at top with string) — Fascicule III, Plate 15, from "Suite de Dix Huit Feuilles d'après l'antique...", 1763
Jean-Claude Richard, Abbé de Saint-Non

Not on View

four images (clockwise from top right): bust of Janus figure, satyr examining the foot of a seated nude man, sculpture of a man holding a baton seated on an eagle, with a waterfall and a decorative screen in foreground, pyramid structure; 2016.106.4.7-12 received bound together (stitched at top with string) — Fascicule II, Plate 12, from "Suite de Dix Huit Feuilles d'après l'antique...", 1763
Jean-Claude Richard, Abbé de Saint-Non

Not on View

six images (clockwise from top left): back of a nude leaning on a drapery-covered short column, drum-like vessel with a garland and relief target-like element, pair of vases (one with three figures), seated nude woman flanked by two figures with men's heads and upper bodies and fish-like lower bodies, large vessel with relief decoration of horned man with shaggy hair and garlands, two short columns--tallest with a relief snake, shortest with a relief pitcher; 2016.106.4.1-6 received bound together (stitched at top with string) — Fascicule I, Plate 5, from "Suite de Dix Huit Feuilles d'après l'antique...", 1763
Jean-Claude Richard, Abbé de Saint-Non

Not on View

Fascicule II, Plate 9, from "Suite de Dix Huit Feuilles d'après l'antique...", 1763

Jean-Claude Richard, Abbé de Saint-Non

Not on View

four images (clockwise from top left): standing figure wearing earrings holding a rectangular box with a standing figure inside, scene with youth at left holding a mask of an old bearded bald man with another standing figure at right, with a lying-down goat at center bottom, another lying-down animal in LRC, target-like element to right of standing figure at right and a round element left of center with a bird, Egyptian monument with standing figure and pair of lion heads, monument or vessel with tapering squared-off fluted columns and putti in relief; printed off-center on page; 2016.106.4.1-6 received bound together (stitched at top with string) — Fascicule I, Plate 3, from "Suite de Dix Huit Feuilles d'après l'antique...", 1763
Jean-Claude Richard, Abbé de Saint-Non

Not on View

five images (clockwise from top right): standing Egyptian figure with a snake wrapped around body, drum-shaped column with frieze of women in a line, each holding the garment of the woman in front of them, winged figure with a three-tiered garment holding a looping drapery over her head, standing woman holding her garment hem up to her lower abdomen exposing her legs and genitals, seated Egyptian nude woman flanked by pair of lions fountains with water coming out of their mouths; 2016.106.4.13-18 received bound together (stitched at top with string) — Fascicule III, Plate 14, from "Suite de Dix Huit Feuilles d'après l'antique...", 1763
Jean-Claude Richard, Abbé de Saint-Non

Not on View

four images (clockwise from top right): standing woman holding fruit in the front folds of her garment, pouring water into a large drum-shaped vessel with cow's skull in relief, Egyptian vessel with pair of high relief standing nude female figures and band with lions' heads and text, standing nude man carrying a sheep on his PR shoulder, with two large vessels behind him, winged figure wearing a three-tiered garment, playing a horn; 2016.106.4.13-18 received bound together (stitched at top with string) — Fascicule III, Plate 17, from "Suite de Dix Huit Feuilles d'après l'antique...", 1763
Jean-Claude Richard, Abbé de Saint-Non

Not on View

Fascicule III, Plate 18, from "Suite de Dix Huit Feuilles d'après l'antique...", 1763

Jean-Claude Richard, Abbé de Saint-Non

Not on View

six images (clockwise from top right): Three Graces in a rondel, with center figure seen from back, jar with long handles, protrusion at bottom and pair of relief heads, wide column with Greek key design at bottom and bull's head with garlands and flowers at top, vessel with handle in the form of a snake eating its tail and relief grapevines and leaves, frieze with winged putto pouring liquid into a saucer with a griffon holding its front paw on saucer edge, vessel with dolphin handles and foliage; 2016.106.4.13-18 received bound together (stitched at top with string) — Fascicule III, Plate 13, from "Suite de Dix Huit Feuilles d'après l'antique...", 1763
Jean-Claude Richard, Abbé de Saint-Non

Not on View

eight images (clockwise from top left): table with tall legs with three sphinxes on top of goat legs, winged putto seated on an animal consisting of a large penis with the back legs and tail of a lion, table with three one-legged satyrs with erect penises, rondel with a reclining figure of a woman being assisted by a standing draped figure and accompanied by another draped figure and a winged putto, staff with pair of standing figures, one with wings, crescent shaped object with a bird at bottom and a head at each point, cup with pair of sphinxes, standing man pouring liquid onto his erect penis; 2016.106.4.1-6 received bound together (stitched at top with string) — Fascicule I, Plate 4, from "Suite de Dix Huit Feuilles d'après l'antique...", 1763
Jean-Claude Richard, Abbé de Saint-Non

Not on View

six images (clockwise from top): footed wide cup with fluted decorations and pointed handles, standing putto with a garland and a head/mask on top of a column at right, vessel (?) in the form of a seated nude man with his hands on his knees, rectangular basin on a column with a rectangular base, standing woman dressing her hair accompanied by a child holding a mirror, rounded vessel with relief head and feet in the form of winged figures; 2016.106.4.13-18 received bound together (stitched at top with string) — Fascicule III, Plate 16, from "Suite de Dix Huit Feuilles d'après l'antique...", 1763
Jean-Claude Richard, Abbé de Saint-Non

Not on View

Saint Christopher, Martin Schongauer — Saint Christopher, c. 1475-1480
Martin Schongauer

Not on View

man half lying on cloth; group of people surrounding him; man holding torch behind him; man attending to wounds at left; women background left and right — Saint Sébastien, 18th century
Comte de Caylus; Woodcutter: Nicolas Le Sueur; Delineator: After Daniel Saiter

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Saint Christopher, Albrecht Dürer — Saint Christopher, 1511
Albrecht Dürer

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Saint Eustace, Albrecht Dürer — Saint Eustace, c. 1501
Albrecht Dürer

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Saint Jerome, Jacopo de' Barbari — Saint Jerome, 15th century
Jacopo de' Barbari

Not on View

Saint-Oual, André Dauchez — Saint-Oual, 1902
André Dauchez

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vertical composition; Japanese woman at top; European monk at bottom holding cross; ships at top in background — Saint Mary, November 1924
Takehisa Yumeji

Not on View

Saint Joan, David Saunders — Saint Joan, 1983
David Saunders

Not on View

Saint George, Nicoletto da Modena — Saint George, 1500-1510
Nicoletto da Modena

Not on View

Saint Liberalis, Timothy Cole; Artist: after Gorzo da Castelfranco Giorgione — Saint Liberalis, 1892
Timothy Cole; Artist: after Gorzo da Castelfranco Giorgione

Not on View

Academy of Fine Arts, Florence — Saint Michael, 1891
Timothy Cole; Artist: after Pietro Perugino

Not on View

The Cathedral Pisa, p. 55 — Saint Agnes, 1892
Timothy Cole; Artist: after Andrea del Sarto

Not on View

Saint Agnes, Timothy Cole; Artist: after Alonso Cano — Saint Agnes, 1906
Timothy Cole; Artist: after Alonso Cano

Not on View

Saint Lenin, Clara Gardner Mairs — Saint Lenin, c. 1925
Clara Gardner Mairs

Not on View

Saint Gerome, Timothy Cole; Artist: after Domenico (Bigordi) Ghirlandaio — Saint Gerome, 1891
Timothy Cole; Artist: after Domenico (Bigordi) Ghirlandaio

Not on View

Saint Apollonia, Timothy Cole; Artist: after Luini — Saint Apollonia, 1892
Timothy Cole; Artist: after Luini

Not on View

Saint Agnes, Timothy Cole — Saint Agnes, 1888
Timothy Cole

Not on View

male figure in red loincloth is tied to a tree; arrows lodged in PL thigh, chest and in various areas of the tree; darkened landscape with moon in the URQ — Saint Sebastian, 1941
Karl Priebe

Not on View

mounted on ivory paper with tan, brown and gold borders; standing portly man with small glowing halo, with PR foot resting on a ball and PL on a shield (?), holding a crucifix in his PR hand and a lily in his PL hand; chair, large book, cloth-covered table and sacks on floor behind man — Standing Saint, 17th century
Anthonis Sallaert

Not on View

seated bearded man in voluminous draperies, including cloak-like drapery tied around his neck; man looks up to PR; PR hand held out — Saint Augustine, 18th century
Charles-Nicolas Cochin II; Artist: after Giovanni Lanfranco

Not on View

man with halo and drapery over one shoulder holding book and looking over his PL shoulder; drawing is the study for the engraving which is 67.46.3 — Saint Jude, 1591-1592
Jacob de Gheyn, the Younger

Not on View

Saint Jerome, Bartolomeo Coriolano; Artist: after Guido Reni — Saint Jerome, 1637
Bartolomeo Coriolano; Artist: after Guido Reni

Not on View

standing figure with PR hand on chest, holding a vertical object in PL hand; shoulder length hair; medium brown patina; "12" on masking tape on back — Figure of a saint, 17th-18th century
India

Not on View

William Evarts Beaman in his Fourth Year, 1885 (cast after 1907)

Augustus Saint-Gaudens; Founder: Gorham Manufacturing Company

Not on View

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